Sony SRG-120DH Users Manual

A-ES7-100-11(1)

HD Color Video Camera

Technical Manual

SRG-120DH

2013 Sony Corporation

Table of Contents

Features.............................................................................

3

Connection........................................................................

4

System Configuration.......................................................

5

Locations of Controls........................................................

7

Basic Functions................................................................

10

Overview of Functions..................................................................

10

Initial Settings and Preset............................................................

16

Mode Condition...............................................................................

17

Command List..................................................................

22

VISCA RS-232 Commands............................................................

22

IP Related Setting Command......................................................

32

SRG-120DH Commands................................................................

34

Specifications..................................................................

50

Precautions......................................................................

54

Features

The 1/2.8 type Exmor CMOS camera (utilising approximately 2 million valid pixels) allows for highdefinition shooting with superior picture quality.

Adopts the zoom lens capable of shooting a wide range of 71 degree horizontal angle of view with the 12x optical zoom.

By adopting its wide and dynamic range functions, you can see the optimised shooting image which incorporates bright and dark subjects at the same time.

Adopts the industry standard RS-232 interface of VISCA camera protocol in external communication.

You can use the camera in multi-purpose usages with the pan/tilt functions of high-speed and high noise reduction.

You can use the infrared remote commander to set the camera and also to select panning, tilting and zooming from the setting menu.

You can store up to 16 kinds of camera direction and camera status into the camera. In the case of the infrared remote commander, 6 kinds can be stored.

You can use the LAN cable for external communication. This will make system construction easier.

The camera can be set for a variety of HD video formats and has an HDMI interface terminal. The HDMI video interface is in widespread use.

Connection

HDMI cable (not supplied)

to HDMI VIDEO

to HDMI input

VISCA cable (not supplied) 1)

to VISCA RS-232 IN

to RS-232

 

to VISCA RS-232 OUT To VISCA IN of other SRG series (when

connecting to more than one camera)

LAN cable (not supplied) 2)

 

Computer with LAN or

to LAN

to LAN serial communication

 

interface, HD video

 

monitor with HDMI

 

input interface, etc.

 

AC power adaptor (supplied)

 

to AC outlet

to 12V

 

 

Power cord (supplied)

1)When the camera is connected to a computer with a VISCA cable (cross type, RS-232), you can operate the camera with the computer. To obtain a cable, consult the dealer where you bought your camera.

2)For details on the LAN connection using LAN cable, see page 28.

Notes

Use only the AC power adaptor (JEITA type4) supplied with the unit. Do not use any other AC power adaptor.

You have to set the video format of the signal to be output from the camera. For detailed information on how to set the video format, see “ SYSTEM SELECT switch” on page 7.

Polarity of the plug

System Configuration

The SRG-120DH has various system configuration capabilities using optional products. This section describes three typical system examples with the required components and the main usage of each system.

Operating a SRG-120DH Using the Supplied Infrared Remote Commander

This system allows you:

To operate the camera readily from a short distance

System configuration

SRG-120DH

 

 

HD video monitor

 

Video signal

Infrared Remote Commander

Signal flow

(supplied)

 

Sony SRG-120DH Users Manual

System Configuration

Operating a SRG-120DH Using the RM-IP10 IP Remote Controller

This system allows you:

To perform pan/tilt and zoom operations using the joystick of the IP remote controller, and to perform the Preset operation using the button.

System configuration

HD video monitor

SRG-120DH

RM-IP10 IP Remote Controller

Video signal

Remote Control (VISCA or LAN) signal

Signal flow

Operating Multiple SRG-120DH Using Multiple RM-IP10 IP Remote Controllers

System configuration

You can operate up to 112 cameras using five IP remote controllers.

The joystick of the IP remote controller allows comfortable pan/tilt and zoom operations.

System configuration

HD video monitor

SRG-120DH

SRG-120DH

Video switcher

Video signal

Remote control (LAN) signal

,

Signal flow

SRG-120DH

 

 

 

RM-IP10 IP Remote Controller

PC for the setting

Switching hub

 

 

RM-IP10 IP Remote Controller

 

 

Note

You cannot use the RS-232 connection when using the LAN connection.

Locations of Controls

Camera

Front

Rear

 

Lens

This is a 12-magnification optical zoom lens.

Infrared remote commander sensors

These are sensors for the supplied infrared remote commander.

POWER lamp

Lights in green when the camera is connected to an AC outlet using the supplied AC power adaptor and AC power cord.

Flashes in green when the camera receives an operation command from the supplied infrared remote commander. When the power is turned on, it takes about 15 to 30 seconds to display the image after the lamp lights.

STANDBY lamp

Lights in amber when the power is turned off using the infrared remote commander.

SYSTEM SELECT switch

Used for setting the video format of the signal to be output

from the HDMI VIDEO connectors.

For details, see “Setting of the SYSTEM SELECT switch” (page 8).

HDMI video connector

Supplies the images as a HDMI video signal or DVI video signal.

IR SELECT switch

Select the camera number when you operate multiple cameras with the same infrared remote commander.

VISCA IN connector

Connect to a computer via an RS-232 interface. When you connect multiple cameras, connect it to the VISCA OUT connector of the previous camera in the daisy chain connection.

VISCA OUT connector

When you connect multiple cameras, connect it to the VISCA IN connector of the next camera in the daisy chain connection.

LAN connector (RJ-45 8-pin)

Connect to a switching HUB that is compatible with 10BASE-T/100BASE-TX using a LAN cable (category 5 or higher, shielded twisted pair).

When a link is established, the green indicator lights, and it flashes during communication. While connected with 100BASE-TX, the yellow indicator also lights.

Note

For safety, when connecting the peripheral device, do not connect the connector that might have excessive voltage to this connector. Follow the Operating Instructions for the connection.

12 V connector

Connect the supplied AC power adaptor.

Reset switch

The reset switch is enabled only when the BOTTOM switch is set to the LAN connection. When you press down this switch with a pointed tip for about five seconds, the camera will reboot and only the setting relating to the IP will return to the factory setting.

Factory settings for IP

IP address: 192.168.0.100 Subnet mask: 255.255.255.0 Name: CAM1

Locations of Controls

Bottom

BOTTOM switches

Used for LAN and VISCA CONTROL switching, 9,600 bps and 38,400 bps baud rate selection and IR signal output setting.

For details, refer to the setting of the BOTTOM switches (page 9).

Tripod screw hole

Fix-mounting screw holes

Setting of the SYSTEM SELECT switch

This switch allows you to select the video format of the signal to be output from the HDMI video connector.

SRG-120DH

Set this arrow to the desired video format.

Switch position

Video format

 

0

1920×1080p/59.94

59.94 Hz system

1

No output

 

2

1920×1080p/29.97

 

3

1920×1080i/59.94

 

4

1280×720p/59.94

 

5

1280×720p/29.97

 

6

EDID

7

VISCA CONTROL

8

1920×1080p/50

50 Hz system

9

No output

 

A

1920×1080p/25

 

B

1920×1080i/50

 

C

1280×720p/50

 

D

1280×720p/25

 

E

No output

F

No output

Notes

Be sure to set this switch before you turn on the power of the camera. You can also set this switch in the standby mode of the camera. After completing the setting, turn on the power of the camera by connecting it to an AC outlet using the supplied AC power adaptor and AC power cord, by using the VISCA command or infrared remote commander.

Be sure to use a Phillips-head screwdriver when changing the switch position. If you use a tool other than the designated screwdriver, the crossed groove may be damaged.

If the switch position is set to 1, 9, E and F (no output), the POWER lamp and STANDBY lamp will both remain lit. In such cases, control via the infrared remote commander and VISCA communication is disabled.

If the switch position is set to 6 (EDID), the most suitable format will be output automatically based on the resolution of the Video monitor to be connected.

If the switch position is set to 7 (VISCA CONTROL), you can configure the video format via external communication.

Locations of Controls

Setting of the BOTTOM switches

To change the BOTTOM switch setting, select the BOTTOM switch with the power of this unit turned off (not including standby state), and then turn on the DC power. The setting cannot be changed after the power is turned on.

ON

OFF

(Initial position)

VISCA/LAN switch

Select the communication method setting.

Set to ON to use the LAN connection and set to OFF to use the VISCA CONTROL (serial control).

Switch 2 (Not used)

Be sure to set this switch to OFF.

Baud rate select switch (when using the serial connection)

Set the communication speed in the VISCA CONTROL. ON: 38,400 bps

OFF: 9,600 bps

IR OUT switch

Set to ON to enable output of the receiver signals, which are transmitted from the infrared remote commander via the VISCA IN connector (page 53), or set it to OFF to disable the output.

Switch 5 (Not used)

Be sure to set this switch to OFF.

Switch 6 (Not used)

Be sure to set this switch to OFF.

Switch 7 (Not used)

Be sure to set this switch to OFF.

Switch 8 (Not used)

Be sure to set this switch to OFF.

Basic Functions

Basic Functions

Overview of Functions

Zoom

The SRG camera employs a 12× optical zoom lens combined with a digital zoom function; this camera allows you to zoom up to 144×.

Optical 12×, f = 3.9 mm to 46.8 mm

(F 1.8 to F 2.0)

Digital Zoom enlarges the center of the subject by expanding each image in both the vertical and horizontal directions. When the digital zoom is used, the resolution deteriorates.

You can activate the zoom in the following modes, all of which can be set using VISCA command.

Standard Mode

Variable Mode

There are eight levels of zoom speed.

In these standard and variable modes, it is necessary to send Stop Command to stop the zoom operation.

Direct Mode

Setting the zoom position enables quick movement to the designated position.

Digital Zoom ON/OFF

Focus

Focus has the following modes, all of which can be set using VISCA Commands.

• Auto Focus Mode

The Auto Focus (AF) function automatically adjusts the focus position to maximise the high frequency content of the picture in a center measurement area, taking into consideration the high luminance and strong contrast components.

The minimum focus distance is 10 mm at the optical wide end and 1500 mm at the optical tele end.

- Normal AF Mode

This is the normal mode for AF operations.

- Interval AF Mode

The mode used for AF movements carried out at particular intervals. The time intervals for AF movements and for the timing of the stops can be set in one-second increments using the Set Time Command. The initial value for both is set to five seconds.

- Zoom Trigger Mode

When the zoom is changed, the AF mode activates for the pre-set time. Then, it stops. The initial value is set to 5 seconds.

AF sensitivity can be set to either Normal or Low.

- Normal

Reaches the highest focus speed quickly. Use this when shooting a subject that moves frequently. Usually, this is the most appropriate mode.

- Low

Improves the stability of the focus. When the lighting level is low, the AF function does not take effect, even though the brightness varies, contributing to a stable image.

10

• Manual Focus Mode

Manual Focus has both a Standard Mode and a Variable Mode. Standard Mode focuses at a fixed rate of speed. Variable Mode has eight speed levels that can be set using a VISCA Command.

In these standard and variable modes, it is necessary to send Stop Command to stop the zoom operation.

• One Push Trigger Mode

When a Trigger Command is sent, the lens moves to adjust the focus for the subject. The focus lens then holds that position until the next Trigger Command is input.

• Infinity Mode

The lens is forcibly moved to a position suitable for an unlimited distance.

• Near Limit Mode

Can be set in a range from 1000 (∞) to E000 (1 cm). Default setting: C500 (10 cm)

White Balance

White Balance has the following modes.

• Auto White Balance

This mode computes the white balance value output using color information from the entire screen. It outputs the proper value using the color temperature radiating from a black subject based on a range of values from 2500K to 7500K.

This mode is the factory setting.

• ATW

Auto Tracing White balance (2000K to 10000K)

• Indoor

3200K Base Mode

• Outdoor

5800K Base Mode

• One Push WB

One Push White Balance is a function that forcibly captures the white color once the lighting conditions to illuminate the subject are set, enabling you to shoot the image in the conditions as they are set. By using this function, the natural color of the subject can be obtained without being affected by the surrounding lighting conditions. To set this mode, shoot the subject that you want to capture the white color and send the One Push White Balance Trigger.

The One Push White Balance data is lost when the power is turned off. If the power is turned off, set One Push White Balance again.

• Manual WB

Manual control of R and B gain, 256 steps each

Basic Functions

Automatic Exposure Mode

A variety of AE functions are available for optimal output of subjects in lighting conditions that range from low to high.

• Full Auto

Iris, Gain and Shutter Speed can be set automatically.

• Gain Limit Setting

The gain limit can be set at the Full Auto, Shutter Priority, Iris Priority, Bright and Manual in the AE mode. Use this setting when image signal-to-noise ratio is particularly important.

• Shutter Priority 1)

Variable Shutter Speed, Auto Iris and Gain

(1/1 to 1/10,000 sec., 16 high-speed shutter speeds plus 6 low-speed shutter speeds)

1)Flicker can be eliminated by setting shutter to

1/100s for NTSC models used in countries with a 50 Hz power supply frequency

1/120s for PAL models used in countries with a 60 Hz power supply frequency

Iris Priority

Variable Iris (F1.8 to Close, 14 steps), Auto Gain and Shutter speed

• Manual

Variable Shutter, Iris and Gain

• Bright

Variable Iris and Gain (Close to F1.8, 14 steps and F1.8 at 15 steps)

AE – Shutter priority

The shutter speed can be set freely by the user to a total of 22 steps – 16 high speeds and 6 low speeds. When the slow shutter is set, the speed can be adjusted the slow shutter according to subject brightness. The picture output is read at a low rate from the memory. AF capability is low.

In high speed mode, the shutter speed can be set up to 1/10,000s. The iris and gain are set automatically, according to the brightness of the subject.

11

Parameter

59.94/29.97

50/25 mode

 

mode

 

15

1/10000

1/10000

14

1/6000

1/6000

13

1/4000

1/3500

12

1/3000

1/2500

11

1/2000

1/1750

10

1/1500

1/1250

0F

1/1000

1/1000

0E

1/725

1/600

0D

1/500

1/425

0C

1/350

1/300

0B

1/250

1/215

0A

1/180

1/150

09

1/125

1/120

08

1/100

1/100

07

1/90

1/75

06

1/60

1/50

05

1/30

1/25

04

1/15

1/12

03

1/8

1/6

02

1/4

1/3

01

1/2

1/2

00

1/1

1/1

AE – Iris priority

The iris can be set freely by the user to 14 steps between F1.8 and Close.

The gain and shutter speed are set automatically, according to the brightness of the subject.

Parameter

Setting value

Parameter

Setting value

 

 

 

 

11

F1.8

0A

F5.6

10

F2

09

F6.8

0F

F2.4

08

F8

0E

F2.8

07

F9.6

0D

F3.4

06

F11

0C

F4

05

F14

0B

F4.8

00

CLOSE

AE – Manual

The shutter speed (22 steps), iris (14 steps) and gain (15 steps) can be set freely by the user.

AE – Bright

The bright control function adjusts both gain and iris using an internal algorithm, according to a brightness level freely set by the user. Exposure is controlled by gain when dark, and by iris when bright.

As both gain and iris are fixed, this mode is used when exposing at a fixed camera sensitivity. When switching from Full Auto or Shutter Priority Mode to Bright Mode, the current status will be retained for a short period of time.

Only when the AE mode is set to “Full Auto” or “Shutter Priority,” you can switch it to “Bright.”

Basic Functions

Gain

 

IRIS AGC

 

OPEN MAX

 

 

IRIS curve

 

Gain curve

CLOSE MIN

 

Dark

Bright

Controlled

Controlled by IRIS

by gain

 

Bright limit which controllable for this unit

Parameter

Iris

Gain

Parameter

Iris

Gain

1F

F1.8

+43 dB

11

F1.8

0 dB

1E

F1.8

+39 dB

10

F2

0 dB

1D

F1.8

+36 dB

0F

F2.4

0 dB

1C

F1.8

+33 dB

0E

F2.8

0 dB

1B

F1.8

+30 dB

0D

F3.4

0 dB

1A

F1.8

+27 dB

0C

F4

0 dB

19

F1.8

+24 dB

0B

F4.8

0 dB

18

F1.8

+21 dB

0A

F5.6

0 dB

17

F1.8

+18 dB

09

F6.8

0 dB

16

F1.8

+15 dB

08

F8

0 dB

15

F1.8

+12 dB

07

F9.6

0 dB

14

F1.8

+9 dB

06

F11

0 dB

13

F1.8

+6 dB

05

F14

0 dB

12

F1.8

+3 dB

00

CLOSE

0 dB

When switching from the Shutter Priority mode to the Bright mode, the shutter speed set in the Shutter Priority mode is maintained.

Defog mode

When the surrounding area of the subject is foggy and low contrast, the defog mode will make the subject appear clearer.

12

Wide Dynamic Range Mode (WD)

The Wide Dynamic Range mode is a function for dividing an image into several blocks and correcting blocked-up shadows and blown-out highlights in accordance with the intensity difference. It enables you to obtain images in which portions ranging from dark to light can be recognized, even when capturing a subject with a large intensity difference that is backlit or includes extremely light portions.

Images with wide dynamic range are produced by combining long-exposure signals (normal shutter) with the signals of the high-intensity portions obtained with a short exposure (high-speed shutter).

• About WD Set Parameter (Command: 8x 01 7E 04 00 0p FF)

p: WIDE D (Wide dynamic range mode)

When MODE (exposure mode) is set to FULL AUTO, the camera distinguishes light and dark areas in the same scene, adjusts the brightness for dark areas, and also controls the blown out highlights.

You can select the wide dynamic range mode from among OFF, LOW, MID and HIGH. (0: OFF, 1: LOW, 2: MID, 3: HIGH.)

Notes

You can set the wide dynamic range mode when the WIDE D is set to FULL AUTO only.

When the WIDE D is not set to OFF, the MODE setting is fixed at FULL AUTO.

When changing the WIDE D, the luminance change of the screen occurs for a moment.

When the change of exposure is big, the screen may stop for a moment.

When the wide dynamic range mode is ON, false colors may appear in some parts of the image. This phenomenon is unique to wide dynamic range mode, and is not an indication of a camera malfunction.

When switching Wide dynamic range mode, images are shown at a maximum of 8 frames at the same time.

When the intensity difference of the image is small, there is no difference in effect between MID and HIGH.

Basic Functions

Exposure Compensation

Exposure compensation is a function which offsets the internal reference brightness level used in the AE mode, by steps of 1.5 dB.

The reference brightness is 0.

Parameter

Step

Setting value

0E

+7

+10.5 dB

0D

+6

+9 dB

0C

+5

+7.5 dB

0B

+4

+6 dB

0A

+3

+4.5 dB

09

+2

+3 dB

08

+1

+1.5 dB

07

0

0 dB

06

−1

−1.5 dB

05

−2

−3 dB

04

−3

−4.5 dB

03

−4

−6 dB

02

−5

−7.5 dB

01

−6

−9 dB

00

−7

−10.5 dB

High Resolution Mode

This mode enhances edges and produces higher definition images.

Aperture Control

Aperture control is a function which adjusts the enhancement of the edges of objects in the picture. There are 16 levels of adjustment, starting from “no enhancement.” When shooting text, this control may help by making them sharper.

Back Light Compensation

When the background of the subject is too bright, or when the subject is too dark due to shooting in the AE mode, back light compensation will make the subject appear clearer.

Noise Reduction

The NR (Noise Reduction) function removes noise (both random and non-random) to provide clearer images.

This function has six steps: levels 1 to 5, plus off. The NR effect is applied in levels based on the gain,

and this setting value determines the limit of the effect. In bright conditions, changing the NR level will not have an effect.

13

High Sensitivity Mode

In this mode, higher sensitivity gain is applied as standard gain increases, reaching a gain level at MAX gain of up to 4x the standard gain. In such cases, however, there will be a high volume noise in the image.

Gamma Mode

In this mode, the gamma can be set to ON/OFF.

0:Standard

1:OFF

Auto Slow Shutter On/Off

When set to “On,” the slow shutter functions automatically when the light darkens. This setting is available only when the AE mode is set to “Full Auto.” The default setting is “Auto Slow Shutter Off.”

Low-Illumination Chroma Suppress Mode

You can configure a chroma suppress mode for lowillumination conditions. This can be useful when color noise is particularly noticeable in such conditions. Four levels (disabled and three levels) are available for the low-illumination chroma suppress mode.

Color Gain

You can configure the color gain. Use this setting when bright color is particularly important.

The initial setting 100% (4h) can be set to range from approx. 60% (0h) to 200% (Eh) with 15 stages.

Color Phase

You can configure green, yellow, red, magenta, blue and cyan individually.

The initial setting 0 degrees (7h) is adjustable between approx. 14 degrees (0h) to +14 degrees (Eh), in

15 increments.

Basic Functions

Camera ID

The ID can be set up to 65,536 (0000 to FFFF). As this will be memorized in the nonvolatile memory inside, data will be saved.

Picture Effect

It consists of the following functions.

Neg. Art: Negative/Positive Reversal

Black & White: Monochrome Image

Check for influence of installation environment on infrared remote commander operation

The supplied infrared remote commander may not operate, only occasionally, in the vicinity of the inverter lighting device. In this case, it is possible that the camera is installed in a place where the infrared remote commander cannot stably receive light due to the emission of light from the lighting device.

In either the DC power or VISCA communication, it is judged whether or not the infrared remote commander is under the installation environment where it can receive signal during the initialization process performed after the power of camera is turned on. The result of this judgment can be obtained using the IR_ConditionInq command. (See page 39.)

If the installation environment is judged to be unstable for operating the infrared remote commander, try to take such measures as to install this unit in a place away from the lighting device having the influence, and so on.

Others

STANDBY

Sends the power off command. Or when the power is turned off using the infrared remote commander, the camera becomes STANDBY state. In the STANDBY state, the camera can accept only the VISCA Commands and the POWER ON of the infrared remote commander, and the video signal output and other operations are stopped.

I/F Clear

Clears the Command buffer of the camera.

The buffer is cleared even during the power on state using the control software.

14

Basic Functions

Address Set

VISCA is a protocol, which supports a daisy chain of up to seven connected cameras via RS-232 interface. In such cases, the address set command can be used to assign addresses from 1 to 7 to each of the seven cameras, allowing you to control the seven cameras with the same personal computer. Be sure to use the address set command to set the address whenever a camera is connected for the first time.

Memory (Preset)

Using the preset function, 16 sets of camera shooting conditions can be stored and recalled.

This function allows you to achieve the desired status instantly, even without adjusting the following items each time.

Pan/Tilt Position

Zoom Position

Digital Zoom On/Off

Focus Auto/Manual

Focus Position

AE Mode

Shutter control parameters

Bright Control

Iris control parameters

Gain control parameters

Exposure Compensation On/Off

Exposure Level

Backlight Compensation On/Off

Auto Slow Shutter On/Off

White Balance Mode

R/B Gain

Aperture Control

WD Parameter

Defog On/Off

The settings stored using this function are recalled when the power is turned on.

For setting items, see the “Initial Settings, Custom Preset and Backup” section on page 16.

Note

Rewriting of memory is not unlimited. Be careful to avoid using the memory area for such as unnecessary tasks as rewriting the contents of the memory for every operation.

15

Basic Functions

Initial Settings and Preset

The initial values are the factory settings.

When the power is turned on, this unit starts operation with the settings stored in preset1.

In “Preset 1 to 16”, the items that are preserved even after the power is turned off are indicated by a circle ( ), and the items that are not preserved are indicated by a cross ( ).

When you send the CAM Memory Reset command, or select and press one of POSITION1 to 6 while pressing the PRESET button using the infrared remote commander, the selected number is set as initial value.

The preset 1 is the CAM Memory number “0” in the VISCA command. The preset 2 to 16 are the CAM Memory number “1 to 15” in the VISCA command.

Mode/Position setting

Initial settings

Preset 1

Preset 2 to 16

Pan/Tilt Position

Home position

 

 

Pan/Tilt Limit Position

Maximum range of movement

 

 

Zoom Position

Wide end

 

 

D-Zoom On/Off

On

 

 

Focus Position

 

 

Focus Auto/Manual

Auto

 

 

Near Limit Setting

C500 (10 cm)

 

 

AF Sensitivity

Normal

 

 

AF Mode

Normal

 

 

AF Run Time

5 sec

 

 

AF Interval

5 sec

 

 

WB Mode

Auto

 

 

WB Data (Rgain, Bgain)

 

 

One Push WB Data

 

 

AE Mode

Full Auto

 

 

WD Mode

Off

 

 

Auto Slow Shutter Mode

Off

 

 

Shutter Position

 

 

Iris Position

 

 

Gain Position

 

 

Bright Position

 

 

Exposure Compensation On/Off

Off

 

 

Exposure Compensation Amount

±0

 

 

BackLight On/Off

Off

 

 

Aperture Level

0Ah

 

 

High Resolution Mode On/Off

Off

 

 

Picture Effect

Off

 

 

High Sensitivity Mode On/Off

Off

 

 

Gamma

0:standard

 

 

Defog On/Off

Off

 

 

NR Level

3

 

 

Gain Limit

 

 

Low-Illumination Chroma Suppress

2h (Middle)

 

 

Color Gain

4h (100%)

 

 

Color Hue

7h (0degrees)

 

 

IR_Receive On/Off

On

×

IR_Receive Return On/Off

Off

×

INFORMATION DISPLAY

On

×

A circle “ ” in this column signifies that the data is preserved.

A cross “ ” signifies that the data IS NOT preserved.

Notes

The execution of memory to the preset is limited.

When turning the power off and on again, if you want to reflect the camera conditions and pan/tilt position that are set before the power is turned off, store the settings in preset1.

The setting or deleting of memory to/from preset1 takes approx. 2 seconds longer than other channels.

In CameraID, the data is stored regardless of the preset.

16

Mode Condition

Basic settings

 

Mode

Power

 

 

 

Power On

 

 

 

Command

 

Off1)

IFC2)

Initializing3)

During displaying

Memory Command

 

OnePushWB

VideoFormatChange

Pan-TiltReset

 

the menu

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Address Set

 

Yes

Yes

Yes

Yes

Yes

 

Yes

Yes

Yes

IF_Clear

 

Yes7)

Yes7)

Yes7)

Yes7)

Yes7)

 

Yes7)

Yes7)

Yes7)

CAM_Power On

 

Yes

No

No

Yes

No

 

No

No

Yes

CAM_Power Off

 

Yes

No

No

Yes

No

 

No

No

Yes

IR_Receive On/Off

 

No

No

No

Yes4) 6)

No

 

No

No

Yes

IR_ReceiveReturn On/Off

 

No

No

No

Yes6)

No

 

No

No

Yes

CAM_VersionInq

 

Yes

Yes

Yes5)

Yes

Yes

 

Yes

Yes

Yes

CAM_PowerInq

 

Yes

Yes

Yes

Yes

Yes

 

Yes

Yes

Yes

InquiryCommand

 

No

No

No

Yes6)

No

 

No

No

Yes

1)DC power is being supplied, but the camera has been turned off by a VISCA command.

2)The period from the time IF Clear is sent, until the Reply Packet is returned.

3)The period from the time DC power is turned on or the camera is turned on via a VISCA command, and the camera subsequently finishes the pan/tilt reset operation and stops at the Home position, until the video signal is output. Or the period from the time the CAM Power ON command is sent, until Completion is returned.

4)The camera does not receive the operation sent from the Infrared Remote Commander.

5)Commands can be executed after the pan/tilt movement has been started. Before that, camera movement may be inconsistent.

6)When the menu display is updating, operation is not possible.

7)Although the command is received, it is not executed.

17

Functions Basic

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