Sony PDW-530P, PDW-530, PDW-510P User Manual

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PROFESSIONAL DISC CAMCORDER

PDW-510/510P PDW-530/530P

OPERATION MANUAL [English] 1st Edition (Revised 8)

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WARNING

To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only.

This Professional Disc Camcorder is classified as a CLASS 1 LASER PRODUCT.

Laser diode properties

Wavelength: 403 to 410 nm Emission duration: Continuous Laser output power: 65 mW (max. of pulse peak), 35 mW

(max. of CW)

Tekniska data för laserdiod

Våglängd: 403 till 410 nm Emissionslängd: Kontinuerlig Laseruteffekt: 65 mW (max. för pulstopp), 35 mW (max. för kontinuerlig våg)

Spesifikasjoner laserdiode

Bølgelengde: 403 til 410 nm Strålingens varighet: Kontinuerlig Laserens effekt: 65 mW (maks stråletoppunkt), 35 mW (maks ved kontinuerlig stråling)

Laserdiodin ominaisuudet

Aallon pituus: 403 - 410 nm Välityksen kesto: Jatkuva Laserlähdön teho: 65 mW (sykehuipun maks.), 35 mW (jatkuvan aallon maks.)

This label is located inside the outside panel of the unit.

Denna etikett finns på apparatens ovansida.

Denne mærkat sidder på apparatets øverste panel.

Tämä kyltti sijaitsee laitteen yläpinnalla.

Dette merket er plassert på oversiden av produktet.

CAUTION

The use of optical instruments with this product will increase eye hazard.

CAUTION

Use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure.

VAROITUS!

LAITTEEN KÄYTTÄMINEN MUULLA KUIN TÄSSÄ KÄYTTÖOHJEESSA MAINITULLA TAVALLA SAATTAA ALTISTAA KÄYTTÄJÄN TURVALLISUUSLUOKAN 1 YLITTÄVÄLLE NÄKYMÄTTÖMÄLLE LASERSÄTEILYLLE.

VARNING

OM APPARATEN ANVÄNDS PÅ ANNAT SÄTT ÄN I DENNA BRUKSANVISNING SPECIFICERATS, KAN ANVÄNDAREN UTSÄTTAS FÖR OSYNLIG LASERSTRÅLNING, SOM ÖVERSKRIDER GRÄNSEN FÖR LASERKLASS 1.

For the customers in the USA

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.

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However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures;

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and

receiver.

– Connect the equipment into an outlet on a circuit different

from that to which the receiver is connected.

– Consult the dealer or an experienced radio/TV technician for

help.

You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment.

All interface cables used to connect peripherals must be shielded in order to comply with the limits for a digital device pursuant to Subpart B of Part 15 of FCC Rules.

For the customers in the USA

Lamp in this product contains mercury. Disposal of these materials may be regulated due to environmental considerations. For disposal or recycling information, please contact your local authorities or the Electronic Industries Alliance (www.eiae.org).

For the customers in Europe

The manufacturer of this product is Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Japan. The Authorized Representative for EMC and product safety is Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Germany. For any service or guarantee matters please refer to the addresses given in separate service or guarantee documents.

For the customers in Taiwan only

For the customers in the USA and Canada

RECYCLING LITHIUM-ION BATTERIES

Lithium-Ion batteries are recyclable.

You can help preserve our environment by returning your used rechargeable batteries to the collection and recycling location nearest you.

For more information regarding recycling of rechargeable batteries, call toll free 1-800-822-8837, or visit http://www.rbrc.org/

Caution: Do not handle damaged or leaking lithium-ion batteries.

For the State of California, USA only

Perchlorate Material - special handling may apply, See www.dtsc.ca.gov/hazardouswaste/perchlorate Perchlorate Material : Lithium battery contains perchlorate.

For the customers in Europe

This product with the CE marking complies with the EMC Directive issued by the Commission of the European Community. Compliance with this directive implies conformity to the following European standards:

• EN55103-1: Electromagnetic Interference (Emission)

• EN55103-2: Electromagnetic Susceptibility (Immunity) This product is intended for use in the following Electromagnetic Environment(s): E1 (residential), E2 (commercial and light industrial), E3 (urban outdoors) and E4 (controlled EMC environment, ex. TV studio).

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Chapter 1 Overview

1-1 Features ............................................... 7

1-1-1 Principal Differences Between the

PDW-510/510P and PDW-530/530P.7

1-1-2 Camera Features ................................7

1-1-3 Features of the Optical Disc Drive

(VDR) ................................................8

1-1-4 Inputs and Outputs.............................9

1-1-5 Other Functions ...............................10

1-2 Example of System Configuration .. 11

1-3 Precautions ....................................... 12

1-4 MPEG-4 Visual Patent Portfolio License

........................................................... 12

Chapter 2 Locations and Functions of Parts and Controls

2-1 Power Supply .................................... 13

2-2 Accessory Attachments................... 15

2-3 Audio Functions................................ 16

2-4 Shooting and Recording/Playback

Functions .......................................... 19

2-5 Output Video Operating Section ..... 26

2-6 Menu Operating Section................... 27

2-7 Time Code System............................ 29

2-8 Warnings and Indications ................ 31

2-9 Warnings and Indications on the LCDs

........................................................... 32

2-9-1 Monochrome LCD........................... 32

2-9-2 Color LCD ....................................... 33

2-10 Indicators in the Viewfinder........... 34

Chapter 3 Recording and Playback

3-1 Handling Discs.................................. 36

3-1-1 Discs Used for Recording and Playback

.........................................................36

3-1-2 Notes on Handling ...........................36

3-1-3 Write-Protecting Discs ....................36

3-1-4 Loading and Unloading a Disc ........ 37

3-1-5 Formatting a Disc ............................38

3-1-6 Handling of Discs When Recording

Does Not End Normally (Salvage

Function).......................................... 38

3-2 Recording .......................................... 40

3-2-1 Basic Procedures.............................. 40

3-2-2 Deleting Clips ..................................42

3-2-3 Recording Essence Marks................42

3-2-4 Starting a Shoot With a Few Seconds of

Pre-Stored Picture Data (Picture Cache

Function).......................................... 44

3-2-5 Time-Lapse Video (Interval Rec

Function).......................................... 46

3-2-6 Retaking the Most Recent Clip........51

3-2-7 Auto Clip List Recoding for Automatic

Inclusion of Recorded Clips in Clip Lists

..........................................................52

3-2-8 Assigning User-Defined Clip Titles

Automatically...................................52

3-2-9 Assigning User-Defined Clip and Clip

List Names .......................................55

3-2-10 Recording in Live Logging Mode .57 3-2-11 Recording Proxy Data to Memory

Cards (With CBK-PC01 Installed) ..58

3-3 Checking Recording and Playback . 61

3-3-1 Normal Playback .............................61

3-3-2 Checking the Last Two Seconds of the

Recording — Recording Review.....62

3-3-3 Checking the Recording on the Color

Video Monitor — Playback in Color62

3-3-4 Thumbnail Search............................ 62

3-3-5 Clip List Playback............................64

3-3-6 Locking and Deleting Clips............. 65

3-4 Recording Video Signals From External

Equipment......................................... 67

3-4-1 Recording a DV Stream From External

Equipment........................................67

3-4-2 Recording Analog Composite Signals

(With the CBK-SC01 Installed)....... 68

3-5 Freezing a Picture During Playback 69

Chapter 4 Scene Selection

4-1 Overview............................................ 70

4-2 Creating Clip Lists ............................ 73

4-2-1 Selecting Clips.................................73

4-2-2 Reordering Sub Clips.......................74

4-2-3 Trimming a Sub Clip ....................... 75

4-2-4 Deleting a Sub Clip..........................76

4-2-5 Previewing the Current Clip List.....77

4-2-6 Saving the Current Clip List to Disc77

Table of Contents

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4-3 Managing Clip Lists (CLIP Menu) .... 78

4-3-1 Loading a Clip List From Disc Into Unit

Memory............................................ 78

4-3-2 Deleting Clip Lists From a Disc...... 79

4-3-3 Clearing the Current Clip List From the

Unit Memory....................................79

4-3-4 Setting the Start Time Code of the

Current Clip List .............................. 79

4-3-5 Sorting Clip Lists.............................80

4-4 Using the PDZ-1 Proxy Browsing

Software ............................................ 81

Chapter 5 Adjustments and Settings for Recording

5-1 Setting the Recording Format

(PDW-530/530P Only)....................... 82

5-1-1 Setting the Video Recording Format82 5-1-2 Setting the Audio Recording Format83

5-2 Adjusting the Black Balance and the

White Balance................................... 84

5-2-1 Adjusting the Black Balance ...........84

5-2-2 Adjusting the White Balance........... 85

5-3 Setting the Electronic Shutter ......... 88

5-3-1 Shutter Modes..................................88

5-3-2 Selecting the Shutter Mode and Shutter

Speed................................................ 88

5-4 Changing the Reference Value for

Automatic Iris Adjustment............... 91

5-5 Adjusting the Audio Level................ 93

5-5-1 Manually Adjusting the Audio Levels of

the Audio Inputs From the AUDIO IN

CH1/CH2 Connectors ......................93

5-5-2 Manually Adjusting the Audio Level of

the Front Microphone ......................94

5-5-3 Recording Audio on Channels 3 and 4

.........................................................95

5-6 Setting the Time Data ....................... 96

5-6-1 Setting the Time Code ..................... 96

5-6-2 Saving the Actual Time in the Time

Code .................................................96

5-6-3 Setting the User Bits ........................96

5-6-4 Synchronizing the Time Code ......... 97

5-7 Setting the Thumbnail Image........... 99

Chapter 6 File Operations

6-1 Overview.......................................... 100

6-1-1 Directory Structure ........................100

6-1-2 File Operation Restrictions............ 101

6-2 File Access Mode File Operations. 103

6-2-1 Making FAM connections .............104

6-2-2 Operating on files ..........................104

6-2-3 Exiting file operations....................105

6-2-4 Reconnecting .................................105

6-3 FTP File Operations........................ 106

6-3-1 Making FTP connections...............106

6-3-2 Command List ...............................107

6-4 Recording Continuous Time Code With

FAM and FTP Connections............ 113

Chapter 7 Menu Displays and Detailed Settings

7-1 Menu Organization and Operation 114

7-1-1 Menu Organization ........................114

7-1-2 Displaying Menus..........................115

7-1-3 Basic Menu Operations..................115

7-1-4 Editing the USER Menu ................117

7-2 Status Display on the Viewfinder

Screen ............................................. 121

7-2-1 Layout of the Status Display on the

Viewfinder Screen .........................121

7-2-2 Selecting the Display Items ...........123

7-2-3 Display Modes and Setting Change

Confirmation/Adjustment Progress

Messages ........................................124

7-2-4 Setting the Marker Display............124

7-2-5 Setting the Viewfinder...................125

7-2-6 Recording Shot Data Superimposed on

the Color Bars ................................126

7-2-7 Setting the Shot ID.........................127

7-2-8 Displaying the Status Confirmation

Windows ........................................128

7-2-9 Confirming the Image of the Return

Video Signal in the Viewfinder .....129

7-3 Adjustments and Settings From Menus

......................................................... 130

7-3-1 Setting Gain Values for the GAIN

Selector Positions...........................130

7-3-2 Selecting the Output Signals..........131

7-3-3 Setting the Color Temperature Manually

........................................................132

7-3-4 Specifying an Offset for the Auto White

Balance Setting ..............................133

7-3-5 Assigning Functions to ASSIGN 1/2/3/4

Switches .........................................133

7-3-6 Setting the Date/Time of the Internal

Clock..............................................135

Table of Contents

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7-3-7 Selecting the Lens File ..................136

7-3-8 Selecting the Aspect Ratio............. 136

7-3-9 Setting the CCD Scan Mode.......... 138

7-3-10 Using UMID Data ......................139

7-3-11 Making Network Settings............ 141

7-4 Resetting USER Menu Settings to the

Standard Settings........................... 143

Chapter 8 Saving and Loading User Setting Data

9-5-3 Attaching a UHF Portable Tuner (for a

UHF Wireless Microphone System)162 9-5-4 Connecting Line Input Audio

Equipment......................................164

9-6 Tripod Mounting.............................. 165

9-7 Attaching the Shoulder Strap ........ 166

9-8 Adjusting the Shoulder Pad Position

......................................................... 166

9-9 Connecting the Remote Control Unit

......................................................... 167

8-1 Saving and Loading User Files to and

from a “Memory Stick” .................. 144

8-1-1 Handling the “Memory Stick”....... 144

8-1-2 Saving User Menu Data to the “Memory

Stick” .............................................145

8-1-3 Loading Saved Data From a “Memory

Stick” .............................................147

8-2 Saving and Loading Scene Files ... 148

8-2-1 Saving a Scene File........................ 148

8-2-2 Loading Scene Files.......................151

8-2-3 Resetting the Settings of the Camcorder

to the Standard Settings Saved in the

Reference File ................................152

8-3 Jumping to a File-Related Menu Page

When Inserting a “Memory Stick” 153

Chapter 9 Setting Up the Camcorder

9-1 Power Supply .................................. 154

9-1-1 Using a Battery Pack .....................154

9-1-2 Avoiding Breaks in Operation Due to an

Exhausted Battery ..........................155

9-1-3 Using an AC Adaptor ....................155

9-1-4 Using the Anton Bauer Ultralight

System............................................ 155

9-2 Adjusting the Viewfinder................ 156

9-2-1 Adjusting the Viewfinder Position 156 9-2-2 Adjusting the Viewfinder Focus and

Screen............................................. 156

9-2-3 Detaching the Viewfinder..............157

9-2-4 Moving the Viewfinder Shoe Up... 157 9-2-5 Using the BKW-401 Viewfinder

Rotation Bracket ............................157

9-2-6 Detaching the Eyepiece .................158

9-3 Mounting the Lens .......................... 159

9-4 Adjusting the Flange Focal Length160

9-5 Audio Input System ........................ 160

9-5-1 Using the Supplied Microphone.... 160

9-5-2 Using an External Microphone...... 161

Chapter 10 Maintenance

10-1 Testing the Camcorder Before

Shooting.......................................... 169

10-1-1 Preparations for Testing............... 169

10-1-2 Testing the Camera ......................169

10-1-3 Testing the VDR ..........................170

10-2 Maintenance .................................. 173

10-2-1 Cleaning the Viewfinder..............173

10-2-2 Note About the Battery Terminal 173

10-3 Operation Warnings...................... 174

Appendixes

Specifications........................................ 177

General ....................................................177

Video Camera Section.............................177

Optical Disc Drive Section......................178

Recommended Additional Equipment ....179

Menu List ............................................... 180

OPERATION Menu List.........................180

PAINT Menu List....................................188

MAINTENANCE Menu List ..................193

FILE Menu List.......................................202

DIAGNOSIS Menu List..........................204

About a “Memory Stick”....................... 206

Glossary................................................. 208

Index....................................................... 211

Table of Contents

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Overview

Chapter

1-1 Features

The PDW-510/510P/530/530P is a camcorder for ENG and EFP high-definition CCDs of a 16:9 aspect ratio and a Professional Disc drive are combined integrally. The camera’s CCDs have approximately 1,000,000 picture elements (pixels) (the number of effective pixels: approximately 500,000). In addition to the well-established high image quality and vibration resistant, dustproof, and dripproof constructions of the Betacam SP/SX camcorders, this unit adds a range of new functionality exploiting the capabilities of optical discs.

1) ENG: Electronic News Gathering

2) EFP: Electronic Field Production

, in which a color video camera using 2/3-inch

1-1-1 Principal Differences Between

the PDW-510/510P and PDW530/530P

There are the following differences between the PDW510/510P and PDW-530/530P in the specifications of recording format, internal optical filters, and so on.

PDW-510/510P recording format and internal optical

filters

Recording format

Optical filters

DVCAM compatible recording

Single integrated filter system for CC (color correction) and ND (neutral density)

Video

Audio 16 bits, 48 kHz,

Recording time

25 Mbps DVCAM

4 channels 85 minutes

format

PDW-530/530P recording format and internal optical

Recording format

Optical filters

1) DVCAM is a trademark of Sony Corporation.

2) MPEG IMX is a trademark of Sony Corporation.

3) For analog audio input, the effective bit length is maximum 20 bits.

The following characteristics are common to the PDW510/510P and PDW-530/530P.

DVCAM compatible recording

MPEG IMX compatible recording

Separate CC filters and ND filters; two filters can be used simultaneously

filters

Video 25 Mbps

Audio 16 bits, 48 kHz,

Recording time

Video

Audio

Recording time

DVCAM format

4 channels 85 minutes

MPEG IMX (4:2:2 high image quality video recording using MPEG2 intra frames)

16 bits or 24 bits 48 kHz sampling, 4 channels

50 Mbps: 45 minutes 40 Mbps: 55 minutes 30 Mbps: 68 minutes

format

1-1-2 Camera Features

/3-inch Power HAD EX CCDs

The three high sensitivity, low smear 2/3-inch Power

HAD the top of its class for a standard definition camcorder.

• The unit is switchable between a 16:9 aspect ratio wide

EX CCDs provide high image quality which is at

image and 4:3 standard aspect ratio.

1-1 Features

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• You can select an interlaced scan mode or progressive scan mode (30 fps (frames

Chapter 1 Overview

510/530, 25 fps for the PDW-510P/530P).

• With the optional CBK-FC01 Pull Down Board installed, a 24 fps

progressive scan video can be

per second)2) for the PDW-

recorded subjected to pull-down, providing imaging quality close to that of film. (PDW-510/530 only)

1) Abbreviation of “Power Hole-Accumulated Diode.” “Power HAD” is a registered trademark of Sony Corporation.

2) More precisely, 29.97 fps

3) More precisely, 23.98 fps

You can also assign any settings to the USER menu, to create customized menus.

Saving and recalling settings in a “Memory Stick”

Using an optional “Memory Stick”1), you can save menu settings for particular shooting conditions, for recall as required.

1) “Memory Stick” is a trademark of Sony Corporation.

Camera signal processing for high quality video

• The 12-bit A/D converter provides high image quality, stability, and reliability.

• The high-performance electronic shutter allows you to select extended clear scan mode (ECS vertical resolution mode (EVS

) and high

), to obtain clear, high-

quality video.

1) ECS: Extended Clear Scan

2) EVS: Super Enhanced Vertical Definition System

Shooting functions to cope with different shooting conditions

• A slow shutter function (up to 1/2 second) is provided as a standard feature. This allows noiseless shooting under very poor lighting conditions and a variety of expressive possibilities, such as shots of flowing streams which are smoothed out by afterimages.

• You can easily recall sets of adjustment values from memory, to match the particular lighting conditions.

•The ATW adjustment in response to changing lighting conditions.

• The TruEye

function provides automatic white balance

TM 2)

process yields distortion-free video,

even with high intensity colors.

• The TURBO GAIN button enables an instantaneous boost of the video gain to the maximum 48 dB.

1) ATW: Auto Tracing White balance

2) TruEye: “TruEye” is a registered trademark of Sony Corporation.

Freeze mix function

This allows a still image from the previously captured video to be aligned with the video output from the camera. Thus you can adjust the camera position to get exactly the same framing for new shooting.

High-functionality viewfinder

The 2-inch monochrome viewfinder allows accurate focusing. The switch settings, automatic black balance and white balance items, status, warnings and so on appear on the viewfinder screen.

1-1-3 Features of the Optical Disc

Drive (VDR)

Recording and playback in clip units

Each time you start and stop recording, this creates an independent clip.

• During recording, material is always written to unused parts of the disc. Therefore, even when playing back between shooting sessions, there is no danger of inadvertently overwriting the previous recording.

• Immediately after recording, you can delete clips you decide not to keep, allowing efficient use of the available disc capacity.

• During playback, you can check the recorded video and audio by viewing thumbnail images of clips on the disc and jumping instantly to the first frames of other clips.

•The i.LINK allows you to transfer clip files by connecting a computer, or by connecting the unit to a network with the CBK-NC01 Network Adaptor (option).

1) i.LINK is a trademark of Sony Corporation.

Picture cache recording

Video and audio for a maximum of 10 seconds is always held in memory, so that when you start recording, it is possible to record from just before the REC START button was pressed.

(FAM (File Access Mode)) function

Wide range of menu settings

The menus provide the following operations, among others.

• Status display, message, and marker display settings

• Camera adjustment settings

• Switch function assignment

• “Memory Stick” operations

1-1 Features

Time-lapse video (intermittent recording) function

You can record video intermittently, capturing any number of frames at any desired time interval.

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Proxy AV data

• Proxy AV data is low-resolution data with a video bandwidth of 1.5 Mbps and an audio bandwidth of 64 Kbps per channel. This unit records proxy AV data on the Professional Disc whenever MPEG IMX or DVCAM format data is recorded on the main channel.

• Proxy AV data is much smaller in size than the fullresolution IMX or DVCAM data. It can be transferred quickly over computer networks, easily edited in the field with laptop computers, and readily used in a wide variety of applications, such as content management on small-scale servers.

Wide range of metadata recording

In addition to video and audio, various types of additional information can be recorded on the Professional Disc metadata.

• Essence marks can be added to mark important locations in the video and audio data. Essence marks can be added manually at any frame by pressing the lens RET button or an assignable button. They can also be added automatically at locations where there is a sudden change in luminance or audio input above a specified threshold.

• The supplied logging software can be used to add titles, comments, and other text data to clips.

• Computer-readable text files can be recorded on the Professional Disc to enable systematic content management.

The ability to search metadata for the required audio and video scenes brings greater efficiency to various stages of the video production process, such as editing, and archiving.

1) Professional Disc is a trademark of Sony Corporation.

Thumbnail search

Thumbnail images of the clips on the disc can be displayed on the LCD panel and in the viewfinder by pressing the THUMBNAIL button. They can also be shown in external video output. You can check the content of a clip simply by moving the cursor to its thumbnail and pressing the play button.

Scene selection

You can create and play back clip lists of selected clips from the disc, arranged in any order. One disc can store up to 99 clip lists. Clip lists make it simple to perform offline editing in the field for later use with full-scale nonlinear editing systems

(XPRI

1) XPRI is a trademark of Sony Corporation.

, etc.).

High reliability under tough operating conditions

With resistance to vibration and dust comparable to tape based camcorders, this unit can be relied on just like a conventional unit.

1-1-4 Inputs and Outputs

Range of audio inputs and outputs

• A super-cardioid directional monaural microphone with external power supply is supplied as standard equipment. By changing the connector (service component replacement), a stereo microphone can be fitted.

• The optional slot-in type WRR-855A/855B UHF Synthesized Tuner Unit can be installed in the unit.

• The two AUDIO IN connectors (XLR type, 3-pin) on the rear panel of the unit can be switched to line input, microphone input, or + 48V external power, and also to AES/EBU digital audio inputs (maximum 24 bits).

• When audio cables are connected to the two AUDIO IN connectors (XLR type, 3-pin) on the rear panel of the unit, an automatic detection function forces the recording of the audio input signals from these connectors as channels 1 and 2.

• The AUDIO OUT connectors (XLR type, 5-pin) provide two channels of audio output.

(i.LINK) connector

The i.LINK connector of this unit supports the following two functions.

Input and output of DV streams (AV/C (Audio/ Video Control) mode)

DV streams can be output from this unit and recorded on standard DV equipment. In the same way, the output from external DV devices (VTRs, nonlinear editors, etc.) can be input to this unit and recorded on Professional Discs. DV-compliant nonlinear editors may also be connected.

1) In the case of the PDW-530/530P, DV stream output is also possible when the unit is set to IMX recording mode. Audio data is recorded after conversion according to the specifications of this unit.

2) In the case of the PDW-530/530P, this is possible only when the unit is set to DVCAM recording mode.

Computer access to files (File Access Mode)

Use of application software series

enables random access to video, audio, and metadata files on Professional Discs, with the ability to display file lists and perform file-based reads and writes. Files can be transferred at high speed, and thumbnail lists of disc contents can be viewed on computer screens.

1) Such software includes the supplied PDZ-1 Proxy Browsing Software and

the XPRI series.

which supports the XDCAM

Chapter 1 Overview

1-1 Features

Page 10

Remote control connectors

By connecting an optional RM-B150/B750 or similar

Chapter 1 Overview

remote control unit, you can control the shooting functions of this unit externally.

Function extension interface

• Installing the optional CBK-SD01 SDI Output Board enables SDI signal output from the VIDEO OUT connectors.

• By installing the optional CBK-SC01 Analog Composite Input Board, a composite video signal input to the GENLOCK connector can be recorded on this unit.

• An extension connector can be attached to the battery attachment on the rear panel, to allow various camera adapters to be fitted.

Instant operation assignable switches

Two switches provided on the side panel and on the top of the grip, respectively, can be assigned to any functions, by a menu operation. Furthermore, the TURBO GAIN button can also be used as an assignable switch.

Alarm function

If a fault is detected on the optical disc drive, or if the disc or battery capacity is low, notication is provided by warning indicators and audible alarms.

SMPTE (PDW-510/530)/EBU (PDW-510P/ 530P) color bars, and 1 kHz reference signal output

Network connector (option)

The optional CBK-NC01 Network Adaptor can be installed on this unit to enable connections to computers and networks. This makes it possible to transfer files at high speeds, and to display of lists of the video, audio, and metadata files stored on Professional Discs. Workflows can be improved by the ability to use FTP commands to transfer files to remote locations over networks.

Adjustment of a color monitor or external audio device is easy. Color bars for an SNG

1) SNG: Satellite News Gathering

uplink are also provided.

Viewfinder height adjustable

In addition to the front to rear and left to right directions, the viewfinder can be adjusted vertically in two steps.

1-1-5 Other Functions

Usability-oriented design

• There is more space around the rear panel connectors than on previous models, making cable connections and switch operations easier.

• The adjustment range of the shoulder pad in the front to rear direction is increased, making it easier to ensure proper balance when using the unit.

2.5-inch color LCD panel

The side of the unit has an LCD that can be switched to show the following images and data.

• Status information, including audio level meters and time code

• Thumbnails of the video recorded on the Professional Disc

• A playback image of the video recorded on the Professional Disc

•The camera image

Monochrome LCD panel

Even when this unit is powered off, the time code, remaining disc capacity, battery capacity, and other status information appears on the monochrome LCD. (This requires either a battery or a DC power supply connected.)

Supports SNMP for maintenance and service (option)

The SNMP-compliant Sony Remote Maintenance and Monitoring Software can be used when the optional CBKNC01 Network Adaptor is installed on this unit. Via a TCP/IP network connection, this software can monitor the hardware status of this unit in real time and record monitoring logs. This allows you to analyze the problem immediately and take the necessary steps whenever a hardware failure is detected.

1-1 Features

Page 11

1-2 Example of System Configuration

Chapter 1 Overview

The diagram below shows a typical configuration of the camcorder for ENG and EFP.

Viewfinder-related equipment

Name / Purpose Magnification Part No.

Fog-proof filter – 1-547-341-11 Lens assembly –2.8 D to +2.0 D A-8262-537-A Lens assembly –3.6 D to –0.8 D A-8262-538-A Lens assembly –3.6 D to +0.4 D A-8267-737-A Lens assembly

(3 × magnification)

Connection through i.LINK interface

Devices with a DV connector

Camera adaptor

Product Model name

Input of audio channels 3/4 and SDI output

CCZ (26-pin) output/ analog composite/SDI input

–2.4 D to +0.5 D A-8314-798-A

CA-701

CA-702/702P

For more information about the fittings, connections, or use of additional equipment and accessories, see Chapter 9 as well as the operation manuals for the connected equipment.

AC power supply

Product Model name

AC Adaptor AC-550/550CE AC Adaptor AC-DN10

Battery

Product Model name

Battery Charger BC-M150/L500/

Battery Pack

1) BP-L40/M50 cannot be used.

Extension board

Product Model name

SDI Output Board CBK-SD01 Composite Input Board CBK-SC01 Pull Down Board

Network Adaptor CBK-NC01 Memory Card Adaptor CBK-PC01

L70

BP-GL65/GL95/ L60S/L80S

CBK-FC01

“Memory Stick”

(see page 206.)

RM-B150/B750 Remote Control Unit

Video monitor for color image check during shooting

XLR 5-pin connector for stereo microphone (service part)

2) For PDW-510/530 only

Audio signal source

External microphone ECM-670/678 or similar microphone

CAC-12 Microphone Holder

Audio equipment

WRR-861/862 series UHF Portable Tuner

WRR-855 series UHF Synthesized Tuner Unit

CCXA-53 audio cable

DMX-P01 Portable Digital Mixer

1-2 Example of System Configuration

Page 12

1-3 Precautions

Chapter 1 Overview

1-4 MPEG-4 Visual

Patent Portfolio

Use and Storage

Do not subject the unit to severe shocks

The internal mechanism may be damaged or the body warped.

After use

Always turn off the power.

Before storing the unit for a long period

Remove the battery pack.

Use and storage locations

Store in a level, ventilated place. Avoid using or storing the unit in the following places.

• Places subject to temperature extremes

• Very damp places

• Places subject to severe vibration

• Near strong magnetic fields

• In direct sunlight or close to heaters for extended periods

To prevent electromagnetic interference from portable communications devices

The use of portable telephones and other communications devices near this unit can result in malfunctions and interference with audio and video signals. It is recommended that the portable communications devices near this unit be powered off.

This product is licensed under the MPEG-4 Visual Patent Portfolio License. For the personal and non-commercial use of a consumer for (i) encoding video in compliance with the MPEG-4 Visual Standard (“MPEG-4 Video”) and/or (ii) decoding MPEG-4 Video that was encoded by a consumer engaged in a personal and non-commercial activity and/or was obtained from a video provider licensed by MPEG LA to provide MPEG-4 Video.

No license is granted or shall be implied for any other use. Additional information including that relating to promotional, internal and commercial uses and licensing may be obtained from MPEG LA, LLC.

See http://www.mpegla.com

License

Note on laser beams

Laser beams may damage the CCDs. If you shoot a scene that includes a laser beam, be careful not to let the laser beam be directed into the lens of the camera.

Use at a high temperature

If the unit is used at a high temperature, white flecks may appear on the screen.

About the LCD panels

LCD panels are manufactured with extremely highprecision technology that yields effective pixel rates of

99.99% or higher. However, very rarely, one or more

pixels may be permanently dark or permanently lit in white, red, blue, or green. This phenomenon is not a malfunction. Such pixels have no effect on the recorded data, and the unit may be used with confidence even if they are present.

1-3 Precautions / 1-4 MPEG-4 Visual Patent Portfolio License

Page 13

Locations and Functions

of Parts and Controls

2-1 Power Supply

Chapter

1 Battery attachment

3 POWER switch

4 LIGHT switch

a Battery attachment

Attach a BP-GL65/GL95/L60S/L80S battery pack. Furthermore, by attaching an AC-DN10 AC Adaptor, you can operate the camcorder from AC power.

Note

For your safety, and to ensure proper operation of the unit, Sony recommends the use of the following battery packs: BP-GL65, BP-GL95, BP-L60S, and BP-L80S.

b DC IN connector (XLR type, 4-pin, male)

To operate the camcorder using an AC power supply, connect an AC-550/550CE AC Adaptor with the DC output cable supplied with the adaptor.

c POWER switch

This switch turns the main power supply on and off.

2 DC IN connector

d LIGHT switch

This determines how a video light connected to the LIGHT connector is turned on and off. AUTO: When the switch on the video light is in the on

position, putting the camcorder in recording mode turns the video light on automatically. When using the auto interval recording mode, the video light is automatically turned on immediately before recording starts.

MANUAL: You can turn the video light on or off

manually, using its own switch.

Notes

• When AUTO is selected, unevenly lit video is recorded between the start of recording and the time when the light comes on. We recommend that you select MANUAL when the start of a recording is important.

2-1 Power Supply

Page 14

However, the light can be turned on before the start of recording in auto interval recording mode.

• To ensure proper operation of the video light with the unit, Sony recommends the use of the following battery packs: BP-GL65, BP-GL95, BP-L60S, and BP-L80S.

Chapter 2 Locations and Functions of Parts and Controls

2-1 Power Supply

Page 15

2-2 Accessory Attachments

1 Shoulder strap posts

9 Shoulder pad

Lens cable clamp

a Shoulder strap posts

Attach the supplied shoulder strap to these posts.

For details, see 9-7 “Attaching the Shoulder Strap” on page 166.

b Light shoe

Attach an optional accessory such as a video light to this shoe.

2 Light shoe

Chapter 2 Locations and Functions of Parts and Controls

3 LIGHT connector

4 Lens mount

5 Lens locking lever

6 Lens mount cap

7 LENS connector

8 Tripod mount

h Tripod mount

When using the camcorder on a tripod, attach the tripod adaptor (option).

i Shoulder pad

You can move the shoulder pad forwards or backwards by raising up the shoulder pad locking lever. Do this to ensure the best balance when shooting with the camcorder on your shoulder.

c LIGHT connector (2-pin, female)

Connect the cable of an Anton Bauer Ultralight System attached to the light shoe. The system operates with lights powered by 12 V, with a maximum power consumption of 50 W.

d Lens mount (special bayonet mount)

Use this for mounting the lens.

e Lens locking lever

After inserting the lens in the lens mount, rotate the lens mount ring with this lever to lock the lens in position.

f Lens mount cap

Remove this cap by pushing up the lens locking lever. When no lens is mounted, keep this cap fitted for protection from dust.

g LENS connector (12-pin)

Fit the lens cable to this connector. Contact your Sony representative for more information about the lens you can use.

For details, see 9-8 “Adjusting the Shoulder Pad Position” on page 166.

2-2 Accessory Attachments

Page 16

2-3 Audio Functions

8 Built-in speaker

Chapter 2 Locations and Functions of Parts and Controls

1 Microphone

2 MIC IN connector

3 MIC LEVEL control

Audio functions (1)

a Microphone

This is a super-cardioid directional monaural microphone with an external power supply (+48 V) system.

b MIC IN (microphone input) connector (XLR type,

3-pin, female)

Connect the supplied microphone to this connector. A microphone other than the supplied one may also be connected as long as it can operate with the power (+48 V) supplied from this connector. By fitting a 5-pin connector (service part number: A-1053453-A), you can also use a stereo microphone.

c MIC (microphone) LEVEL control

This control adjusts the audio level of the microphone connected to the MIC IN connector.

d EARPHONE jack (front) (monaural, minijack) /

EARPHONE jack (rear) (monaural/stereo switchable, minijack)

You can monitor the E-E sound

during recording and playback sound during playback. Plugging an earphone into the jack automatically cuts off the built-in speaker. When an alarm is indicated, you can hear the alarm sound through the earphone. You can use the rear EARPHONE jack for stereo output, by setting the HEADPHONE OUT item in the AUDIO-1 page of the MAINTENANCE menu to “STREO”. You can also connect a monaural earphone to the front jack and a monaural/stereo earphone set to the rear jack simultaneously.

4 EARPHONE jack (rear, stereo)

7 ALARM volume control

6 MONITOR volume control

5 MONITOR switch and CH-1/2 / CH-3/4 switch

4 EARPHONE jack (front, monaural)

1) E-E: Abbreviation of “Electric-to-Electric.” In E-E mode, video and audio signals input to the camcorder are output after passing through internal electric circuits only. This can be used to check input signals.

e MONITOR switch and CH-1/2 / CH-3/4 switch

These switches together determine the channel selection for audio monitor output.

MONITOR switch

CH-1/2 / CH-3/4 switch

MONITOR switch and CH-1/2 / CH-3/4 switch

CH-1/2 / CH-3/4 switch:

This determines the pair of audio channels selected with the MONITOR switch. CH-1/2 position: channels 1 and 2 CH-3/4 position: channels 3 and 4 The signals output from the AUDIO OUT connector and EARPHONE jacks also depend on the setting of this switch.

MONITOR switch:

This selects the audio monitor channels output to the monaural earphone or speaker, depending on the setting of the CH-1/2 / CH-3/4 switch.

2-3 Audio Functions

Page 17

CH-1/2 CH-3/4 switch position

MONITOR switch position

Audio output

CH-1/2 CH-1 Audio channel 1

MIX Mix sound of channels 1 and 2 CH-2 Audio channel 2

CH-3/4 CH-3 Audio channel 3

MIX Mix sound of channels 3 and 4 CH-4 Audio channel 4

f MONITOR volume control

This control adjusts the speaker or earphone volume for sounds other than the alarm sound. At the minimum position, no sound can be heard.

g ALARM volume control

This control adjusts the speaker or earphone alarm volume. At the minimum position, no sound can be heard. However, if in the AUDIO-1 page of the MAINTENANCE menu the MIN ALARM VOL item is set to “SET”, the alarm tone is audible even when this volume control is at the minimum position.

Minimum Maximum

ALARM volume control

h Built-in speaker

The speaker can be used to monitor E-E sound during recording, and playback sound during playback. The speaker also sounds alarms to reinforce visual warnings. The output level of the speaker can be lowered by changing the setting of the SP ATT LEVEL item on the AUDIO-1 page of the MAINTENANCE menu. If you connect an earphone to the EARPHONE jack, the speaker is automatically muted.

See 10-3 “Operation Warnings” on page 174 for information about alarms.

Chapter 2 Locations and Functions of Parts and Controls

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN CLOCK

F-RUN

R-RUN

SEL/SET

S.SEL

SET

9 LEVEL (CH-1/CH-2) controls

0 AUDIO SELECT CH-1/CH-2 switches

SHIFTCLIP MENU

qa AUDIO IN CH-1/CH-2 / CH-3/CH-4 switches

qs LINE / AES/EBU / MIC selectors

qd +48V/OFF switches

qf AUDIO OUT connector

qg AUDIO IN CH1/CH2 connectors

qh DC OUT 12V connector

i LEVEL (CH-1/CH-2) (audio channel-1 and

channel-2 recording level) controls

Audio functions (2)

These controls adjust the audio levels of channels 1 and 2 when the AUDIO SELECT switches are set to MANUAL.

2-3 Audio Functions

Page 18

j AUDIO SELECT CH-1/CH-2 (audio channel-1

and channel-2 adjustment method selection) switches

These switches select the audio level adjustment method for each of audio channels 1 and 2. AUTO: Select this setting for automatic adjustment.

n AUDIO OUT (audio output) connector (XLR type,

5-pin, male)

This connector outputs the audio signals recorded on audio channels 1 and 2 or audio channels 3 and 4. The MONITOR CH-1/2 / CH-3/4 switches allow you to select the audio signal to be monitored.

MANUAL: Select this setting for manual adjustment.

Chapter 2 Locations and Functions of Parts and Controls

k AUDIO IN CH-1/CH-2 / CH-3/CH-4 (audio input

selection) switches

o AUDIO IN CH1/CH2 (audio channel-1 and

channel-2 input) connectors (XLR type, 3-pin, female)

These are audio input connectors for channels 1 and 2 to

AUDIO IN CH-1/CH-2 switches

These switches select the audio input signals to be recorded on audio channels 1 and 2. FRONT: The input signal source is the microphone

which you can connect audio equipment or a microphone. When the LINE / AES/EBU / MIC selector is set to AES/ EBU, the CH1 connector is used for channel-1 and -2 inputs, and the CH2 connector, for channel-3 and -4 inputs.

connected to the MIC IN connector.

REAR: The input signal source is the audio equipment

connected to the AUDIO IN CH1/CH2 connectors.

WIRELESS: The input signal source is a WRR-855A/

855B UHF Synthesized Tuner Unit (option).

p DC OUT 12 V (DC power output) connector (4-pin,

female)

This connector supplies power for a WRR-862 UHF Portable Tuner (option). Do not connect any equipment other than the UHF portable tuner.

AUDIO IN CH-3/CH-4 switches

These switches select the audio input signals to be recorded on audio channels 3 and 4. F (front): The input signal source is the microphone

connected to the MIC IN connector.

R (rear): The input signal source is the audio equipment

connected to the AUDIO IN CH1/CH2 connectors.

W (wireless): The input signal source is a WRR-855A/

855B UHF Synthesized Tuner Unit.

With a CA-701 Camera Adaptor (option) connected to the camcorder, you can record separate sounds on audio channels 3 and 4.

l LINE /AES/EBU / MIC selectors

These select the audio source of the audio input signals input to the AUDIO IN CH1/CH2 connectors.

LINE: Line input audio equipment AES/EBU: AES/EBU format audio signal MIC: Microphone input

Note

When these switches are in the MIC position, and the +48V switch described below is on, if you inadvertently connect any audio device other than a microphone to the AUDIO IN CH1/CH2 connectors, the device may be damaged.

m +48V/OFF switches

Select either of the following positions for the microphones to be connected.

+48V: For a microphone to use an external power supply OFF: For a microphone to use an internal power supply

2-3 Audio Functions

Page 19

2-4 Shooting and Recording/Playback Functions

1 Tally indicator 2 BRIGHT control

3 CONTRAST control

4 PEAKING control 5 ZEBRA switch

6 TALLY switch

9 Viewfinder front-rear positioning lever

7 Viewfinder

8 Diopter adjustment ring

Eyecup

Chapter 2 Locations and Functions of Parts and Controls

0 Viewfinder left-right positioning ring

qa Camera operator tally indicator

qs Viewfinder stopper

qd LOCK knob

Shooting and recording/playback functions (1)

a Tally indicator

Setting the TALLY switch to HIGH or LOW enables this indicator. The indicator lights during recording on the VDR (video disc recorder). Like the REC indicator in the viewfinder, it flashes to indicate a problem. You can set the indicator brightness with the TALLY switch.

b BRIGHT (brightness) control

This control adjusts the picture brightness on the viewfinder screen. It has no effect on the camera output signal.

c CONTRAST control

This control adjusts the picture contrast on the viewfinder screen. It has no effect on the camera output signal.

d PEAKING control

This control adjusts the sharpness of the picture on the viewfinder screen to make focusing easier. It has no effect on the camera output signal.

e ZEBRA switch

This switch controls the zebra pattern on the viewfinder screen.

ON: The zebra pattern

is displayed and stays.

OFF: No zebra pattern is displayed. MOMENT: The zebra pattern is displayed and stays for 5

to 6 seconds. The zebra pattern is factory set to indicate picture areas where the video level is approximately 70%.You can use the setup menu to change the setting so that areas where the video level is 100% and above are also displayed at the same time.

For information about how to change the zebra pattern setting in the setup menu, see 7-2-5 “Setting the Viewfinder” on page 125.

1) The zebra pattern aids in manual iris adjustment by indicating areas of the

picture where the video level is approximately 70% and 100% and above.

f TALLY switch

This switch controls the tally indicator, setting its brightness (HIGH or LOW) or turning it off.

HIGH: The tally indicator brightness is high. OFF: The tally indicator is disabled. LOW: The tally indicator brightness is low.

2-4 Shooting and Recording/Playback Functions

Page 20

g Viewfinder

The viewfinder lets you view the image in black and white

j Viewfinder left-right positioning ring

Loosen this ring to move the viewfinder sideways.

while shooting, recording or playing back. It also displays various warnings and messages related to the settings or operating conditions of the camcorder, a zebra pattern, safety zone marker

1) The safety zone marker is a rectangle indicating the effective picture area.

Chapter 2 Locations and Functions of Parts and Controls

2) The center marker indicates the center of the picture with a crosshair.

, and center marker 2).

k Camera operator tally indicator

This indicator lights while the camcorder is recording. Slide the window open when you shoot with your eye away from the viewfinder. This indicator flashes when the battery level is running low or the disc is almost full.

For details, see 7-2-4 “Setting the Marker Display” on page 124.

h Diopter adjustment ring

Use this ring to adjust the viewfinder image for your vision.

i Viewfinder front-rear positioning lever

To adjust the viewfinder position in the front-rear direction, loosen this lever and the LOCK knob. After adjustment, retighten this lever and the LOCK knob.

qf FILTER selector

qg ASSIGN. 1/2 switches

qh SHUTTER selector

l Viewfinder stopper

Pull up this stopper to detach the viewfinder from the camera.

m LOCK knob

To adjust the viewfinder position in the front-rear direction, loosen this knob and the viewfinder front-rear positioning lever. After adjustment, retighten this knob and the viewfinder front-rear positioning lever.

ws ASSIGN 3/4 switches

wa TURBO GAIN button

w; WHITE BAL switch

ql OUTPUT/DCC selector

qj AUTO W/B BAL switch

Shooting and recording/playback functions (2)

n FILTER selector

Use this selector to select the most appropriate filter to match the light source illuminating the subject. When this selector is used with the display mode set to 3, the new setting appears on the viewfinder screen for about 3 seconds. (e.g.: FILTER: 3) The PDW-510/510P has one switchable filter, and the PDW-530/530P has two switchable filters. The relationships between the selector settings and filter selections as well as examples of filters for different shooting conditions are as follows.

qk GAIN selector

For the PDW-510/510P

FILTER selector setting and filter selection

FILTER selector setting Filter selection

1 3200 K 2

3 5600 K 4

Examples of shooting conditions and appropriate filters

Shooting condition Filter

Sunrise and sunset; inside studio 1 (3200 K) Clear skies

Cloudy or raining 3 (5600 K)

5600 K +

/8 ND

2 (5600 K +

/8 ND)

2-4 Shooting and Recording/Playback Functions

Page 21

Examples of shooting conditions and appropriate filters

Shooting condition Filter

Very bright conditions such as snow, at high altitudes, or at the seashore

4 (5600 K +

ND)

For the PDW-530/530P

FILTER selector (outer knob) setting and CC filter

selection

FILTER selector (outer knob) setting CC filter selection

B 3200 K C 4300 K D 6300 K

1) A type of special effect filter. Generates a cross of light on a highlighted portion.

FILTER selector (inner knob) setting and ND filter

selection

FILTER selector (inner knob) setting ND filter selection

1 Clear 2

Examples of shooting conditions and appropriate filters

Cross filter

/4 ND

/16 ND

/64 ND

For details about the shutter speed and mode settings, see 5-3 “Setting the Electronic Shutter” on page 88.

q AUTO W/B BAL (automatic white/black balance

adjustment) switch

This switch activates the white balance and black balance automatic adjustment functions. WHITE: Automatic adjustment of the white balance. If

the WHITE BAL switch is set to A or B, the white balance setting is stored in the corresponding memory. On the PDW-530/530P models with two switchable filters, the memory stores a separate white balance setting for each CC filter setting.

BLACK: Automatic adjustment of the black set and black

balance.

r GAIN selector

This selector switches the gain of the video amplifier to match the lighting conditions during shooting. The gains corresponding to the L, M, and H settings can be selected from the setup menu. The factory settings are L = 0 dB, M = 9 dB, and H = 18 dB. When this selector is adjusted, the new setting appears on the setting change/adjustment progress message display area of the viewfinder screen for about 3 seconds.

For details about setting the gain values, see 7-3-1 “Setting Gain Values for the GAIN Selector Positions” on page 130.

Chapter 2 Locations and Functions of Parts and Controls

Shooting condition CC filter ND filter

Sunrise and sunset; inside studio

Clear skies C (4300 K) or

Cloudy or raining D (6300 K) 1 (clear) or 2

Very bright conditions such as snow, at high altitudes, or at the seashore

B (3200 K) 1 (clear)

/4 ND) or 3

D (6300 K)

C (4300 K) or D (6300 K)

2 (

(

16 ND)

/4 ND)

(

/16 ND) or

3 (

4 (

/64 ND)

o ASSIGN. 1/2 switches

You can assign the desired functions to each of the ASSIGN. 1 switch (push button) and ASSIGN. 2 switch (sliding) on the FUNCTION 1 page of the USER menu.

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/ 2/3/4 Switches” on page 133.

p SHUTTER selector

Set this selector to ON to use the electronic shutter. Push it down to SELECT to switch the shutter speed or mode setting within the range previously set with the setup menu. When this selector is operated, the new setting appears on the setting change/adjustment progress message display area for about 3 seconds.

s OUTPUT/DCC (output signal/dynamic contrast

control) selector

This selector switches the video signal that is output to the VDR, viewfinder, and video monitor, between the following two.

BARS: Outputs the color bar signal. CAM: Outputs the video signal from the camera. When

this is selected, you can switch DCC

on and off with

this selector.

1) DCC (Dynamic Contrast Control) Against a very bright background with the iris opening adjusted to the subject, objects in the background will be lost in the glare. The DCC function will suppress the high intensity and restore much of the lost detail and is particularly effective in the following cases.

• Shooting people in the shade on a sunny day

• Shooting a subject indoors, against a background through a window

• Any high contrast scene

2-4 Shooting and Recording/Playback Functions

Page 22

BARS, DCC OFF

A color bar signal is output and the DCC circuit does not operate. For example, use the setting for the following purposes.

• Adjusting the video monitor

• Recording the color bar signal

Chapter 2 Locations and Functions of Parts and Controls

switch and the FILTER selector. You can use the AUTO W/B BAL switch even when

ATW

is in use.

B (ATW): When this switch is set to B and on the

FUNCTION 2 page of the OPERATION menu, “WHITE B CH” is set to “ATW”

1) ATW (Auto Tracing White Balance) The white balance of the picture being shot is adjusted automatically for varying lighting conditions.

, ATW is activated.

CAM, DCC OFF

The video signal from the camera is output, and the DCC circuit does not operate.

CAM, DCC ON

The video signal from the camera is output, and the DCC circuit operates.

OUTPUT/DCC selector

t WHITE BAL (white balance memory) switch

This switch controls the white balance setting. PRST (preset): Adjusts the color temperature

corresponding to the position of the FILTER selector. Use the PRST setting when you have no time to adjust the white balance.

A or B: When the AUTO W/B BAL switch is pushed to

WHT, the white balance is automatically adjusted according to the current position of the FILTER selector, and the adjusted value is stored in either memory A or memory B. (There are two memories for each CC filter, allowing a total of eight adjustments to be stored.) When this switch is set to A or B, the camcorder automatically adjusts itself to the stored value corresponding to the current settings of this

When this switch is adjusted, the new setting appears on the setting change/adjustment progress message display area of the viewfinder screen for about 3 seconds.

You can assign the ATW ON/OFF function to the ASSIGN 1 switch (push button) on the FUNCTION 1 page of the USER menu.

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/ 2/3/4 Switches” on page 133.

u TURBO GAIN button

When shooting under extremely poor lighting conditions, press the button once to boost the video gain to the value preset on the GAIN SW page of the USER menu (up to 48 dB). To stop boosting the gain, press the button once more.

v ASSIGN 3/4 switches

You can assign the desired functions to each of the ASSIGN 3 switch and ASSIGN 4 switch on the FUNCTION 1 page of the USER menu.

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/ 2/3/4 Switches” on page 133.

wf REMOTE connector

wd VIDEO OUT connector

2-4 Shooting and Recording/Playback Functions

wg GENLOCK IN connector

wh TEST OUT connector

wj DV IN/OUT S400 connector

Shooting and recording/playback functions (3)

Page 23

w VIDEO OUT connector (BNC type)

This connector outputs a composite video signal for a video monitor. With a video monitor connected to this connector, you can monitor the picture being shot by the camera or the picture played back by the VDR. To choose between the composite video signal output and SDI signal output, use the menu. When synchronizing the time code of an external VDR with that of the camcorder, connect this connector to the GENLOCK IN connector of the external VDR. By installing the CBK-SD01 extension board (not supplied), you can output an SDI signal (supporting embedded audio and the EDH function) from this connector.

For details on how to select the output signal, see 7-3-2 “Selecting the Output Signals” on page 131.

x REMOTE connector (8-pin)

Connect the RM-B150/B750 Remote Control Unit, which makes it possible to control the VDR and camera remotely.

y GENLOCK IN connector (BNC type)

• This connector inputs a reference signal when the camera is to be genlocked or when time code is to be synchronized with external equipment. Use the MAINTENANCE menu to adjust the genlock H-phase (phase of horizontal sync signal) and the sub-carrier phase.

wj (i.LINK) DV IN/OUT S400 connector (6-pin, IEEE1394 compliant)

Connect to a device supporting the DV format or a computer, using a i.LINK cable.

Notes

• If video and audio signals are not output to an external device connected to the i.LINK DV IN/OUT S400 connector, try disconnecting the i.LINK cable and then reconnecting it, making sure that it is firmly seated.

• When you connect this unit to an external device with a 6-pin i.LINK connector, always power this unit off and disconnect the DC cable from the DC IN connector, or remove the battery pack, before connecting or disconnecting the i.LINK cable. If you connect or disconnect the i.LINK cable while power is being supplied to this unit, high voltage (8 to 40 V) can flow into this unit from the i.LINK connector of the connected equipment, possibly damaging this unit.

• When you connect this unit to an external device with a 6-pin i.LINK connector, always connect the 6-pin i.LINK connector on the external device first.

Chapter 2 Locations and Functions of Parts and Controls

For details, refer to the Maintenance Manual.

• This connector also inputs a return video signal. You can display the return video signal in the viewfinder screen while holding the RET button down with “RETURN VIDEO” set to “ON” on the GENLOCK page of the OPERATION menu.

• This connector also inputs an external analog composite video signal. When the CBK-SC01 extension board is installed, you can record the external analog composite video signal input to this connector.

z TEST OUT connector (BNC type)

This connector outputs the video signal for a video monitor. The output signal can be selected from composite or RGB. The factory setting is composite, and the setting returns to composite whenever the unit is powered on. Depending on internal board and menu settings, menus, time code, and shot data can be superimposed on the image on the monitor. Like the VIDEO OUT connector, this connector can also be used to synchronize the time code of an external VTR with the time code of the camcorder.

For details on how to select the test output signal, refer to the Maintenance Manual.

2-4 Shooting and Recording/Playback Functions

Page 24

Chapter 2 Locations and Functions of Parts and Controls

wk REC START button wl VDR SAVE/STBY connector

e; EJECT button and indicator ea F REV button and indicator es PLAY/PAUSE button and indicator

Shooting and recording/playback functions (4)

ed F FWD button and indicator ef NEXT button eg STOP button eh PREV button

wk REC START button

Press this button to start recording. Press it again to stop recording. The effect is exactly the same as that of the VTR button on the lens. When the REC SWITCH function is assigned to the ASSIGN 1, 3 or 4 switch (push button), you can use the switch as the REC START button.

wl VDR SAVE/STBY (standby) switch

This switch controls the VDR power mode during pauses in recording. SAVE: Power saving mode. Although an internal

operating sound is recorded as noise when you start recording, power consumption in this mode is less than in standby mode, so that battery life is extended. When the switch is set to SAVE, the SAVE indicator in the viewfinder lights.

STBY: Standby mode. Recording starts as soon as you

press the REC START button.

e; EJECT button and indicator

Press this button to eject or load a disc. The indicator flashes while the disc is being ejected.

ea F REV (fast reverse) button and indicator

Plays back at high speed in the reverse direction. The indicator lights during high-speed playback in the reverse direction.

es PLAY/PAUSE button and indicator

Press this to view a playback image using the viewfinder screen or a color video monitor. The indicator lights during playback. During playback, pressing this button pauses the playback, showing a still image. At this time, the indicator flashes. This camcorder is capable of color-image search at approximately four-times normal playback speed, making it easy to check recorded material. To use the color-image search, press the F REV button or F FWD button during playback. When the buttons are pressed, the PLAY indicator and the F REV or F FWD indicator light.

ed F FWD (fast forward) button and indicator

Plays back at high speed in the forward direction. The indicator lights during high-speed playback in the forward direction.

ef NEXT button

This jumps to the beginning of the next clip, and pauses. During the jump, the F FWD indicator flashes. Pressing this button together with the F FWD button jumps to the last frame of the last clip recorded on the disc.

eg STOP button

Press this button to stop disc playback.

2-4 Shooting and Recording/Playback Functions

Page 25

eh PREV button

This jumps to the beginning of the current clip, and pauses. During the jump, the F REV indicator flashes.Pressing this button together with the F REV button jumps to the first frame of the first clip recorded on the disc.

Chapter 2 Locations and Functions of Parts and Controls

2-4 Shooting and Recording/Playback Functions

Page 26

2-5 Output Video Operating Section

Chapter 2 Locations and Functions of Parts and Controls

a SEL/SET (select/set) dial

When thumbnails (each representing a clip) are shown on the color LCD, you can select a particular thumbnail with this dial. Turning the dial upward moves the cursor to the left, and when it reaches the left edge, to the rightmost position in the row above. Turning the dial downward moves the cursor to the right, and when it reaches the right edge, to the leftmost position in the row below. After selecting the

1 SEL/SET dial

2 THUMBNAIL button

3 Thumbnail indicator

4 Sub clip indicator 5 SUB CLIP button

6 SHIFT button

Output video operating section

e SUB CLIP button

Press this to play back according to a clip list. You can play back a particular clip or sequential clips, or carry out a search of the selected clip list. When no clip list is selected, pressing this button has no effect, and the operation is invalid. To carry out operations such as saving, recalling, or deleting a clip list, hold down the SHIFT button and press this button.

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN

REGEN CLOCK

CLOCK

F-RUN

R-RUN

SEL/SET

S.SEL

SHIFTCLIP MENU

SET

desired thumbnail with the cursor, press the dial in to confirm. To carry out a scene selection setting, hold down the

f SHIFT button

Use this in combination with other buttons.

SHIFT button, and press in this dial.

b THUMBNAIL button

To carry out a search using thumbnails, or to create a clip list, press this button. Pressing it switches from the whole-screen display to a thumbnail display. Press once more to return to the wholescreen display. To search thumbnails by essence marks, hold down the SHIFT button and press this button.

c Thumbnail indicator

This lights when thumbnails are shown.

d Sub clip indicator

This lights when playing back following a clip list.

2-5 Output Video Operating Section

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2-6 Menu Operating Section

1 MENU knob

a MENU knob

Use this knob to change the page selection or a setting within the menu. Press: If you press this knob when the arrow (b) is placed

at the page title on the menu, the arrow changes to a question mark (?) and you can change the page by turning this knob. When the arrow mark is placed at a position other than the page title, you can change the setting of the current item by pressing and turning this knob.

Turn: Turn this knob to change the page or change item

settings.

b STATUS ON/SEL / OFF (menu display on/page

selection/display off) switch

To enable this switch, set the MENU ON/OFF switch to OFF. Closing the cover automatically sets the MENU ON/OFF switch to OFF. ON/SEL: Each time this switch is pushed upward, a

window to confirm the menu settings and status of the camcorder appears on the viewfinder screen. The window consists of three pages, which are switched each time the switch is pushed upward. Each page is displayed for about 10 seconds.

OFF: To clear the page immediately after display, push

this switch down to the OFF position.

You can select the pages to be displayed on the menu.

2 STATUS ON/SEL / OFF switch

3 MENU ON/OFF switch

4 CANCEL/PRST / ESCAPE switch

5 “Memory Stick” compartment

Cover

c MENU ON/OFF switch

To use this switch, open the cover. This switch is used to display the menu on the viewfinder screen or the test signal screen. Closing the cover automatically sets this switch to OFF. ON: Displays the menu on the viewfinder screen or the test

signal screen, at the last accessed page. When the menu is used for the first time, the first page is displayed.

OFF: Removes the menu from the viewfinder screen or

the test signal screen.

d CANCEL/PRST (preset) / ESCAPE switch

To enable this switch, set the MENU ON/OFF switch to ON. Closing the cover automatically sets the MENU ON/OFF switch to OFF. CANCEL/PRST: Pushing this switch up to this position

displays the message to confirm whether the previous settings are cancelled or settings are reset to their initial values, depending on the menu operating condition. Pushing this switch up to this position again cancels the previous settings or resets the settings to their initial values.

ESCAPE: Use this switch when the menu page, which has

a hierarchical structure, is opened. Each time the switch is pushed to this position, the page returns to one stage higher in the hierarchy.

Chapter 2 Locations and Functions of Parts and Controls

For details, see 7-2-8 “Displaying the Status Confirmation Windows” on page 128.

2-6 Menu Operating Section

Page 28

e “Memory Stick” compartment

“Memory Stick” Access indicator

Chapter 2 Locations and Functions of Parts and Controls

How to insert a “Memory Stick”

Label

“Memory Stick”

Open the lid of the menu operating section, and insert a “Memory Stick”, with the notch facing downward, in the direction shown by the arrow, so that it clicks into place. To remove a “Memory Stick”, first press it in to release the lock, then withdraw. The “Memory Stick” access indicator lights when the “Memory Stick” is being accessed (for reading or writing).

For details about types of “Memory Stick”, see “About a “Memory Stick”” on page 206.

Notes

• Do not insert/remove a “Memory Stick” while the “Memory Stick” access indicator is lit or flashing. Doing so may cause a loss of data.

• This device uses a standard “Memory Stick”, a “Memoy Stick PRO”, and a “MagicGate Memory Stick” equipped with MagicGate copyright protection technology.

2-6 Menu Operating Section

Page 29

2-7 Time Code System

Time code functions (1)

Chapter 2 Locations and Functions of Parts and Controls

1 TC IN connector

2 TC OUT connector

3 GENLOCK IN connector

a TC IN (time code input) connector (BNC type)

To synchronize the time code of this unit to an external time code, input the reference time code to this connector.

b TC OUT (time code output) connector (BNC type)

To synchronize the time code of an external VTR to that of the camcorder, connect this connector to the reference time code input connector of the external VTR.

c GENLOCK IN connector (BNC type)

• This connector inputs a reference signal when the camera is to be genlocked or when the time code is to be synchronized with external equipment. Use the MAINTENANCE menu to adjust the genlock H-phase (phase of horizontal sync signal) and the sub-carrier phase.

For details, refer to the Maintenance Manual.

For details, see 3-4 “Recording Video Signals From External Equipment” on page 67.

2-7 Time Code System

Page 30

4 DISPLAY switch

5 RESET button

6 HOLD button

Chapter 2 Locations and Functions of Parts and Controls

d DISPLAY switch

This cycles the data displayed in the counter display

7 SEL/SET dial

8 PRESET/REGEN/CLOCK switch

9 F-RUN/SET/R-RUN switch

Time code functions (2)

Turning the dial upward increases the value of the flashing digit, and turning it downward decreases the value.

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN CLOCK

F-RUN

R-RUN

SEL/SET

S.SEL

SHIFTCLIP MENU

SET

through the sequence COUNTER, TC, and U-BIT. COUNTER: Display the elapsed recording/playback time

(hours, minutes, seconds, frames).

TC: Display time code. U-BIT: Display user bit data.

h PRESET/REGEN (regeneration)/CLOCK switch

This switch selects whether to set a new time code or to follow the already recorded time code.

PRESET: Records time code with a preset initial value. REGEN: Records time code continuous with the existing

For details, see “Time code display” on page 34.

time code recorded on the disc. Regardless of the setting of the F-RUN/SET/R-RUN switch, the

e RESET button

Pressing this button resets the time data displayed on the counter display section to “00:00:00:00” or the user bit data to “00000000.”

camcorder operates in R-RUN mode.

CLOCK: Records time code synchronized to the internal

clock. Regardless of the setting of the F-RUN/SET/RRUN switch, the camcorder operates in F-RUN mode.

f HOLD (display hold) button

Pressing this button instantly freezes the time data displayed in the counter display section. (The time code generator continues running.) Pressing this button again releases the hold. You can use this button, for example, to determine the exact time of a particular shot. When the HOLD button is activated, the time data is displayed in the following format:

For details of the counter display, see 2-9 “Warnings and Indications on the LCDs” on page 32.

g SEL/SET (select/set) dial

To set a time code, user bit, or real time value, press this dial so that the digit you want to change flashes.

2-7 Time Code System

i F-RUN/SET/R-RUN (free run/set/recording run)

switch

This switch selects the operating mode for the internal time code generator. F-RUN: Time code keeps advancing, regardless of the

operating state of the VDR. Use this setting when aligning the time code with real time or when synchronizing the time code with an external time code.

SET: Set the switch to this position to set the time code or

user bits.

R-RUN: The time code value advances only during

recording. Use this setting to have a consecutive time code on the disc.

For details, see 5-6-3 “Setting the User Bits” on page 96 and 5-6-1 “Setting the Time Code” on page 96.

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2-8 Warnings and Indications

Besides the viewfinder, speaker and earphones, the indicators and displays described in this section also

1 Tally indicator

2 DISPLAY switch

3 TALLY switch

provide you with information such as the operating state of the camcorder and warnings.

Chapter 2 Locations and Functions of Parts and Controls

4 Back tally indicator

5 Back tally switch

8 Color LCD

6 Monochrome LCD

7 DISP SEL switch

Warning and indication functions

a Tally indicator

Setting the TALLY switch on the viewfinder to HIGH or LOW enables this indicator. It lights when the VDR starts recording. Like the REC indicator in the viewfinder, it also flashes to provide warnings. The brightness of this indicator when it is lit can be switched with the TALLY switch.

b DISPLAY switch

This switches the indications on the viewfinder screen on or off.

ON: The indications appear on the viewfinder screen. OFF: The indications do not appear on the viewfinder

screen.

9 WARNING indicator

q; ACCESS indicator

qa Rear tally indicator

qs LCD switch

Note

Setting the MENU ON/OFF switch to ON displays the menu on the viewfinder screen even if the DISPLAY switch is set to OFF.

c TALLY switch

This switch controls the tally indicator as follows.

HIGH: The tally indicator brightness is high. OFF: The tally indicator is disabled. LOW: The tally indicator brightness is low.

d Back tally indicator

When the back tally switch is set to ON, this indicator has the same function as the tally indicator.

2-8 Warnings and Indications

Page 32

e Back tally switch

This switch enables or disables the back tally and rear tally indicators. ON: The back tally and rear tally indicators are enabled.

2-9 Warnings and

Indications on the

OFF: The back tally and rear tally indicators are disabled.

LCDs

f Monochrome LCD

Chapter 2 Locations and Functions of Parts and Controls

This shows the remaining battery capacity, remaining disc capacity, time data, and so on.

For details, see 2-9-1 “Monochrome LCD” on page 32.

g DISP SEL (display selection) switch

This switches the display in the color LCD. CHAR: Display video with superimposed text. With the

MENU ON/OFF switch set to OFF, also display camcorder status indications similar to those displayed in the viewfinder (see 7-2 “Status Display on the Viewfinder Screen” on page 121).

MONI: Display video without superimposed text. STATUS: Display counter, warnings, and audio levels.

2-9-1 Monochrome LCD

Disc status and battery status

Disc status indicator

Full capacity is available.

h Color LCD

This displays VDR-related warnings, remaining battery capacity, remaining disc capacity, audio levels, time data, and so on.

For details, see 2-9-2 “Color LCD” on page 33.

i WARNING indicator

This indicator lights up or flashes when there is a fault in the VDR.

For details, see 10-3 “Operation Warnings” on page 174.

j ACCESS indicator

This lights when data is written to or read from the disc.

k Rear tally indicator

When the back tally switch is set to ON, this indicator has the same function as the tally indicator.

l LCD switch

This controls the backlights of the color LCD and the monochrome LCD. OFF: The color LCD is turned off (the backlight of the

monochrome LCD is off).

L: The color LCD is adjusted for viewing indoors (the

backlight of the monochrome LCD is on).

H: The color LCD is adjusted for viewing outdoors (the

backlight of the monochrome LCD is on).

Close to full state: “DISC” flashes. Full (disc must be replaced): “DISC” and “E” flash.

Battery status indicator

Fully charged

Nearly dead: “BATT” flashes. Dead battery (battery must be charged): “BATT” and “E” flash.

Display of remaining disc capacity and remaining battery capacity on

the monochrome LCD

2-9 Warnings and Indications on the LCDs

Page 33

Time code display

Lights when the time code or real time is displayed.

Time counter display: Shows the time code, user bits, and real time.

Lights when the HOLD button is pressed.

2-9-2 Color LCD

Disc status, battery status and audio level

Disc status indicator

Full capacity is available.

Close to full state: “DISC” flashes. Full (disc must be replaced): “DISC” and “E” flash.

Chapter 2 Locations and Functions of Parts and Controls

1) When the HOLD button is pressed to hold the time code value, the time code is displayed in the format shown below. When the HOLD button is pressed again to release the hold, the time code is displayed in the normal format

Time code display on the monochrome LCD

Formats of video and audio signals to be redorded.

Audio level meters

Battery status indicator

Fully charged

Nearly dead: “BATT” flashes. Dead battery (battery must be charged): “BATT” and “E” flash.

Display of remaining disc capacity, remaining battery capacity, and

audio levels on the color LCD

2-9 Warnings and Indications on the LCDs

Page 34

VDR operation status and status indicators

2-10 Indicators in the

Viewfinder

Several indicators are provided above and below the

Chapter 2 Locations and Functions of Parts and Controls

Warning display area

This shows a message if a recording fault or condensation is detected.

For details, see 10-3 “Operation Warnings” on page 174.

viewfinder screen to indicate the current state and adjustments of the camera.

1 TALLY indicator

2 REC (recording) indicator

3 BATT (battery) indicator

Viewfinder screen

4 (warning) indicator

VDR operation and status indicators on the color LCD

Time code display

Lights in playback mode.

Lights in non-drop frame mode. (PDW-510/530 only)

Lights when the camcorder is synchronized with an external time code.

Lights when the time code generator is on hold.

Lights when the HOLD button is pressed

Lights when the time code or real time is displayed.

5 Spare indicator

6 SAVE indicator

Indicators on the viewfinder

a TALLY (green tallly) indicator

This indicator lights when the camcorder is in Picture Cash mode. Also, this indicator lights when a green tally signal is received from the camera control unit.

b REC (recording, red tally) indicator

This indicator lights red when recording starts and remains lit during recording. It also lights when a red tally signal is received from the camera control unit and flashes to give a warning.

For details, see 10-3 “Operation Warnings” on page 174.

c BATT (battery) indicator

This indicator starts flashing when the battery connected to the camcorder is nearly exhausted, and stays lit when the battery is completely exhausted.

The battery power level at which the indicator starts flashing can be set on the BATTERY 1 page of the MAINTENANCE menu.

Time counter display: Shows the time code, user bit data, and real time.

Time code display on the color LCD

2-10 Indicators in the Viewfinder

For details, refer to the Maintenance Manual.

d (warning) indicator

This indicator lights when any of the following conditions occurs with the corresponding item set to ON on the “!” LED page of the USER menu.

• The gain is set to other than 0 dB.

• The SHUTTER selector is set to ON (scan mode I).

• The shutter speed is set to a value other than 1/60 (scan mode PsF).

Page 35

• The WHITE BAL switch is set to PRST.

• ATW is enabled.

• The lens extender is used.

• The FILTER selector is set to other than ND:1/CC:B.

• The reference value of auto iris adjustment is not the standard value.

e Spare indicator

This is a spare indicator. This can be used as a REC indicator by setting REC TALLY to BOTH in the FUNCTION 3 page of the MAINTENANCE menu.

f SAVE indicator

This indicator lights when the VDR SAVE/STBY switch is set to SAVE, putting the VDR into power save mode.

Chapter 2 Locations and Functions of Parts and Controls

2-10 Indicators in the Viewfinder

Page 36

Recording and Playback

• Do not leave cartridges where dust may be able to gain

3-1 Handling Discs

3-1-1 Discs Used for Recording and

Playback

This camcorder uses the following disc for recording and playback: PFD23 Professional Disc (capacity 23.3 GB)

ingress.

• Store cartridges in their cases.

Care of the discs

• Remove dust and dirt on the outside of a cartridge using a soft dry cloth.

• If condensation forms, allow ample time to dry before use.

3-1-3 Write-Protecting Discs

Chapter

Note

It is not possible to use the following discs for recording or playback:

• Blu-ray Disc

• Professional Disc for Data

3-1-2 Notes on Handling

Handling

The Professional Disc is housed in a cartridge, and is designed to allow handling free of risk from dust or fingerprints. However, if the cartridge is subjected to a severe shock, for example by dropping it, this can result in damage or scratching of the disc. If the disc is scratched, it may be impossible to record video/audio, or to play back the content recorded on the disc. The discs should be handled and stored carefully.

• Do not touch the surface of the disc itself within the cartridge.

• Deliberately opening the shutter may cause damage.

• Do not disassemble the cartridge.

• The supplied adhesive labels are recommended for indexing discs. Apply the label in the correct position.

To protect the content recorded on the disc from accidental erasure, move the Write Inhibit tab on the lower surface of the disc in the direction of the arrow, as shown in the following figure.

Lower surface of the disc

Write Inhibit tab settings

SAVE SAVE

Recording enabled Recording disabled

Write Inhibit tab

Slide in the direction of the arrow

Storage

• Do not store discs where they may be subjected to direct sunlight, or in other places where the temperature or humidity is high.

3-1 Handling Discs

You can lock individual clips to prevent them from being deleted. For details, see “Locking Clips” (page 65).

Page 37

3-1-4 Loading and Unloading a Disc

Loading a disc

Proceed as follows.

Turn on the POWER switch.

Insert the disc.

V indication on the outside

Push and close the lid.

Chapter 3 Recording and Playback

The disc is loaded.

POWER switch

HUMID indicator

Note

If there is condensation inside the VDR section, the message “HUMID” appears in the viewfinder screen and the color LCD. If this happens, wait until the indicator goes off before going on to step 2.

Press the EJECT button.

This opens the lid of the disc compartment.

EJECT button

Lid of the disc compartment

Note

To insert the disc correctly, make sure that the camcorder is in the upright position (the grip upside, the bottom downside).

Unloading a disc

With the power supply on, press the EJECT button to open the disc compartment lid and eject the disc. Then remove the disc. If you are not going to insert another disc, close the disc compartment lid.

Unloading a disc when the power supply is off

If the battery is exhausted, it is not possible to remove the disc by pressing the EJECT button. In such cases, use the following emergency procedure to remove the disc manually.

Turn off the POWER switch.

Carry out the operation shown in the following figure.

Insert the disc in the V direction, and close the disc compartment lid manually.

3-1 Handling Discs

Page 38

1 Open this rubber cover. 2 Using a screwdriver or

similar implement, slide the black metal plate visible inside, in the direction of the rear of the camcorder. The disc compartment lid opens. A red Phillips screw is visible inside the rubber cap.

3 Insert a screwdriver into

Chapter 3 Recording and Playback

the Phillips screw, and turn counterclockwise (the direction shown on the rubber cap). This ejects the disc.

4 Close the rubber cover

firmly.

Turn the MENU knob to move the b mark to “MAINTENANCE”, and press the MENU knob.

If this is the first time the MAINTENANCE menu has been displayed, the CONTENTS page of the MAINTENANCE menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “DISC”, and press the MENU knob to display the DISC page.

If a different page is displayed, turn the MENU knob until the DISC page appears, then press the MENU knob to select the page.

M19 DISC TOP

DELETE LAST CLIP: EXEC DELETE ALL CLIPS: EXEC

QUICK FORMAT : EXEC

Unloading a disc manually when the power supply is off

You need not return the screw to its original position after taking out the disc. Turning on the power makes the disc compartment mechanism operable again.

3-1-5 Formatting a Disc

Using a new disc

An unused disc requires no formatting operation. The disc is automatically formatted so that it is ready to use when loaded into this unit.

Using a disc on which material is recorded

To format a recorded disc, load the disc into the unit then do as follows.

Note

When a recorded disc is formatted, all the data on the disc is erased. (Locked clips (see page 65) are also erased.)

Holding down the MENU knob, move the MENU ON/ OFF switch from OFF to ON.

The TOP menu appears.

Press the MENU knob, then turn it to move the b mark to “QUICK FORMAT”, and press the MENU knob again.

The message “EXECUTE OK? YES b NO” appears.

Turn the MENU knob to move the b mark to “YES”, and press the MENU knob again.

Formatting is completed and the message “COMPLETE” appears.

3-1-6 Handling of Discs When

Recording Does Not End Normally (Salvage Function)

Recording processing does not end normally if, for example, the battery pack is removed during recording, or if the power cord is disconnected during recording. Because the file system is not updated, video and audio data recorded in real time is not recognized as files and clip contents recorded up to that point are lost.

3-1 Handling Discs

Page 39

However, this unit has a salvage function which can hold losses to the minimum by reconstructing clips on such discs. Note that no recorded clip contents are lost when the POWER switch is turned off and when battery exhaustion is detected, because the unit does not enter power saving mode until after the end of recording processing.

Notes

• Do not disconnect the battery pack or power cord until recording processing has finished and the ACCESS indicator has gone out.

• This function salvages as much recorded material as possible after an unforeseen accident, but 100% restoration cannot be guaranteed.

• Even when this function is used, it is not possible to recover data from immediately before the interruption of recording. The amount of data lost is as follows.

- Quick salvage: From 2 to 4 seconds of data before the

interruption of recording.

- Full salvage: From 4 to 6 seconds of data before the

interruption of recording. More data may be lost when functions such as Picture Cache and Interval Rec are being used.

Quick salvage

When the unit is powered on again after a recording interruption due to a power interruption, with the disc still loaded in the unit, clips are reconstructed on the basis of backup data stored in nonvolatile memory and markers recorded on the disc. Processing time is about 5 seconds.

Turn the MENU knob to move the b mark to YES, then press the MENU knob.

Salvage processing starts, and the message “EXECUTING.” appears.

A results message appears when the processing finishes.

• If the salvage succeeded, the message “COMPLETED.” appears.

• If the salvage failed, the message “INCOMPLETED.” appears. Clips for which recording did not end normally are lost.

To exit without salvaging

Select NO in step 2 to exit without performing salvage processing. However, the status of the disc does not change. Salvage is still required to recover the clips for which recording did not end normally. The salvage message will appear again when that disc is inserted again, or when the camcorder is powered on again.

Note

If salvage processing is not done, sections which were recorded normally can be played back, but no new recording can be done on the disc.

Chapter 3 Recording and Playback

Full salvage

When recording on an XDCAM device is interrupted because of a power interruption, and a disc is manually ejected from that device with the power off, clips are reconstructed on the basis of markers recorded on the disc when the disc is loaded in this unit. Therefore, processing takes longer than for a quick salvage (about 30 seconds, although it depends on the state of the disc). Proceed as follows to perform a full salvage.

Insert the disc on which recording did not end normally.

The following salvage message appears.

SALVAGE

TO RECORD ON THE DISC, IT IS NECESSARY TO EXECUTE SALVAGE.

SALVAGE OK?

YES NO

3-1 Handling Discs

Page 40

Attach a fully charged battery pack.

3-2 Recording

For details, see 9-1 “Power Supply” on page 154.

Turn on the POWER switch.

3-2-1 Basic Procedures

Set the DISP SEL switch to STATUS, and check on This section describes the basic procedures for shooting and recording. Before a shooting session, ensure that the camcorder is functioning properly.

Chapter 3 Recording and Playback

For details, see 10-1 “Testing the Camcorder Before Shooting” on page 169.

Recording format settings (PDW-530/530P only)

With the PDW-530/530P you can select the recording formats for each of video and audio. Note that it is not possible to use different recording formats on a single disc. Be sure to select the same format as the existing recording if you use a disc on which material is recorded, or otherwise use a different disc.

For details of the setting operations, see 5-1-1 “Setting the Video Recording Format” on page 82 and see 5-1-2 “Setting the Audio Recording Format” on page 83.

Thumbnail image setting

As required, you can select the frame to display as the thumbnail image of a clip. (The factory default setting is to display the first frame in the clip as the thumbnail image.)

the color LCD that the following conditions are met.

• The HUMID indicator is not showing. If it is, wait until it disappears.

• The battery status indicator (x) shows at least five segments. If it does not, replace the battery pack with a fully charged one.

Check that there are no obstructions such as cables near the disc compartment lid. Then press the EJECT button to open the disc compartment lid.

After checking that the disc is not write-protected (see page 36), load it and close the disc compartment lid.

Basic procedure for shooting: from adjusting the black balance and white balance to stopping recording

Switch settings

After turning on the power and loading a disc, set the switches and selectors as shown below and begin operation.

DISPLAY: ON

AUDIO SELECT CH-1/CH-2: AUTO

See 5-7 “Setting the Thumbnail Image” on page 99 for more information about how to make this setting.

Basic procedure for shooting: from turning on the camcorder to loading a disc

Proceed as follows.

Basic procedure for shooting: from power supply to disc loading

3-2 Recording

4 5 1

Iris: Automatic

Zoom: Automatic

OUTPUT/DCC: CAM, DCC ON

F-RUN/SET/R-RUN: F-RUN or R-RUN (set as needed)

Switch and selector settings before shooting

Shooting

Proceed as follows.

Page 41

1,2

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/2/3/4 Switches” on page 133.

3,5

4 5,6

Basic procedure for shooting: from adjusting the black balance and

white balance to stopping recording

Push the AUTO W/B BAL switch to BLK to adjust the black balance.

For details of black balance adjustment, see 5-2-1 “Adjusting the Black Balance” on page 84.

Select the CC filter and ND filter to match the lighting conditions, and adjust the white balance.

When the white balance settings are already in memory

Set the WHITE BAL switch to A or B.

During recording, the REC indicator lights in the viewfinder. Perform zooming and focus control, if necessary.

Note

During recording (while the ACCESS indicator is lit) do not remove the battery pack. If you do, the internal processing for recording may not finish properly, which may cause the last few seconds of recording to be lost.

For details, see 3-1-6 “Handling of Discs When Recording Does Not End Normally (Salvage Function)” (page 38).

To stop recording, press the REC START button or the VTR button on the lens again.

The REC indicator in the viewfinder goes off. The material recorded from step 5 to step 6 is saved as a single clip.

To play back the recorded clip

Press the PREV button, then press the PLAY/PAUSE button to play from the beginning of the clip.

Chapter 3 Recording and Playback

When the white balance setting is not in memory and you do not have enough time to adjust the white balance

Set the WHITE BAL switch to PRST. This automatically adjusts the white balance as follows, depending on the setting of the FILTER knob.

• For the PDW-530/530P: B: 3200 K, C: 4300 K, D: 6300 K

• For the PDW-510/510P: 1: 3200 K, 3: 5600 K

For details, see 5-2-2 “Adjusting the White Balance” on page 85.

Aim the camera at the subject and adjust the focus and zoom.

If necessary, set the electronic shutter for an appropriate mode and speed.

For details, see 5-3 “Setting the Electronic Shutter” on page 88.

To start recording, press the REC START button or the VTR button on the lens.

If the recording start/stop function is assigned to the ASSIGN 1/3/4 switch, this switch functions as REC START button.

Repeat steps 5 and 6 as required for shooting.

Each time you repeat steps 5 and 6, successive clips are recorded on the disc.

Clip 1 Clip 2 Clip 3

Notes

REC

START

REC

STOP

REC START

REC

STOP

REC START

REC

STOP

• It is not possible to record a clip shorter than 2 seconds. If you stop recording within 2 seconds of starting, this results in a 2-second clip. If you stop recording and restart within 2 seconds of the original start, this creates a single continuous clip from the original start time.

• The maximum number of clips that can be recorded on a single disc is 300. If an attempt is made to record more than 300 clips, the error message “DISC FULL!” appears, even if there is free capacity on the disc.

Playback control buttons

During recording, the playback control buttons (EJECT, F REV, F FWD, NEXT, PREV, PLAY/PAUSE, STOP) have no effect.

3-2 Recording

Page 42

3-2-2 Deleting Clips

With this camcorder you can delete clips one at a time, in sequence from the last recorded clip, or you can delete all clips in a single operation.

The message “DELETE OK? YES b NO” appears.

Turn the MENU knob to move the b mark to “YES”, and press the MENU knob again.

The last recorded clip is deleted.

You can use the THUMBNAIL menu to delete the selected clip or all clips. For details, see “Deleting clips” (page

66).

By repeating steps 4 and 5, you can delete a number of clips in sequence from the last recorded clip.

To delete the last recorded clip

Chapter 3 Recording and Playback

Note

If the clip is locked, it cannot be deleted. Proceed as follows.

Holding down the MENU knob, move the MENU ON/ OFF switch from OFF to ON.

The TOP menu appears.

Turn the MENU knob to move the b mark to “MAINTENANCE”, and press the MENU knob.

If this is the first time the MAINTENANCE menu has been displayed, the CONTENTS page of the menu appears. If the menu has been used before, the last accessed page appears.

To delete all clips within the disc

Note

Carrying out the following procedure deletes all clips that are not locked.

Proceed as follows.

On the DISC page (see the previous item), move the b mark to “DELETE ALL CLIPS”, and press the MENU knob.

The message “DELETE OK? YES b NO” appears.

To execute deleting, turn the MENU knob to move the b mark to “YES”, and press the MENU knob.

This deletes all clips within the disc.

3-2-3 Recording Essence Marks

Clip 1 Clip 2 Clip 3

Clips can be deleted in the sequence 3 t 2 t 1.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “DISC”, and press the MENU knob.

If a different page is displayed, turn the MENU knob until the DISC page appears, then press the MENU knob to select the page.

M19 DISC TOP

DELETE LAST CLIP: EXEC DELETE ALL CLIPS: EXEC

QUICK FORMAT : EXEC

Press the MENU knob, then turn it to move the b mark to “DELETE LAST CLIP”, and press the MENU knob again.

3-2 Recording

Shot marks and other essence marks can be recorded on the disc. Recording essence marks for scenes containing important images and sounds enables quick access to the marked points. This increases editing efficiency. Some essence marks are recorded automatically, for example when recording starts and when the flash operates. Others are recorded manually.

To specify essence marks to be recorded on the disc

Proceed as follows.

Page 43

MENU knob

Holding down the MENU knob, move the MENU ON/

MENU ON/OFF switch

OFF switch from OFF to ON.

SHUTTER CHG. MARK: Recorded when the

shutter speed is changed.

WHITE CHG. MARK: Recorded when the white

balance is changed.

FLASH MARK: Recorded when a sudden brightness

change occurs as when the flash operates or when the camcorder in recording mode is suddenly moved into an indoor space from a bright outdoor space.

Turn the MENU knob to move the b mark to “SHOT

MARK 1”.

Chapter 3 Recording and Playback

The TOP menu appears.

Turn the MENU knob to move the b mark to

“MAINTENANCE”.

Press the MENU knob.

If this is the first time the MAINTENANCE menu has been displayed, the CONTENTS page of the menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “ESSENCE MARK”, then press the MENU knob.

If a different page is displayed, turn the MENU knob until the ESSENCE page appears, then press the MENU knob to select the page.

?M10 ESSENCE MARK TOP

SHOT MARK 1 : OFF SHOT MARK 2 : OFF OVER AUDIO LIMIT : OFF GAIN CHG. MARK : OFF FILTER CHG. MARK : OFF SHUTTER CHG. MARK: OFF WHITE CHG. MARK : OFF FLASH MARK : OFF FLASH MARK LEVEL : 10 INDEX PIC. POS. : 0SEC

The items show the following types of essence marks.

SHOT MARK 1/2: Recorded manually. OVER AUDIO LIMIT: Recorded when the audio

level exceeds 0 dBFS.

GAIN CHG. MARK: Recorded when the gain value

is changed.

FILTER CHG. MARK: Recorded when the filter is

changed.

M10 ESSENCE MARK TOP

Press the MENU knob.

The b mark to the left of “SHOT MARK 1” changes to a z mark and the z mark to the left of the setting changes to a ? mark.

If you want to record the essence mark, turn the

MENU knob to display “ON”. If you do not want to record it, turn the MENU knob to display “OFF”.

Press the MENU knob.

Repeat steps 5 to 8 to set the remaining essence marks.

When FLASH MARK is “ON”, use the FLASH

MARK LEVEL item to set the threshold brightness value (in the range 1 to 20) for essence mark recording.

Set the MENU ON/OFF switch to OFF to end the

menu operation.

Recording a SHOT MARK 1 essence mark

Press the RET button once. “ShotMark1” appears on the viewfinder screen for about one second near the time code display. If SHOT MARK 1 recording has been assigned to one of the assignable switches, you can also use that switch to record a SHOT MARK 1 essence mark.

See section 7-3-5 “Assigning Functions to ASSIGN 1/2/3/ 4 Switches” (page 133) for more information about how to make assignments.

3-2 Recording

Page 44

Recording a SHOT MARK 2 essence mark

Press the RET button twice in quick succession during recording or playback. “ShotMark2” appears in the viewfinder screen for about one second near the time code display. If SHOT MARK 2 recording has been assigned to one of the assignable switches, you can also use that switch to record a SHOT MARK 2 essence mark.

MENU knob MENU ON/OFF

switch

3-2-4 Starting a Shoot With a Few

Seconds of Pre-Stored Picture

Chapter 3 Recording and Playback

The camcorder has a large capacity internal memory, in which you can cache the last few seconds (maximum 12 seconds) of captured video and audio, so that recording starts from a point just before you press the REC START button or VTR button on the lens.

Setting the Picture Cache time/Picture Cache mode

To record in Picture Cache mode, you need to turn on Picture Cache mode and set the picture data storage time (Picture Cache time) using the USER menu.

The Picture Cache time determines the number of seconds recorded from the Picture Cache, counting back from the time when you press the REC START button or the VTR button on the lens to start recording. However, the number of seconds actually recorded from the Picture Cache may be shorter immediately after the setting of the VDR SAVE/ STBY switch is changed, and in the special situations explained in the following notes.

Notes

• The contents of picture cache memory are unstable for a short time immediately after you select Picture Cache mode or change the Picture Cache time. Therefore, if you put the unit into recording mode by pressing the REC START button or the VTR button on the lens immediately after such operation, pictures just before such operation cannot be recorded. Also, a certain amount of time is required to actually start recording to a disc immediately after you insert a disc and when the VDR SAVE/STBY switch is set to SAVE. In these cases, the number of seconds that can actually be recorded from the picture cache may be fewer than the specified picture cache time.

• During playback or recording review, no data is saved to the picture cache memory. Thus it is not possible to use this function to rerecord the last few seconds of material from playback or recording review.

Data (Picture Cache Function)

Set the MENU ON/OFF switch to ON.

The last accessed menu page appears on the screen.

Turn the MENU knob until the FUNCTION 1 page

appears.

? 03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: OFF

Press the MENU knob.

A b mark appears on the left of the currently selected item and a z mark appears on the left of the setting.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: OFF

Turn the MENU knob to move the b mark to

“CACHE/INTVAL REC”.

Press the MENU knob.

The b mark on the left of “CACHE/INTVAL REC” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: OFF

To turn Picture Cache mode on, proceed as follows.

3-2 Recording

Page 45

Turn the MENU knob until “CACHE” appears.

As you turn the MENU knob, the setting changes in the following sequence: OFF y CACHE y A. INT y M. INT. When “CACHE” appears, the camcorder is in Picture Cache mode, where picture, sound, and time code are constantly saved in memory. The TALLY indicator (green) is on while picture data is being stored in memory.

The menu disappears, and the display indicating the current status of the camcorder appears along the top and bottom of the screen.

Settings made in Picture Cache mode are maintained until changed. You can turn Picture Cache mode on and off by assigning the Picture Cache ON/OFF function to one of the assignable switches (ASSIGN 1/2/3/4 and TURBO GAIN buttons), and pressing the switch.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: CACHE CACHE REC TIME : 0-2s

Press the MENU knob.

The z mark changes to a b mark and the ? mark changes to a z mark.

Turn the MENU knob to move the b mark to “CACHE

REC TIME”.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: CACHE CACHE REC TIME : 0-2s

Press the MENU knob.

The b mark on the left of “CACHE REC TIME” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Turn the MENU knob until the desired Picture Cache

time appears.

As you turn the MENU knob, the Picture Cache time changes in the following sequence: 0-2s y 2-4s y 4-6s y 6-8s y 8-10s y 10-12s.

Press the MENU knob.

The z mark changes to a b mark and the ? mark changes to a z mark.

To end the menu operation, set the MENU ON/OFF

switch to OFF.

For detailed information on the ASSIGN 1/2/3/4 switches, see 7-3-5 “Assigning Functions to ASSIGN 1/2/3/4 Switches” on page 133.

Notes

• You can change the Picture Cache mode menu settings while recording; any changes that you make, however, do not take effect until after the recording operation is completed.

• In Picture Cache mode, the internal time code generator operating mode is always F-RUN regardless of the setting of the F-RUN/SET/R-RUN switch.

Camcorder operations in Picture Cache mode

The recording procedure in Picture Cache time is basically the same as that for normal recording. However, note the following differences.

• When you record in Picture Cache mode, the picture you are shooting now is recorded to disc after the picture data stored in memory (equal to the Picture Cache time) is recorded to disc. For this reason, disc access may continue for a short time after you press the REC START button to stop recording. During this time, the playback control buttons are disabled, as in recording mode. Also, if you press the REC START button or the VTR button on the lens to restart recording during this time, a separate clip is recorded.

• When you press the REC START button or the VTR button on the lens to restart recording during disc access, the start point of the recorded clip may be later than the Picture Cache time, especially when there are a large number of clips recorded on the disc. In Picture Cache mode, you should avoid stop and start recording operations in quick succession.

• The time disc access stops after the REC START button is pressed equals the Picture Cache time. However, if you start recording within the Picture Cache time immediately after selecting Picture Cache mode, changing the Picture Cache time or performing playback or recording review, the picture data for the duration of the Picture Cache time will not be stored in memory. Thus, the time disc access stops after the STOP button is pressed becomes shorter than the Picture Cache time.

• In Picture Cache mode, you cannot set the F-RUN/SET/ R-RUN switch to SET to make time code settings. To make time code settings, first exit Picture Cache mode.

Chapter 3 Recording and Playback

3-2 Recording

Page 46

When power is lost during recording

• When the power is turned off during recording, the camcorder will switch itself off after disc access has continued for a few seconds to record the picture in the instant of power off.

• If you remove the battery, pull out the DC cable, or cut power to the AC adaptor during recording, video and audio stored in memory will be lost without being recorded to the disc. For this reason, make sure you do not change the battery while recording.

Notes

• To make settings for Auto Interval Rec mode, set “TAKE TOTAL TIME” first, then “REC TIME”.

• To turn on the light automatically before starting to record, set the LIGHT switch to AUTO.

To turn on Auto Interval Rec mode, proceed as follows.

Chapter 3 Recording and Playback

3-2-5 Time-Lapse Video (Interval

Rec Function)

Using the memory in the camcorder, you can capture timelapse video. There are two modes for this function, which is known as “Interval Rec.”

• Auto Interval Rec mode In Auto Interval Rec mode, pictures are automatically shot a frame at a time at the specified interval and stored in memory. To use this function you must set the total time for shooting (TAKE TOTAL TIME) and the length of time for recording on the disc (REC TIME).

• Manual Interval Rec mode A specified number of frames (NUMBER OF FRAME) is recorded when you press the REC START button or the lens VTR button. There are two Manual Interval Rec modes: a single shot mode in which recording is done once with each press of the button, and a consecutive mode in which recording is done repeatedly at a specified interval after the button is pressed.

A pre-lighting function is available in Auto Interval Rec mode and the consecutive mode of Manual Interval Rec mode. This function automatically turns on the light before recording starts, which allows you to record pictures under stable light and color temperature conditions.

MENU knob

Set the MENU ON/OFF switch to ON.

The last accessed menu page appears on the screen.

Turn the MENU knob until the FUNCTION 1 page

appears.

? 03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: OFF

Press the MENU knob.

A b mark appears on the left of the currently selected item and a z mark appears on the left of the setting.

MENU ON/OFF switch

Note

The camcorder cannot be put into Interval Rec mode when the scanning mode is 24P (with the CBK-FC01 expansion board (see page 138) installed).

Auto Interval Rec mode settings and shooting

To make settings before shooting

To record in Auto Interval Rec mode, you need to turn on Auto Interval Rec and set the total time from start to finish of shooting (TAKE TOTAL TIME) and the length of time for recording on the disc (REC TIME), using the USER menu.

3-2 Recording

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: OFF

Turn the MENU knob to move the b mark to

“CACHE/INTVAL REC”.

Press the MENU knob.

The b mark on the left of “CACHE/INTVAL REC” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Page 47

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: OFF

Turn the MENU knob until A. INT appears.

As you turn the MENU knob, the setting changes in the following sequence: OFF y CACHE y A. INT y M. INT. When A. INT appears, the camcorder is in Auto Interval Rec mode. The TALLY indicator (green) in the viewfinder flashes (one flash/second) while the camcorder is in this mode. Also, TAKE TOTAL TIME, REC TIME and PRE-LIGHTING appear.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: A.INT TAKE TOTAL TIME : 5MIN REC TIME : 5SEC PRE-LIGHTING : OFF

Press the MENU knob.

5MIN y 10MIN y 15MIN y 20MIN y 30MIN y 40MIN y 50MIN y 1H y 2H y 3H y 4H y 5H y 7H y 10H y 15H y 20H y 30H y 40H y 50H y 70H y 100H.

Here MIN means minutes (5MIN is 5 minutes) and H means hours (1H is one hour).

Press the MENU knob.

The z mark changes to a b mark and the ? mark changes to a z mark.

Turn the MENU knob to move the b mark to “REC

TIME”.

? 03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: A.INT TAKE TOTAL TIME : 20M REC TIME : 5SEC PRE-LIGHTING : OFF

Press the MENU knob.

The b mark on the left of “REC TIME” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Chapter 3 Recording and Playback

The z mark changes to a b mark and the ? mark changes to a z mark.

Turn the MENU knob to move the b mark to “TAKE

TOTAL TIME” (see “Time required for shooting and time required for recording on the disc” (page 48)).

? 03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: A.INT TAKE TOTAL TIME : 5MIN REC TIME : 5SEC PRE-LIGHTING : OFF

Press the MENU knob.

The b mark on the left of “TAKE TOTAL TIME” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Turn the MENU knob until the desired setting of

“TAKE TOTAL TIME” appears.

Turn the MENU knob until the desired time to be

recorded on the disc appears.

As you turn the MENU knob, the setting of REC TIME changes in the following sequence: 5SEC y 10SEC y 15SEC y 20SEC y 30SEC y 40SEC y 50SEC y 1MIN y 2MIN y

.......85MIN.

Here SEC means seconds (5SEC is 5 seconds) and MIN means minutes (1MIN is one minute). You cannot set a REC TIME that is more than one thirtieth of TAKE TOTAL TIME. For example: When TAKE TOTAL TIME is set to 1H, the maximum value of REC TIME is 2 MIN. (60 minutes divided by 30 gives 2 minutes.)

Press the MENU knob.

The z mark changes to a b mark and the ? mark changes to a z mark.

Turn the MENU knob to move the b mark to “PRE-

LIGHTING”.

As you turn the MENU knob, the setting of TAKE TOTAL TIME changes in the following sequence:

3-2 Recording

Page 48

After performing the basic procedures for shooting

? 03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: A.INT TAKE TOTAL TIME : 20M REC TIME : 5SEC PRE-LIGHTING : OFF

and recording, following the instructions in 3-2-1 “Basic Procedures” (page 40), secure the camcorder

so that it will not move.

Press the REC START button on the camcorder or the

VTR button on the lens.

The camcorder starts recording in Auto Interval Rec mode. When you use the PRE-LIGHTING function,

Press the MENU knob.

The b mark on the left of “PRE-LIGHTING” changes

Chapter 3 Recording and Playback

to a z mark and the z mark on the left of the setting changes to a ? mark.

Turn the MENU knob until the desired time to turn on

the light before starting to record appears.

As you turn the MENU knob, the PRE-LIGHTING time changes in the following sequence: OFF y 2SEC y 5SEC y 10SEC.

recording starts after the light is switched on. The actual recording to disc begins when the camcorder has saved about ten seconds of video in memory, so disc access is intermittent. While recording in Auto Interval Rec mode, the TALLY indicator (green) in the viewfinder flashes (4 flashes/second) and the message “AUTO INTERVAL **M**S” flashes on the viewfinder screen. When the camcorder is capturing the picture in memory, the REC indicator (red) in the viewfinder lights. After the length of time for recording on the disc (REC

Notes

• Set the LIGHT switch on the camcorder to AUTO to turn on the light before recording. The light switch must also be set to ON. With these settings, the light turns on and off automatically. (However, the light remains on continuously if the off time is less than 5 seconds.)

TIME) has elapsed, the camcorder automatically stops recording.

To continue auto interval recording

Press the REC START button on the camcorder or the VTR button on the lens again. The camcorder starts recording in Auto Interval Rec mode again.

• When the LIGHT switch is set to MANUAL and the light switch is set to ON, the light remains on continuously.

To interrupt auto interval recording

Press the REC START button or the VTR button on the lens. The camcorder stops recording.

Press the MENU knob.

However, disc access may occur for recording picture data already stored in memory.

The z mark changes to a b mark and the ? mark changes to a z mark.

To end auto interval recording

You can exit Auto Interval Rec mode using the following

To end the menu operation, set the MENU ON/OFF

switch to OFF.

two methods:

• Set the POWER switch to OFF.

• Set CACHE/INTVAL REC to OFF on the FUNCTION

The menu disappears from the screen and the message

1 page.

“AUTO INTERVAL **M**S” indicating Auto Interval Rec mode appears along the bottom of the screen. “**M**S” indicates the shooting interval. For example, the message “AUTO INTERVAL 00M04S” indicates that the shooting interval is four seconds.

Time required for shooting and time required for recording on the disc

Auto Interval Rec mode is effective for shooting objects that move very slowly. To use this function, you need to set the total time for shooting (TAKE TOTAL TIME) and the length of time for recording on the disc (REC TIME).

Note

The camcorder exits Auto Interval Rec mode whenever it is powered off. However, the TAKE TOTAL TIME and REC TIME settings are maintained. You do not need to set them again the next time you use Auto Interval Rec mode.

To shoot and record in Auto Interval Rec mode

The time required for shooting is the time required to capture the very slowly moving subject, and the camcorder must be arranged so that during this time the subject is always in the frame. The disc recording time indicates the running time of the completed recording. The camcorder calculates the timelapse interval from these two times.

Proceed as follows.

3-2 Recording

Page 49

Total time for shooting (TAKE TOTAL TIME)

Shooting interval

Time for recording on the disc (REC TIME)

Notes on Auto Interval Rec mode

Note the following points.

i.LINK

During interval recording, signal input/output through the i.LINK interface is impossible.

Single shot mode: Each time the REC START button or

VTR button on the lens is pressed, the camcorder captures to memory a single shot consisting of the specified number of video frames.

Consecutive mode: Once the REC START button or VTR

button on the lens is pressed, the camcorder captures consecutive shots to memory at the specified interval, with each shot consisting of the specified number of video frames.

To make settings before shooting

Proceed as follows.

Carry out steps 1 to 5 of the procedure “To make settings before shooting” (page 46), to select CACHE/ INTVAL REC on the FUNCTION 1 page.

Turn the MENU knob until “M. INT” appears.

Chapter 3 Recording and Playback

Time code

In Auto Interval Rec mode, the internal time code generator runs in R-RUN mode regardless of how the FRUN/SET/R-RUN switch is set.

Audio

Audio signals are not recorded in Auto Interval Rec mode.

Playback control buttons

While recording in Auto Interval Rec mode, you cannot use the playback control buttons (EJECT, F REV, F FWD, NEXT, PREV, PLAY/PAUSE and STOP). To use these buttons, stop recording by pressing the REC START button or the VTR button on the lens.

Menu operation

While recording in Auto Interval Rec mode, you cannot change the settings of CACHE/INTVAL REC, TAKE TOTAL TIME and REC TIME. To change the settings, stop recording by pressing the REC START button or the VTR button on the lens.

When the camcorder power is switched off during recording in Auto Interval Rec mode

• When you set the POWER switch to OFF, the camcorder will switch off by itself after disc access has continued for a few seconds to record the picture data stored in memory.

• If you remove the battery, unplug the DC cable, or cut power to the AC adaptor during auto interval recording, picture data stored before recording stops (a maximum of ten seconds) may be lost. Take care when changing the battery.

Manual Interval Rec mode settings and shooting

Manual Interval Rec has the following two modes.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC:? M.INT NUMBER OF FRAME : 1 TRIGGER INTERVAL: 1SEC PRE-LIGHTING : OFF

As you turn the MENU knob, the setting changes in the following sequence: OFF y CACHE y A. INT y M. INT.

When M. INT appears, the camcorder is in Manual Interval Rec mode and the TALLY indicator (green) in the viewfinder flashes. “NUMBER OF FRAME” and “TRIGGER INTERVAL” appear. When TRIGGER INTERVAL is set to other than “M”, “PRELIGHTING” also appears.

Press the MENU knob.

The z mark on the left of “CACHE/INTVAL REC” changes to a b mark and the ? mark on the left of the setting changes to a z mark.

Turn the MENU knob to move the b mark to

“NUMBER OF FRAME”.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: M.INT NUMBER OF FRAME : 1 TRIGGER INTERVAL: 1SEC PRE-LIGHTING : OFF

Press the MENU knob.

3-2 Recording

Page 50

The b mark on the left of “NUMBER OF FRAME” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Turn the MENU knob until the desired number of

frames to be recorded in each shot appears.

As you turn the MENU knob, the number changes in the following sequence: 1 y 2 y 4 y 8.

Press the MENU knob.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: S.INT NUMBER OF FRAME : 2 TRIGGER INTERVAL: 1SEC PRE-LIGHTING : OFF

Press the MENU knob.

Chapter 3 Recording and Playback

changes to a z mark.

The z mark changes to a b mark and the ? mark

The b mark to the left of “PRE-LIGHTING” changes to a z mark, and the z mark to the left of the setting changes to a ? mark.

Turn the MENU knob to move the b mark to

“TRIGGER INTERVAL”.

Turn the MENU knob to display the length of time to

light before recording.

Press the MENU knob.

The b mark on the left of “TRIGGER INTERVAL”

The setting changes in the following sequence: OFF y 2SEC y 5SEC y 10SEC.

changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Notes

• Set the LIGHT switch on the camcorder to AUTO to

Turn the Menu knob to select the desired Manual

Interval Rec mode.

• To select the single shot mode (recording only one shot after one operation), set “TRIGGER INTERVAL” to “M”. In the viewfinder, the TALLY indicator (green) flashes twice per second.

• To select the consecutive mode (recording shots repeatedly after one operation), set “TRIGGER INTERVAL” to the desired length of interval. In the viewfinder, the TALLY indicator (green) flashes once per second.

turn on the light before recording. The light switch must also be set to ON. With these settings, the light turns on and off automatically. However, the light remains on continuously if the off time is less than 5 seconds.

• When the LIGHT switch is set to MANUAL and the light switch is set to ON, the light remains on continuously.

Press the MENU knob.

The z mark changes to a b mark and the ? mark changes to a z mark.

03 FUNCTION1 TOP

ASSIGN SW <1> : ATW ASSIGN SW <2> : OFF ASSIGN SW <3> : OFF ASSIGN SW <4> : OFF TURBO SW : TURBO DF/NDF : DF CACHE/INTVAL REC: M.INT NUMBER OF FRAME : 2 TRIGGER INTERVAL: 2SEC PRE-LIGHTING : OFF

To end the menu operation, set the MENU ON/OFF

switch to OFF.

The menu disappears from the viewfinder screen and the following message appears along the bottom of the screen, indicating the current Manual Interval Rec mode.

As you turn the MENU knob, the setting changes in the following sequence: M y 1SEC y

2SEC........12H y 24H.

In single shot mode: MANU INTERVAL *FRAME In consecutive mode: MANU INTERVAL *SEC

*FRAME

“*FRAME” means the number of frames and “*SEC”,

Press the MENU knob.

the length of interval for the consecutive mode.

The z mark changes to a b mark and the ? mark changes to a z mark.

If you selected the consecutive mode in step 10

(anything other than “M”), turn the MENU knob to move the b mark to “PRE-LIGHTING”.

3-2 Recording

Note

The camcorder exits Manual Interval Rec mode whenever it is powered off. However, the NUMBER OF FRAME, TRIGGER INTERVAL and PRE-LIGHTING settings are maintained. You do not need to set them again the next time you use Manual Interval Rec mode.

Page 51

To shoot and record in Manual Interval Rec mode

After making the required settings, proceed as follows.

After performing the basic procedure for shooting and recording following the instructions in 3-2-1 “Basic Procedures” (page 40), secure the camcorder so that it will not move.

Press the REC START button on the camcorder or the

VTR button on the lens.

The camcorder starts recording in Manual Interval Rec mode. In the viewfinder, “MANU INTERVAL *FRAME” and the TALLY indicator (green) flash.

• In the single shot mode, the TALLY indicator flashes twice per second.

• In the consecutive mode, the TALLY indicator flashes four times per second.

To exit Manual Interval Rec mode

Do one of the following.

• In the single shot mode, press the EJECT button.

• In the consecutive mode, press the camcorder REC START button or the lens VTR button to stop recording.

• Set the camcorder POWER switch to OFF.

After the camcorder has exited from Manual Interval Rec mode, it records picture data stored in memory to the disc.

Notes on Manual Interval Rec mode

Take note of the following points.

i.LINK

During interval recording, signal input/output through the i.LINK interface is impossible.

Menu operation

In the single shot mode of Manual Interval Rec mode, you cannot change the settings of “CACHE/INTVAL REC” and “NUMBER OF FRAME” on the FUNCTION 1 page after the camcorder starts recording. To change the settings, stop recording by pressing the EJECT button or setting the POWER switch to OFF. While recording in the consecutive mode of Manual Interval Rec mode, you cannot change the settings of CACHE/INTVAL REC, NUMBER OF FRAME and TRIGGER INTERVAL on the FUNCTION 1 page. To change these settings, stop recording by pressing the REC START button or the VTR button on the lens.

When the camcorder power is switched off during recording in Manual Interval Rec mode

• When you set the POWER switch to OFF, the camcorder will switch off by itself after disc access has continued for a few seconds to record the picture data stored in memory.

• If you remove the battery, unplug the DC cable, or cut the power to the AC adaptor during manual interval recording, picture data stored before recording stops (a maximum of ten seconds) may be lost. Take care when changing the battery.

3-2-6 Retaking the Most Recent Clip

A retake function is available, making it easy to erase and retake the most recently recorded clip. To use the retake function, you need use the FUNCTION 1 menu to assign it to one of the assignable switches (ASSIGN 1, ASSIGN 3, ASSIGN 4, or TURBO GAIN).

Chapter 3 Recording and Playback

Time code

In Manual Interval Rec mode, the internal time code generator runs in R-RUN mode regardless of how the FRUN/SET/R-RUN switch is set.

Audio

Audio signals are not recorded in Manual Interval Rec mode.

Playback control buttons

While recording in the single shot mode of Manual Interval Rec mode (the TALLY indicator (green) in the viewfinder flashes twice per second), you cannot use most of playback control buttons (F REV, F FWD, NEXT, PREV, PLAY/PAUSE, and STOP). To exit the single shot mode, press the EJECT button. While recording in the consecutive mode of Manual Interval Rec mode (the TALLY indicator (green) flashes four times per second), you cannot use the disc control buttons (EJECT, F REV, F FWD, NEXT, PREV, PLAY/ PAUSE and STOP). To use these buttons, stop recording by pressing the REC START button or the VTR button on the lens.

For details about operation, see section 7-3-5 “Assigning Functions to ASSIGN 1/2/3/4 Switches” (page 133).

Example: After recording clip 3, you want to delete it and record a new clip 3 after clip 2.

Clip 1 Clip 2 Clip 3

New clip

To retake the most recent clip

With recording paused or after the end of a preview (see page 62), proceed as follows.

Press the switch or button to which the retake function has been assigned.

While the button is pressed, the last frame of the recorded clip and the message “PUSH RET FOR CLIP DELETE” appears.

In this state, press the RET button.

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The message “DELETING LAST CLIP” appears, and the processing for deleting the last recorded clip begins. When the deleting has finished, the message “LAST CLIP WAS DELETED” appears.

For operations, see 4-3-1 “Loading a Clip List From Disc Into Unit Memory” (page 78).

Press the SUB CLIP button, turning on the sub clip indicator.

Note

If an operation (other than recording review) which is not a retake operation is carried out after the last clip has been

The camcorder enters auto clip list recording mode. The viewfinder screen shows the number of the clip list loaded in the current clip list.

recorded, the retake function does not work even when the camcorder is in the recording pause state.

The number of the clip list loaded in the current clip list

In this case, the message “RE-TAKE NOT ALLOWED!”

Chapter 3 Recording and Playback

appears. When you want to replace the last clip with a new

16:9 E0004

clip, see 3-2-2 “Deleting Clips” (page 42). Once you carry out a retake operation, the last clip is deleted even if you do not carry out a recording operation afterwards.

3-2-7 Auto Clip List Recoding for

Automatic Inclusion of

45-40

Recorded Clips in Clip Lists

Auto clip list recoding is a function for automatically including the clips generated by recording operations in a selected clip list. The updated clip list is saved to the disc. Proceed as follows.

THUMBNAIL

SEL/SET

SUB CLIP button

ESSENCE MARK

PRESET

REGEN

REGEN CLOCK

CLOCK

SUB CLIP

S.SEL

SHIFTCLIP MENU

F-RUN

SET

R-RUN

Press the REC START button or the VTR button on the lens to start recording, and press again to stop recording.

A clip is generated automatically from the video and audio recorded in this interval, and added as a sub clip to the the currently loaded clip list. The updated list is also written to disc automatically.

Repeat the process of recording and stopping until you have included all the required clips.

To change target clip lists, carry out step 2 once more to load the desired clip list into the current clip list.

Insert a disc.

Load a clip list from the disc.

• To create a new clip list, load a NEW FILE (empty) clip list.

• To add clips to an existing clip list, load that clip list.

Note

Always load either a new or existing clip list from disc.

To exit auto clip list coding mode

Press the SUB CLIP button, turning off the sub clip indicator.

3-2-8 Assigning User-Defined Clip

Titles Automatically

1) This is supported from firmware version 1.4.

About the automatic title generation function

By default, clips on each disc are assigned names in the range C0001.MXF to C0300.MXF. For this reason, two discs can contain clips with the same names. The automatic title generation function allows you to assign titles to all of the clips on several discs, which facilitates clip management. For example, if the titles TITLE00001 to TITLE00020 are assigned to clips C0001.MXF to C0020.MXF on disc 1, then the titles TITLE00021 to

3-2 Recording

Page 53

TITLE00037 are assigned to clips C0001.MXF to C0017.MXF on disc 2.

Titles are made up of prefixes, up to 10 characters in length, and five-digit serial numbers such as TITLE 00001.

C0020.MXF

C0002.MXF

C0001.MXF

TITLE00020

TITLE00001

Clips recorded on Disc 1

C0017.MXF

C0002.MXF

C0001.MXF

TITLE00037

TITLE00022

TITLE00021

Clips recorded on Disc 2

The TOP menu appears.

Turn the MENU knob to move the b mark to “OPERATION”, and then press the MENU knob.

If this is the first time the OPERATION menu has been displayed, the CONTENTS page of the OPERATION menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “CLIP TITLE ”, and then press the MENU knob.

If a different page is displayed, turn the MENU knob until the CLIP TITLE page appears, and then press the MENU knob.

The CLIP TITLE page appears.

Chapter 3 Recording and Playback

Setting the title prefix

You can assign title prefixes by choosing from a prefix list stored in internal memory, or by entering the prefix directly. However, to choose from a prefix list, you must create the list beforehand on a computer and transfer it to the unit’s internal memory with a “Memory Stick”.

Setting the initial value of the serial number

The initial value of the serial number can be set to 00001 (the default) or to any other number. The number is automatically incremented by 1 each time you record a clip. When it reaches 99999, it returns to 00001 for the next clip.

Note

Duplicate clip titles can be generated depending on the serial number setting, for example if you reset the serial number to the original value after recording several clips. Care should be taken when setting the serial number.

To assign user-defined titles automatically when clips are recorded

Proceed as follows.

Holding down the MENU knob, move the MENU ON/ OFF switch to ON.

23 CLIP TITLE TOP

TITLE : DSABL

Select “TITLE”, and then press the MENU knob.

The z mark beside DSABL changes to a ? mark.

Turn the MENU knob to display “ENABL”, and then press the MENU knob.

The following items appear.

23 CLIP TITLE TOP

TITLE : ENABL SELECT PREFIX : EXEC CLEAR NUMERIC : EXEC LOAD PREFIX DATA: EXEC PREFIX : TITLE NUMERIC : 00001

Clip titles will be generated automatically if you record in this state.

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Page 54

The title of the next clip to be recorded will be a combination of the prefix in the PREFIX field and the serial number in the NUMERIC field.

Note

The message “FILE NOT FOUND!” appears if no list of title prefixes is found. Check the location where the file is stored on the

To create a list of title prefix strings

“Memory Stick”.

Prepare the data beforehand according to the following rules.

File name

Assign the name “TITLES.TXT” to the file.

Input format

Chapter 3 Recording and Playback

Enter title prefixes one at time, separated by newline (CRLF) characters. Prefixes can be up to 10 characters long. A prefix file can

To select a prefix from the title prefix list

Proceed as follows.

On the CLIP TITLE page of the OPERATION menu (see page 54), select “SELECT PREFIX” and then press the MENU knob.

A list of up to 20 title prefixes appears.

contain up to 20 prefixes.

Allowable characters

• Digits: 0 to 9

• Alphabetic characters: a to z, A to Z

• The following symbols:!, #, $, %, &, ’, ( , ), ~, =, -, ^, @, [, ], {, }, +, ; (semicolon), , (comma), . (period), _ (underscore)

P00 TITLE PREFIX ESC

001: Tennis 002: Basketball 003: Skiing_1 004: Skiing_2 005: Athletics 006: Aquatics 007: Cycling 008: Softball 009: Fencing 010: Sailing

• Space

Title prefix list example

Tennis<CRLF> Basketball<CRLF> Skiing_1<CRLF> Skiing_2<CRLF>

To transfer a title prefix list to the unit’s internal memory

Proceed as follows.

Copy the title prefix file (TITLES.TXT) to the following folder on the “Memory Stick”.

\\MSSONY\PRO\XDCAM\GENERAL\VAL_LIST

Note

This folder is created when you insert a “Memory Stick” into the camcorder. Do not create this folder yourself on a computer.

Insert a “Memory Stick” with the title prefix file (TITLES.TXT) into the “Memory Stick” slot of the camcorder.

On the CLIP TITLE page of the OPERATION menu (see page 54), select “LOAD PREFIX DATA” and then press the MENU knob.

Note

When no list of title prefixes has been transferred to the internal memory of this unit, only the initial value “TITLE” appears.

Select the desired title prefix from the list, and then press the MENU knob.

The CLIP TITLE page appears again, and the selected prefix appears in the PREFIX field.

To enter a title prefix directly

Proceed as follows.

On the CLIP TITLE page of the OPERATION menu (see page 54), select “PREFIX” and then press the MENU knob.

A prefix string appears.

23 CLIP TITLE TOP

TITLE : ENABL SELECT PREFIX : EXEC CLEAR NUMERIC : EXEC LOAD PREFIX DATA: EXEC PREFIX : TITLE !#$%&'()+,-.0123456789; =@ABCDEFGHIJKLMNOPQRSTUV WXYZ[]^_abcdefghijklmnop qrstuvwxyz{}~ INS DEL RET ESC END

“MEMORY STICK ACCESS” appears, and the file on the “Memory Stick” (TITLES.TXT) is transferred to the internal memory of the unit. The message “COMPLETE!” appears when the transfer finishes.

3-2 Recording

Move the x mark to the character you want to change and then press the MENU knob.

Page 55

Rotate the MENU knob to move the x mark to the desired character in the list of selectable characters, and then press the MENU knob.

When you have finished entering the value, rotate the MENU knob to move the x mark to “END”, and then press the MENU knob.

Repeat steps 2 and 3 to enter the remaining characters.

When you have finished entering the prefix, rotate the MENU knob to move the x mark to “END”, and then press the MENU knob.

The camcorder exits prefix input mode, and the original CLIP TITLE page appears.

To set the initial value of the clip title serial number

You can set the initial value of the clip title serial number to 00001 (default) or to any 5-digit value.

To return the initial value to 00001

Proceed as follows.

On the CLIP TITLE page of the OPERATION menu (see page 54), select “CLEAR NUMERIC” and then press the MENU knob.

The message “CLEAR OK? bYES NO” appears.

Select YES and then press the MENU knob.

The camcorder exits numeric input mode, and the original CLIP TITLE page appears.

To check clip titles

Press the THUMBNAIL button to display thumbnail screen, and select the clip whose title you want to check. The title of the selected clip appears in the upper left of the screen.

Chapter 3 Recording and Playback

See “Cuing up with sub clip thumbnails” (page 64) for more information about the thumbnail screen.

Notes

• It is not possible to specify 00000 as the initial value. Even if you enter 00000, the value is reset to 00001 when the camcorder exits numeric input mode.

• The value of the serial number is incremented by 1 every time a title is generated. When the value reaches 99999, the next number restarts from 00001.

• Duplicate clip titles can be generated if you reset the serial number after recording several clips or the same is true depending on the value setting. Care should be taken when setting the serial number.

The value in the NUMERIC field returns to 00001.

To set the initial value to any number

Proceed as follows.

On the CLIP TITLE page of the OPERATION menu (see page 54), select “CLEAR NUMERIC” and then press the MENU knob.

An initial value appears.

23 CLIP TITLE

0123456789 INS DEL RET ESC END CLEAR NUMERIC : EXEC LOAD PREFIX DATA: EXEC PREFIX : TITLE NUMERIC : 00001

Move the x mark to the digit you want to change and then press the MENU knob.

Rotate the MENU knob to move the x mark to the desired digit in the list of selectable digits, and then press the MENU knob.

Repeat steps 2 and 3 to enter the remaining digits.

3-2-9 Assigning User-Defined Clip

and Clip List Names

The following standard format names are assigned automatically to clips and clip lists that are created or recorded by XDCAM devices.

Clips: C0001.MXF to C0300.MXF Clip lists: E0001E01.SMI to E0099E01.SMI

When you record or create clips and clip lists, you can assigned user-defined names instead of the standard format names. clip lists can facilitate file management.

1) This is supported from firmware version 1.5.

Limitations

• Letters, numbers and symbols from the Unicode 2.0 character set can be used. However, the following control characters and symbols cannot be used.

- Control characters: U+0000 to U+001F, U+007F

- Symbols: ", *, /, :, <, >, ?, \, |

• Depending on the character type, names may be limited to 14 characters in length. (The limit for ASCII characters is 56 characters.)

• All file name extensions are converted automatically to uppercase.

Assigning meaningful names to clips and

3-2 Recording

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• Titles are used as user-defined clip names on this unit. Therefore, the available characters are limited to those supported by the title function.

• Files generated along with clips and clip lists use the same names (the “C*” or “E*” part of the following file names).

- Clips: Metadata files (C*M01.XML), proxy AV files

(C*S01.MXF)

- Clip lists: Metadata files (E*M01.XML)

• The following names cannot be assigned.

- Clips: C0000.MXF

- Clip lists: E0000E01.SMI, E0100E01.SMI to

Chapter 3 Recording and Playback

E9999E01.SMI, E0000.SMI, E0100.SMI to E9999.SMI

• The following names should be avoided.

- Clips: C5000.MXF to C9999.MXF

- Clip lists: E0001.SMI to E0099.SMI

To assign clip names on this unit

The title assigned to clip becomes its clip name (file name).

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “FILE NAMING”, and then press the MENU knob.

If a different page is displayed, turn the MENU knob to scroll the screen to “FILE NAMING”, and then press the MENU knob.

The FILE NAMING page appears. The current settings of the items on the page appear to the right of the items.

Turn the MENU to select “NAMING FORM”, and then press the MENU knob.

Turn the MENU to display “FREE”, and then press the MENU knob.

You can now enter a user-defined name.

M24 FILE NAMING TOP

NAMING FORM: free AUTO NAMING: C****

C0001.MXF

TITLE00001

When sub item “AUTO NAMING” is set to “C****”

TITLE00001.MXF

TITLE00001

When sub item “AUTO NAMING” is set to “TITLE”

Before starting, set TITLE in the “CLIP TITLE” page to “ENABL”, and set a title (see page 53).

Holding down the MENU knob, move the MENU ON/ OFF switch from OFF to ON.

The TOP menu appears.

Turn the MENU knob to select “OPERATION”, and press the MENU knob.

If this is the first time the OPERATION menu has been displayed, the CONTENTS page of the OPERATION menu appears. If the menu has been used before, the last accessed page appears.

Turn the MENU knob to select “AUTO NAMING”, and then press the MENU knob.

Turn the MENU knob to display “TITLE”, and then press the MENU knob.

The same name will now be given to newly recorded clips.

Note

• An FTP client that supports UTF-8 is required to use Unicode characters other than ASCII characters. Command prompt FTP commands do not support UTF-8.

• When the first letter of the title setting on the CLIP AUTO TITLING menu is a space or period (.), the clip name is the title string minus the first letter.

To use clip names and clip list names by FAM and FTP

Carry out steps 2 and 6 of “To assign clip names on this unit”. It is now possible to write, transfer, and rename clips and clip lists with user-defined names over file access mode (FAM) connections (see page 104) and FTP connections (see page 106).

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If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “CLIP STATUS”, and press the MENU knob.

Fuji.MXF

User-defined clip names can be used by FAM and FTP

Sakura.SMI

User-defined clip list names can be used by FAM and FTP

To check clip names

Press the THUMBNAIL button to display the thumbnail screen, and select the clip whose name you want to check. The name of the selected clip appears in the upper left of the screen.

See “Cuing up with sub clip thumbnails” (page 64) for more information about the thumbnail screen

Notes

• The item at the upper left of the screen is displayed according to the following order of priority. Title > User-defined clip name > Standard format clip name Therefore, the display of this item changes as following, depending on whether there is a title. When a title has been set as a clip name on this unit, for clips recorded on this unit, the title is displayed. The user-defined name or standard format name is displayed for clips without a title.

• If the firmware of your XDCAM device is version 1.4x or lower, clips with user-defined names appear as “C5000” to “C9999”, in order of recording.

To check clip information (name, title, etc.) in the CLIP STATUS menu

If a different page is displayed, turn the MENU knob to scroll the screen to “CLIP STATUS”, and then press the MENU knob. The CLIP STATUS page appears. The current settings of the items on the page appear to the right of the items.

D08 CLIP STATUS TO P

CLIP NO : 001/010

NAME : C0001 TITLE: (no name)

RECORD DEVICE: PDW-530 SERIAL: 10001 DATE : 08/01/06 TIME : 19:54:38

3-2-10 Recording in Live Logging

Mode

1) This is supported from firmware version 1.4 and PDZ-1 version 1.4.

Live logging is a function that allows you to simultaneously transfer logging data as you record live material. You can install the optional CBK-NC01 Network Adaptor in the camcorder, and connect to the adaptor’s network connector from the PDZ-1 Proxy Browsing Software to do the following.

• View proxy AV data.

• Add and modify metadata (titles, comments, essence marks, etc.).

• Create clip lists.

After adding or modifying metadata and clip lists, you can transfer them from the computer back to the camcorder for recording on the original disc.

Refer to the PDZ-1 help for more information about PDZ1 functions and operations.

Chapter 3 Recording and Playback

Holding down the MENU knob, move the MENU ON/ OFF switch from OFF to ON.

The TOP menu appears.

Turn the MENU knob to select “DIAGNOSIS”, and press the MENU knob.

If this is the first time the DIAGNOSIS menu has been displayed, the CONTENTS page of the DIAGNOSIS menu appears. If the menu has been used before, the last accessed page appears.

To record in live logging mode

With the optional CBK-NC01 network adaptor installed on the camcorder, proceed as follows.

Use an Ethernet cable to connect the camcorder to a computer with PDZ-1 installed.

In the TOP menu, select “OPERATION”.

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Page 58

Turn the MENU knob to scroll to the OUTPUT page. Alternatively, in the CONTENTS page, select “OUTPUT”.

The OUTPUT page appears.

Turn the MENU knob to select “LIVE LOGGING”, and then press the MENU knob.

U01 OUTPUT

LCD BRIGHT <L> : 0 LCD BRIGHT <H> : 0

Chapter 3 Recording and Playback

Turn the MENU knob to display “ON”, and then press the MENU knob.

LCD COLOR : 0

i.LINK MODE : AV/C PB WIDE ID(IMX) : THROU REAR BNC OUT SEL: VBS LIVE LOGGING : OFF

TOP

(titles, comments, essence marks, etc.). You can also create clip lists.

Note

Proxy data cannot be recorded to a “Memory Stick” inserted into the camcorder’s “Memory Stick” slot.

Usable memory card or “Memory Stick” types

Refer to the CBK-PC01 Installation Manual for information on the types of memory card and “Memory Stick” that can be used with the camcorder.

Note

Never remove a memory card while it is being accessed (while the camcorder’s ACCESS indicator is lit). Doing so can corrupt the data on the memory card and render the card unusable.

To record proxy data to memory cards in synchronization with disc recording

The camcorder enters Live Logging mode.

Start recording in the normal way, by pressing the REC START button or the VTR button on the lens.

With the CBK-PC01 installed on this unit, proceed as follows.

Insert a memory card into the PC card slot.

Notes

• In Live Logging mode, you cannot set the F-RUN/SET/ R-RUN switch to SET to make time code settings. To make time code settings, first exit Live Logging mode.

• During Live Logging operations, the time code generator run mode is always F-RUN, regardless of the setting of the F-RUN/SET/R-RUN switch.

• In Live Logging mode, you cannot set the PRESET/ REGEN/CLOCK switch to REGEN to read time code from the disc and generate consecutive time code.

• The Picture Cache and Interval Rec functions are not available in Live Logging mode. Even if you turn these functions on, they are turned off when the camcorder enters Live Logging mode.

3-2-11 Recording Proxy Data to

Memory Cards (With CBKPC01 Installed)

1) This is supported from firmware version 1.4 and PDZ-1 version 1.4.

When the optional CBK-PC01 memory card reader is installed on this unit, you can save proxy AV data and metadata (this chapter refers to both types of data as “proxy data”) for the clip being recorded or the clips on the disc to a memory card (or “Memory Stick”) inserted into the CBK-PC01. You can then insert these memory cards into a computer with the PDZ-1 Proxy Browsing Software installed to review the proxy AV data and modify or add metadata

Check the memory symbol (see page 60) and the remaining memory display (see page 60).

Note

You cannot record proxy data to a memory card if you start recording before the memory symbol and remaining memory display appear. Especially just after inserting a memory card and after powering the camcorder on, it may take some time for the memory card to be recognized.

Check to be sure that there is enough remaining memory, and then press the REC START button or the VTR button on the lens to start recording in the normal way.

Proxy data is recorded in synchronization with recording to the disc.

Notes

• Never remove the battery pack or the power cord during recording to the memory card (while the camcorder’s ACCESS indicator is lit). Recording processing will not finish normally, which means that the clip proxy data recorded immediately before the interruption will be lost.

• If the remaining memory on a memory card is exhausted during recording, the message “MEM REC NG!” appears. The clip proxy data that was being recorded immediately before the message appeared is lost. If this occurs, exchange the memory card, refer to the

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next section “To copy proxy data for all clips on the disc to a memory card”, and copy the data that could not be recorded.

• It is not possible to record only proxy data to a memory card without recording to the disc.

To stop recording

Recording to memory cards stops when recording to the disc stops. You do not need to take any special steps to stop recording to memory cards.

During the copy, the message “MEMORY ACCESS **%” (where ** is a progress percentage number from 0 to 99) appears in the viewfinder and color LCD.

To copy proxy data for all clips on the disc to a memory card

To copy proxy data to a memory card for all clips on the disc, proceed as follows..

Insert a memory card into the PC card slot.

To delete recorded proxy data

To delete material recorded on a disc and proxy data recorded on a memory card at the same time, execute DELETE LAST CLIP, DELETE ALL CLIPS, or QUICK FORMAT on the DISC page of the MAINTENANCE menu (see page 201). To delete only proxy data on a memory card, carry out the steps in “To delete all proxy data in a memory card” (page 59).

To copy proxy data for selected clips on the disc to a memory card

To select clips on the disc and copy proxy data to a memory card, one clip at a time, proceed as follows.

Insert a memory card into the PC card slot.

Search for the video of the clip that you want to copy. (The camcorder can be either playing or stopped.)

In the TOP menu, select “OPERATION”.

Turn the MENU knob to scroll to the MEMORY REC page. Alternatively, select “MEMORY REC” on the CONTENTS page.

The MEMORY REC page appears.

24 MEMORY REC TOP

COPY CURRENT CLP : EXEC COPY ALL CLIPS : EXEC ABORT COPY : EXEC

DEL ALL MEM CLP : EXEC FORMAT MEMORY : EXEC

Insert the disc that you want to copy into the camcorder.

On the MEMORY REC page of the OPERATION menu (see page 59), select “COPY ALL CLIPS” and then press the MENU knob.

The message “EXECUTE OK?” appears.

Select YES to execute the copy.

Proxy data for all clip on the disc is copied to the memory card. During the copy, the message “MEMORY ACCESS **%” (where ** is a progress percentage number from 0 to 99) appears in the viewfinder and color LCD.

Notes

• No DV stream is output from the camcorder’s i.LINK DV IN/OUT S400 connector while proxy data is being copied from a disc to a memory card.

• The message “MEMORY CARD ERROR!” appears if a copy is attempted while the unusable memory symbol

(see page 60) is visible in the viewfinder.

When there is not enough free memory

The message “M. shortage” appears when the amount to data to copy is greater than the amount of remaining memory, and the message “MEMORY CARD FULL!” appears when there is no remaining memory. The copy cannot be executed if either of these messages appears. Insert another memory card.

To cancel a copy to a memory card

Proceed as follows.

Chapter 3 Recording and Playback

Select “COPY CURRENT CLP” with the MENU knob and then press the MENU knob.

The message “EXECUTE OK?” appears.

Select YES to execute the copy.

Proxy data for the playing or stopped clip is copied to the memory card.

On the MEMORY REC page of the OPERATION menu (see page 59), select “ABORT COPY”.

The message “EXECUTE OK?” appears.

Select YES to cancel the copy.

The copy is cancelled.

To delete all proxy data in a memory card

Proceed as follows.

3-2 Recording

Page 60

On the MEMORY REC page of the OPERATION menu (see page 59), select “DEL ALL MEM CLP”.

The message “EXECUTE OK?” appears.

Select YES to execute the deletion.

All proxy data in the memory card is deleted.

Note

If the usable memory card symbol does not appear after you insert a memory card, power the camcorder off and on, and then try inserting it again. The symbol may never appear, no matter how many times you try, if you were using a memory card other than the recommended products.

To format a memory card

Proceed as follows.

On the MEMORY REC page of the OPERATION

Chapter 3 Recording and Playback

menu (see page 59), select “FORMAT MEMORY”.

The message “EXECUTE OK?” appears.

Select YES to execute the format.

The message “COMPLETE” appears when the format finishes. All of the data in the memory card is deleted.

Notes

• The message “MEMORY CARD INHIBIT!” or “M.Card INHI” appears if you insert a write-protected memory card and attempt to record to it. In this case, eject the memory card, clear the Write-Inhibit tab, and insert the memory card again.

• The message “NO MEMORY CARD” appears if you attempt to record with no memory card inserted. Insert a memory card and try again.

To check the memory symbol and the remaining memory

As shown below, a memory symbol and a remaining memory indication appear in the viewfinder while a memory card is in use.

Remaining memory indications

Examples of remaining memory recording time indications

Indication Remaining memory recording time

F - 95 Full to 95 minutes 95 - 90 95 to 90 minutes 90 - 85 90 to 85 minutes : : 15 - 10 15 to 10 minutes 10 - 5 10 to 5 minutes 5 MIN 5 to 4 minutes 4 MIN 4 to 3 minutes 3 MIN 3 to 2 minutes 2 MIN 2 to 1 minutes 1 MIN 1 to 0 minutes 0 MIN 0 minutes 0 MIN (flashing) None INH Record inhibited

Note

An “INH” remaining memory indication means that the memory card is record inhibited. If this appears, remove the memory card, enable recording to the memory card, and then reinsert it.

35-30

About the memory symbol

This symbol indicates the following states.

: A usable memory card is loaded. : An unusable memory card is loaded. Exchange the

memory card, or format it.

3-2 Recording

Memory symbol Remaining memory

Page 61

3-3 Checking Recording

and Playback

Disc playback start position

Although this unit uses optical discs, it is designed to offer the most convenient features of tape playback by VTRs. One of these is the playback start position, which works in the same way as tape, as described below.

After playback stop

The unit stops at the position where the STOP button was pressed. Press the PLAY/PAUSE button to resume playback at the stop position.

After recording

The unit stops at the position where recording ended. To play back a clip, press the PREV button to move to the start frame of any clip, or press the PREV button with the PLAY/PAUSE button held down to move to any position.

After disc insertion

The unit stops at the position of the disc when it was most recently ejected. Press the PLAY/PAUSE button to resume playback at the most recent position. The playback position is saved to the disc when the disc is ejected, which allows playback to start at that position whenever it is loaded into any XDCAM player.

Note

The playback position is not recorded to the disc if the disc is set to REC INH.

3-3-1 Normal Playback

Deteriorating playback conditions

Deteriorating playback may be due to the following causes.

• Scratches and dust on the disc surface This includes fingerprints, dust from the air, tar from cigarette smoke, and so on. Scratches and soiling which occur before recording are not a problem because they are registered in advance as defects, and recording avoids them. However, scratches and soiling which occur after recording can lead to deteriorating playback conditions.

• Aging of disc recording layers Over several decades, the recording layers of optical discs can age and cause deteriorating playback conditions. You can use this function to check archival discs and other discs which have been stored for extended periods, so that you can take action before the deterioration progresses further.

• Deteriorating laser diodes performance The performance of the laser diodes used in optical heads can worsen with age, leading to deteriorating playback conditions. You can use the digital clock to check the total optical output time of optical heads.

Refer to the Maintenance Manual for an approximate guide to when it is time to replace optical heads.

To prevent playback conditions from deteriorating

Pay attention to the following points when handling discs.

• Do not open disc cartridges and touch discs directly with your hands.

• Do not store for long periods in locations which are dusty or exposed to air circulated by fans.

• Do not store for long periods under high temperatures or in locations exposed to direct sunlight.

Chapter 3 Recording and Playback

By pressing the PLAY/PAUSE button, you can review any length of recording on the viewfinder screen in black and white or in color on the color LCD. There are two other ways to review the recording.

• Recording review: You can view the last two seconds of the recording on the viewfinder screen in black and white or in color on the color LCD.

• Color playback: You can see the recording in color on a color video monitor without the need for any external adaptor.

You may also view the picture during a fast forward or reverse search.

See 2-3 “Audio Functions” on page 16 for details about the switches and controls used to select the audio output signal and to adjust the audio level.

If playback conditions have deteriorated

Read errors occur when playback conditions continue to deteriorate. When a read error occurs, the message “DISC DEFECT” appears, the video freezes, and audio is muted. If this happens, check the following points.

Whether the disc displays the same playback condition

on other XDCAM devices: If so, the surface of the

disc may be dirty or scratched, or the performance of the recording layers on the disc may have worsened due to age. Do not use discs with these symptoms.

Whether every disc inserted into an XDCAM device

displays the same playback conditions: If so, the

performance of the laser diodes may have deteriorated. Check the total optical output time.

3-3 Checking Recording and Playback

Page 62

3-3-2 Checking the Last Two

3-3-4 Thumbnail Search Seconds of the Recording — Recording Review

If you press the RET button on the lens while recording is paused, the last two seconds of the recording is played back on the viewfinder screen and the color LCD. Use this function to check whether recording went smoothly. If you hold down the RET button, a low-speed reverse search begins at a position two seconds before the recording end

Chapter 3 Recording and Playback

position. When you release the RET button, the reverse search stops and playback in the forward direction begins. After playback, the camcorder is ready to start recording again. By assigning the the same function as that of the RET button on the lens to the ASSIGN 1/3/4 switch, you can use the switch in the same way as the lens RET button.

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/ 2/3/4 Switches” on page 133.

Cuing up a desired clip

To display the thumbnail images of all clips on the disc,

and cue up a desired clip, proceed as follows.

2,3

Thumbnail indicator

Sub clip indicator

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN

REGEN CLOCK

CLOCK

SEL/SET

S.SEL

SHIFTCLIP MENU

F-RUN

SET

R-RUN

3-3-3 Checking the Recording on

the Color Video Monitor — Playback in Color

Connect a color video monitor to the VIDEO OUT connector of the camcorder. By pressing the PLAY/ PAUSE button, you can view the recorded picture. When the CBK-SD01 SDI Output Board is installed, you can connect a color video monitor provided with an SDI input connector.

PDW-510/510P/530/530P

Color video monitor

VIDEO IN connector

SDI IN connector

1) When VBS is selected as the output signal of the VIDEO OUT connector

2) When SDI is selected as the output signal of the VIDEO OUT connector (only when the CBK-SD01 is installed)

VIDEO OUT connector

With the sub clip indicator off, press the THUMBNAIL button, turning on the thumbnail indicator.

The thumbnails of all clips on the disc appear.

Notes

• If the MENU ON/OFF switch is set to ON, set it to OFF and press the THUMBNAIL button.

• If you set the MENU ON/OFF to ON during thumbnail display, thumbnail display is cancelled and replaced with menu display.

Color playback

Note

You can select either VBS or SDI as the output signal of the VIDEO OUT connector when the CBK-SD01 is installed.

For details, see 7-3-2 “Selecting the Output Signals” on page 131.

3-3 Checking Recording and Playback

Page 63

Name

of currently selected clip

Thumbnail of currently selected clip (first frame or specified

Sixth clip is selected from a total of 143 clips.

frame)

Cuing up a frame including an essence mark

Proceed as follows.

2~5

THUMBNAIL

SEL/SET

ESSENCE MARK

S.SEL

SUB CLIP

Recording date and time of selected clip

a) When a title has been assigned to a clip (see page 52), the

title is enclosed in double quotation marks, for example “TITLE00001”.

b) The thumbnail frame can be specified by a menu selection

when the clip is recorded (see page 99).

Duration of selected clip or time code of first frame

To switch between duration and timecode display in the thumbnail display

Press the HOLD button. Each press of the HOLD button switches the display between duration ant time code.

To escape from the thumbnail display to the fullscreen display

Press the THUMBNAIL button, turning off the indicator.

SHIFTCLIP MENU

F-RUN

PRESET

REGEN

SET

CLOCK

R-RUN

4,5

Hold down the SHIFT button, and press the THUMBNAIL button.

The essence mark selection screen appears.

Notes

• If the MENU ON/OFF switch is set to ON, set it to OFF and press the THUMBNAIL button.

• If you set the MENU ON/OFF to ON during thumbnail display, thumbnail display is cancelled and replaced with menu display.

Chapter 3 Recording and Playback

Turn the SEL/SET dial or the MENU knob to select the desired clip.

You can also select clips with the following operations. Press the PREV or NEXT button: Select the

previous or next clip.

Press the PREV or NEXT button with the F REV

or F FWD button held down: Select the first or

last clip.

To cue up the selected clip, press the SEL/SET dial or the MENU knob.

To start playback from the selected clip, press the PLAY/PAUSE button.

To escape from the essence mark selection screen to the previous screen

Press the RESET button.

Turn the SEL/SET dial or the MENU knob to select the desired essence mark.

3-3 Checking Recording and Playback

Page 64

Press the SEL/SET dial or the MENU knob.

Thumbnails of the frames including the selected essence mark appear.

(The example shows the case where SHOTMARK1 is selected as the essence mark.)

This indicates that the thumbnail images are the frames including the essence mark (SHOTMARK1).

Chapter 3 Recording and Playback

Sixth frame is selected from a total of 31 SHOTMARK1 frames.

If the clip list that you want to play exists on the disc, load it into the current clip list (see page 72).

For the clip list loading operation, see 4-3-1 “Loading a Clip List From Disc Into Unit Memory” (page 78).

Press the SUB CLIP button, turning it on.

Press the PLAY/PAUSE button.

Playback begins from the first sub clip in the current clip list.

Note

Depending on the length of sub clips in the clip list and their arrangement on the disc, playback may freeze momentarily between sub clips.

Cuing up with sub clip thumbnails

With the desired clip list loaded in the current clip list, proceed as follows.

Press the SUB CLIP button and the THUMBNAIL

Currently selected SHOTMARK1 frame

button, turning on the indicators.

Thumbnails of the first frames in the sub clips appear.

Recording date and time of selected frame

Turn the SEL/SET dial or the MENU knob to select the desired frame.

You can also select frames with the following operations. Press the PREV or NEXT button: Select the

previous or next frame.

Press the PREV or NEXT button with the F REV

or F FWD button held down: Select the first or

last frame.

Press the SEL/SET dial or the MENU knob to cue up the selected clip.

To start playback from the selected frame, press the PLAY/PAUSE button.

3-3-5 Clip List Playback

You can play back clips in the order of clip lists created with the scene selection function (see page 70).

Notes

• If the MENU ON/OFF switch is set to ON, set it to OFF and press the THUMBNAIL button.

• If you set the MENU ON/OFF to ON during thumbnail display, thumbnail display is cancelled and replaced with menu display.

Playing back in clip list order

Proceed as follows.

3-3 Checking Recording and Playback

Page 65

Name of the current clip list

• Clips cannot be locked or unlocked when the Write

Sixth frame is selected from a total of 34 sub clips.

Inhibit tab of the disk is in the recording disabled position.

Total duration of sub clips in clip list

Currently selected sub clip

Recording date and time of selected sub clip

a) When a title has been assigned to a clip (see page 52), the title is

enclosed in double quotation marks, for example “TITLE00001”.

Duration of selected sub clip or time code of first frame

To escape from the thumbnail display to the fullscreen display

Press the THUMBNAIL button, turning it off.

Proceed as follows. You can lock one clip at a time.

With the sub clip indicator off, press the THUMBNAIL button.

The thumbnail indicator lights, and the thumbnails of the clips on the disc appear.

Turn the SEL/SET dial or MENU knob to select the clip to lock.

Holding down the SHIFT button and press the SUB CLIP button.

The THUMBNAIL menu appears.

Chapter 3 Recording and Playback

Turn the SEL/SET dial or the MENU knob to select the sub clip you want to cue up.

To cue up the selected sub clip, press the SEL/SET dial or the MENU knob.

To start playback from the selected sub clip, press the PLAY/PAUSE button.

3-3-6 Locking and Deleting Clips

In the thumbnail screen, you can delete selected clips or lock them so that they cannot be deleted.

1) This function is supported from firmware version 1.5.

Locking Clips

Locking prevents the following operations on clips.

• Delete

• Rename by FAM or FTP

Notes

• Locked clips are deleted along with other clips when you format a disc.

To escape from the THUMBNAIL menu and return to the thumbnail screen

Press the RESET button.

With “LOCK/UNLOCK CLIP” selected, press the SEL/SET dial or the MENU knob.

You return to the thumbnail screen, and a lock icon appears on the thumbnail of the selected clip to show that it is locked.

3-3 Checking Recording and Playback

Page 66

Deleting clips

Lock icon

Notes

• Clips cannot be deleted when the Write Inhibit tab of the disc is in the recording disabled position.

• Locked clips cannot be deleted.

• If a clip which is referenced in a clip list is deleted, that clip list is also deleted.

You can use the DISC menu to delete the last clip or all clips. For details, see “To delete the last recorded clip”

Chapter 3 Recording and Playback

Locked clips cannot be deleted or renamed. Unlock the clip if you want to perform any of these operations.

To unlock clips

Carry out step 2 of “Locking Clips” to select a locked clip (one with the lock icon displayed on its thumbnail), then carry out steps 3 and 4 of “Locking Clips”.

To lock or unlock clips without displaying the THUMBNAIL menu

After carrying out step 2 in the procedure, press the STOP button with the SHIFT button held down (shortcut operation).

(page 42).

With the sub clip indicator off, press the THUMBNAIL button.

The thumbnail indicator lights, and the thumbnails of the clips on the disc appear.

Turn the SEL/SET dial or MENU knob to select the thumbnail to delete.

Holding down the SHIFT button, press the SUBCLIP button.

The THUMBNAIL MENU appears (see step 3 of “Locking Clips” (page 65)).

To escape from the THUMBNAIL menu to the previous screen

Press the RESET button.

To lock all clips

Carry out steps 1 and 3 of “Locking Clips” to display the THUMBNAIL menu.

Turn the SEL/SET dial or MENU knob to select “LOCK ALL CLIPS”, and then press the dial or knob.

A confirmation screen appears.

To cancel the lock operation and return to the thumbnail screen

Do one of the following.

• With “CANCEL” selected, press the SEL/SET dial or the MENU knob.

• Press the RESET button.

Turn the SEL/SET dial or MENU knob to select “OK”, and then press the dial or knob.

All clips are locked, and you return to the thumbnail screen.

To unlock all clips

Carry out the procedure in “To lock all clips”, selecting “UNLOCK ALL CLIPS” in step 2.

Turn the SEL/SET dial or MENU knob to select “DELETE CLIP”, and then press the dial or knob.

Thumbnails of 4 frames in the target clip appear. One of the following messages appears in a confirmation dialog, depending on whether the target clip is referenced in a clip list.

When the target clip is not referenced in a clip list:

“DELETE CLIP?”

When the target clip is referenced in a clip list:

“DELETE CLIP & CLIP LIST?” (The clip list that references the clip will also be deleted.)

3-3 Checking Recording and Playback

Page 67

To go to the clip deletion screen without displaying the THUMBNAIL menu

After step 2, press the RESET button with the SHIFT button held down (shortcut operation).

3-4 Recording Video

Signals From

To cancel the deletion and return to the thumbnail screen

Do one of the following.

• With “CANCEL” selected, press the SEL/SET dial or the MENU knob.

• Press the RESET button.

Turn the SEL/SET dial or MENU knob to select “OK”, and then press the dial or knob.

The clip is deleted and you return to the thumbnail screen.

To delete all clips

Carry out steps 1 and 3 of “Deleting Clips” to display the THUMBNAIL menu (see page 65).

Turn the SEL/SET dial or MENU knob to select “DELETE ALL CLIPS”, and then press the dial or knob.

A cofirmation screen appears.

To cancel the deletion and return to the thumbnail screen

Do one of the following.

• With “CANCEL” selected, press the SET button.

• Press the RESET button.

Turn the SEL/SET dial or MENU knob to select “OK”, and then press the dial or knob.

All clips are deleted, and you return to the thumbnail screen.

External Equipment

With this camcorder, you can select in the OPERATION menu whether to record the video captured by the camera, or whether to record a signal from an external video device. If this switching function is assigned to the ASSIGN 2 switch, regardless of the setting in the OPERATION menu, you can make the selection with the ASSIGN 2 switch. While you are recording a DV stream from an external DV device, the indication “EXT-DV” appears on the viewfinder screen. While you are recording analog composite signals (with the CBK-SC01 installed), the indication “EXT IV” appears on the viewfinder screen.

Notes

• You can switch the signals to be recorded using the ASSIGN 2 switch or by a menu operation at any time while recording on the disc. However, the signals recorded at the point where the signal is switched may be distorted. If the camera/external switching function is assigned to the ASSIGN 2 switch, you cannot use the following menu operations to switch between camera and external source input.

• Even when the REC VIDEO SOURCE item is set to “EXT”, if the external video signal is not input to the i.LINK DV IN/OUT S400 connector or the GENLOCK IN connector, the camcorder does not switch to EXT mode, and the pictures being shot by the camcorder are recorded on the disc.

3-4-1 Recording a DV Stream From

Chapter 3 Recording and Playback

External Equipment

Notes

• Recording a DV stream is possible only when the video recording format is DVCAM.

If the currently set video recording format is other than DVCAM, change it to DVCAM referring to 5-1-1 “Setting the Video Recording Format” on page 82.

• If i.LINK MODE is set to “FAM” on the OUTPUT page (page 180) or SOURCE SEL page (page 186) of the OPERATION menu, it is not possible to record DV streams. To record DV streams, set i.LINK MODE to “AV/C”.

Proceed as follows.

3-4 Recording Video Signals From External Equipment

Page 68

21 SOURCE SEL TOP

REC VIDEO SOURCE: CAM EXT REC CONTROL : OFF i.LINK MODE : AV/C

MENU knob

Holding down the MENU knob, set the MENU ON/ OFF switch to ON.

Chapter 3 Recording and Playback

The TOP menu appears.

MENU ON/OFF switch

Item Description

CAM Records the pictures being shot by the

camcorder.

EXT Records video signals from the

external equipment connected to the i.LINK DV IN/OUT or GENLOCK IN connector.

The b mark on the left of “REC VIDEO SOURCE” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Turn the MENU knob to display “EXT”.

Turn the MENU knob to move the b mark to “OPERATION”.

Press the MENU knob.

21 SOURCE SEL TOP

REC VIDEO SOURCE: EXT EXT REC CONTROL : OFF i.LINK MODE : AV/C

If this is the first time the OPERATION menu has been displayed, the CONTENTS page of the OPERATION menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “SOURCE SEL”, and press the MENU knob.

Press the MENU knob.

The z mark changes to a b mark and the ? mark changes to a z mark.

If a different page is displayed, turn the MENU knob until the SOURCE SEL page appears, then press the MENU knob to select the page.

21 SOURCE SEL TOP

REC VIDEO SOURCE: CAM EXT REC CONTROL : OFF i.LINK MODE : AV/C

Turn the MENU knob to move the b mark to “REC VIDEO SOURCE”, then press the MENU knob.

3-4 Recording Video Signals From External Equipment

Notes

• During i.LINK DV stream input, the image on the viewfinder screen and the color LCD may occasionally show an overlapped frame or skipped frame, but this does not affect the recording on the disc.

• During i.LINK DV stream input, the audio within the DV stream is recorded as the audio input.

• During i.LINK DV stream input, a black picture is shown on the viewfinder screen and on the color LCD, and nothing is recorded, if the DV device on the sending side of the i.LINK DV connection is also in a stream input state.

3-4-2 Recording Analog Composite

Signals (With the CBK-SC01 Installed)

Installing the CBK-SC01 Composite Input Board in the camcorder enables you to record analog composite signals

Page 69

from external equipment connected to the GENLOCK IN connector.

3-5 Freezing a Picture

Proceed as follows.

Display the SOURCE SEL page on the screen.

For the operation, see 3-4-1 “Recording a DV Stream From External Equipment” on page 67.

21 SOURCE SEL TOP

REC VIDEO SOURCE: CAM EXT REC CONTROL : OFF i.LINK MODE : AV/C EXT VIDEO SOURCE: ILINK EXT OUTPUT DELAY: SYNC SET UP REMOVE : 0.0%

Move the b mark to “EXT VIDEO SOURCE”, and press the MENU knob.

Turn the MENU knob to display “CMPST”.

This ends the setting. When you input analog composite signals to the GENLOCK IN connector of the camcorder, these signals are displayed on the viewfinder screen and the color LCD, and can be recorded on the disc.

During Playback

Viewing frozen pictures

Proceed as follows.

Press the PLAY/PAUSE button to start playback.

Press the PLAY/PAUSE button again at the instant when you want to freeze the picture.

A frozen picture appears. The time code is displayed in the counter display and the PLAY/PAUSE indicator flashes (one flash/ second).

To restart playback, press the PLAY/PAUSE button once again.

When remotely controlling the camcorder from an RM-B150/B750 remote control unit

You can perform the same operation from the RM-B150/ B750.

Chapter 3 Recording and Playback

Note

Even when the GENLOCK ON/OFF item is set to “OFF” on the GENLOCK page of the MAINTENANCE menu, the camcorder is automatically synchronized with the external reference video signal when the external video signal is input to the GENLOCK IN connector in EXT mode. When the setting is switched to CAM mode, or when no signals are input to the GENLOCK IN connector even in EXT mode, the camcorder is reset to the original setting.

3-5 Freezing a Picture During Playback

Page 70

Scene Selection

4-1 Overview

What is scene selection?

Scene selection is a function which allows you to select material (clips) from the material recorded on a disc and perform cut editing. You can do this by operating on this unit only.

• Scene selection is a convenient way to perform cut editing in the field and in other offline situations.

• Clip lists (edit data) created with the scene selection function can be used on XPRI and other full-feature nonlinear editing systems.

Chapter

4-1 Overview

Page 71

Flow of scene selection editing

Record material or insert disc containing recorded material into this unit

Disc

PDW-510/510P/530/530P

To edit a clip list

Create and edit a clip list

• Selecting clips (see page 73)

• Reordering sub clips (see page 74)

• Trimming sub clips (see page 75)

• Deleting sub clips (see page 76)

• Previewing clip lists (see page 77)

Save the clip list to disc (see page 77)

Load clip lists (see page 78)

Clip 1 Clip 2 Clip 3

Recorded material Clip list 1

Clip 1 Clip 2 Clip 3

Clip 4

Select clips

Clip list 1

Sub Clip 1 Sub

Clip 2

Disc

Chapter 4 Scene Selection

Sub

Clip 3

Play back the clip list (see page 64)

PDW-510/510P/530/530P

Sub Clip 1 Sub

Clip 2

Play back clip list

Sub

Clip 3

4-1 Overview

Page 72

Chapter 4 Scene Selection

Clips

Material recorded with this unit is managed in units called “clips.” A clip contains the material between a recording start point (In point) and a recording end point (Out point). Clips have numbers beginning with C, for example C0001.

In point

Out point

In point

Clip 1

(C0001)

Clip number

Clip 2

(C0002)

Out point

In point

Clip 3

(C0003)

Out point

In point

Out

point

Clip 4

(C0004)

Sub clips (clips in clip lists)

The specified clips (or parts of clips) in a clip list are called “sub clips.” Sub clips are virtual data specifying ranges in the original clips. Clip data in the original clips is not overwritten. For this reason, sub clips do not have clip management numbers.

Clip 1

(C0001)

Example: Clip list (E0001)

Clip 2

(C0002)

Sub clip 1 Sub clip 2 Sub clip 3

Clip 3

(C0003)

Clip 4

(C0004)

Clip list editing (current clip list)

Clip lists cannot be edited on disc. To edit clip lists, you need to load them, one at a time, into the unit memory. The clip list which is currently loaded into the unit memory is called the “current clip list.” The current clip list is always the target of sub clip creation and editing. Clip list playback also uses the current clip list. After creating and editing a clip list, you need to save it to disc.

Clip lists

Data called a “clip list” is created when you use the scene selection function to select desired clips from the clips stored on a disc. Clip lists have numbers beginning with E, for example E0001. Up to 99 clip lists can be saved on a disc.

Clip list number

Thumbnails of selected clips

Unit memory

Current clip list

Can be edited (adding, deleting, and reordering sub clips)

SAVE m

Disc

C0001 (Clip 1) C0002 (Clip 2) C0003 (Clip 3) : :

M LOAD

t Clip list playback

and thumbnail display

E0001 (Clip list 1) E0002 (Clip list 2) E0003 (Clip list 3) : : E0099 (Clip list 99)

Clip list playback

Clips and clip lists are saved together on a disc. Clips are played back according to clip list data.

4-1 Overview

Page 73

4-2 Creating Clip Lists

4-2-1 Selecting Clips

You can create a clip list by selecting a desired clip from the thumbnail display, and including it in the clip list as a sub clip.

Note

Up to 99 clip lists can be handled in the CLIP menu.

Including a clip selected from the thumbnail display in the clip list

Proceed as follows.

2~4

Thumbnail indicator

Sub clip indicator

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN

REGEN CLOCK

CLOCK

F-RUN

R-RUN

SEL/SET

S.SEL

SHIFTCLIP MENU

SET

Use the SEL/SET dial or the MENU knob to select the clip you want to include in the clip list.

Hold down the SHIFT button, and press the SEL/SET dial or MENU knob.

The scene selection window appears.

Chapter 4 Scene Selection

To select from the thumbnail screen

Proceed as follows.

With the sub clip indicator off, press the THUMBNAIL button, turning on the thumbnail indicator.

The thumbnails of the clips on the disc appear.

Notes

• If the MENU ON/OFF switch is set to ON, set it to OFF and press the THUMBNAIL button.

• If you set the MENU ON/OFF to ON during thumbnail display, thumbnail display is cancelled and replaced with menu display.

To return to the previous screen

Press the RESET button.

Press the SEL/SET dial or the MENU knob.

This adds the selected clip to the current clip list as a sub clip. At the same time, this closes the scene selection window and returns to the original thumbnail display.

Repeat steps 2 to 4 until all desired clips have been added to the current clip list.

You can select the same clip any number of times. The scene selection window shows the thumbnails of the sub clips that have been added to the current clip list. The cursor within the window indicates the position in which the next sub clip will be added.

4-2 Creating Clip Lists

Page 74

Total duration of the sub clips in the current clip list

4-2-2 Reordering Sub Clips

SEL/SET dial

THUMBNAIL button

Thumbnail indicator

SUB CLIP button

SHIFT button

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN

REGEN CLOCK

CLOCK

SEL/SET

S.SEL

SHIFTCLIP MENU

F-RUN

SET

R-RUN

Chapter 4 Scene Selection

Cursor (indicates where the next sub clip will be added)

Thumbnails of sub clips already added to the current clip list

To move the cursor in the scene selection window

When the scene selection window appears as you carry out step 3, turn the SEL/SET dial or the MENU knob to move the cursor in the desired direction.

When you have finished selecting all the clips you want, save the current clip list to disc.

For details, see 4-2-6 “Saving the Current Clip List to Disc” (page 77).

Note

Unless the current clip list has been saved to disc, its contents will be lost when the camcorder is powered off or the disc is ejected. After creating a clip list, be sure to save it.

MENU knob

Proceed as follows.

Press the SUB CLIP button, turning on the indicator.

Press the THUMBNAIL button, turning on the indicator.

Thumbnails of the sub clips within the current clip list appear.

Notes

• If the MENU ON/OFF switch is set to ON, set it to OFF and press the THUMBNAIL button.

• If you set the MENU ON/OFF to ON during thumbnail display, thumbnail display is cancelled and replaced with menu display.

4-2 Creating Clip Lists

If the clip list you want to edit is not the current clip list

Page 75

Load the clip list from the disc into the unit memory (see page 78).

To return to the full-screen display

Press the THUMBNAIL button, turning off the indicator.

Turn the SEL/SET dial or the MENU knob to select the desired sub clip.

Hold down the SHIFT button, and press the SEL/SET dial or MENU knob.

The sub clip operation menu appears.

Indicates that the third sub clip will be moved to the position of the eighth sub clip.

To return to the thumbnail display without moving the sub clip

Do either of the following.

• Turn the SEL/SET dial or the MENU knob to select EXIT, and press the dial/knob.

• Press the RESET button.

Turn the SEL/SET dial or the MENU knob to select MOVE, and press the dial/ knob.

The sub clip movement screen appears. The sub clip selected in step 3 appears surrounded by a frame.

Cursor indicating the move destination for the selected sub clip

To return to the previous screen

Press the RESET button.

Turn the SEL/SET dial or the MENU knob to move the cursor to the position where you want to move the selected sub clip.

To return to the previous screen

Press the THUMBNAIL button.

Press the SEL/SET dial or the MENU knob.

The sub clip thumbnail display appears, and you can check the new position of the sub clip.

Chapter 4 Scene Selection

Save the current clip list to disc.

See 4-2-6 “Saving the Current Clip List to Disc” (page

77).

4-2-3 Trimming a Sub Clip

Proceed as follows.

4-2 Creating Clip Lists

Page 76

Carry out steps 1 to 4 of 4-2-2 “Deleting a Sub Clip” to select a sub clip and display the sub clip operation menu.

When the new IN and/or OUT points are set, hold down the SHIFT button and press the SEL/SET dial or MENU knob.

Chapter 4 Scene Selection

Turn the SEL/SET dial or the MENU knob to select TRIM, and press the dial/knob.

The first frame of the selected sub clip appears. In this state, you can carry out playback and search all clips on the disc.

To cancel the trim and return to the previous screen

Hold down the SHIFT button and press the SEL/SET dial or MENU knob.

Carry out playback and search to find the new location of the IN point or OUT point of the selected sub clip.

This carries out the trimming, and the screen returns to the sub clip thumbnail display.

To cancel the trim operation

Reset the IN point and the OUT point to return to the state before the sub clip trimming screen was displayed, then hold down the SHIFT button and press the SEL/SET dial. This cancels the trim, and the screen returns to the sub clip thumbnail display.

Save the current clip list to disc.

At the point where you want to set the new IN point or OUT point, turn the SEL/SET dial or the MENU knob to select the IN (when changing the IN point) or the OUT (when changing the OUT point), and press the dial/knob.

To change both the IN point and the OUT point, repeat steps 3 and 4.

To reset the IN point or OUT point, selecting IN or OUT, hold down the RESET button and press the SEL/SET dial. The IN or OUT point is restored to the value it had before the sub clip trim screen opened.

To cue up the IN point or OUT point, hold down the SHIFT button and press the NEXT or PREV button.

When you set IN and OUT points stretching across several clips, one sub clip is created for each of the clips.

Note

You can press the THUMBNAIL button to return to full-screen sub clip display, without trimming a sub clip.

See 4-2-6 “Saving the Current Clip List to Disc” (page

77).

4-2-4 Deleting a Sub Clip

Proceed as follows.

Carry out steps 1 to 4 in the procedure, 4-2-2 “Reordering Sub Clips” (page 74).

Turn the SEL/SET dial or the MENU knob to select DELETE, and press the dial/knob.

The sub clip deletion screen appears.

4-2 Creating Clip Lists

Page 77

To cancel the deletion, and return to the sub clip deletion screen

Do either of the following.

• Select CANCEL, and press the SEL/SET dial or the MENU knob.

• Press the RESET button.

The screen returns to the sub clip thumbnail display.

Turn the SEL/SET dial or the MENU knob to select OK, and press the dial/knob.

This deletes the sub clip, and the screen returns to the sub clip thumbnail display.

“NEW FILE” is displayed for clip lists without any registered data. The date of creation or the title is displayed for each clip list. The date of creation is always displayed for clip lists without titles.

SAVE CLIP LIST

E0001 04/08/08 21:57 E0002 04/08/24 11:15 E0003 04/08/25 15:30 E0004 NEW FILE E0005 NEW FILE E0006 NEW FILE E0007 NEW FILE E0008 NEW FILE E0009 NEW FILE TITLE : SHIFT+SET KEY

To switch between display of dates of creation, titles, and clip list names

With the SHIFT button held down, press the SET button. With each press, the display changes as follows. Dates of creation > titles > clip list names > dates of creation …

Use the SEL/SET dial or the MENU knob to select the desired clip list name, and press the dial/knob.

Chapter 4 Scene Selection

Save the current clip list to disc.

See 4-2-6 “Saving the Current Clip List to Disc” (page

77).

4-2-5 Previewing the Current Clip

List

Press the SUB CLIP button, turning it on, and then press the PLAY button. If the thumbnail indicator is not lit, playback starts from the first sub clip. If the thumbnail indicator is lit, playback starts from the first frame of the selected clip.

4-2-6 Saving the Current Clip List to

Disc

Proceed as follows.

Display the CLIP menu.

The message “SAVE OK? YES b NO” appears.

Turn the SEL/SET dial or the MENU knob to move the b mark to “YES” and press the dial/knob.

The current clip list is saved to disc.

Hold down the SHIFT button and press the SUB CLIP button.

CLIP menu operations end.

To assign a title to a clip list

Use the supplied PDZ-1 software.

For details, see the PDZ-1 online help.

See “Displaying the CLIP menu” (page 78).

Use the SEL/SET dial or the MENU knob to select SAVE in the CLIP menu, and press the dial/knob.

A clip list appears.

4-2 Creating Clip Lists

Page 78

4-3 Managing Clip Lists

(CLIP Menu)

After you create a clip list, you can use the CLIP menu to save it to disc, load it from disc into the unit memory, and delete it from the disc. The CLIP menu also allows you to clear and edit the current clip list.

4-3-1 Loading a Clip List From Disc

Into Unit Memory

Proceed as follows.

Display the CLIP menu.

See “Displaying the CLIP menu” (page 78).

In the CLIP menu, move the cursor to LOAD and press the SEL/SET dial or the MENU Knob.

Chapter 4 Scene Selection

Displaying the CLIP menu

Proceed as follows.

Note

The CLIP menu can handle up to 99 clip lists.

With the thumbnail indicator off, hold down the SHIFT button and press the SUB CLIP button. The CLIP menu appears.

Notes

• If the MENU ON/OFF switch is set to ON, set it to OFF, then press the SUB CLIP button with the SHIFT button held down.

• If you set the MENU ON/OFF switch to ON while the CLIP menu is being displayed, thumbnail display is cancelled and replaced with menu display.

LOAD SAVE DELETE CLEAR TC PRESET SORT BY

A clip list appears. The date of creation or the title is displayed for each clip list.

LOAO CLIP LIST ESC

E0001 04/08/08 21:57 E0002 04/08/24 11:15 E0003 04/08/25 15:30 E0004 NEW FILE E0005 NEW FILE E0006 NEW FILE E0007 NEW FILE E0008 NEW FILE E0009 NEW FILE TITLE : SHIFT+SET KEY

To switch between display of dates of creation, titles, and clip list names

With the SHIFT button held down, press the SET button. With each press, the display changes as follows. Dates of creation > titles > clip list names > dates of creation …

Select the desired clip list and press the SEL/SET dial or the MENU knob.

The message “LOAD OK? YES b NO” appears.

Item Operation

LOAD Load a clip list from the disc into the current

SAVE Save the current clip list to disc (see page 77) DELETE Delete a clip list from the disc (see page 79) CLEAR Clear the current clip list from the unit memory

TC PRESET

SORT BY Sort the clip lists by name or date of creation

clip list (see page 78)

(see page 79)

Preset the first time code in the current clip list

(see page 79)

(see page 80)

To escape from the CLIP menu

Hold down the SHIFT button and press the SUB CLIP button.

4-3 Managing Clip Lists (CLIP Menu)

Turn the SEL/SET dial or the MENU knob to move the b mark to “YES” and press the dial/knob.

The selected clip list is loaded into the current clip list.

Hold down the SHIFT button and press the SUB CLIP button.

CLIP menu operations end.

To display thumbnails of the sub clips in the newly loaded current clip list

Press the SUB CLIP button and the THUMBNAIL button, turning on the indicators. Thumbnails of the sub clips in the clip list appear.

Notes

• If the MENU ON/OFF switch is set to ON, set it to OFF and press the THUMBNAIL button.

Page 79

• If you set the MENU ON/OFF to ON during thumbnail display, thumbnail display is cancelled and replaced with menu display.

• Unless the current clip list has been saved to disc, its contents will be lost when you load a new clip list from the disc.

4-3-2 Deleting Clip Lists From a

Disc

Proceed as follows.

Display the CLIP menu.

See “Displaying the CLIP menu” (page 78).

Select DELETE in the CLIP menu, and press the SEL/ SET dial or the MENU knob.

A clip list appears. The date of creation or the title is displayed for each clip list. The date of creation is always displayed for clip lists without titles.

To switch between display of dates of creation, titles, and clip list names

With the SHIFT button held down, press the SET button. With each press, the display changes as follows. Dates of creation > titles > clip list names > dates of creation …

Select CLEAR in the CLIP menu, and press the SEL/ SET dial or the MENU knob.

The following screen display appears.

CLEAR CLIP LIST ESC

CLEAR CLIP LIST : EXEC

Press the SEL/SET dial or the Menu knob.

The message “EXECUTE OK? YES b NO” appears.

Turn the SEL/SET dial or the MENU knob to move the b mark to “YES” and press the dial/knob.

The current clip list is cleared, leaving it with no clip list loaded.

Hold down the SHIFT button and press the SUB CLIP button.

CLIP menu operations end.

4-3-4 Setting the Start Time Code of

the Current Clip List

Chapter 4 Scene Selection

Select the name of the clip list to delete and press the SEL/SET dial or the MENU knob.

The message “DELETE OK? YES b NO” appears.

Turn the SEL/SET dial or the MENU knob to move the b mark to “YES” and press the dial/knob.

The selected clip list is deleted from the disc.

Hold down the SHIFT button and press the SUB CLIP button.

CLIP menu operations end.

4-3-3 Clearing the Current Clip List

From the Unit Memory

Proceed as follows to clear the current clip list, leaving it with no clip list loaded.

Display the CLIP menu.

See “Displaying the CLIP menu” (page 78).

The start time code (LTC) of the current clip list is set to 00:00:00:00 when the camcorder is powered on and when a disc is inserted. You can set the start time code to any value. Proceed as follows.

Load an existing clip list for which you want to set the initial time code into to the unit memory as the current clip list.

For details, see 4-3-1 “Loading a Clip List From Disc Into Unit Memory” (page 78).

Display the CLIP menu.

See “Displaying the CLIP menu” (page 78).

Select TC PRESET in the CLIP menu, and press the SEL/SET dial or the MENU knob.

The following screen display appears.

4-3 Managing Clip Lists (CLIP Menu)

Page 80

Chapter 4 Scene Selection

CLIP LIST TC PRS ESC

HOUR : 00 MIN : 00 SEC : 00 FRAME : 00

The time code shown in this screen is the current initial time code of the current clip list. If you have already set the initial time code for this clip list, that time code is displayed.

Turn the SEL/SET dial or the MENU knob to select the item (HOUR, MIN, SEC, or FRAME) which you want to set, then press the dial/knob.

Turn the SEL/SET dial or the Menu knob until the desired value is displayed, then press the dial/knob.

After all items have been set, select OK, and press the SEL/SET dial or the MENU knob.

Turn the SEL/SET dial or MENU knob to move the cursor to “SORT BY” in the CLIP menu, and then press the dial or knob.

A screen like the following appears.

SORT CLIP LISTS BY ESC

NAME(A-Z) DATE(MOST RECENT 1ST)

Turn the SEL/SET dial or MENU knob to select “NAME” or “DATE”, and then press the dial or knob.

NAME: Sort the clip lists in ascending order by clip

list name.

DATE: Sort the clip lists by date of creation, with the

newest clip list first.

The message “SORT OK?” appears.

The starting time code of the current clip list is set to the specified LTC value. The count starts from that value when playback starts.

To check the time code after setting it

Press the SUB CLIP button and the THUMBNAIL button, turning their indicators on, and then rotate the SEL/SET dial or the MENU knob to select the first sub clip. The initial time code of the current clip list appears in the color LCD and the monochrome LCD.

Save the current clip list to disc.

See 4-2-6 “Saving the Current Clip List to Disc” (page

77).

Hold down the SHIFT button and press the SUB CLIP button.

CLIP menu operations end.

4-3-5 Sorting Clip Lists

Select “YES”, and then press the SEL/SET dial or MENU knob.

The clip lists are sorted by the method you chose in step 3.

Unused clip lists are excluded from the sort.

Proceed as follows to sort the existing clip lists by clip list name or by date of creation.

Display the CLIP menu.

See “Displaying the CLIP menu” (page 78).

4-3 Managing Clip Lists (CLIP Menu)

Page 81

4-4Using the PDZ-1 Proxy

Browsing Software

When a computer with the PDZ-1 Proxy Browsing Software installed is connected to this unit, you can transfer the proxy AV data and metadata files recorded on a disc to the computer. On the computer side, PDZ-1 enables you to browse the proxy AV data, add or modify metadata (titles, comments, essence marks, etc.), or create a clip list. The modified metadata and the created clip list can then be written back to the disc loaded in this unit.

System requirements

The following are required to use PDZ-1.

• Computer:

- When using the live logging function:

PC with Intel Pentium 4 CPU, at least 2 GHz (installed memory: at least 512 MB)

- When not using the live logging function:

PC with Intel Pentium III CPU, at least 1 GHz (installed memory: at least 512 MB)

• Operating system: Microsoft Windows 2000 Service Pack 4 or higher, or Microsoft Windows XP Professional Service Pack 1 or higher

• Web browser: Internet Explorer 6.0 Service Pack 1 or higher

• DirectX: DirectX 8.1b or higher

To install the PDZ-1

Insert the supplied CD-ROM in the CD-ROM drive of the computer and execute the Setup.exe file, then follow the installation instructions.

For details, refer to the ReadMe file in the CD-ROM.

Chapter 4 Scene Selection

Notes

• Make sure that the hard disk drive on which the work folder to store the material transferred from this unit has adequate free space. The amount of proxy AV data transferred is about 1.4 GB per disc (when recording in the DVCAM format).

• To transfer files between the computer and this unit requires this unit’s IP address and other network-related settings to be made.

For details, see 7-3-11 “Making Network Settings” (page

141).

4-4 Using the PDZ-1 Proxy Browsing Software

Page 82

Adjustments and

Settings for Recording

5-1 Setting the

Recording Format (PDW-530/530P Only)

Before recording with the PDW-530/530P, it is necessary to set the recording format for each of video and audio. Video recording format: MPEG IMX 50 Mbps, 40 Mbps,

30 Mbps, or DVCAM

Audio recording format: 16-bit/48 kHz or 24-bit/48 kHz

Note

It is not possible to combine different recording formats on a single disc.

Chapter

USER USER MENU CUSTOMIZE ALL OPERATION PAINT MAINTENANCE FILE DIAGNOSIS

Turn the MENU knob to move the b mark to “MAINTENANCE”.

USER USER MENU CUSTOMIZE ALL OPERATION PAINT MAINTENANCE FILE DIAGNOSIS

5-1-1 Setting the Video Recording

Format

You can select the video recording format in a menu, from MPEG IMX 50 Mbps, MPEG IMX 40 Mbps, MPEG IMX 30 Mbps, and DVCAM. The factory default selection is “IMX50”. Proceed as follows.

For menu operations, see 7-1-3 “Basic Menu Operations” on page 115.

Turn on the POWER switch.

Holding down the MENU knob, move the MENU ON/ OFF switch from OFF to ON.

The TOP menu appears.

5-1 Setting the Recording Format (PDW-530/530P Only)

Press the MENU knob.

If this is the first time the MAINTENANCE menu has been displayed, the CONTENTS page of the MAINTENANCE menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “VDR MODE”, and press the MENU knob to display the VDR MODE page.

If a different page is displayed, turn the MENU knob until the VDR MODE page appears, then press the MENU knob to select the page.

Page 83

M09 VDR MODE TOP

REC TALLY BLINK : ON REC START/STOP : OFF MODE SELECT : SEL TIMER SET : IH REC FORMAT : IMX50

For the operation, see the descriptions of steps 1 to 5 of the procedure “Setting the Video Recording Format” on page 82.

Press the MENU knob, then turn it to move the b mark to “AU DATA LEN (IMX)”, and press the MENU knob.

Turn the MENU knob to move the b mark to “REC FORMAT”, and press the MENU knob again.

M09 VDR MODE TOP

REC TALLY BLINK : ON REC START/STOP : OFF MODE SELECT : SEL TIMER SET : IH REC FORMAT :? IMX50

The b mark at the side of “REC FORMAT” changes to a z mark, and the z mark by “IMX50” changes to a ? mark.

Turn the MENU knob to display the desired recording format.

M09 VDR MODE TOP

REC TALLY BLINK : ON REC START/STOP : OFF MODE SELECT : SEL TIMER SET : IH REC FORMAT :? IMX40

M06 AUDIO-2 TOP

AU DATA LEN (IMX):?16bit AU REF LEVEL : -20db AU REF OUT : 0db AU CH12 AGC MODE : MONO AU CH34 AGC MODE : MONO AU AGC SPEC : -6db AU LIMITER MODE : OFF AU LIMITER : ON I.LINK AUDIO OUT : 2CH

Turn the MENU knob to display the desired format, and press the MENU knob.

Move the MENU ON/OFF switch to OFF.

This ends the menu operation.

The above procedure completes the setting of the recording format.

Chapter 5 Adjustments and Settings for Recording

Press the MENU knob.

This confirms the selection.

Align the b mark with “TOP” at the top right of the menu page, and press the MENU knob.

This returns to the TOP menu.

5-1-2 Setting the Audio Recording

Format

On the PDW-530/530P, when the video recording format is IMX50/40/30, you can select the audio recording format in a menu, from 16-bit/48 kHz and 24-bit/48 kHz. The factory default selection is “16bit”. Proceed as follows.

Display the AUDIO-2 page of the MAINTENANCE menu.

5-1 Setting the Recording Format (PDW-530/530P Only)

Page 84

5-2 Adjusting the Black

Balance and the White Balance

To ensure excellent image quality when using this camcorder, conditions may require that both the black balance and the white balance be adjusted.

OUTPUT/DCC switch

AUTO W/B BAL switch

To adjust the black balance, proceed as follows.

Chapter 5 Adjustments and Settings for Recording

Black balance adjustment

The black balance will require adjustment in the following cases.

• When the camcorder is used for the first time

• When the camcorder has not been used for a long time

• When the camcorder is used under conditions in which the surrounding temperature has changed greatly

• When the GAIN selector (L/M/H) values have been changed by using the USER menu

It is not usually necessary to adjust the black balance when using the camcorder after it has been off.

White balance adjustment

Always readjust the white balance when the lighting conditions change.

Viewfinder screen displays

If the black balance or white balance adjustment is started, messages that report on the progress and results are displayed on the viewfinder screen when the VF DISP MODE item is set to “2” or “3” on the VF DISP 1 page of the USER menu.

Note

Black balance and white balance adjustment values that are automatically set by the camcorder and the various settings are stored in the camcorder memory and retained even when the power is turned off.

5-2-1 Adjusting the Black Balance

In automatic black balance mode, adjustments are performed in the following order: clamp level, black set, and black balance. Manual black balance adjustment can be selected from the setup menu.

Set the OUTPUT/DCC switch to CAM.

Push the AUTO W/B BAL switch to BLK and release the switch.

The switch returns to the center position, and the adjustment is executed. During adjustment, the following message is displayed on the viewfinder screen.

The messages change in the following sequence :

-BLACK SET- t

ABB:EXECUTING

-BLACK SET-

The black balance adjustment ends in a few seconds with the message “ABB:OK” and the adjustment value is automatically stored in memory.

Notes

• During the black balance adjustment, the iris is automatically closed.

• During the black balance adjustment, the gain selection circuit is automatically activated so you may see flickering on the viewfinder screen, but this is not a fault.

-BLACK BALANCE-

If automatic black balance adjustment cannot be made

If the black balance adjustment cannot be completed normally, an error message will appear for about 3 seconds on the viewfinder screen (in display mode 2 or 3). Possible messages are listed below.

Black balance adjustment error messages

For details of manual black balance adjustment, refer to the Maintenance Manual.

5-2 Adjusting the Black Balance and the White Balance

Error message Meaning

ABB : NG IRIS NOT CLOSED

ABB : NG TIME LIMIT

The lens iris did not close; adjustment was impossible.

Adjustment could not be completed within the standard number of attempts.

Page 85

Error message Meaning

ABB : NG R (or G or B) : OVERFLOW

The difference between the reference value and the current value is so great that it exceeds the range. Adjustment was impossible.

If any of the above error messages is displayed, retry the black balance adjustment. Keep pushing the AUTO W/B BAL to BLK until “BLACK SET-” appears after “-BLACK BALANCE-” appears. If the error message occurs again, an internal check is necessary.

For information about this internal check, refer to the Maintenance Manual.

Note

If the lens cable is not firmly connected to the LENS connector, it may not be possible to adjust the lens iris. If this happens, the black balance will be incorrect.

FILTER selector

OUTPUT/DCC switch: CAM

WHITE BAL switch: A or B

Black balance memory

Values stored in memory are held until the black balance is next adjusted.

If a memory error occurs

If the error message “: STORED DATA : NG” flashes on the viewfinder screen when the camcorder is turned on, the black balance and white balance memory contents have been lost. Adjust the black balance and white balance again. Contact your Sony representative if this message continues to appear even after the black balance and white balance have been adjusted again.

For details, refer to the Maintenance Manual.

5-2-2 Adjusting the White Balance

To automatically adjust the white balance

When you make automatic white balance adjustment, the adjustment value obtained is saved in memory. Proceed as follows.

Set the switches and selectors as shown in the figure below.

GAIN selector: Set as low as possible.

1) White balance setting values are stored in memory B only when the WHITE SWITCH <B> item is set to “MEM” on the FUNCTION 2 page of the OPERATION menu.

If the setting of the GAIN selector or WHITE BAL switch is changed, a message reporting the new setting position appears for about 3 seconds in the setting change and adjustment progress message display area of the viewfinder screen.

Set the FILTER selector to suit the lighting conditions as follows.

For the PDW-530/530P:

FILTER selector (outer knob) setting and CC filter

selection

FILTER selector (outer knob) setting

A Cross filter B 3200 K C 4300 K D 6300 K

FILTER selector (inner knob) setting and ND filter

selection

CC filter

Chapter 5 Adjustments and Settings for Recording

FILTER selector (inner knob) setting

1 Clear 2

5-2 Adjusting the Black Balance and the White Balance

ND filter

/4 ND

/16 ND

Page 86

FILTER selector (inner knob) setting and ND filter

selection

Chapter 5 Adjustments and Settings for Recording

FILTER selector (inner knob) setting

ND filter

/64 ND

For the PDW-510/510P:

FILTER selector setting and filter selection

FILTER selector setting Filter selection

1 3200 K 2

3 5600 K 4

5600 K +

/8 ND

/64 ND

If the setting of the FILTER selector is changed, a message reporting the setting appears for about 3 seconds in the setting change and adjustment progress message display area of the viewfinder screen (in display mode 3).

Place a white test card under the same lighting conditions as for the subject to be shot and zoom up to it.

Alternatively, any white object such as a cloth or a wall can be used. The absolute minimum white area is as follows.

AUTO W/B BAL switch

The switch returns to the center position, and the adjustment is executed.

During adjustment, the message “WHITE : OP” is displayed on the viewfinder screen (in display mode 2 or 3).

The white balance adjustment ends in about one second with the message shown in the following figure, and the adjustment setting is automatically stored in the memory (A or B) that was selected in step

AWB:OK . K

Approximate color temperature of the subject

Rectangle centered on the screen. The lengths of the sides are 70% of the length and width of the screen.

The white object must be within the rectangle and have an area of at least 10% of the screen.

Note

Make sure there are not bright spots in the rectangle.

Adjust the lens iris.

Manually adjusted lens: set the iris to an appropriate

setting.

Lens with automatic iris: set the automatic/manual

switch on the lens to automatic.

Push the AUTO W/B BAL switch to WHT and then release the switch.

Note

If the camera has a zoom lens with an automatic iris, the iris may hunt

during the adjustment. To prevent this, adjust the iris gain knob (indicated as IG, IS, or S) on the lens.

For details, refer to the lens operation manual.

1)Hunting Repeated brightening and darkening of the image, resulting from repeated response to automatic iris control.

If the automatic white balance adjustment cannot be made

If the white balance adjustment cannot be completed normally, an error message will appear for about 3 seconds on the viewfinder screen. Possible messages are listed below.

White balance adjustment error messages

Error message Meaning

WHITE : NG LOW LEVEL

The white video level is too low. Either open the lens iris or increase the gain.

5-2 Adjusting the Black Balance and the White Balance

Page 87

Error message Meaning

WHITE : NG COLOR TEMP HIGH

WHITE : NG COLOR TEMP LOW

WHITE : NG TIME LIMIT

WHITE : NG POOR WHITE AREA

WHITE : NG OVER LEVEL

The color temperature is too high. Select a suitable filter setting.

The color temperature is too low. Select a suitable filter setting.

Adjustment could not be completed within the standard number of attempts.

The white area could not be checked.

The white video level is too high. Either stop down the lens iris or change the ND filter.

If any of the above error messages is displayed, retry the white balance adjustment. If the error message occurs again, an internal check is necessary.

For information about this internal check, refer to the Maintenance Manual.

If a memory error occurs

If the error message “: STORED DATA : NG” flashes on the viewfinder screen when the camcorder is turned on, the white balance and black balance memory contents have been lost. Adjust the white balance and black balance again. Contact your Sony representative if this message continues to appear even after the white balance and black balance have been adjusted again.

For details, refer to the Maintenance Manual.

If you have no time to adjust the white balance

Set the WHITE BAL switch to PRST. The white balance is automatically set as follows, depending on the FILTER selector setting.

• PDW-530/530P: B: 3200K, C: 4300 K, D: 6300K

• PDW-510/510P: 1: 3200 K, 3: 5600 K

For details about setting the white balance manually, see “To automatically adjust the white balance” on page 85.

White balance memory

Values stored in memory are held until the white balance is next adjusted. There are two sets of white balance memories, A and B, and adjustments for each of the filters can be automatically stored in the memory corresponding to the setting (A or B) of the WHITE BAL switch. The camcorder has four builtin filters, so a total of eight (4 × 2) adjustments can be stored. The number of memories allocated to each of A and B can be limited to one by setting the WHT FILTER INH. item to “ON” on the FUNCTION 3 page of the MAINTENANCE menu. In this case, the memory contents are not linked to the filter settings. If the WHITE BAL switch is set to B, and on the FUNCTION 2 page of the OPERATION menu, the WHITE SWITCH <B> item is set to “ATW”, the ATW function is activated to automatically adjust the white balance of the picture being shot for varying lighting conditions.

Chapter 5 Adjustments and Settings for Recording

5-2 Adjusting the Black Balance and the White Balance

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Chapter 5 Adjustments and Settings for Recording

5-3 Setting the

Electronic Shutter

This section describes the shutter modes that can be used with the electronic shutter of the camcorder, and describes the procedure for selecting the shutter speed and shutter mode.

5-3-1 Shutter Modes

The shutter modes that can be used with the electronic shutter and the shutter speeds that can be selected are listed below.

Selectable shutter modes and shutter speeds

Shutter mode

Standard PDW-510/

ECS (Extended Clear Scan)

SLS (slow speed shutter)

Shutter speed Application

Scan Mode:I

530

PDW510P/ 530P

PDW-510/ 530

PDW510P/ 530P

1 (1/30 sec for PDW-510/530, 1/25 sec for PDW-510P/530P) to 8, 16 frames (1/2 sec for PDW-510/530, 2/3 sec for PDW-510P/530P)

1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 (sec.) Scan Mode:PsF 1/40, 1/60, 1/120, 1/125, 1/250, 1/500, 1/1000, 1/2000 (sec.)

Scan Mode:24P 1/32, 1/48, 1/96, 1/125, 1/250, 1/500, 1/1000, 1/2000 (sec.):

Scan Mode:I 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 (sec.) Scan Mode:PsF 1/33, 1/50, 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 (sec.)

Scan Mode:I

60.0 to 6000 Hz Scan Mode:PsF

30.0 to 7000 Hz Scan Mode:24P

24.0 Hz to 5000 Hz

Scan Mode:I

50.0 to 6000 Hz Scan Mode:PsF

25.0 to 6000 Hz

For shooting fast-moving subjects with little blurring.

For obtaining images with no horizontal bands of noise

when shooting subjects such as monitor screens.

For shooting subjects in low level lighting conditions

Shutter mode

EVS (Enhanced Vertical definition System)

1) Only when the CBK-FC01 is installed.

2) The SLS mode can only be selected when the CCD scan mode(see page

138) is set to “I (interlace scan)”.

Notes

Shutter speed Application

Shutter speed currently selected in the Standard or ECS mode

Improved vertical resolution. However, the sensitivity and dynamic range are reduced.

• Whatever the operating mode of the electronic shutter, the sensitivity of the CCD decreases with increasing shutter speed.

• When the automatic iris is used, the iris opens wider as the shutter speed increases, thus reducing the depth of field.

• Under artificial light, particularly fluorescent or mercury lamps, the light intensity may appear to be constant, but the red, green, and blue intensities are actually changing in synchronization with the frequency of the power supply causing flicker. Using an electronic shutter under such lighting could make the flicker even worse. Color flicker is particularly likely to happen when the power supply frequency is 60 Hz (with the PDW-510/530) or 50 Hz (with the PDW-510P/530P). However, if the power frequency is 50 Hz (with the PDW-510/530) or 60 Hz (with the PDW-510P/530P), setting the shutter speed to 1/100 or 1/60 can reduce this flicker.

• When a bright object is shot in EVS mode or ECS mode in such a manner that it fills the screen, the upper edge of the picture may have poor quality because of an inherent characteristic of CCDs. Before using EVS mode or ECS mode, check the shooting conditions.

You can turn on or off the EVS mode on the SW STATUS page of the PAINT menu.

5-3-2 Selecting the Shutter Mode

and Shutter Speed

Use the SHUTTER selector to select a shutter mode or a standard-mode shutter speed. To set the shutter speed in ECS or SLS mode, with the SHUTTER selector set to ON and the ECS or SLS mode selected, use the MENU knob for adjustment. You can use the SHT ENABLE page of the OPERATION menu to narrow the range of choice in advance, or to select in advance whether or not you use ECS/SLS.

5-3 Setting the Electronic Shutter

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Setting the shutter mode and standardmode shutter speed

Once the shutter speed is selected, it is retained even when the camcorder power is turned off.

Follow the procedure described in 7-2-2 “Selecting the Display Items” (page 123) to set the VF DISPLAY

MODE item to “2” or “3” on the VF DISP 1 page of the USER menu.

Push the SHUTTER selector from ON to SELECT.

Standard mode (with scan mode:I)

SLS mode

1/100: for PDW-510/530 1/60: for PDW-510P/530P

Shutter speeds in standard mode can also be switched to angle display by using SHT DISP MODE in the FUNCTION 3 page of the MAINTENANCE menu.

ECS mode

Setting the shutter speed in ECS mode

Proceed as follows.

Chapter 5 Adjustments and Settings for Recording

SHUTTER selector

The current shutter setting indication appears for about 3 seconds in the setting change and adjustment progress message display area of the viewfinder screen. Examples: “: SS : 1/250”, “: SLS : 1/30 : 1FRAME”, “: ECS : 60.0 Hz”

Before the shutter setting indication disappears, push the SHUTTER selector down to SELECT again and repeat this until the desired mode or speed appears.

Pushing the SHUTTER selector down to SELECT repeatedly allows you to cycle through the settings of mode and speed preselected on the SHT ENABLE page of the OPERATION menu. Note that all modes and all standard-mode speeds listed in the table on page 88 are preselected using the SHT ENABLE page of the OPERATION menu. By factory default, all available shutter modes and shutter speeds are displayed in the sequence shown in the following figure. (You can use the SHT ENABLE page of the OPERATION menu to make a setting so that only the desired (or most frequently used) modes and speeds are displayed.)

Setting the shutter speed in ECS (Extended Clear Scan) mode

Set the shutter speed mode to ECS.

For the operation, see the previous item “Setting the shutter mode and standard-mode shutter speed”.

ECS:60.00Hz

Example of view finder screen display for ECS setting operation

Turn the MENU knob clockwise or counterclockwise until the desired frequency appears.

See the table “Selectable shutter modes and shutter speeds” (page 88) for the frequency range which can be changed.

5-3 Setting the Electronic Shutter

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When the RM-B150 Remote Control Unit is connected

You can set the shutter speed of ECS with the rotary encoder of the RM-B150.

Setting the shutter speed in SLS mode

Proceed as follows.

Chapter 5 Adjustments and Settings for Recording

Setting the shutter speed in SLS (Slow Speed Shutter) mode

Set the shutter speed mode to SLS.

For the operation, see “Setting the shutter mode and standard-mode shutter speed” on page 89.

SLS: 1/30 : 1FRAME

Example of viewfinder screen display for SLS setting operation

MENU knob

Changing the range of choice of shutter mode and speed settings

Set the MENU ON/OFF switch to ON while holding

MENU ON/OFF switch

down the MENU knob.

The TOP menu appears.

Turn the MENU knob to move the b mark to OPERATION.

Press the MENU knob.

If this is the first time the OPERATION menu has been displayed, the CONTENTS page of the OPERATION menu appears. If the menu has been used before, the last accessed page appears.

Turn the MENU knob until the desired number of frames appears.

The number of frames can be set to values in the range 1 to 8, and 16. (1 frame nearly equals to 1/30 second (PDW-510/530) or 1/25 second (PDW-510P/530P)).

Changing the range of choice of shutter mode and speed settings

You can reduce the time required to select the shutter mode and speed by narrowing the choice of settings in advance. This can be done by using the SHT ENABLE page of the OPERATION menu. Proceed as follows.

Note

The settings selected on the SHT ENABLE page of the OPERATION menu become invalid when the RM-B150 Remote Control Unit is connected to the camcorder.

5-3 Setting the Electronic Shutter

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “SHT ENABLE”, then press the MENU knob to display the SHT ENABLE page.

If a different page is displayed, turn the MENU knob until the SHT ENABLE page appears, then press the MENU knob to select the page.

17 SHT ENABLE

SHUTTER SLS : ON SHUTTER ECS : ON SHUTTER 1/100 : ON SHUTTER 1/125 : ON SHUTTER 1/250 : ON SHUTTER 1/500 : ON SHUTTER 1/1000 : ON SHUTTER 1/2000 : ON

(This menu display is for the PDW-510/530. For the PDW-510P/530P, “SHUTTER 1/60” is displayed instead of “SHUTTER 1/100”.)

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Turn the MENU knob to move the b mark to the shutter mode or shutter speed you want, then press the MENU knob.

The b mark on the left of the selected item changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Turn the MENU knob until “ON” appears, then press the MENU knob.

The z mark on the left of the selected item changes to a b mark and the ? mark on the left of the setting changes to a z mark. To set another mode or speed, return to step 5.

Note that only the shutter speeds set to “ON” can be selected with the SHUTTER selector.

To end the menu operation, set the MENU ON/OFF switch to OFF or close the cover of the menu operating section.

The menu disappears from the screen and the display indicating the current status of the camcorder appears along the top and bottom of the screen.

5-4 Changing the

Reference Value for Automatic Iris Adjustment

The reference value for automatic iris adjustment can be changed to aid the shooting of clear pictures of back-lit subjects, or to prevent blown-out highlights. The reference value for the lens iris can be set within the following range with respect to the standard value.

• 0.5: about 0.5 stop further open

• 1: about 1 stop further open

• –0.5: about 0.5 stop further closed

• –1: about 1 stop further closed

Also you can set the area where light detection occurs.

Changing the reference value

Proceed as follows.

Set the MENU ON/OFF switch to ON.

Chapter 5 Adjustments and Settings for Recording

If this is the first time the USER menu has been displayed, the CONTENTS page of the USER menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to AUTO IRIS, then press the MENU knob to display the AUTO IRIS page.

If a different page is displayed, turn the MENU knob until the AUTO IRIS page appears, then press the MENU knob to select the page.

Turn the MENU knob to move the b mark to “IRIS OVERRIDE”, then press the MENU knob.

The b mark on the left of the selected item changes to a z mark and the z mark on the left of the setting changes to a ? mark.

Turn the MENU knob until “ON” appears, then press the MENU knob.

5-4 Changing the Reference Value for Automatic Iris Adjustment

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The z mark on the left of the selected item changes to a b mark and the ? mark on the left of the setting changes to a z mark. The IRIS OVERRIDE item is set to “ON”.

Set the MENU ON/OFF switch to OFF.

The AUTO IRIS page disappears from the screen.

Chapter 5 Adjustments and Settings for Recording

Turn the MENU knob to change the reference value.

Note

Be sure to confirm that the current shutter mode is not ECS.

The changed reference value is retained until the power of the camcorder is turned off. Even if the reference value is changed, it reverts to the standard value every time the power is turned on.

To open the iris by 0.5 stop:

Turn the MENU knob counterclockwise as seen from the front of the camera. One bar (s) appears in the upper part to the left of the F number in the iris indication.

To open the iris by 1 stop:

Turn the MENU knob counterclockwise as seen from the front of the camera. Two bars (ss) appear in the upper part to the left of the F number in the iris indication.

To stop down the iris by 0.5 stop:

Turn the MENU knob clockwise as seen from the front of the camera. One bar (s) appears in the lower part to the left of the F number in the iris indication.

To stop down the iris by 1 stop:

Turn the MENU knob further clockwise as seen from the front of the camera. Two bars (ss) appear in the lower part to the left of the F number in the iris indication.

Opening the lens iris

Stopping down the lens iris

Adjusting the reference value for automatic iris adjustment

When the RM-B150 Remote Control Unit is connected

The IRIS control knob of the RM-B150 can be used for lens iris setting. In this case, the bar display (s) does not appear.

Iris opened by 1 stop (two bars)

Iris opened by 0.5 stop (one bar)

Iris stopped down by 1 stop (two bars)

Iris stopped down by 0.5 stop (one bar)

Selecting the automatic iris window

Proceed as follows.

Follow the procedure of steps 1 and 2 described in the previous item “Changing the reference value” to display the AUTO IRIS page.

Turn the MENU knob to move the b mark to “IRIS WINDOW IND”, then press the MENU knob.

The b mark on the left of “IRIS WINDOW IND” changes to a z mark and the z mark on the left of the setting changes to a ? mark.

5-4 Changing the Reference Value for Automatic Iris Adjustment

Turn the MENU knob until “ON” appears, then press the MENU knob.

The z mark changes to a b mark and the ? mark changes to a z mark. The currently selected auto iris window appears on the screen. If it is not necessary to display the auto iris window on the screen, set to “OFF”.

Turn the MENU knob to move the b mark to “IRIS WINDOW”, then press the MENU knob.

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The b mark changes to a z mark and the z mark changes to a ? mark.

Turn the MENU knob until the desired auto iris window appears, then press the MENU knob.

The shaded parts indicate the area where light detection occurs.

Auto iris window

The z mark on changes to a b mark and the ? mark changes to a z mark.

If you select “VARIABLE”, the following items become effective and you can set the window of the desired size. Set each item to the desired size.

Item Setting

IRIS VAR WIDTH The width of the window IRIS VAR

HEIGHT IRIS VAR H POS. The position of the window in the

IRIS VAR V POS. The position of the window in the

Set the MENU ON/OFF switch to OFF or close the cover of the menu operating section.

The menu disappears from the screen and the display indicating the current status of the camcorder appears along the top and bottom of the screen.

The height of the window

horizontal direction

vertical direction.

5-5 Adjusting the Audio

Level

Setting the AUDIO SELECT CH-1/CH-2 switches to AUTO automatically adjusts the input levels of the audio signal to be recorded in audio channels 1 and 2. You can also adjust the audio level manually.

For the audio level of the signal to be recorded in audio channels 3 and 4

The input levels for audio channels 3 and 4 are either automatically adjusted, or are fixed.

5-5-1 Manually Adjusting the Audio

Levels of the Audio Inputs From the AUDIO IN CH1/CH2 Connectors

Proceed as follows to adjust the audio levels of the audio inputs from the AUDIO IN CH1/CH2 connectors, which are to be recorded in audio channels 1 and 2.

With the XLR connection automatic detection function being on, when a cable is connected to the AUDIO IN CH1 or CH2 connector, the input from these connectors is automatically selected for audio recording. In this case, start the operation from step 2.

You can turn on and off the XLR connection automatic detection function on the AUDIO-1 page of the MAINTENANCE menu.

Chapter 5 Adjustments and Settings for Recording

To counter problems with very bright highlights

If the subject is too bright, the iris may close too much, leaving the overall image dark, or the highlights may be blown out. In such cases, setting the highlight clip function on reduces the luminance range, avoiding problems from the automatic iris correction. In the AUTO IRIS page of the USER menu, set the CLIP HIGH LIGHT item to “ON”.

MIC LEVEL control

Manual adjustment of the audio levels of channels 1 and 2

5-5 Adjusting the Audio Level

3 2

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Chapter 5 Adjustments and Settings for Recording

To adjust the signal input to the AUDIO IN CH1 or AUDIO IN CH2 connector, set the AUDIO IN CH-1 or AUDIO IN CH-2 switch to REAR. To adjust both input signals, set both switches to REAR.

Set the AUDIO SELECT switch(es) corresponding to the channel(s) selected in step 1 to MANUAL.

With the LEVEL control for the channel selected in step 1, adjust so that the audio level meter shows up to –20 dB for a normal input volume.

The second bar from the top may turn on occasionally, but do not allow the top bar (0 dB) to go on. If it goes on, the audio level is too high.

All bars go on.

These bars go on.

Normal input level

Excessive input level

5-5-2 Manually Adjusting the Audio

Level of the Front Microphone

You can adjust the audio level input from the front microphone connected to the MIC IN connector, which is to be recorded on audio channels 1 and 2.

Note

If the XLR connection automatic detection mode is on, when the cables are connected to the AUDIO IN CH1/CH2 connectors, the camcorder detects the connection to the AUDIO IN CH1/CH2 connectors. Thus, the AUDIO IN switches are internally reset to REAR and the audio signals input to the AUDIO IN CH1/CH2 connectors are automatically selected. Before adjusting the audio level of the front microphone, confirm that no cables are connected to the AUDIO IN CH1/CH2 connectors. Alternatively, set the REAR XLR AUTO item to “OFF” on the AUDIO-1 page of the MAINTENANCE menu.

Correspondence between recording level adjustments and audio level controls

In the AUDIO-3 page of the MAINTENANCE menu, you can select which audio level control controls the audio recording level of the input to each of the AUDIO IN CH1/ CH2 connectors. The correspondence between the controls and the menu items and settings is as follows.

Level to be adjusted

Channel-1 recording level

Channel-2 recording level

Note

Control Menu item Setting

LEVEL (CH-1) control (on the left)

MIC LEVEL control FRONT LEVEL (CH-1) control

is linked with MIC LEVEL control.

LEVEL (CH-2) control (on the right)

MIC LEVEL control FRONT LEVEL (CH-2) control

is linked with MIC LEVEL control.

REAE1/ WRR LEVEL

REAE2/ WRR LEVEL

SIDE1

F+S1

SIDE2

F+S2

When you have operation of the LEVEL (CH-1/CH-2) controls and MIC LEVEL control linked together, if the MIC LEVEL control is set to 0, the audio signals on channels 1 and 2 cannot be recorded. Check the position of the MIC LEVEL control before adjusting the LEVEL (CH-1/CH-2) controls.

Set either or both of the AUDIO IN switch(es) to FRONT as follows:

When using the front microphone input for both

channels 1 and 2: Set both AUDIO IN switches to

FRONT.

When using the front microphone input for either

channel 1 or 2: Set the AUDIO IN switch for the

desired channel to FRONT.

Set the AUDIO SELECT switch(es) for the desired channel(s) selected in step 1 to MANUAL.

Turn the MIC LEVEL control, and adjust so that the audio level meter shows up to –20 dB for a normal input volume.

• The 10 bars from the bottom among 20 bars go on with the normal input volume.

5-5 Adjusting the Audio Level

Page 95

• The second top bar may turn on occasionally, but do not allow the top bar to go on. If it goes on, the audio level is too high.

Correspondence between recording level adjustments and audio level controls

In the AUDIO-3 page of the MAINTENANCE menu, you can select which audio level control controls the audio recording level of the front microphone input. The correspondence between the controls and the menu items and settings is as follows.

Level to be adjusted

Channel-1 recording level

Channel-2 recording level

Control Menu item Setting

MIC LEVEL control MIC CH1 LEVEL (CH-1) control

(on the left) LEVEL (CH-1) control

is linked with MIC LEVEL control.

MIC LEVEL control MIC CH2 LEVEL (CH-2) control

(on the right) LEVEL (CH-2) control

is linked with MIC LEVEL control.

LEVEL

FRONT SIDE

F+S1

FRONT SIDE2

F+S1

For fixed settings: select “OFF”.

Note

The type of audio recorded on audio channels 3 and 4 does not depend on the XLR connection automatic detection function. It is determined only by the switch settings.

F: The audio signal from the front microphone

is recorded.

R: The audio signal input to the AUDIO IN CH1

connector is recorded.

W: The audio signal of the wireless microphone

is recorded.

F: Same as with the CH3 switch. R: The audio signal input to the AUDIO IN CH2

connector is recorded.

W: Same as with the CH3 switch.

Audio signals to be recorded on audio channels 3 and 4

Chapter 5 Adjustments and Settings for Recording

Note

When you have operation of the MIC LEVEL control and LEVEL (CH-1/CH-2) controls linked together, if the LEVEL (CH-1/CH-2) controls are set to 0, the audio signals on channels 1 and 2 cannot be recorded. Check the position of the LEVEL (CH-1/CH-2) controls before adjusting the MIC LEVEL control.

5-5-3 Recording Audio on Channels

3 and 4

Selecting the recorded audio

You can select the audio recorded on audio channels 3 and 4 with the AUDIO IN CH-3/CH-4 switches, or you can have the selection made automatically, as follows.

To automatically select the same audio as on channels 1 and 2

In the AUDIO-1 page of the MAINTENANCE menu, set the AUDIO CH3/4 MODE item to “CH 1/2”.

Adjusting the audio recording levels

In the AUDIO-2 page of the MAINTENANCE menu, set the AU CH34 AGC MODE item as follows.

For automatic adjustment: select “STREO” or

“MONO”.

5-5 Adjusting the Audio Level

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Chapter 5 Adjustments and Settings for Recording

5-6 Setting the Time

Data

5-6-1 Setting the Time Code

The time code setting range is from 00 : 00 : 00 : 00 to 23 : 59 : 59 : 29 (hours : minutes : seconds : frames) for the PDW-510/530, and from 00 : 00 : 00 : 00 to 23 : 59 : 59 : 24 for the PDW-510P/530P.

Note

When the scan mode is 24P (with the CBK-FC01 expansion board installed) and the frame mode is NDF (non-drop frame mode), the value of the least significant digit is limited to 0 or 5.

To set the time code, proceed as follows.

To reset the time code value to 00:00:00:00

Press the RESET button.

Set the F-RUN/SET/R-RUN switch to F-RUN or RRUN.

F-RUN: Free run. The time code generator keeps

running.

R-RUN: Recording run. The time code generator runs

only while recording.

To set the drop frame mode/non-drop frame mode (only for the PDW-510/530)

You can select the drop frame (DF) mode or non-drop frame (NDF) mode on the FUNCTION 1 page of the USER menu or OPERATION menu or on the TIMECODE page of the MAINTENANCE menu.

To make the time code consecutive

When the F-RUN/SET/R-RUN switch is set to R-RUN, recording a number of scenes on the disc normally produces consecutive time code. However, once you remove the disc and record on another disc, the time code will no longer be consecutive when you use the original disc again for recording. In this case, to make the time code consecutive, proceed as follows.

RESET button

THUMBNAIL

SEL/SET

ESSENCE MARK

S.SEL

PRESET

REGEN CLOCK

SUB CLIP

SHIFTCLIP MENU

F-RUN

SET

R-RUN

2 3

Setting the time code

Set the DISPLAY switch to TC.

Set the PRESET/REGEN/CLOCK switch to PRESET.

Set the F-RUN/SET/R-RUN switch to SET.

The first (leftmost) digit of time code flashes.

Set the PRESET/REGEN/CLOCK switch to REGEN.

Press the RET button on the lens.

This reads the previous recording and synchronizes the internal time code generator, thus allowing the new time code recorded to follow on consecutively.

5-6-2 Saving the Actual Time in the

Time Code

Setting the PRESET/REGEN/CLOCK switch to CLOCK saves the actual time in the time code. When it is necessary to set the actual time, use the TIME/ DATE page of the DIAGNOSIS menu.

For details, see 7-3-6 “Setting the Date/Time of the Internal Clock” on page 135.

5-6-3 Setting the User Bits

By setting the user bits (up to 8 hexadecimal digits), you can record user information such as the date, time, or scene number on the time code track. To set the user bits, proceed as follows.

Use the SEL/SET dial to set the time code value. To change the value of the flashing digit, turn the dial, and to shift to the next digit, press the dial. Repeat this until all desired digits are set.

5-6 Setting the Time Data

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RESET button

2,4

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN CLOCK

F-RUN

R-RUN

SEL/SET

S.SEL

SET

regeneration of an external time code. You can also synchronize the time code generators of other camcorders/ VTRs with the internal generator of this camcorder.

Connections for time code synchronization

Connect both the reference video signal and the external time code as illustrated below.

Example 1: Synchronizing with an external time code

SHIFTCLIP MENU

GENLOCK IN

Reference video signal

Setting the user bits

Set the DISPLAY switch to U-BIT.

Set the F-RUN/SET/R-RUN switch to SET.

The first (leftmost) digit flashes.

Use the SEL/SET dial to set the user bit data. To change the value of the flashing digit, turn the dial, and to shift to the next digit, press the dial. Repeat this until all desired digits are set.

Hexadecimal digits A to F are displayed as follows:

Hexadecimal A B C D E F Display AbCdEF

To reset the user bit data to 00:00:00:00

Press the RESET button.

Set the F-RUN/SET/R-RUN switch to F-RUN or RRUN, corresponding to the desired operating mode for the time code generator.

The set user bit data will be recorded for both LTC and VITC.

To store the user bit setting in memory

The user bit setting (apart from the real time) is automatically retained in memory even when the power is turned off.

5-6-4 Synchronizing the Time Code

TC IN

1) Set GENLOCK to ON on the GENLOCK page of the MAINTENANCE menu, if GENLOCK is set to OFF.

Example 2: Interconnecting a number of camcorders for time code synchronization

TEST OUT

TC OUT

TC IN

GENLOCK IN

To another camcorder to be synchronized

1) Set GENLOCK to ON on the GENLOCK page of the MAINTENANCE menu, if GENLOCK is set to OFF.

TC OUT

TEST OUT

TC IN

TC OUT

TEST OUT

External time code

Reference camcorder

Procedure for time code synchronization

To synchronize the time code, proceed as follows.

Chapter 5 Adjustments and Settings for Recording

You can synchronize the internal time code generator of this camcorder with an external generator for the

5-6 Setting the Time Data

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time code cannot be synchronized with the reference video signal. In this case, set the GENLOCK item to “ON” on the GENLOCK page of the MAINTENANCE menu.

Chapter 5 Adjustments and Settings for Recording

Synchronizing the time code

Turn on the POWER switch.

Set the PRESET/REGEN/CLOCK switch to PRESET.

Set the F-RUN/SET/R-RUN switch to F-RUN.

Set the DISPLAY switch to TC.

Supply a time code signal and a reference video signal complying with the SMPTE (for PDW-510/530) or EBU (for PDW-510P/530P) standard and in proper phase relationship, to the TC IN connector and to the GENLOCK IN connector, respectively.

User bit settings during time code synchronization

When the time code is synchronized, only the time data is synchronized with the external time code value. Therefore, the user bits can have their own settings for each camcorder. You can also synchronize the user bits with external user bit data.

For details, refer to the Maintenance Manual.

To release the time code synchronization

First disconnect the external time code, then set the FRUN/SET/R-RUN switch to R-RUN.

To change the power supply from the battery pack to an external power supply during time code synchronization

To maintain a continuous power supply, connect the external power supply to the DC IN connector before removing the battery pack. You may lose time code synchronization if you remove the battery pack first.

Camera synchronization during time code synchronization

During time code synchronization, the camera is genlocked to the reference video signal input from the GENLOCK IN connector.

This operation synchronizes the internal time code generator with the external time code. After about 10 seconds, you can disconnect the external time code without losing the synchronization. However, there will be noise on the recorded image if you connect or disconnect the time code signal during recording.

Notes

• When you finish the above procedure, the internal time code is immediately synchronized with the external time code and the counter display will show the value of the external time code. However, wait for a few seconds until the sync generator stabilizes before recording.

• If the frequency of the reference video signal is not the same as the frame frequency of the camcorder, the camera cannot be correctly genlocked. In such a case, the internal time code is not correctly synchronized with the external time code.

• When the GENLOCK ON/OFF item is set to “OFF” on the GENLOCK page of the MAINTENANCE menu, the

5-6 Setting the Time Data

Page 99

5-7 Setting the

Thumbnail Image

When the unit is shipped from the factory, it is set up to display the first frame of a clip as the clip’s thumbnail image (see page 62). As required, you can select another frame to display as a clip’s thumbnail image. For example, if all clips have the same image in their first frames, you can specify a frame a few seconds after the start of the clip, so that all thumbnails will not show the same image.

?M10 ESSENCE MARK TOP

Turn the MENU knob to select the desired time.

Press the MENU knob.

The selection is confirmed.

To select the frame to display as a clip’s thumbnail image

Proceed as follows.

Turn the POWER switch on.

Holding down the MENU knob, move the MENU ON/ OFF switch to ON.

The TOP menu appears.

Turn the MENU knob to move the b mark to “MAINTENANCE”.

Press the MENU knob.

If this is the first time the MAINTENANCE menu has been displayed, the CONTENTS page of the MAINTENANCE menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU knob to move the b mark to “ESSENCE MARK”, then press the MENU knob.

Set the MENU ON/OFF switch to OFF to end the menu operation.

Chapter 5 Adjustments and Settings for Recording

If a different page is displayed, turn the MENU knob until the ESSENCE MARK page appears, then press the MENU knob to select the page.

Press the MENU knob, then turn it to move the b mark to “INDEX PIC.POS.”, and press the MENU knob again.

The b mark changes to a z mark, and the z mark changes to a ? mark.

5-7 Setting the Thumbnail Image

Page 100

6-1 Overview

File Operations

Chapter

root

INDEX.XML

A remote computer can be connected to this unit and used to operate on recorded data which has been saved in data files, such as video and audio data files. There are two way to connect a remote computer.

• FAM connection Connect the S400 (i.LINK) connector on this unit to the i.LINK (IEEE1394) connector on the remote computer, using an i.LINK cable (see page 103).

• FTP connection Connect the network connectors on this unit and the remote computer, using a network cable (see page 106).

6-1-1 Directory Structure

The following figure shows the directory structure of discs visible to a remote computer.

Note

This structure is not the same as the actual structure recorded on the disc.

ALIAS.XML

DISCMETA.XML

MEDIAPRO.XML

Clip

Edit

C0001.MXF

C0001M01.XML

C0002.MXF

C0002M01.XML

C0003.MXF

C0003M01.XML

E0001E01.SMI

E0001M01.XML

E0002E01.SMI

E0002M01.XML

100

Sub

C0001S01.MXF

C0002S01.MXF

C0003S01.MXF

General

a) Root directory b) Only when “NAMING FORM” on the FILE NAMING page of the

OPERATION menu is set to “FREE”

Sony PDW-530P, PDW-530, PDW-510P User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Table of Contents

1-1-2 Camera Features

1-1 Features

1-1-4 Inputs and Outputs

1-1-5 Other Functions

1-2 Example of System Configuration

1-3 Precautions

2-1 Power Supply

2-2 Accessory Attachments

2-3 Audio Functions

2-4 Shooting and Recording/Playback Functions

2-5 Output Video Operating Section

2-6 Menu Operating Section

2-7 Time Code System

2-8 Warnings and Indications

2-9-1 Monochrome LCD

2-9 Warnings and Indications on the LCDs

2-9-2 Color LCD

2-10 Indicators in the Viewfinder

3-1-3 Write-Protecting Discs

3-1-2 Notes on Handling

3-1 Handling Discs

3-1-4 Loading and Unloading a Disc

3-1-5 Formatting a Disc

3-2-1 Basic Procedures

3-2 Recording

3-2-2 Deleting Clips

3-2-3 Recording Essence Marks

3-2-6 Retaking the Most Recent Clip

3-3-1 Normal Playback

3-3 Checking Recording and Playback

3-3-4 Thumbnail Search Seconds of the Recording — Recording Review

3-3-5 Clip List Playback

3-3-6 Locking and Deleting Clips

3-4 Recording Video Signals From External Equipment

3-5 Freezing a Picture During Playback

4-1 Overview

4-2-1 Selecting Clips

4-2 Creating Clip Lists

4-2-2 Reordering Sub Clips

4-2-3 Trimming a Sub Clip

4-2-4 Deleting a Sub Clip

4-3 Managing Clip Lists (CLIP Menu)

4-3-5 Sorting Clip Lists

4-4 Using the PDZ-1 Proxy Browsing Software

5-2-1 Adjusting the Black Balance

5-2 Adjusting the Black Balance and the White Balance

5-2-2 Adjusting the White Balance

5-3-1 Shutter Modes

5-3 Setting the Electronic Shutter

5-4 Changing the Reference Value for Automatic Iris Adjustment

5-5 Adjusting the Audio Level

5-6-1 Setting the Time Code

5-6-3 Setting the User Bits

5-6 Setting the Time Data

5-6-4 Synchronizing the Time Code

5-7 Setting the Thumbnail Image

6-1-1 Directory Structure

6-1 Overview