Sony PDW-510P, PDW-530, PDW-530P, PDW-510 Operation Manual

*3-278-781-02*

PROFESSIONAL DISC CAMCORDER

PDW-510/510P PDW-530/530P

(1)

The supplied CD-ROM includes operation manuals for the PDW-510/ 510P/530/530P Professional Disc Camcorder (English, Japanese, French, German, Italian, Spanish and Chinese versions) in PDF format. For more details, see 1-4 “Using the CD-ROM Manual” on page 18.

OPERATION MANUAL [English] 1st Edition (Revised 10)

WARNING

To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only.

This Professional Disc Camcorder is classified as a CLASS 1 LASER PRODUCT.

Laser diode properties

Wavelength: 403 to 410 nm Emission duration: Continuous Laser output power: 65 mW (max. of pulse peak), 35 mW

(max. of CW)

Standard: IEC60825-1 (2001)

Tekniska data för laserdiod

Våglängd: 403 till 410 nm Emissionslängd: Kontinuerlig Laseruteffekt: 65 mW (max. för pulstopp), 35 mW (max. för

kontinuerlig våg)

Standard: IEC60825-1 (2001)

Egenskaber for laserdiode

Bølgelængde: 403 til 410 nm Strålingsvarighed: Kontinuerlig Afgivet lasereffekt: 65 mW (maks stråletoppunkt), 35 mW

(maks ved kontinuerlig stråling)

Standard: IEC60825-1 (2001)

Laserdiodin ominaisuudet

Aallonpituus: 403 - 410 nm Säteilyn kesto: jatkuva Laserin teho: 65 mW (pulssin huipun maks.), 35 mW

(jatkuvan aallon maks.)

Standardi: IEC60825-1 (2001)

This label is located inside the outside panel of the unit.

Denna etikett finns på apparatens ovansida.

Denne mærkat sidder på apparatets øverste panel.

Tämä kyltti sijaitsee laitteen yläpinnalla.

Dette merket er plassert på oversiden av produktet.

CAUTION

The use of optical instruments with this product will increase eye hazard.

Use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure.

VAROITUS!

LAITTEEN KÄYTTÄMINEN MUULLA KUIN TÄSSÄ KÄYTTÖOHJEESSA MAINITULLA TAVALLA SAATTAA ALTISTAA KÄYTTÄJÄN TURVALLISUUSLUOKAN 1 YLITTÄVÄLLE NÄKYMÄTTÖMÄLLE LASERSÄTEILYLLE.

VARNING

OM APPARATEN ANVÄNDS PÅ ANNAT SÄTT ÄN I DENNA BRUKSANVISNING SPECIFICERATS, KAN ANVÄNDAREN UTSÄTTAS FÖR OSYNLIG LASERSTRÅLNING, SOM ÖVERSKRIDER GRÄNSEN FÖR LASERKLASS 1.

For the customers in the USA

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause

harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures;

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and

receiver.

– Connect the equipment into an outlet on a circuit different

from that to which the receiver is connected.

– Consult the dealer or an experienced radio/TV technician for

help.

You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment.

All interface cables used to connect peripherals must be shielded in order to comply with the limits for a digital device pursuant to Subpart B of Part 15 of FCC Rules.

For the customers in the USA

Lamp in this product contains mercury. Disposal of these materials may be regulated due to environmental considerations. For disposal or recycling information, please contact your local authorities or the Electronic Industries Alliance (www.eiae.org).

For the customers in Taiwan only

For the State of California, USA only

Perchlorate Material - special handling may apply, See www.dtsc.ca.gov/hazardouswaste/perchlorate Perchlorate Material : Lithium battery contains perchlorate.

For the customers in Europe

This product with the CE marking complies with the EMC Directive issued by the Commission of the European Community. Compliance with this directive implies conformity to the following European standards:

• EN55103-1: Electromagnetic Interference (Emission)

• EN55103-2: Electromagnetic Susceptibility (Immunity) This product is intended for use in the following Electromagnetic Environment(s): E1 (residential), E2 (commercial and light industrial), E3 (urban outdoors) and E4 (controlled EMC environment, ex. TV studio).

The manufacturer of this product is Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Japan. The Authorized Representative for EMC and product safety is Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Germany. For any service or guarantee matters please refer to the addresses given in separate service or guarantee documents.

AVERTISSEMENT

Afin de réduire les risques d’incendie ou d’électrocution, ne pas exposer cet appareil à la pluie ou à l’humidité.

Afin d’écarter tout risque d’électrocution, garder le coffret fermé. Ne confier l’entretien de l’appareil qu’à un personnel qualifié.

Cet camescope de disques pour professionnels est classé PRODUIT LASER DE CLASSE 1.

Propriétés de la diode laser

Longueur d’onde: 403 à 410 nm Durée d’émission: Continue Puissance de sortie laser: 65 mW (maxi de crête

d’impulsion), 35 mW (maxi d’ondes entretenues)

Norme: IEC60825-1 (2001)

ATTENTION

L’emploi d’instruments optiques avec ce produit augmentera les risques pour les yeux.

L’emploi de commandes ou ajustements ou l’exécution de procédures autres que celles spécifiées ici peut provoquer une exposition dangereuse au rayonnement.

Pour les clients européens

Ce produit portant la marque CE est conforme à la Directive sur la compatibilité électromagnétique (EMC) émise par la Commission de la Communauté européenne. La conformité à cette directive implique la conformité aux normes européennes suivantes : EN55103-1 : Interférences électromagnétiques (émission) EN55103-2 : Sensibilité électromagnétique (immunité) Ce produit est prévu pour être utilisé dans les environnements électromagnétiques suivants : E1 (résidentiel), E2 (commercial et industrie légère), E3 (urbain extérieur) et E4 (environnement EMC contrôlé, ex. studio de télévision).

Le fabricant de ce produit est Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Japon. Le représentant autorisé pour EMC et la sécurité des produits est Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Allemagne. Pour toute question concernant le service ou la garantie, veuillez consulter les adresses indiquées dans les documents de service ou de garantie séparés.

Cette étiquette est placée à l’intérieur du panneau extérieur de l’appareil.

WARNUNG

Um die Gefahr von Bränden oder elektrischen Schlägen zu verringern, darf dieses Gerät nicht Regen oder Feuchtigkeit ausgesetzt werden.

Um einen elektrischen Schlag zu vermeiden, darf das Gehäuse nicht geöffnet werden. Überlassen Sie Wartungsarbeiten stets nur qualifiziertem Fachpersonal.

Dieses Gerät ist als CLASS 1 LASER PRODUCT eingestuft.

Eigenschaften der Laserdiode

Wellenlänge: 403 bis 410 nm Emissionsdauer. Ununterbrochen Laser-Ausgangsleistung: 65 mW (max. Impulsspitze), 35

mW (max. Dauerstrich)

Standard: IEC60825-1 (2001)

Dieser Aufkleber befindet sich hinter der Außenabdeckung des Geräts.

VORSICHT

Der Einsatz von optischen Hilfen verstärkt die Gefahr von Augenschäden.

Bei Betätigung von Bedien- und Einstellteilen oder Ausführung von Bedienvorgängen, die nicht ausdrücklich in dieser Bedienungsanleitung aufgeführt sind, droht u.U. die Einwirkung gefährlicher Laserstrahlung.

GEFAHR

Bei geöffnetem Laufwerk und beschädigter oder deaktivierter Verriegelung tritt ein unsichtbarer Laserstrahl aus. Direkter Kontark mit dem Laserstrahl ist unbedingt zu vermeiden.

Für Kunden in Europa

Dieses Produkt besitzt die CE-Kennzeichnung und erfüllt die EMV-Richtlinie der EG-Kommission. Angewandte Normen:

• EN55103-1: Elektromagnetische Verträglichkeit (Störaussendung)

• EN55103-2: Elektromagnetische Verträglichkeit (Störfestigkeit), für die folgenden elektromagnetischen Umgebungen: E1 (Wohnbereich), E2 (kommerzieller und in beschränktem Maße industrieller Bereich), E3 (Stadtbereich im Freien) und E4 (kontrollierter EMV-Bereich, z.B. Fernsehstudio).

Der Hersteller dieses Produkts ist Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Japan. Der autorisierte Repräsentant für EMV und Produktsicherheit ist Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Deutschland. Bei jeglichen Angelegenheiten in Bezug auf Kundendienst oder Garantie wenden Sie sich bitte an die in den separaten Kundendienst- oder Garantiedokumenten aufgeführten Anschriften.

ATTENZIONE

Per ridurre il rischio di incendi o scosse elettriche, non esporre questo apparato alla pioggia o all’umidità.

CAUTELA

L’uso di strumenti ottici con questo prodotto aumenta il rischio per la vista.

L’uso di comandi o regolazioni o l’esecuzione di procedimenti diversi da quelli specificati in questo manuale possono causare esposizione a radiazioni pericolose.

Per evitare scosse elettriche, non aprire l’involucro. Per l’assistenza rivolgersi unicamente a personale qualificato.

Questo camcorder di dischi professionale è classificato come PRODOTTO LASER CLASSE 1.

Proprietà del laser a diodo

Lunghezza d’onda: da 403 a 410 nm Durata emissione: Continua Potenza d’emissione del laser: 65 mW (mass. a picco di

impulso), 35 mW (mass. di CW)

Norma: IEC60825-1 (2001)

Questa etichetta si trova all’interno del pannello esterno dell’unità.

Per i clienti in Europa

Questo prodotto recante il marchio CE è conforme sia alla direttiva sulla compatibilità elettromagnetica (EMC) emesse dalla Commissione della Comunità Europea. La conformità a queste direttive implica la conformità alle seguenti normative europee: EN55103-1: Interferenza elettromagnetica (Emissione) EN55103-2: Sensibilità ai disturbi elettromagnetici (Immunità) Questo prodotto è destinato all’uso nei seguenti ambienti elettromagnetici: E1 (residenziali), E2 (commerciali e industriali leggeri), E3 (esterni urbani) e E4 (ambienti EMC controllati, ad esempio studi televisivi).

Il fabbricante di questo prodotto è la Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Giappone. La rappresentanza autorizzata per EMC e la sicurezza dei prodotti è la Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stoccarda, Germania. Per qualsiasi questione riguardante l’assistenza o la garanzia, si prega di rivolgersi agli indirizzi riportati nei documenti sull’assistenza o sulla garanzia a parte.

ADVERTENCIA

Para reducir el riesgo de electrocución, no exponga este aparato a la lluvia ni a la humedad.

PRECAUCIÓN

El uso de instrumentos ópticos con este producto aumentará el peligro a los ojos.

La utilización de controles o ajustes, o la realización de procedimientos no especificados aquí pueden resultar en la exposición a radiación peligrosa.

Para evitar descargas eléctricas, no abra el aparato. Solicite asistencia écnica únicamente a personal especializado.

Este grabador de discos profesional está clasificado como CLASS 1 LASER PRODUCT.

Propiedades del diodo láser

Longitud de onda: 403 a 410 nm Duración de la emisión: Continua Potencia de salida láser: 65 mW (máx. de pico de pulso),

35 mW (máx. de onda continua)

Estándar: IEC60825-1 (2001)

Esta etiqueta se encuentra en el interior del panel exterior de la unidad.

Para los clientes de Europa

Este producto cumple con las directivas de compatibilidad electromagnética de la Comisión Europea. El cumplimiento de estas directivas implica la conformidad con los siguientes estándares europeos:

• EN55103-1: Interferencia electromagnética (Emisión)

• EN55103-2: Susceptibilidad electromagnética (Inmunidad) Este producto está ha sido diseñado para utilizarse en los

entornos electromagnéticos siguientes: E1 (zona residencial), E2 (zona comercial e industrial ligera), E3 (exteriores urbanos), y E4 (entorno con EMC controlada, p. ej., estudio de televisión).

El fabricante de este producto es Sony Corporation, con dirección en 1-7-1 Konan, Minato-ku, Tokio, Japón. El Representante autorizado para EMC y seguridad del producto es Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Alemania. Para asuntos relacionados con el servicio y la garantía, consulte las direcciones entregadas por separado para los documentos de servicio o garantía.

Chapter 1 Overview

1-1 Features............................................. 13

1-1-1 Principal Differences Between the

PDW-510/510P and PDW-530/530P13

1-1-2 Camera Features ..............................13

1-1-3 Features of the Optical Disc Drive

(VDR) ..............................................14

1-1-4 Inputs and Outputs...........................15

1-1-5 Other Functions ...............................16

1-2 Example of System Configuration .. 17

1-3 Precautions ....................................... 18

1-4 Using the CD-ROM Manual .............. 18

1-4-1 Preparations .....................................18

1-4-2 Reading the CD-ROM Manual........18

1-5 MPEG-4 Visual Patent Portfolio License

........................................................... 19

1-6 MPEG-2 Video Patent Portfolio License

........................................................... 19

Chapter 2 Locations and Functions of Parts and Controls

2-1 Power Supply .................................... 21

2-2 Accessory Attachments................... 23

2-3 Audio Functions................................ 24

2-4 Shooting and Recording/Playback

Functions .......................................... 27

2-5 Output Video Operating Section ..... 34

2-6 Menu Operating Section................... 35

2-7 Time Code System............................ 37

2-8 Warnings and Indications ................ 39

2-9 Warnings and Indications on the LCDs

........................................................... 40

2-9-1 Monochrome LCD........................... 40

2-9-2 Color LCD ....................................... 41

2-10 Indicators in the Viewfinder........... 42

Chapter 3 Recording and Playback

3-1 Handling Discs.................................. 45

3-1-1 Discs Used for Recording and Playback

.........................................................45

3-1-2 Notes on Handling ...........................45

3-1-3 Write-Protecting Discs ....................45

3-1-4 Loading and Unloading a Disc ........ 46

3-1-5 Formatting a Disc ............................47

3-1-6 Handling of Discs When Recording

Does Not End Normally (Salvage

Function).......................................... 47

3-2 Recording .......................................... 49

3-2-1 Basic Procedures.............................. 49

3-2-2 Deleting Clips ..................................51

3-2-3 Recording Essence Marks................51

3-2-4 Starting a Shoot With a Few Seconds of

Pre-Stored Picture Data (Picture Cache

Function).......................................... 53

3-2-5 Time-Lapse Video (Interval Rec

Function).......................................... 55

3-2-6 Retaking the Most Recent Clip........60

3-2-7 Auto Clip List Recoding for Automatic

Inclusion of Recorded Clips in Clip Lists

..........................................................61

3-2-8 Assigning User-Defined Clip Titles

Automatically...................................61

3-2-9 Assigning User-Defined Clip and Clip

List Names .......................................64

3-2-10 Recording in Live Logging Mode .66 3-2-11 Recording Proxy Data to Memory

Cards (With CBK-PC01 Installed) ..67

3-3 Checking Recording and Playback. 70

3-3-1 Normal Playback .............................70

3-3-2 Checking the Last Two Seconds of the

Recording — Recording Review.....71

3-3-3 Checking the Recording on the Color

Video Monitor — Playback in Color71

3-3-4 Thumbnail Search............................ 71

3-3-5 Clip List Playback............................73

3-3-6 Locking and Deleting Clips............. 74

3-4 Recording Video Signals From External

Equipment......................................... 76

3-4-1 Recording a DV Stream From External

Equipment........................................76

3-4-2 Recording Analog Composite Signals

(With the CBK-SC01 Installed)....... 77

3-5 Freezing a Picture During Playback 78

Chapter 4 Scene Selection

4-1 Overview............................................ 79

4-2 Creating Clip Lists............................ 82

4-2-1 Selecting Clips.................................82

4-2-2 Reordering Sub Clips.......................83

Table of Contents

4-2-3 Trimming a Sub Clip ....................... 84

4-2-4 Deleting a Sub Clip..........................85

4-2-5 Previewing the Current Clip List.....86

4-2-6 Saving the Current Clip List to Disc86

4-3 Managing Clip Lists (CLIP Menu) .... 87

4-3-1 Loading a Clip List From Disc Into Unit

Memory............................................ 87

4-3-2 Deleting Clip Lists From a Disc...... 88

4-3-3 Clearing the Current Clip List From the

Unit Memory....................................88

4-3-4 Setting the Start Time Code of the

Current Clip List .............................. 88

4-3-5 Sorting Clip Lists.............................89

4-4 Using the PDZ-1 Proxy Browsing

Software ............................................ 90

Chapter 5 Adjustments and Settings for Recording

5-1 Setting the Recording Format

(PDW-530/530P Only)....................... 91

5-1-1 Setting the Video Recording Format91 5-1-2 Setting the Audio Recording Format92

5-2 Adjusting the Black Balance and the

White Balance................................... 93

5-2-1 Adjusting the Black Balance ...........93

5-2-2 Adjusting the White Balance........... 94

5-3 Setting the Electronic Shutter ......... 97

5-3-1 Shutter Modes..................................97

5-3-2 Selecting the Shutter Mode and Shutter

Speed................................................ 97

5-4 Changing the Reference Value for

Automatic Iris Adjustment............. 100

5-5 Adjusting the Audio Level.............. 102

5-5-1 Manually Adjusting the Audio Levels of

the Audio Inputs From the AUDIO IN

CH1/CH2 Connectors ....................102

5-5-2 Manually Adjusting the Audio Level of

the Front Microphone ....................103

5-5-3 Recording Audio on Channels 3 and 4

.......................................................104

5-6 Setting the Time Data ..................... 105

5-6-1 Setting the Time Code ................... 105

5-6-2 Saving the Actual Time in the Time

Code ...............................................105

5-6-3 Setting the User Bits ......................105

5-6-4 Synchronizing the Time Code ....... 106

5-7 Setting the Thumbnail Image......... 108

Chapter 6 File Operations

6-1 Overview.......................................... 109

6-1-1 Directory Structure ........................109

6-1-2 File Operation Restrictions............110

6-2 File Access Mode File Operations (for

Windows) ........................................ 112

6-2-1 Making FAM connections .............113

6-2-2 Operating on files ..........................113

6-2-3 Exiting file operations....................114

6-2-4 Reconnecting .................................114

6-3 File Operations in File Access Mode (for

Macintosh) ...................................... 115

6-3-1 Making FAM Connections ............ 115

6-3-2 Operating on Files..........................115

6-3-3 Exiting File Operations..................116

6-4 FTP File Operations........................ 116

6-4-1 Making FTP connections...............116

6-4-2 Command List ...............................117

6-5 Recording Continuous Time Code With

FAM and FTP Connections............ 124

Chapter 7 Menu Displays and Detailed Settings

7-1 Menu Organization and Operation 125

7-1-1 Menu Organization ........................125

7-1-2 Displaying Menus..........................126

7-1-3 Basic Menu Operations..................126

7-1-4 Editing the USER Menu ................128

7-2 Status Display on the Viewfinder

Screen ............................................. 132

7-2-1 Layout of the Status Display on the

Viewfinder Screen .........................132

7-2-2 Selecting the Display Items ...........134

7-2-3 Display Modes and Setting Change

Confirmation/Adjustment Progress

Messages ........................................135

7-2-4 Setting the Marker Display............135

7-2-5 Setting the Viewfinder...................136

7-2-6 Recording Shot Data Superimposed on

the Color Bars ................................137

7-2-7 Setting the Shot ID.........................138

7-2-8 Displaying the Status Confirmation

Windows ........................................139

7-2-9 Confirming the Image of the Return

Video Signal in the Viewfinder .....140

7-3 Adjustments and Settings From Menus

......................................................... 141

Table of Contents

7-3-1 Setting Gain Values for the GAIN

Selector Positions........................... 141

7-3-2 Selecting the Output Signals..........142

7-3-3 Setting the Color Temperature Manually

.......................................................143

7-3-4 Specifying an Offset for the Auto White

Balance Setting ..............................144

7-3-5 Assigning Functions to ASSIGN 1/2/3/4

Switches .........................................144

7-3-6 Setting the Date/Time of the Internal

Clock.............................................. 146

7-3-7 Selecting the Lens File ..................147

7-3-8 Selecting the Aspect Ratio............. 147

7-3-9 Setting the CCD Scan Mode.......... 149

7-3-10 Using UMID Data ......................150

7-3-11 Making Network Settings............ 152

7-4 Resetting USER Menu Settings to the

Standard Settings........................... 154

Chapter 8 Saving and Loading User Setting Data

8-1 Saving and Loading User Files to and

from a “Memory Stick” .................. 155

8-1-1 Handling the “Memory Stick”....... 155

8-1-2 Saving User Menu Data to the “Memory

Stick” .............................................156

8-1-3 Loading Saved Data From a “Memory

Stick” .............................................158

8-2 Saving and Loading Scene Files ... 159

8-2-1 Saving a Scene File........................ 159

8-2-2 Loading Scene Files.......................162

8-2-3 Resetting the Settings of the Camcorder

to the Standard Settings Saved in the

Reference File ................................163

8-3 Jumping to a File-Related Menu Page

When Inserting a “Memory Stick” 164

9-2-2 Adjusting the Viewfinder Focus and

Screen............................................. 167

9-2-3 Detaching the Viewfinder..............168

9-2-4 Moving the Viewfinder Shoe Up... 168 9-2-5 Using the BKW-401 Viewfinder

Rotation Bracket ............................168

9-2-6 Detaching the Eyepiece .................169

9-3 Mounting the Lens.......................... 170

9-4 Adjusting the Flange Focal Length171

9-5 Audio Input System ........................ 171

9-5-1 Using the Supplied Microphone ....171

9-5-2 Using an External Microphone...... 172

9-5-3 Attaching a UHF Portable Tuner (for a

UHF Wireless Microphone System)173 9-5-4 Connecting Line Input Audio

Equipment......................................175

9-6 Tripod Mounting.............................. 176

9-7 Attaching the Shoulder Strap ........ 177

9-8 Adjusting the Shoulder Pad Position

......................................................... 177

9-9 Connecting the Remote Control Unit

......................................................... 178

Chapter 10 Maintenance

10-1 Testing the Camcorder Before

Shooting.......................................... 181

10-1-1 Preparations for Testing............... 181

10-1-2 Testing the Camera ......................181

10-1-3 Testing the VDR ..........................182

10-2 Maintenance .................................. 185

10-2-1 Cleaning the Viewfinder..............185

10-2-2 Note About the Battery Terminal 185

10-3 Operation Warnings...................... 186

Appendixes

Chapter 9 Setting Up the Camcorder

9-1 Power Supply .................................. 165

9-1-1 Using a Battery Pack .....................165

9-1-2 Avoiding Breaks in Operation Due to an

Exhausted Battery ..........................166

9-1-3 Using an AC Adaptor ....................166

9-1-4 Using the Anton Bauer Ultralight

System............................................ 166

9-2 Adjusting the Viewfinder................ 167

9-2-1 Adjusting the Viewfinder Position 167

Specifications........................................ 189

General ....................................................189

Video Camera Section.............................189

Optical Disc Drive Section......................190

Recommended Additional Equipment ....191

Menu List ............................................... 192

OPERATION Menu List.........................192

PAINT Menu List....................................200

MAINTENANCE Menu List ..................205

FILE Menu List.......................................214

DIAGNOSIS Menu List..........................216

About a “Memory Stick”....................... 218

Table of Contents

Glossary................................................. 220

Index....................................................... 223

Table of Contents

Overview

Chapter

1-1 Features

The PDW-510/510P/530/530P is a camcorder for ENG and EFP high-definition CCDs of a 16:9 aspect ratio and a Professional Disc drive are combined integrally. The camera’s CCDs have approximately 1,000,000 picture elements (pixels) (the number of effective pixels: approximately 500,000). In addition to the well-established high image quality and vibration resistant, dustproof, and dripproof constructions of the Betacam SP/SX camcorders, this unit adds a range of new functionality exploiting the capabilities of optical discs.

1) ENG: Electronic News Gathering

2) EFP: Electronic Field Production

, in which a color video camera using 2/3-inch

1-1-1 Principal Differences Between

the PDW-510/510P and PDW530/530P

There are the following differences between the PDW510/510P and PDW-530/530P in the specifications of recording format, internal optical filters, and so on.

PDW-510/510P recording format and internal optical

filters

Recording format

Optical filters

DVCAM compatible recording

Single integrated filter system for CC (color correction) and ND (neutral density)

Video

Audio 16 bits, 48 kHz,

Recording time

25 Mbps DVCAM

4 channels 85 minutes

format

PDW-530/530P recording format and internal optical

Recording format

Optical filters

1) DVCAM is a trademark of Sony Corporation.

2) MPEG IMX is a trademark of Sony Corporation.

3) For analog audio input, the effective bit length is maximum 20 bits.

The following characteristics are common to the PDW510/510P and PDW-530/530P.

DVCAM compatible recording

MPEG IMX compatible recording

Separate CC filters and ND filters; two filters can be used simultaneously

filters

Video 25 Mbps

Audio 16 bits, 48 kHz,

Recording time

Video

Audio

Recording time

DVCAM format

4 channels 85 minutes

MPEG IMX (4:2:2 high image quality video recording using MPEG2 intra frames)

16 bits or 24 bits 48 kHz sampling, 4 channels

50 Mbps: 45 minutes 40 Mbps: 55 minutes 30 Mbps: 68 minutes

format

1-1-2 Camera Features

/3-inch Power HAD EX CCDs

The three high sensitivity, low smear 2/3-inch Power

HAD the top of its class for a standard definition camcorder.

• The unit is switchable between a 16:9 aspect ratio wide

EX CCDs provide high image quality which is at

image and 4:3 standard aspect ratio.

1-1 Features

• You can select an interlaced scan mode or progressive scan mode (30 fps (frames

Chapter 1 Overview

510/530, 25 fps for the PDW-510P/530P).

• With the optional CBK-FC01 Pull Down Board installed, a 24 fps

progressive scan video can be

per second)2) for the PDW-

recorded subjected to pull-down, providing imaging quality close to that of film. (PDW-510/530 only)

1) Abbreviation of “Power Hole-Accumulated Diode.” “Power HAD” is a registered trademark of Sony Corporation.

2) More precisely, 29.97 fps

3) More precisely, 23.98 fps

You can also assign any settings to the USER menu, to create customized menus.

Saving and recalling settings in a “Memory Stick”

Using an optional “Memory Stick”1), you can save menu settings for particular shooting conditions, for recall as required.

1) “Memory Stick” is a trademark of Sony Corporation.

Camera signal processing for high quality video

• The 12-bit A/D converter provides high image quality, stability, and reliability.

• The high-performance electronic shutter allows you to select extended clear scan mode (ECS vertical resolution mode (EVS

) and high

), to obtain clear, high-

quality video.

1) ECS: Extended Clear Scan

2) EVS: Super Enhanced Vertical Definition System

Shooting functions to cope with different shooting conditions

• A slow shutter function (up to 1/2 second) is provided as a standard feature. This allows noiseless shooting under very poor lighting conditions and a variety of expressive possibilities, such as shots of flowing streams which are smoothed out by afterimages.

• You can easily recall sets of adjustment values from memory, to match the particular lighting conditions.

•The ATW adjustment in response to changing lighting conditions.

• The TruEye

function provides automatic white balance

TM 2)

process yields distortion-free video,

even with high intensity colors.

• The TURBO GAIN button enables an instantaneous boost of the video gain to the maximum 48 dB.

1) ATW: Auto Tracing White balance

2) TruEye: “TruEye” is a registered trademark of Sony Corporation.

Freeze mix function

This allows a still image from the previously captured video to be aligned with the video output from the camera. Thus you can adjust the camera position to get exactly the same framing for new shooting.

High-functionality viewfinder

The 2-inch monochrome viewfinder allows accurate focusing. The switch settings, automatic black balance and white balance items, status, warnings and so on appear on the viewfinder screen.

1-1-3 Features of the Optical Disc

Drive (VDR)

Recording and playback in clip units

Each time you start and stop recording, this creates an independent clip.

• During recording, material is always written to unused parts of the disc. Therefore, even when playing back between shooting sessions, there is no danger of inadvertently overwriting the previous recording.

• Immediately after recording, you can delete clips you decide not to keep, allowing efficient use of the available disc capacity.

• During playback, you can check the recorded video and audio by viewing thumbnail images of clips on the disc and jumping instantly to the first frames of other clips.

•The i.LINK allows you to transfer clip files by connecting a computer, or by connecting the unit to a network with the CBK-NC01 Network Adaptor (option).

1) i.LINK is a trademark of Sony Corporation.

Picture cache recording

Video and audio for a maximum of 10 seconds is always held in memory, so that when you start recording, it is possible to record from just before the REC START button was pressed.

(FAM (File Access Mode)) function

Wide range of menu settings

The menus provide the following operations, among others.

• Status display, message, and marker display settings

• Camera adjustment settings

• Switch function assignment

• “Memory Stick” operations

1-1 Features

Time-lapse video (intermittent recording) function

You can record video intermittently, capturing any number of frames at any desired time interval.

Proxy AV data

• Proxy AV data is low-resolution data with a video bandwidth of 1.5 Mbps and an audio bandwidth of 64 Kbps per channel. This unit records proxy AV data on the Professional Disc whenever MPEG IMX or DVCAM format data is recorded on the main channel.

• Proxy AV data is much smaller in size than the fullresolution IMX or DVCAM data. It can be transferred quickly over computer networks, easily edited in the field with laptop computers, and readily used in a wide variety of applications, such as content management on small-scale servers.

Wide range of metadata recording

In addition to video and audio, various types of additional information can be recorded on the Professional Disc metadata.

• Essence marks can be added to mark important locations in the video and audio data. Essence marks can be added manually at any frame by pressing the lens RET button or an assignable button. They can also be added automatically at locations where there is a sudden change in luminance or audio input above a specified threshold.

• The supplied logging software can be used to add titles, comments, and other text data to clips.

• Computer-readable text files can be recorded on the Professional Disc to enable systematic content management.

The ability to search metadata for the required audio and video scenes brings greater efficiency to various stages of the video production process, such as editing, and archiving.

1) Professional Disc is a trademark of Sony Corporation.

Thumbnail search

Thumbnail images of the clips on the disc can be displayed on the LCD panel and in the viewfinder by pressing the THUMBNAIL button. They can also be shown in external video output. You can check the content of a clip simply by moving the cursor to its thumbnail and pressing the play button.

Scene selection

You can create and play back clip lists of selected clips from the disc, arranged in any order. One disc can store up to 99 clip lists. Clip lists make it simple to perform offline editing in the field for later use with full-scale nonlinear editing systems (XPRI

1) XPRI is a trademark of Sony Corporation.

, etc.).

High reliability under tough operating conditions

With resistance to vibration and dust comparable to tape based camcorders, this unit can be relied on just like a conventional unit.

1-1-4 Inputs and Outputs

Range of audio inputs and outputs

• A super-cardioid directional monaural microphone with external power supply is supplied as standard equipment. By changing the connector (service component replacement), a stereo microphone can be fitted.

• The optional slot-in type WRR-855A/855B UHF Synthesized Tuner Unit can be installed in the unit.

• The two AUDIO IN connectors (XLR type, 3-pin) on the rear panel of the unit can be switched to line input, microphone input, or + 48V external power, and also to AES/EBU digital audio inputs (maximum 24 bits).

• When audio cables are connected to the two AUDIO IN connectors (XLR type, 3-pin) on the rear panel of the unit, an automatic detection function forces the recording of the audio input signals from these connectors as channels 1 and 2.

• The AUDIO OUT connectors (XLR type, 5-pin) provide two channels of audio output.

(i.LINK) connector

The i.LINK connector of this unit supports the following two functions.

Input and output of DV streams (AV/C (Audio/ Video Control) mode)

DV streams can be output from this unit and recorded on standard DV equipment. In the same way, the output from external DV devices (VTRs, nonlinear editors, etc.) can be input to this unit and recorded on Professional Discs. DV-compliant nonlinear editors may also be connected.

1) In the case of the PDW-530/530P, DV stream output is also possible when the unit is set to IMX recording mode. Audio data is recorded after conversion according to the specifications of this unit.

2) In the case of the PDW-530/530P, this is possible only when the unit is set to DVCAM recording mode.

Computer access to files (File Access Mode)

Use of application software series

enables random access to video, audio, and metadata files on Professional Discs, with the ability to display file lists and perform file-based reads and writes. Files can be transferred at high speed, and thumbnail lists of disc contents can be viewed on computer screens.

1) Such software includes the supplied PDZ-1 Proxy Browsing Software and

the XPRI series.

which supports the XDCAM

Chapter 1 Overview

1-1 Features

Remote control connectors

By connecting an optional RM-B150/B750 or similar

Chapter 1 Overview

remote control unit, you can control the shooting functions of this unit externally.

Function extension interface

• Installing the optional CBK-SD01 SDI Output Board enables SDI signal output from the VIDEO OUT connectors.

• By installing the optional CBK-SC01 Analog Composite Input Board, a composite video signal input to the GENLOCK connector can be recorded on this unit.

• An extension connector can be attached to the battery attachment on the rear panel, to allow various camera adapters to be fitted.

Instant operation assignable switches

Two switches provided on the side panel and on the top of the grip, respectively, can be assigned to any functions, by a menu operation. Furthermore, the TURBO GAIN button can also be used as an assignable switch.

Alarm function

If a fault is detected on the optical disc drive, or if the disc or battery capacity is low, notication is provided by warning indicators and audible alarms.

SMPTE (PDW-510/530)/EBU (PDW-510P/ 530P) color bars, and 1 kHz reference signal output

Network connector (option)

The optional CBK-NC01 Network Adaptor can be installed on this unit to enable connections to computers and networks. This makes it possible to transfer files at high speeds, and to display of lists of the video, audio, and metadata files stored on Professional Discs. Workflows can be improved by the ability to use FTP commands to transfer files to remote locations over networks.

Adjustment of a color monitor or external audio device is easy. Color bars for an SNG

1) SNG: Satellite News Gathering

uplink are also provided.

Viewfinder height adjustable

In addition to the front to rear and left to right directions, the viewfinder can be adjusted vertically in two steps.

1-1-5 Other Functions

Usability-oriented design

• There is more space around the rear panel connectors than on previous models, making cable connections and switch operations easier.

• The adjustment range of the shoulder pad in the front to rear direction is increased, making it easier to ensure proper balance when using the unit.

2.5-inch color LCD panel

The side of the unit has an LCD that can be switched to show the following images and data.

• Status information, including audio level meters and time code

• Thumbnails of the video recorded on the Professional Disc

• A playback image of the video recorded on the Professional Disc

•The camera image

Monochrome LCD panel

Even when this unit is powered off, the time code, remaining disc capacity, battery capacity, and other status information appears on the monochrome LCD. (This requires either a battery or a DC power supply connected.)

Supports SNMP for maintenance and service (option)

The SNMP-compliant Sony Remote Maintenance and Monitoring Software can be used when the optional CBKNC01 Network Adaptor is installed on this unit. Via a TCP/IP network connection, this software can monitor the hardware status of this unit in real time and record monitoring logs. This allows you to analyze the problem immediately and take the necessary steps whenever a hardware failure is detected.

1-1 Features

1-2 Example of System Configuration

Chapter 1 Overview

The diagram below shows a typical configuration of the camcorder for ENG and EFP.

Viewfinder-related equipment

Name / Purpose Magnification Part No.

Fog-proof filter – 1-547-341-11 Lens assembly –2.8 D to +2.0 D A-8262-537-A Lens assembly –3.6 D to –0.8 D A-8262-538-A Lens assembly –3.6 D to +0.4 D A-8267-737-A Lens assembly

(3 × magnification)

Connection through i.LINK interface

Devices with a DV connector

Camera adaptor

Product Model name

Input of audio channels 3/4 and SDI output

CCZ (26-pin) output/ analog composite/SDI input

–2.4 D to +0.5 D A-8314-798-A

CA-701

CA-702/702P

For more information about the fittings, connections, or use of additional equipment and accessories, see Chapter 9 as well as the operation manuals for the connected equipment.

AC power supply

Product Model name

AC Adaptor AC-550/550CE AC Adaptor AC-DN10

Battery

Product Model name

Battery Charger BC-M150/L500/

Battery Pack

1) BP-L40/M50 cannot be used.

Extension board

Product Model name

SDI Output Board CBK-SD01 Composite Input Board CBK-SC01 Pull Down Board

Network Adaptor CBK-NC01 Memory Card Adaptor CBK-PC01

L70

BP-GL65/GL95/ L60S/L80S

CBK-FC01

“Memory Stick”

(see page 218.)

RM-B150/B750 Remote Control Unit

Video monitor for color image check during shooting

XLR 5-pin connector for stereo microphone (service part)

2) For PDW-510/530 only

Audio signal source

External microphone ECM-670/678 or similar microphone

CAC-12 Microphone Holder

Audio equipment

WRR-861/862 series UHF Portable Tuner

WRR-855 series UHF Synthesized Tuner Unit

CCXA-53 audio cable

DMX-P01 Portable Digital Mixer

1-2 Example of System Configuration

1-3 Precautions

Chapter 1 Overview

1-4 Using the CD-ROM

Manual

Use and Storage

Do not subject the unit to severe shocks

The internal mechanism may be damaged or the body warped.

After use

Always turn off the power.

Before storing the unit for a long period

Remove the battery pack.

Use and storage locations

Store in a level, ventilated place. Avoid using or storing the unit in the following places.

• Places subject to temperature extremes

• Very damp places

• Places subject to severe vibration

• Near strong magnetic fields

• In direct sunlight or close to heaters for extended periods

To prevent electromagnetic interference from portable communications devices

The use of portable telephones and other communications devices near this unit can result in malfunctions and interference with audio and video signals. It is recommended that the portable communications devices near this unit be powered off.

Note on laser beams

Laser beams may damage the CCDs. If you shoot a scene that includes a laser beam, be careful not to let the laser beam be directed into the lens of the camera.

The supplied CD-ROM includes versions of the operation manual for the PDW-510/510P/530/530P in English, Japanese, French, German, Italian, Spanish, and Chinese in PDF format.

1-4-1 Preparations

The following program must be installed on your computer in order to read the operation manuals contained on the CD-ROM.

• Adobe Reader Version 6.0 or higher

If Adobe Reader is not installed, you can download it from the following URL: http://www.adobe.com/

Adobe and Adobe Reader are trademarks of Adobe Systems Incorporated in the United States and/or other countries.

1-4-2 Reading the CD-ROM Manual

To read the operation manual contained on the CD-ROM, do the following.

Insert the CD-ROM in your CD-ROM drive.

A cover page appears automatically in your browser. If it does not appear automatically in the browser, double-click the index.htm file on the CD-ROM.

Use at a high temperature

If the unit is used at a high temperature, white flecks may appear on the screen.

About the LCD panels

LCD panels are manufactured with extremely highprecision technology that yields effective pixel rates of

99.99% or higher. However, very rarely, one or more

pixels may be permanently dark or permanently lit in white, red, blue, or green. This phenomenon is not a malfunction. Such pixels have no effect on the recorded data, and the unit may be used with confidence even if they are present.

Select and click the operation manual that you want to read.

This opens the PDF file of the operation manual.

Memo

The files may not be displayed properly, depending on the version of Acrobat Reader. In such a case, install the latest version you can download from the URL mentioned in 1- 4-1 “Preparations” above.

Note

If you have lost or damaged the CD-ROM, you can purchase a new one to replace it. Contact your Sony service representative.

1-3 Precautions / 1-4 Using the CD-ROM Manual

1-5 MPEG-4 Visual

Patent Portfolio

1-6 MPEG-2 Video

Chapter 1 Overview

Patent Portfolio

License

THIS PRODUCT IS LICENSED UNDER THE MPEG-4 VISUAL PATENT PORTFOLIO LICENSE FOR THE PERSONAL AND NON-COMMERCIAL USE OF A CONSUMER FOR

(i) ENCODING VIDEO IN COMPLIANCE WITH THE

MPEG-4 VISUAL STANDARD (“MPEG-4 VIDEO”) AND/OR

(ii) DECODING MPEG-4 VIDEO THAT WAS

ENCODED BY A CONSUMER ENGAGED IN A PERSONAL AND NON-COMMERCIAL ACTIVITY AND/OR WAS OBTAINED FROM A VIDEO PROVIDER LICENSED BY MPEG LA TO PROVIDE MPEG-4 VIDEO.

NO LICENSE IS GRANTED OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION INCLUDING THAT RELATING TO PROMOTIONAL, INTERNAL AND COMMERCIAL USES AND LICENSING MAY BE OBTAINED FROM MPEG LA, LLC. SEE HTTP://WWW.MPEGLA.COM

License

ANY USE OF THIS PRODUCT OTHER THAN CONSUMER PERSONAL USE IN ANY MANNER THAT COMPLIES WITH THE MPEG-2 STANDARD FOR ENCODING VIDEO INFORMATION FOR PACKAGED MEDIA IS EXPRESSLY PROHIBITED WITHOUT A LICENSE UNDER APPLICABLE PATENTS IN THE MPEG-2 PATENT PORTFOLIO, WHICH LICENSE IS AVAILABLE FROM MPEG LA, L.L.C., 250 STEELE STREET, SUITE 300, DENVER, COLORADO 80206.

“PACKAGED MEDIA” means any storage media storing MPEG-2 video information such as DVD movie which are sold/distributed to general consumers. Disc replicators or sellers of the PACKAGED MEDIA need to obtain licenses for their own business from MPEG LA. Please contact MPEG LA for any further information. MPEG LA. L.L.C., 250 STEELE STREET, SUITE 300, DENVER, COLORADO 80206 http://www.mpegla.com

MPEG LA is offering licenses for (i) manufacturing/sales of any storage media storing MPEG-4 Visual video information (ii) distribution/broadcasting of MPEG-4 Visual video information in any manner (such as online video distribution service, internet broadcasting, TV broadcasting). Other usage of this product may be required to obtain license from MPEGLA. Please contact MPEG LA for any further information. MPEG LA, L.L.C., 250 STEELE STREET, SUITE 300, DENVER, COLORADO 80206, http://www.mpegla.com

1-5 MPEG-4 Visual Patent Portfolio License / 1-6 MPEG-2 Video Patent Portfolio License

Chapter 1 Overview

1-6 MPEG-2 Video Patent Portfolio License

Locations and Functions

of Parts and Controls

2-1 Power Supply

Chapter

1 Battery attachment

3 POWER switch

4 LIGHT switch

a Battery attachment

Attach a BP-GL65/GL95/L60S/L80S battery pack. Furthermore, by attaching an AC-DN10 AC Adaptor, you can operate the camcorder from AC power.

Note

For your safety, and to ensure proper operation of the unit, Sony recommends the use of the following battery packs: BP-GL65, BP-GL95, BP-L60S, and BP-L80S.

b DC IN connector (XLR type, 4-pin, male)

To operate the camcorder using an AC power supply, connect an AC-550/550CE AC Adaptor with the DC output cable supplied with the adaptor.

c POWER switch

This switch turns the main power supply on and off.

2 DC IN connector

d LIGHT switch

This determines how a video light connected to the LIGHT connector is turned on and off. AUTO: When the switch on the video light is in the on

position, putting the camcorder in recording mode turns the video light on automatically. When using the auto interval recording mode, the video light is automatically turned on immediately before recording starts.

MANUAL: You can turn the video light on or off

manually, using its own switch.

Notes

• When AUTO is selected, unevenly lit video is recorded between the start of recording and the time when the light comes on. We recommend that you select MANUAL when the start of a recording is important.

2-1 Power Supply

However, the light can be turned on before the start of recording in auto interval recording mode.

• To ensure proper operation of the video light with the unit, Sony recommends the use of the following battery packs: BP-GL65, BP-GL95, BP-L60S, and BP-L80S.

Chapter 2 Locations and Functions of Parts and Controls

2-1 Power Supply

2-2 Accessory Attachments

1 Shoulder strap posts

9 Shoulder pad

Lens cable clamp

a Shoulder strap posts

Attach the supplied shoulder strap to these posts.

For details, see 9-7 “Attaching the Shoulder Strap” on page 177.

b Light shoe

Attach an optional accessory such as a video light to this shoe.

2 Light shoe

Chapter 2 Locations and Functions of Parts and Controls

3 LIGHT connector

4 Lens mount

5 Lens locking lever

6 Lens mount cap

7 LENS connector

8 Tripod mount

h Tripod mount

When using the camcorder on a tripod, attach the tripod adaptor (option).

i Shoulder pad

You can move the shoulder pad forwards or backwards by raising up the shoulder pad locking lever. Do this to ensure the best balance when shooting with the camcorder on your shoulder.

c LIGHT connector (2-pin, female)

Connect the cable of an Anton Bauer Ultralight System attached to the light shoe. The system operates with lights powered by 12 V, with a maximum power consumption of 50 W.

d Lens mount (special bayonet mount)

Use this for mounting the lens.

e Lens locking lever

After inserting the lens in the lens mount, rotate the lens mount ring with this lever to lock the lens in position.

f Lens mount cap

Remove this cap by pushing up the lens locking lever. When no lens is mounted, keep this cap fitted for protection from dust.

g LENS connector (12-pin)

Fit the lens cable to this connector. Contact your Sony representative for more information about the lens you can use.

For details, see 9-8 “Adjusting the Shoulder Pad Position” on page 177.

2-2 Accessory Attachments

2-3 Audio Functions

8 Built-in speaker

Chapter 2 Locations and Functions of Parts and Controls

1 Microphone

2 MIC IN connector

3 MIC LEVEL control

Audio functions (1)

a Microphone

This is a super-cardioid directional monaural microphone with an external power supply (+48 V) system.

b MIC IN (microphone input) connector (XLR type,

3-pin, female)

Connect the supplied microphone to this connector. A microphone other than the supplied one may also be connected as long as it can operate with the power (+48 V) supplied from this connector. By fitting a 5-pin connector (service part number: A-1053453-A), you can also use a stereo microphone.

c MIC (microphone) LEVEL control

This control adjusts the audio level of the microphone connected to the MIC IN connector.

d EARPHONE jack (front) (monaural, minijack) /

EARPHONE jack (rear) (monaural/stereo switchable, minijack)

You can monitor the E-E sound

during recording and playback sound during playback. Plugging an earphone into the jack automatically cuts off the built-in speaker. When an alarm is indicated, you can hear the alarm sound through the earphone. You can use the rear EARPHONE jack for stereo output, by setting the HEADPHONE OUT item in the AUDIO-1 page of the MAINTENANCE menu to “STREO”. You can also connect a monaural earphone to the front jack and a monaural/stereo earphone set to the rear jack simultaneously.

4 EARPHONE jack (rear, stereo)

7 ALARM volume control

6 MONITOR volume control

5 MONITOR switch and CH-1/2 / CH-3/4 switch

4 EARPHONE jack (front, monaural)

1) E-E: Abbreviation of “Electric-to-Electric.” In E-E mode, video and audio signals input to the camcorder are output after passing through internal electric circuits only. This can be used to check input signals.

e MONITOR switch and CH-1/2 / CH-3/4 switch

These switches together determine the channel selection for audio monitor output.

MONITOR switch

CH-1/2 / CH-3/4 switch

MONITOR switch and CH-1/2 / CH-3/4 switch

CH-1/2 / CH-3/4 switch:

This determines the pair of audio channels selected with the MONITOR switch. CH-1/2 position: channels 1 and 2 CH-3/4 position: channels 3 and 4 The signals output from the AUDIO OUT connector and EARPHONE jacks also depend on the setting of this switch.

MONITOR switch:

This selects the audio monitor channels output to the monaural earphone or speaker, depending on the setting of the CH-1/2 / CH-3/4 switch.

2-3 Audio Functions

CH-1/2 CH-3/4 switch position

MONITOR switch position

Audio output

CH-1/2 CH-1 Audio channel 1

MIX Mix sound of channels 1 and 2 CH-2 Audio channel 2

CH-3/4 CH-3 Audio channel 3

MIX Mix sound of channels 3 and 4 CH-4 Audio channel 4

f MONITOR volume control

This control adjusts the speaker or earphone volume for sounds other than the alarm sound. At the minimum position, no sound can be heard.

g ALARM volume control

This control adjusts the speaker or earphone alarm volume. At the minimum position, no sound can be heard. However, if in the AUDIO-1 page of the MAINTENANCE menu the MIN ALARM VOL item is set to “SET”, the alarm tone is audible even when this volume control is at the minimum position.

Minimum Maximum

ALARM volume control

h Built-in speaker

The speaker can be used to monitor E-E sound during recording, and playback sound during playback. The speaker also sounds alarms to reinforce visual warnings. The output level of the speaker can be lowered by changing the setting of the SP ATT LEVEL item on the AUDIO-1 page of the MAINTENANCE menu. If you connect an earphone to the EARPHONE jack, the speaker is automatically muted.

See 10-3 “Operation Warnings” on page 186 for information about alarms.

Chapter 2 Locations and Functions of Parts and Controls

THUMBNAIL

ESSENCE MARK

SUB CLIP

PRESET

REGEN CLOCK

F-RUN

R-RUN

SEL/SET

S.SEL

SET

9 LEVEL (CH-1/CH-2) controls

0 AUDIO SELECT CH-1/CH-2 switches

SHIFTCLIP MENU

qa AUDIO IN CH-1/CH-2 / CH-3/CH-4 switches

qs LINE / AES/EBU / MIC selectors

qd +48V/OFF switches

qf AUDIO OUT connector

qg AUDIO IN CH1/CH2 connectors

qh DC OUT 12V connector

i LEVEL (CH-1/CH-2) (audio channel-1 and

channel-2 recording level) controls

Audio functions (2)

These controls adjust the audio levels of channels 1 and 2 when the AUDIO SELECT switches are set to MANUAL.

2-3 Audio Functions

j AUDIO SELECT CH-1/CH-2 (audio channel-1

and channel-2 adjustment method selection) switches

These switches select the audio level adjustment method for each of audio channels 1 and 2. AUTO: Select this setting for automatic adjustment.

n AUDIO OUT (audio output) connector (XLR type,

5-pin, male)

This connector outputs the audio signals recorded on audio channels 1 and 2 or audio channels 3 and 4. The MONITOR CH-1/2 / CH-3/4 switches allow you to select the audio signal to be monitored.

MANUAL: Select this setting for manual adjustment.

Chapter 2 Locations and Functions of Parts and Controls

k AUDIO IN CH-1/CH-2 / CH-3/CH-4 (audio input

selection) switches

o AUDIO IN CH1/CH2 (audio channel-1 and

channel-2 input) connectors (XLR type, 3-pin, female)

These are audio input connectors for channels 1 and 2 to

AUDIO IN CH-1/CH-2 switches

These switches select the audio input signals to be recorded on audio channels 1 and 2. FRONT: The input signal source is the microphone

which you can connect audio equipment or a microphone. When the LINE / AES/EBU / MIC selector is set to AES/ EBU, the CH1 connector is used for channel-1 and -2 inputs, and the CH2 connector, for channel-3 and -4 inputs.

connected to the MIC IN connector.

REAR: The input signal source is the audio equipment

connected to the AUDIO IN CH1/CH2 connectors.

WIRELESS: The input signal source is a WRR-855A/

855B UHF Synthesized Tuner Unit (option).

p DC OUT 12 V (DC power output) connector (4-pin,

female)

This connector supplies power for a WRR-862 UHF Portable Tuner (option). Do not connect any equipment other than the UHF portable tuner.

AUDIO IN CH-3/CH-4 switches

These switches select the audio input signals to be recorded on audio channels 3 and 4. F (front): The input signal source is the microphone

connected to the MIC IN connector.

R (rear): The input signal source is the audio equipment

connected to the AUDIO IN CH1/CH2 connectors.

W (wireless): The input signal source is a WRR-855A/

855B UHF Synthesized Tuner Unit.

With a CA-701 Camera Adaptor (option) connected to the camcorder, you can record separate sounds on audio channels 3 and 4.

l LINE /AES/EBU / MIC selectors

These select the audio source of the audio input signals input to the AUDIO IN CH1/CH2 connectors.

LINE: Line input audio equipment AES/EBU: AES/EBU format audio signal MIC: Microphone input

Note

When these switches are in the MIC position, and the +48V switch described below is on, if you inadvertently connect any audio device other than a microphone to the AUDIO IN CH1/CH2 connectors, the device may be damaged.

m +48V/OFF switches

Select either of the following positions for the microphones to be connected.

+48V: For a microphone to use an external power supply OFF: For a microphone to use an internal power supply

2-3 Audio Functions

2-4 Shooting and Recording/Playback Functions

1 Tally indicator 2 BRIGHT control

3 CONTRAST control

4 PEAKING control 5 ZEBRA switch

6 TALLY switch

9 Viewfinder front-rear positioning lever

7 Viewfinder

8 Diopter adjustment ring

Eyecup

Chapter 2 Locations and Functions of Parts and Controls

0 Viewfinder left-right positioning ring

qa Camera operator tally indicator

qs Viewfinder stopper

qd LOCK knob

Shooting and recording/playback functions (1)

a Tally indicator

Setting the TALLY switch to HIGH or LOW enables this indicator. The indicator lights during recording on the VDR (video disc recorder). Like the REC indicator in the viewfinder, it flashes to indicate a problem. You can set the indicator brightness with the TALLY switch.

b BRIGHT (brightness) control

This control adjusts the picture brightness on the viewfinder screen. It has no effect on the camera output signal.

c CONTRAST control

This control adjusts the picture contrast on the viewfinder screen. It has no effect on the camera output signal.

d PEAKING control

This control adjusts the sharpness of the picture on the viewfinder screen to make focusing easier. It has no effect on the camera output signal.

e ZEBRA switch

This switch controls the zebra pattern on the viewfinder screen.

ON: The zebra pattern

is displayed and stays.

OFF: No zebra pattern is displayed. MOMENT: The zebra pattern is displayed and stays for 5

to 6 seconds. The zebra pattern is factory set to indicate picture areas where the video level is approximately 70%.You can use the setup menu to change the setting so that areas where the video level is 100% and above are also displayed at the same time.

For information about how to change the zebra pattern setting in the setup menu, see 7-2-5 “Setting the Viewfinder” on page 136.

1) The zebra pattern aids in manual iris adjustment by indicating areas of the

picture where the video level is approximately 70% and 100% and above.

f TALLY switch

This switch controls the tally indicator, setting its brightness (HIGH or LOW) or turning it off.

HIGH: The tally indicator brightness is high. OFF: The tally indicator is disabled. LOW: The tally indicator brightness is low.

2-4 Shooting and Recording/Playback Functions

g Viewfinder

The viewfinder lets you view the image in black and white

j Viewfinder left-right positioning ring

Loosen this ring to move the viewfinder sideways.

while shooting, recording or playing back. It also displays various warnings and messages related to the settings or operating conditions of the camcorder, a zebra pattern, safety zone marker

1) The safety zone marker is a rectangle indicating the effective picture area.

Chapter 2 Locations and Functions of Parts and Controls

2) The center marker indicates the center of the picture with a crosshair.

, and center marker 2).

k Camera operator tally indicator

This indicator lights while the camcorder is recording. Slide the window open when you shoot with your eye away from the viewfinder. This indicator flashes when the battery level is running low or the disc is almost full.

For details, see 7-2-4 “Setting the Marker Display” on page 135.

h Diopter adjustment ring

Use this ring to adjust the viewfinder image for your vision.

i Viewfinder front-rear positioning lever

To adjust the viewfinder position in the front-rear direction, loosen this lever and the LOCK knob. After adjustment, retighten this lever and the LOCK knob.

qf FILTER selector

qg ASSIGN. 1/2 switches

qh SHUTTER selector

l Viewfinder stopper

Pull up this stopper to detach the viewfinder from the camera.

m LOCK knob

To adjust the viewfinder position in the front-rear direction, loosen this knob and the viewfinder front-rear positioning lever. After adjustment, retighten this knob and the viewfinder front-rear positioning lever.

ws ASSIGN 3/4 switches

wa TURBO GAIN button

w; WHITE BAL switch

ql OUTPUT/DCC selector

qj AUTO W/B BAL switch

Shooting and recording/playback functions (2)

n FILTER selector

Use this selector to select the most appropriate filter to match the light source illuminating the subject. When this selector is used with the display mode set to 3, the new setting appears on the viewfinder screen for about 3 seconds. (e.g.: FILTER: 3) The PDW-510/510P has one switchable filter, and the PDW-530/530P has two switchable filters. The relationships between the selector settings and filter selections as well as examples of filters for different shooting conditions are as follows.

qk GAIN selector

For the PDW-510/510P

FILTER selector setting and filter selection

FILTER selector setting Filter selection

1 3200 K 2

3 5600 K 4

Examples of shooting conditions and appropriate filters

Shooting condition Filter

Sunrise and sunset; inside studio 1 (3200 K) Clear skies

Cloudy or raining 3 (5600 K)

5600 K +

/8 ND

2 (5600 K +

/8 ND)

2-4 Shooting and Recording/Playback Functions

Examples of shooting conditions and appropriate filters

Shooting condition Filter

Very bright conditions such as snow, at high altitudes, or at the seashore

4 (5600 K +

ND)

For the PDW-530/530P

FILTER selector (outer knob) setting and CC filter

selection

FILTER selector (outer knob) setting CC filter selection

B 3200 K C 4300 K D 6300 K

1) A type of special effect filter. Generates a cross of light on a highlighted portion.

FILTER selector (inner knob) setting and ND filter

selection

FILTER selector (inner knob) setting ND filter selection

1 Clear 2

Examples of shooting conditions and appropriate filters

Cross filter

/4 ND

/16 ND

/64 ND

For details about the shutter speed and mode settings, see 5-3 “Setting the Electronic Shutter” on page 97.

q AUTO W/B BAL (automatic white/black balance

adjustment) switch

This switch activates the white balance and black balance automatic adjustment functions. WHITE: Automatic adjustment of the white balance. If

the WHITE BAL switch is set to A or B, the white balance setting is stored in the corresponding memory. On the PDW-530/530P models with two switchable filters, the memory stores a separate white balance setting for each CC filter setting.

BLACK: Automatic adjustment of the black set and black

balance.

r GAIN selector

This selector switches the gain of the video amplifier to match the lighting conditions during shooting. The gains corresponding to the L, M, and H settings can be selected from the setup menu. The factory settings are L = 0 dB, M = 9 dB, and H = 18 dB. When this selector is adjusted, the new setting appears on the setting change/adjustment progress message display area of the viewfinder screen for about 3 seconds.

For details about setting the gain values, see 7-3-1 “Setting Gain Values for the GAIN Selector Positions” on page 141.

Chapter 2 Locations and Functions of Parts and Controls

Shooting condition CC filter ND filter

Sunrise and sunset; inside studio

Clear skies C (4300 K) or

Cloudy or raining D (6300 K) 1 (clear) or 2

Very bright conditions such as snow, at high altitudes, or at the seashore

B (3200 K) 1 (clear)

/4 ND) or 3

D (6300 K)

C (4300 K) or D (6300 K)

2 (

(

16 ND)

/4 ND)

(

/16 ND) or

3 (

4 (

/64 ND)

o ASSIGN. 1/2 switches

You can assign the desired functions to each of the ASSIGN. 1 switch (push button) and ASSIGN. 2 switch (sliding) on the FUNCTION 1 page of the USER menu.

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/ 2/3/4 Switches” on page 144.

p SHUTTER selector

Set this selector to ON to use the electronic shutter. Push it down to SELECT to switch the shutter speed or mode setting within the range previously set with the setup menu. When this selector is operated, the new setting appears on the setting change/adjustment progress message display area for about 3 seconds.

s OUTPUT/DCC (output signal/dynamic contrast

control) selector

This selector switches the video signal that is output to the VDR, viewfinder, and video monitor, between the following two.

BARS: Outputs the color bar signal. CAM: Outputs the video signal from the camera. When

this is selected, you can switch DCC

on and off with

this selector.

1) DCC (Dynamic Contrast Control) Against a very bright background with the iris opening adjusted to the subject, objects in the background will be lost in the glare. The DCC function will suppress the high intensity and restore much of the lost detail and is particularly effective in the following cases.

• Shooting people in the shade on a sunny day

• Shooting a subject indoors, against a background through a window

• Any high contrast scene

2-4 Shooting and Recording/Playback Functions

BARS, DCC OFF

A color bar signal is output and the DCC circuit does not operate. For example, use the setting for the following purposes.

• Adjusting the video monitor

• Recording the color bar signal

Chapter 2 Locations and Functions of Parts and Controls

switch and the FILTER selector. You can use the AUTO W/B BAL switch even when

ATW

is in use.

B (ATW): When this switch is set to B and on the

FUNCTION 2 page of the OPERATION menu, “WHITE B CH” is set to “ATW”

1) ATW (Auto Tracing White Balance) The white balance of the picture being shot is adjusted automatically for varying lighting conditions.

, ATW is activated.

CAM, DCC OFF

The video signal from the camera is output, and the DCC circuit does not operate.

CAM, DCC ON

The video signal from the camera is output, and the DCC circuit operates.

OUTPUT/DCC selector

t WHITE BAL (white balance memory) switch

This switch controls the white balance setting. PRST (preset): Adjusts the color temperature

corresponding to the position of the FILTER selector. Use the PRST setting when you have no time to adjust the white balance.

A or B: When the AUTO W/B BAL switch is pushed to

WHT, the white balance is automatically adjusted according to the current position of the FILTER selector, and the adjusted value is stored in either memory A or memory B. (There are two memories for each CC filter, allowing a total of eight adjustments to be stored.) When this switch is set to A or B, the camcorder automatically adjusts itself to the stored value corresponding to the current settings of this

When this switch is adjusted, the new setting appears on the setting change/adjustment progress message display area of the viewfinder screen for about 3 seconds.

You can assign the ATW ON/OFF function to the ASSIGN 1 switch (push button) on the FUNCTION 1 page of the USER menu.

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/ 2/3/4 Switches” on page 144.

u TURBO GAIN button

When shooting under extremely poor lighting conditions, press the button once to boost the video gain to the value preset on the GAIN SW page of the USER menu (up to 48 dB). To stop boosting the gain, press the button once more.

v ASSIGN 3/4 switches

You can assign the desired functions to each of the ASSIGN 3 switch and ASSIGN 4 switch on the FUNCTION 1 page of the USER menu.

For details, see 7-3-5 “Assigning Functions to ASSIGN 1/ 2/3/4 Switches” on page 144.

wf REMOTE connector

wd VIDEO OUT connector

2-4 Shooting and Recording/Playback Functions

wg GENLOCK IN connector

wh TEST OUT connector

wj DV IN/OUT S400 connector

Shooting and recording/playback functions (3)

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