Sony DVW-2000P User Manual

Page 1

DIGITAL VIDEOCASSETTE RECORDER

DVW-M2000 DVW-M2000P DVW-2000 DVW-2000P

Note

The supplied CD-ROM includes operation manuals for the DVW-2000 series of digital videocassette recorders (English, Japanese, French and German versions). For more details, see page 1-5 “Using the CD-ROM Manual.”

OPERATION MANUAL 1st Edition (Revised 2)

[English]

Page 2

WARNING

To prevent fire or shock hazard, do not expose the unit to rain or moisture.

To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only.

THIS APPARATUS MUST BE EARTHED.

AVERTISSEMENT

For the customers in the USA

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment.

Afin d’éviter tout risque d’incendie ou d’électrocution, ne pas exposer cet appareil à la pluie ou à l’humidité.

Afin d’écarter tout risque d’électrocution, garder le coffret fermé. Ne confier l’entretien de l’appareil qu’à un personnel qualifié.

CET APPAREIL DOIT ÊTRE RELIÉ À LA TERRE.

VORSICHT

Um Feuergefahr und die Gefahr eines elektrischen Schlages zu vermeiden, darf das Gerät weder Regen noch Feuchtigkeit ausgesetzt werden.

Um einen elektrischen Schlag zu vermeiden, darf das Gehäuse nicht geöffnet werden. Überlassen Sie Wartungsarbeiten stets nur einem Fachmann.

The shielded interface cable recommended in this manual must be used with this equipment in order to comply with the limits for a digital device pursuant to Subpart B of Part 15 of FCC Rules.

This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING: THIS WARNING IS APPLICABLE FOR USA

ONLY.

If used in USA, use the UL LISTED power cord specified below. DO NOT USE ANY OTHER POWER CORD. Plug Cap Parallel blade with ground pin (NEMA

5-15P Configuration) Cord Type SJT, three 16 or 18 AWG wires Length Minimum 1.5 m Less than 2.5 m (8 ft

3 in) Rating Minimum 10 A, 125 V

Using this unit at a voltage other than 120V may require the use of a different line cord or attachment plug, or both. To reduce the risk of fire or electric shock, refer servicing to qualified service personnel.

WARNING: THIS WARNING IS APPLICABLE FOR OTHER COUNTRIES.

DIESES GERÄT MUSS GEERDET WERDEN.

1. Use the approved Power Cord (3-core mains lead)/ Appliance Connector/Plug with earthing-contacts that conforms to the safety regulations of each country if applicable.

2. Use the Power Cord (3-core mains lead)/Appliance Connector/Plug conforming to the proper ratings (Voltage, Ampere).

If you have questions on the use of the above Power Cord/ Appliance Connector/Plug, please consult a qualified service personnel.

Page 3

AVERTISSEMENT: CET AVERTISSEMENT EST VALABLE POUR LES AUTRES PAYS.

1. Utiliser un cordon d’alimentation approuvé (conducteur d’alimentation 3 âmes)/connecteur d’appareil/prise avec contacts de mise à la terre conforme aux règles de sécurité de chaque pays si applicable.

2. Utiliser un cordon d’alimentation approuvé (conducteur d’alimentation 3 âmes)/connecteur d’appareil/prise conforme aux valeurs nominales (tension, ampérage) correctes.

S’adresser à un personnel de service qualifié pour toute question concernant l’emploi du cordon d’alimentation/ connecteur d’appareil/prise ci-dessus.

For the customers in Europe

This product with the CE marking complies with both the EMC Directive (89/336/EEC) and the Low Voltage Directive (73/23/EEC) issued by the Commission of the European Community. Compliance with these directives implies conformity to the following European standards:

• EN60065: Product Safety

• EN55103-1: Electromagnetic Interference (Emission)

• EN55103-2: Electromagnetic Susceptibility (Immunity) This product is intended for use in the following Electromagnetic Environment (s): E1 (Residential), E2 (Commercial and light industrial), E3 (Urban outdoors) and E4 (Controlled EMC environment ex. TV studio).

WARNUNG: DIESE WARNUNG GILT FÜR ANDERE LÄNDER.

1. Verwenden Sie Netzkabel (dreiadrig), Geräteanschlüsse und Netzkabelstecker mit Masseleitung, die den Sicherheitsrichtlinien des jeweiligen Landes entspricht.

2. Verwenden Sie Netzkabel (dreiadrig), Geräteanschlüsse und Netzkabelstecker mit Masseleitung, die den vor Ort herrschenden Spannungsanforderungen (Spannug, Stromstärke) entsprechen.

Bei Frage über die Eignung und Sicherheit von Netzkabeln (dreiadrig), Geräteanschlüssen und Netzkabelsteckern wenden Sie sich bitte an einen qualifizierten Electrotechniker.

CAUTION

The apparatus shall not be exposed to dripping or splashing and no objects filled with liquid, such as vases, shall be placed on the apparatus.

ATTENTION

Eviter d’exposer l’appareil à un égouttement ou à des éclaboussures et ne placer aucun objet rempli de liquide, comme un vase, sur l’appareil.

ACHTUNG

Das Gerät ist nicht tropf- und spritzwassersicher, daher dürfen keine mit Flüssigkeiten gefüllten Gegenstände, z. B. Vasen, darauf abgestellt werden.

CAUTION

The unit is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off.

Pour les clients européens

Ce produit portant la marque CE est conforme à la fois à la Directive sur la compatibilité électromagnétique (EMC) (89/ 336/CEE) et à la Directive sur les basses tensions (73/23/ CEE) émises par la Commission de la Communauté européenne. La conformité à ces directives implique la conformité aux normes européennes suivantes:

• EN60065: Sécurité des produits

• EN55103-1: Interférences électromagnétiques (émission)

• EN55103-2: Sensibilité électromagnétique (immunité) Ce produit est prévu pour être utilisé dans les environnements électromagnétiques suivants: E1 (résidentiel), E2 (commercial et industrie légère), E3 (urbain extérieur) et E4 (environnement EMC contrôlé, ex. studio de télévision).

Für Kunden in Europa

Dieses Produkt besitzt die CE-Kennzeichnung und erfüllt die EMV-Direktive (89/336/EMG) der EG-Kommission als auch die Direktive Niederspannung (73/23/EMG). Angewandte Normen:

• EN60065: Produktsicherheit

• EN55103-1: Elektromagnetische Verträglichkeit (Störaussendung)

• EN55103-2: Elektromagnetische Verträglichkeit (Störfestigkeit)

für die folgenden elektromagnetischen Umgebungen: E1 (Wohnbereich), E2 (kommerzieller und in beschränktem maße industrieller Bereich), E3 (Stadtbereich im Freien) und E4 (kontrollierter EMV-Bereich, z.B. Fernsehstudio).

ATTENTION

Cet appareil n’est pas déconnecté de la source d’alimentation secteur tant qu’il est raccordé à la prise murale, même si l’appareil lui-même a été mis hors tension.

ACHTUNG

Solange das Netzkabel an eine Netzsteckdose angeschlossen ist, bleibt das Gerät auch im ausgeschalteten Zustand mit dem Strommetz verbunden.

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Page 5

Chapter 1 Overview

Chapter 2 Location and Function of Parts

Chapter 3 Preparations

1-1 Features ........................................................................................... 1-1

1-2 Example System Configuration ....................................................1-4

1-3 Using the CD-ROM Manual.......................................................... 1-5

1-3-1 CD-ROM System Requirements ............................................ 1-5

1-3-2 Preparations............................................................................ 1-5

1-3-3 Reading the CD-ROM Manual .............................................. 1-5

2-1 Control Panels.................................................................................2-1

2-1-1 Upper Control Panel...............................................................2-2

2-1-2 Lower Control Panel .............................................................. 2-3

2-1-3 Switch Panel ......................................................................... 2-14

2-2 Connector Panel ...........................................................................2-15

3-1 Connections to External Devices................................................... 3-1

3-1-1 Connections to Digital Devices..............................................3-1

3-1-2 Connections to Analog Devices .............................................3-2

3-2 Reference Signals for Video Output and Servo System .............. 3-3

3-2-1 External Sync Signal for the Internal Reference Video Signal

Generator................................................................................ 3-3

3-2-2 Reference Signal for the Servo System..................................3-4

3-2-3 Connecting Reference Signals ............................................... 3-5

3-3 Setup ................................................................................................ 3-7

3-4 Superimposed Character Information ......................................... 3-8

3-5 Cassettes ........................................................................................ 3-10

3-5-1 Cassette Types......................................................................3-10

3-5-2 Inserting and Ejecting Cassettes .......................................... 3-10

3-5-3 Preventing Accidental Erasure of Recordings...................... 3-11

3-6 Using a Memory Stick.................................................................. 3-12

3-6-1 Notes on Memory Stick ....................................................... 3-12

Chapter 4 Recording and Playback

Chapter 5 Editing

4-1 Recording ........................................................................................ 4-1

4-1-1 Preparations for Recording .................................................... 4-1

4-1-2 Recording Time Code and User Bit Values............................ 4-2

4-1-3 Recording Procedure .............................................................. 4-5

4-2 Playback .......................................................................................... 4-6

4-2-1 Preparations for Playback ...................................................... 4-6

4-2-2 Playback Procedures .............................................................. 4-7

4-2-3 Dynamic Motion Control (DMC) Playback......................... 4-11

5-1 Automatic Editing ..........................................................................5-1

5-1-1 Overview ................................................................................5-1

5-1-2 Switch and Menu Settings...................................................... 5-2

5-1-3 Selecting the Editing Mode .................................................... 5-3

5-1-4 Setting Edit Points..................................................................5-3

5-1-5 Modifying and Deleting Edit Points ...................................... 5-6

5-1-6 Cue-Up to Edit Points and Preroll.......................................... 5-7

5-1-7 Preview ................................................................................... 5-7

5-1-8 Carrying Out Automatic Editing ............................................ 5-8

(Continued)

Table of Contents 1

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Table of Contents

Chapter 5 Editing (Continued)

Chapter 6 Shot Mark Function

Chapter 7 Tele-File

5-2 DMC Editing................................................................................. 5-11

5-2-1 Overview of DMC Editing ................................................... 5-11

5-2-2 Carrying Out DMC Editing.................................................. 5-12

5-3 Special Automatic Editing Methods ...........................................5-13

5-3-1 Quick Editing .......................................................................5-13

5-3-2 Continuous Editing .............................................................. 5-13

5-3-3 Standalone Editing ...............................................................5-14

5-3-4 Manual Editing..................................................................... 5-14

5-3-5 Preread Editing..................................................................... 5-14

6-1 Overview..........................................................................................6-1

6-2 Shot Mark Operation Menu.......................................................... 6-2

6-3 Shot Mark Operations ...................................................................6-3

6-3-1 Reading Shot Marks ............................................................... 6-3

6-3-2 Writing Shot Marks................................................................ 6-3

6-3-3 Shot Mark List Operations ..................................................... 6-4

6-3-4 Cueing Up to Shot Marks....................................................... 6-6

6-3-5 Reading In Shot Data .............................................................6-7

6-3-6 Sorting Shot Marks ................................................................ 6-8

7-1 Overview of Tele-File Functions....................................................7-1

7-2 Opening the Tele-File Menu .......................................................... 7-2

7-3 Tele-File Menu ................................................................................ 7-3

7-3-1 Clip Data Display ................................................................... 7-3

7-3-2 Preroll and Cue Up Using Clip Data...................................... 7-6

7-3-3 Modifying Clip Data ..............................................................7-7

7-3-4 Undo/Resume Functions ......................................................7-10

7-3-5 Displaying and Modifying Attribute Data ........................... 7-11

Chapter 8 UMID Functions

Chapter 9 Essence Marks

Chapter 10 Auto Event Detector

8-1 Overview of UMID Functions ....................................................... 8-1

8-2 Recording UMIDs .......................................................................... 8-2

8-3 UMID Output and Display............................................................ 8-4

8-3-1 UMID Output Settings ...........................................................8-4

8-3-2 UMID Display........................................................................ 8-4

9-1 Overview of Essence Mark Functions ..........................................9-1

9-2 Essence Mark Recording and Output .......................................... 9-2

9-2-1 Essence Mark Recording ....................................................... 9-2

9-2-2 Essence Mark Output .............................................................9-2

10-1 Overview of Auto Event Detector Functions............................ 10-1

10-2 Event Output and Recording ....................................................10-1

2 Table of Contents

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6-1 Chapter 11

Function Menu

Chapter 12 Setup Menus

Chapter 13 Setup Utility Menu Functions

Chapter 14 Maintenance and Inspection

11-1 Overview of the Function Menu ............................................... 11-1

11-1-1 Function Menu Configuration ........................................... 11-1

11-1-2 Using the Function Menu .................................................. 11-2

11-2 Function Menu Item List ........................................................... 11-3

12-1 Setup Menu Configuration ........................................................12-1

12-2 Setup Menu Operations .............................................................12-2

12-3 Items in the Basic Setup Menu .................................................. 12-5

12-4 Items in the Extended Setup Menu...........................................12-8

13-1 Overview of Setup Utility Menu Functions..............................13-1

13-1-1 Using Memory Stick Data ................................................. 13-1

14-1 Removing a Cassette When Tape Slack Occurs ...................... 14-1

14-2 Head Cleaning ............................................................................14-1

14-3 Error Messages ........................................................................... 14-2

14-4 Moisture Condensation .............................................................. 14-4

14-5 Regular Checks...........................................................................14-5

14-5-1 Digital Hours Meter ........................................................... 14-5

14-5-2 Maintenance Timings ........................................................ 14-6

Appendix

Specifications......................................................................................... A-1

Index ....................................................................................................... I-1

Table of Contents 3

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1-1 Features

Chapter 1 Overview

The DVW-M2000/M2000P/2000/2000P is a digital videocassette recorder based on the digital Betacam format. This unit uses large scale integrated circuits for signal processing, and has a simple internal construction, allowing it to provide functionality at least equivalent to a conventional VTR in a compact (4U size),

Digital Betacam format

The digital Betacam format is characterized in that the video and four-channel audio signals of each field are recorded onto the tape with six helical tracks, at a slightly slower tape speed and three times faster drum rotation speed than the analog Betacam formats: Betacam, and Betacam SP. As for longitudinal tracks, the digital Betacam format has a CTL track, a time code (LTC) track and a cue audio track, similarly to the analog Betacam formats.

lightweight, and low power consumption design. It not only offers recording and playback in digital Betacam format, but can also play back tapes recorded in Betacam SX format, analog Betacam format, or MPEG IMX format

However, it does not have a channel-1 audio track, and this is a solution to expand the space for the helical tracks. Digital Betacam VTRs have a greater drum diameter than that of analog Betacam ones to ensure optimum digital recording, but their built-in time base corrector circuit enables them to play analog Betacam tapes (analog Betacam playback compatibility).

Betacam SP tape pattern Digital Betacam tape pattern

Channel-2 audio Channel-1 audio

Y track C track

Cue/time code erase head

Audio/time code record/playback head

Full erase head

CTL head

Cue audio

Video

Channel-1 to Channel-4 audio

Video

Time code

CTL (control)

..........................................................................................................................................................................................................

1) The DVW-2000/2000P does not support these three formats (Betacam SX, analog Betacam, MPEG IMX).

Chapter 1 Overview 1-1

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Chapter 1 Overview

1-1 Features

High-performance heads and compatibility playback function

The newly developed high-performance heads and dynamic tracking (DT) technology provide highdensity recording and playback in narrow tracks with high reliability. In addition to the digital Betacam recording and playback heads, this unit is also equipped with Betacam SX format playback heads, MPEG IMX playback heads, and analog Betacam DT heads, to provide compatibility playback functions, and allowing a wide variety of recorded resources to be used effectively. Note that the compatibility playback functions differ depending on the models covered by this manual.

High-precision digital signal processing and range of interfaces

While supporting a wide range of input and output signals, all of the VTR internal processing is digital, providing high stability and reliability. The audio signals, similarly, are based on AES/EBU format, and are subjected to digital signal processing while still uncompressed.

The following interfaces are standard equipment, for ease of connection to different external devices.

•Analog composite signal input/output

•Analog component signal input/output

•Analog audio signal input/output (4 channels)

•SDI (Serial Digital Interface) SMPTE 259M input

(component digital video/audio (4 channels))

•SDI SMPTE 259M output (component digital video/

audio (DVW-M2000/M2000P: 8 channels; DVW2000/2000P: (4 channels))

•AES/EBU serial digital audio input (4 channels)

•AES/EBU serial digital audio output (DVW-M2000/

M2000P: 8 channels; DVW-2000/2000P: 4 channels)

•Time code input/output

•Cue audio signal input/output

High quality four-channel audio

High quality 20 bit/48 kHz digital audio is supported. There are four digital audio input/output channels, and four analog audio input/output channels.

Newly developed multifunction control panel

While a compact 4U size, this unit has a front panel which provides a wide range of functions while maintaining existing operability.

Basic operation buttons and jog/shuttle dial

The basic buttons and jog/shuttle dial for VTR and editing operations are provided in the conventional VTR layout, ensuring continuity with conventional operating panels.

Time data display

This can be selected to display a CTL counter value, time code value, or time code user bits. It can also display edit points and edit durations.

Menu-based control interface

The time data/menu display shows not only various values and settings, but also the pages of a menu system for commonly used functions. You can use the function keys and MULTI CONTROL knob to easily change settings. Other operation settings, including interfacing with external devices, can be set from the control panel by the same type of setup menu system as on a conventional VTR.

1) The DVW-2000/2000P is equipped with no Betacam SX playback heads, no analog Betacam DT playback heads, and no MPEG IMX playback heads.

1-2 Chapter 1 Overview

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Chapter 1 Overview

High quality variable speed playback and digital jog sound function

In digital Betacam or MPEG IMX format1) playback, the dedicated playback DT heads allow smooth, noiseless playback from –1 to +3 times normal speed. In analog Betacam compatible playback also, similar dedicated DT heads allow noiseless playback from –1 to +3 times normal speed, and in Betacam SX format compatible playback, special multi-head playback technology allows noiseless playback from –1 to +2 times normal speed. In slow motion operation, the digital jog sound function provides the same ease of operation as a conventional analog VTR.

Wide range of editing functions

By combining two units, you can carry out both assemble editing and insert editing automatically. All of the necessary editing functions are provided to set and amend edit points, to preview and review results of editing, and so on.

Cross-fade editing

In audio editing, to avoid unnatural effects at edit points, you can fade the audio track. The setting allows you to select fade-in, fade-out, or cut-in.

Tele-File functions

Tele-File enables data writing/reading between cassettes with memory labels and VTRs. It increases the efficiency of operations such as recording, playback and editing, and source data management.

Remote control function

This unit can be controlled from an external remote controller or editor through an interface complying with RS-422A (serial 9-pin). Since two remote control connectors are provided, you can also control a number of VTRs simultaneously. Additionally, a parallel (50-pin) interface is also fitted as standard, supporting easy external control through the parallel interface.

DMC editing

Rack mounting

This allows automatic editing with a varying playback speed memorized beforehand for an edit segment.

Split editing

In insert editing, this allows editing with the audio IN and OUT points to be displaced from the video edit points.

Using the optional RMM-131 Rack Mount Adaptor, you can mount the unit in a standard EIA 19-inch rack.

For details of rack mounting, refer to the Installation Manual.

Preread editing

This allows you to play back prerecorded video and audio material, edit it by applying effects with an external device, and then rerecord in real time on the same tape.

1) The MPEG IMX and Betacam SX formats are not supported by the DVW-2000/2000P.

Chapter 1 Overview 1-3

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Chapter 1 Overview

1-1 Features

1-2 Example System Configuration

The following conceptual diagram shows an example of use.

Microphone

Digital/analog cassette

Video monitor

Analog composite

Audio monitor

DVW-M2000/M2000P/2000/2000P

Analog audio

BVE-series editor

Tape control

SDI

Analog composite/component

SDI

Audio/video server system

VTR with SDI connectors or analog VTR

1-4 Chapter 1 Overview

Page 13

1-3 Using the CD-ROM Manual

Chapter 1 Overview

The supplied CD-ROM includes operation manuals for the DVW-2000 series of digital videocassette recorders (English, Japanese, French, and German versions).

1-3-1 CD-ROM System Requirements

The following are required to access the supplied CDROM disc.

•Computer: PC with Intel Pentium CPU

- Installed memory: 64 MB or more

- CD-ROM drive: × 8 or faster

•Monitor: Monitor supporting resolution of 800 × 600

or higher

•Operating system: Microsoft Windows Millennium

Edition, Windows 2000 Service Pack 2, Windows XP Professional or Windows XP Home Edition

When these requirements are not met, access to the CD-ROM disc may be slow, or not possible at all.

1-3-2 Preparations

One of the following programs must be installed on your computer in order to use the operation manuals contained on the CD-ROM disc.

•Adobe Acrobat Reader Version 4.0 or higher

•Adobe Reader Version 6.0 or higher

1-3-3 Reading the CD-ROM Manual

To read the operation manual contained on the CDROM disc, do the following.

1 Insert the CD-ROM disc in your CD-ROM drive.

A cover page appears automatically in your browser. If it does not appear automatically in the browser, double-click the index.htm file on the CD-ROM disc.

2 Select and click the operation manual that you

want to read.

This opens the PDF file of the operation manual.

Note

If you lose the CD-ROM disc or become unable to read its content, for example because of a hardware failure, you can do one of the following. You can purchase a new CD-ROM disc to replace one that has been lost or damaged. Contact your Sony service representative.

Note

If Adobe Reader is not installed, you can download it from the following URL: http://www.adobe.com/products/acrobat/ readstep2.html

• Intel and Pentium are registered trademarks of Intel

Corporation or its subsidiaries in the United States and other countries.

•Microsoft and Windows are registered trademarks of

Microsoft Corporation in the United States and/or other countries.

• Adobe, Acrobat, and Adobe Reader are trademarks of

Adobe Systems Incorporated in the United States and/or other countries.

Chapter 1 Overview 1-5

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Page 15

2-1 Control Panels

There are three control panels, as follows:

•Upper control panel

•Lower control panel

•Switch panel

Chapter 2 Location and Function of Parts

KEY INHI

VID. INPB/EE CONFI CTL/TC

Y-R,B

PANEL SEL

OFF

CONTROL PANEL

FRONTREAR

OFF TC

Switch panel (access by opening the lower control panel)

TCGSET

Upper control panel

Lower control panel

(see page 2-14)

(see page 2-2)

(see page 2-3)

Lower control panel unlock buttons Pushing in these buttons allows you to open the lower control panel.

Chapter 2 Location and Function of Parts 2-1

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2-1 Control Panels

2-1-1 Upper Control Panel

Chapter 2 Location and Function of Parts

1 POWER switch

2 REMOTE buttons and RS-232C indicator

3 EJECT button

POWER

PHONES

5 PHONES jack and control

REMOTE

1(9P) 2(50P) RS-232C

EJECT

4 Format indicators

BETACAM/SP

BETACAM SX MPEG IMX

Cassette compartment

Digital BETACAM

1 POWER switch

Pressing the ‘ ) ’ side of the switch powers the unit on. When the unit is powered on, the audio setting display section (see page 2-5) and the time data/menu display section (see page 2-7) light.

2 REMOTE buttons and RS-232C indicator

Press one of these buttons to select the device controlling this unit.

1(9P): This unit is controlled by the device connected

to the REMOTE 1-IN(9P) or REMOTE 1OUT(9P) connector. The button lights.

2(50P): This unit is controlled by the device

connected to the REMOTE 2 PARALLEL I/ O(50P) connector. The button lights.

RS-232C indicator: This indicator lights when this

unit is controlled through the RS-232C connector.

3 EJECT button

To eject the cassette, press this button. While the cassette is being ejected, this button lights. When using the lower control panel as remote control panel, press the DELETE button and STOP button at the same time to eject the cassette.

Note

Ejecting with the EJECT button is a local operation. It is not possible to eject a cassette in another unit by remote control.

4 Format indicators

The BETACAM/SP, BETACAM SX, MPEG IMX, or Digital BETACAM indicator

lights depending on the current recording or playback format. The BETACAM/SP indicator lights when the format is Betacam or Betacam SP.

5 PHONES jack and control

Connect stereo headphones with an impedance of 8 ohms, to monitor the sound during recording, playback and editing. The control knob adjusts the volume. It is possible to set an internal board switch so that the output volume from the MONITOR OUTPUT L and R connectors is controlled simultaneously.

For details, refer to the Installation Manual.

1) The BETACAM/SP, BETACAM SX, and MPEG IMX indicators do not exist on the DVW-2000/2000P.

2-2 Chapter 2 Location and Function of Parts

Page 17

2-1-2 Lower Control Panel

Chapter 2 Location and Function of Parts

1 Audio control section

(see page 2-4)

2 CHANNEL CONDITION

indicator

(see page 2-6)

3 Menu control buttons

(see page 2-6)

VID. INPB/EE CONFI CTL/TC

Y-R,B

OFF TC

4 Time data/menu display section

5 MULTI CONTROL knob and SHIFT

indicator

(see page 2-8)

6 RESET button

TCGSET

7 Search control section

8 REC INHI indicator

9 Tape transport control section

(see page 2-7)

(see page 2-8)

(see page 2-10)

VID. INPB/EE CONFI CTL/TC Y-R,B

qd Editing control section

qf Shot mark section

q; Editing mode setting

section

(see page 2-11)

TCGSET

OFF TC

(see page 2-13)

qa ALARM indicator and KEY INHI

indicator

(see page 2-11)

qs PLAYER button and RECORDER

button

(see page 2-12)

Chapter 2 Location and Function of Parts 2-3

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2-1 Control Panels

1 Audio control section

Chapter 2 Location and Function of Parts

1 Audio selection function selector buttons

2 DISPLAY FULL/FINE button

5 REC controls

In the audio control section, you can select and display input and output signals for audio channels.

1 Audio selection function selector buttons

INPUT (input signal selection mode) button:

Pressing this button puts the unit into input signal selection mode. In the audio setting display section, indicators flash to indicate the currently selected signal for each channel (SDI, AES/EBU, or ANA). In this state, you can use the audio signal selection buttons to select the signal to input to each channel. You can select the following signals for audio input channels 1 to 4, respectively.

•For input channel 1: SDI-1, SDI-5, AES/EBU-1, or ANALOG-1

•For input channel 2: SDI-2, SDI-6, AES/EBU-2, or ANALOG-2

•For input channel 3: SDI-3, SDI-7, AES/EBU-3, or ANALOG-3

•For input channel 4: SDI-4, SDI-8, AES/EBU-4, or ANALOG-4

Pressing this button again takes the unit out of input signal selection mode and puts it into monitor signal selection mode.

3 Audio setting display section

4 Audio signal

selection buttons

6 PB controls

MIXING (mixing setting mode) button: Pressing

this button puts the unit into mixing setting mode. In the audio setting display section, the MIX indicator flashes. In this state, you can use the audio signal selection buttons to specify which input channel signal will be recorded on which audio track on the tape. Pressing this button again takes the unit out of mixing setting mode and puts it into monitor signal selection mode.

On how to operate in input signal selection mode, mixing setting mode, and monitor signal selection mode, see the descriptions of the audio signal selection buttons on page 2-5.

2 DISPLAY FULL/FINE button

Pressing this button toggles the display mode of the level meters in the audio setting display section between FULL and FINE.

FULL: The display covers the range –60 dB to 0 dB

or –40 dB to +20 dB as selected using setup menu item 806. In this mode the segment of the display corresponding to the current audio level and all lower segments light.

FINE: The display is enlarged, with a step of

0.25 dB. A segment indicating the reference level lights. In this mode only the segment of the display corresponding to the current audio level lights. If the audio level exceeds the maximum display level, the top segment flashes, and if the audio level goes below the minimum display level, the bottom segment flashes.

2-4 Chapter 2 Location and Function of Parts

Page 19

3 Audio setting display section

Input signal indicator

DATA indicator

MIX indicator

OVER indicator

Level meter

SDI

AES/EBU/ANA DATA 5 6 7 8

MIX

1 2 3 4

dB dB

OVER

-10

-20

-30

-40

-60 L R

1 0

-1

-10

-20

-2

-40

EMPH

EMPH indicator

Input channel indicator

Monitor channel L and R indicators

Input signal indicator: Indicates the currently

selected input signal (‘SDI’, ‘AES/EBU’, ‘ANA’ for analog) for the corresponding audio input channel.

DATA indicator: Lights when the corresponding

audio track (audio channel on the tape) is put into data mode.

For details of the data mode, refer to the Maintenance Manual Volume 1.

MIX (mixing) indicator: Flashes when a mixing

setting operation is enabled for the corresponding audio track. The indicator showing the number of the selected input channel lights.

OVER indicator: While the unit is in recording or

playback mode, this lights when the level of the audio signal on the corresponding channel exceeds the maximum level that can be indicated on the level meter.

Level meter: Displays the audio signal level when

the unit is in recording, E-E

, or playback mode. You can use the setup menu to switch the display mode between PEAK.0 (0 dB is maximum level) and REF.0 (0 dB is the reference level). You can also use the DISPLAY FULL/FINE button 2 to enlarge the display only near the reference level.

Input channel indicator: Indicates the input channel

from which audio signals are recorded on the audio track. Two numbers light to indicate that signals from the corresponding input channels are mixed for recording.

Monitor channel L and R indicators: Indicate

whether or not the signals of the track are output to the MONITOR OUTPUT L and R connectors or the PHONES jack. ‘L’ lights to indicate output to the left monitor channel, and ‘R’ lights to indicate output to the right monitor channel.

EMPH (emphasis) indicator: While the unit is in

recording or playback mode, this lights when the emphasis setting is on for the audio signal on the corresponding track.

4 Audio signal selection buttons (CH1 to CH4, CUE)

The function of these buttons depends on the signal selection mode set with the audio selection function selector buttons (INPUT, MIXING) 1 as follows.

Input signal selection mode (the input signal indicator flashes): The buttons in the upper row

select signals for each audio input channel. Each time you press the CH1 (CH2, CH3, CH4) button, the selected signal cycles through SDI (channel 1 (2, 3, 4)) t SDI (channel 5 (6, 7, 8)) t AES/EBU t ANA(analog) t SDI (channel 1 (2, 3, 4))... Press the INPUT button to confirm the input signal selections.

Mixing setting mode (the MIX indicator flashes):

The buttons in the lower row (REC row) select the tracks (audio channels on the tape) to contain the mixed signals. In the audio setting display section, the MIX indicator for the corresponding track flashes. The buttons in the upper row (EXT row) select the input channel signals to record on the corresponding track. By pressing two buttons at the same time, you can specify that the signals of two input channels be mixed for recording. For example, if you want to record the mixed signals of input channels 1 and 4 on track 3, press the CH3 button in the lower row (REC row), and then simultaneously press the CH1 and CH4 buttons in the upper row (EXT row).

Chapter 2 Location and Function of Parts

1) E-E mode: Abbreviation of “Electric-to-Electric mode”. In this mode, video and audio signals input to the VTR are output after passing through internal electric circuits,

but not through magnetic conversion circuits such as heads and tapes. This can be used to check input signals and for adjusting input signal levels.

Chapter 2 Location and Function of Parts 2-5

Page 20

2-1 Control Panels

Note

Before selecting signals from two input channels

Chapter 2 Location and Function of Parts

for recording in one recorder channel, check to be sure that the emphasis settings (ON or OFF) of the two input channels are the same. Recording and playback of mixed signals cannot be carried out correctly if the emphasis settings are different. For audio tracks with emphasis on, the EMPH indicator in the audio setting display section lights.

Monitor signal selection mode (the input signal indicator and the MIX indicator do not flash):

The buttons in the upper and lower rows select tracks to be output to the MONITOR OUTPUT L and R connectors on the connector panel or the PHONES jack on the upper control panel. The buttons in the upper row (L row) select tracks for output to the MONITOR OUTPUT L connector, and the buttons on the lower row (R row) select tracks for output to the MONITOR OUTPUT R connector. You can obtain the mixed output of multiple tracks by simultaneously pressing multiple buttons in the upper or lower rows. For example, simultaneously press the CH1, CH2, and CH3 buttons in the upper row to mix the signals of audio tracks 1, 2, and 3 for output to the MONITOR OUTPUT L connector. To monitor channels 5 to 8 in MPEG IMX playback, press the CUE button to switch between CH1 to CH4 and CH5 to CH8, and then select the desired channels.

5 REC (recording) controls

These individually adjust the recording levels on channels 1 to 4 and cue audio. To set the recording level, put the unit into E-E mode, press to protrude the control knobs and adjust the level while watching the level meters. When the control knobs are pushed in, the recording levels return to the preset levels and cannot be adjusted.

For details about selecting the E-E mode, see the description of the REC button in the tape transport control section (see page 2-10) and function menu HOME page (see page 11-3).

2-6 Chapter 2 Location and Function of Parts

6 PB (playback) controls

These adjust individually the playback levels on channels 1 to 4 and cue audio. During playback, press to protrude the control knobs and adjust the level while monitoring the audio level indication on the level meters in the audio setting display section. When the control knobs are pushed in, the playback levels return to the preset levels, and cannot be adjusted.

On how to adjust the output levels of audio channel 5 to 8 during IMX tape playback, see the description of setup menu item 826 (page 12-29)

2 CHANNEL CONDITION indicator

A three-color indicator shows the state of the playback signal.

Green: The state of the playback signal is good. Yellow: The playback signal is somewhat

deteriorated, but playback is possible.

Red: The playback signal is deteriorated.

When this indicator remains on, head cleaning or an internal inspection is necessary.

3 Menu control buttons

These buttons are used for function menu (see the following section “Overview of the function menu”)

and setup menu (see Chapter 12) operations. The page buttons (V, v, and HOME) select menu pages, and the function buttons (F1 to F6) make function settings.

V: Selects the next page in the order HOME t 1 t

2 t 3 t 4 t 5 t HOME.

v: Selects the next page in the order HOME t 5 t

4 t 3 t 2 t 1 t HOME. When there are setup menu definitions on page 6, page 6 is displayed between page 5 and the HOME page. HOME: Selects the function menu HOME page.

When at least one user-defined function key is set

in the HOME2 page, pressing the HOME button

toggles the menu page display between HOME

and HOME2. F1 to F6: Make settings for the items displayed in the

upper line of the menu display (the menu item

display line). Pressing one of these buttons

changes the setting for the corresponding item and

displays the setting in the lower line of the menu

display.

Page 21

If there is no setting displayed in the lower line of the menu display, even though a menu item is displayed in the upper line, pressing the corresponding function button moves to a lower menu level.

Overview of the function menu

The function menu provides convenient access to frequently used function settings, such as input video signal selection and time code settings.

For details on the function menu, see Chapter 11.

4 Time data/menu display section

1 Time data display

Time data display area 1

Normally this displays a CTL count, time code value, or user bit value according to the setting in function menu HOME page for F4 (CTL/TC).

Time data type indicator

This indicates the type of data displayed in the time data display area 1.

LTC (longitudinal time code): Time code recorded

on a longitudinal track on the tape

LUB: LTC user bit values VITC (vertical interval time code): Time code

recorded in the vertical blanking interval

VIUB: VITC user bit value

DF (drop-frame) indicator (525-line mode only)

This lights when values of drop-frame mode time code are displayed.

Chapter 2 Location and Function of Parts

CONFI ON

DOLBY NR

TCGSET

VIUB VITC

DF LTC

01: : :23 45 06

VID. INPB/EE CONFI CTL/TC Y-R,B

2 Menu display

OFF TC

59.94 DB 525 REM: 01: 23 : 45 78. 9%

2 Time data display

This displays indicators relating to time data and other indicators.

Time data display area 1

Time data type indicator

DF indicator

LTC indicator

VITC indicator

Capstan lock mode indicator

Playback format indicator

System frequency indicator

525/625 indicator

CONFI (ON)/PREREAD indicators

LTC indicator

Regardless of the display in time data display area 1, this indicator lights when LTC values are being read or recorded.

VITC indicator

Regardless of the display in time data display area 1, this indicator lights when VITC values are being read or recorded.

Capstan lock mode indicator

This indicates the capstan lock mode (2F, 4F, or 8F) set in function menu page 4 or in setup menu item 106.

Playback format indicator

This indicator shows the current playback format.

DB: Digital Betacam format IMX: MPEG IMX format, bit rate 50 Mbps, 8 audio

channels/16 bits

IMX4: MPEG IMX format, bit rate 50 Mbps, 4 audio

channels/24 bits

SX: Betacam SX format SP: Betacam SP format No display: Betacam format

DF LTC

VIUB VITC

01: : :23 45 06

Time data display area 2

CONFI ON

DOLBY NR

System frequency indicator

Displays the current playback field frequency.

DOLBY NR indicator

Speed indication area

525/625 indicator

This indicator shows the number of scan lines for the television standard (525 (NTSC) or 625 (PAL)) selected using setup menu item 013.

Chapter 2 Location and Function of Parts 2-7

Page 22

2-1 Control Panels

CONFI (ON)/PREREAD indicators

These indicate the state of the VTR CONFI playback

Chapter 2 Location and Function of Parts

function. When the CONFI playback function is enabled by the setting in function menu HOME page, the CONFI indicator appears, and when CONFI playback is actually being carried out the ON indicator also appears. When F6 (PREREAD) is set to ON in function menu page 4, the CONFI playback function is disabled and one of the following is displayed.

PREREAD: Preread of both audio and video A-PREAD: Preread of both audio only V-PREAD: Preread of video only

Time data display area 2

Displays data types and time data such as the time code of edit points and the total time of that tape. The following data types are shown.

TOTL: Time value representing the total tape length. REM: Time value representing the remaining tape

length. Either TOTL or REM appears depending on the function menu page 3 setting for F5 (T INFO). The values displayed are approximate values calculated on the basis of the detected tape diameter. They are not precise to units of seconds.

BOT: Returned to top of tape. EOT: Reached end of tape. IN: video IN point OUT: video OUT point AIN: audio IN point AOUT: audio OUT point DUR: duration value TCG (time code generator): time code generated by

the internal time code generator

DOLBY NR indicator

This lights when the Dolby noise-reduction functioning.

circuit is

2 Menu display

This displays the function menu and setup menu.

For details on the function menu, see Chapter 11 and for details on the setup menu, see Chapter 12.

5 MULTI CONTROL knob and SHIFT indicator

In function menu operations, rotate the MULTI CONTROL knob to change settings that flash in the menu display section. In setup menu operations, rotate this knob to select menu items. The SHIFT indicator lights when you press this knob in. In this state, the value of the setting changes by a greater amount when you rotate the knob.

6 RESET button

To reset a CTL, time code (TC) or user bit (UB) value displayed in time data display area 1, hold this button down. Resetting the CTL value erases all edit points.

7 Search control section

1 SHUTTLE button

2 JOG button

3 VAR button

JOG

SHUTTLE/VAR

VAR

FORWAR

JOG

4 SHUTTLE/VAR

and JOG indicators

5 Search dial

RECORDER

REVERSE

Speed indication area

This indicates the speed of a DMC playback. During a DMC playback, “DMC SPD” is displayed in time data display area 2.

1) CONFI playback: This refers to playback of the audio and video signals immediately after recording, using the confidence heads, the signal being output to all intents and purposes simultaneously with recording. This is used to check recording.

2) Dolby noise reduction: Dolby noise reduction manufactured under license from Dolby Laboratories Licensing Corporation. “DOLBY” and the double-D symbol ; are trademarks of Dolby Laboratories Licensing Corporation.

2-8 Chapter 2 Location and Function of Parts

Page 23

1 SHUTTLE button

To use the search dial for playback in shuttle mode, press this button, turning it on.

For details of playback in shuttle mode, see the description of the search dial 5.

2 JOG button

To use the search dial for playback in jog mode, press this button, turning it on.

For details of playback in jog mode, see the description of the search dial 5.

3 VAR (variable) button

To use the search dial for playback in variable speed mode, press this button, turning it on.

For details of playback in variable speed mode, see the description of the search dial 5.

4 SHUTTLE/VAR and JOG indicators

Either of the indicators is lit to show the current search mode or the mode used last. When the unit is turned on, the SHUTTLE/VAR indicator lights.

When the SHUTTLE/VAR indicator is lit: Shuttle

or variable speed mode

When the JOG indicator is lit: Jog mode

5 Search dial

Turn this to carry out playback in the modes shown in the following table. Turning the dial clockwise lights the H indicator and plays back in the forward direction. Turning the dial counterclockwise lights the h indicator and plays back in the reverse direction. When the tape is stopped or the unit is turned on, the s indicator lights. Pressing the dial toggles between shuttle and jog modes or between variable speed and jog modes. You can carry out noiseless playback in the following speed ranges depending on the tape format.

Digital Betacam: –1 to +3 times normal speed MPEG IMX: –1 to +3 times normal speed Betacam SX: –1 to +2 times normal speed Betacam/Betacam SP: –1 to +3 times normal speed

Playback modes using the search dial

Playback mode

Shuttle

Jog Press the JOG button or the search

Variable speed Press the VAR button, turning it on,

Capstan override

Operations and functions

Press the SHUTTLE button or the search dial so that the SHUTTLE button lights, then turn the search dial. Playback is carried out at a speed determined by the position of the search dial. The playback speed range is as follows:

• Using a Digital Betacam tape: –50 to +50 times normal speed

• Using an MPEG IMX tape: –78 to +78 times normal speed

• Using a Betacam SX tape: –78 to +78 times normal speed

• Using an analog Betacam tape: –35 to +35 times normal speed for 525/ 60 mode or –42 to +42 times normal speed for 625/50 mode

The search dial has detents at the still position and at ±5 times normal speed.

The maximum shuttle mode playback speed can be changed by changing the setting of setup menu item 102

(see page 12-8)

dial so that the JOG button lights, then turn the search dial. Playback is carried out at a speed determined by the speed of rotation of the search dial. The playback speed range is –1 to +1 time normal speed.

The search dial has no detents.

then turn the search dial. You can control the playback speed finely (a maximum of 51 steps) in the range in which noiseless playback is possible.

The search dial has detents at the still position and at the normal speed position.

For details on operation, see page 4-9.

Setting setup menu item 101 (see page 12-8) to KEY enables you to use only the SHUTTLE, JOG, and VAR buttons to select shuttle/jog/variable speed modes.

Chapter 2 Location and Function of Parts

Chapter 2 Location and Function of Parts 2-9

Page 24

2-1 Control Panels

8 REC INHI (recording inhibit) indicator

Chapter 2 Location and Function of Parts

This indicator is on or off according to the combination of the F5 (RECINH) setting on function menu page 4 and the record inhibit plug on the cassette, as shown in the following table. When this indicator is on, recording on tape is prohibited.

RECINH setting

ON OFF Record inhibit Lit

a) It is possible to make a setting (setup menu item 107) so

that in this case the indicator flashes.

9 Tape transport control section

1 PREROLL button

2 REC button

PREROLL

REW

1 PREROLL button

Press this button to cue up to the preroll point (before the IN point by the time set as the preroll time) on the tape. You can change or select the preroll time and the state of the unit at the end of preroll (“stop mode” (still playback mode) using setup menu item 001 or

401.

REC

PLAY

7 PLAY button

8 SERVO indicator

9 REW button

REC INHI indicator indications

State of the record inhibit plug on the cassette

Record inhibit/permit Lit

Record permit

EDIT

F FWD

STANDBY

3 EDIT button

4 STANDBY button

STOP

5 STOP button

6 F FWD button

REC INHI indicator state

Off

Cuing up edit points

Hold down the IN, OUT, AUDIO IN, or AUDIO OUT button while pressing this button to cue up to the corresponding edit point.

2 REC (record) button

To start recording, press this button together with the PLAY button, turning it on.

Monitoring in E-E mode

When the unit is in stop mode, pressing the REC button causes it to light and allows you to monitor the video and audio in E-E mode. To return to the original state, press the STOP button. During playback, search, fast forward, or rewind, while the REC button is held down you can monitor the video and audio in E-E mode. In this case the button does not light.

3 EDIT button

To carry out manual editing, press this button simultaneously with the PLAY button.

Monitoring in E-E mode

When the unit is in stop mode, pressing the EDIT button causes it to light and allows you to monitor the input signal selected with the ASSEMBLE button or INSERT buttons in E-E mode. To return to the original state, press the STOP button. During playback, search, fast forward, or rewind, while the EDIT button is held down you can monitor the video and audio input signals in E-E mode.

4 STANDBY button

When a cassette is inserted and this button is off, to put the unit in standby mode, press the button, turning it on. In standby mode, the drum is rotating and the tape is in contact with the drum. As a result, recording or playback can start immediately. To end standby mode, press the STANDBY button, turning it off. If 8 minutes (value can be varied using setup menu item 501) elapse in standby mode, the unit automatically switches out of standby mode to protect the tape.

1) Stop mode: The state in which the device currently the subject of operation is stopped, and the STOP button is lit.

2-10 Chapter 2 Location and Function of Parts

Page 25

5 STOP button

To stop recording or playback, press this button, turning it on. When you stop playback, the unit switches either to still playback or to E-E mode according to the setting on function menu HOME page for F2 (PB/EE) and the setting of setup menu item 108.

1 ASSEMBLE button Press this button, turning it on, to carry out assemble editing

. All signals (video signals, audio signals, time code signals, and so on) are recorded together. Press the button again, turning it off, to exit from assemble editing mode.

Chapter 2 Location and Function of Parts

Fault display function

The STOP button flashes in the following cases related to reference signals:

•When F2 (OUTREF) is set to INPUT on function menu page 4, and there is no input video signal.

•When F2 (OUTREF) is set to REF in function menu page 4, and there is no external reference signal input or the input external reference signal is not synchronized to the input video signal.

6 F FWD (fast forward) button

To fast forward the tape, press this button, turning it on.

7 PLAY button

To start playback, press this button, turning it on.

To operate in capstan override mode

Hold down this button, and turn the search dial.

For details of capstan override mode, see page 4-9.

8 SERVO indicator

Lights when the drum servo and capstan servo are locked.

9 REW (rewind) button

To rewind the tape, press this button, turning it on.

q; Editing mode setting section

1 ASSEMBLE button

INSERTASSEMBLE

VIDEO TC CH1 CUE CH2 CH3 CH4

2 INSERT buttons

Note

When even one of the INSERT buttons is lit, the ASSEMBLE button does not work. To use the ASSEMBLE button, turn off all the lit INSERT buttons.

2 INSERT buttons

Press the corresponding button, turning it on, to select a signal for insert editing

. Press the button again,

turning it off, to cancel the selection.

VIDEO button: Selects the video signal. TC (time code) button: Selects time code. CH1 to CH4 (audio channels 1 to 4) buttons:

Select the signals on audio channels 1 to 4.

CUE button: Selects the cue audio signal.

Note

When the ASSEMBLE button is lit, none of the INSERT buttons work. To use INSERT buttons, press the ASSEMBLE button, turning it off.

qa ALARM indicator and KEY INHI indicator

ALARM indicator

This lights when a hardware error is detected on the unit, and goes off when the error is resolved. When this indicator is lit, an error message appears in the time data/menu display section. If you are using the SDI OUTPUT 3 (SUPER) or COMPOSITE VIDEO OUTPUT 3 (SUPER) connector, then when the setting of F4 (CHARA) in function menu page 4 is ON, the error message also appears on the monitor screen.

For details on error messages, refer to Section 1-24 in the Maintenance Manual Volume 1.

1) Assemble editing: Editing in which new video/audio is

added in sequence to the end of existing recorded video/ audio.

2) Insert editing: Editing in which new video/audio is added to an intermediate position of existing recorded video/ audio.

Chapter 2 Location and Function of Parts 2-11

Page 26

2-1 Control Panels

KEY INHI (inhibit) indicator

This indicator lights when the KEY INHIBIT switch

Chapter 2 Location and Function of Parts

on the switch panel (see page 2-14) is set to ON.

qs PLAYER button and RECORDER button

When you carry out editing using a VTR connected to the REMOTE 1-IN(9P) or REMOTE 1-OUT(9P) connector (see page 2-18) as the player and this unit as the recorder, these buttons select which VTR the editing control buttons and tape transport buttons on this unit control.

PLAYER: The editing control buttons and tape

transport buttons on this unit control the external player VTR.

RECORDER: The editing control buttons and tape

transport buttons on this unit control the recorder, that is to say, this unit.

When this unit is being used in standalone mode, neither button functions.

qd Editing control section

1 DMC EDIT button

2 MEMORY indicator

3 DELETE button

DMC EDIT

PREVIEW REVIEWAUTO EDIT

8 REVIEW button

DELETE

MEMORY

7 AUTO EDIT button

4 TRIM buttons

5 Edit point setting buttons

TRIM

AUDIO

IN OUT

ENTRY

IN OUT

6 PREVIEW button

2 MEMORY indicator

When memorizing the playback speed using the DMC EDIT button, this indicator flashes as the playback speed is captured to memory, and lights continuously once the speed is captured.

3 DELETE button

This deletes an existing edit point. Hold down this button and press the IN, OUT, AUDIO IN, or AUDIO OUT button which is lit, indicating an existing edit point, to delete the corresponding edit point. The button either goes off or flashes. When the button flashes, it is necessary to set the deleted edit point again. To cancel the DMC mode, hold down the DMC EDIT button and press the DELETE button.

4 TRIM buttons

Use these buttons to trim an edit point to single-frame precision. Hold down the IN, OUT, AUDIO IN, or AUDIO OUT button, and press one of these buttons. The ‘+’ button advances the corresponding edit point by one frame, and the ‘–’ button sets it back by one frame. Pressing one of these buttons while holding down the PLAY button adjusts the tape speed by +8% or –8% correspondingly. (Capstan override function)

5 Edit point setting buttons

IN button and OUT button: To set a video IN point

or OUT point, hold down the IN button or OUT button, and press the ENTRY button. After you have made the setting, pressing the IN button or OUT button displays the video IN point or video OUT point set in time data display area 2.

AUDIO IN button and AUDIO OUT button: In

insert editing, to set an audio IN point or audio OUT point separate from the corresponding video edit point, hold down the AUDIO IN button or AUDIO OUT button, and press the ENTRY button. After you have made the setting, pressing the AUDIO IN button or AUDIO OUT button displays the audio IN point or audio OUT point set in time data display area 2.

1 DMC EDIT button

To carry out recording of playback at any speed between –1 and +3 times normal (between –1 and +2 times normal for Betacam SX), automatic playback, and automatic editing.

2-12 Chapter 2 Location and Function of Parts

Page 27

ENTRY button: Use this for setting edit points and

so on.

• To set a video IN point or OUT point: Hold down the IN button or OUT button, and press this button.

• To set an audio IN point or OUT point: Hold down the AUDIO IN button or AUDIO OUT button, and press this button.

6 REVIEW button

Use this button to review the editing results after carrying out automatic editing.

7 AUTO (automatic) EDIT button

After edit point setting, to carry out automatic editing (recording), press this button, turning it on. If the IN point is not set, the automatic editing is carried out with the point where you pressed this button as the IN point. If you pressed the PREVIEW button to carry out a preview, when the preview ends this button flashes.

8 PREVIEW button

After edit point setting, to preview the editing results on the monitor before recording, press this button, turning it on. If the IN point is not set, the preview is carried out with the point where you pressed this button as the IN point. During the preview it is lit, and when the preview ends it flashes.

3 MARK button

Hold this button down for 2 seconds or more, to enable writing, amending, and deleting of shot marks.

Chapter 2 Location and Function of Parts

qf Shot mark section

1 LIST button

LIST GOOD SHOT MARK

REC/

ERASE

1 LIST button

Use this button to read in and list shot marks.

2 REC/ERASE indicator

This lights in the state in which writing, amending, and deleting of shot marks is enabled and flashes while a shot mark is actually being written, amended or deleted.

2 REC/ERASE indicator

3 MARK button

Chapter 2 Location and Function of Parts 2-13

Page 28

2-1 Control Panels

2-1-3 Switch Panel

Chapter 2 Location and Function of Parts

To access the switch panel, open the lower control panel.

KEY INHI

OFF

2 KEY INHIBIT switch

1 Memory stick slot

Use this to update the firmware. You can also save or load setup menu settings onto the Memory Stick.

Note

After inserting a Memory Stick, allow at least five seconds to elapse before removing it.

For details on firmware update and save or load setup menu settings, see Section 13-1 “Overview of Setup Utility Menu Functions” and refer to the Maintenance Manual Volume 1.

On how to open the lower control panel, see the figure on page 2-1.

CONTROL PANEL

PANEL SEL

FRONTREAR

4 CONTROL PANEL connector

3 PANEL SELECT switch

REAR: Enables the control panel connected to the

CONTROL PANEL connector on the connector panel. When setup menu item 117 is set to PARA, this switch position also enables the control panel connected to the CONTROL PANEL connector on the switch panel.

4 CONTROL PANEL connector (10-pin, round type)

Plug in the lower control panel connection cable.

2 KEY INHIBIT switch

Moving this switch to the ON position disables the controls on the upper and lower control panels. You can specify which buttons and knobs are disabled in setup menu item 118.

3 PANEL SELECT switch

In addition to the lower control panel, you can connect a similar control panel to this unit. When two control panels are connected to the unit, the PANEL SELECT switch is used to specify which panel be enabled to control the unit.

FRONT: Enables the control panel connected to the

CONTROL PANEL connector on the switch panel.

2-14 Chapter 2 Location and Function of Parts

Page 29

2-2 Connector Panel

Cooling fan

2 Analog video input/output section

1 Analog audio input/output

section

75Ω 75Ω

7 Time code input/output

section

(see page 2-18)

8 Audio monitor signal output section

(see page 2-18)

1 Analog audio input/output section

1 AUDIO INPUT CH1 to CH4 connectors

2 AUDIO INPUT CH1 to CH4 and CUE

IN LEVEL switches

CH1

LEVEL

LOW

HIGH ON

OFF

600Ω

CH1 OUTCH2 CH3 CH4

3 AUDIO OUTPUT CH1 to

CH4 connectors

1 AUDIO INPUT CH1 to CH4 (channels 1 to 4) connectors (XLR 3-pin, female)

Input analog audio signals to channels 1 to 4. You can record analog audio signals input to these connectors to any audio track on the tape.

AUDIO INPUT CUE

CH2

LOW OFF

CH3

LEVEL

HIGH

LOW

OFF

600Ω

AUDIO OUTPUT CUE

LEVEL

HIGH ON

600Ω

CH4

LOW

LEVEL

OFF

4 CUE IN/OUT connectors

HIGH ON

600Ω

LOW

OFF

LEVEL

HIGH ON

600Ω

(see page 2-16)

3 Digital audio input/output section

(see page 2-16)

4 Digital signal input/

output section

(see

page 2-17)

Cooling fan

5 Power supply section

(see page 2-17)

6 External device connectors

(see page 2-17)

2 AUDIO INPUT CH1 to CH4 (channels 1 to 4) and CUE IN LEVEL switches

Set these for each channel as shown in the following table, according to the audio/cue input level to the AUDIO INPUT CH1 to CH4 and CUE IN connectors and the impedance.

AUDIO INPUT CH1 to CH4 and

CUE IN LEVEL switch settings

Audio/cue input level and impedance Level

–60 dBu (microphone input)

+4 dBu (line audio input)

+4 dBm

Impedance

High impedance (approx. 20 kΩ)

600 Ω

(line audio input)

Switch setting

LOW-OFF (left position)

HIGH-OFF (center position)

HIGH-ON 600 Ω (right position)

3 AUDIO OUTPUT CH1 to CH4 (channels 1 to 4) connectors (XLR 3-pin, male)

These connectors output analog audio signals for channels 1 to 4.

4 CUE IN/OUT(cue audio input/output) connectors (XLR 3-pin, female/male)

The IN connector inputs and the OUT connector outputs the analog cue audio signals.

Chapter 2 Location and Function of Parts

Chapter 2 Location and Function of Parts 2-15

Page 30

2-2 Connector Panel

2 Analog video input/output section

Chapter 2 Location and Function of Parts

1 REF.VIDEO INPUT connectors and 75 Ω termination switch

VIDEO INPUT

REF.VIDEO COMPOSITE COMPONENT

OFF ON OFF ON

75 75

VIDEO OUTPUT COMPOSITE COMPONENT 1

(SUPER)

2 COMPOSITE VIDEO INPUT connectors

and 75 Ω termination switch

R-Y

3 COMPONENT VIDEO

B-Y

R-Y

B-Y

INPUT connectors

4 COMPONENT VIDEO

OUTPUT connectors

5 COMPOSITE VIDEO OUTPUT connectors (BNC type)

These connectors output analog composite video signals. When the setting of F4 (CHARA) in function menu page 4 is ON, connector 3 (SUPER) outputs a signal with superimposed time code, menu settings, alarm messages, and other text information.

3 Digital audio input/output section

1 AUDIO INPUT (AES/EBU) connectors

AUDIO INPUT(AES/EBU)

CH1/2 CH3/4

AUDIO OUTPUT(AES/EBU)

CH1/2 CH3/4 CH5/6 CH7/8

2 AUDIO OUTPUT (AES/EBU) connectors

5 COMPOSITE VIDEO

OUTPUT connectors

1 REF. (reference) VIDEO INPUT connectors (BNC type) and 75 Ω termination switch

Input a reference video signal. Input a video signal with chroma burst (VBS) or a monochrome video signal (VS). When using the loop-through connection set the switch to the OFF position, and otherwise to the ON position.

2 COMPOSITE VIDEO INPUT connectors (BNC type) and 75 Ω termination switch

Input analog composite video signals. When using the loop-through connection set the switch to the OFF position, and otherwise to the ON position.

3 COMPONENT VIDEO INPUT connectors (BNC type)

Input analog component video signals (Y/R–Y/B–Y).

4 COMPONENT VIDEO OUTPUT connectors (BNC type)

These connectors output analog component video signals (Y/R–Y/B–Y).

1 AUDIO INPUT (AES/EBU) connectors (BNC type)

Input up to two sets (4 channels: channels 1/2 and 3/4) of AES/EBU format digital audio signals.

2 AUDIO OUTPUT (AES/EBU) connectors (BNC type)

These connectors output up to four sets (8 channels: channels 1/2, 3/4, 5/6 and 7/8) of AES/EBU format digital audio signals. Note that if your unit is a DVW2000/2000P, AES/EBU digital audio outputs are limited to two sets (4 channels: channels 1/2 and 3/4).

2-16 Chapter 2 Location and Function of Parts

Page 31

4 Digital signal input/output section

SDI

INPUT

1 SDI INPUT connectors

SDI

OUTPUT 1

5 Power supply section

Chapter 2 Location and Function of Parts

1 AC IN connector

2 Ground terminal

1 AC IN connector

Use a power cord to connect this to an AC outlet.

2 SDI OUTPUT connectors

SUPER

)

1 SDI (Serial Digital Interface) INPUT connectors (BNC type)

Input D1 format digital video/audio signals. Of the two connectors, the upper one is for input, and the lower one is for an active-through connection.

2 SDI (Serial Digital Interface) OUTPUT connectors (BNC type)

These connectors output D1 format digital video/audio signals. When the setting of F4 (CHARA) in function menu page 4 is ON, connector 3 (SUPER) outputs a signal with superimposed time code, menu settings, alarm messages, and other text information.

2 Ground terminal

Connect this to ground.

6 External device connectors

REMOTE 2 PARALLEL I/O(50P)

1 REMOTE 2 PARALLEL

REMOTE 1-IN(9P)

REMOTE 1-OUT(9P)

RS232C

CONTROL PANEL

VIDEO CONTROL

(OPTION)

I/O(50P) connector

2 CONTROL PANEL

connector

3 VIDEO CONTROL

connector

4 OPTION connector

5 REMOTE 1-IN(9P)

connector

6 REMOTE 1-OUT(9P)

connector

7 RS-232C connector

1 REMOTE 2 PARALLEL I/O(50P) connector

(D-sub 50-pin)

Connect remote control signals from an external device.

For details, refer to the Installation Manual.

Chapter 2 Location and Function of Parts 2-17

Page 32

2-2 Connector Panel

2 CONTROL PANEL connector (round type, 10pin)

Chapter 2 Location and Function of Parts

In addition to the lower control panel, a similar control panel can be connected to this unit. To connect such a second control panel, use this connector. When two control panels are connected, use the PANEL SELECT switch on the switch panel (see page 2-14) to specify which control panel will control this unit.

3 VIDEO CONTROL connector (D-sub 15-pin)

For remote control of the internal digital video processor, connect an optional BVR-50/50P Remote Control Unit. Always power off this unit before connecting the remote control unit.

4 OPTION connector (D-sub 9-pin)

Not used.

5 REMOTE 1-IN(9P) connector (D-sub 9-pin)

When using this unit together with another DVWM2000/M2000P/2000/2000P or an MPEG IMX, D-1, D-2, or Betacam VTR, and a BVE-series BVE-900/ 910/2000/9000/9000P/9100/9100P or other editor, connect the optional 9-pin remote control cable from the other unit to this connector. Depending on the setting of setup menu item 211, you can use this connector alone, or in a loop-through configuration with the REMOTE 1-OUT(9P) connector.

6 REMOTE 1-OUT(9P) connector (D-sub 9-pin)

This provides the loop-through output for remote control signals from the REMOTE 1-IN(9P) connector. Depending on the setting of setup menu item 211, you can use this connector alone, or in a loop-through configuration with the REMOTE 1-IN(9P) connector.

7 RS-232C connector (D-sub 9-pin)

Use this for monitoring and diagnosis of the state of this unit from an external computer, using ISR (Interactive Status Reporting).

7 Time code input/output section

1 TIME CODE IN connector

TIME CODE

IN OUT

2 TIME CODE OUT connector

1 TIME CODE IN connector (XLR 3-pin, female)

To record time code from an external device, input a time code signal from the time code output connector of the other device.

2 TIME CODE OUT connector (XLR 3-pin, male)

This outputs a time code according to the operating state of the unit, as follows:

•During playback: the playback time code By setting setup menu item 606, you can also output the time code from the internal time code generator locked to the playback time code.

•During recording: the time code generated by the internal time code generator or the time code input to the TIME CODE IN connector.

8 Audio monitor signal output section

1 MONITOR OUTPUT R

MONITOR OUTPUT

1 MONITOR OUTPUT R connector (XLR 3-pin, male)

This outputs the audio signals whose output destination was set to ‘R’ with the audio signal selection buttons in the audio control section. If multiple tracks have been set to ‘R’, the signals of those tracks are mixed for output.

connector

2 MONITOR OUTPUT L

connector

2-18 Chapter 2 Location and Function of Parts

2 MONITOR OUTPUT L connector (XLR 3-pin, male)

This outputs the audio signals whose output destination was set to ‘L’ with the audio signal selection buttons in the audio control section. If multiple tracks have been set to ‘L’, the signals of those tracks are mixed for output.

Page 33

3-1 Connections to External Devices

3-1-1 Connections to Digital Devices

Chapter 3 Preparations

This unit can input serial digital signals (video and audio) from another digital VTR such as the MSWA2000/A2000P/M2000/M2000P/2000/2000P and DVW-A500/A500P/500/500P. The following example

Reference signal

75 Ω termination switch: OFF

REF. VIDEO INPUT

MSW-A2000/A2000P/M2000/ M2000P/2000/2000P (player)

75 Ω termination switch: ON

shows the connections with a MSW-A2000/A2000P/ M2000/M2000P/2000/2000P unit as a player, with this unit used as recorder.

Chapter 3 Preparations

REMOTE 1-IN(9P)

SDI OUTPUT 3

REF. VIDEO INPUT

75Ω 75Ω

DVW-M2000/M2000P/2000/2000P (recorder)

REMOTE 1-OUT(9P)

SDI OUTPUT 3

SDI INPUT

BVM-1454 series video monitor

Chapter 3 Preparations 3-1

Page 34

3-1 Connections to External Devices

The following example shows the connections with an analog VTR (a Betacam SP VTR, D2 VTR, 1-inch VTR, etc.) for recording analog audio and video signals.

Chapter 3 Preparations

3-1-2 Connections to Analog Devices

COMPONENT/ COMPOSITE VIDEO OUTPUT

Video monitor

75 Ω termination switch:

Set to OFF when using an analog composite video signal bridge connection, and otherwise to ON.

AUDIO INPUT CH1 to CH4 and CUE IN LEVEL switches:

Set according to the analog/cue audio input level and the impedance.

(see page 2-15)

DVW-M2000/M2000P/2000/2000P

AUDIO OUTPUT

CH1 to CH4

DVR-28/28P/20/20P D2 VTR, BVH-3000/3000PS 1-inch VTR, etc. (player)

REMOTE (9P)

VIDEO OUTPUT COMPOSITE

AUDIO OUTPUT

CH1 to CH4

AUDIO INPUT

CH1 to CH4

REMOTE 1-IN

(9P)

75Ω 75Ω

COMPOSITE

VIDEO INPUT

COMPONENT VIDEO INPUT

BVW-75/70/65/60 series Betacam SP VTR (player)

3-2 Chapter 3 Preparations

REMOTE (9P)

VIDEO OUTPUT COMPONENT

Page 35

3-2 Reference Signals for Video Output and Servo System

This section describes how reference signals for the video output signals and servo system are selected.

The output from the internal reference video signal generator is supplied to the output video signal and servo circuits as a reference signal.

3-2-1 External Sync Signal for the Internal Reference Video Signal Generator

The internal reference video signal generator is synchronized either to a reference video signal or to an input video signal. Depending on the settings of the function menu item OUTREF and setup menu item 309, and the input signal selection, the external

EXT AUTO1

Setting of setup menu item 309?

synchronization status is as shown in the following flowchart. The video signals are output always synchronized to the internal reference video signal.

Start

AUTO2

Chapter 3 Preparations

Is a signal input to the connector selected with the VID.IN setting?

Yes

Synchronize to the input video signal selected with the VID.IN setting.

INPUT

Yes

Setting of OUTREF?

REF

Currently recording or editing?

Is a signal input to the REF. VIDEO INPUT connector?

Yes

Synchronize to the reference video signal input to the REF. VIDEO INPUT connector.

INPUT

Yes

Setting of OUTREF ?

REF

Currently recording?

No external synchronization

Chapter 3 Preparations 3-3

Page 36

3-2 Reference Signals for Video Output and Servo System

3-2-2 Reference Signal for the Servo System

The VTR automatically selects either the input video signal or the output from the internal reference video signal generator as the reference signal for the servo

Chapter 3 Preparations

EXT

INPUT

Yes

system. Which of the two signals is selected depends on the operational status of the VTR, as shown in the following flowchart.

Start

Setting of setup menu item 309?

AUTO1 AUTO2

Setting of OUTREF?

REF

Currently recording or editing?

Is a signal input to the connector selected with the VID.IN setting?

Yes

Lock the servo to the input video signal selected with VID.IN setting.

Is a signal input to the REF. VIDEO INPUT connector?

Yes

Synchronize to the reference video signal input to the REF. VIDEO INPUT connector.

No external synchronization

3-4 Chapter 3 Preparations

Page 37

3-2-3 Connecting Reference Signals

Connect reference signals as shown below, according to the way in which the unit is to be used.

Connections for recording from a switcher or signal generator

Switcher or signal generator

Chapter 3 Preparations

Reference signal

75 Ω termination switch: ON

75Ω 75Ω

DVW-M2000/M2000P/2000/2000P

REF. VIDEO INPUT

Connections for recording from an external VTR (player)

Reference signal

75 Ω termination switch: OFF

REF. VIDEO

INPUT

SDI INPUT

75 Ω termination switch: ON

REF. VIDEO

INPUT

SDI INPUT

SDI OUTPUT

75Ω 75Ω

DVW-M2000/M2000P/2000/2000P (recorder)

DNW-A65/A65P (player)

Chapter 3 Preparations 3-5

Page 38

3-2 Reference Signals for Video Output and Servo System

Connections for playback

Chapter 3 Preparations

75 Ω termination switch: ON

75Ω 75Ω

DVW-M2000/M2000P/2000/2000P

REF. VIDEO INPUT

Reference signal

Video monitor

• SDI OUTPUT

• COMPOSITE

• COMPONENT

3-6 Chapter 3 Preparations

Page 39

3-3 Setup

The principal setup operations before operating this unit can be carried out using setup menus. The setup menus of this unit comprise a basic setup menu and an extended setup menu. The contents of these menus are as follows.

Basic setup menu:

•Items relating to the hours meter

•Items relating to operation

•Items relating to menu banks

Extended setup menu:

•Items relating to control panels

•Items relating to the remote control interface

•Items relating to editing operations

•Items relating to preroll

•Items relating to tape protection

•Items relating to the time code generator

•Items relating to video control

•Items relating to audio control

•Items relating to digital processing

For detailed information about the items, except for the basic setup menu items relating to the hours meter, of these menus and how to use them, see Chapter 12 “Setup Menus”. For detailed information about menu operations relating to the hours meter, see Section 14-5-1 “Digital Hours Meter”(page 14-5).

Chapter 3 Preparations

This unit allows menu settings to be saved in what are termed “menu banks.” Saved sets of menu settings can be recalled for use as required.

For more information about the menu banks, see the section “Menu bank operations (menu items B01 to B13)” (page 12-4) .

Chapter 3 Preparations 3-7

Page 40

3-2 Reference Signals for Video Output and Servo System

3-4 Superimposed Character Information

When the function menu item CHARA is set to ON, the video signal output from the COMPOSITE VIDEO OUTPUT 3 (SUPER) connector or the SDI OUTPUT 3 (SUPER) connector contains superimposed character information, including time code, menu settings, and alarm messages.

Chapter 3 Preparations

Information displayed

Adjusting the character display

You can adjust the position, size and type of the superimposed characters using setup menu items 002, 003, 005, 009, and 011.

For details, see Section 12-3 “Items in the Basic Setup Menu” (page 12-5).

1 Type of time data

Time data

(for 525-line mode only)

3 Time code generator drop frame mark (for

525-line mode only)

4 VITC field mark

TCR . 23 : 59 . 40 . 18*

PSHUTTLESTILL

5 Recorder/player selection

Note

The display shown above corresponds to the factory default settings of the unit. Changing the setting of setup menu item 005 allows different time data to be displayed in the lower line of the display.

For details, see Section 12-3 “Items in the Basic Setup Menu” (page 12-5).

6 Operation mode

1 Type of time data

Display

CTL TCR UBR TCR. UBR. TCG UBG IN OUT AI AO DUR

Meaning

CTL counter data LTC reader time code LTC reader user’s bits VITC reader time code VITC reader user’s bits Time code generator time code Time code generator user’s bits IN point OUT point Audio IN point Audio OUT point Duration between any two of the four edit

points (IN, OUT, audio IN, audio OUT)

3-8 Chapter 3 Preparations

Note

If the time data or user’s bits cannot be read correctly, they will be displayed with an asterisk. For example, “T*R”, “U*R”, “T*R.” or “U*R.”.

Page 41

2 Time code reader drop frame mark (for 525-line mode only)

“.”: Indicates drop frame mode “:”: Indicates non-drop-frame mode

3 Time code generator drop frame mark (for 525line mode only)

“.”: Indicates drop frame mode (factory preset) “:”: Indicates non-drop-frame mode

4 VITC field mark

“ ” (blank): Fields 1 and 3 (for 525/60 mode) or

fields 1, 3, 5 and 7 (for 625/50 mode)

“ * ”: Fields 2 and 4 (for 525/60 mode) or fields 2, 4,

6 and 8 (for 625/50 mode)

5 Recorder/player selection

The indication changes as follows, according to the state of the RECORDER or PLAYER buttons on the control panel.

No display: Neither the RECORDER or PLAYER

button is lit.

P: The PLAYER button is lit. R: The RECORDER button is lit.

6 Operation mode

The field is divided into three blocks, A, B and C

•Block A displays the operation mode.

•Block B displays the servo lock status or tape speed.

•Block C displays a

x mark to indicate an edit section

during automatic editing, or the section between the IN and OUT points in auto feed playback.

Display Block A Block B

TAPE UNTHREAD STANDBY OFF T.RELEASE STOP F.FWD REW PREROLL PLAY PLAY LOCK PLAY Variation

from normal

speed (%) REC REC LOCK EDIT EDIT LOCK JOG STILL JOG FWD JOG REV SHUTTLE (Speed) VAR (Speed) AUTO EDIT PREVIEW REVIEW DMC (Speed) D-PREV (Speed) D-EDIT (Speed) DMC-SPD (Speed) PLY-SPD Variation

from normal

speed (%)

Operation mode

Cassette is not loaded. Standby off mode Tape tension released Stop mode Fast forward mode Rewind mode Preroll mode Playback mode (servo unlocked) Record mode (servo locked) Capstan override mode

page 4-9)

Record mode (servo unocked) Playback mode (servo locked) Edit mode (servo unlocked) Edit mode (servo locked) A still picture in jog mode Jog mode in forward direction Jog mode in reverse direction Shuttle mode Variable speed mode Automatic editing mode Preview mode Review mode

DMC playback mode

DMC editing preview mode

DMC editing mode DMC initial speed setting Tape speed override mode

(when “TSO” is selected in setup menu item 111)

a) Initial speed settings or stored speed settings

Chapter 3 Preparations

(see

Chapter 3 Preparations 3-9

Page 42

3-2 Reference Signals for Video Output and Servo System

3-5 Cassettes

This unit uses the following digital Betacam cassettes for both recording and playback.

Chapter 3 Preparations

The following tapes can be used for playback (on DVW-M2000/M2000P).

•MPEG IMX cassettes

•Betacam SX cassettes

•Betacam SP cassettes (metal tape)

•Betacam cassettes (oxide tape)

3-5-1 Cassette Types

Digital Betacam cassettes

Small cassettes Large cassettes

BCT-D6/D12/D22/D32/D40 BCT-D34L/D64L/D94L/D124L

3-5-2 Inserting and Ejecting Cassettes

It is not possible to insert or eject a cassette unless the unit is powered on.

Inserting a cassette

EJECT button

Small cassette

Large cassette

PLAY

STANDBY

F FWDREW

STOP

STANDBY button

STOP button

1 Turn the POWER switch on. 2 Check the following points, then insert the cassette

in the orientation shown in the figure.

•Check that message “ERR-10” is not shown in the time data/menu display section.

•Check that there is no slack in the tape.

The cassette is drawn into the unit, and the STANDBY and STOP buttons light.

If message “ERR-10” appears in the time data/menu display section, there is moisture condensation in the unit (see page 14-4).

3-10 Chapter 3 Preparations

Page 43

Removing slack from the tape

Press in one of the reels with a finger, and turn gently in the direction shown by the arrows until there is no slack in the tape.

Ejecting a cassette

Press the EJECT button.

Note

Ejecting is a local operation. It is not possible to eject a cassette in another unit by remote control.

If the tape slacks inside the unit, pressing the EJECT button may not eject the cassette. For information about how to remove the cassette in such a case, refer to Section 1-17 in the Installation Manual.

Chapter 3 Preparations

3-5-3 Preventing Accidental Erasure of Recordings

To prevent a tape from being inadvertently erased, press in the red record inhibit plug on the cassette.

Large cassette

Small cassette

Press in the red record inhibit plug. (“ON”) Return this plug to its original position to enable recording on the tape again. (“OFF”)

Chapter 3 Preparations 3-11

Page 44

3-2 Reference Signals for Video Output and Servo System

3-6 Using a Memory Stick

When a Memory Stick (option) is inserted in the VTR, the file data can be stored on the Memory Stick, which enables you to share data among VTRs.

Inserting a Memory Stick

Chapter 3 Preparations

Insert a Memory Stick with the label side up into the Memory Stick slot until it clicks and the access lamp

lights in red.

Never insert/remove a Memory Stick during access to data.

Note

Label side

Memory Stick

Types of Memory Stick

There are two types of Memory Stick: MagicGate Memory Stick that are equipped with the MagicGate copyright protection technology and general Memory Stick. Use the general type of Memory Stick (8MF,

16MF, 32MF, 64MF, 128MB) with this unit.

On MagicGate

MagicGate is copyright-protection technology that uses encryption technology.

Before using a Memory Stick

Terminal

Write-protect tab

To remove a Memory Stick

If you push the inserted Memory Stick, the Memory Stick will pop out a little. Then pull the Memory Stick

out.

3-6-1 Notes on Memory Stick

On Memory Stick

Memory Stick is a new compact, portable and versatile IC recording medium with a data capacity that exceeds that of a floppy disk. Memory Stick is specially designed for exchanging and sharing digital data among Memory Stick compatible products. Because it is removable, Memory Stick can also be used for external data storage.

Labeling position

•You cannot record or erase data when the write-protect

tab on the Memory Stick is set to LOCK.

•We recommend backing up important data.

•Image data may be damaged in the following cases:

– If you remove the Memory Stick, or turn the

power off when the access lamp is lit or flashing

– If you use a Memory Stick near static electricity or

a magnetic field

3-12 Chapter 3 Preparations

Page 45

Notes

•Prevent metallic objects or your finger from coming into contact with the terminal of the connecting section.

•Do not attach any material other than the supplied label to the label space.

•Attach the label at the prescribed labeling position. Make sure the label is attached at the labeling position properly.

•Do not bend, drop, or apply strong shock to a Memory Stick.

•Do not disassemble or modify a Memory Stick.

•Do not let the Memory Stick get wet.

•Do not use or keep a Memory Stick in locations that are:

– Extremely hot such as in a car parked in the sun –Under direct sunlight –Very humid or subject to corrosive gases

•When you carry or store a Memory Stick, keep it in its case.

During access to data

Chapter 3 Preparations

While data are being read from or written to the Memory Stick, do not shake this unit or subject it to shock. Do not turn off the power of the unit or remove the Memory Stick. This may damage the data.

For details, refer to the Maintenance Manual.

•Memory Stick and are the trademarks of

Sony Corporation.

•MagicGate Memory Stick and

are the

trademarks of Sony Corporation.

Chapter 3 Preparations 3-13

Page 46

Page 47

4-1 Recording

This section describes video and audio recording on the unit.

4-1-1 Preparations for Recording

Chapter 4 Recording and Playback

Switch and menu settings

Before beginning recording, make necessary switch and menu settings.

POWER switch: ‘ ( ’ side (ON)

REMOTE buttons

(see page 2-2)

Audio signal selection buttons Select the audio channel to be monitored.

: off

VID. INPB/EE CONFI CTL/TC

Y-R,B

OFF TC

For details on each setting, see the pages indicated in parenthesis.

(see page 2-5)

CONFI (ON)/PREREAD indicators

TCGSET

(see page 2-8)

VID.IN setting Select the input video signal.

PREREAD setting

(see page 11-8)

CONFI setting ENABLE

PB/EE setting CTL/TC setting

Select the time data to be displayed. RECINH setting

OFF

: lit

(see page 11-3)

: OFF

(see page 11-3)

(see page 11-8)

Chapter 4 Recording and Playback

: PB

Audio selection function selector buttons

(see page 2-4)

: Select the input audio signal.

REC controls Adjust the audio recording levels.

(see page 2-6):

Chapter 4 Recording and Playback 4-1

Page 48

4-1 Recording

Adjusting the audio recording levels

When carrying out audio recording at a reference level

Leave the REC controls pressed in. The audio signals will be recorded at a preset reference level (a reference 0 dB indication for an input of +4 dBm).

Manually adjusting the recording levels

For each channel, press to protrude the REC control in

Chapter 4 Recording and Playback

the upper control panel, and adjust so that the audio level indication is 0 dB for an average volume. Carry out the adjustment in E-E mode.

For details of selecting the E-E mode, see the description of the REC button in the tape transport control section (page 2-10) and the PB/EE setting in function menu HOME page (page 11-3).

To change the display range of the audio level indications

Press the DISPLAY FULL/FINE button (see page 2-4).

To use the emphasis function

To add emphasis to the analog input audio signal or analog playback audio signal, set the EMPHSS to ON (see page 11-6). When the signal to which emphasis has been applied is played back, it is automatically subjected to deemphasis processing. Using the emphasis-deemphasis processing enables the dynamic range to be improved by reducing highfrequency noise.

4-1-2 Recording Time Code and User Bit Values

There are three ways of recording time code, as follows:

•Setting an initial value, then recording the output of the internal time code generator

•Recording the output of the internal time code generator synchronized to an external time code generator

•Recording the output of an external time code without modification

To monitor the simultaneous playback of the recorded video and audio signals

Set the CONFI to ENABLE (see page 11-3) to light the CONFI indicator. It is now possible to simultaneously monitor the video and audio signals being recorded.

To set an initial value then record the time code

If necessary, change the settings in function menu page 1 (see page 11-4). Set the TCG (F1) to INT, and the TCG (F2) to PRESET.

4-2 Chapter 4 Recording and Playback

Page 49

Setting an initial time code value

Use the following procedure.

RESET button

1,2,3,4,5,6

Setting the time code value to the real time

With the settings in function menu page 1 set as follows, carry out the procedure under the heading above, “Setting an initial time code value”. In steps 3 and 4, set the value slightly after the current time, then carry out step 6 at the instant the real time catches up with the setting.

TCG (F1): INT TCG (F2): PRESET RUN: FREE DF: DF (525/60 mode only)

Chapter 4 Recording and Playback

Setting a user bit value

The user bit values recorded on the time code track provide for eight hexadecimal digits, which can be used to hold the date, time, or other information. Use the following procedure.

1 Set the CTL/TC to TC. 2 Press the F6 (TCGSET) button.

The function menu display changes as follows.

00 : 00 : 00 : 00

TCG

SET

The first digit of the time code value (8 digits: hours, minutes, seconds, and frames) flashes.

To set all digits to zero

Press the RESET button.

SET EXIT

3 Press the F1 (T) or F2 (t) button to select the

digit to be changed.

Pressing the F2 (t) button moves the flashing digit position to the right, and pressing the F1 (T) button moves the flashing digit position to the left.

4 Turn the MULTI CONTROL knob or press the F3

(+)/F4 (–) button to change the value in the flashing digit position.

1 Set the CTL/TC to UB. 2 Carry out the procedure in steps 2 to 6 under the

heading above, “Setting an initial time code value”. You can set each digit to any hexadecimal value, represented by 0 to 9, and A to F.

Note

If any of the settings (to write a recording start mark) in item G03 of the shot mark operation menu are set to ON, then for 20 frames from each recording, assemble editing, or insert editing start, the user bits are overwritten with the shot mark data.

5 Until all the digits are set as required, repeat steps

3 and 4.

6 Press the F5 (SET) button.

When the RUN is set to FREE in function menu page 1, the time code value immediately starts advancing.

Chapter 4 Recording and Playback 4-3

Page 50

4-1 Recording

To synchronize the internal time code generator to an external signal

Use this method to synchronize the time code generators of a number of VTRs, or to record the playback time code signal from an external VTR without deterioration of the signal waveform. In this case the RUN and DF settings are ignored. You can synchronize the internal time code generator to either of the following external time codes.

Chapter 4 Recording and Playback

•The time code output (LTC) of an external time code generator or external VTR connected to the TIME CODE IN connector of the unit

•The time code (VITC) present in a video signal input to the unit

•The time code (SMPTE RP188) present in an SDI signal input to the unit

To synchronize the internal time code generator to an external signal, use the following procedure.

2 Perform the following settings in function menu

page 1.

•When synchronizing to an external time code output (LTC) or the time code (VITC) in an input video signal:

TCG (F1): EXT TCG (F2): REGEN VITC: ON (when recording VITC) TCR: LTC or VITC according as you are

synchronizing to LTC or VITC (If set to AUTO, LTC is used.)

•When synchronizing to the time code (SMPTE RP188) in an SDI signal:

TCG (F1): RP188 TCG (F2), VITC, TCR: Any setting

Note

When the TCG (F1) is set to RP188, when settings of the TCG (F1) and VID.IN conflict with each other, or when the input signal selected with the VID.IN is not present, the TCG (F1) setting display flashes.

TIME CODE

IN OUT

1,2

TIME CODE IN connector

1 •When synchronizing to an external time code

output (LTC): Connect the time code output of the external time code generator or external VTR to the TIME CODE IN connector.

•When synchronizing to the time code (VITC) in an input video signal: With the VID.IN in function menu HOME page, select an input video signal containing VITC.

•When synchronizing to the time code (SMPTE RP188) in an SDI signal: With the VID.IN in function menu HOME page, select SDI.

This starts the internal time code generator running in synchronization with the external time code generator. Once the internal time code generator is synchronized with the external time code generator, even if the external time code generator connection is removed, the internal time code generator continues to run.

4-4 Chapter 4 Recording and Playback

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To record an external time code without modification

Using this method has no effect on the running of the internal time code generator. To record the playback time code from an external VTR, the method under the heading above, “To synchronize the internal time code generator to an external signal”, is recommended.

4-1-3 Recording Procedure

To record, use the following procedure.

Chapter 4 Recording and Playback

21 3

1 Insert a cassette.

TIME CODE

IN OUT

1 Connect the time code output of the external time

code generator to the TIME CODE IN connector.

2 Perform the following settings in function menu

page 1:

TCG (F1): EXT TCG (F2): PRESET

For details, see the section “Inserting a cassette” (page 3-10).

2 Hold down the REC button, and press the PLAY

button.

Recording starts, the servo locks, and the SERVO indicator lights.

3 To stop recording, press the STOP button.

If you record to the end of the tape

The tape is automatically rewound, and stops.

It is possible to disable the automatic rewind function by changing the setting of setup menu item 125.

Chapter 4 Recording and Playback 4-5

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4-1 Recording

4-2 Playback

This section describes playback of video and audio.

4-2-1 Preparations for Playback

Switch and menu settings

Before beginning playback, make necessary switch and menu settings.

Chapter 4 Recording and Playback

POWER switch: ‘ ( ’ side (ON)

REMOTE buttons

(see page 2-2)

Audio signal selection buttons Select the audio channel(s) to be monitored.

For details on each setting, see the pages indicated in parenthesis.

: off

VID. INPB/EE CONFI CTL/TC

Y-R,B

OFF TC

(see page 2-5)

TCGSET

PB controls Adjust the audio playback levels.

(see page 2-6)

4-6 Chapter 4 Recording and Playback

TCR setting PB/EE setting TCG (F2) setting TCG (F1) setting CTL/TC setting

(see page 11-4)

(see page 11-3)

: Select the time code to be displayed.

(see page 11-4) (see page 11-4)

(see page 11-3)

: PB

: Select the output time code. : INT

: Select the time data to be displayed.

Page 53

Time data selection

Normal playback

Displayed time data

Use the CTL/TC setting in function menu HOME page to select one of CTL (control), time code, and user bit values. When you select time code, the data displayed is determined by the TCR setting (LTC/AUTO/VITC) in function menu page 1 as follows.

TCR setting

LTC AUTO VITC

Displayed data

LTC recorded on tape LTC or VITC (automatically switched) VITC recorded on tape

Output time code

The TCG (F2) setting and setup menu item 606 determine whether the time code output from the TIME CODE OUT connector is the time code generated by the internal time code generator (REGEN), or the playback time code (PRESET).

For details of the TCG (F2) settings, see page 11-4.

4-2-2 Playback Procedures

This section describes the following types of playback which the unit can carry out:

•Normal playback

Playback at normal (×1) speed

•Playback in jog mode Variable speed playback, with the speed determined by the speed of turning the search dial

•Playback in shuttle mode Variable speed playback, with the speed determined by the angular position of the search dial

•Playback in variable speed mode Variable speed playback, with the speed finely determined by the angular position of the search dial

•Playback using the capstan override function The playback speed is adjusted temporarily according to the angular position of the search dial, to align the playback phase with that of another VTR.

•DMC Playback Playback carried out at memorized varying speed.

First insert a cassette.

For details of how to insert a cassette, see Section 3-5-2 “Inserting and Ejecting Cassettes” (page 3-10).

Cassette compartment

Chapter 4 Recording and Playback

STOP button

PLAY button

To start playback

Press the PLAY button. Playback starts, the servo locks, and the SERVO indicator lights.

To stop playback

Press the STOP button.

If you play back to the end of the tape

The tape is automatically rewound, and stops.

It is possible to disable the automatic rewind function by changing the setting of setup menu item 125.

When using the Dolby noise reduction system

When using an analog Betacam cassette, you can use Dolby C noise reduction for audio playback. To activate the Dolby noise reduction system, set the DOLBY of function menu page 4 to NR ON (see page 11-7).

Chapter 4 Recording and Playback 4-7

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4-2 Playback

Playback in jog mode

In jog mode, you can control the speed of playback by the speed of turning the search dial. The playback speed range is ±1 times normal speed.

The playback speed range can be ±3 times normal speed by changing the setting of setup menu item 116.

To carry out playback in jog mode, use the following procedure.

Chapter 4 Recording and Playback

Playback in shuttle mode

In shuttle mode, you can control the speed of playback by the angular position of the search dial. The range of playback speed is as follows:

•Using a Digital Betacam tape: ±50 times

•Using an MPEG IMX tape: ±78 times

•Using a Betacam SX tape: ±78 times

•Using an analog Betacam tape: ±35 times (for 525/60 mode) or ±42 times (for 625/50 mode)

There are detents on the search dial at the still position and at ±5 times normal speed.

To carry out playback in shuttle mode, use the following procedure.

1 1,2,3

1 Press the JOG button or search dial so that the JOG

button is lit.

Pressing the search dial toggles between jog mode and shuttle mode.

2 Turn the search dial in the desired direction, at the

speed corresponding to the desired playback speed.

Playback in jog mode starts.

3 To stop playback in jog mode, stop turning the

search dial.

The function to toggle between jog mode and shuttle mode each time the search dial is pressed can be disabled by changing the setting of setup menu item

101.

1 1,2,33

1 Press the SHUTTLE button or search dial so that

the SHUTTLE button is lit. Pressing the search dial toggles between jog mode

and shuttle mode.

2 Turn the search dial to the desired angle

corresponding to the desired playback speed. Playback in shuttle mode starts.

3 To stop playback in shuttle mode, return the search

dial to the center position, or press the STOP button.

The function to toggle between jog mode and shuttle mode each time the search dial is pressed can be disabled by changing the setting of setup menu item

101.

To return to normal-speed playback

Press the PLAY button.

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To alternate between normal-speed playback and shuttle mode playback

Set the search dial to the position corresponding to the desired shuttle playback speed, then switch between normal-speed playback and shuttle playback by pressing the PLAY and SHUTTLE buttons alternately. For intermittent shuttle mode playback, press the STOP and SHUTTLE buttons alternately.

To alternate between normal-speed playback and variable speed mode playback

Set the search dial to the position corresponding to the desired variable playback speed, then switch between normal-speed playback and variable speed playback by pressing the PLAY and VAR buttons alternately. For intermittent variable speed mode playback, press the STOP and VAR buttons alternately.

Playback in variable speed mode

In variable speed mode, you can finely control (51 steps) the playback speed in the following speed ranges depending on the tape format.

Digital Betacam: –1 to +3 times normal speed MPEG IMX: –1 to +3 times normal speed Betacam SX: –1 to +2 times normal speed Betacam/Betacam SP: –1 to +3 times normal speed

There are detents on the search dial at the still position and at ±1 times normal speed. To carry out playback in variable speed mode, use the following procedure.

Playback using the capstan override function

You can use the capstan override function to adjust the playback speed temporarily. This function is convenient for playback phase synchronization with another VTR playing back the same program.

Two types of playback operation are available using the capstan override function (capstan override playback).

To perform temporal capstan override playback

Chapter 4 Recording and Playback

1 2,33

1 Press the VAR button, turning it on. 2 Turn the search dial to the desired angle

corresponding to the desired playback speed. Playback in variable speed mode starts.

3 To stop playback in variable speed mode, return

the search dial to the center position, or press the STOP button.

To return to normal-speed playback

Press the PLAY button.

(B)

(A)

1 (A) Hold down the PLAY button, and turn the

search dial in the desired direction to adjust the playback speed. The range of speed adjustment is ± 15% in steps of 1%.

(B) Hold down the PLAY button, and press the

TRIM buttons to adjust the playback speed. The playback speed can be adjusted to ± 8% only.

The SERVO indicator goes off.

(Continued)

Chapter 4 Recording and Playback 4-9

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4-2 Playback

2 When the adjustment is completed, release the

PLAY button. The tape transport returns to normal speed, and the

SERVO indicator comes on again.

To perform continuous capstan override playback

Chapter 4 Recording and Playback

1 Set setup menu item 111 (TSO PLAY) to TSO. 2 Hold down the DMC EDIT button and turn the

MULTI CONTROL knob to select the playback speed.

The selected playback speed is displayed in time data display area 2 on the lower control panel of this unit as well as in the character information display on the monitor screen.

3 Press the PLAY button while holding down the

DMC EDIT button.

4 Press the PLAY button or perform any other

operation to exit the tape speed override mode.

See Section 12-2 “Setup Menu operations” (page 12-2) for details of setup menu operations.

For details of character information displayed on the video monitor screen, see the descriptions of F4 (CHARA) in function menu page 4 (page 11-7) and setup menu item 005 (page 12-5).

4-10 Chapter 4 Recording and Playback

Page 57

4-2-3 Dynamic Motion Control (DMC) Playback

Overview

DMC playback allows you to vary the playback speed for a certain section of a tape, in variable speed mode (from –1 to +3 times normal speed for digital Betacam playback, from –1 to +3 times normal speed for MPEG IMX playback, from –1 to +2 times normal speed for Betacam SX playback, or from –1 to +3 times normal speed for analog Betacam playback), and store the varying speed in memory for later playback at the same varying speed.

On-air start point Preroll point Speed variation start point

Waiting for the on-air cue before starting DMC playback

Press the REVIEW button again at the on-air cue.

Starting DMC playback immediately after preroll

Stop

Press the REVIEW button.

Normal speed playback

Press the PREVIEW button.

For example, during a live broadcast of a sporting event you can set the start and end points of highlights while recording, and then provide immediate DMC playback of those highlights.

During DMC playback the tape moves as shown in the following figure.

DMC playback

Speed variation end point

Normal speed playback

On-air end point

Stop

Chapter 4 Recording and Playback

Normal speed playback

Storing a varying playback speed in memory

To store the playback speed for DMC playback, use the following procedure.

Note

Make sure that the TSO PLAY of setup menu item 111 is set to DIS beforehand.

DMC playback Normal speed playback

1 Press the DMC EDIT button, turning it on. 2 Either while playing back the recorded tape, or

during recording, press the ENTRY button and one of the following buttons simultaneously, to set the start and end points.

•On-air start point: AUDIO IN button

•Speed variation start point: IN button

•Speed variation end point: OUT button

•On-air end point: AUDIO OUT button

Each press turns the corresponding button on.

3 Press the search dial or the SHUTTLE button or

VAR button to enter shuttle/variable speed mode.

The SHUTTLE/VAR indicator lights.

(Continued)

251,4 733,4,6

Chapter 4 Recording and Playback 4-11

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4-2 Playback

4 Holding down the DMC EDIT button, turn the

search dial, to set the initial speed at the playback start point.

The speed you set appears in the speed indication area. During this period the tape does not move. When the initial speed setting is complete, release the DMC EDIT button.

5 Press the PREVIEW button.

Chapter 4 Recording and Playback

The tape is prerolled and played back at normal speed from the on-air start point to the speed variation start point. On passing the speed variation start point, the MEMORY indicator begins to flash, and playback begins at the speed set in step

6 Turn the search dial to vary the playback speed.

While the MEMORY indicator is flashing, the speed variations are stored in memory. On passing the speed variation end point, the MEMORY indicator changes from flashing to continuously lit, and the variable speed storing ends.

Executing DMC Playback

There are two methods of starting DMC playback.

•Starting playback at the on-air cue from the on-air start point

•Starting playback immediately after preroll

Notes

•To avoid operating mistakes we recommend that you use the VTR in standalone mode when carrying out DMC playback.

•When using two VTRs connected for editing, you can only use the recorder VTR for DMC playback, and only when neither the RECORDER nor PLAYER button is lit.

To start playback at the on-air cue from the on-air start point

Use the following procedure.

7 Press the STOP button to stop the tape.

If the MEMORY indicator lights continuously before the speed variation end point

This indicates that the memory became full at that point. It is therefore not possible to record more speed variation. The maximum capacity is a duration of 120 seconds.

To amend the stored speed variation

Press the PREVIEW button. The interval between the speed variation start and end points is automatically played back at the stored speed. Operate the search dial as required, to adjust the playback speed.

Setting the initial speed to normal speed In step 4, press the PLAY button.

1,2

1 Press the REVIEW button.

The REVIEW button lights, and the tape is cued up to the on-air start point. After the tape is cued up, the REVIEW button flashes.

2 At the moment the on-air cue is given, press the

REVIEW button once more.

The REVIEW button lights, and playback starts at standard speed. Between the speed variation start and end points, DMC playback is carried out at the stored speed, and then playback continues at normal speed and the tape stops at the on-air end point.

4-12 Chapter 4 Recording and Playback

Page 59

To start playback immediately after preroll

Press the PREVIEW button. The PREVIEW button lights, and after preroll, DMC playback is carried out for the section from the speed variation start point, then playback continues at normal speed from the speed variation end point.

To stop the tape during DMC playback

Press the STOP button.

To exit DMC playback mode

Press the DMC EDIT button and the DELETE button simultaneously.

Chapter 4 Recording and Playback

Chapter 4 Recording and Playback 4-13

Page 60

Page 61

5-1 Automatic Editing

Chapter 5 Editing

This section describes how to carry out automatic editing with this unit and another VTR connected to the REMOTE1-IN(9P) connector.

5-1-1 Overview

Editing mode

•Assemble editing

This is the editing mode in which successive portions of the edited result are recorded on the end of the already completed section. The CTL signal, video signal, audio signal, and time code are all newly recorded on the tape.

•Insert editing

In this mode, new material is recorded at an intermediate point of an existing recording. The CTL signal is not recorded. The video signal, audio signal, and time code signal can all be independently recorded.

Sequence of editing operations

The following flowchart outlines the sequence of operations in automatic editing with two VTRs.

Selecting the editing mode

Setting the recorder and player edit points

Previewing the edit segments

Amending edit points as necessary

Carrying out automatic editing

Checking the editing results as necessary

(page 5-3)

(page 5-7)

(page 5-6)

(page 5-8)

(page 5-9)

Chapter 5 Editing

You can carry out DMC editing in both editing modes. In insert editing, split editing is also possible.

Using CTL to interpolate time code values

When you are using time code values as edit point addresses, the time code must be recorded on the tape in correct time sequence (i.e. the sections must be in strictly ascending time order). If the time code values are all in correct time sequence, then if there are any discontinuities in the time code, the unit allows them to be interpolated using the CTL counter.

Recording time code

For automatic editing, regardless of the TCG (F1) and TCG (F2) settings, time code is recorded continuously from the previous time code recorded on the tape.

Using setup menu item 610, it is also possible to record time code according to the settings in the function menu.

Using an editing control unit

When controlling this unit with an editing control unit, set an edit delay on the editing control unit so that cut in and cut out instructions are output 5 frames before the actual edit point.

Notes on video output to the monitor

In E-E mode, the video output of the unit is delayed by the time for video circuit processing with respect to the input video signal (8H). Unlike the playback operations described in Chapter 4, for playback to be carried out in editing mode with both the player and recorder specified, you can use setup menu item 701 to delay the SYNC phase, delaying it by 8H.

Chapter 5 Editing 5-1

Page 62

5-1 Automatic Editing

5-1-2 Switch and Menu Settings

Before beginning editing, make necessary switch and menu settings.

Recorder settings

POWER switch: ‘ ( ’ side (ON)

Chapter 5 Editing

REMOTE buttons

REC controls

(see page 2-6)

the audio recording levels.

Player settings

(see page 2-2)

Editing mode setting section

VID. INPB/EE CONFI CTL/TC

Y-R,B

: Adjust

: 1(9P)

(see page 2-11)

TCGSET

OFF TC

: Select assemble editing or insert editing.

Audio selection function selector buttons Select the input audio signal.

VID.IN setting Select the input video signal.

RECINH setting OFF

CTL/TC setting TC or CTL

(see page 2-4)

(see page 11-3)

(see page 11-8)

(see page 11-3)

PB controls Adjust the audio playback levels.

5-2 Chapter 5 Editing

POWER switch: ‘ ( ’ side (ON)

REMOTE buttons

(see page 2-6)

(see page 2-2)

: 1(9P)

VID. INPB/EE CONFI CTL/TC

Y-R,B

OFF TC

CTL/TC setting

TCGSET

(see page 11-3)

: TC or CTL

Page 63

5-1-3 Selecting the Editing Mode

To select the editing mode

Select assemble editing or insert editing.

ASSEMBLE button

INSERT buttons

1 Press the RECORDER button or PLAYER button

to select the VTR on which you will set the edit point.

The button which you have pressed lights.

2 Turn the search dial in jog or shuttle mode, and

position the tape at the required edit point.

IN/OUT buttons

Depending on the editing mode, press the following button or buttons.

•For assemble editing: ASSEMBLE button

•For insert editing: the desired INSERT buttons (VIDEO, CH1 to CH4, CUE, TC)

When you select the editing mode, the IN/OUT buttons begin to flash, indicating that the edit points require setting.

5-1-4 Setting Edit Points

Set the edit points (IN and OUT points). To use split editing in insert mode, you can set the audio and video edit points separately.

To set an edit point

For details of playback in jog or shuttle mode, see the sections “Playback in jog mode” and “Playback in shuttle mode” (page 4-8).

3 At the point at which you wish to set the IN point

or OUT point, hold down the ENTRY button and press the IN button or OUT button as the case may be.

When the IN point or OUT point is set, the IN button or OUT button respectively lights.

4 Repeat steps 1 to 3 until all the necessary edit

points are set.

When the IN points on both the recorder and player are set, the PREVIEW button and AUTO EDIT button flash, and it becomes possible to carry out a preview or editing operation.

Automatic setting of edit points

Editing requires four edit points: the IN and OUT points on both the recorder and player. However, once any three of these points are defined, the last point is set automatically. For example, if you set the recorder IN and OUT points, and the player IN point, the player OUT point is set automatically.

Chapter 5 Editing

312

Note

In the following cases, the DELETE button begins to flash and you cannot carry out automatic editing.

•The OUT point is before the IN point.

•All four of the recorder IN and OUT points and the player IN and OUT points have been set.

Use the DELETE button to delete a redundant edit point, or set the edit points correctly.

For details of deleting edit points, see the section “Deleting an edit point” (page 5-6).

Chapter 5 Editing 5-3

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5-1 Automatic Editing

Chapter 5 Editing

Setting split edit points

In split editing, you can set the edit points for audio and video independently. Set the audio edit points with the AUDIO IN/OUT buttons, and the video edit points with the IN/OUT buttons. Note that split editing is only possible when the recording mode is insert editing.

421 3

1 Press the appropriate INSERT button (VIDEO,

CH1 to CH4, CUE, or TC).

The IN/OUT button flash.

2 Press the RECORDER or PLAYER button to

select the VTR for which edit points are to be set.

The button you have pressed lights.

Note

During split editing, if you set six or more edit points for the recorder and player, the DELETE button starts to flash, to indicate that such a setup is impossible. Delete all unnecessary edit points, using the DELETE button.

For details of how to delete edit points, see the section “Deleting an edit point” (page 5-6).

Automatic setting of edit points in split editing

Split editing requires a total of eight edit points: four video edit points (player IN and OUT and recorder IN and OUT) and four audio edit points (player audio IN and OUT and recorder audio IN and OUT). However, as soon as you set five points, the system automatically calculates and sets the remaining three points. Specifically, once you have set three of the four video edit points and two audio edit points, the remaining three edit points are set automatically, regardless of whether these points are for the recorder or player.

In the figure below, the edit points shown within boxes are already set. The other edit points (recorder audio OUT point, and player audio IN and video OUT points) are set automatically. Note that, regardless of whether it was set manually or automatically, any edit point can be deleted or corrected later.

3 To find the edit point, rotate the search dial in jog

or shuttle mode.

For details of jog/shuttle mode playback, see the sections “Playback in jog mode” and “Playback in shuttle mode” (page 4-8).

4 Press the ENTRY button together with one of the

IN, OUT, AUDIO IN, and AUDIO OUT buttons, to set the edit point.

Once an edit point is set, the corresponding button changes from flashing to continuously lit.

5 Repeat steps 2 through 4 to set the required edit

points.

As each edit point is set, the corresponding button changes from flashing to continuously lit.

5-4 Chapter 5 Editing

Audio IN point

Recorder

Player

Audio IN point

You can set audio cut in, crossfade, fade in, and fade out effects, including their durations, by menu selection. For details, refer to the Installation Manual.

IN point

Audio OUT point

OUT point

Page 65

When the audio IN point is not set for insert editing of audio only

As long as the audio OUT point is set, the VTR is ready for preview or editing. If the audio IN point has not been set, the current tape position is automatically used as the audio IN point.

Using a VTR without a split editing function as the player

If it is not possible to set separate audio and video edit points on the VTR you are using as the player, by setting the audio IN and OUT points on the recorder (this unit), then setting three video edit points, split editing is possible.

To display the time value for an edit point

You can display the time value for an edit point in the time data/menu display section (see page 2-7). The edit point appears in time data display area 2.

To display the duration of an edit segment

You can display the duration between two edit points in the following three cases, in the time data/menu display section (see page 2-7).

•When two edit points are set: the duration of the segment between the two points

•When only one edit point is set: the duration of the segment between the point which is set and the current tape position

•When no edit point is set: the duration of the previous edit segment

The duration is displayed in time data display area 2, thus: “DURATION 0:01:10:00”. To display a duration, use the following procedure.

Chapter 5 Editing

1 Press the RECORDER button or PLAYER button

to select the VTR on which you wish to check the duration.

The button you have pressed lights.

Time data display area 1

Time data display area 2

1 Press the RECORDER button or PLAYER button

to select the VTR on which you wish to check the edit point.

The button you have pressed lights.

2 Hold down the IN, OUT, AUDIO IN or AUDIO

OUT button according to the edit point you wish to check.

2 Hold down any two of the IN, OUT, AUDIO IN

and AUDIO OUT buttons.

While you hold down the buttons, the duration is displayed in time data display area 2.

While you hold down the button, the corresponding indicator lights in the upper line of time data display area 2, and the time value of the edit point is displayed.

Chapter 5 Editing 5-5

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5-1 Automatic Editing

Chapter 5 Editing

5-1-5 Modifying and Deleting Edit Points

If the edit points are not set correctly, for example if an OUT point is before a corresponding IN point, the DELETE button flashes, and it is not possible to carry out a preview or editing operation. In this case, either modify the erroneous edit point, or first delete it and then enter it correctly.

Modifying an edit point

To modify an edit point, use the following procedure.

Time data display area 1

Time data display area 2

Deleting an edit point

To delete an edit point, use the following procedure. You can use the same procedure whether or not the DELETE button is flashing.

1 Press the RECORDER button or PLAYER button

to select the VTR on which you wish to delete the edit point.

The button you have pressed lights.

1 Press the RECORDER button or PLAYER button

to select the VTR on which you wish to modify the edit point.

The button you have pressed lights.

2 Hold down the IN, OUT, AUDIO IN, or AUDIO

OUT button corresponding to the edit point you wish to modify, and press the TRIM buttons (+ or –). While you hold down the button, the time value for the edit point appears in the display; pressing the + button increases the value by one frame, and pressing the – button decreases it by one frame.

2 Hold down the DELETE button and press the IN,

OUT, AUDIO IN or AUDIO OUT button according to the edit point you wish to delete.

The edit point is deleted according to which button you pressed, and the DELETE button goes off.

5-6 Chapter 5 Editing

Page 67

5-1-6 Cue-Up to Edit Points and Preroll

To preroll to a position before an edit IN point or cue up to any edit point, use the following procedure.

5-1-7 Preview

When you have set the edit points, the PREVIEW button flashes, indicating that you can carry out a preview. To carry out a preview, use the following procedure.

1 Press the RECORDER button or PLAYER button

to select the VTR on which you wish to operate. The button you have pressed lights.

2 •To cue up to an edit point

Hold down the IN/OUT button or AUDIO IN/ OUT button according to the edit point to which you wish to cue up, and press the PREROLL button.

This cues up to the edit point you have selected.

•To preroll

Press the PREROLL button.

Chapter 5 Editing

1 Press the RECORDER button, turning it on. 2 Press the PREVIEW button.

The PREVIEW button changes from flashing to continuously lit, and the preview is carried out. At the end of the preview, the PREVIEW button flashes again.

To stop the preview

Press the STOP button. The tape stops at the position where you pressed the button.

The tape is wound back to a position 5 seconds before the edit IN point, and stops.

To change the preroll time

The factory default setting for the preroll time is 5 seconds, but you can use setup menu item 001 to change this to any value from 0 to 30 seconds. If you change the preroll time, make sure that the setting is not longer than the recording length before the edit IN point. Note that for automatic editing, the preroll time setting on the recorder takes precedence.

For details of setup menu item 001, see Section 12-3 “Items in the Basic Setup Menu” (page 12-5).

To return the tape to the preroll point

Press the PREROLL button.

To return the tape to the IN point or OUT point

Press the PREROLL button and the IN button or OUT button simultaneously.

After the preview, make any necessary adjustments to the edit points, then repeat the preview.

For details of how to modify or delete edit points, see Section 5-1-5 “Modifying and Deleting Edit Points” (page 5-6).

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5-1 Automatic Editing

Chapter 5 Editing

Monitor output

During a preview, on a monitor connected to the recorder you can monitor the following video and audio.

•From the preroll point to the IN point, you can monitor the playback from the recorder.

•From the IN point to the OUT point, you can monitor the playback from the player through the recorder in E-E mode.

5-1-8 Carrying Out Automatic Editing

Preroll point

Recorder

Preroll

IN Point

Edit segment

•From the OUT point to the postroll point, you can monitor the playback from the recorder.

The following figure illustrates this.

Playback (recorder)

Tape transport

OUT Point

IN point

E-E mode (player)

Postroll point

OUT point

Playback (recorder)

Postroll

Player

Time flow

Overview

When you carry out automatic editing, the recorder and player operate as shown in the figure above, to copy the video and audio signals between the IN and OUT points on the player to the segment between the IN and OUT points on the recorder.

Playback

Recording overlap (in case of assemble editing)

Stop

Monitor output

During execution of an automatic edit, as during a preview, on a monitor connected to the recorder you can monitor the following video and audio.

•From the preroll point to the IN point, you can monitor the playback from the recorder.

•From the IN point to the OUT point, you can monitor the playback from the player through the recorder in E-E mode.

•From the OUT point to the postroll point, you can monitor the playback from the recorder.

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The following figure illustrates this.

Playback (recorder)

IN point

E-E mode (player)

OUT point

Playback (recorder)

Using a single monitor for video and audio on both player and recorder

For efficient editing if only one monitor is available, use the following method.

1 Connect the monitor to the recorder. 2 In the basic setup menu, set item 008 to AUTO. 3 Press the PLAYER button on the recorder.

This forces the recorder to E-E mode, in which the player video and audio signals are output to the monitor.

Note

In insert editing to tape, it is necessary for audio, video, and CTL signals to be recorded in advance throughout the insert editing section on the tape. If you execute an insert edit over a section where these signals are not present, noise or breakup can occur in the audio and video when that section is played back.

Starting automatic editing

OUT button ENTRY button

REVIEW button AUTO EDIT button PREVIEW button

To change the OUT point after starting automatic editing operation

After starting the automatic editing operation, to end the operation before the preset OUT point, hold down the ENTRY button and press the OUT button. The position where you pressed the button becomes the OUT point, and editing ends.

To abandon automatic editing

Press the STOP button. The automatic editing operation is abandoned. At the same time, the PREVIEW button and AUTO EDIT button start flashing, and the state before the editing was started is restored. In this case, the IN and OUT points already set are preserved so that you can carry out a preview or automatic editing operation again by pressing the PREVIEW button or AUTO EDIT button.

Chapter 5 Editing

When you have set the edit points, press the flashing AUTO EDIT button. The AUTO EDIT button changes from flashing to continuously lit, and the automatic editing operation begins. At the end of the editing operation, the AUTO EDIT button goes off.

Reviewing the editing results

After carrying out an editing operation, you can carry out a review, to check the editing results on the monitor. To carry out a review, after carrying out the edit, and before you set any new edit points or make other settings, press the REVIEW button. The REVIEW button lights, and the review is carried out. At the end of the review the REVIEW button goes off, and the tape returns to the OUT point.

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Chapter 5 Editing

5-1 Automatic Editing

After automatic editing, to adjust the edit points and reexecute the edit

Hold down the DELETE button and press the ENTRY button to recall the edit points. After adjusting the edit points, press the AUTO EDIT button to carry out the edit again.

For details of how to adjust edit points, see Section 5-1-5 “Modifying and Deleting Edit Points” (page 5-6).

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5-2 DMC Editing

By controlling the player playback speed from the recorder you can achieve variable speed editing.

5-2-1 Overview of DMC Editing

Conditions for DMC editing

DMC editing can be used for insert or assemble editing, but not for audio split editing.

Preroll

Recorder

Playback

Preroll time x initial speed

Player

IN Point OUT Point

IN Point

Tape movement during DMC editing

The following figure illustrates how the tapes move on the player and recorder during DMC editing.

DMC editing

Stop

Tape transport

Playback

Postroll

Chapter 5 Editing

Postroll time x final speed

Time flow

Tape moves at initial speed

Playback at stored varying speed

Stop

Tape moves at final speed

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5-2 DMC Editing

Chapter 5 Editing

5-2-2 Carrying Out DMC Editing

Setting the edit points and player speed

Use the following procedure.

482,6,7 31 6,95

1 Press the ASSEMBLE button or the desired

INSERT button to select the editing mode.

2 Press the DMC EDIT button.

This unit switches to the DMC editing mode, and the DMC EDIT button lights.

7 When the initial speed setting is complete, release

the DMC EDIT button.

8 Press the PREVIEW button.

The tape is prerolled and then the recorder starts operating at normal speed and the player at the set initial speed.

9 On passing the IN point, the MEMORY indicator

begins to flash: turn the search dial to vary the playback speed.

While the MEMORY indicator is flashing, the speed variations are stored in memory. On passing the OUT point, the MEMORY indicator changes from flashing to continuously lit, and the variable speed storing ends.

If the MEMORY indicator lights continuously before the OUT point

This indicates that the memory became full at that point. Thus even before the OUT point is reached, it is not possible to record more speed variation. The maximum capacity is a duration of 120 seconds.

3 Press the RECORDER button. 4 Holding down the ENTRY button, press the IN or

OUT button to set an edit point.

5 Press the PLAYER button, to set the player IN

point.

Note

It is not possible to set the player OUT point.

6 Holding down the DMC EDIT button, turn the

search dial, to set the initial speed. To select normal speed as the initial speed, press the PLAY button.

The speed you set appears in the speed indication area.

Quitting the DMC edit mode

Press the DELETE button and DMC EDIT button simultaneously.

Executing the DMC edit

Press the AUTO EDIT button. DMC editing is carried out at the stored varying speed. Once the editing is carried out, the stored speed variation is lost from memory.

To check the editing results

Press the REVIEW button.

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5-3 Special Automatic Editing Methods

This section describes the following automatic editing methods:

•Quick editing

•Continuous editing

•Standalone editing

•Manual editing

•Preread editing

5-3-1 Quick Editing

After selecting the edit mode, you can save on editing time by setting the edit points and executing the edit at the same time. For quick editing, use the following procedure.

5-3-2 Continuous Editing

After an automatic editing operation, the recorder automatically returns to the OUT point. For the second and subsequent editing operations, you can continue editing by simply specifying the IN and OUT points on the player. In this case the current OUT point on the recorder becomes the new IN point.

OUT point of preceding edit = IN point of current edit

Recorder

Preceding edit segment Current edit segment

Player

IN point OUT point

After automatic editing of one edit segment, to carry out continuous editing use the following procedure.

Chapter 5 Editing

123

1 When operating the player, press the PLAYER

button, turning it on, and when operating the recorder, press the RECORDER button, turning it on, then stop the tapes on both the player and the recorder at the positions you wish to make the respective IN points.

2 Press the AUTO EDIT button.

Editing starts.

3 Watching the editing on the monitor, at the

position you wish to make the OUT point, hold down the ENTRY button and press the OUT button.

Editing ends. The point at which you started the editing becomes the IN point, and the point at which you ended the editing becomes the OUT point.

1 Set the player IN and OUT points.

On the recorder the OUT point for the previous edit becomes the new IN point.

2 Press the PREVIEW button to carry out a preview. 3 Press the AUTO EDIT button.

This executes the edit. When the editing operation is completed, the recorder stops at the OUT point, and the player stops 2 seconds after the OUT point.

By repeating this process, you can carry out continuous editing.

By setting setup menu item 326, you can make the preceding OUT point automatically become the new IN point.

If you want to preview

In step 1, after setting the recorder or player IN point, press the PREVIEW button.

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5-3 Special Automatic Editing Methods

Chapter 5 Editing

5-3-3 Standalone Editing

This refers to editing using as the player an external device which cannot be controlled remotely through the REMOTE1-IN(9P) connector. For example, you can record a color bar signal from a signal generator in the joints between the scenes of an already completed tape.

Carrying out standalone editing

Set the IN point with neither the PLAYER button or RECORDER button lit. The AUTO EDIT button flashes, and it is now possible to carry out automatic editing. If necessary, you can also first set the OUT point.

5-3-4 Manual Editing

Use the following procedure to carry out manual editing.

6 At the editing end point (the recorder OUT point),

press the PLAY button.

Editing ends, and the recorder continues with playback.

7 Press the STOP button to stop the recorder

playback.

5-3-5 Preread Editing

Video and digital audio signals already recorded on the tape can be used as an edit source for insert editing. This type of editing is called “preread editing”, as this unit uses the preread heads to read the signals in advance from the tape. The signals read out can be send to a mixer for mixing, and can be recorded either on the original channels or on other digital audio channels. For preread editing, set the PREREAD to ON (see page 11-8).

1 Press the RECORDER button, turning it on. 2 Use the search dial in jog or shuttle mode to find

the editing start point (the recorder IN point), and stop the tape just before this point.

Note

If the recorder is in stop mode, then when editing starts this section of the video will break up.

3 Select the editing mode. 4 Press the PLAY button.

The recorder begins playback.

Note

It takes about two seconds until the playback video stabilizes. For this reason, start the playback from before the segment of video you wish to use.

5 At the editing start point (the recorder IN point),

press the EDIT button and PLAY button simultaneously.

Digital or analog Audio input

Digital or analog video output

Audio source

Digital or analog audio output

Audio mixer

75Ω 75Ω

Digital or analog video input

Video switcher

Video source

Editing starts.

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Notes

•In preread editing, if an input video signal is used as the reference signal for the output video signal, this forms a feedback loop. To prevent the occurrence of feedback, set the OUTREF in function menu page 4 to REF, and set item 309 in the extended setup menu to AUTO 1 so as to use an external reference signal.

•When the preread mode is selected, to prevent feedback due to the loop connection, whatever the editing mode of this unit, no E-E video output is available. When the PREREAD is set to OFF after preread editing, however, if the loop connection remains and an E-E signal is output, feedback will occur. To prevent this, select PB mode for the video and digital audio channels in all the modes before the preread editing, as follows.

1 Set PB/EE in function menu HOME page to PB. 2 Set the PREREAD in function menu page 4 to ON. 3 Make the necessary connections for the preread

editing.

Chapter 5 Editing

4 After selecting the desired insert editing mode,

carry out the preread editing.

5 When the preread editing is completed, remove the

connections.

6 Set the PREREAD to OFF. 7 Check that no loop connection remains.

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6-1 Overview

Chapter 6 Shot Mark Function

This unit can record shot marks or use shot marks recorded in digital Betacam, MPEG IMX, or Betacam SX format.

Types of shot mark

This unit supports the following three types of shot mark. This chapter describes recording start marks and

Shot mark type

Recording start mark

Shot mark 1 and shot mark 2

Post mark

Writing on a camcorder, etc.

Automatically written at the start of recording.

Written by a manual shot mark operation during recording or editing.

Not written (Written only on this unit)

Writing on this unit

Written or not according to a separate menu setting for each recording mode (crash recording, assemble editing, insert editing). For each mode for which the setting is “ON”, the mark is written automatically at the start of recording.

Written by a button operation during crash recording or assemble editing. A menu setting determines which of three types of mark is written: shot mark 1, shot mark 2, or post mark.

Written by a button operation during playback, while stopped, during a search, or during recording (crash recording or assemble editing).

First, the shot mark functions of this unit are described in simple terms.

Reading shot marks

This unit reads in shot marks written on a tape and stores them in memory. (To a maximum of 200) Once this data is stored in this unit, it is preserved even when the power is turned off.

Shot marks are indications at desired points on a tape which enable faster cueing.

post marks, treating them as varieties of shot marks.

Modifying and erasing on this unit

Possible

Chapter 6 Shot Mark Function

Cueing up to shot marks

By selecting a desired shot mark from the shot mark list, you can cue up immediately to that position. By means of a button operation, you can also cue up to the shot marks adjacent to the current tape position (index function).

Shot data display

Writing and erasing shot marks

For recording start marks, a menu setting determines whether or not they are written each time recording starts. Shot mark 1, shot mark 2, and post mark types can be written at any point on a tape, and also erased or rewritten.

Shot mark list operations

On the monitor, you can display a list of the shot marks read in by this unit, select required shot marks, delete shot marks, and so on. You can also add a memo mark (#) to a shot mark in the list. During tape playback, you can add virtual shot marks to the list. This is not written on the tape itself.

When the tape includes shot data (camera, time, and other information captured at the time of shooting), you can read this in, and display the details on a monitor. It is also possible to display the shot mark list and shot data simultaneously.

Sorting shot marks by cassette

When the tape includes shot data, this unit recognizes which cassette each shot mark comes from. You can therefore sort the read-in shot marks by cassette in time code order.

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6-1 Overview

6-2 Shot Mark Operation Menu

This section describes the settings in the shot mark operation menu.

Displaying the shot mark operation menu

With the function menu HOME page showing in the menu display, hold down the MARK button, and press the F5 (MENU) button.

Chapter 6 Shot Mark Function

The following menu appears on the monitor.

SHOT MARKER

GO1:SEARCH TYPE - all GO2:LISTING TYPE GO3:RS.MARK MODE GO4:MARK IN REC shot1

MARK button

F5 (MENU) button

Details of the shot mark operation menu

The shot mark operation menu comprises four items, G01 to G04. The detailed contents appear in the following table.

Item number

G01

G02

G03

G04

Item name

SEARCH TYPE

LISTING TYPE

RS.MARK MODE

MARK IN REC

Settings

Select which shot mark type the index function searches for, from the following possibilities:

all rec start mark shot mark 1 shot mark 2 post mark

For each type of shot mark, select whether to read into the list (ON) or not read (OFF):

rec start mark shot mark 1 shot mark 2 post mark

For each type of recording, select whether to write recording start marks (ON) or not write them (OFF):

crash rec: crash recording assemble: assemble editing insert: insert editing

Select the type of shot mark to write during recording and assemble editing.

shot mark 1 shot mark 2 post mark

6-2 Chapter 6 Shot Mark Function

Changing the menu settings

The basic procedure for accessing menu items and changing settings is the same as for the setup menus. Note, however, the operations in “To change the settings of menu items with sub-items” (page 12-3) for items G02 and G03.

For details of the setup menu configuration and operations, see Section 12-1 “Setup Menu Configuration” (page 12-1) and Section 12-2 “Setup Menu Operations”(page 12-2), respectively.

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6-3 Shot Mark Operations

This section describes the operations concerning reading and writing shot marks. Note that the following operations cannot be carried out by remote control.

6-3-1 Reading Shot Marks

To read in shot marks

With a cassette loaded, hold down the LIST button and press the F FWD or REW button.

F FWD button

LIST button

REW button

Reading shot marks from more than one cassette

After changing the cassettes, carry out the reading operation again. Data written in the new cassette will be added as long as the total does not exceed 200 shot marks. For example, if 190 shot marks have already read in, only 10 shot marks will be read from the new tape. In the shot mark list (see page 6-5) the data from different cassettes is separated by a row of dashes.

6-3-2 Writing Shot Marks

Writing recording start marks during recording

In item G03 of the shot mark operation menu (page 6-2), for each of the three recording modes (crash

recording, assemble editing, and insert editing), select whether or not to write recording start mark. When you set a particular mode to “ON”, a recording start mark is written on the tape each time you start recording in that mode.

Chapter 6 Shot Mark Function

While the shot marks are being read in, the F FWD or REW button flashes. The unit searches to the end of the tape, then rewinds automatically.

For the procedure for listing the shot marks read in, see page 6-4.

Note

It is only possible to read in a maximum of 200 shot marks. When 200 shot marks have been read in, the control panel display shows the message “S-LIST FULL”, and the reading stops. To cancel the message, press one of the tape transport buttons.

To stop reading

Press the STOP button.

Note

For insert mode, press the TC button to turn the indicator on.

Writing shot mark 1, shot mark 2, or post marks

Selecting the type of shot mark written

In item G04 of the shot mark operation menu (page 6-2), select one of shot mark 1, shot mark 2, and post

mark.

Note

If any of the settings (to write a recording start mark) in item G03 of the shot mark operation menu are set to “ON,” then for 20 frames from each recording, assemble editing, or insert editing start, the user bits are overwritten with the shot mark data.

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6-3 Shot Mark Operations

To write in crash recording or assemble editing

1 Hold the MARK button down for at least 2

seconds.

2 At the position you wish to write the mark, hold

down the ENTRY button, and press the MARK button.

A mark of the type selected in item G04 of the shot mark operation menu is written.

Chapter 6 Shot Mark Function

Erasing a shot mark

Select the shot mark from the shot mark list, and then carry out the deletion operation.

For details of the procedure, see page 6-6.

6-3-3 Shot Mark List Operations

Displaying the shot mark list

Hold down the ENTRY button and press the LIST

ENTRY button

button.

MARK button

REC/ERASE indicator

Writing during playback, while stopped, or during a search

When this unit is in any of the playback, stop, or search modes, you can write a post mark only.

1 Hold the MARK button down for at least 2

seconds.

The REC/ERASE indicator lights.

2 At the position you wish to write the mark, hold

down the ENTRY button and press the MARK button.

A post mark is written the instant you pressed the MARK button.

While the mark is being written, the message “RECORD SHOT MARK” appears on the monitor, and the REC/ERASE indicator flashes.

ENTRY button

LIST button

All of the shot mark types for which item G02 in the shot mark operation menu is set to “ON” appear in the list. If you do the same operation again, the list display disappears.

While the shot mark list is displayed, the function menu display changes as follows.

SHT

MRK

SETING EXITMEMO SELECT DELETE

6-4 Chapter 6 Shot Mark Function

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Example of list display

The following figure shows how the list is organized.

Shot mark number of current cursor position / total number of stored shot marks

Separator between read-in groups of shot marks

Cursor (current shot mark position)

Position in list

SHOT MARKER

(011/180)

NO. TIME CODE

---------------------------*011 S1 10:04:05:11 012 R 10:05:35:24 013 V 10:07:05:02

--------------------------- 014 R 10:08:35:04 015 S2 10:09:05:11 016 R 10:10:35:24 017 #R 10:10:36:00

Time code

Shot mark type

R: recording start mark S1: shot mark 1 S2: shot mark 2 V: virtual shot mark P: post mark #: memo mark

A virtual shot mark appears on the monitor as “VMARK xxx” (xxx is the number). This is not written to the tape. After entering a virtual shot mark, if you change the cassette or power the unit off, it appears in the list as the first shot mark of the next group read in.

Adding a memo mark (#)

Select the shot mark to which you wish to add the memo mark, then press the F1 (MEMO) button. Repeat this operation to remove a memo mark.

Selecting the types of shot mark to be read in the list

For each of the types of shot mark (recording start mark, shot mark 1, shot mark 2, and post mark) you can specify whether it is read in. In item G02 of the shot mark operation menu, set the required types to “ON”.

Chapter 6 Shot Mark Function

Selecting a shot mark

Turn the MULTI CONTROL knob to align the asterisk cursor with the desired shot mark.

Entering virtual shot marks

When the REC/ERASE indicator is off, hold down the ENTRY button and press the MARK button.

ENTRY button

MARK button

For details of the menu, see page 6-2.

You can also use the following procedure.

1 With the shot mark list displayed, press the F5

(SETING) button. You can now select the shot mark types.

The function menu display changes as follows.

SHT

MRK

EXITPREV NEXT OFF ON

2 Press the F1 (PREV) or F2 (NEXT) button to

select a shot mark type.

3 Press the F4 (ON) or F3 (OFF) button to switch

between ON (displayed) and OFF (not displayed).

4 To return to the shot mark list, press the F6 (EXIT)

button.

Deleting a shot mark from the list

To delete a shot mark or the shot mark list, you can use the F2 (SELECT) button instead of the MARK button, and the F3 (DELETE) button instead of the DELETE button.

Chapter 6 Shot Mark Function 6-5

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6-3 Shot Mark Operations

To delete an individual shot mark

Use the following procedure.

1 With the shot mark list displayed, select the shot

mark to be deleted using the MULTI CONTROL knob.

Chapter 6 Shot Mark Function

2 Hold the MARK button down.

While you hold down the button, an “X” appears after the selected shot mark number, indicating that it will be deleted. To delete more than one shot mark, while holding down the MARK button turn the MULTI CONTROL knob to select all of the shot marks.

3 With the MARK button held down, press the

DELETE button.

312

1 With no shot mark list displayed, hold the MARK

button down for at least 2 seconds.

The REC/ERASE indicator lights, indicating that you can rewrite or erase shot marks.

2 Display the shot mark list. 3 Turn the MULTI CONTROL knob to select on the

list the shot mark you wish to erase.

4 Press the DELETE button and MARK button

simultaneously.

During the erasure process the message “ERASE SHOT MARK” appears, and the REC/ERASE indicator flashes.

5 When the shot mark has been erased, close the shot

mark list.

6 Hold down the MARK button for at least 2

seconds, to turn off the REC/ERASE indicator.

6-3-4 Cueing Up to Shot Marks

Cueing up to a selected shot mark

Use the following procedure.

This deletes the shot marks which were marked by an “X”.

To delete the entire list

Hold down the DELETE button and press the LIST button. This deletes all shot marks from the list. This does not erase marks from the tape.

Erasing shot marks from the tape

To erase a shot mark, use the following procedure.

Note

Once you erase a shot mark from the tape, it cannot be read back in.

6-6 Chapter 6 Shot Mark Function

MARK button

F FWD button

REW button

1 Select the desired shot mark from the shot mark

list.

2 Press the PREROLL button.

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Cueing up to shot marks adjacent to the current tape position (index function)

1 In item G01 of the shot mark operation menu

(page 6-2), select one of recording start mark, shot mark 1, shot mark 2, and post mark, or select all.

2 Holding down the MARK button, press the F FWD

button or REW button.

The tape is played back, and the shot data displayed.

To delete the shot data

Once again hold down the ENTRY button, and press the PLAY button.

Example of shot data display

The shot data display appears as shown below.

While the tape is moving the F FWD button or REW button flashes.

When the shot mark is detected, its type is displayed in time data display area 2 on the lower control panel and in the character information display on the monitor screen.

For details of character information display on the monitor screen, see F4 (CHARA) in function menu page 4 (page 11-7) and setup menu item 005 (page 12-5).

Note

You cannot use the above procedure to cue up to a virtual shot mark.

6-3-5 Reading In Shot Data

When there is shot data (time, device, and other information about the shooting) written on the tape, you can read it in and display it on the monitor.

Displaying the shot data

MODEL NAME DNW 0090

SERIAL NUMBER 010001 DATE 1998.05.11 TIME 12.55.10 CASSETTE NUMBER 0095 SHOT NUMBER 0052 ID1 AAAAAAAAAAAA

Camera IDs

Recording time code

ID2 BBBBBBBBBBBB ID3 CCCCCCCCCCCC ID4 DDDDDDDDDDDD

TCR 23:59:59:29

The details in the shot data depend on the shooting conditions. If because of the devices used there is no shot data on a part of the tape, it appears as blank.

Displaying the shot data on the shot mark list

Turn the MULTI CONTROL knob to position the cursor on a separator in the shot mark list. If there is shot data recorded when the immediately following shot mark was written, it appears in the display as shown below.

Chapter 6 Shot Mark Function

Holding down the ENTRY button, press the PLAY button.

PLAY button

ENTRY button

Model name (4 characters)

Model number (4 digits)

Serial number (6 digits)

Shot data

First shot mark in the group

SHOT MARK

(---/180) NO. TIME CODE *012345-DNW_-0123-4567011 S1 10:04:05:11 012 R 10:05:35:24 013 V 10:07:05:02

---------------------------014 R 10:08:35:04 015 S2 10:09:05:11 016 R 10:10:35:24 017 R 10:10:36:00

Cassette number (4 digits)

You can sort the shot marks in the list, based on the shot data. For details, see the next section.

Chapter 6 Shot Mark Function 6-7

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6-3 Shot Mark Operations

6-3-6 Sorting Shot Marks

Based on shot data recorded on the tape, you can separate the shot marks by cassette, and sort them in time code sequence.

To sort the shot marks

Use the following procedure.

Chapter 6 Shot Mark Function

1 With the shot mark list displayed, press the F5

(SETING) button.

2 Press the F2 (NEXT) button, and select SORTING

LIST.

3 Press the F4 (ON) button to change the setting to

ON.

Sorting starts. When it ends, the setting indication

returns to OFF.

For example, if shot marks have been read in twice from the same cassette, these can be collated as shown in the following figure.

321

Cassette 1

Cassette 2 (first time)

Cassette 3

Cassette 2 (second time)

Before sorting

SHOT MARKER

(---/180) NO. TIME CODE *012345-DNW_-0123-4567011 S1 10:04:05:11

---------------------------012 V 10:07:05:02 013 R 10:08:35:04

---------------------------014 S2 10:09:05:11 015 R 10:10:35:24 016 R 10:10:36:00

---------------------------017 R 10:05:35:24

After sorting

SHOT MARKER

(---/180) NO. TIME CODE *012345-DNW_-0123-4567011 S1 10:04:05:11

---------------------------012 S2 10:09:05:11 013 R 10:10:35:24 014 R 10:10:36:00

---------------------------015 R 10:05:35:24

016 V 10:07:05:02 017 R 10:08:35:04

Shot marks from the cassette 2 read in twice are collated, and arranged in time code sequence.

Cassette 1 Cassette 3

Cassette 2 (first and second times)

6-8 Chapter 6 Shot Mark Function

Page 85

7-1 Overview of Tele-File Functions

Chapter 7 Tele-File

Tele-File is a non-contact data carrier system. Tele-File increases the efficiency of data management and operations such as recording, playback, and editing by enabling information to be exchanged between VTRs with data reading and writing functions and cassettes with Tele-File labels.

Memory label

Newly developed IC

The Tele-File system employs a newly developed memory IC with the following features.

•Thin design: With a thickness of 0.5 mm, the IC can

be attached to cassettes as a memory label.

•Memory capacity: 1 KB (user area, rewritable)

•Data transfer speed: 100 kbps

•Security functions: Reading and writing

authorization can be controlled through multiple passwords and permission settings.

Data management in clip units

In Tele-File, data is managed in units called “clips.” A clip consists of the following data items, whose settings can be displayed and changed.

•Cue point

•Write protect

•Mark

•Recording start point

•IN point

•OUT point

•Take number

•Cut number

•Scene number

•Comment

Data library management with handy reader/writer

An optional handy reader/writer (supporting Memory Stick) is available to facilitate data library management.

Chapter 7 Tele-File

Chapter 7 Tele-File 7-1

Page 86

7-1 Overview of Tele-File Functions

7-2 Opening the Tele-File Menu

To open from the function menu

Display page 5 of the function menu in the menu display section, and then press the F1 (TELE-F) button.

The Tele-File menu opens.

For details about the function menu, see Chapter 11 “Function Menu” (page 11-1).

To open automatically

When setup menu item 134 is set to ON, and when the current function menu page is HOME, HOME2, or page 1 to page 5, the Tele-File menu opens automatically whenever a Tele-File label is detected on a cassette loaded into the VTR.

For details about setup menu item 134, see Section 12-4 “Items in the Extended Setup Menu” (page 12-8).

Configuration of the Tele-File menu

The Tele-File menu has a tree structure, as illustrated below. When the menu first opens, the menu operation mode is clip data display mode.

[Tele-File menu]

Clip data display mode

Attribute data display/ modify mode

Clip data modify mode

Undo check mode

Chapter 7 Tele-File

7-2 Chapter 7 Tele-File

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7-3 Tele-File Menu

7-3-1 Clip Data Display

Shown below are examples of the default menu displays in the menu display section and the monitor display.

Menu display section

Tele-File menu indicator

Data type indicator

Setting display area

Cue

Monitor display

Final data recording date

Data type

Clip No. 0001 Clip No. 0002 Clip No. 0003

TEL

E-F

HOME

SELECT

ATTRIB

F1 F2 F3 F4 F5 F6

Menu items (functions)

TELE-FILE : TEST 01

2001/07/21 No. 0001 48% Cue Point WP Mark R

*00:00:02:10 ON KEEP @

00:00:31:10 00:00:57:10

For more information about how to display menus on the monitor, see the section “To display menus on the monitor” (page 12-2).

UNDO WR/EXT

Title

Number of selected clip

Remaining memory percentage

Chapter 7 Tele-File

a) The Tele-File memory always contains the attribute data so that this indication never shows “100%.”

Tele-File menu indicator

Indicates that the menu display section is currently displaying the Tele-File menu.

Cue: Cue point Protct: Write protected Mark: Mark R-Strt: Recording start point

Data type indicator

Indicates the type of data selected with the clip data display mode. There are the following types.

IN: IN point OUT: OUT point Take: Take number Cut: Cut number Scene: Scene number Comnt: Comment

Chapter 7 Tele-File 7-3

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7-3 Tele-File Menu

Chapter 7 Tele-File

Setting display area

Displays the setting of the currently selected data type, and a cursor (“*” or “>”). The meaning of the cursor symbols is as follows: *: Indicates that the mode is clip data display mode or

attribute data display/modify mode, and that data is selected.

>: Indicates that the mode is clip data modify mode or

attribute data display/modify mode, and prompts for data entry or modification.

Clip data display mode menu items

Item name

F1 (ATTRIB)

F2 (SELECT)

F3 (T)

F4 (t)

F5 (UNDO)

F6 (WR/EXT)

Function

Selects attribute data display/modify mode.

For details about attribute data display/modify mode, see Section 7-3-5 “Displaying and Modifying Attribute Data” (page 7-11).

Selects a data modification mode for the data selected in the clip. The cursor changes from “*” to “>”.

Note

In the following cases, the SELECT item does not appear, and it is not possible to select a data modification mode.

• When setup menu item 133 is set to REMOTE

• When the memory label itself is write protected

For more information about clip data modifications, see Section 7-3-3 “Modifying Clip Data” (page 7-7).

Selects data in a clip. With each press, the “*” cursor moves to select the previous data item. The display scrolls to the left

when the cursor moves to data that is not currently displayed. Selects data in a clip. With each press, the “*” cursor moves to select the next data item. The display scrolls to the right when

the cursor moves to data that is not currently displayed. Selects undo check mode. This button appears and is enabled when data has been modified after being

read from the Tele-File label.

For more information about undo check mode, see Section 7-3-4 “Undo/Resume Functions” (page 7-10).

Writes data and exits from the Tele-File menu (return to function menu page 5).

Menu items (functions)

Display menu items (functions). These are common for all of the data items in clip data display mode. The function assignments for each item are as follows.

Note

If you attempt to change clip data that is writeprotected, the message “PROTECTED CLIP!” appears, and it is not possible to change the data. Remove the write-protect setting (see page 7-9).

7-4 Chapter 7 Tele-File

Page 89

Title

The title (maximum 14 characters) set in attribute data display/modify mode.

Selected clip number

A 4-digit number representing the number of the selected clip (with the “*” cursor).

Remaining memory percentage

The percentage of remaining memory (user area) available for use. If there is not sufficient free memory, the message << MEMORY FULL!!>> appears (stays lit for three seconds) in time data display area 2 when you attempt to add data.

Final data recording date

The data (year/month/day) on which data was most recently recorded.

Data type

The data type. The displayed data is the same as the data displayed in the menu display section, but some of the captions are different. There are the following types.

Cue Point: Cue point WP: Write protected Mark: Mark R: Recording start point IN Point: IN point OUT Point: OUT point Tk: Take number Cut: Cut number Scn: Scene number Comment: Comment

Clip data No. 0001...

Data is displayed for 1 clip per line. Clips are assigned continuous numbers, beginning with No. 0001 for the clip on the top line.

To select clips

Rotate the MULTI CONTROL knob in clip data display mode. The data for the selected clip appears in the menu display section, where it is selected. In the monitor display, the “*” cursor moves up and down as clips are selected. Data which is not visible is selected and displayed after scrolling.

TELE-FILE : TEST 01

2001/07/21 No. 0001 48% Cue Point WP Mark R

Cursor

00:00:02:10 ON KEEP @

*00:00:31:10 00:00:57:10

To select data in a clip

In clip data display mode, press the F3 (T) or F4 (t) button.

The “*” cursor moves and data is selected. Data which is not visible is selected and displayed after scrolling.

TELE-FILE : TEST 01

2001/07/21 No. 0001 48% Cue Point WP Mark R

00:00:02:10 *ON KEEP @

00:00:31:10 00:00:57:10

Cursor

(Scrolling)

Chapter 7 Tele-File

Chapter 7 Tele-File 7-5

Page 90

7-3 Tele-File Menu

Moving the cursor directly

Regardless of the cursor’s current position, pressing one of the following buttons moves the cursor directly to the specified position in the same clip and displays the data.

IN (video IN point) button: IN point data OUT (video OUT point) button: OUT point data MARK button: Cue point data

To display the duration

Press the IN (video IN point) and OUT (video OUT point) buttons simultaneously. The cursor moves to the IN point data of the same clip, and the duration appears while the buttons are held down. If there is no IN point or OUT point data, the duration is displayed as 0:00:00:00.

7-3-2 Preroll and Cue Up Using Clip Data

To cue up the cue point, IN point, or OUT point

1 Select a clip. 2 Press the PREROLL button while holding down

the IN (video IN point), OUT (video OUT point), or MARK button.

The unit exits from the Tele-File menu and cues up the position of the data selected in step 2 (the cue point position if the MARK button was pressed).

Note

The unit does not preroll if there is no data for the selected point.

Chapter 7 Tele-File

In clip data display mode, you can use clip data to preroll and cue up.

To preroll to the cue point, IN point, or OUT point

1 Select a clip. 2 Select the cue point, the IN point, or the OUT

point.

3 Press the PREROLL button.

The unit exits from the Tele-File menu and prerolls to the position of the selected data. The preroll time is according to the setting of setup menu item 001.

Note

The unit does not preroll if there is no data for the selected point.

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7-3-3 Modifying Clip Data

To modify clip data, put the unit into clip data display mode and then press the F2 (SELECT) button to put it into clip data modification mode (the cursor changes to “>”).

Clip data modification mode menu items

Item name

F1 (RETURN) F2 (MODIFY)

F3 (DELETE)

F4 (DEL LN)

F5 (INS LN)

HOME + F4 (DELETE ALL)

Function

Returns to clip data display mode. Changes the setting of the selected data, or makes a new setting.

The function button changes according to the data type.

See the following for more information about how to set the various data types.

• Cue point, IN point, OUT point: “To set time code data” (page 7-8)

• Write protect, mark, recording start point: “To make write protect, mark, and recording start point settings” (page 7-9)

• Take number, cut number, scene number: “To make take number, cut number, and scene number settings” (page 7-9)

• Comment: “To make comment settings” (page 7-10)

Deletes the data setting value. Enabled when cue point, IN point, OUT point, take number, cut number, scene number, or comment data is selected.

A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.

• F1 (CANCEL): Cancels the deletion and returns to clip data display mode.

• F2 (OK): Executes the deletion and returns to clip data display mode.

Deletes the selected clip. A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.

• F1 (CANCEL): Cancels the deletion and returns to clip data display mode.

• F2 (OK): Executes the deletion and returns to clip data display mode.

Inserts a clip at the cursor position. A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.

• F1 (CANCEL): Cancels the insertion and returns to clip data display mode.

• F2 (OK): Executes the insertion and returns to clip data display mode.

Deletes all clips. A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.

• F1 (CANCEL): Cancels the deletion and returns to clip data display mode.

• F2 (OK): Executes the deletion and returns to clip data display mode.

The function assignments for menu items in clip data modification mode are as follows.

Chapter 7 Tele-File

Note

If you attempt to change clip data that is writeprotected, the message “PROTECTED CLIP!” appears, and it is not possible to change the data. Remove the write-protect setting (see page 7-9).

Chapter 7 Tele-File 7-7

Page 92

7-3 Tele-File Menu

To add and delete clips

To add clips

1 Rotate the MULTI CONTROL knob to move the

“*” cursor to the position where you want to insert the clip.

2 Press the F2 (SELECT) button.

The unit enters clip data modification mode.

3 Press the F5 (INS LN) button.

A confirmation message “INSERT CLIP OK?” appears.

4 Press the F2 (OK) button.

The clip is added at the position to which you moved the cursor in step 1.

To delete clips

To set time code data

Proceed as follows to make or change settings for cue point, IN point, and OUT point data.

1 Select a clip. 2 Select cue point, IN point, or OUT point. 3 Press the F2 (SELECT) button.

The unit enters clip data modification mode.

4 Press the F2 (MODIFY) button.

The two most significant digits begin to flash, and the data can be set or modified.

5 Press the F3 (T) or F4 (t) button until the digit

that you want to set starts flashing.

6 Rotate the MULTI CONTROL knob to make the

setting.

Chapter 7 Tele-File

1 Select the clip to delete. 2 Press the F2 (SELECT) button.

The unit enters clip data modification mode.

3 Press the F4 (DEL LN) button.

A confirmation message “DELETE THIS CLIP OK?” appears.

4 Press the F2 (OK) button.

The clip selected in step 1 is deleted.

To display the offset from the previous setting value

The offset is displayed as long as you hold down the F2 (OFFSET) button.

7 Repeat steps 5 and 6 until you have set all the

required digits.

8 Press the F5 (SET) button.

The setting is confirmed and the unit returns to clip data display mode.

To cancel the setting or modification and return to clip data display mode

Press the F1 (CANCEL) button.

7-8 Chapter 7 Tele-File

Page 93

To set the set or modified data as other time data

Press the F6 (SET TO) button and select the time data (cue point, IN point, or OUT point), and then press the F5 (SET) or F6 (SET NL) button. The position where the data is set differs as follows, depending on the button pressed.

•F5 (SET): The data is set in the selected time

data position.

•F6 (SET NL): A new clip is added at the lowest

line and the time data is set at the selected data position in the new clip.

To make take number, cut number, and scene number settings

Proceed as follows to make take number, cut number, and scene number settings.

1 Select a clip. 2 Select take number, cut number, or scene number. 3 Press the F2 (SELECT) button.

The unit enters clip data modification mode.

To make write protect, mark, and recording start point settings

Proceed as follows to make write protect, mark, and recording start point settings.

1 Select a clip. 2 Select write protect, mark, or recording start point. 3 Press the F2 (SELECT) button.

The unit enters clip data modification mode.

4 Press the F2 (MODIFY) button.

The data entry area begins to flash, and the data can be set.

5 Select the data by pressing the F3 (+) or F4 (–)

button or rotating the MULTI CONTROL knob.

6 Press the F2 (SET) button.

4 Press the F2 (MODIFY) button.

The most significant digit begins to flash, and the data can be set.

5 Press the F3 (T) or F4 (t) button until the digit

that you want to set starts flashing.

6 Rotate the MULTI CONTROL knob to make the

setting.

7 Repeat steps 5 and 6 until you have set all the

required digits.

8 Press the F2 (SET) button.

The setting is confirmed and the unit returns to clip data display mode.

Chapter 7 Tele-File

The data setting is confirmed and the unit returns to clip data display mode.

Chapter 7 Tele-File 7-9

Page 94

7-3 Tele-File Menu

To make comment settings

Proceed as follows to make comment settings.

1 Select a clip. 2 Select comment. 3 Press the F2 (SELECT) button.

The unit enters clip data modification mode.

4 Press the F2 (MODIFY) button.

The data entry area begins to flash, and the data can be set.

5 Enter a character by rotating the MULTI

CONTROL knob.

6 Press F4 (t) button to move to the next character

place.

7-3-4 Undo/Resume Functions

Undo function

The undo function cancels all modifications and returns the data to the state it was in when first read. Press the F5 (UNDO) button in clip data display mode. A confirmation message appears. Press the F2 (OK) button to execute the undo and cancel all modifications to the data.

Resume function

If you have not modified any data since the last execution of the undo function, you can press the F5 (UNDO) button again. The button functions as a resume button, which cancels the immediately preceding undo. Press the F5 (UNDO) button in clip data display mode. A confirmation message appears. Press the F2 (OK) button to execute the resume and cancel the immediately preceding undo.

Chapter 7 Tele-File

7 Repeat steps 5 and 6 until you have entered the

entire comment.

To delete characters

Press the F3 (T) or F4 (t) button until the character that you want to delete starts flashing, and then press the F5 (DELETE) button.

To insert characters

Press the F3 (T) or F4 (t) button until the character place after the place where you want to insert starts flashing, and then press the F6 (INSERT) button.

8 Press the F2 (OK) button.

The comment is confirmed and the unit returns to clip data display mode.

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Page 95

7-3-5 Displaying and Modifying Attribute Data

You can display and modify attribute data. The example below shows attribute data displayed on the monitor.

Video final recording date

Title

Administrator data

Model name

Serial number

Write inhibit setting

Thread count

Number of cue points

Control mode

Memory size

Amount of memory used

TELE-FILE INFORMATION

*REC DATE 2001/07/21 TITLE TEST 01 ID ADMIN MODEL SERIAL 00000 WRITE INHIBIT OFF THREAD COUNT 00012 CUE POINT No. 0003 CONTROL MODE panel SIZE 01024 USED 0270

Video final recording date

The most recent date (year/month/day) on which video was recorded on the tape.

Title

The title (name assigned to Tele-File, etc., maximum 24 characters). The title can be modified.

The ID (unique number assigned to Tele-File, maximum 24 characters). The ID can be modified.

Administrator data

Data about the administrator of the cassette or tape material (maximum 16 characters). The administrator data can be modified.

Model name

The model name of the VTR that recorded most recently to the tape.

Serial number

The serial number of the VTR that recorded most recently to the tape.

Chapter 7 Tele-File

Write inhibit setting

Whether the entire Tele-File is write inhibited. The write inhibit setting can be modified.

Thread count

The thread count value recorded on the tape.

Number of cue points

The number of cue points recorded in the Tele-File. You can check the cue point values in clip data display mode.

Control mode

The setting of setup menu item 133.

For more information about setup menu item 133, see page 12-11.

Memory size

The size of the memory in the Tele-File (unit: bytes).

Amount of memory used

The amount of memory currently being used (unit: bytes).

Chapter 7 Tele-File 7-11

Page 96

7-3 Tele-File Menu

To modify attribute data

You can modify the title, ID, administrator data, and write inhibit setting attributes. However, the attributes cannot be modified when the write inhibit setting is ON. Proceed as follows after setting the write inhibit setting to OFF.

1 Rotate the MULTI CONTROL knob to select the

item.

The F2 (SELECT) button is enabled when you select an item that can be modified (title, ID, administrator data, and write inhibit setting).

2 Press the F2 (SELECT) button.

The data can be set or modified.

3 Rotate the MULTI CONTROL knob to set or

modify the data.

2 Press the F2 (OK) button.

All modifiable data is erased.

Note

In the following cases, the FORMAT item does not appear, and it is not possible to select a data modification mode.

•When setup menu item 133 is set to REMOTE

•When the memory label itself is write protected

Chapter 7 Tele-File

4 Press the F2 (SET) button.

The change to the setting is confirmed.

Note

In the following cases, the SELECT item does not appear, and it is not possible to select a data modification mode.

•When setup menu item 133 is set to REMOTE

•When the memory label itself is write protected

To format the Tele-File memory

You can format the Tele-File memory (erase all modifiable data). However, the memory cannot be formatted in the following cases.

•When the write inhibit setting is ON

•When the control protocol is “remote”

To format Tele-File memory, proceed as follows.

1 Press the F4 (FORMAT) button.

A confirmation message appears.

7-12 Chapter 7 Tele-File

Page 97

8-1 Overview of UMID Functions

Chapter 8 UMID Functions

The UMID (Unique Material Identifier) is a type of meta-data in video and audio materials. It has been internationally standardized in SMPTE Standard 330M. This unit supports recording and generation of UMIDs. The UMID is made up of a section called the “Basic” section and a section called the “Source Pack” section. The Basic section contains information such as the

UMID Basic

Source Pack

device that recorded the material and whether the material is the original or a copy. The Source Pack section contains information about when/where/who recorded the material. A UMID with a Basic section only is called a Basic UMID. A UMID with both Basic and Source Pack sections is called an Extended UMID. The following figure shows a general overview of the information contained in a UMID.

Instance Number Copy or original

Material Number Which device recorded the original

Date/Time When was it recorded

Spatial Co-ordinates Where was it recorded

Stored Ownership Who recorded it

Chapter 8 UMID Functions

Chapter 8 UMID Functions 8-1

Page 98

8-1 Overview of UMID Functions

8-2 Recording UMIDs

UMIDs can be recorded when recording video signals with this unit. You can select whether to inherit (copy) the UMID contained in input signals, or automatically or forcibly generate a new UMID.

Selecting the type of UMID to record

Select whether to record a Basic UMID or an Extended UMID by using setup menu item 655 UMID RECORDING.

See page 12-18 for more information about setup menu item

655.

Selecting whether to inherit or generate the UMID

When recording a UMID, you can select whether to inherit (copy) the UMID contained in input signals, or generate a new UMID. Make this selection by using setup menu item 656 MATERIAL NO.

See page 12-19 for more information about setup menu item

656.

Selecting the Instance Number generation method when inheriting UMIDs

Chapter 8 UMID Functions

If you choose to inherit the UMID contained in input signals, almost all of the information in the UMID is copied without change, but the Instance Number changes to a value which indicates that “this UMID is a copy”. The new value can be generated from a 16-bit pseudo-random number with the addition of the number of copies (1 byte), or it can be generated from a 24-bit pseudo-random number. Select the method used to generate the Instance Number by using setup menu item 654 UMID GENERATE METHOD.

Selecting the SDI VANC line to insert the UMID

You can select the VANC 1) line into which the generated UMID should be inserted. Make this selection by using setup menu item 652 UMID SD VANC LINE.

See page 12-18 for more information about setup menu item

652.

Note

UMID data in the input signal may not be readable if the line where UMID data is inserted into SDI input signals is the same as the line where this unit inserts VITC (setup menu item 601 (page 12-16) and setup menu item 602 (page 12-16)), or if that line is subject to blanking (setup menu item 723 (page 12-24)). In cases like these, change the setup menu settings.

To avoid the above situation, the following settings are recommended.

•For setup menu item 652, chose a line that is different from the lines chosen for setup menu items 601 and

602.

•Do not use setup menu item 723 (page 12-24) to blank the line chosen for setup menu item 652.

To set Stored Ownership

If you wish to set Stored Ownership (data in the Source Pack which indicates “who”) when generating a UMID, call up item 029 STORED OWNERSHIP in the setup menu and proceed as follows.

See Section 12-2 “Setup Menu Operations” (page 12-2) for more information about basic setup menu operations.

See page 12-18 for more information about setup menu item

654.

1)VANC: Vertical ancillary (data)

1 Set setup menu item 029 to “on” and press the F5

(SET) button.

The Stored Ownership setting screen appears. (The following figure shows the monitor screen.)

8-2 Chapter 8 UMID Functions

Page 99

ITEM-029

STORED OWNERSHIP

COUNTRY - XXXX ORGANIZATION - YYYY *USER - ABCD

2 Press the F3 (PREV) and F4 (NEXT) buttons to

select the item you want to set (COUNTRY, ORGANIZATION, or USER).

Time zone settings

The UMID uses the UTC (Coordinated Universal Time) time standard. Setting this unit’s built-in calendar clock to the local time, and then setting a time zone to indicate the difference from global UTC standard time allows correct UMIDs to be generated. To set the time zone, display the HOME page of the function menu and proceed as follows.

See Section 11-1-2 “Using the Function Menu” (page 11-2) for more information about function menu operations.

The selected item (example: USER) is shown in F2.

029:USER - ABCD

SET UP

HOME F1 F2 F3 F4 F5 F6

SET EXITITEM USER PREV NEXT

3 Press the F2 (USER) button. 4 The content of the setting is a character string (in

this example “ABCD”). Select any character to change in the string by pressing the F3 (PREV) and F4 (NEXT) buttons.

The selected character flashes.

5 Rotate the MULTI CONTROL knob to display the

desired character in the position of the flashing character.

6 Repeat steps 4 and 5 for all of the characters that

you want to change.

7 • If you do not want to change the other items

(COUNTRY and ORGANIZATION), proceed to step 8.

•If you want to change the other items, press the

F1 (ITEM) button and proceed as in steps 2 to 6.

8 Press the F5 (SET) button.

The changed settings are confirmed.

To cancel changes and exit the setup menu

Press the F6 (EXIT) button.

1 With the ENTRY button in the editing control

section held down, press the F5 (MENU) button.

The error logger screen appears.

Refer to the Maintenance Manual Volume 1 for more information about the error logger.

2 Press the F5 (SET) button.

The OFFSET TO UTC item appears.

OFFSET TO UTC +09:00

ERR LOG

HOME F1 F2 F3 F4 F5 F6

ERROR LOGGER

(014/023) 014 REFERENCE MISSING 015 AUDIO PB CONDITION 016 VIDEO PB CONDITION

TAPE ERROR ON WARNING ON CONDITION ON *OFFSET TO UTC +09:00 Push SET button 2001 12 24 23:59:59

SET EXITPREV NEXT – +

3 Press the F1 (PREV) and F2 (NEXT) button to

select the OFFSET TO UTC item, and use the MULTI CONTROL knob or the F3 (–) and F4 (+) buttons to set the offset to UTC time. For example, if the local time is 9 hours in advance of UTC, set to “+9:00”.

4 Press the F5 (SET) button.

This makes the setting effective.

Chapter 8 UMID Functions

Chapter 8 UMID Functions 8-3

Page 100

8-1 Overview of UMID Functions

8-3 UMID Output and Display

This section explains how to output and display UMIDs.

8-3-1 UMID Output Settings

You can choose to output UMIDs or not, and select either Basic UMID or Extended UMID when you choose to output UMIDs. Make these settings using setup menu item 651 UMID OUTPUT.

See page 12-18 for more information about setup menu item

651.

8-3-2 UMID Display

During recording and playback, UMID data appears in the menu display section of the control panel and on the video monitor.

To display the UMID

In function menu page 5, press the F2 (UMID) button.

See Section 11-1-2 “Using the Function Menu” (page 11-2) for more information about function menu operations.

UMID display on the video monitor

The video monitor connected to the COMPOSITE VIDEO OUTPUT 3 (SUPER) connector or the SDI OUTPUT 3 (SUPER) connector on the connector panel displays all UMID items at once. The display of each line is explained below.

UMID INFORMATION INSTANCE 24PRS XX-XX-XX MATERIAL IEEE 1394 ZONE XX-XX-XX-XX-XX-XX-XX-XX XX-XX-XX-XX-XX-XX-XX-XX DATE/TIME 20XX/XX/XX XX:XX:XX:XX +XX:XX ALTITUDE XXXXXXXXm LONGITUDE EXXX XX'XX.XX LATITUDE SXXX XX'XX.XX ORGANIZATION XXXX USER XXXX COUNTRY XXXX

1 Instance Number generation method and Instance Number

The generation method is displayed as follows.

CP+16: “16-bit PRS (pseudo-random sequence)

+Copy No.” method

24PRS: 24-bit PRS method others: Other than the above

1 2

4 5

6 7 8 9

The UMID appears in the menu display section of the

Chapter 8 UMID Functions

control panel and on the video monitor.

UMI D

HOME F1 F2 F3 F4 F5 F6

See the next section “UMID display on the video monitor” for examples of the UMID displayed on the video monitor.

To switch the displayed UMID item in the menu display section

Rotate the MULTI CONTROL knob.

To exit from UMID display

Press the F6 (EXIT) button.

First item in UMID displayed in menu display section

INSTANCE 24PRS XX-XX-XX

2 Material Number generation method

SMPTE: SMPTE method IEEE 1394 ZONE: IEEE 1394 ZONE method IEEE 1394 RND: IEEE 1394 RND method others: Other than the above

EXIT

3 Material Number

The material number is displayed in hexadecimal across two lines.

The following items, 4 through 9, are contained in the Source Pack.

4 Date/Time

Date/Time data is displayed across two lines. The upper line shows the MJD (Modified Julian Date) contained in the Source Pack, converted to UTC. The lower line shows the data in unit count format (hours : minutes : seconds : frame) converted to UTC.

8-4 Chapter 8 UMID Functions

Sony DVW-2000P User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Table of Contents

1-1 Features

Chapter 1 Overview

1-2 Example System Configuration

1-3 Using the CD-ROM Manual

1-3-1 CD-ROM System Requirements

1-3-2 Preparations

1-3-3 Reading the CD-ROM Manual

2-1 Control Panels

Chapter 2 Location and Function of Parts

2-1-1 Upper Control Panel

2-1-2 Lower Control Panel

2-1-3 Switch Panel

2-2 Connector Panel

3-1 Connections to External Devices

3-1-1 Connections to Digital Devices

Chapter 3 Preparations

3-1-2 Connections to Analog Devices

3-2 Reference Signals for Video Output and Servo System

3-2-1 External Sync Signal for the Internal Reference Video Signal Generator

3-2-2 Reference Signal for the Servo System

3-2-3 Connecting Reference Signals

3-3 Setup

3-4 Superimposed Character Information

3-5 Cassettes

3-5-1 Cassette Types

3-5-2 Inserting and Ejecting Cassettes

3-5-3 Preventing Accidental Erasure of Recordings

3-6 Using a Memory Stick

3-6-1 Notes on Memory Stick

4-1 Recording

4-1-1 Preparations for Recording

Chapter 4 Recording and Playback

4-1-2 Recording Time Code and User Bit Values

4-1-3 Recording Procedure

4-2 Playback

4-2-1 Preparations for Playback

4-2-2 Playback Procedures

4-2-3 Dynamic Motion Control (DMC) Playback

5-1 Automatic Editing

Chapter 5 Editing

5-1-1 Overview

5-1-2 Switch and Menu Settings

5-1-3 Selecting the Editing Mode

5-1-4 Setting Edit Points

5-1-5 Modifying and Deleting Edit Points

5-1-6 Cue-Up to Edit Points and Preroll

5-1-7 Preview

5-1-8 Carrying Out Automatic Editing

5-2 DMC Editing

5-2-1 Overview of DMC Editing

5-2-2 Carrying Out DMC Editing

5-3 Special Automatic Editing Methods

5-3-1 Quick Editing

5-3-2 Continuous Editing

5-3-3 Standalone Editing

5-3-4 Manual Editing

5-3-5 Preread Editing

6-1 Overview

Chapter 6 Shot Mark Function

6-2 Shot Mark Operation Menu

6-3 Shot Mark Operations

6-3-1 Reading Shot Marks

6-3-2 Writing Shot Marks

6-3-3 Shot Mark List Operations

6-3-4 Cueing Up to Shot Marks

6-3-5 Reading In Shot Data

6-3-6 Sorting Shot Marks

7-1 Overview of Tele-File Functions

Chapter 7 Tele-File

7-2 Opening the Tele-File Menu

7-3 Tele-File Menu

7-3-1 Clip Data Display

7-3-2 Preroll and Cue Up Using Clip Data

7-3-3 Modifying Clip Data

7-3-4 Undo/Resume Functions