Sony DI12023 User Manual

the power of full-frame

amaze yourself

Sony’s full-frame interchangeable lens camera, the a99.

welcome to the family

Introducing Sony’s full-frame sensor lineup.

With the introduction of the SLT-A99V, DSC-RX1 and NEX-VG900, Sony brings some of the most innovative and revolutionary
technologies to the table. Dual Phase Detection AF systems for lightning fast Tracking AF in stills and video, impeccable
image quality from one of the world’s first 35mm sensors to give you 1080/60p video and XLR adapters for the best in audio
recording are just a few of features that can be found in the new family of full-frame cameras from Sony.

DSC-RX1

The new DSC-RX1 is the world’s
first fixed lens 35mm full-frame
digital camera which offers
an uncompromising design
that focuses on intuitive,
user-friendly operation. The
camera fits in the palm of
a hand and allows users to
carry it nearly everywhere
to capture any shooting
opportunity that arises.

• Full Frame 24 megapixel resolution
with 14-bit RAW output

• Bright F2.0 Carl Zeiss
lens with macro capability

• World’s first fixed lens 35mm
digital camera

• Full HD 24p video with manual
control and audio input

®

Sonnar T*

NEX-VG900

The new Sony NEX-VG900
interchangeable lens Handycam®
camcorder features a 24.3 MP
full-frame 35mm sensor for high­quality HD video with a truly
professional look. Shoot video in
Full HD 24p, 60p or 60i, and take
advantage of superb low-light
performance.

SLT-A99V

By fully leveraging the potential of
Translucent Mirror Technology, the
35mm full-frame format and Sony's
professional broadcasting technology,
it takes a major leap forward in
quality, performance and handling
ease. Meet the future of Sony a .

16 Push the Envelope

Image Quality

20 Think Fast

Speed and Response

24 Sharpen your Focus

Translucent Mirror Technology

26 Hone your Vision

Viewfinder

30 Take Control

Intuitive Operation

32 Get Tough

Build Quality

34 Get into Motion

Video Capabilities

38 Unleash your Creativity

Creative Modes

40 Get to Know the A99

Produ ct Tour

44 Extend your Point of View

Lens System

46 Expand your Horizons

Accessories

49 System at a Glance

Accessories

50 Explore the Possibilities

Software

51 Specifications

05

“Standing on the edge of this waterfall in

Iceland, I knew I wanted to capture this
scene as a panorama. I love having
the ability to shoot dramatic imagery

with one press of a button.”

16-35mm F2.8 ZA SSM (SA L1635 Z), 1/160 sec., F6.3, ISO 100

the calling

“This assignment of a lifetime made

me stop and think about the way
photography has shaped my life. It
made me appreciate how powerful
photography is.”

Sony took a major leap forward with the introduction of the new flagship

Alpha a99 interchangeable lens camera. To demonstrate the revolutionary

capabilities of the a99, Sony sent world-class photographer David McLain on
the “Assignment of a Lifetime”. David took the a99 on a trip around the world
that resulted in some of the most stunning footage and still photographs he has
ever captured. The assignment took David to Iceland, Vietnam, Spain, Paris,
Detroit and Death Valley. Each location presenting unique challenges and
opportunities that made the most of the a99’s capabilities.

Go online to see David’s short film “The Calling.”

David McLain, Sony Artisan of Imagery

09

“I love the way images, light,

and color are so fleeting.”

“I love shooting ice and icebergs. When we got to this glacier in Iceland, the light

was cold and the water was still, which was perfect for the environment. I shot at
a low angle to get the maximum reflection on the water and chose to put a little
foreground of the shore in the frame to balance out the background. A few minutes
later the wind picked up, the water started to ripple, and the picture was gone. I
love the way images, light, and color are so fleeting. It’s one of the many things that
makes photography never get old.”

35mm F1.4 G (SAL35F14G), 1/160 sec., F2.0, ISO 100

11

“As I started looking around I saw this

statue of Buddha lit by neon lights that
seemed more suited to the window of
a bar than a temple.”

“We went to a Buddhist temple in Vietnam expecting to see weathered monks praying

in dramatic shafts of light. When we got there, all the monks were gone, and the
temple was lit with fluorescent light. That’s the way it goes sometimes and you always
need to make the best of it. As I started looking around I saw this statue of Buddha lit
by neon lights that seemed more suited to the window of a bar than a temple. I really
liked this contradiction of objects and light. It’s important to have expectations but
also to understand they may not always be met and to be able to change course or

mindsets quickly in the field. It’s a very Buddhist approach....”

135mm F1.8 ZA (SAL135F18Z), 1/80 sec., F1.8, ISO 800

13

“I was amazed afterward how much

latitude the final frame had, and how the
detail on the backside of the fisherman

was maintained despite the fact we were

shooting into the sun.”

“We got up early one morning to shoot a fisherman on the Mekong Delta. Like most

people who make a living from the land or sea he was very capable and skilled at
his craft. I chose to shoot into the sun and from a low angle so the net and fisherman
would stand out agains the sky. I was amazed afterward how much latitude the final
frame had, and how the detail on the backside of the fisherman was maintained
despite the fact we were shooting into the sun. Like a lot of scenes, I doubled this up
on 60p (slow motion) video and the same scenario made it into the video we created
from the shoot as well.”

16-35mm F2.8 ZA SSM (SA L1635 Z), 1/200 sec., F4.0, ISO 250

15

push the envelope

Gorgeous full-frame sensor image quality.

David found the perfect travel companion in the a99 because of the camera’s ability to perform in
the real world. In low light, contrary light, fog, rain, golden light, snow, overcast light, all conditions were
conquered by the a99.

“We were hanging out with a goat herder in his barn early one morning in Southern Spain. There is a lot
less light on his face than it looks like in this image. I opened all the way up, focused on his eyes, and made
this portrait. Its important to always be on the lookout for light... its amazing all the places you can find it.”

“I’m in love with my Zeiss
135mm F1.8 and shoot

people with it all the time

wide open. This lens along

16

with the

a99’s full-frame

sensor makes for some
amazing image quality.”

Light concentration technology

Sony compressed the height of circuitry within the image sensor via newly developed
proprietary processing technology to dramatically increase the amount of light
collected by each pixel. This vastly improved light-gathering efficiency results in
significantly higher sensor sensitivity, much lower noise, an impressive signal-to-noise
ratio and outstanding image quality in virtually all shooting conditions.

Full-frame

APS-C

24.3 megapixel 35mm full-frame Exmor CMOS sensor

The new 24.3 megapixel 35mm full-frame Exmor CMOS sensor delivers
beautiful, finely detailed images from corner to corner with a wide
dynamic range and low noise. Thanks to innovations that only Sony—one
of the world’s leading image sensor developers—could achieve, the sensor
is 1.5x more sensitive and 2x more effective at eliminating random noise
than the acclaimed a900. This wide and high ISO sensitivity combines with
extremely low noise to make the a99 a brilliant performer in dim lighting.
Photographers and cinematographers will also welcome the gorgeous
bokeh and full compatibility with full-frame wide-angle lenses.

Conventional design

On-chip lens

color filter

Thinner wiring layer

Photo diode substrate Photo diode substrate

Cutting-edge design

Photo diode expansion
technology

By taking full advantage of optimized
image sensor circuitry, Sony significantly
increased the size of the photo diode
at every pixel. These larger photo diode
dimensions more than doubled the
sensor’s dynamic range in comparison
with the a900—a major breakthrough
in performance that delivers smoother,
richer image gradation. The larger
dimensions also improved the signal­to-noise ratio by further increasing
sensitivity and lowering noise.

Photo diode substrate

Circuit and wiring

Expanded receptor
surface

push the envelope

Multi-segment optical low-pass filter

Unlike conventional optical low-pass filters that degrade image
resolution when suppressing moiré, Sony’s new multi-segment
optical low-pass filter effectively maintains high-resolution detail.
This achievement was made possible by proprietary multi-segment
technology from Sony’s professional broadcasting equipment that
subtly controls the distribution of image points.

Conventional system

Image sensor

Conventional OLPF

On-chip column A/D conversion with dual NR

Thousands of parallel analog/digital converters in the sensor convert light to
digital signals with utmost precision and speed. Before and after conversion, the
sensor cancels noise to ensure exceptionally clean 14-bit signal output at all ISO
settings. By performing analog/digital conversion and dual noise reduction on
the chip itself before image processing, the a99 produces images of exceptional
quality and clarity.

Newly developed system

Multi-segment OLPF

Image sensor

18

135mm F1.8 ZA (SAL135F18Z), 1/250 sec., F1.8, ISO 500

think fast

Engineered for speed and response.

David was able to capture crisp, sharp, perfectly-focused photographs as he globe trotted with the a99.
The Dual Phase Detect AF system, a world first* among interchangeable lens cameras, allowed him to
perfectly capture each decisive moment with tack-sharp precision.

“Every pro demands speed and responsiveness from their camera and the a99 over-delivers on both
fronts. This camera has an amazing amount of processing power which means quicker focus in low light
and buffering that rarely kicks in while shooting still photographs.”

“The a99 focuses fast,

processes images fast, and
allows me to shoot in the

widest possible range of

20

light. These are the qualities
in a camera that all
photographers value.”

High-speed front-end LSI chip

A new front-end LSI (large scale integration) chip supports the BIONZ™ image
processing engine to significantly boost performance during the early stages of
processing. By accelerating the handling of image sensor data early on, the LSI chip
frees other BIONZ components to achieve a more subtle level of peripheral shading
compensation and advanced black level offset correction that significantly raises
image quality.

New BIONZ system RAW to Output

8bit JPEG

Area-specific noise reduction

This intelligent noise reduction selectively divides the image into
areas based on patterns (such as edges, textures and evenly
colored areas like blue skies), then optimally processes each
area to markedly reduce noise and improve image quality—
especially when shooting in dimly lit environments. Combined
with conventional noise reduction, this new feature delivers
clear, low-noise images throughout the entire 9-stop range

(

ISO 100–25600, expandable to ISO 50).

Image Sensor

Newly developed

high-speed front-end LSI

BIONZ image processing engine

Accelerated BIONZ processing easily
handles the massive 14-bit data
generated by the 35mm full-frame
sensor. Even when loads are heaviest,
such as during high-speed continuous
shooting and Multi Frame NR, Sony’s
new high-speed front-end LSI chip
processes the data with precision and
ease. New area-specific noise reduction
also ensures clear, low-noise images
over the entire sensitivity range. Through
these and other refinements, the engine
delivers 14-bit RAW output of exceptional
quality with extremely rich gradation.

14b it RAW

PC app

(

)

IDC

8bit JPEG

16b it TIFF

ISO 6400

IS O 160 0

think fast

SteadyShot™ INSIDE image stabilization

Advanced image stabilization compensates for camera-shake blur and is an
especially useful feature during handheld shooting. Since the sensor-shift image
stabilizer is in the camera, it provides image stabilization for any mounted A-mount
system lens, including all Carl Zeiss
You can capture sharp images at shutter speeds 2.5 to 4.5 steps slower than
otherwise possible without a tripod or flash, as well as take advantage of vastly
increased photo opportunities.

®

and G Lenses, from wide-angle to telephoto.

14-bit RAW output

14-bit RAW image data of extremely high quality is
output by the a99. This data fully preserves the rich
detail generated by the image sensor during the 14-bit
A/D conversion process. When developed with Sony’s
Image Data Converter RAW development software, these
images deliver the superb photographic expression and
rich gradation that only 14-bit data can offer.

Lens shading and aberration compensation

The camera automatically compensates for the shading
and aberrations specific to the lens you mount. This
includes vignetting (peripheral shading), lateral chromatic
aberration and optical distortion compensation, which
can each be manually activated or deactivated as
desired. Embedded data within the camera on supported
A-mount lenses ensures optimal compensation.

Newly supported lenses: 50mm F1.4, 24–70m m F2.8 ZA SSM, 28–75mm
F2.8 SAM, 70 -40 0mm F4-5.6 G SSM, 70-20 0m F2.8 G, 35mm F1.4 G, Vario­Sonnar T* 16-35mm F2.8 ZA SSM, DT 55-300mm F4.5- 5.6 SAM, DT 30 mm
F2.8 Macro SAM

* Among interchangeable lens digital cameras with a full-frame image

sensor (as of September 12, 2012) according to Sony’s internal survey.

22

85mm F1.4 ZA (SAL85F14Z), 1/80 sec., F1.4, ISO 800

sharpen your focus

19-po int (11 cross points)
Phase detection AF sensor

102-point Focal plane
Phase detection AF sensor

Dual AF System

Dual AF System is the world’s first* AF
system to employ two phase detection
sensors. By maximizing the strengths
of both sensors, it vastly improves
subject tracking performance as well
as focusing precision. The 19-point

(

11 cross-point) phase detection AF
sensor mounted above the translucent
mirror provides high-precision focusing
performance and depth detection,
while the 102-point focal plane phase
detection AF sensor overlaying the
image sensor offers the advantages of
wider depth and width (object plane)
coverage. Together, these sensors
deliver a new level of AF performance
and functionality.

24

Translucent Mirror

Translucent Mirror Technology

Sony Translucent Mirror Technology revolutionized interchangeable lens cameras
by replacing the swinging mirror of SLRs with a stationary translucent mirror that
continuously directs light to the AF sensor and image sensor. This innovation enables
both full-time phase detection AF and full-time live view through the viewfinder and
rear LCD monitor during single shot, continuous and movie shooting.

Now Translucent Mirror
Technology boasts another
breakthrough—Dual AF System.
By simultaneously directing light
towards two phase detection AF
sensors, it essentially doubles the
potential of autofocus for serious
photographers.

Cross sensors

Focal plane phase detection AF sensor

* The world’s first AF system in a 35mm full- frame

interchangeable lens digital camera to feature
two pha se detection sensors as of September 12,
2012, according to Sony’s internal survey. Notes:
Only the following lenses currently support AF-D
mode and area assist display in AF Range Control
: Vario- Sonnar T* 24–70mm F2.8 ZA SSM, 50mm
F1.4, 28–75mm F2.8 SAM, 70–40 0mm F4–5.6 G
SSM, 500mm F4 G SSM, and New 300mm F2.8 G.

(

Firmware updates are also planned for other
A-mount lenses. Please refer to the Sony website
for more details.

)

AF sensors

sharpen your focus

AF area modes

Four AF area modes are provided to meet various needs. You can select
Wide (all 19 sensors), Spot (central sensor), Local (any selected sensor) or
Zone (right, center, or left zone) as well as 102-point assist AF points when
in AF-D mode. Various AF modes are selectable—AF-S (Single shot), AF-A

(

Auto), AF-C (Continuous), AF-D (Depth Map Assist Continuous AF). Also
selectable are Manual focus mode and DMF (Direct Manual Focus), which
now provides access to the Peaking function for greater focusing precision.

AF-D mode

Continuous autofocusing is provided
by a new AF-D (Depth Map Assist
Continuous AF) mode that delivers
precision focusing for virtually any
subject. This mode utilizes the 19-point

(

11 cross-point) phase detection AF
sensor to keep subjects sharply focused
in most shooting situations. When fast­moving subjects demand wider, denser
area coverage than the 19-point AF area
can provide, the 102-point focal plane
phase detection AF sensor lends reliable
support. This combination of 121 AF
“eyes” (19+102) from two highly precise
phase detection AF sensors provides
a clear performance advantage over
single-sensor AF systems.

Note: AF- D mode re quires a co mpatib le full -size le ns.
The rang e of supported lenses will gradually expand
through firmware updates.

AF Range Control

Subject tracking can be limited to a
specified range of distance so the
camera stays focused on your subject
even if background and foreground
objects enter the AF frame. To stay
focused on a drummer even when
guitarists cross the stage, for example,
or to keep an athlete in focus through a

Wide

wire fence, simply press the dedicated
AF Range button, use the front and
rear dials to set the minimum and
maximum distances from the camera,
and enjoy highly accurate focusing that
disregards everything but your subject.
A user-friendly graphic indicator clearly
displays the selected range as well as
the point, in terms of distance, that is
currently in focus.

Local

Enhanced Tracking Focus

Various advances come together in the a99 to enable accurate tracking of fast-
moving subjects. Once you designate your subject and press the shutter button
halfway (S1), Tracking Focus activates and utilizes predictive focusing algorithms and
Sony’s original subject recognition technologies to track your subject’s every move with
speed and precision. This continuous, uninterrupted performance, made possible by
Translucent Mirror Technology, is supported by blazing-fast BIONZ image processing
and 19 autofocusing points. When AF-D mode is selected, an additional 102 assist
autofocusing points are activated to further expand AF coverage, helping to better
keep moving subjects in focus.

Spot

Zone

6fps continuous shooting

The Continuous Advance Priority AE
mode lets you capture the decisive
moment at full resolution with clarity
and precision by shooting at speeds
up to 6fps. You can also raise the
continuous shooting speed to approx.
10fps by entering the Tele-zoom High
Speed Shooting mode.

25

hone your vision

Keep your eye on the viewfinder

The viewfinder is so informative and easy
to view that every step in the shooting
process can easily be handled from start
to finish without removing your eye from
the viewfinder. This includes setting up
shooting parameters and previewing
their effects in real-time, framing your
subject and fine-tuning the focus with the
magnification feature, shooting photos
and movies, and checking final results.
Even when shooting in bright outdoor
lighting during sports, portrait and macro
photography, the viewfinder provides
the precision feedback you need. So
you can fully concentrate on capturing
spectacular images.

Clear photo and movie playback

Unlike optical viewfinders, the viewfinder in
the a99 lets you view photos and movies
that have already been recorded. This
convenient capability is especially useful
for confirming details in bright outdoor
conditions. By applying the magnification
function to recorded images, you can
confirm whether every detail matches your
highest expectations.

35mm
full-frame
lens

35mm full-frame capture APS-C capture

DT lens

(APS-C

Viewfinder display options

Camera Level display

Image histogram display

)

Focus Range Control display

26

Color adjustment and display variations

Viewfinder color temperature can be adjusted to suit your preference and detailed
shooting information can be displayed at high XGA resolution for quick and easy
reference. The DISP button makes it easy to select any of five display modes (Shooting
Data, Graphic, Digital Level Gauge, Histogram of Simple Display) while keeping your
eye on the viewfinder.

Color adjustment

Quick Navi display

High-resolution XGA OLED Tru-Finder with 100% field of view

Sony’s new XGA OLED Tru-Finder is easy to view in almost any lighting. Every detail is faithfully
reproduced as it will appear in your recording, including defocusing effects that faithfully reflect
your aperture settings. Since backlighting is eliminated, blacks are blacker, details are clearer and
contrast is higher in both dark and light environments. You can also adjust viewfinder brightness for
comfortable shooting indoors and out. Professional specifications include a wide 33.3° viewing angle,
high 27mm eye-point and 100% frame coverage. Accelerated OLED response virtually eliminates
motion blur and residual images when tracking moving objects or displaying recorded movies. Rich
functionality includes numeric information displays, recorded image playback, and features for
fine-tuning focus on the high-resolution 2,369K (approx.) screen. Even when APS-C format lenses are
mounted, the image is displayed using the entire finder area.

Focus Magnifier for fine-tuning focus

The image in the viewfinder can be magnified up to

11.7x to allow super-fine tuning of the focus. High contrast
is maintained even at high magnification, allowing
accurate viewing of details and confident adjustment
of focus and other settings. This magnification function
is especially useful when shooting in bright sunlight,
which is when the viewfinder is easier to view than the
rear-mounted LCD. The
viewfinder also clearly
displays images when
the Smart Teleconverter
function is used to
magnify the center of
the image 1.4x or 2x.

VGA XGA OLED

Faithfully reproduced bokeh

Since images displayed in the viewfinder come directly
from the image sensor, they faithfully reproduce what
will appear in your recorded images. You can therefore
compose the scene and fine-tune every detail with
remarkable accuracy instead of guesswork. Even bokeh
is displayed with all the subtle characteristics that will
appear in your final image. This is a decisive advantage
over optical viewfinders, which display bokeh distorted
by the focusing screen. Whether shooting portraits,
commercial products or close-ups of miniature wonders,
such precision helps you take better photographs.

Tru-Finder

bokeh

Optical Viewfinder

bokeh

Peaking function
(

indication in Red

)

Versatile viewing

100%

Field coverage

33.3°

Wide viewing
angle

Focus Magnifier

hone your vision

WhiteMagic™ and ultra-low reflection structure technology

Two innovative technologies
improve LCD brightness and black
reproduction to enhance viewing ease
in almost any type of lighting. Ultra­low reflection structure technology
fills the gap between the protective
outer glass and underlying LCD with
resin to reduce surface reflections,
improve visibility from wide viewing
angles, maintain high contrast and

more accurately reproduce deep
blacks. WhiteMagic nearly doubles the
brightness of the display by combining
white pixels with conventional red,
green and blue pixels in a unique
RGBW pixel structure. The resulting
exceptional brightness dramatically
improves visibility in sunny outdoor
conditions, making it much easier to
check the focus and image details.

3-way tiltable LCD supports
various shooting positions

The LCD flexibly tilts to provide the most
natural viewing angle and its 3-way
tilting mechanism has been enhanced
for operational ease. The mechanism
easily adjusts to support everything
from extremely low to extremely high
shooting angles whether orienting the
camera in the vertical or horizontal
direction. Moreover, this same wide­ranging flexibility is available when
utilizing a tripod or vertical grip. The
close alignment of the optical axis
and screen center also contributes to
natural framing and shooting comfort.
Whenever challenging shots require
extra-clear viewing and unrivaled
flexibility, this LCD will meet your need.

R G B R G B RG R GBW R G B W

General RGB
Structure

Clear protective
cover

LCD

General RGBW
Structure

Enhanced brightness
makes it ea sier to
check the focus and
image even in strong
sunlight.

Anti-relfective film

Reinforce d glass

Resin filling

Reflection reducing
structure improves
visibility from wide
viewing angles,
maintains high contrast
and more accurately
reproduces deep blacks.

28

take control

Smooth integrated control dial

The new Silent Multi
Controller on the front
of the body combines
a dial and button to
enable smooth, easy
selection and adjustment

of numerous camera
settings including focus mode, focus
area, exposure compensation, ISO
sensitivity and metering method.
Depending on your preference, you
may find it an extremely useful
addition to the a99.

Dual Slot for freer control of data

Two media slots are provided along with highly flexible recording features.
One slot supports Memory Sticks and SD memory cards, while the other is
fully dedicated to SD cards. You can record movies simultaneously to both
media for backup purposes—a world first*—without slowing the camera
down, simultaneously record still images to both media, record to different
media by file format (RAW/J P EG), or record to different media by type of
recording (still/movie). Moreover, the a99 makes it easy to copy folders
from one card to another. Whatever your backup and usage intentions,
this flexible new Dual Slot provides more freedom to do things your way.

More intuitive Quick Navi Pro

The new Quick Navi Pro interface
clearly displays all major shooting
options on the screen so you can
rapidly find desired options, confirm
current settings and make adjustments
without searching through dedicated
menus. Convenient new features
include a histogram and digital level
gauge for easy reference and an
indicator that appears with one press
to display multiple functions adjacently
for easy dial selection. When fleeting
shooting opportunities arise, you’ll be
able to respond swiftly with just the
right settings.

Quick Navi Pro

30

* Among interchangeable lens digital cameras as of September

12th, 2012, according to Sony’s internal survey.

Customizable buttons

Five different buttons—the
AF/MF, AEL, ISO, Preview and
Custom Key buttons—can be
reassigned to activate any
of 33 functions for enhanced
shooting convenience.
Assignable functions now
include AF On, FE lock and
Spot metering AE lock, as well
as Exposure Compensation,
Drive Mode, Flash Mode,
Focus Area, Face Detection,
Smile Shutter, ISO Sensitivity
and Metering Mode.

take control

Refinements for
serious shooting

The a99 offers even greater comfort
and handling ease than the acclaimed
a77. Its optimized contours, thicker
and taller grip, and wider thumb grip
fit your hand more comfortably and
contribute to a steady grasp. Frequently
used controls are placed within natural
reach, with main buttons near your
thumb and dials placed front and rear
for comfortable adjustment of major
and minor parameters. Buttons are
more varied in shape and height to
support swifter tactile recognition while
your eye stays on the viewfinder.

A new locking mechanism on the
mode dial also prevents unintentional
mode changes and missed photo
opportunities. Clearly, meticulous
refinement makes this is a camera body
worthy of Sony’s top-of-the-line model.

You can also assign the
front and rear dials to adjust
exposure compensation
functions (other than aperture
and shutter speed) and
customize the camera to
automatically switch AF or
AE on or off when the shutter
button is halfway pressed.

Multi-interface shoe
expands compatiblity

The highly expandable a99 features
a newly developed Multi Interface
Shoe that is uniquely shaped to
take advantage of wide-ranging
accessories including products that
break down the barriers between
movie and photo shooting.
A Shoe Adaptor is also provided
that enables compatibility with
conventional camera accessories.

Memory Function

Combinations of settings that
you consider especially useful
can be registered in memory
for quick recall whenever similar
shooting situations arise. This
feature lets you register up
to three user-programmable
groups of settings and quickly
access them by using the MR
setting on the mode dial, which
features a center lockable
button that prevents accidental
mode changes.

31

get tough

Robust magnesium alloy body

The rigidly constructed a99 is supremely lightweight. Its rugged magnesium-alloy
top and rear panels interlock with front and side panels constructed of highly rigid
engineering plastic to offer protective external shielding. Inside, a rigid magnesium
chassis reinforced by stainless steel and other structural components contributes to
a supremely rigid and lightweight camera able to withstand passionate usage in
challenging conditions.

200,000 shutter
release cycles

The new extremely durable
shutter unit has been proven to
endure approximately 200,000
shutter releases, a figure that
rivals high-end professional
cameras. While rugged enough
to withstand the demands of
6fps (10fps in tele-zoom mode)
continuous shooting, it offers
exceptional precision at shutter
speeds up to 1/8000 sec. made
all the more accurate by the
continuous support of auto
diagnosis and correction. This
proven combination of supreme
accuracy and durability lets
you shoot year upon year
without worrying about wearing
out the shutter unit.

Dust and moisture protection

Comprehensive dust and moisture
resistance contributes to high reliability.
Sony tightly interlocked the panels
and components, added sealing
around most buttons and dials, and
placed gaskets along the edges of
the viewfinder and LCDs (top and
rear) to help prevent water and dust
from entering the body during tough
usage. Similar protection was applied
to openings such as the media
compartment, which is protected by an
interlocking structure. Jack covers are
fitted with rubber-based covers for better
sealing and are organized by function
to minimize opening and closing. The
front section of the accessory shoe is
also constructed of highly dust/water
resistant parts.

32

The world’s lightest camera with full-frame sensor*

Supremely lightweight construction contributes to agile handling in the field that,
combined with full-frame performance, gives the a99 unrivaled appeal. Record­breaking lightness was achieved through the use of lightweight materials like
magnesium alloy and engineering plastic, as well as the elimination of unnecessary
mechanisms such as heavy pentaprisms and active mirrors, thanks to Translucent
Mirror Technology.

* Among interchan geable lens digital cameras as of September 12, 2012 according to Sony’s internal sur vey.

Vertical grip for triple
battery advantage

The optional vertical grip (VG-C99AM)
features optimized contours and
essential controls that make vertical
shooting nearly as comfortable as
horizontal shooting. It can house
two batteries that combine with the
main battery to offer a three-battery
advantage that practically triples
shooting stamina whether shooting
still images or movies. The grip’s
batteries can also be changed while
continuing to shoot movies. Dust and
moisture resistance meet the same high
standards as the camera body.

get tough

Reliable anti-dust measures

Advanced dust resistance helps keep
your photos blemish-free. If dust particles
enter the camera when the lens is
being changed, two levels of protection
safeguard the image sensor. The first
level of protection is a newly developed
coating on the surface of the optical
low-pass filter. Even in the most adverse
temperature and humidity conditions,

this highly effective Anti-dust Coating
effectively suppresses the attachment
of both dry and moist dust particles and
simplifies their removal. The second level
of protection is an anti-dust mechanism
that vibrates the filter at high speed
every time the camera is switched off to
dislodge any dust particles that settled
on its surface.

Newly enhanced
coating material

Conventional surface

Before blowing air

Optical low-pass filter

Optical low-pass filter

Dry-type dust Moist-type dust

After b lowing air

33

get i nto motion

Experience movie making in full-frame high definition.

David likes to work fast and light with a small production footprint. Because the a99 has less rolling shutter
than the competition. He can spend more time shooting hand held with significantly less need for third party
rigs. After using the tiltable LCD that pivots and swivels in every direction, David admits he will never go back
to shooting video with a fixed LCD camera.

“In Southern Spain we went swimming in a beautiful lake. We were there to shoot people jumping off of cliffs,
but when the fixer’s wife was drying off after a dip in the lake she pulled the towel up over her face in a way
that caught my eye.”

“The a99 has significantly

less rolling shutter than
most DSLRs, uses the

AVCHD codec, and has

34

an EVF that allows me to
see what I’m shooting in
real time in video mode.”

Expressive 35mm full-frame moviemaking

The full-frame a99 empowers you to create highly expressive movies with
professional-quality bokeh, a stunning sense of depth and extremely low noise
even in dark environments. This exceptional performance is made possible by the
potent combination of a 35mm full-size sensor, flexible lens interchangeability,
ISO 100-6400 sensitivity and various advances from professional Sony movie
production equipment. You can also enjoy unlimited creative freedom thanks to a
diverse range of moviemaking accessories, as well as take full advantage of bright
high-performance a lenses including full-frame Carl Zeiss and Sony G models.

Simultaneous Full HD movie output via HDMI
(

with shooting info On/Off flexibility

An HDMI terminal makes it easy to transfer Full HD movie signals
in real-time to an external monitor for accurate, large-screen
viewing and listening. This feature supports uncompressed movie
recording on external recording equipment and lets you output
uncompressed movies with the shooting info display function off.

Sensor

)

Silent Multi Controller for movies

Perfect for use while shooting movies, this control lets
you freely adjusts image and sound settings without
producing mechanical noise that might be captured in
the soundtrack. The new Silent Multi Controller on the front
of the body combines a dial and button for smooth, easy
selection and adjustment of numerous settings including
audio recording and AF area.

Lens

Compression

P/A/S/M manual movie modes

Manual operation frees you to realize
your vision. Using manual focus and
P/A/S/M modes (Program, Aperture
Priority, Shutter Priority and Manual), you
can flexibly adjust background blur and
manually control exposure to achieve
desired brightness and dynamism.

AVCH D
60 p/28Mbps

Uncompressed
4:2:2

Estimated continuous movie shooting time

Ambient
temperature

20°C Approx. 29 minutes

30°C Approx. 29 minutes

40°C Approx. 29 minutes

Memory Card

External device

Continuous recording time
for movies

get into motion

Full HD 60p movie recording

Create movies of amazing clarity that
play extra smoothly by recording them
at Full HD resolution (1920 x 1080 pixels)
in the AVCHD Ver. 2.0 (Progressive)
format—at the extremely high frame
rate of 60fps. All the while, you can
enjoy the huge advantages of 35mm
full-frame movie capture and full-time
continuous AF with three-level subject
tracking sensitivity. This unrivaled
combination of quality and speed
enables first-rate still image extraction
and post-production techniques like
slow motion. The a99 also supports
24p movie recording.

Full-time Continuous
AF with 3-level subject
tracking sensitivity

When shooting movies, Full­time Continuous AF Movie
delivers the superior speed and
precision of full-time continuous
phase detection autofocusing
thanks to Translucent Mirror
Technology. Advanced subject
tracking is provided in your
choice of three sensitivity
levels—Hi for prioritized tracking
speed, Mid for balanced speed
and focal precision, or Low for
prioritized stability. Whether
capturing fast-moving athletes,
models in studios, or faces in
a crowd, you’ll enjoy sharp,
accurate autofocusing.

Optional XLR Adaptor Kit for
sound production befitting
full-frame movies

This adaptor kit features XLR
terminals, the professional standard
for movie production, to enable
sound recording via wide-ranging
professional microphones and line-in
connection for sound input. Users
can therefore achieve versatile,
high-quality sound expression that is
suitable for full-frame movie quality.
The ability to separately control left
and right channel input directly from
the XLR adaptor helps simplify post­shoot editing.

Audio level display and
recording level control

Precise monitoring and adjustment
of the microphone recording level is
possible while shooting movies. The
audio rec level control simultaneously
adjusts both the L and R channels with
32-step precision.

Ready-use
headphone jack

Professional sound production
versatility and connectivity free you
to create soundtracks as professional
as your images. During movie
recording and playback, you can
monitor the sound using headphones
connected with the a99. Stereo sound
output is guaranteed to provide the
highest possible playback quality
via recommended Sony high-end
headphones. Live (real-time) and Lip­sync settings are provided for output
timing that satisfies professional needs.

36

16-35mm F2.8 ZA SSM (SAL1635F28Z), 1/640 sec., F2.8, ISO 400, EV+1.7

unleash your creativity

Final image with optimum shadow/highlight detail

Highlight details
captured

Mid-tone details
captured

Shadow details
captured

+ +

++

+ +

DRO on (Lv.5)

DRO of f

Exposure compensation
and bracketing

Achieve just the right exposure by using
Exposure Compensation to increase
or decrease the exposure in 1/3 or 1/2
stop increments (between -5 and +5
EV). Or use Auto Exposure Bracketing to
record three or five images at different
exposure values, compare the results
and choose the best one.

38

Auto HDR

The Auto HDR function captures the
expanded detail of high dynamic
range photos. When you press the
shutter button, it instantly records
three frames at different exposures
and composites the best details
from each—in the highlights, mid­tones and shadows—to create a
single image with wider dynamic
range than any single exposure
could possibly capture. The resulting
image is breathtaking and ideal for
post processing. You can select the
exposure range, making adjustments
in 1EV steps up to a maximum ±6EV.
No tripod is necessary when shooting
because subject movement is
precisely compensated for.

Multi Frame NR

The Multi Frame NR mode is extremely
effective at suppressing noise in dark,
challenging shooting situations.
Candlelit rooms, for example, can be
vividly captured without using a tripod
or flash. By seamlessly compositing
six images, this mode achieves noise
reduction equivalent to a 2-stop lower
shutter speed. Noise is lower than when
shooting normally at the same ISO
speed, and sensitivity equivalent to
ISO 51200 becomes possible when
shooting at the highest ISO speed.
Compatible with any ISO setting, the
Multi Frame NR mode can also be used
in combination with all P/A/S/M modes.

Dynamic Range Optimizer (DRO

In difficult lighting conditions, DRO
analyzes and corrects your image
in real time to expand its dynamic
range and achieve smoother, more
natural gradients with more detail in
the highlights and shadows. If a backlit
subject’s face is dark, for example, it
recovers details hidden in the shadows
and delivers a naturally bright image.
DRO can be used effectively during
continuous shooting and lets you
choose the amount of correction up
to 5 steps.

)

Exposure modes

The clearly labeled mode dial on top
of the a99 provides quick access to all
available exposure modes (Program
Auto, Aperture priority, Shutter speed
priority, Manual exposure modes, Auto
mode and 8 Scene Selection modes).

Creative Style

Creative Style settings swiftly
bring out the character of
your scene. Depending on
your subject and creative
intentions, you can simply
select any of 13 settings

(

including Standard, Vivid,
Neutral, Portrait, Landscape,
Sunset, Black & White, Clear
and Deep). The camera will
then adjust color and other
image parameters to create
the appropriate mood, while
letting you fine-tune contrast,
saturation* and sharpness to
suit your personal preference
and achieve just the right
finishing touch.

Picture Effect

It’s easy to apply innovative effects
to your still images and movies. The
11 customizable modes (with 15
effects) include HDR Painting, Rich
Tone Monochrome, Soft Focus and
a Miniature mode that makes your
subject look like a miniature model.

1200-zone Evaluative Metering

An advanced evaluative metering
sensor with 1200 zones ensures
balanced exposures in wide-ranging
lighting conditions as well as accurate
subject recognition. Multi segment,
Center weighted and Spot metering
modes are selectable.

unleash your creativity

Drive modes

User-friendly icons make it easy to
switch between single-shot, continuous,
bracketed and self-timer shooting.
Just select the drive mode along with
selectable parameters (such as self­timer shooting with 2 or 10-second
delay). Then start shooting.

Creative Style: Landscape

Creative Style: Standard

* Not avai lable when B/W mode

is selected.

Two-axis White Balance

Two-axis White Balance enables finer white
balance adjustment than automatic
white balance can provide. You can
adjust white balance in the amber-blue
and green-magenta directions to achieve
more true-to-life color under almost any
kind of light source.

39

get to know the a99

01

10

09

02

03

04

05

06

07

40

01 AF Illuminator/Self-timer

02 Mounting index

03 Custom button

04 Lens contacts

08

05 Lens release button

06 Mount

07 Silent multi-controller

08 Preview button

09 Remote sensor

10 Front dial control

get to know the a 99

1211

25

24

1413

15

16

17

18

19

20

11 Viewfinder

12 Eyepiece sensors

13 MOVIE button

14 AF/MF button/Enlarge button

15 Rear control dial

16 AEL button/SLOW SYNC button/

Image index button

17 Multi-selector

18 DISP button

19 Fn button/Image rotation button

20 Smart teleconverter button/

Zoom button/Focus Magnifier button

21 Access lamp

22 AF RANGE button/Delete button

23 22 21

23 Playback button

24 LCD screen

25 MENU button

41

get to know the a99

01

14

13

12

02

03 04

1011

05

06

07

08

09

15

22 21

1716

18

19

20

42

01 Microphone

02 Drive button

03 White Balance button

04 Exposure button

05 Power switch

06 Shutter button

07 ISO button

08 Display panel illumination button

09 Image sensor position mark

10 Display panel

11 FINDER/LCD button

12 Multi Interface Shoe

13 Mode dial

14 Mode dial lock release button

15 ISO sensitivity

16 Shutter speed/Aperture

17 Remaining battery

18 Exposure/Flash Compensation

19 Drive mode

20 Remaining number of recordable images

21 Image quality

22 White balance

get to know the a 99

35

23 24

30

29

28

25

26

27

3231

41

36

40

37

38

39

23 Flash sync terminal

24 Microphone jack

25 Headphones jack

26 HDMI terminal

27 USB terminal

28 DC IN terminal

29 Speaker

30 REMOTE terminal

34

31 Diopter-adjustment dial

32 SLOT 1 (Memor y card slot 1

33 Battery (inside

)

34 SLOT 2 (Memor y card slot 2

)

)

35 Vertical Control On/Off

36 Control dial

37 Multi-selector

38 Function button/Image rotation button

33

39 Smart teleconverter button/

Zoom button/Focus Magnifier button

40 AEL button/SLOW SYNC button/

Image index button

41 AF/MF button/Enlarge button

43

extend your

point of view

Carl Zeiss® lenses

300mm F2.8 G SSM II
(

SAL300F28G2

)

NEW

This super telephoto G lens delivers
both high contrast and beautiful bokeh
effects at levels far surpassing those of
existing 300mm F2.8 lenses. It features a
new high-performance optical design,
a quiet high-speed SSM autofocus drive
system with enhanced object tracking,
and an anti-glare Nano AR coating.

G Lenses

™

Sony’s highest quality professional lenses
are at the top of their class, delivering
exceptional in-focus image quality
and beautiful defocusing courtesy of
advanced aspherical and ED glass
elements as well as renowned Sony
quality assurance technology.

35mm
F1.4 G

(

SAL35F14G

Developed jointly by Sony and renowned optical manufacturer Carl Zeiss, these
superb AF-capable lenses feature Carl Zeiss optical formulas and coatings and
are designed for professional photographers seeking utmost image quality.

Distagon T*
24mm F2 ZA SSM

(

70-200mm

)

F2.8 G

(

SAL70200G

)

SAL24F20Z

70-300mm
F4.5-5.6 G SSM

(

SAL70300G

)

)

Planar T*
85mm F1.4 ZA

(

SAL85F14Z

)

Sonnar T*
135mm F1.8 ZA

(

SAL135F18Z

70-400mm
F4-5.6 G SSM

(

SAL70400G)

Vario-Sonnar T*

)

16-35mm F2.8 ZA SSM

(

)

SAL1635Z

500 mm
F4 G SSM

(

SAL50 0F4G

Vario-Sonnar T*
24-70mm F2.8 ZA SSM

(

)

SAL2470Z

)

44

extend your point of view

135mm F2.8 [T4.5] STF (SAL135F2 8

)

This special-purpose lens features apodization optics that deliver superb clarity at the
point of focus and exceptionally smooth transitions between in-focus and defocused
areas. A manual aperture ring provides added control over defocusing, which is
especially desirable around T4.5 to T6.7.

Sony full-frame lenses

Designed to bring out the full potential
of Sony a digital cameras with 35mm
full-frame sensors—including extremely
high-resolution, high sensitivity and

28-75mm
F2.8 SAM

(

SAL2875

)

75-300mm
F4.5-5.6

(

SAL75300

)

stunning sense of depth—Sony full­frame lenses integrate the latest lens
technologies and include top-quality G
series and Carl Zeiss lenses crafted to the
highest standards of optical precision.

50mm
F1.4

(

SAL50F14

)

50mm
F2.8 Macro

(

SAL50M28

)

Sony DT lenses

Sony DT lenses are designed for digital
interchangeable lens cameras with
APS-C type image sensors and have
slightly different optical requirements
than 35mm full-frame image sensors.
When a DT lens is mounted on the
a99, it automatically switches to the
APS-C mode and adjusts the XGA
OLED Tru-Finder to clearly display
the image with 100% coverage while
maintaining high resolution.

APS-C APS-C

DT 11-18mm
F4.5-5.6

(

)

SAL1118

DT 18–250mm
F3.5–6.3

(

SAL18250

)

DT 16-50mm
F2.8 SSM

(

DT 55-200mm
F4-5.6 SAM

(

)

SAL1650

APS-C APS-C APS-CAPS-CAPS-C APS-C

SAL55200-2

)

16mm
F2.8 Fisheye

(

)

SAL16F28

85mm
F2.8 SAM

(

)

SAL85F28

APS-C

DT 16-80mm
F3.5-4.5 ZA

(

)

SAL1680Z

NEW

DT 55-300mm
F4.5-5.6 SAM

(

SAL55300

)

20mm
F2.8

(

)

SAL20F28

100mm
F2.8 Macro

(

SAL100M28

APS-C APS-CAPS-C

DT 16-105mm
F3.5-5.6

(

SAL16105

DT 30mm
F2.8 Macro SAM

(

SAL30M28

)

)

)

DT 18-55mm
F3.5-5.6 SAM

(

)

SAL1855

DT 35mm
F1.8 SAM

(

)

SAL35F18

DT18-135mm
F3.5-4.5

(

SAL18135

DT 50mm
F1.8 SAM

(

SAL50F18

)

)

Teleconverters

Teleconverters boost the focal length
of lenses without affecting resolving
power and are a great way to extend
your telephoto range in the field without
adding much weight or bulk to your kit.

1.4x
Teleconverter

(

)

SAL14TC

2x
Teleconverter

(

)

SAL20TC

Compatible lenses

SAL702 00G (70-2 00m m F2.8G)*

SAL300F28G (300 mm F2.8G)*

SAL300F28G2 (300 mm F2.8 G SSM II)*

1

1

SAL70400G (70- 400mm F4-5.6 G SSM)*

SA L135 F2 8 (135mm F2.8 [T4.5] STF)*

1

SAL50 0F4G (500 mm F4 G SSM)*

*1: Compatible with MF and AF
focusing modes.

*2: Compatible
with MF fo cusing mode only.

2

2

3

*3: SAL14TC: Compat ible with MF
and AF focusing modes, SAL2 0TC:
Compatible MF focusing mode only.

45

expand your horizons

NEW

Flash

HVL-F60M

This powerful flagship flash unit (GN 60) features an LED light and delivers creative
lighting for both still image and movie shooting. As a lighting solution that supports
stringent professional demands, it offers a flexible rotation mechanism for Quick Shift
Bounce as well as quick and intuitive operation via Quick Navi, which has received
rave reviews on a series cameras. Also included are a built-in video LED lighting
feature, a color temperature conversion filter for LED lighting, a diffuser and a bounce
adaptor. Moreover, meticulous dust and moisture resistance support reliable shooting
in various types of conditions.

• Guid e number of 60 (105mm, I SO 10 0m)

• Wireless multi flash ratio control

• Fast approx. 3.5 se cond recharge time

• Dust and moisture resistant design

• Built-in wide panel and bounce sheet

• Multi Interface Shoe

• Shoe Adaptor (ADP-AMA) is included for usage

with Auto-lock Accessory Shoe cameras

10°

150 °

90°

90°

46

4

1

2

3

Bounce light 1 + 2Bounce light 1 only

Bounce light 1 + 2 + 3 Bounce light 1 + 2 + 3 + 4

Wireless multi-flash with flash ratio control

Flash

HVL-F43M

This large-capacity flash unit features
Sony’s Quick Shift Bounce design, which
enables wide-ranging angle adjustment
and the same lighting whether shooting
in the landscape or portrait position.
Shoe Adaptor ADP-MAA, which comes
bundled with the a99, is required to
mount this flash unit on the a99.

• Guid e number of 43 (at 105mm, I SO 100m)

• Wireless multi flash ratio control

• Built-in wide panel and bounce sheet

• Effective dust and moisture resistance

• Fast 2.9 second recharge time

Ring Light

HV L-R L1

NEW

The HVL-RL1 offers highly effective
illumination of small subjects for
macro shooting. Its powerful approx.
700 lx/0.3m (LED) performance
is approximately 4 times brighter
than in the previous model and
brightness can be steplessly dimmed
to achieve creative lighting that
subtly reflects your intentions.
Extremely smooth lighting effects
can also be achieved without clearly
revealing the source of light.

• Can be mounted on Multi Interface Shoe cameras.
Full-ring illumination for shadowless lighting

• Half-ring illumination for shadows and contrast

• Continuous illumination allows lighting to be

checked at any time

• Filter diameter: 49mm, 55m m

• Shoe Adaptor (ADP-AMA) is included for usage

with Auto-lock Accessory Shoe cameras

XLR Adaptor Kit

XLR- K1M

NEW

This kit meets the audio needs of
professional movie production by
providing two pro-standard XLR terminals
that reliably connect the camera
with professional XLR-connected
microphones, mixing consoles and
sound studios. Direct separate control
of the left and right channels provides
versatile possibilities such as control of
recording level adjustment, attenuation
and wind noise reduction to match
microphone characteristics and creative
intentions. MIC/LINE input switching for
each channel is also provided to greatly
simplify post-shoot editing.

Optional

VCT-55LH bracket

• Various types of microphones are supported

• A lock mechanism prevents accidental cable

detachment

• ECM-XM1 monaural shotgun microphone included

• Optional bracket is required to attach to a99

(

adaptor cannot be attached directly to a99

)

expand your horizions

Vertical Grip

VG- C9 9AM

NEW

Featuring optimal contours and
essential controls, this grip provides
comfort and handling on a par with
horizontal shooting. It also offers a
triple battery advantage (two batteries
plus one in the camera) for extended
shooting and playback.

• Holds up to two NP-FM5 00H rechargeable
battery packs (sold separately)

• Dust and moisture resistant design

Stereo Microphone

ECM-ALST1

During movie shooting, this compact
stereo microphone provides crisp,
clear recording quality. It includes
selectable directivity (90°/120°) for
capturing dialogue or ambient sound.

• Compact, lightweight design

• Includes shock mount holder, wind screen,

carrying case, pouch and battery
(

Sony Alkaline LR44)

• Shoe Adaptor ADP-MA A (included with a99)
is necessary for usage with Multi Interfac e Shoe
equipped camera

Shotgun Microphone

ECM-CG50

This professional quality “shotgun”
microphone offers high directivity for
isolating specific sound sources, as well
as low noise and a wide dynamic range.

• Plug -in power or three “AA” alkaline bat teries

• Includes shock mount holder, spacer, wind

screen, shoe adaptor and low -cut mode for
reducing unwanted low frequencies

• Can be mounted on Multi Interface Shoe cameras

Back pack

LCS- BP3

NEW

In addition to holding the camera with
standard lens attached, this bag’s
ample dimensions can carry various
shooting-related accessories, up to
four interchangeable lenses, and a
laptop PC with up to 15.5 inch monitor.
The designer paid close attention to
details like the rain cover and various
belt features that reduce the fatigue
of carrying a heavy load. This is truly
a back pack designed to meet the
stringent demands of professional
photographers.

• Features easily accessible side opening, multiple
pockets, 4 padded dividers and an integrated
rai n cover.

Remote Commander

RMT-DSLR2

NEW

This wireless remote commander for
a A-mount and E-mount cameras
provides easy remote start/stop
functionality whether shooting still
images or movies.

48

system at a glance

Flash/Flash Accessories

Flash
HVL-F43AM

Flash

Flash
HVL-F20AM

Ring Light

Accessories

Macro Light
Adaptor
FA -M A1AM

Multi Flash Cable
FA- MC1AM

Exten sion Cable
for Flash
FA- EC1AM

Ring Light
HVL-RL1

Battery/Charger

Rechargeable
Battery Pack
NP-FM5 00H

AC Adaptor
AC- PW10AM

Macro Twin
Flash Ki t
HVL-MT24AM

Sync Termi nal
Adaptor
FA- ST1AM

NEW NEW

Battery Charger
BC-VM10

Off-camera
Cable for Flash
FA- CC1AM

Flash

Flash
HVL-F60M

Exter nal Batte ry
Adaptor for Flash
FA- EB1AM

Triple Connector
for Flash
FA- TC1AM

Memory Cards

SD Memo ry Card

Shoe Adaptor

ADP-MAA

Vertical Grip

VG- C99AM

Memory Stick PRO-HG DuoHX/
Memor y Stick PRO Duo Ma rk 2

NEW

NEW

HDMI Cable

HDMI Ca ble (Mini

DLC -HE M15/20/30

)

Angle Finder
FDA -A1AM

Microphone

Stereo Microphone
ECM-ALST1

Microphone

XLR Adapto r Kit
XLR -K1M

Shooting Accessories

NEW NEW

Screen P rotector
Semi Hard Sheet
PC K-L M14

Lens AccessoriesFinder Accessory

Circular PL Filters
VF-49CPAM/55CPAM/
62CPA M/67CPAM/
72CPA M/ 77CPAM

Microphone/Monitor

Clip-on LCD Monitor
CLM-V5 5

Bracket
VCT-5 5LH

Remote Commander
RMT-DSLR2

ND Filter s [8x]
VF-49NDAM/55NDAM/
62NDAM/67NDAM/
72NDAM/77NDA M

Shotgun Microphone
ECM-CG5 0

NEW

Shoe Cap
FA- SHC1M

Remote
Commander

(

*Still images only

RM -L1A M

MC Protectors
VF-49MPAM/55MPAM/
62M PAM/67MPA M/
72MPA M/77MPAM

)

Straps Cases

Grip Belt
ST P- GB1AM

Shoulder Strap
STP-SS2A M

Shoulder Strap
ST P- SB1A M

Shoulder Strap
STP-SB2 AM

Shoulder Strap
STP-XS3

Soft Carrying
Case
LCS -SC21

Soft Carrying
Case
LCS- SC8

Back Pack
LCS- BP3

NEW

Back Pack
LCS- BP2

Messenger
Type Bag
LCS -MS10

Soft Carrying
Case
LCS- AMLC4

explore the possibilities

Image Data Converter and
Remote Camera Control

Image Data Converter software lets
you enjoy advanced features for
browsing, manipulating, converting
and managing the full-resolution RAW
images you capture. While viewing
the images, you can expertly adjust
exposure, white balance, tonal curves,
saturation, contrast, hue, sharpness and
more. The viewer window presents RAW
and JPEG files as thumbnails, along
with your preference ratings if desired,
to support easy comparison of multiple
images and enhance the browsing
and management of your image data.
Bundled Remote Camera Control
software can enhance the efficiency
of your studio workflow by letting you
remotely activate and deactivate still/
movie recording and control various
camera settings from a PC. Automatic
transfer of still images from the camera
to the PC is also possible. Controllable
settings include exposure mode, ISO
speed, various audio and image
settings, etc.

PlayMemories™ Home

This convenient software makes it easy
to download photos to a computer for
viewing, editing, printing, sharing (via
e-mail or web upload), burning to disc
or retouching.

GPS capability

The built-in GPS (Global Positioning
System) feature can tag your
photographs with data that indicates
where and when they were taken.
When you view tagged photographs
on a PC installed with bundled PMB
software, or on a connected BRAVIA
TV with the Photo Map function, the
photos can be displayed on a map to
indicate where they were taken.
A highly sensitive antenna in the camera
ensures clear reception of global
positioning data wherever you travel.

PlayMemories™ Online

Shoot photos and videos with your
favorite camera or smartphone and
effortlessly enjoy them on your tablet,
computer, BRAVIA and more! Start with
5GB of free storage space! For details,
visit http://playmemoriesonline.com.

Reykjavik, Iceland

Detroit, USA

Death Valley, USA

Madrid, Spain

Assignment of a Lifetime locations

PlayMemories™ Studio*

Now you can enjoy photos and movies
on your game machine, thanks to
PlayMemories Studio software for PS3.

* Optional software

Paris, France

Ho Chi Minh City, Vietnam

50

Main specifications of

Type

Type

35mm full-frame (35.8 x 23.9mm), Exmor CMOS sensor

)

Anti-dust system

Charge protection coating on low-pass filter and image sensor shift mechanism

)

,

(

)

Image quality modes

RAW, RAW & JPEG, JPEG Extra fine, JPEG Fine, JPEG Standard

Contrast Monochrome, Toy Camera, Soft High-key , Soft Focus, HDR Painting, Rich-tone

(

Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step

Video compression

AVCHD Ver. 2.0 compliant/MPEG-4 AVC (H.264

)

Audio Level Display, Audio Rec Level, AF Tracking Duration, Auto Slow Shutter, HDMI info.
Display (on/off selectable

Focusing system

Type

TTL Phase-detection AF

(

(

Metering sensor

Exmor CMOS sensor

Metering sensitivity

-2 to 17 EV (at ISO 100 equivalent with F1.4 lens attached

)

)

Bracket: Cont./Bracket: Single, With 1/3 EV, 1/2 EV, 2/3 EV, 2. 0EV, 3.0 EV increments,
3/5 frames (2.0 EV, 3.0 EV: only 3 frames) selectable

(

Viewfinder

)

)

Color temperature control

Manual (5 steps

)

Real-time image-adjustment display

ON/OFF

LCD screen

Rotation angle: 180° clockwise and 90° counterclockwise

)

Graphic Display/Display All Info./No Disp. Info./Digital Level Gauge/Histogram/Shooting
Focus Magnifier

35mm full-frame: 5.9x, 11.7x APS-C: 3.8x, 7.7x

)

(

)

Other features

Smart zoom(still image

)

M: approx. 1.5x S: approx. 2.3x

Digital zoom(still image

)

Approx. 4x

Shutter

Electronic Front Shutter Curtain

Yes (ON/OFF

)

)

)

Control

ADI, Pre-flash TTL

)

Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for

)

Drive

)

when

: Extra FINE 20, FINE 28, STD 31, RAW

(

PC interface

miniB, Hi-speed USB (USB2.0) (Mass-storage (Multi LUN), MTP, PC remote

)

, DC IN terminal,

Windows XP*4 SP3, Windows Vista*5 SP2, Windows 7 SP1, Mac OS X (v. 10.3-10.8

)

Audio

Compatible standards

Exif Print, Print Image Matching III, DPOF setting

Custom function

Battery

One rechargeable battery pack NP-FM500H

)

)

Weight

)

Body only

Approx. 733 g (approx. 1 lb 9.9 oz

)

Dimensions

)

)

Operating temperature

32–104°F/ 0–40°C

Movie recording time for single media (Memory Stick PRO Duo, in hours and minutes, approx.

)

2G4G8G

16G

32G

Number of recordable still images for single media

2G4G8G

16G

32G

Camera type Interchangeable lens digital camera
Lens compatibility Sony A-mount lenses, operation with Minolta/Konica lenses confirmed
Image sensor

Number of pixels (effective
Number of pixels (total
Image sensor aspect ratio 3:2

Recording system (still images
Recording format JPEG (DCF Ver. 2.0, Exif Ver. 2.3, MPF baseline compliant), RAW (Sony ARW 2.3 format

Image size

RAW output 14 bit
Picture Effect 11 types (15 variations): Posterization (Color), Posterization (B/W), Pop Color, Retro

Creative Style Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night scene,

Dynamic range functions Off, Dynamic Range Optimizer

Color Space sRGB, Adobe RGB
Recording system (movie
Recording format AVCHD Ver. 2.0 (Progressive)/MP4

Audio recording format Dolby Digital (AC-3)/MPEG-4 AAC-LC, 2ch
Image size (pixels)
**Maximum bit rate
***Average bit rate

Movie functions

Media
Media Memory Stick PRO DuoTM, Memory Stick PRO-HG DuoTM, SD memory card, SDHC

Slot Slot 1: Multi slot for Memory Stick PRO Duo/SD (UHS-I compliant) memory card

Recording mode on 2 memory cards Simult. Rec (Still), Simult. Rec (Movie), Simult. Rec (Still/Movie), Sort (JPEG/RAW), Sort

Noise reduction
Noise reduction Long exposure NR: On/Off selectable, available for shutter speeds longer than 1 sec.

Multi Frame NR Auto/ISO 100 to 51200
White balance
Modes Auto/Daylight/Shade/Cloudy/Incandescent/Fluorescent <Warm White/Cool White/Day

AWB micro adjustment Yes <G7 to M7 (15 steps), A7 to B7 (15 steps)>
Bracketing 3 frames, H/L selectable

Focus sensor Detector 1: CCD line sensors

Focus point Detector 1: 19 points (11 points cross type

Sensistivity range Detector 1: -1 to 18 EV (at ISO100 equivalent with F2.8 lens attached
Focus mode Direct Manual Focus, Manual focus selectable
AF mode Single-shot AF

Focus area Wide
Other features Tracking focus, Predictive control (AF-A, AF-C, AF-D*1), Focus lock, Eye-start AF, AF

Exposure control
Metering type 1200-zone evaluative metering

Modes Multi-segment, Center-weighted, Spot
Exposure modes AUTO (iAUTO, Superior Auto), Programmed AE (P), Aperture priority (A), Shutter-speed

Scene Selection Portrait, Landscape, Macro, Sports action, Sunset, Night portrait, Night scene,

Exposure compensation +/-5.0 EV (1/3 EV, 1/2 EV steps selectable
AE bracketing

AE lock Available with AE lock button. AE is also locked when focus is locked in multi-segment

ISO sensitivity

(

Recommended Exposure Index

)

pixels

3:2 aspect ratio 35mm full-frame L: 6000 x 4000 (24M), M: 3936 x 2624 (10M),

16:9 aspect ratio 35mm full-frame L: 6000 x 3376 (20M), M: 3936 x 2216 (8.7M), S: 2640 x 1488

Sweep Panorama Wide: horizontal 12,416 x 1,856 (23M), vertical 5,536 x 2,160 (12M), Standard:

)

NTSC AVCHD: 1920 x 1080 (60p/28Mbps**/PS, 60i/24Mbps**/FX, 60i/17Mbps***/FH,

Approx. 24.3 megapixels
Approx. 24.7 megapixels

RAW & JPEG

S: 2640 x 1760 (4.6M) APS-C L: 3936 x 2624 (10M), M: 2640 x 1760 (4.6M),
S: 1728 x 1152 (2.0M

(

3.9M) APS-C L: 3936 x 2216 (8.7M), M: 2640 x 1488 (3.9M), S: 1728 x 976 (1.7M

horizontal 8,192 x 1,856 (15M), vertical 3,872 x 2,160 (8.4M

Photo, Partial Color (R), Partial Color (G), Partial Color (B), Partial Color (Y), High

Mono, Miniature

Autumn leaves, Black & White, Sepia (Contrast (-3 to +3 steps), Saturation (-3 to +3
steps), Sharpness (-3 to +3 steps

24p/24Mbps**/FX, 24p/17Mbps***/FH)
MP4: 1440 x 1080 (30fps/12Mbps***), 640 x 480 (30fps/3Mbps***

memory card (UHS-I compliant), SDXC memory card (UHS-I compliant

Slot 2: SD (UHS-I compliant) memory card only

(

Still/Movie), Copy

High ISO NR: Normal/Low/Off selectable

White/Daylight>/Flash/Color Temperature <2500 to 9900K> & color filter <G7 to M7,
A7 to B7>/Custom <3>

Detector 2: 102 assist points *1

Detector 2: 102 assist points*1

Continuous AF (AF-D)*1 selectable

illuminator (built-in, LED type, range: Approx. 1-7m (Approx. 3.3 to 23 feet)), AF range
control, AF micro adjustment, AF ON

priority (S), Manual (M), Scene Selection, Sweep Panorama, Tele-zoom Continuous
Priority AE, Movie (Programmed AE (P), Aperture priority (A)/Shutter-speed priority (S)/
Manual (M) selectable in manual focus mode

Hand-held Twilight

metering mode.
Still images: ISO 100-25600 equivalent

can be set as expanded ISO range.), AUTO (ISO 100–6400, selectable lower limit
and upper limit )

)

Movies: ISO 100-6400 equivalent (1/3 EV step)/AUTO (ISO 100–3200 equivalent

)

))

Auto/Level (1-5)), Auto High Dynamic Range (Auto

)

)

AF-S), Automatic AF (AF-A), Continuous AF (AF-C), Depth Map Assist

auto,19 points)/Zone/Spot/Local selectable

)

1/3 EV step), (ISO numbers up from ISO 50

)

))

)

)

)

)

Type XGA OLED, 1.3 cm (0.5 type) electronic viewfinder (color
Number of dots 2,359,296 dots
Brightness control Auto/Manual (3 steps between -1 and +1

Field coverage 100%
Magnification Approx. 0.71x (with 50mm lens at infinity, -1m-1
Diopter adjustment -4.0 to +3.0m-1
Eye point Approx. 27mm from the eyepiece lens, 22mm from the eyepiece frame at -1 diopter

)

Display Graphic Display/Display All Info./No Disp. Info./Digital Level Gauge/ Histogram

Type 7.5 cm (3.0 type) TFT drive
Total number of dots 1,228,800
Brightness control Auto, Manual (5 steps between -2 and +2), Sunny weather

)

Adjustable angle Tilt angle: 140°upward and 180° downward

Display selecter (Finder/LCD
Display

Real-time image-adjustment display On/Off

Peaking MF Yes (Level setting: High/Mid/Low/Off, Color: White/Red/Yellow
Display Panel

Face detection
Auto Portrait Framing
Clear Image Zoom
Digital Zoom

approx., max.

)

Digital zoom(movie)Approx. 4x

*2

Smart Teleconverter Approx. 1.4x/2x
Lens compensation Peripheral shading, chromatic aberration, distortion

Type Electronically controlled, vertical-traverse, focal-plane type
Shutter speed Still images: 1/8000 to 30 sec, Bulb

Flash sync. speed 1/250 sec.

SteadyShot INSIDE (image stabilization
Type For still images: Image Sensor-Shift mechanism, For movies: Electronic
Compensation effect Equivalent to approx. 2.5 to 4.5 steps in shutter speeds

Flash Control (with optional external flash

Flash compensation +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps
Flash bracketing 0.3/0.5/0.7/2.0/3.0 EV steps, 3/5 frames (2.0/3.0 EV: only 3 frames) selectable
Flash modes Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (on/off

External flash

FE level lock Yes
Wireless control Yes (wireless flash with lighting ratio control

Drive modes Single Shooting, Continuous shooting (Hi/Lo selectable), Self-timer (10/2 sec. delay

Continuous shooting speed
(

No. of frames recordable* (approx.
used with SD-UHS1 card

Playback
Modes Single

Interface

HD output HDMI mini connector (Type-C), BRAVIA Sync (link menu), PhotoTV HD
Others Sync. terminal, Multi Interface Shoe*7, Auto-lock accessory shoe compatible with

Compatible OS

Microphone Built-in stereo microphone or ECM-ALST1 (with supplied shoe adaptor)/ECM-CG50/

Speaker Built-in, monaural, Volume settings in 8 steps between 0 and 7
Print

(

)

CIPA standard

Auto/Manual

information for viewfinder mode

Top Panel

setting mode indicator LCD

Movies: 1/8000 to 1/4 (1/3 step)
NTSC: up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
PAL: up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode

* Varies according to shooting conditions and lens used

selectable), Hi-speed sync*3, Wireless*3

flash compatible with auto-lock accessory shoe

selectable), Bracket: Cont., Bracket: Single, White Balance bracket, DRO bracket,
Remote Control (with optional RMT-DSLR2
Tele-zoom Continuous Advance Priority AE: Maximum Approx. 10/8fps selectable
Continuous shooting Hi:
35mm full-frame: Maximum approx. 6fps
APS-C: Maximum approx. 7fps
Continuous shooting Lo:
35mm full-frame: Maximum approx. 2.5fps
APS-C: Maximum approx. 2.5fps

*2

Continuous shooting Hi: Extra FINE 15, FINE 24, STD 29, RAW 15, RAW+JPEG 12
Tele-zoom Continuous Advance Priority AE (8fps
19, RAW+JPEG 18, Tele-zoom Continuous Advance Priority AE (10fps): Extra FINE 20,
FINE 26, STD 28

with or without shooting information, RGB histogram & highlight/shadow
warning), 4/9-frame index view, Enlarged display mode (Maximum magnification
L: 16.7x, M: 11.8x, S: 8.3x), Auto Review (10/5/2 sec, off), Image orientation (On/Off
selectable), Slideshow, Panorama scrolling, Folder selection (Still), Forward/Rewind

(

Movie), Delete, Protect

supplied shoe adaptor, Microphone terminal (3.5mm Stereo minijack
Wired remote terminal, Headphone terminal (3.5mm Stereo minijack), Vertical Grip
Connector

XLR-K1M (sold separately

)

)

Type Custom key settings, Programmable setting
Memory function Yes (3 sets
Power

Still images Approx. 410 shots (Viewfinder)/approx. 500 shots (LCD monitor) (CIPA measurement

)

)

)

)

*6

Movies
External Power AC Adaptor AC-PW10AM (sold separately

With battery and
Memory Stick PRO Duo included

W x H x D (excluding protrusions
Others
Body material Magnesium Alloy and High rigidity engineering plastic exterior

AVCHD 60i 24M (FX) (NTSC/PAL

AVCHD

AVCHD

AVCHD

MP4

* The numbers in the table above show the approximate maximum recordable time obtained by totaling all movie files.
* The size of a movie file is limited to approx. 2GB.

Media: Memory Stick PRO Duo, Image size: 35mm full-frame, L 24M (3:2 aspect ratio

Standard

Fine

Extra Fine

RAW + JPEG

RAW

* The actual numbers may be less than those indicated depending on the conditions of use.

)

50i 24M (FX) (PAL

60p 28M (PS) (NTSC/PAL

)

50p 28M (PS

) (

24p 24M (FX

NTSC/PAL

25p 24M (FX) (PAL

MP4 1440×1080 12M

)

)

)

)

Approx. 155 min with viewfinder, approx. 155 min with LCD monitor

Approx. 812 g (approx. 1 lb 12.7 oz

Approx. 147 x 111.2 x 78.4mm (approx. 5 7/8 x 4 1/2 x 3 1/8"

)

10m 20m 40m 1h 30m 3h

9m 15m 35m 1h 15m 2h 30m

10m 20m 40m 1h 30m 3h

20m 40m 1h 20m 2h 45m 5h 30m

)

280 560 1100 2250 4600

195 395 800 1600 3200

105 215 435 870 1750

54 105 215 435 870

74 145 295 600 1200

51

For more information about the a99 visit

www.sony.com/a99

Learn more about Sony Digital Imaging products at

www.sonydigitalimaging.com

System requirements of bundled software

Image Data Converter Ver. 4/Remote Camera Control Ver. 3 PlayMemories Home

Microsoft Windows ®

OS*

Windows® XP** SP3, Windows Vista® SP2, Windows 7 SP1

CPU Pentium 4 or faster

Memory 1 GB or more is recommended.

The computer environment must also satisfy the operating requirements of the OS.
* Must be installed with the listed OS at delivery. Proper operation cannot be guaranteed with an upgraded OS environment.
** 64-bit and Starter Editions are not supported. Windows Image Mastering API (IMAPI) Ver. 2.0 or later is required for disc burning function.

Trademarks & Remarks

* is a trademark of Sony Corporation.
* Exmor , BIONZ
Memory Stick PRO Duo
* PLAYSTATION is a registered trademark of Sony Computer Entertainment Inc.
* Blu-ray Disc and
* AVCHD and AVCHD Progressive and their respective logos are trademarks of Panasonic Corporation and Sony Corporation.
* SD Logo, SDHC Logo and SDXC Logo are trademarks of SD-3C, LLC.
* HDMI, HDMI Logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC in the United States and other countries.
* All other company and product names mentioned herein are used for identification purposes only and may be the trademarks or registered trademarks of their respective owners.
* InfoLithium is a lithium battery pack which can exchange data with compatible electronic equipment about its energy consumption.
Sony recommends that you use the battery pack with electronic equipment bearing the mark.
* WhiteMagic

• Screen displays are simulated.

• Simulated effects are used to illustrate some functions.

™

and are trademarks of Japan Display Inc.

, BRAVIA , SteadyShot, VAIO , InfoLithium , Memory Stick , Translucent Mirror Technology , Tru-Finder ,

are trademarks.

, Memory Stick PRO-HG Duo , and Multi Interface Shoe , are trademarks or registered trademarks of Sony Corporation.

For more details, visit the website at www.worldphoto.org.

®

Macintosh
Mac OS X (v10.5 (Leopard), v. 10.6 (Snow Leopard),
v. 10.7 (Lion), v. 10.8 (Mountain Lion

Intel Core Solo/Core Duo/Core 2 Duo or faster

1 GB or more is recommended.

))

Microsoft Windows®
Windows® XP** SP3, Windows 7 SP1, Windows 7 SP1

Pentium III 800 MHz or faster
For playing/editing High Definition movies: Intel Core
Duo 1.66 GHz or faster/Intel Core 2 Duo 1.66 GHz or faster,
Intel Core 2 Duo 2.26 GHz or faster (AVC HD (FX/FH)),
Intel Core 2 Duo 2.40 GHz or faster (AVC HD (PS

512 MB or more (For playing/editing High Definition movies: 1 GB or more

™

)

)

Sony Electronics Inc. | 16530 Via Esprillo | San Diego, CA 92127 | 1-800-222-7669 | www.sony.com DI12023