how to use it .................................................. 63
3
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Overview
NOTICE TO USERS
Safety Regulations (Supplied)
Describes the important points for safe use of the
camera.
Be sure to read it.
Operating Instructions (This document/
Web)
These operating instructions describe the names of the
various parts of camera and installation, connection, and
operation methods.
Using This Manual
The Operating Instructions is designed to be read on a
computer display.
The content you need to know in order to use the camera
is described here.
Read it before you operate the camera.
SONY CORPORATION PROVIDES NO
WARRANTY WITH REGARD TO THIS
MANUAL, THE SOFTWARE OR OTHER
INFORMATION CONTAINED HEREIN AND
HEREBY EXPRESSLY DISCLAIMS ANY
IMPLIED WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY
PARTICULAR PURPOSE WITH REGARD TO
THIS MANUAL, THE SOFTWARE OR SUCH
OTHER INFORMATION. IN NO EVENT SHALL
SONY CORPORATION BE LIABLE FOR ANY
INCIDENTAL, CONSEQUENTIAL OR SPECIAL
DAMAGES, WHETHER BASED ON TORT,
CONTRACT, OR OTHERWISE, ARISING OUT
OF OR IN CONNECTION WITH THIS MANUAL,
THE SOFTWARE OR OTHER INFORMATION
CONTAINED HEREIN OR THE USE THEREOF.
Jumping to a related page
When you read the instructions on a computer display
and click on the related part of the relevant page that is
being displayed, you jump to the related page. Relevant
pages can be searched easily.
Software display examples
The software displays described in this manual are
explanatory examples. Note that some displays may be
different from the ones that actually appear.
The illustrations of the camera and menu display in the
instructions show the BRC-X1000 as an example.
Only supported functions are displayed.
Printing the Operating Instructions
Depending on your system, certain displays or
illustrations in the Operating Instructions, when printed
out, may differ from those that appear on your screen.
Sony Corporation reserves the right to make any
modification to this manual or the information
contained herein at any time without notice.
The software described herein may also be governed
by the terms of a separate user license agreement.
• is a trademark of Sony Corporation.
• “Exmor R” and are trademarks of
Sony Corporation.
• HDMI, HDMI High-Definition Multimedia
Interface, and HDMI logo is a trademark of HDMI
Licensing LLC and is registered trademark in
United States and/or other countries.
• Microsoft, Windows, and Internet Explorer are
registered trademarks of United States Microsoft
Corporation in the United States and/or other
countries.
• JavaScript is a trademark or registered trademark of
Oracle Corporation, its affiliates or subsidiaries in
the United States and other countries.
• Adobe, Adobe Reader and Adobe Flash are
trademarks of Adobe Systems Incorporated.
Other system names, product names appearing in this
document are trademarks or registered trademarks of
their respective manufacturers. Trademarked items
are not indicated by ® or ™ symbols in this
document.
4
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Precautions for
Preventing Access to
the Camera by an
Unintended Third Party
The camera settings may be changed by an unintended
third party on the network, depending on the usage
environment.
The camera can be fraudulently accessed in a network
environment where a device is connected or connectable
to the network without the administrator’s permission,
or where a PC or other network device connected to the
network can be used without any permission.
After configuring the camera, immediately change the
password you use for upgrading the firmware on the
camera, from a Web browser on your PC, and for
changing settings. For how to change password, see
“Changing the password” (page 51).
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Features
Pan/Tilt/Zoom CMOS video camera
equipped with a small built-in pan-tilt
head
• The camera unit is equipped with a 1.0-type Exmor R® CMOS
sensor and an optical 12× zoom lens with pan/tilt/zoom features
integrated into a small built-in pan-tilt head. This versatile
camera can be used for various applications.
• The pan-tilt head can pan to the right or left by ±170 degrees
and tilt upward to 90 degrees and downward to 30 degrees,
which allows the camera to remotely shoot wide areas.
• The camera pans and tilts smoothly, even at low movement
speed.
• The camera pans and tilts quietly, even at its maximum speed of
60 degrees per second.
• Up to 100 preset positions can be saved. The PTZ Motion Sync
function enables smooth preset operation with coordinated pan/
tilt and zoom. In addition, the speed of movement between
positions can be adjusted from an optional RM-IP500/IP10
Remote Controller.
Zoom performance for capturing distant
subjects
In addition to 12× optical zoom, it uses Sony’s 2×*1
Clear Image Zoom function and 2× Tele Convert
*2
mode
telephoto performance.
*1
*2
to achieve the equivalent of up to 48×*2
When shooting at 1920×1080 only. 1.5× when
shooting at 3840×2160.
When shooting at 1920×1080 only.
Equipped with 3G-SDI and HDMI output
The camera can deliver 4K output for both Dual Link
3G-SDI×2 (2SI) and HDMI.
Various installation environments are available in order
to establish a connection with HDMI, in addition to the
coaxial cable.
Equipped with PoE+ (Power Over
Ethernet Plus)
The camera is compatible with PoE+ (Power Over
Ethernet Plus), so a single LAN cable can be used for
power provision and control.
Compatible with VISCA over IP protocol
An IP connection can be established between the camera
and the remote controller.
Equipped with External Video Sync
Function
The camera is equipped with an external video sync
function to synchronize the camera images on multiple
cameras.
Equipped with Tally Lamp Function
The camera is equipped with a Tally lamp that quickly
distinguishes when the camera is in use.
The front Tally lamp is a large Tally lamp used for
improving visibility. The camera is also equipped with a
Tally lamp behind the camera block, in order to improve
visibility from the rear side.
High sensitivity and high resolution from
built-in 1.0-type CMOS image sensor
With the built-in highly photosensitive 1.0-type Exmor
®
R
CMOS sensor, high resolution shooting with less
noise can be achieved. Highly sensitive shooting unique
to the large sensor can be achieved. In addition, the
camera is equipped with a ZEISS Vario-Sonnar T* builtin lens.
Multi-format support
3840×2160/29.97p (2SI)
1920×1080/59.94p, 1920×1080/59.94i,
1280×720/59.94p
3840×2160/25p (2SI)
1920×1080/50p, 1920×1080/50i, 1280×720/50p
3840×2160/23.98p(2SI)
Switching possible with the SYSTEM SELECT switch
*1
Compatible only with the BRC-X1000
*1
*1
*1
, 1920×1080/23.98p
Supports network connection with RCP/
MSU
Network connection to an optional remote control panel
(RCP) or master setup unit (MSU) is supported.
Picture Profile preset function
Picture Profile presets PP1 to PP6 can be loaded. By
using these presets, you can match the image texture
with other types of camcorders that support the Picture
Profile function, or create an image texture that is
similar to that of cinematic film.
Built-in ND filter
The camera is equipped with a built-in ND filter to
enable adjustment of the light level in bright lighting
conditions without changing the shutter speed or iris.
You can choose from Off, 1/4, 1/16, and 1/64.
6
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Location and Function
67
5
of Parts
Camera
If a fault inside the camera is detected, the lamp
flashes at approximately 0.7 second intervals
irrespective of the on/off status of the back Tally
lamp. When a fault is detected, its content will be
displayed in the menu (see page 53). If, however,
“CAMERA FAULT” is shown, the back Tally lamp
may not flash.
Front (BRC-X1000)
1
A Lens
This is a 12× magnification optical zoom lens.
When CLEAR IMAGE ZOOM in the PAN TILT
ZOOM menu is turned on, the camera can zoom up
to 18× for 4K and 24× for HD.
3
42
E SONY nameplate, 4K or HD nameplate
Pull them out to turn them over and attach upside
down if required.
4K: BRC-X1000
HD: BRC-H800
F POWER lamp
Flashes in green when the camera is connected to an
outlet using an AC adapter and power cord (not
supplied), or when power is being supplied by
connecting the camera and PoE+ Hub using a LAN
cable. The green lamp stops flashing and lights up
when start-up is complete.
The green lamp flashes when the camera receives an
operation command from the supplied remote
commander.
The orange lamp comes on when the POWER
button on the supplied remote commander is
pressed.
The yellow lamp flashes while upgrading the
firmware.
The orange lamp flashes when there are defects in
the camera (for instance, when rotations of fan
motor slow down or stop etc.).
Note
Do not touch the part around the lens when
energized.
B Tally lamp
Lights up in red when a VISCA Tally command is
received or the camera is selected by the remote
controller (not supplied) (depending on the setting
mode). Brightness can be selected from HIGH,
LOW, and OFF (the lights are turned off) in TALLY
MODE in the SYSTEM menu.
C Remote commander sensors
These are sensors for the supplied remote
commander.
D Back Tally lamp
Lights up in red when a VISCA Tally command is
received or the camera is selected by the remote
controller (not supplied) (depending on the setting
mode). The back Tally lamp does not light up when
TALLY MODE in the SYSTEM menu (page 41) is
set to OFF.
G Network lamp
Lamp flashes during initialization when it is
connected to a PoE+ Hub using a LAN cable and
power is being supplied from the PoE+ Hub. The
lamp lights up when it is connected to the network
once start-up is complete.
Lights up after start-up is complete if network is
connected, when power is supplied to the camera
from outlet using AC adapter and power cord. The
lamp is unlit when not connected to the network.
The lamp turns off while upgrading the firmware.
The lamp flashes when there are defects in the
camera (for example, when the fan motor stops).
7
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Back
qgqhq
w
wawswdw
q
q
q
qhq
w;wawswdw
q
q
BRC-X1000
980qaqs
SYSTEM
IN
SELECT
BRC-H800
IR SELECT
123
VISCA RS - 422 OUT
MONITOR OUTHDMI OUT
SDI 1SDI 2
j
k
CAMERA SETUP
ON
OSD
ON
OFF
LINE OUT
SDI 1
;
l
qdqf
23456781
12V
LAN
EXT SYNC IN
SDI 2
TERMI NATION
ON OFF
Factory settings for network
IP address: 192.168.0.100
Subnet mask: 255.255.255.0
Default gateway: 0.0.0.0
Name: CAM1
User name: admin
*
Password: Admin_1234
* The user name cannot be changed.
M CAMERA SETUP switches
SDI format/level settings
The baud rate settings and camera address settings
of RS-422 are set for VISCA communication.
f
CAMERA SETUP switch settings
980qaqs
IR SELECT
123
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
HDMI OUT
MONITOR
OUT
g
j
k
qdqf
CAMERA SETUP
ON
23456781
OSD
ON
OFF
LINE OUT
l
LAN
EXT SYNC IN
12V
TERMI NATION
ON OFF
H SYSTEM SELECT switch
Used for selecting the video format of the signal to
be output from the HDMI OUT, MONITOR OUT,
and LINE OUT terminals.
For details, see “SYSTEM SELECT switch
settings” (page 63).
I AC adapter cord clamper
Fix the cord of an AC adapter with the cord clamper
so that it does not come out.
1456 7
Switch No.Setting items
1Setting up 3G-SDI level
f
2System reserve
3
4Baud Rate settings of RS-422 for VISCA
communication
5VISCA Address settings for VISCA
6
communication
7
8System reserve
1 SDI format/level settings
This setting is enabled when the signal format is
1920×1080/50p or 1920×1080/59.94p.
J IR SELECT switch
Select the camera number when you operate
multiple cameras with the same remote commander.
K Remote commander sensors
These are sensors for the supplied remote
commander.
L Network reset switch
This switch is for initializing network settings such
as the IP address.
Press the switch for 5 seconds or longer with a pen
point, etc., to initialize the network settings.
The camera will reboot, and the network settings
will return to the factory default.
Switch stateSDI format/level
ONLevel-B
OFFLevel-A
* Turn the power off or to standby, then turn the power
on to reflect the changes after setting.
4 Baud Rate settings of RS-422 for VISCA
communication
Switch stateBaud Rate
ON38400 bps
OFF9600 bps
* Turn the power off and on to reflect the changes
after setting.
567 Camera address settings
Sets camera address.
8
Page 9
It is normally set to “Auto”. When “Auto” is
selected, an address is automatically assigned to the
camera.
To set the address manually, set a value between “1”
to “7” for this switch as indicated below.
Switch No.
56 7
OFFOFFOFFAuto
ONOFFOFF1
OFFONOFF2
ONONOFF3
OFFOFFON4
ONOFFON5
OFFONON6
ONONON7
Camera address
* Turn the power off and on to reflect the changes
after setting.
N U (earth) terminal
O HDMI OUT terminal
Supplies the images as an HDMI video signal.
* The contents of the menu screen, such as text, can
be displayed in the output signal when the OSD
switch is turned ON.
Notes
• When either 0 or 8 is selected for SYSTEM
SELECT, 2K output from the HDMI output
terminal results in lower quality images.
• When 7 is selected for SYSTEM SELECT, VGA
output from the HDMI output terminal results in
lower quality images.
P VISCA RS-422 IN terminal
Connect with an remote controller (not supplied).
When you connect multiple cameras, connect it to
the VISCA RS-422 OUT terminal of the previous
camera in the daisy chain connection.
Q VISCA RS-422 OUT terminal
When you connect multiple cameras, connect it to
the VISCA RS-422 IN terminal of the next camera
in the daisy chain connection.
R MONITOR OUT
Outputs the image from the camera as a 4K or HD
signal.
4K output:
Connect the SDI 1 (3G-SDI) output to the SDI 1
input and the SDI 2 (3G-SDI) output to the SDI 2
input respectively.
HD output:
Connect to SDI 1 (3G-SDI) or SDI 2 (3G-SDI).
* The contents of the menu screen, such as text, can
be displayed in the output signal when the OSD
switch is turned ON.
* For the BRC-H800, only HD output is available.
S OSD (On Screen Display) switch
The contents of the menu screen, such as text, can be
superimposed onto the video signal output to
MONITOR OUT & HDMI OUT when the switch is
turned ON.
T LINE OUT
Outputs the image from the camera as a 4K or HD
signal. OSD (screen display) is not superimposed,
irrespective of the OSD switch setting.
4K output:
Connect the SDI 1 (3G-SDI) output to the SDI 1
input and the SDI 2 (3G-SDI) output to the SDI 2
input respectively.
HD output:
Connect to SDI 1 (3G-SDI) or SDI 2 (3G-SDI).
* For the BRC-H800, only HD output is available.
U LAN (network) terminal (RJ-45)
Network communication and PoE+
*
power supply
are provided using the network cable (category 5e or
higher, shielded twist pair).
For more information on the connection, refer to the
instruction manual of the power supply system.
*
(
PoE+: an abbreviation of Power over Ethernet
Plus, which complies with IEEE802.3at)
The indicator lights up or flashes when the camera
is connected to the network. The indicator is off
when the camera is not connected to the network.
V EXT SYNC IN
Accepts an external sync signal.
W TERMINATION switch
X 12 V
! (DC power input) terminal
Connect the AC adapter (not supplied).
Note
Do not use any AC adapter other than the
recommended model (sold separately). Otherwise, a
fire or malfunction may occur.
9
Page 10
Bottom
whwgwg wj
Y Ceiling bracket mounting screw holes
When you install the camera to the ceiling, on a
shelf, or in another high spot, secure the supplied
ceiling bracket to these holes using four of the
supplied screws.
The four feet are attached to the holes at the factory.
For installation, see “Installing the camera at a high
spot” (page 16).
Z Tripod screw holes (1/4-20UNC)
Used to fix the camera to the camera tripod or
something similar.
wj Rating label
This label shows the name of device and its electric
rating.
Remote commander (supplied)
POWER
CAMERA SELECT
23
1
2
3
4
5
1
AUTO
FAR
DATA SCREEN
STD REV
123
456
PRESET
SLOWFAST
T
W
L/R
DIRECTION SET
FOCUS
POSITION
PAN -T I LT
HOME
ZOOM
NEAR
BACK LIGHT
RESET
T
W
A CAMERA SELECT buttons
Press the button corresponding to the camera you
want to operate with the remote commander. The
camera number can be set using the IR SELECT
switch on the rear of the camera.
Note
If two or more cameras are adjacent and have the
same camera number, they are operated
simultaneously with the supplied remote
commander. When you install the cameras close to
each other, set different camera numbers.
MANUAL
PAN -T I LT
RESET
6
7
8
9
q;
Important
The product name and electric rating are located at
the bottom of the unit.
For setting of camera No., see “Operating multiple
cameras with the remote commander” (page 46).
B FOCUS buttons
Used for focus adjustment.
Press the AUTO button to adjust the focus
automatically. To adjust the focus manually, press
the MANUAL button, and adjust it with the FAR
and NEAR buttons.
Note
Press the MANUAL button and adjust the focus
manually when shooting the following objects.
• White walls and other objects without contrast
• Objects behind glass
• Objects with horizontal stripes
• Objects on which bright lights are cast or reflected
• Nightscapes and other dark objects with blinking
lights
10
Page 11
• Lit objects shot with darkened exposure
adjustment or exposure compensation settings
C DATA SCREEN button
Press this button to display the main menu PAGE.
Press it again to close the menu. If you press the
button when a lower-level menu is selected, the
display goes back to a higher-level menu.
H POSITION buttons
Hold down the PRESET button and press button 1 to
6 to store the current camera direction, zoom, focus
adjustment and backlight compensation in the
memory of the pressed number button.
To erase the memory contents, hold down the
RESET button and press button 1 to 6.
Notes
• You cannot perform pan/tilt/zoom operations
while the menu is displayed, except when
recording using the PTZ TRACE function.
• The menus are output through MONITOR OUT
and HDMI OUT. When you want to display the
menus, turn on the OSD switch on the back of the
camera.
D PAN-TILT button
Press the arrow buttons to pan or tilt the camera.
Press the HOME button to face the camera back to
the front.
When the menu is displayed, use
menu items and
B or b to change the set values.
V or v to select the
Display the menu of selected items with the HOME
button.
The selected setting menu is displayed by pressing
the HOME button when the main menu is displayed.
E L/R DIRECTION SET button
Hold down this button and press the REV button to
change the direction of the camera movement to be
opposite the direction of the arrows on the
buttons. To reset the direction of the camera
movement, press the STD button while holding
down this button.
Notes
• These buttons do not function when the menu is
displayed.
• Some memory contents may not be erased even if
you use the RESET button.
For details on items that can be stored by the
PRESET button and erased by the RESET button,
see “Preset Items” (page 58).
I PAN-TILT RESET button
Press this button to reset the pan/tilt position.
J ZOOM buttons
Use the SLOW button to zoom slowly, and the
FAST button to zoom quickly.
Press the T (telephoto) side of the button to zoom in,
and the W (wide angle) side to zoom out.
B and b
F POWER button
Press this button to turn on power or to put the
camera in the standby mode.
G BACK LIGHT button
Press this button to enable backlight compensation.
Press it again to disable backlight compensation.
Note
The BACK LIGHT button is enabled when MODE
in the EXPOSURE menu is FULL AUTO,
SHUTTER Pri, IRIS Pri, or GAIN Pri.
11
Page 12
Installing Batteries in the remote
commander
Two R6 (size AA) batteries
(not supplied)
Installing batteries
Two R6 (size AA) batteries are required for the remote
commander. To avoid the risk of explosion, use R6 (size
AA) manganese or alkaline batteries.
Note
Danger of explosion if the batteries are incorrectly
replaced. Replace only with the same or equivalent type
recommended by the manufacturer. When you dispose
of the batteries, you must obey the laws of your area or
country.
R6 (size AA) batteries are not supplied.
12
Page 13
System Configuration
This camera can be arranged into various system configurations with other products (not supplied). This section
describes typical system examples, with the required components and the main usage of each system.
Operating the camera using the supplied remote commander
What you can do with this system
Operate the camera readily from a short distance.
System Configuration
Video monitor
Video signal
Remote commander (supplied)
Signal flow
Operating the camera using the remote controller (not supplied)
What you can do with this system
Perform pan/tilt and zoom operations using the joystick of the remote controller.
System Configuration
Video monitor
Remote controller
Video signal
Remote Control (VISCA) signal
,
Signal flow
13
Page 14
Connecting multiple cameras to the remote controller (not supplied)
What you can do with this system
• Operate up to seven cameras remotely using a single remote controller.
• Perform pan/tilt and zoom operations using the joystick.
System Configuration
Video monitor
Video switcher
14
Remote controller
Video signal
Remote Control (VISCA) signal
Tally/contact signal
,
Signal flow
Page 15
Installation and Connection
Installing the Camera
Notes
• Be sure to provide safety measures against falling
when you mount the camera.
• Do not grasp the camera head when carrying the
camera.
• Do not turn the camera head by hand. Doing so may
result in a camera malfunction.
Installing the camera on a desk
Installing the camera on a desk
Place the camera on a flat surface.
If you have to place the camera on an inclined surface,
make sure that the inclination is less than ±15 degrees to
guarantee pan/tilt performance, and take measures to
prevent it from falling.
Attaching the camera to a tripod
Screw the tripod screw into a tripod screw hole on the
bottom of the camera.
The tripod should be placed on a level surface, and
tighten the screw firmly by hand.
The tripod screw should be compliant with the following
standards.
1
/4 -20UNC
4 = 4.5 mm to 7 mm
4 = 0.18 to 0.27 inches
Caution
Installation of the camera using the tripod screws and
screw holes should not be done for installation on a
ceiling, shelf, or other high spot.
15
Page 16
Installing the camera at a high spot
The camera can be mounted on a ceiling or on a shelf or
stand located at a high spot using the supplied ceiling
bracket.
The surface on which the camera will be mounted
should be level. If you have to mount the camera on a
tilted surface, make sure that the angle is less than 15
degrees to ensure the camera can pan/tilt properly.
Caution
• When you want the camera to be mounted at a high
spot, such as on a ceiling, have a professional
contractor do the job.
• When you mount the camera at a high spot, make
sure the attachment materials to which the camera
will be mounted and the fittings (except for
accessories) are capable of supporting a weight of 60
kg or greater and that the installation is done
properly. If the installation is not strong enough, the
camera may fall, resulting in a serious injury.
• As a fall prevention measure, be sure to attach the
supplied wire rope to the camera securely.
• When you mount the camera at a high spot, inspect
the installation once a year for any loosened parts.
Depending on the operation conditions, inspect
more frequently.
Before installing the camera
Decide which way the camera will shoot, and drill holes
for the ceiling bracket (B) and the connecting cable in
the ceiling or the shelf. For the dimensions of the ceiling
bracket (B), see page 62.
Notes
• Connection cables cannot be routed through the
ceiling bracket (A). A hole to route wires through is
needed in the ceiling or the shelf at the back of the
camera.
• Do not mount anything other than the camera onto the
ceiling bracket.
• The ceiling bracket cannot be mounted on a junction
box.
Installing the camera on the ceiling
(example)
1
Turn on IMG FLIP in the SYSTEM menu.
2
Loosen the four screws at the bottom of the
camera to remove the four feet.
3
Attach the ceiling bracket (A) to the bottom
of the camera by using supplied four
screws (3 M3×8).
Align the a mark of the bracket (A) with the front
of the camera as illustrated, with the screw holes of
the bracket aligned to the screw holes of the camera.
3 M3×8 (supplied)
a mark
Front of the
camera
Ceiling
bracket (A)
16
Page 17
Caution
)
Use the supplied screws. Otherwise, you may
break the internal parts of the camera.
4
Attach the ceiling bracket (B) to the
attachment materials (not supplied) to
mount the camera on the ceiling.
Be sure to attach it so that the f hole of the ceiling
bracket (B) is placed where the front of the camera
will face.
Attachment materials
Ceiling bracket (B)
Ceiling
f hole
6
Attach the wire rope for fall prevention to
the ceiling bracket (A).
Put the wire rope through the fitting for wire rope of
the ceiling bracket (A) and securely attach it to the
bracket using the supplied stainless steel screw (3
M4×8).
Wire rope (supplied)
3M4×8 (supplied)
Fitting for wire rope
Ceiling bracket (A
5
Attach the wire rope for fall prevention to
the ceiling.
Using an M5 (3/16 inches) socket cap screw (not
supplied), attach it to the attachment materials
different from the one to which the ceiling bracket
(B) is attached.
Wire rope (supplied)
Attachment
materials
Ceiling
M5 (3/16 inch) socket
cap bolt
Ceiling bracket (B)
Caution
Use the supplied screw. Otherwise, the wire rope
may not function properly.
17
Page 18
7
Aligning the a hole in the front of the ceiling
bracket (A) to the ◊ hole of the ceiling
bracket (B), push in the camera unit, and
turn the camera with the ceiling bracket (A)
clockwise to temporarily secure the
camera.
3 M3×8
(supplied)
Ceiling
Ceiling
◊ mark
Align
a mark
8
Secure the ceiling brackets (A) and (B)
1
Ceiling bracket
(B)
2
using supplied three screws (3 M3×8).
Ceiling
bracket (A)
9-1
Connect the cables to the terminals at the
back of the camera.
Ceiling
18
Notes
• Make sure no load is applied to the connectors of
the cables.
• For measures that prevent the cord of the AC
adapter (not supplied) from being pulled out, see
“Connecting the Camera” (page 23).
• For measures that prevent the HDMI cable from
being pulled out, proceed to “9-2” after
connecting the HDMI cable. Then, connect all
the other cables.
Page 19
9-2
To help prevent the HDMI cable from being
pulled out, remove the HDMI cable locking
screw (M2.6×6, black), and use it to attach
the supplied HDMI cable fixing plate to the
back of the camera. Secure the HDMI cable
with a commercially available tie-wrap.
HDMI cable locking screw (M2.6×6, black)
Installing the camera on a shelf located
at a high spot (example)
1
Loosen the four screws at the bottom of the
camera to remove the four feet.
Tie-wrap (commercially
HDMI cable fixing plate
(supplied)
Note
Do not leave the HDMI cable attached to the camera
if you do not use it.
10
Flip the SONY nameplate and 4K or HD
nameplate around as necessary.
available)
How to remove the camera
1
Remove the three screws which secured the
camera in Step 8 of “Installing the camera
on the ceiling (example)”.
2
Attach the ceiling bracket (A) to the bottom
of the camera by using supplied four
screws (3 M3×8).
Align the a mark of the bracket (A) with the front
of the camera as illustrated, with the screw holes of
the bracket aligned to the screw holes of the camera.
3 M3×8 (supplied)
a mark
Front of the
camera
Ceiling
bracket (A)
2
Turn the camera unit counter-clockwise to
remove it.
Note
Use the supplied screws. Otherwise, you may break
the internal parts of the camera.
19
Page 20
3
Attach the wire rope for fall prevention to
the ceiling bracket (A).
Put the wire rope through the fitting for wire rope of
the ceiling bracket (A) and securely attach it to the
bracket using the supplied stainless steel screw (3
M4×8).
Wire rope (supplied)
4
Mount the ceiling bracket (B) onto the shelf
where the camera will be mounted.
Use four screws (not supplied). Choose the right
type of screws for the material of the shelf.
Be sure to attach it so that the f hole of the ceiling
bracket (B) is placed where the front of the camera
will face.
3M4×8 (supplied)
Fitting for wire rope
Ceiling bracket
(A)
Caution
Use the supplied screw. Otherwise, the wire rope
may not function properly.
Wall
Screws (4)
Ceiling bracket
(B)
f hole
Hole for
connecting cable
Shelf
20
Page 21
5
Attach the wire rope for fall prevention to
the attachment materials on the shelf side.
Using an M5 (3/16 inches) socket cap screw (not
supplied), attach it to the attachment materials
different from the one to which the shelf containing
the ceiling bracket (B) is attached.
Wire rope
(supplied)
6
Aligning the a hole in the front of the ceiling
bracket (A) to the ◊ hole of the ceiling
bracket (B), push in the camera unit, and
turn the camera with the ceiling bracket (A)
clockwise to temporarily secure the
camera.
Ceiling bracket (A)
a mark
Align
M5 (3/16 inch) socket
cap bolt
◊ mark
Ceiling bracket (B)
21
Page 22
7
Secure the ceiling brackets (A) and (B)
using supplied three screws (3 M3×8).
3 M3×8
(supplied)
Notes
• Make sure no load is applied to the connectors of
the cables.
• For measures that prevent the cord of the AC
adapter (not supplied) or HDMI cable from being
pulled out, see “Connecting the Camera”
(page 23).
• For measures that prevent the HDMI cable from
being pulled out, follow the steps in “9-2” of
“Installing the camera on the ceiling (example)”
after connecting the HDMI cable. Then, connect
all the other cables.
How to remove the camera
1
Remove the three screws which secured the
camera in Step
on a shelf located at a high spot (example)”.
2
Turn the camera unit counterclockwise to
remove it.
7
of “Installing the camera
8
Connect the cables to the terminals at the
back of the camera.
22
Page 23
Connecting the Camera
Connecting an AC power supply
Connect the AC adapter (not supplied) to the AC power
supply using a power supply cord.
IR SELECT
CAMERA SETUP
123
ON
23456781
SYSTEM
IN
VISCA RS - 422 OUT
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
AC adapter
(not supplied)
AC adapter cord clamper
Cord clamper lock
1Unlock the cord clamper lock.
AC adapter cord
To power supply
1
Connect the AC adapter (not supplied) and
a power supply cord.
2
To prevent the cord of the AC adapter (not
supplied) from being pulled out, use the
cord clamper to secure it.
Unlock the cord clamper and put the cord through it.
Lock the cord clamper.
2 Put the AC adapter cord through the cord clamper and
lock the cord clamper.
Note
Do not use any AC adapter other than the specified
optional one. Otherwise, a fire or malfunction may
occur.
Connecting the camera to a PoE+
(Power over Ethernet Plus) power
supply device
A PoE+ (IEEE802.3at compliant) power supply device
supplies power through a commercially available
network cable. For details, see the operating instructions
of the power supply device.
23
Page 24
Connecting a single camera to a
switcher, recorder and monitor
Devices equipped with an HDMI input terminal
IR SELECT
CAMERA SETUP
123
ON
23456781
SYSTEM
IN
VISCA RS - 422 OUT
IR SELECT
CAMERA SETUP
123
ON
23456781
SYSTEM
IN
VISCA RS - 422 OUT
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
ON
OFF
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
HDMI cable
Network cable
(not supplied)
(commercially
available)
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
To HDMI input terminal
Hub with PoE+
power supply
feature
Notes
• When you supply power from a PoE+ power source,
use a network cable of Category 5e or higher.
• When both the AC adapter and PoE+ power supply
are connected, power is supplied through the AC
adapter.
• When power is supplied from PoE+, both the POWER
lamp (green) and NETWORK lamp (green) flash until
the initial verification process is complete
(approximately one minute, depending on the power
supply device).
• When the network camera is powered by a PoE+
power supply, do not route the wiring outdoors.
When you use PoE+ for the power supply, connect the
ground wire.
• If a non PoE+ compatible device is connected, both
the POWER lamp (green) and NETWORK lamp
(green) flash, and the camera won’t start.
• When you turn the power off, wait at least 10 seconds
before you turn it on again.
• Use an STP (shielded) network cable.
Video monitor
Devices equipped with an SDI input terminal
(4K output): BRC-X1000
IR SELECT
CAMERA SETUP
123
ON
23456781
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
SDI OUT
Connecting cable with BNC
connector
To SDI input terminal
Recorder or monitor equipped with SDI input terminal
The image size (resolution and frame rate) of the signals
delivered through the SDI OUTPUT terminal can be
changed with the SYSTEM SELECT switch.
For details, see “SYSTEM SELECT switch settings”
(page 63).
24
Page 25
Devices equipped with an SDI input terminal
(HD output): BRC-X1000
IR SELECT
CAMERA SETUP
123
ON
23456781
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
SDI OUT
Connecting cable with BNC
connector
To SDI input terminal
Recorder or monitor equipped with SDI input terminal
*
Equivalent signals are delivered to both SDI 1 and SDI 2.
Devices equipped with an SDI input terminal
(HD output): BRC-H800
Connecting a single camera to a
single remote controller (not
supplied)
Using VISCA Over IP (LAN terminal)
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
LAN
MODE
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
RS-42 2
RS-232C
VISCA
1919
12V
TERMI NATION
ON OFF
To LAN terminal
Network cable
(commercially available)
TALLY/ CO NTACT
!
DC 12V
IR SELECT
CAMERA SETUP
123
ON
23456781
LINE OUT
12V
LAN
OSD
ON
OFF
EXT SYNC IN
TERMI NATION
ON OFF
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
HDMI OUT
MONITOR
OUT
SDI OUT
Connecting cable with BNC
connector
To SDI input terminal
Recorder or monitor equipped with SDI input terminal
When you connect multiple cameras to a single remote
controller or when you connect multiple cameras to
multiple remote controllers with a PC, use a switching
hub for the connection. When you directly connect
them, use a cross network cable.
For details, see the operating instructions of the remote
controller.
Connecting a single camera to a
single remote controller (not
supplied)
Using the VISCA RS-422 terminal
A remote controller can be connected via the VISCA
RS-422 terminal. The VISCA RS-422 allows
connections of up to 1.2 km in length.
Using supplied RS-422 terminal board connectors and
the remote controller, make a connecting cable.
When you make the connecting cable, refer to the pin
layout of the VISCA RS-422 terminal (page 63) and the
VISCA RS-422 connection diagram (page 63).
Check the setting of each switch of the remote
controller. For details, refer to the operating instructions
of the remote controller.
25
Page 26
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
SYSTEM
IN
VISCA RS - 422 OUT
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
RS-422 conversion cable
LAN
MODE
RS-42 2
RS-232C
VISCA
1919
TALLY/ CO NTACT
!
DC 12V
Connecting multiple cameras to a
single remote controller (not
MODE
RS-422 conversion cable
IR SELECT
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
LAN
RS-232C
123
RS-42 2
TALLY/ CO NTACT
VISCA
1919
CAMERA SETUP
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
!
DC 12V
ON OFF
supplied)
Using the VISCA RS-422 terminal
Multiple cameras can be connected via the VISCA RS422 terminal. The VISCA RS-422 allows connections of
up to 1.2 km in length.
Using supplied RS-422 terminal board connectors and
the remote controller, make a connecting cable.
When you make the connecting cable, refer to the pin
layout of the VISCA RS-422 terminal (page 63) and the
VISCA RS-422 connection diagram (page 63).
Check the setting of each switch of the remote
controller. For details, refer to the operating instructions
of the remote controller.
Network cable
(commercially available)
SYSTEM
SELECT
Network cable
(commercially available)
SYSTEM
SELECT
IN
VISCA RS - 422 OUT
SDI 1 SDI 2
IN
VISCA RS - 422 OUT
SDI 1 SDI 2
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
MONITOR OUTHDMI OUT
IR SELECT
123
MONITOR OUTHDMI OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
CAMERA SETUP
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
Use straight network cables.
Connecting a commercially
available video switcher
For 4K output
When you want to switch cameras, connect a
commercially available video switcher.
26
Page 27
For the connection to the video switcher, refer to the
V
operating instructions of the switcher.
* LINE OUT menu display is not output.
* You can switch the MONITOR OUT menu display by
turning the OSD switch on/off.
Depending on the application, you can choose the one
you want.
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
Connecting cable with
BNC connector
(commercially available)
CAMERA SETUP
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 2
SDI 1
TERMI NATION
ON OFF
Connecting cable
with BNC connector
(commercially
available)
Network cable
(commercially
available)
Video monitor
Network cable
(commercially
available)
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
IR SELECT
123
SYSTEM
IN
VISCA RS - 422 OUT
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
For HD output
When you want to switch cameras, connect a
commercially available video switcher.
For the connection to the video switcher, refer to the
operating instructions of the switcher.
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
Connecting cable with BNC
connector (commercially
available)
CAMERA SETUP
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
Connecting cable with
BNC connector
(commercially
available)
Network cable
(commercially
available)
ideo monitor
SYSTEM
SELECT
SYSTEM
SELECT
Network cable
(commercially
available)
IN
VISCA RS - 422 OUT
IN
VISCA RS - 422 OUT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
IR SELECT
123
MONITOR OUTHDMI OUT
SDI 1 SDI 2
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
Connecting cable
with BNC
connector
(commercially
available)
RS-422 conversion
cable
SYSTEM
IN
VISCA RS - 422 OUT
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
SYSTEM
IN
VISCA RS - 422 OUT
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
RS-422 conversion
cable
Connecting cable
with BNC connector
MODE
LAN
RS-232C
RS-42 2
TALLY/ CO NTACT
VISCA
1919
!
DC 12V
(commercially
available)
Connecting control
signals
LAN
MODE
Connecting control
signals
RS-42 2
RS-232C
VISCA
1919
TALLY/ CO NTACT
!
DC 12V
Video switcher
* The BRC-H800 does not have MONITOR OUT SDI
2 LINE OUT SDI 2 terminal.
* Use straight network cables.
Video switcher
* Equivalent signals are delivered to both SDI 1 and SDI
2.
* The BRC-H800 does not have MONITOR OUT SDI
2 LINE OUT SDI 2 terminal.
* Use straight network cables.
27
Page 28
Externally synchronizing a single
camera
IR SELECT
CAMERA SETUP
123
ON
2 3 456781
SYSTEM
VISCA RS - 422 OUT
IN
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
Synchronizing signal generator
External synchronization
Multiple cameras can be synchronized to a specific
reference signal.
Providing a reference signal to the EXT SYNC IN
terminal (page 9) allows the camera to be synchronized
in phase with the video signal. Depending on the system
frequency, the compatible reference signal varies.
Connecting cable with
BNC connector
(commercially available)
To SYNC OUT terminal
1920×1080/59.94i
720×486/59.94i (NTSC)
1280×720/59.94p
720×486/59.94i (NTSC)
1920×1080/50i
720×576/50i (PAL)
1280×720/50p
720×576/50i (PAL)
1920×1080/47.95i (23.98PsF)
Notes
• When the reference signal is unstable, the camera
cannot be externally synchronized.
• Sub-carriers cannot be synchronized.
28
Page 29
Adjusting and Configuring
through On-Screen Menus
About On-Screen Menus
You can configure the shooting conditions and system
setup of the camera from the menus displayed on an
external monitor. The setting menu only displays items
available for set up.
Menu operations can be performed using the supplied
remote commander or a remote controller (sold
separately).
For details, refer to the operating instructions of the
remote controller.
operation. This corresponds to the joystick button on
a remote controller.
: Indicates use of the DATA SCREEN button
(equivalent to MENU) to show/hide the menu
screen.
The method used to display the menu will vary
depending on the remote controller model. Refer to the
operating instructions of the remote controller (sold
separately).
Main menu
Press the DATA SCREEN button on the remote
commander to display the main menu.
Show/hide menu
switch
Item select
AUTO
DATA SCREEN
STD REV
MANUAL
FAR NEAR
BACK LIGHT
123
456
RESETPRESET
POSITION
PAN-TILT/CURSOR
HOME
PAN-TILT
RESET
Confirm selection/
execute operation
This section explains how to read the on-screen menus
before starting menu operations.
For the overall menu configurations, see page 55.
Notes
• You cannot perform pan/tilt/zoom operations while
the menu is displayed.
• The menus are output through MONITOR OUT and
HDMI OUT.
When you want to display the menus, turn on the OSD
switch on the back of the camera.
Confirming selection of menu items
1 Cursor
The cursor selects a setting menu.
Press the
V or v button of the remote commander to
move the cursor up or down.
2 Menu items
Press the
V or v button of the remote commander to
select a setting menu. Press the HOME button of the
remote commander to display the selected setting
menu.
Setting menu
The setting menu selected on the main menu is
displayed.
and settings / Executing operations
Icons for buttons used for setup operations are displayed
along the bottom of the currently displayed menu
screen.
or : Indicates use of the
buttons to select menu items and settings. These
correspond to the joystick directions on a remote
controller.
: Indicates use of the HOME button (equivalent to
ENTER) to confirm the menu item or setting
selection, or to advance to the next screen or next
V/v/B/b
29
Page 30
1 Setting menu
The name of the setting menu currently selected is
displayed.
2 Cursor
The cursor selects a setting item.
Press the
V or v button of the remote commander to
move the cursor up or down.
3 Setting items
The setting items for this setting menu are
displayed.
Press the
select a setting item. Press the
V or v button of the remote commander to
B or b button to
change the set value.
4 Set value
The current set values are displayed.
Press the
B or b button of the remote commander to
change the set value.
How to Use Menus
This section explains how to configure the camera using
the supplied remote commander.
For details on the menu items, refer to pages 31 through
41.
Using the supplied remote
commander
POWER
3
MANUAL
CAMERA SELECT
12
NEAR
FOCUS
BACK LIGHT
FAR
AUTO
DATA SCREEN
1
2, 4
1
Press the DATA SCREEN button.
The main menu is displayed.
STD
3
REV
21
456
POSITION
PRESET
5
RESET
PAN- TI LT
HOME
3
PAN- TI LT
RESET
FAST
T
ZOOM
SLOW
W
T
W
L/R
DIRECTION SET
For the default value of each setting item, see “Menu
Configuration” (page 55).
2
Use the V or v button to move the cursor to
the menu item you want to change.
30
Page 31
3
Press the HOME button.
The selected menu is displayed.
4
Use the V or v button to move the cursor to
the setting item you want to change.
5
Use the B or b button to change the set
value.
Note
You cannot turn off IR RECEIVE in the SYSTEM menu
with the supplied remote commander. To turn off IR
RECEIVE, use the remote controller (not supplied) or
VISCA command.
To go back to the Main menu
Press the DATA SCREEN button.
To clo se th e m enu
When the main menu is displayed, press the DATA
SCREEN button once. When a setting menu is
displayed, press the DATA SCREEN button twice.
EXPOSURE Menu
The EXPOSURE menu is used to set the items regarding
the exposure.
MODE (Exposure mode)
FULL AUTO: The exposure is adjusted automatically
using the sensitivity, electronic shutter speed, and
aperture setting.
MANUAL: You can manually adjust the sensitivity,
electronic shutter speed, and aperture setting
individually.
SHUTTER Pri: You can adjust the electronic shutter
speed manually. Automatically adjusts the
exposure using the gain and iris.
IRIS Pri: You can adjust the aperture setting manually.
Automatically adjusts the exposure using the gain
and electronic shutter speed.
GAIN Pri: You can adjust the sensitivity manually.
Automatically adjusts the exposure using the
electronic shutter speed and iris.
When you select any of the above modes, you will see
available options for the selected mode among the
following setting items.
GAIN: Select the gain.
When EXPOSURE MODE is either MANUAL
or GAIN Pri, you can choose a value from –3 to
33 dB in 3 dB increments.
SPEED: When EXPOSURE MODE is either
MANUAL or SHUTTER Pri, select the
electronic shutter speed.
When the signal format is 2160/29.97p
(the BRC-X1000 only), 1080/59.94p, 1080/
59.94i, or 720/59.94p
You can choose from 1/8, 1/15, 1/30, 1/50, 1/60,
1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500,
31
Page 32
1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000,
1/6000, and 1/10000.
When the signal format is 2160/25p (the
BRC-X1000 only), 1080/50p, 1080/50i, or
720/50p
You can choose from 1/6, 1/12, 1/25, 1/30, 1/50,
1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425,
1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500,
1/6000, and 1/10000.
When the signal format is 2160/23.98p
(the BRC-X1000 only), 1080/23.98p
You can choose from 1/6, 1/12, 1/24, 1/25, 1/40,
1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144, 1/192,
1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400,
1/4800, and 1/10000.
IRIS: When EXPOSURE MODE is either MANUAL
or IRIS Pri, you can choose aperture setting.
You can choose from F2.8/F3.1/F3.4/F3.7/F4.0/
F4.4/F4.8/F5.2/F5.6/F6.2/F6.8/F7.3/F8.0/F8.7/
F9.6/F10/F11.
AE SPEED: Select the adjustment speed for exposure
adjustment.
You can adjust the speed at which the camera
reaches the optimum exposure setting from 1
(Standard) to 48 (Slow). Adjust this when the
brightness of the object changes instantaneously.
This setting is enabled when MODE is FULL
AUTO, SHUTTER Pri, IRIS Pri, or GAIN Pri.
EX-COMP: Turn this ON when you want to correct
brightness of a picture whose exposure is already
automatically adjusted. This setting is enabled
when MODE is FULL AUTO, SHUTTER Pri,
IRIS Pri, or GAIN Pri. The LEVEL setting is
displayed when this is turned ON.
LEVEL: Choose a level to adjust the brightness of a
picture whose exposure is already automatically
adjusted. Choose a value from –7 to +7 for the
level.
This is not displayed when EX-COMP is turned
OFF.
GAIN LIMIT: Set the maximum sensitivity when
exposure is automatically adjusted using
sensitivity. Choose a value from 9 dB to 24 dB (in
3 dB increments) or you can turn this OFF. When
turned off, the maximum is not limited. This
setting is enabled when MODE is FULL AUTO,
SHUTTER Pri, or IRIS Pri. You cannot choose a
value smaller than the POINT POSITION setting.
GAIN POINT: When you set MIN SPEED to be
slower than the output image frame rate, the
shutter speed controls exposure based on the
GAIN POINT setting. Normally, when exposure
is controlled with sensitivity, noise becomes
prominent if sensitivity is increased to make the
image brighter. You can decrease noise by
adjusting the exposure through lower shutter
speeds to cancel sensitivity adjustments. When
you do this, turn on GAIN POINT and set the
POINT POSITION to the sensitivity at which you
want the shutter speed to change. When the
shutter speed reaches MIN SPEED for exposure
adjustment, increase sensitivity to adjust
exposure. This setting is enabled when MODE is
either FULL AUTO or IRIS Pri.
POINT POSITION: This is enabled when GAIN
POINT is turned ON. When sensitivity during
exposure adjustment reaches the value for
POINT POSITION, exposure is adjusted through
a slower shutter speed. This setting is enabled
when MODE is either FULL AUTO or IRIS Pri.
You cannot choose a value smaller than the GAIN
setting.
MAX SPEED: This sets the maximum (fastest)
shutter speed when exposure is adjusted with the
electronic shutter.
This setting is enabled when MODE is FULL
AUTO, IRIS Pri, or GAIN Pri. You cannot choose
a value slower than MIN SPEED.
When the signal format is 2160/29.97p
(the BRC-X1000 only), 1080/59.94p, 1080/
59.94i, 720/59.94p
You can choose from 1/30, 1/50, 1/60, 1/90,
1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725,
1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000,
and 1/10000.
When the signal format is 2160/25p (the
BRC-X1000 only), 1080/50p, 1080/50i, 720/
50p
You can choose from 1/25, 1/30, 1/50, 1/60,
1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600,
1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000,
and 1/10000.
When the signal format is 2160/23.98p
(the BRC-X1000 only), 1080/23.98p
You can choose from 1/24, 1/25, 1/40, 1/48, 1/50,
1/60, 1/96, 1/100, 1/120, 1/144, 1/192, 1/200,
1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, and
1/10000.
MIN SPEED: This sets the minimum (slowest)
shutter speed when exposure is adjusted with the
electronic shutter.
This setting is enabled when MODE is FULL
AUTO, IRIS Pri, or GAIN Pri. You cannot choose
a value faster than MAX SPEED.
When the signal format is 2160/29.97p
(the BRC-X1000 only), 1080/59.94p, 1080/
59.94i, 720/59.94p
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You can choose from 1/8, 1/15, 1/30, 1/50, 1/60,
1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500,
1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000,
1/6000, and 1/10000.
When the signal format is 2160/25p (the
BRC-X1000 only), 1080/50p, 1080/50i, 720/
50p
You can choose from 1/6, 1/12, 1/25, 1/30, 1/50,
1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425,
1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500,
1/6000, and 1/10000.
When the signal format is 2160/23.98p
(the BRC-X1000 only), 1080/23.98p
You can choose from 1/6, 1/12, 1/24, 1/25, 1/40,
1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144, 1/192,
1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400,
1/4800, and 1/10000.
BACK LIGHT: This menu allows you to enable/
disable backlight compensation so that exposure
is optimized for backlight. You can choose either
ON or OFF. This setting is enabled when MODE
is FULL AUTO, SHUTTER Pri, IRIS Pri, or
GAIN Pri.
SPOT LIGHT: This menu allows you to enable/
disable spotlight compensation by adjusting the
exposure darker when a part of the object is
bright, such as a person’s face in spotlight. You
can choose either ON or OFF. This setting is
enabled when MODE is FULL AUTO,
SHUTTER Pri, IRIS Pri, or GAIN Pri. SPOT
LIGHT becomes disabled when BACK LIGHT is
ON.
COLOR Menu
The COLOR menu is used to adjust the white balance
and the color.
WHITE BALANCE MODE
This setting allows you to select a white balance mode.
You can choose from AUTO1, AUTO2, INDOOR,
OUTDOOR, ONE PUSH, and MANUAL.
AUTO1: Automatically adjusts the color to be closest to
the image you are viewing.
AUTO2: Automatically adjusts the white balance to
reproduce the original colors of the objects,
eliminating the influences of ambient
illumination.
INDOOR: Fixes R/B GAIN when the color temperature
is 3200 K.
OUTDOOR: Fixes R/B GAIN when the color
temperature is 5800 K.
ONE PUSH: White balance is adjusted when you press
the HOME button of the supplied remote
commander or the top button or ONE PUSH
AWB button on the joystick of an remote
controller, while shooting a large white object.
MANUAL: Allows you to manually adjust the white
balance.
When you select any of the above modes, you will see
available options for the selected mode among the
following setting items.
SPEED (white balance speed): You can adjust the
speed at which the camera reaches the white
convergence point when AUTO1 or AUTO2 is
chosen. Choose a value from 1, 2, 3, 4, and 5. 5 is
the fastest and 1 is the slowest.
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OFFSET: The white convergence point can be shifted
when WHITE BALANCE mode is AUTO1,
AUTO2, or ONE PUSH. The range is from –7 to
0 to +7. White balance is shifted toward blue
when a negative value is chosen, and it is shifted
toward red when a positive value is chosen.
R. GAIN and B. GAIN: Displayed when MANUAL
is chosen. White balance can be manually
adjusted within the range from –128 to +127.
MATRIX
You can emphasize or weaken a specific color region
while keeping the white convergence point unchanged.
When you turn this ON, the following items are
displayed for adjustment.
SELECT: You can choose an internal preset matrix
for matrix calculation. You can choose from
STD, HIGH SAT, FL LIGHT, MOVIE, STILL,
CINEMA, PRO, ITU709, and B/W. This
becomes disabled when MATRIX is turned OFF.
LEVEL (color level): You can adjust the color density
of the picture. Choose a value in the range from 0
to 14. The greater the number, the denser the
colors, and vice versa. This becomes disabled
when MATRIX is turned OFF.
PHASE: You can adjust the color tone of the entire
picture. Choose a value from –7 to 0 to +7. This
becomes disabled when MATRIX is turned OFF.
R-G, R-B, G-R, G-B, B-R, B-G: You can set a
coefficient for each combination of RGB
individually, to adjust the hue of the entire
picture.
Choose a value from –99 to 0 to +99. This
becomes disabled when MATRIX is turned OFF.
DETAIL Menu
The DETAIL menu is used to adjust the image enhancer
function.
MODE
When you choose AUTO, contour correction signal is
automatically added.
When you want to make adjustment by yourself, choose
MANUAL.
Only LEVEL will be displayed when you choose
AUTO.
LEVEL: You can set the volume of the contour
correction signal. Choose a value from –7 to +8.
The greater the value, the stronger the contour
correction signal.
BAND WIDTH: You can set the bandwidth for
signals undergoing contour emphasis. You can
choose from DEFAULT, LOW, MIDDLE, HIGH,
and WIDE. For example, when you choose
MIDDLE, the middle range of the signals is
elevated, and contours in that middle range are
emphasized.
CRISPENING: You can choose the fineness of the
objects subject to contour correction with contour
correction signals.
Choose a value from 0 to 7. When you choose a
higher value, minute contour correction signal
elements are removed, and only the high level
contour correction signals are left, which reduces
noise. When you choose a lower value, minute
contour correction signal elements are added to
the picture, increasing noise.
H/V BALANCE: You can choose the ratio for
horizontal and vertical contour correction signal
elements. Choose a value from –2 to 0 to +2.
When you choose a higher value, the horizontal
contour correction elements become greater
compared to the vertical elements.
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B/W BALANCE: You can adjust the balance between
contours in black on the low brightness side of the
spectrum and contours in white on the high
brightness side. Choose from TYPE1 to TYPE5.
The ratio of contours in black is higher for
TYPE1 while the ratio of contours in white is
higher for TYPE5.
LIMIT: You can set the maximum value for the
amount of contour emphasis in black on the low
brightness side of the spectrum and in white on
the high brightness side. Choose a value from 0 to
7.
HIGHLIGHT DETAIL: You can adjust the level of
contour added to brightly-lit objects. Choose a
value from 0 to 4. Adjust this when you want to
emphasize the contour of a brightly-lit object in a
bright background.
SUPER LOW: Emphasizes contours in the super low
range. Choose a value from 0 to 7. The greater the
value, the greater the contour emphasis. Contrast
and resolution increase.
KNEE Menu
The KNEE menu is used to adjust the KNEE.
SETTING
When you turn this ON, the following KNEE MODE
setting items are displayed for adjustment.
KNEE MODE: When you choose AUTO, the KNEE
level is automatically calculated based on the
brightness level of the picture being shot. When
you choose MANUAL, you can manually adjust
the KNEE level irrespective of the brightness
level of the picture.
KNEE SLOPE: When KNEE MODE is
MANUAL, you can adjust the gradient of
KNEE (compression rate).
Choose a value from –7 to 0 to +7. This is
disabled when KNEE MODE is AUTO.
KNEE POINT: When KNEE MODE is
MANUAL, you can adjust the knee point.
Choose a value from 0 to 12. This is disabled
when KNEE MODE is AUTO.
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GAMMA/VISIBILITY
ENHANCER Menu
The GAMMA/VISIBILITY ENHANCER menu is used
to adjust GAMMA correction and VISIBILITY
ENHANCER features.
GAMMA
SELECT
You can choose the type of basic curve for GAMMA
correction.
STD: Standard setting (same as the MOVIE setting on
the camera).
STRAIGHT: This selects a straight GAMMA curve.
MOVIE: Use standard gamma curve for movies.
STILL: Use gamma curve for the tone of a still image.
CINE1: Softens the contrast in darker regions and
emphasizes gradation changes in lighter regions,
producing a subdued tone overall.
CINE2: Similar to [CINE1] but optimized for editing
with up to 100% video signal.
CINE3: Stronger contrast between dark and light
regions and greater emphasis on black gradation
changes (compared to [CINE1] and [CINE2]).
CINE4: Stronger contrast than [CINE3] in darker
regions. Compared to the standard curve, has less
contrast in darker regions and more contrast in
lighter regions.
ITU709: Gamma curve equivalent to ITU-709.
PATTERN: You can choose a gamma curve from 512
patterns stored in the camera. You can specify the
pattern out of 512 patterns using PATTERN and
PATTERN FINE. PATTERN defines the upper
two digits of the pattern, and PATTERN FINE
defines the last digit.
PATTERN: Choose a value from 0 to 51. This
can be chosen when SELECT is PATTERN.
PATTERN FINE: Choose a value from 0 to 9.
When PATTERN is 0, 0 cannot be chosen for
PATTERN FINE. When PATTERN is 51, a
value larger than 2 cannot be chosen for
PATTERN FINE. This can be chosen when
SELECT is PATTERN.
OFFSET: You can choose the offset of the output level
of gamma curves.
Choose a value from –64 to 0 to +64.
LEVEL: You can adjust the correction level of the
GAMMA curve. Choose a value from –7 to 0 to
+7.
BLACK GAMMA: You can adjust the black gamma
level to recreate gradation in the dark areas of the
picture or to suppress noise with black-out.
Choose a value from –7 to 0 to +7.
BLACK GAMMA RANGE: You can adjust the
brightness range for which BLACK GAMMA
becomes effective. Choose from LOW,
MIDDLE, and HIGH. The range becomes small
when LOW is chosen, and it becomes large when
HIGH is chosen.
BLACK LEVEL: You can adjust the master BLACK
LEVEL. Choose a value from –48 to 0 to +48.
VISIBILITY ENHANCER
SETTING
When this is turned ON, gradation correction is
adaptively performed according to the scene being shot.
EFFECT
You can adjust the brightness of the shadows on the
screen. Choose a value from –3 to 0 to +3.
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FOCUS Menu
The FOCUS menu is used to select the focus mode.
MODE (Focus mode)
Select the focus mode.
AUTO: The camera focuses automatically.
MANUAL: You can focus manually. Adjust using the
supplied remote commander or optional remote
controller.
Notes
Press the MANUAL button and adjust the focus
manually when shooting the following objects.
• White walls and other objects without contrast
• Objects behind glass
• Objects with horizontal stripes
• Objects on which bright lights are cast or reflected
• Nightscapes and other dark objects with blinking
lights
• Lit objects shot with darkened exposure adjustment or
exposure compensation settings
PICTURE/OPTICAL
FILTER Menu
The PICTURE/OPTICAL FILTER menu is used to
adjust picture quality improvement features and optical
filters.
NOISE REDUCTION
You can obtain clearer images by removing unnecessary
noise (fixed pattern and randomized noise) with NOISE
REDUCTION. Choose from OFF or LEVEL 1 through
LEVEL 5. When you select ADVANCED, you can set
up 2D NR LEVEL and 3D NR LEVEL independently.
2D NR LEVEL
This is enabled when NOISE REDUCTION is
ADVANCED. Choose from OFF or LEVEL 1 through
LEVEL 5 for noise reduction.
3D NR LEVEL
This is enabled when NOISE REDUCTION is
ADVANCED. Choose from OFF or LEVEL 1 through
LEVEL 5 for noise reduction.
FLICKER CANCEL
When this is turned ON, the flicker correction feature
becomes enabled.
When this is turned OFF, the flicker correction feature
becomes disabled.
Note
Depending on conditions such as the type of
illumination and shutter speed, the flicker correction
feature may not be effective.
If the frame rate is close to the power supply frequency,
the flicker correction feature may not be able to fully
remove flickers, even if it is enabled. If this happens, use
the electronic shutter.
We recommend turning OFF, FLICKER CANCEL
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under lights where no flicker is generated, such as
outdoors.
PAN TILT/ZOOM
ND FILTER
You can adjust the internal ND filter to control the light
level according to the brightness of the subject.
OFF: Do not use ND filter.
1/4: Use ND filter to reduce the light level to
approximately 1/4.
1/16: Use ND filter to reduce the light level to
approximately 1/16.
1/64: Use ND filter to reduce the light level to
approximately 1/64.
IR CUT FILTER
You can choose either to enable or disable the IR CUT
FILTER feature.
By disabling the IR CUT FILTER, the gain in the IR
region is increased allowing the camera to capture
images in shadow.
Day: IR CUT FILTER is enabled to remove
unnecessary IR.
Night: IR CUT FILTER is disabled. The picture
becomes monochrome.
Menu
The PAN TILT/ZOOM menu is used to select the pan/
tilt/zoom mode.
LIMIT (pan/tilt limit)
PAN
Set whether to limit the pan rotation range.
OFF: Do not apply range limit.
ON: Apply range limit.
LEFT: END, 169° to –169°, adjustable in
1° increments.
RIGHT: END, –169° to 169°, adjustable in
1° increments.
TILT
Set whether to limit the tilt rotation range.
OFF: Do not apply range limit.
ON: Apply range limit.
DOWN: END, –29° to 89°, adjustable in 1° increments.
UP: END, 89° to –29°, adjustable in 1° increments.
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Setting range of LEFT/RIGHT
CENTER (±0°)
RAMP CURVE (acceleration/deceleration
curve)
You can set the acceleration/deceleration curve for pan
and tilt.
MODE1: The camera accelerates/decelerates quicker
than MODE2.
MODE2: This is the standard acceleration/deceleration
curve.
MODE3: The camera accelerates/decelerates slower
than MODE2.
PAN TILT SLOW (slow pan/tilt)
You can select slow speed panning/tilting.
OFF: The camera pans/tilts at the standard speed.
ON: The camera pans/tilt speed is slower.
169°
END
(170°)
–169°
END
(–170°)
Setting range of DOWN/UP
END (90°)
89°
±0°
–29°
END (30°)
Notes
• Before storing the camera position in a preset
memory, configure the PAN setting and TILT setting
under LIMIT. If the camera position is not within the
range of the PAN setting or TILT setting under
LIMIT, you cannot store the camera position in the
preset memory.
• The PAN setting and TILT setting under LIMIT are
reset to the factory settings when you change the IMG
FLIP setting in the SYSTEM menu.
CLEAR IMAGE ZOOM
You can set the range of zooming.
OFF: This restricts zooming only to optical zooming.
ON: This allows zooming within the range of optical
zoom and Clear Image Zoom.
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VIDEO OUT Menu
SYSTEM Menu
VIDEO MODE
This is the screen size for HDMI output. When the
signal format is 3840×2160, you can choose either
3840×2160 or 1920×1080.
COLOR SPACE
You can set the color space of HDMI output.
H PHASE (horizontal phase adjustment)
This feature allows you to regulate phase differences in
image signals from the external synchronizing signal, as
opposed to the image signal of the camera, when a
device which generates the synchronizing signal is
connected. The adjustment range is from 0 to 959.
When the video signal and the external video sync signal
are not synchronized, the video signal can be advanced
with + and delayed with –.
1 STEP time for H PHASE is 0.0135 μs.
H PHASE
This allows you to adjust by 10 STEP increments.
Choose a value from 0 to 3 to 95.
H PHASE FINE
This allows you to adjust by 1 STEP increments.
Choose a value from 0 to 9.
If you increase the value beyond 9, the tens digit
automatically increases (+1 to H PHASE).
If you decrease the value beyond 0, the tens digit
automatically decreases (–1 to H PHASE).
IMG FLIP (vertical flipping of the image)
When IMG FLIP is turned ON, the picture from the SDI
and HDMI outputs is flipped.
The directions of pan and tilt are also reversed. If you
change the IMG FLIP setting, turn off the camera and
turn it on again to activate the change.
Notes
• When you turn off the camera and turn it on again with
IMG FLIP turned ON, PAN REVERSE and TILT
REVERSE are turned ON. When you turn off the
camera and turn it on again with IMG FLIP turned
OFF, PAN REVERSE and TILT REVERSE are
turned off.
• If the IMG FLIP setting is changed, the coordinates
for pan and tilt are flipped and all preset values are
reset.
• If the IMG FLIP setting is changed, all content
recorded using the PTZ TRACE function is erased.
PAN REVERSE
When this is turned ON, the PAN direction is reversed.
TILT REVERSE
When this is turned ON, the TILT direction is reversed.
IR RECEIVE
If this is turned OFF, the camera does not receive signals
from the supplied remote commander.
Be sure to turn this ON when you use the supplied
remote commander.
Note
You cannot turn OFF, IR RECEIVE when using the
supplied remote commander. To turn off IR RECEIVE,
use the remote controller (not supplied) or VISCA
command.
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TALLY MO DE
This allows you to set up the Tally lamps on the front
and back of the camera. Choose from HIGH, LOW, and
OFF.
HIGH: When the Tally lamp is turned on, the one on the
front of the camera comes on bright.
LOW: When the Tally lamp is turned on, the one on the
front of the camera comes on dim.
OFF: When the Tally-lamp-on command is issued, the
Tally lamps on the front and back of the camera
do not come on.
Note
When TALLY MODE is turned off, both the front and
back Tally lamps do not come on.
The brightness of the Tally lamp on the back of the
camera cannot be adjusted. It comes on at the same
brightness for LOW and HIGH.
NETWORK Menu
The NETWORK menu is used to configure Network
settings.
TELE CONVERT MODE
You can shoot using 2× magnification.
OFF: Does not use the magnification function.
2x: Uses the magnification function.
Notes
• Enabled only when SYSTEM SELECT is set to
1920×1080.
• The angle of view when TELE CONVERT MODE is
set to 2x is narrower than when set to OFF.
PRESET MODE
Sets preset mode.
MODE1: Recall all saved settings when recalling a
preset.
MODE2: Recall only the pan, tilt, zoom, and focus
positions when recalling a preset.
TRACE: Select to control operation using the PTZ
TRACE function, without displaying the menu.
VERSION
This indicates the version of the firmware installed on
the camera.
IPv4 ADDRESS: Displays the IP address set up on the
camera.
SUBNET MASK: Displays the subnet mask currently
set up for the camera.
GATEWAY: Displays the default gateway address
currently set up for the camera.
MAC ADDRESS: Displays the MAC address of the
camera.
NAME: Displays the name currently set up for the
camera.
Note
You should set up the IP address, subnet mask, and
default gateway before you first use the Network
features. Configure these settings using the setup
application “RM-IP Setup Tool” or “RM-IP10 Setup
Tool” on your PC.
For details on the settings, refer to “RM-IP Setup Tool
Guide” or “RM-IP10 Setup Tool Guide.”
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PICTURE PROFILE
Menu
PROFILE NUMBER
Selects the Picture Profile number.
The camera is equipped with six types of Picture
Profiles.
You can match the image texture with other types of
camcorders that support the Picture Profile function, or
create an image texture that is similar to that of
cinematic film.
PP1: Set to image quality that uses [MOVIE] gamma.
PP2: Set to image quality that uses [STILL] gamma.
PP3: Set to image quality that uses [ITU709] gamma for
natural color tones.
PP4: Set to image quality for ITU-709 standard color
tones.
PP5: Set to image quality that uses [CINE1] gamma.
PP6: Set to image quality that uses [CINE2] gamma.
LEVEL,
PHASE,
R-G,
R-B,
G-R,
G-B,
B-R,
B-G
•DETAIL
LEVEL,
MODE
Settings can be adjusted individually after
recalling a Picture Profile.
To save settings, save to a preset.
Notes
• The settings for a Picture Profile cannot be changed.
• To load specific settings at startup, save the settings in
preset position 1.
RECALL: Recall the selected Picture Profile.
The following settings are changed when PP1 to
PP6 are recalled.
• GAMMA/VISIBILITY ENHANCER
SELECT,
GAMMA OFFSET,
GAMMA LEVEL,
BLACK GAMMA,
BLACK GAMMA RANGE,
BLACK LEVEL,
VE SETTING
• KNEE
SETTING,
KNEE MODE
• COLOR
MATRIX,
SELECT,
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PTZ TRACE Menu
PTZ TRACE is a function used to record pan/tilt/zoom
operations, controlled by the remote commander or a
remote controller, and then to play back the operations
as required. Up to 16 pan/tilt/zoom positions can be
recorded for up to 180 seconds.
Notes
• If pan and tilt limits are configured in the PAN TILT/
ZOOM menu after recording operations, the pan and
tilt limits are not applied upon playback.
• To use the PTZ TRACE function and pan/tilt limit
function together, first configure the PAN and TILT
settings in the PAN TILT/ZOOM menu and then use
the PTZ TRACE function.
• Recorded operations will be erased if the IMG FLIP
setting or camera operating frequency setting is
changed.
• Playing operations will restore CLEAR IMAGE
ZOOM, RAMP CURVE, and PAN TILT SLOW to
their states held during recording.
TRACE NO: Select the TRACE number to record, play
back, or delete.
RECORD: Record operations.
PLAY: Play back the recorded operations.
DELETE: Delete the recorded operations.
RECORDED TRACE NO: Displays the recorded
TRACE numbers.
ELAPSED TIME (SEC): Displays the elapsed time
during recording or playback in seconds.
The HOME button (equivalent to ENTER) on the
supplied remote commander corresponds to the joystick
button on an optional remote controller.
For details, refer to the operating instructions of the
remote controller.
Recording pan/tilt and zoom
operations
1
Select the trace number you want to record
in TRACE NO.
2
Move the cursor to RECORD, and press the
HOME button.
*SETTING(ENTER TO START REC)* is
displayed at the bottom of the screen.
3
Move to the record start position, and press
the HOME button.
*RECORDING(ENTER TO START STOP)* is
displayed at the bottom of the screen.
4
Perform the pan/tilt and zoom operations
you want to record.
During recording, the ELAPSED TIME(SEC)
number at the bottom of the screen increases in
increments of 1.
During recording, the menu screen display
continues.
Note
If using the remote commander, pan/tilt and zoom
operations cannot be performed simultaneously.
5
Press the HOME button to stop recording.
The recorded trace number is displayed under
RECORDED TRACE NO.
Note
The recording automatically stops after the
maximum recording time has elapsed.
Playing pan/tilt and zoom
operations
1
Select the recorded trace number you want
to play in TRACE NO.
The recorded traces numbers are displayed under
RECORDED TRACE NO.
2
Move the cursor to PLAY, and press the
HOME button.
*READY FOR PLAY(ENTER)* is displayed at the
bottom of the screen, and the camera moves position
to the recorded pan/tilt/zoom start position.
3
Press the HOME button to begin playback.
The recorded pan/tilt/zoom operations are played
back, and the ELAPSED TIME(SEC) number
increases in increments of 1.
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During playback, the menu screen display
continues, with *PLAYING* displayed at the
bottom of the screen.
Note
Playback stops if a pan, tilt, or zoom operation is
performed during playback using the remote
commander or a remote controller.
Deleting recorded pan/tilt and
zoom operations
1
Select the trace number you want to delete
in TRACE NO.
2
Move the cursor to DELETE, and press the
HOME button.
The recording is deleted, and the corresponding
trace number is removed from RECORDED
TRACE NO.
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Operations Using the Supplied
Remote Commander
Before Starting
Pan/Tilt and Zoom
Operations
Panning and tilting
Operations
Before operating, check that the camera and peripheral
devices are properly installed and connected.
For details, see “Installing the Camera” (page 15) and
“Connecting the Camera” (page 23).
Turning on the Power
IR SELECT
CAMERA SETUP
123
ON
23 456781
IN
VISCARS - 422 OUT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
OFF
ON
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ONOFF
POWER lights
SYSTEM
SELECT
to the AC adapter (not supplied)
1
Connect the camera to an AC outlet using
the AC adapter (not supplied) and power
cord.
Or, connect the powered PoE+ Hub and the camera
using a LAN cable.
The power is turned on and the POWER lamp turns
green.
The camera will automatically pan and tilt and then
stop to the position stored as POSITION 1 (pan/tilt
reset).
2
Turn on the peripheral devices.
If the POWER button on the remote commander is
pressed while the camera is turned on, the camera
goes into the standby mode. The POWER lamp
turns from green to orange.
1
STD
POWER
CAMERA SELECT
12
FOCUS
FAR
AUTO
DATA SCREEN
HOME
CAMERA SELECT
3
MANUAL
NEAR
BACK LIGHT
3
REV
21
RESET
STD
456
POSITION
PRESET
PAN-TILT
REV
2
PAN-TILT
PAN- TI LT
RESET
ZOOM
RESET
FAST
T
W
T
W
L/R
DIRECTION SET
HOME
SLOW
L/R DIRECTION
SET
1
Press the POWER button.
The camera will turn on and perform the pan/tilt
reset action automatically.
2
Press the arrow button to pan or tilt the
camera.
While checking the picture on the screen, press the
appropriate arrow button.
To move the camera little by little, press the
button just for a moment.
To move the camera in a wide range, press and
hold the button.
To move the camera diagonally, press the
button while holding down the
B or b button.
V or v
To face the camera back to the front
Press the HOME button.
If you accidentally move the camera with
your hand
Press the PAN-TILT RESET button to perform the pan/
tilt reset action.
Note
Wait at least 10 seconds if you want to turn on the
camera again after putting it in the standby mode.
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If the camera moves in a different
direction from what you intended
The camera is preset to face toward the right whenever
the
b button is pressed. You might wish to reverse the
direction in which the camera moves, for example, when
you change the direction of the camera while checking
the picture on the screen. In such cases, press the 2
(REV) button while holding down the L/R DIRECTION
SET button. To reset the setting, press the 1 (STD)
button while holding down the L/R DIRECTION SET
button.
Zooming
Press either of the ZOOM buttons.
PAN -T I LT
RESET
ZOOM
TT
WW
Subject appears
farther away. (Wide
angle)
Zooms in or out
slowly (SLOW side)
SLOWFAST
L/R
DIRECTION SET
Subject appears
closer. (Telephoto)
Zooms in or out
quickly (FAST side)
Arrow buttonMovement of the
Setting
camera
L/R
DIRECTION SET
While holding down
STD
1
Press
L/R
DIRECTION SET
While holding down
REV
2
Press
Note
The above setting changes only the signal emitted from
the remote commander, and does not change the setting
of the camera itself. Therefore, repeat the setting process
for each remote commander if you are using more than
one remote commander.
Note
When you perform pan/tilt operations while the camera
is in telephoto mode, the moving speed of the image on
the screen may be a little jerky.
Operating multiple cameras with
the remote commander
1
Set the IR SELECT switch on the rear of the
camera you want to operate to 1, 2 or 3.
1 2 3
IR SELECT
2
Press the CAMERA SELECT button on the
remote commander that corresponds to the
number set in step 1.
If the POWER lamp and NETWORK lamp
of the camera flash simultaneously, and
PAN-TILT ERROR! is displayed on the
menu screen
When the camera is moved or turned by hand or by
external shock, the microcomputer inside the camera
may not be able to recall the pan/tilt position properly,
in which case the camera automatically stops.
To reset the pan/tilt position, press the PAN-TILT
RESET button or turn off the camera and turn it on
again.
POWER
AUTO
DATA SCREEN
CAMERA SELECT
1
FOCUS
FAR
NEAR
23
BACK LIGHT
MANUAL
CAMERA
SELECT
You can then operate the specified camera(s).
Every time you operate the camera(s) using the remote
commander, the CAMERA SELECT button pressed in
step 2 lights up.
46
Page 47
Adjusting the Camera
Note
The BACK LIGHT button is enabled when MODE in
the EXPOSURE menu is FULL AUTO, SHUTTER Pri,
IRIS Pri, or GAIN Pri.
AUTO
FAR
POWER
CAMERA SELECT
12
FOCUS
AUTO
DATA SCREEN
FAR
3
MANUAL
NEAR
STD REV
NEAR
BACK LIGHT
123
45
POSITION
6
RESETPRESET
PAN-TILT
MANUAL
BACK LIGHT
PAN- TI LT
RESET
HOME
T
ZOOM
SLOWFAST
T
W
L/R
DIRECTION SET
W
Focusing on a subject
To focus the camera on a subject
automatically
Press the AUTO button.
The camera focuses on the subject in the center of the
screen automatically.
To focus the camera on a subject
manually
After pressing the MANUAL button, press either the
FAR or the NEAR button to adjust the focus.
Focusing on a far
off subject
Focusing on a
CAMERA SELECT
123
FOCUS
AUTO
DATA SCREENBACK LIGHT
MANUAL
NEARFAR
nearby subject
Shooting with back lighting
When you shoot a subject with a light source behind it,
the subject becomes dark. In such cases, press the
BACK LIGHT button.
To cancel the function, press the BACK LIGHT button
again.
FOCUS
AUTO
DATA SCREEN
STD REV
NEARFAR
123
MANUAL
BACK LIGHT
Subject appears
brighter.
47
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Storing the Camera
Settings in Memory
– Preset Feature
While holding down
DATA SCREEN
STD REV
123
456
POSITION
BACK LIGHT
RESETPRESET
Press the
POSITION
button you want
to set.
Settings, including the camera position, zoom, focus,
and backlighting, can be stored in a preset.
Note
The camera supports 100 position presets. The number
of positions that are supported will vary depending on
the device used.
- For the RM-IP500 (sold separately), up to
100 positions.
- For the RM-IP10 (sold separately), up to 16 positions.
- For the remote commander (supplied), up to
6 positions.
For details on the camera settings that can be preset, see
“Preset Items” (page 58).
POWER
3
CAMERA SELECT
1
AUTO
4 PRESET
2
FOCUS
DATA SCREEN
MANUAL
NEAR
FAR
STD REV
BACK LIGHT
123
456
POSITION
PRESET
3
3
4 POSITION 1~6
RESET
PAN-TILT
HOME
RESET
PAN-TILT
RESET
FAST
T
ZOOM
SLOW
W
T
W
L/R
DIRECTION SET
2
Note
Before you store the position, zoom, focus, etc. of the
camera, make sure to install and secure the camera in
place to use it properly. If you change the installation of
the camera after storing the settings, differences may
occur in the settings.
Recalling stored status
Press any of the POSITION 1 to 6 buttons in which you
have stored the settings.
Clearing the preset memory
Hold down the RESET button and press the desired
POSITION button from buttons 1 to 6 for which you
want to clear the settings.
DATA SCREEN
While holding down
BACK LIGHT
STD REV
123
456
RESETPRESET
POSITION
Press the
POSITION
button you want
to clear.
Storing the camera status
1
Set PRESET MODE in the SYSTEM menu to
MODE1 or MODE2.
2
Press the PAN-TILT RESET button to reset
the pan/ tilt position.
3
Adjust the position, zoom, and focus of the
camera. (See pages 46 and 47.)
4
Hold down the PRESET button and press
any of the POSITION buttons, 1 to 6, in
which you want to store the settings.
Notes
• If you want to retain the previous pan and tilt positions
when the power is turned off and turned on again,
store those positions in POSITION 1. When PRESET
MODE is set to TRACE, the camera does not move to
the trace start position when the power is turned on.
• Storing or clearing the settings in POSITION 1 takes
about two seconds longer than for other positions.
• When you are storing or clearing the settings in one
POSITION, you cannot restore, store or clear the
settings in another POSITION.
• For details on the items that can be cleared from the
memory, see page 58.
• When PRESET MODE is set to MODE2 in the
SYSTEM menu, only the pan/tilt, zoom, and focus
positions of the camera are recalled.
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Storing Camera Pan/Tilt
and Zoom Operations
– PTZ TRACE function
2
Hold down the PRESET button and press
any of the POSITION1 to 6 buttons in which
you want to store the settings.
Recording starts.
3
Perform the pan/tilt and zoom operations
you want to record.
Up to 16 pan/tilt/zoom operation patterns can be stored
for up to 180 seconds.
This allows you to perform quick operations using the
remote commander, without displaying the menu.
To perform an operation without displaying the menu,
set PRESET MODE in the SYSTEM menu (page 40) to
TRACE.
To display the menu and perform an operation, see “PTZ
TRACE Menu” (page 43).
POWER
MANUAL
Notes
CAMERA SELECT
1 2 3
AUTO
2, 4 PRESET
FOCUS
FAR NEAR
DATA SCREEN
1, 3
STD REV
BACK LIGHT
123
456
POSITION
RESETPRESET
PAN-TILT
2, 4
POSITION 1~6
RESET
PAN- TI LT
RESET
HOME
T
ZOOM
SLOWFAST
W
T
W
L/R
DIRECTION SET
• If using the remote commander, pan/tilt and zoom
operations cannot be performed simultaneously.
• The menu and camera status are not displayed on the
screen.
• Recorded operations will be erased if the IMG FLIP
setting or camera operating frequency setting is
changed.
• Playing a recording will restore CLEAR IMAGE
ZOOM, RAMP CURVE, and PAN TILT SLOW to
their states held during recording.
• The camera supports up to 16 patterns of recorded
operations. The number of patterns that are supported
will vary depending on the device used.
- RM-IP500 (sold separately): Up to 16
- RM-IP10 (sold separately): Up to 16
- Remote commander (supplied): Up to 6
4
To stop recording, hold down the PRESET
button, and press the POSITION button
selected in step 2.
Playing pan/tilt and zoom
operations
1
Press one of the POSITION1 to 6 buttons.
The camera moves position to the playback start
position.
2
Press the same POSITION button again.
Playback starts.
Note
Playback stops if a pan, tilt, or zoom operation is
performed during playback.
Deleting recorded pan/tilt and
zoom operations
Hold down the RESET button and press the desired
POSITION1 to 6 button for which you want to clear the
registered recording.
Recording pan/tilt and zoom
operations
1
Adjust the operation start position of the
camera.
49
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Accessing from a Web Browser
Password: Admin_1234
You can access the camera from a web browser on a PC
to upgrade the firmware and to change settings.
An IP address must be set on the camera to access it
from a web browser. For details on IP settings, refer to
“RM-IP Setup Tool Guide” or “RM-IP10 Setup Tool
Guide.”
Before starting the
operation
Setting-up the PC
One of the following system configurations is required
for the PC:
OS
Windows 8.1 Pro (32-bit version, 64-bit version)
Windows 10 Pro (32-bit version, 64-bit version)
Note
The password change screen is displayed when the
camera is accessed using the factory-set password. You
can view other tabs after changing the password.
Web browser
Windows Internet Explorer Ver. 11.0
Notes
• In the case of Windows 8.1, use the Internet Explorer
desktop user interface (desktop UI) version.
• Turn off tablet mode when using Windows 10.
• Every page is optimized for Internet Explorer in
Medium font size.
• The web page displayed when you log in to the camera
is made using JavaScript. The web page may not
display correctly if your computer uses certain
software, such as anti-virus software.
Accessing the camera from a web
browser
Start a web browser on the computer and type the IP
address of the camera in the address bar.
A user ID and password authentication is required to
access the camera. The user ID and factory-set password
of the camera are as follows:
User name: admin
50
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Operation
Connecting with RCP/MSU devices
The camera can be connected to an optional remote
control panel (RCP) or master setup unit (MSU) for
operation. For details about supported devices, contact
your Sony sales representative.
Configure the following settings on the CNS tab to
connect with an RCP/MSU.
Display sample: If the OS language is English
Mode
Bridge: Set to BRIDGE mode to connect directly with
an RCP on a LAN.
MCS: Set to MCS mode when building a multi-
camera system on a LAN.
Master IP Address
Set the IP address of the master device when building a
multi-camera system on a LAN.
Camera No.
Set the camera number when building a multi-camera
system on a LAN. Set so that the number is not
duplicated within the system.
Notes
• Configure settings on the RCP/MSU side as required.
• An MSU is required in a multi-camera system.
• If there are multiple MSUs, set one MSU as the
master, and set all other MSUs as clients.
Upgrading the firmware
You can upgrade the firmware as follows:
1
Click the [Browse...] button to select the
firmware file.
2
Click the [Send] button.
3
Click the [OK] button when the “Start
update?” message is displayed.
The message is closed and “Upgrading firmware” is
shown instead. You cannot access the camera while the
upgrading is in progress.
Checking the version after the update
It takes approximately 10 minutes to upgrade the
firmware.
When the upgrading is completed, the camera
automatically starts in the new upgraded version. Click
the [Reload] button after the reboot. The firmware
version after the update will be displayed in Software
version on the screen.
Upgrading the firmware
You can upgrade the firmware on the Firmware update
tab. The Model name of the camera, Camera name, and
Software version are displayed.
Notes
• Do not turn off the camera while you are upgrading the
firmware.
• It takes approximately 10 minutes to upgrade the
firmware. You cannot access the camera while the
upgrading is in progress. You also will not see any
image while the upgrading is in progress.
Changing the password
You can change the password on the Password tab. The
length of the password should be between 8 to 32
characters. Alphanumeric characters, hyphens “-”, and
underscores “_” can be used in the password. The
password must contain both letters and numbers.
The password can be changed as follows:
1
Enter your current password in the “Current
password” field.
2
Enter your new password in the “New
password” and “Re-type new password”
fields.
51
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3
Press the OK button.
Note
The user name cannot be changed.
52
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Appendix
Message List
The following messages and indications may appear on this camera. Perform the following as necessary.
Camera lamp display
LampMeaning and solution
Flashing of POWER lamp (orange) and
NETWORK lamp (green)
Flashing of back Tally lampTurn off the device as it may malfunction if used in this state. Contact the inquiry
Camera screen display (flashing in Main menu)
MessageMeaning and solution
FAN STOP! (BASE)Turn off the device as it may malfunction if used in this state. Contact the Sony
PAN-TILT ERROR!The movement of the camera has stopped due to an error in the pan-tilt driving unit.
PAN-TILT FAULT!Turn off the device as it may malfunction if used in this state. Contact the Sony
FPGA FAULT!Turn off the device as it may malfunction if used in this state. Contact the Sony
CAMERA FAULT!Turn off the device as it may malfunction if used in this state. Contact the Sony
An error has occurred in the camera. Details of the error are displayed in the camera
menu. Deal with the error after confirming the details.
counter of your Sony Service Center or your licensed Sony dealer.
Service Center or your licensed Sony dealer.
Reset the pan/tilt position. Or, restart the camera.
Service Center or your licensed Sony dealer.
Service Center or your licensed Sony dealer.
Service Center or your licensed Sony dealer.
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Troubleshooting
Before bringing in your camera for service, check the following as a guide to troubleshooting the problem. If the
problem cannot be corrected, consult your Sony dealer.
SymptomCauseRemedy
The power of the camera is not
turned on.
The camera does not work,
even when buttons on the
remote commander are pressed.
The picture is not displayed on
the connected video monitor.
Pan, tilt, or zoom cannot be
operated.
The camera does not operate
from the remote controller RMIP500/IP10.
VISCA is not available, even
when a computer is connected
to the camera.
The camera cannot be operated
at all.
The AC adapter (not supplied) is not firmly
connected to the DC IN 12 V terminal.
The power cord is not firmly connected to
the AC adapter or the power outlet.
The connection cable with the PoE+ Hub is
not firmly connected.
A power supply device that is not compliant
with PoE+ is connected.
IR RECEIVE on the SYSTEM menu is
turned OFF.
The remote commander’s CAMERA
SELECT button number and the camera’s IR
SELECT switch settings are different.
PRESET MODE in the SYSTEM menu is
not set appropriately.
The video cable is not connected properly.Check the connection between the camera and
The exposure is not set correctly on the
camera.
The camera menu is displayed.Close the menu by pressing the DATA SCREEN
The VISCA RS-422 connection is incorrect. Check the connections to the VISCA RS-422
The camera address on the CAMERA
SETUP switch at the back side of the camera
is not set to 0 (AUTO).
The communication baud rate settings are
different.
The computer is not correctly connected to
the camera.
–Remove the plug of the power cord from the AC
Insert the power cord firmly as far as it will go.
Insert the power cord firmly as far as it will go.
Insert the connection cable firmly as far as it will
go.
Connect a PoE+ compliant power supply device.
Operate the menu using remote controller RMIP500/IP10, and turn on IR RECEIVE (page 40).
Press the CAMERA SELECT button that
matches the IR SELECT switch setting (page 10).
Set PRESET MODE to match the content
(PRESET or PTZ TRACE) you want to recall.
video monitor.
Check the exposure settings in the EXPOSURE
menu.
button on the supplied remote commander or
using a remote controller.
terminal, and the wiring of the RS-422 cable.
Check the camera address, and select the same
camera number with the CAMERA button on the
remote controller.
Set the baud rate (9600 bps or 38400 bps) of the
remote controller to the same setting as the
CAMERA SETUP switch (page 8) at the back of
the camera.
Make sure the connection between the computer
and camera is made correctly.
Confirm that the baud rate (9600 bps or 38400
bps) is correctly set on the CAMERA SETUP
switch at the back of the camera (page 8) and in
the PC settings.
Check that the camera is not damaged by
connecting the camera to the remote controller
RM-IP500/IP10.
outlet, then reinsert it into the AC outlet after
waiting a while.
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Menu Configuration
The camera menu is configured as described below. For more details, refer to the pages in parentheses.
The initial settings of each item are in bold. Only supported functions are displayed.
EXPOSURE MODE FULL AUTO, MANUAL, SHUTTER Pri, IRIS Pri, GAIN Pri
(page 31)
GAIN –3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB(Adjustable only when MODE in the EXPOSURE menu is set to MANUAL or GAIN Pri.)
SPEED For the 59.94 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125,
1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 29.97 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125,
1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 50 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 25 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 23.98 frame rate of video output: 1/6, 1/12, 1/24, 1/25, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100,
1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/10000
(Adjustable only when MODE in the EXPOSURE menu is set to MANUAL or SHUTTER Pri.)
GAIN LIMIT 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, OFF(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
GAIN POINT OFF
POINT POSITION 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB
(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO or IRIS Pri.)
MAX SPEEDFor the 59.94 frame rate of video output: 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250,
MIN SPEEDFor the 59.94 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180,
BACK LIGHTOFF, ON (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
SPOT LIGHTOFF, ON (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
(Adjustable only when MODE in the EXPOSURE menu is set to MANUAL or IRIS Pri.)
GAIN Pri, SHUTTER Pri, or IRIS Pri.)
GAIN Pri, SHUTTER Pri or IRIS Pri.)
(Adjustable only when MODE in the EX-COMP menu is set to ON.)
SHUTTER Pri or IRIS Pri.)
, ON (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO or IRIS Pri.)
1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 29.97 frame rate of video output: 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250,
1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 50 frame rate of video output: 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300,
1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 25 frame rate of video output: 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300,
1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 23.98 frame rate of video output: 1/24, 1/25, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144,
1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/10000
(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO, GAIN Pri or IRIS Pri.)
1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 29.97 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180,
1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 50 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 25 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 23.98 frame rate of video output: 1/6, 1/12, 1/24, 1/25, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100,
1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/10000
(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO, GAIN Pri or IRIS Pri.)
GAIN Pri, SHUTTER Pri or IRIS Pri.)
GAIN Pri, SHUTTER Pri or IRIS Pri.)
55
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COLOR WHITE BALANCE MODE AUTO1 , AUTO2, INDOOR, OUTDOOR, ONE PUSH, MANUAL
(page 33)
DETAIL MODEAUTO, MANUAL
(page 34)
SPEED 1, 2, 3, 4, 5 (Adjustable only when COLOR MODE in the WHITE BALANCE menu is set to
R.GAIN –128〜0〜+127 (Adjustable only when COLOR MODE in the WHITE BALANCE menu is
B.GAIN
MATRIX OFF, ON
SELECT STD, HIGH SAT, FL LIGHT, MOVIE, STILL, CINEMA, PRO, ITU709, B/W
LEVEL
PHASE
R-G –99〜0〜+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
R-B –99〜0〜+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
G-R –99〜0〜+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
G-B –99〜0〜+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
B-R –99〜0〜+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
B-G –99〜0〜+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
LEVEL –7, –6, –5, –4, –3, –2, –1, 0, +1, +2, +3, +4, +5, +6, +7, +8
BAND WIDTH DEFAULT, LOW, MIDDLE, HIGH, WIDE (Adjustable only when MODE in the DETAIL menu is
CRISPENING 0, 1, 2, 3, 4, 5, 6, 7 (Adjustable only when MODE in the DETAIL menu is set to MANUAL.)
H/V BALANCE –2, –1, 0, +1, +2 (Adjustable only when MODE in the DETAIL menu is set to MANUAL.)
B/W BALANCETYPE1, TYPE2, TYPE3, TYPE4, TYPE5 (Adjustable only when MODE in the DETAIL menu is
LIMIT
HIGHLIGHT DETAIL0, 1, 2, 3, 4 (Adjustable only when MODE in the DETAIL menu is set to MANUAL.)
SUPER LOW
AUTO1 or AUTO2.)
(Adjustable only when COLOR MODE in the WHITE BALANCE menu is set to AUTO1,
AUTO2 or ONE PUSH.)
set to MANUAL.)
–128〜0〜+127 (Adjustable only when COLOR MODE in the WHITE BALANCE menu is
set to MANUAL.)
(Adjustable only when COLOR MODE in the MATRIX menu is set to ON.)
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 (Adjustable only when COLOR MODE in
the MATRIX menu is set to ON.)
–7, –6, –5, –4, –3, –2, –1, 0, +1, +2, +3, +4, +5, +6, +7 (Adjustable only when COLOR MODE in
the MATRIX menu is set to ON.)
set to MANUAL.)
set to MANUAL.)
0, 1, 2, 3, 4, 5, 6, 7 (Adjustable only when MODE in the DETAIL menu is set to MANUAL.)
0, 1, 2, 3, 4, 5, 6, 7 (Adjustable only when MODE in the DETAIL menu is set to MANUAL.)
KNEE SETTING ON, OFF
(page 35)
GAMMA /
VISIBILITY
ENHANCER
(page 36)
FOCUS MODE AUTO, MANUAL
KNEE MODE AUTO, MANUAL (Adjustable only when setting in the KNEE is set to ON.)
KNEE SLOPE–7, –6, –5, –4, –3, –2, –1, 0, +1, +2, +3, +4, +5, +6, +7
(Adjustable only when setting in the KNEE is set to MANUAL.)
KNEE POINT0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12 (Adjustable only when MODE in the KNEE is set to MANUAL.)
GAMMA
SELECT
PATTERN0〜25〜51 (Adjustable only when the SELECT is set to PATTERN.)
PATTERN FINE0〜6〜9 (Adjustable only when the SELECT is set to PATTERN.)
OFFSET –64〜0〜+64
LEVEL –7〜0〜+7
BLACK GAMMA–7〜0〜+7
BLACK GAMMA RANGELOW, MIDDLE, HIGH
BLACK LEVEL
NOISE REDUCTIONOFF, 1, 2, 3, 4, 5, ADVANCED
2D NR LEVEL OFF, 1, 2, 3, 4, 5 (Adjustable only when the NOISE REDUCTION is set to ADVANCED.)
3D NR LEVELOFF, 1, 2, 3, 4, 5 (Adjustable only when the NOISE REDUCTION is set to ADVANCED.)
FLICKER CANCEL OFF, ON
OPTICAL FILTER
ND FILTEROFF, 1/4, 1/16, 1/64
IR CUT FILTERNIGHT, DAY
56
Page 57
PAN TILT ZOOM
(page 38)
VIDEO OUTHDMI
(page 40)
SYSTEM IMG FLIP ON, OFF
(page 40)
NETWORK IPv4 ADDRESS
(page 41)
PAN TILT
LIMIT
PAN OFF, ON
LEFTEND, 169~–169 (Adjustable when PAN is set to ON.)
RIGHTEND, –169~169 (Adjustable when PAN is set to ON.)
TILTOFF, ON
DOWNEND, –29~89 (Adjustable when TILT is set to ON.)
UPEND, 89~–29 (Adjustable when TILT is set to ON.)
RAMP CURVE
PAN TILT SLOW OFF, ON
ZOOM
CLEAR IMAGE ZOOM OFF, ON
VIDEO MODE3840×2160, 1920×1080
COLOR SPACEYCbCr, RGB
H PHASE
H PHASE0〜3〜95
H PHASE FINE0〜9
PAN REVERSE ON, OFF
TILT REVERSE ON, OFF
IR RECEIVE ON, OFF
TALLY MODEOFF, LOW, HIGH
TELE CONVERT MODE
PRESET MODE
VERSION
SUBNET MASK
GATEWAY
MAC ADDRESS
NAME
MODE1, MODE2, MODE3
1920×1080 (Adjustable only when the VIDEO MODE is set to SYSTEM SELECT 1, 2, 9, A, or F.)
1280×720 (Adjustable only when the VIDEO MODE is set to SYSTEM SELECT 4 or C.)
640×480 (Adjustable only when the VIDEO MODE is set to SYSTEM SELECT 7.)
OFF, 2x
MODE1, MODE2, TRACE
(Adjustable only when the VIDEO MODE is set to SYSTEM SELECT 0, 8, or E)
PICTURE
PROFILE PP1, PP2, PP3, PP4, PP5, PP6
PROFILE
OPERATION RECALL
(page 42)
PTZ TRACE TRACE NO1〜16
(page 43)
RECORD:SET START POSITION
PLAY:RECALL START POSITION
DELETE:EXECUTE
RECORDED TRACE NO 1〜16
ELASPED TIME(SEC) 0〜180
57
Page 58
Preset Items
The following items are stored in the memory of the
camera.
General Items
Items that can be storedPreset position
number
12 to 100
PAN TILT Position
ZOOM Position
FOCUS Position (Only when
manual)
Menu Items Which Can Be Preset
Items that can be storedPreset position
EXPOSURE MODE
GAIN
GAIN LIMIT
GAIN POINT
POINT POSITION
SPEED
MAX SPEED
MIN SPEED
IRIS
AE SPEED
EX-COMP
LEVEL
BACK LIGHT
SPOT LIGHT
WHITE BALANCE MODE
SPEED
OFFSET
R.GAIN
B.GAIN
MATRIX SELECT
LEVEL
PHASE
R-G
R-B
G-R
G-B
B-R
B-G
DETAIL MODE
za
za
za
number
12 to 100
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
Items that can be storedPreset position
number
12 to 100
LEVEL
BAND WIDTH
CRISPENING
H/V BALANCE
B/W BALANCE
LIMIT
HIGHLIGHT DETAIL
SUPER LOW
KNEE SETTING
KNEE MODE
KNEE SLOPE
KNEE POINT
GAMMA SELECT
PATTERN
PATTERN FINE
OFFSET
LEVEL
BLACK GAMMA
BLACK GAMMA RANGE
BLACK LEVEL
VE SETTING
VE EFFECT
FOCUS MODE
NOISE REDUCTION
2D NR LEVEL
3D NR LEVEL
FLICKER CANCEL
ND FILTER
IR CUT FILTER
PAN
LEFT
RIGHT
TILT
UP
DOWN
RAMP CURVE
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
za
f
f
f
f
f
f
f
PAN TILT SLOW××
CLEAR IMAGE ZOOM
HDMI VIDEO MODE
COLOR SPACE
H PHASE
H PHASE FINE
IMG FLIP
1)
PAN REVERSE
TILT REVERSE
za
f
f
f
f
××
f
f
×
×
×
×
×
×
×
×
×
×
×
×
×
58
Page 59
Items that can be storedPreset position
number
12 to 100
IR RECEIVE
TALLY MODE
TELE CONVERT MODE
f
f
f
×
×
×
PRESET MODE×
VERSION×
IPv4 ADDRESS×
SUBNET MASK×
GATEWAY×
NAME×
PROFILE×
OPERATION×
1)
IMG FLIP and PAN TILT SLOW is enabled in the current setting
irrespective of the preset settings.
z Can be stored. During power-up, the camera boots-up with the
settings stored in this preset number.
a Can be stored. After power-up, the stored setting value is applied by
recalling the relevant preset number.
f Can be stored. During power-up, the camera boots-up with the
settings stored in this preset number. The setting value is not
initialized by a reset. The settings do not change even if the preset is
recalled after the corresponding setting values have been changed.
IP remote controller (RM-IP500/IP10)
AC adapter (AC-UES1230 series)
For recommended AC adapters, contact SONY
Customer Service.
Design and specifications are subject to change without
notice.
61
Page 62
Dimensions
Top
Side
Front
Bottom
/4) 5 (
1
260 (10
/32)
7
102 (4
(7 7/8)
1
/8)
Tripod screw
Ceiling bracket (B)
Top
˚
20
ø161
99 (4)
˚
90
20
20
238 (9 3/8)
˚
3 0
50
3 0
˚
50
50
ø18 6
4-ø4.2
20
Hole
/8)
3
58
(2
Side
98 (3 7/8)
ø8.2
30
/8)
1
51
(2
/8)
7
/8)
7
149 (5
98 (3
Hole
23.1
Unit: mm (inches)
62
Page 63
SYSTEM SELECT switch settings
Pin array of the VISCA RS-422
The image output method (video format) for the HDMI
OUT/SDI OUT terminals can be set with this switch.
IR SELECT
CAMERA SETUP
123
ON
23456781
SYSTEM
IN
VISCA RS - 422 OUT
SELECT
MONITOR OUTHDMI OUT
SDI 1 SDI 2
12V
LAN
OSD
ON
OFF
LINE OUT
EXT SYNC IN
SDI 1
SDI 2
TERMI NATION
ON OFF
Select your desired
video output format
No.Image size/Frame rate
BRC-X1000BRC-H800
03840×2160/29.97pNo output
11920×1080/59.94p1920×1080/59.94p
21920×1080/59.94i1920×1080/59.94i
3No outputNo output
41280×720/59.94p1280×720/59.94p
5No outputNo output
6No outputNo output
7HDMI: 640×480/59.94p
SDI: 1280×720/59.94p
HDMI: 640×480/59.94p
SDI: 1280×720/59.94p
83840×2160/25pNo output
91920×1080/50p1920×1080/50p
A1920×1080/50i1920×1080/50i
BNo outputNo output
C1280×720/50p1280×720/50p
DNo outputNo output
E3840×2160/23.98pNo output
F1920×1080/23.98p1920×1080/23.98p
Notes
• Be sure to set this switch before you turn on the
camera.
Turn on the power after you set the switch.
• Be sure to use a Phillips-head screwdriver when
changing the switch position. If you use a tool other
than the designated screwdriver, the crossed groove
may be damaged.
terminal and how to use it
Pin array of VISCA RS-422 terminal
18
IN
OUT
Pin No.FunctionPin No.Function
1TX–1RX–
2TX+2RX+
3RX–3TX–
4GND4GND
5GND5GND
6RX+6TX+
7N.C.7N.C.
8N.C.8N.C.
Connection diagram with remote control
unit RM-IP10
19
RM-IP10
1N.C.
2N.C.
3N.C.
4N.C.
5GND
6RX–
7RX+
8TX–
9TX+
Notes
• Connect the GNDs of both devices together to
stabilize the voltage level of the signal.
• When preparing cables, use network cables of
category 5e or more. Use cables equivalent to or
higher than shielded twisted pair cables.
Shield
18
18
Camera
1TX–
2TX+
3RX–
4GND
5GND
6RX+
7N.C.
8N.C.
63
Page 64
Sony Corporation
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