Sigma Lens Lens Catalogue

LENS CATALOGUE
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NEW CONCEPT, NEW LINE.
SIGMA presents a new way of looking at lenses
When you're taking photos, your lens is critical to capturing the desired image. Changing your lens changes the photos you take. By selecting and changing the lens to suit the purpose and the situation, the photographer creates a personal camera system that serves his or her specic needs. This is the system we know as the SLR camera, and its performance depends on lens selection. Over the decades, Sigma has contributed to the art of photography by developing some of the world’s nest lenses. Now, with our new lens lineup, you can transform not just your photo­graphs but yourself as a photographer. We've grouped our new lens models into three product lines: Contemporary, Art, and Sports. Each line has been assigned a clearly dened concept. From now on, all our products will be developed and presented in terms of how they embody these three concepts. Since digital SLR cameras are becoming increasingly multifunctional and di­verse, we want to help photographers get the most out of their DLSR cameras and enjoy photography even more. Sigma may be a small company, but we're determined to effect some big changes. And this is just the beginning.
Contemporary, Art, Sports: three lines, perfect order
Having taken our lenses to a new level of performance, Sigma has adopted a simple product identication strategy that makes it easy for users to identify the kind of lens for which they are looking. Building on this idea, we've reor­ganized all our lenses into three product lines, each characterized by its own clearly dened concept. From now on, every new lens we develop will be assigned to one of these product lines. Now nding the right lens is easier than ever.
Contemporary
C
Featuring the very latest technology and combining optical performance with com­pactness, our high-performance Contem­porary line covers a wide range of needs.
Standard zoom lenses Telephoto zoom lenses High-magnication zoom lenses More
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Art
Designed with a focus on sophisticated optical performance and abundant expres­sive power, our Art line delivers high-level artistic expression.
Large-aperture prime lenses Wide-angle lenses Ultra-wide-angle lenses Macro lenses Fisheye lenses More
Sports
S
Featuring sophisticated optical perfor­mance and expressiveness, our Sports line lenses deliver high action-capture per­formance, enabling photographers to get exactly the shots they want.
Telephoto lenses Telephoto zoom lenses Super telephoto lenses Super telephoto zoom lenses More
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ESSENTIALS
You,ll find our philosophy and craftsmanship in every product
Our new lineup fully expresses our approach to lenses and photography itself. All of our lenses belong to one of three lines—Contemporary, Art, or Sports—all of which share our development philosophy and advanced manu­facturing system. High performance, high quality, and high end in every respect, these lenses give people who love photography lasting value and consistent, exciting results. The secret is our passion for craftsmanship that we put into every production process and every product.
QUALITY
Inspecting each and every lens with our proprietary Foveon-based A1 MTF measuring system, we deliver premium quality
There are three requirements for outstanding lenses: ne design, precise manufac­turing and inspection that ensures compliance with all specications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology. But they’re not complete until they undergo our uncompromising lens performance evaluation. We've developed our own A1 proprietary MTF (Modulation Transfer Func tion) measuring system using 46-megapixel Foveon direct image sensors. Even pre­viously undetectable high-frequency details are now within the scope of our quality control inspections. We check each and every lense in our new lines before we ship it. Thanks to our ultra-high-resolution sensors, you enjoy ultra-high-performance.
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VALUE
This proprietary SIGMA service lets you use your cherished SIGMA lenses for many years to come
We at SIGMA understand that, to a photographer, a lens is not only a key device for photographic expression but also a valuable asset. We’d like our customers to be able to use the lens systems they have carefully put together for as long as possible. Leveraging our expertise in manufacturing lenses with our own integrated production system, we are proud to present our new Mount Conversion Service. In this fee-based service, we will convert the mounts of your SIGMA lenses to another mount system, allowing you to use your prized lenses with the camera system of your choice.
CUSTOMIZATION
Our new SIGMA USB DOCK accessory and exclusive software let you personalize the specication of your new SIGMA lenses
With our new lines of interchangeable lenses, the SIGMA USB DOCK accessory and exclusive SIGMA Optimization Pro software let photographers update lens rmware and customize focus position and other parameters. Simply connect the lens to a computer with the SIGMA USB DOCK and use the simple on-screen controls to create personal lens specications. It is possible to select the autofocus speed and adjust the focus limiter and Optical Stabilizer (OS) function.
CRAFTSMANSHIP
“Made in Japan” craftsmanship is what makes our lenses high-performance, high-quality, and high-end
Apart from a handful of processes, we manufacture our lenses in house. We grind lenses, mold plastic parts, painting, mount substrates, perform assembly, and even manufacture screws, many other parts, and molds. With this integrated system, we produce all of our interchangeable lenses, cameras, and strobes at our Aizu facto ry. In fact, we are now one of the very few manufacturers whose products are solely made in Japan. We like to think our products are somehow imbued with the essence of our homeland, blessed as it is with great natural beauty and focused, hard-working people. We pride ourselves on the authentic quality of SIGMA products, which are born of a marriage between highly attuned expertise and intelligent, advanced tech nology. Our sophisticated products have satised professionals and lovers of photog­raphy all over the world, since our manufacturing is based on genuine craftsmanship, underpinned by the passion and pride of our experts.
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RESPONSIBILITY
In our manufacturing activities, we aim for sustainable growth and the highest standard of corporate social responsibility (CSR)
The history of our Aizu factory, our sole production base, is also the history of SIGMA itself. From the moment we rst conceived the idea of setting up a factory in Aizu, we have aimed to grow and develop as a member of the local community. We believe that when a company sets up a business base, it has an economic and cultural respon sibility to the local community from that time onward. The global market may be the principal focus of our business, but our attention to responsibility begins at home.
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ABOUT OUR LENS
One SIGMAThree product lines
We reorganize all of our interchangeable lenses into three product lines. Each line has its own clearly dened concept, and we develop each lens to exemplify the concept of one of the lines.
Contemporary
C
Incorporating the very latest technology in these lenses, Sigma has solved the difficult problem of keeping size and weight low without compromis­ing on advanced optical performance or utility. High-performance, versatile, compact and superbly portable, the lenses in our Contemporary line can handle landscape shots on your travels, casual snapshots, family pictures, and all sorts of other photo opportunities.
A
Art
With unsurpassed expressive performance, these lenses meet the highest standards demanded by photographers. Developed with the maximum em­phasis on artistic touch, our Art line lenses are de­signed to meet the expectations of users who value a creative, dramatic outcome above compactness and multifunction. Along with landscapes, portraits, still-life, close-up and casual snaps, they're perfect for the kind of photography that unleashes the inner artist. Ideal for studio photography, they offer just as much expressive scope when capturing architec­ture, starry skies, underwater shots and many other scenes.
Sports
S
With their high-level optical performance and ex­pressive power, these lenses can capture fast-mov­ing subjects, even at distance. This high-perfor­mance line also offers a variety of functions to aid the photographer in challenging conditions and scenarios. Besides sports photography, the lenses are also perfect for nature shots featuring birds, wild animals and other creatures, and for capture of aircraft, trains, race cars and more. Our Sports line lenses also offer a wide range of customization func­tions: exclusive software allows many settings to be customized.
Lens categories for all major standards
For our three new lines, Sigma develops lenses optimized for 35mm full-frame, APS-C, and mirrorless interchangeable lens cameras.
SIGMA DC LENSES
High-performance lenses for cameras with APS-C sensors
These lenses are designed especially for cameras with APS-C sensors. The smaller image size makes possible a compact, lightweight format that offers outstanding exibility and maneuverability.
Note 1: DC lenses have an image circle that covers APS-C size image sensors. Not for use on digital cameras having image sensors larger than APS-C size or on 35mm or APS lm cameras, as vignetting will occur. Note 2: To nd the 35mm camera-equivalent focal length, multiply the DC lens focal length by the crop factor (digital multiplier) of 1.5-2, depending on the brand of DSLR camera on which the lens will be used. To nd which DC lens is equivalent to a full-frame lens, divide the focal length of the full frame lens by the same crop factor.
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SIGMA DG LENSES
High-performance lenses for cameras with full-frame sensors
Designed to deliver the ultimate in performance on cameras with full-frame sensors, these lenses also bring out the best from APS-C sensor cameras.
SIGMA DN LENSES
High-performance lenses for mirrorless interchangeable lens cameras
These lenses are designed for exceptional perfor­mance on mirrorless interchangeable lens cameras with a short ange back distance.
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Contemporary
C
DC LENSES
High-performance lenses for cameras with APS-C sensors
17-70mm F2.8-4 DC MACRO OS HSM / DC MACRO HSM
Hood (LH780-03) included
High-performance and compact—large-aperture APS-C format standard zoom lens
Covering the standard zoom range, this lens has a focal range equivalent to 25.5-105mm on a 35mm lens. Thanks to Sigma's latest technologies, it's exceptionally lightweight and 30% more compact by volume than previous lenses of its type. Its low F-number equips photographers to shoot subjects at extremely close range, making this the perfect lens for travel, family photos, artistic compositions, and many other uses. A complement to uncompromising optical performance, functionality, quality, and elegance, the compact size of the lens makes it ideal for everyday use.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
18-200mm F3.5-6.3 DC MACRO OS HSM / DC MACRO HSM
Hood (LH676-01) included
Denitive all-in-one ultra-compact superzoom lens
Aiming to create the ideal everyday lens, we designed this lens to be as compact as possible. Using double aspheric lens elements and making the motor even more compact, we have created a lens 4.6mm smaller in diameter and 11% lower in total volume than its predecessor. In fact, this lens is as compact and lightweight as a typical kit lens. You can easily change the angle of view to enjoy wide-angle, telephoto, and macro capabilities. In addition, the OS (Optical Stabi­lizer) function makes this lens a highly convenient choice for handheld close-ups, interior shots, and nighttime scenes.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
18-300mm F3.5-6.3 DC MACRO OS HSM / DC MACRO HSM
Hood (LH780-07) included
16.6x high-zoom ratio lens featuring four FLD elements for outstanding optical performance
This lens features four FLD ("F" Low Dispersion) glass elements, which offer performance equal to that of uorite, and one SLD (Special Low Dispersion) glass element. Optimized power distribution minimizes transverse chromatic aber­ration, which is particularly noticeable in the telephoto range. This lens offers outstanding image quality from the center of the image to the edges. Even while offering high-zoom ratio functionality, this lens features an ideal harmony speci­cation, performance, and compactness. From wide angle to telephoto to macro, it delivers outstanding image quality throughout the zoom range. Using a close­up lens (sold separately) makes possible macro photography with a maximum magnication ratio of 1:2.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
| ASP | FLD/SLD | OS* | HSM | IF |
- Lens construction: 14 groups, 16 elements
- Minimum focusing distance: 22cm (8.7in.)
- Magnication: 1:2.8
- Filter size: ø 72mm
- Mounts: 17-70mm F2.8-4 DC MACRO OS HSM for Sigma, Nikon, Canon 17-70mm F2.8-4 DC MACRO HSM for Sony, Pentax
| ASP | SLD | OS* | HSM | IF |
- Lens construction: 13 groups, 16 elements
- Minimum focusing distance: 39cm (15.4in.)
- Magnication: 1:3
- Filter size: ø 62mm
- Mounts: 18-200mm F3.5-6.3 DC MACRO OS HSM for Sigma, Nikon, Canon 18-200mm F3.5-6.3 DC MACRO HSM for Sony, Pentax
| ASP | FLD/SLD | OS* | HSM | IF |
- Lens construction: 13 groups, 17 elements
- Minimum focusing distance: 39cm (15.4in.)
- Magnication: 1:3
- Filter size: ø 72mm
- Mounts: 18-300mm F3.5-6.3 DC MACRO OS HSM for Sigma, Nikon, Canon 18-300mm F3.5-6.3 DC MACRO HSM for Sony, Pentax
Contemporary
C
DG LENS
High-performance lens for DSLRs with full-frame sensors
150-600mm F5-6.3 DG OS HSM
Case, hood (LH1050-01), shoulder strap, tripod socket (TS-71), and protective cover (PT-11) included
| FLD/SLD | OS | HSM | IF | CONV |
Sports line tech helps deliver Contemporary line style— high-performance super telephoto zoom lens
This lens retains insofar as possible the basic characteristics of the Sports line
50-100mm F1.8 DC HSM | Art FOCAL LENGTH 100mm ISO200 1/125s F3.5 ©RYUICHI OSHIMOTO
lens of equivalent specication. Yet it is also designed to be extremely compact and lightweight, making it easy to carry and comfortable to use in handheld pho­tography for hours at a time. With optical performance a main priority, this lens features one FLD ("F" Low Dispersion) glass element, which offers performance equal to that of uorite, and three SLD (Special Low Dispersion) glass elements, while optimized power distribution minimizes transverse chromatic aberration. Since super telephoto zoom lenses are often carried in the eld, the lens is dust­and splash-proof, and the tripod mount is detachable. These and other features contribute to the exceptional usability of this lens.
*The angle of view depends on camera model. *Illustrations of lens congurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
- Lens construction: 14 groups, 20 elements
- Minimum focusing distance: 280cm (110.2in.)
- Magnication: 1:4.9
- Filter size: ø 95mm
Sigma, Nikon, Canon
- Mounts:
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A
Art
DC LENSES
High-performance lenses for cameras with APS-C sensors
A
Art
DG LENSES
High-performance lenses for cameras with full-frame sensors
30mm F1.4 DC HSM
Case and hood (LH686-01) included
Ideal for artistic shots—large-aperture standard lens with F1.4 brightness
This large-aperture standard lens with an angle of view equivalent to 45mm on a 35mm camera is a superb go-to for artistic photography on an APS-C format DSLR camera. Offering a bright F1.4 aperture and an angle of view extremely close to that of human vision, this lens is ideal for many different types of pho­tographic expression. Featuring an advanced design and the latest manufac­turing technologies, this lens delivers highest-level image quality worthy of the Art line. The photographer can leverage the shallow depth of  eld for a beauti­ful bokeh effect in snapshots, portraits, landscapes, and many other types of photography.
18-35mm F1.8 DC HSM
Case and hood (LH780-06) included
F1.8 brightness throughout the zoom range—large-aperature standard zoom lens for APS-C format cameras
SIGMA 18-35mm F1.8 DC HSM is the  rst zoom lens ever to achieve a maximum aperture of F1.8 throughout the zoom range.* It is a wide-aperture, standard zoom-lens for digital single lens reflex cameras with APS-C size sensors. The lens has a focal range equivalent to 27-52.5mm in a 35mm format, and it can cover the angles of view of multiple  xed-focal length lenses. This wide-aperture, standard zoom lens enables the photographer to expand creative possibilities on any occasion.
*Among interchangeable lenses for DSLR cameras as of April, 2013
50-100mm F1.8 DC HSM
Case and hood (LH880-02) included. Lens is equipped with  xed tripod socket.
SIGMA’s second APS-C format zoom lens offering F1.8 throughout the zoom range
While offering even greater brightness than a F2.8 telephoto zoom, this lens cov­ers the focal lengths of three prime lenses in one package: 85mm F1.8, 105mm F1.8, and 135 mm F1.8 (35mm equivalent). A true game-changer, this lens is ideal for portraits with subtle bokeh effects and more, and it sets a new standard for zoom lens image quality. By including one or more low-dispersion element in every element group, this lens ensures outstanding image quality throughout the zoom and focal range. Thanks to SIGMA’s inner focus and inner zoom technolo­gies, adjusting the focus and zoom rings does not change the length of the lens, and turning the zoom ring is not prone to cause focus shift.
| ASP | HSM | RF |
- Lens construction: 8 groups, 9 elements
- Minimum focusing distance:
30cm(11.8in.)
- Magni cation: 1:6.8
- Filter size: ø 62mm
- Mounts: Sigma, Sony, Nikon, Pentax, Canon
| ASP | SLD | HSM | IF |
- Lens construction: 12 groups, 17 elements
- Minimum focusing distance:
28cm(11.0in.)
- Magni cation: 1:4.3
- Filter size: ø 72mm
- Mounts: Sigma, Sony, Nikon, Pentax, Canon
| FLD/SLD | HSM | IF |
- Lens construction: 15 groups, 21 elements
- Minimum focusing distance:
95cm (37.4in.)
- Magni cation: 1:6.7
- Filter size: ø 82mm
- Mounts: Sigma, Nikon, Canon
20mm F1.4 DG HSM
Case and cover lens cap (LC907-01) included
The world’s  rst* F1.4 ultra-wide-angle lens for full-frame DSLRs
With a focal length of 20mm and F1.4 aperture, this lens delivers outstanding large-aperture brightness and bokeh, delivering unprecedented visual experi­ences. Allowing the photographer to leverage the perspective provided by the wide angle and the shallow depth of  eld provided by the large aperture, this lens is ideal not only for such subjects as landscapes and starry skies, but also for snapshots in low light, indoor photography, portraits with a natural bokeh effect, and much more.
*Among interchangeable lenses for digital cameras with 35mm full-frame image sensors (SIGMA research as of October 2015).
24mm F1.4 DG HSM
Case and hood (LH830-03) included
From our Art line—F1.4 large-diameter wide-angle lens with best-in-class optical performance
This lens in the culmination of our experience designing wide-angle lenses, our design know-how nurtured through crafting the lenses in our Art line, and all of our manufacturing expertise. The result is high-resolution, outstanding image quality from the center of the image to the edges. While delivering high resolu­tion of the part of the subject that is in focus, this lens also offers an attractive bokeh effect. Even at wide-open aperture, the image quality is extremely  ne without streaking. FLD and SLD glass elements minimize transverse chromatic aberration, which can be most noticeable at the edges of an image. Optimized lens power distribution helps minimize axial chromatic aberration as well. Combined, these features deliver exceptionally sharp, high-contrast image quality without color bleeding throughout the entire image.
35mm F1.4 DG HSM
Case and hood (LH730-03) included
Our Art line  agship—large-aperture wide-angle lens with F1.4 brightness
With unsurpassed expressive performance, this large-aperture lens offers a bright F-number of F1.4 in wide-angle photography and beautiful bokeh ef­fects. Coma of point light sources is minimized, making this lens an excellent choice for photographing illumination. The aspheric lens at the front of the lens series helps minimize both distortion and vignetting. The view nder image is bright from the center to the edges, and the rounded diaphragm produces an attractive round bokeh effect at large-aperture settings.
50mm F1.4 DG HSM
Case and hood (LH830-02) included
Incredible resolution, ideal for the high-megapixel era. Introducing the new benchmark large-aperture standard lens.
Thanks to its exceptional performance, 35mm F1.4 DG HSM has become one of our representative lenses. Now the 50mm F1.4 DG HSM joins the lineup, also ful lling our design concept and quality requirements at the highest level. While producing a beautiful bokeh effect, it features exceptional peripher­al brightness and minimal distortion. Uncompromising in every detail, this large-aperture standard lens offers the ultimate in image quality. Its high reso­lution makes it perfect for the high-megapixel era. Resolution is extremely crisp at the area in focus, while both front and rear bokeh are silky-smooth. Offering the ultra-high performance that characterizes our Art line, this lens inherits the design principles of the  agship Sigma 35mm F1.4 DG HSM, further empower­ing photographic imaginations.
| ASP | FLD/SLD | HSM | IF |
- Lens construction: 11 groups, 15 elements
- Minimum focusing distance:
27.6cm(10.9in.)
- Magni cation: 1:7.1
- Mounts: Sigma, Nikon, Canon
| ASP | FLD/SLD | HSM | IF |
- Lens construction: 11 groups, 15 elements
- Minimum focusing distance:
25cm(9.8in.)
- Magni cation: 1:5.3
- Filter size: ø 77mm
- Mounts: Sigma, Nikon, Canon
| ASP | FLD/SLD | HSM | IF |
- Lens construction: 11 groups, 13 elements
- Minimum focusing distance:
30cm(11.8in.)
- Magni cation: 1:5.2
- Filter size: ø 67mm
- Mounts: Sigma, Sony, Nikon, Pentax, Canon
| ASP | SLD | HSM | IF |
- Lens construction: 8 groups, 13 elements
- Minimum focusing distance:
40cm(15.7in.)
- Magni cation: 1:5.6
- Filter size: ø 77mm
- Mounts: Sigma, Sony, Nikon, Canon
*The angle of view depends on camera model. *Illustrations of lens con gurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
*Illustrations of lens con gurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
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A
Art
DG LENSES
High-performance lenses for cameras with full-frame sensors
85mm F1.4 DG HSM
Case and hood (LH927-02) included
Peak 85mm F1.4 performance. Introducing the ultimate lens for portraits
Portrait photographers demand the attractive bokeh effect that large-diameter lenses offer, as well as outstanding resolution. Fulfilling the exacting stan­dards of the Art line, the SIGMA 85mm F1.4 DG HSM | Art delivers both of these elements at the highest level. The bokeh effect is so precise, you can focus on the pupil of the subject’s eye while blurring the eyelashes. Adding to the effect, the area in focus is extremely high-resolution while the bokeh area is very at­tractive in appearance. The SIGMA 85mm F1.4 DG HSM | Art incorporates 14 lens elements in 12 groups, a remarkable structure that helps the lens deliver ultra-high-resolution. This lens is therefore an excellent match for full-frame DSLRs offering 50-megapixel or higher resolution.
12-24mm F4 DG HSM
Case, Cover Lens Cap (LC1020-1) included
Top 12mm ultra-wide-angle performance—welcome to the world of zero distortion
The ultra-wide-angle zoom pioneer, SIGMA has developed and launched many extraordinary products in this category over the decades. Now SIGMA introduc­es an ultra-wide-angle zoom lens that is perfect for the era of ultra-high reso­lution digital cameras. The SIGMA 12-24mm F4 DG HSM | Art offers an optimal package of center-to-edge image quality, minimized distortion, and minimum focusing distance. To achieve these qualities without compromise, SIGMA has leveraged its lens design expertise and all of its leading-edge technologies. Advanced materials such as low-dispersion glass play a crucial role, while SIGMA’s advanced lens processing methods have made possible an aspherical lens of extremely large diameter.
24-35mm F2 DG HSM
Case and hood (LH876-03) included
Incredible performance overturns the conventional perception of a zoom lens.
A zoom lens that offers the same brightness and resolution as a fixed focal length lens. Realizing this concept of outstanding optical performance is SIG­MA’s new zoom lens for 35mm full-frame sensors. It allows photographers to carry one lens to do the work of three xed focal length lenses, a 24mm, 28mm and 35mm – with F2 brightness and top optical performance. One package de­livers exible functionality and convenience. This is a new zoom lens that offers the quality of a xed focal length lens at various angles of view.
| ASP | SLD | HSM | RF |
- Lens construction: 12 groups, 14 elements
- Minimum focusing distance: 85cm (33.5 in.)
- Magnication: 1:8.5
- Filter size: ø 86mm
- Mounts: Sigma, Nikon, Canon
| ASP | FLD/SLD | IF |
- Lens construction: 11 groups, 16 elements
- Minimum focusing distance: 24-25.8cm/ 9.4in.-10.2in.
- Magnication: 1:4.9
- Filter size:
- Mounts: Sigma, Nikon, Canon
| ASP | FLD/SLD | HSM | IF |
- Lens construction: 13 groups, 18 elements
- Minimum focusing distance: 28cm(11.0in.)
- Magnication: 1:4.4
- Filter size: ø 82mm
- Mounts: Sigma, Nikon, Canon
24-105mm F4 DG OS HSM / DG HSM
Case and hood (LH876-02) included
| ASP | FLD/SLD | OS* | HSM | IF |
From wide-angle to medium telephoto—new standard zoom lens combining high image quality with convenience
When shooting nature or travel scenes, photographers need a high zoom ratio combined with excellent handling to capture all the subjects they encounter. This new standard zoom lens covers the most commonly used zoom range, from wide-angle to medium telephoto, combining high and stable image quality with outstanding convenience. It also takes usability to the next level, offering F4 brightness throughout the zoom range, OS (Optical Stabilizer) functionality, and an HSM (hypersonic motor). Thanks to its convenient handling, this is an ideal lens for many types of photography such as snapshots, portraits, and landscapes.
*Optical Stabilizer (OS) functionality not available for Sony mounts.
*Illustrations of lens congurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
- Lens construction: 14 groups, 19 elements
- Minimum focusing distance: 45cm(17.7in.)
- Magnication: 1:4.6
- Filter size: ø 82mm
- Mounts: 24-105mm F4 DG OS HSM for Sigma, Nikon, Canon 24-105mm F4 DG HSM for Sony
50mm F1.4 DG HSM | Art ISO200 1/200s F3.5 ©RYUICHI OSHIMOTO
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