Sigma DP1 DATASHEET

The Sigma DP1.
Unique. Groundbreaking.
A compact digital camera
with all the power of a digital SLR.
For the first time. Ever.
Having principles.
That means having your own convictions, and living by them. It means having unique qualities, and an Unshakable belief in your own sensibility.
The DP1 has principles. It sticks to the fundamental principle of photography: To capture the truth.
If you live by your own personal principles, the DP1 was born to be yours.
This is what a camera ought to be. This is the camera nobody could make. Until now.
This photograph shows the approximate dimensions of the Sigma DP1.
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The Next Dimension : A Camera with Principles.
Photography: what other field has so many terms for failure? Photos can fail by being out of focus. Or due to camera-shake. Or because of under­exposure, or over-exposure, or a million other things. The evolution of the camera has been, essentially, a fight against photographic failure. Thanks to all this failure-averse technological development, today's highly-evolved digital cameras are almost failure-proof: anyone can take a decent photo with no effort at all.
The fully-automatic mode of the average digital camera includes automatic flash: based on what it detects about the subject, the camera grabs the image least likely to fail. Even the dreaded camera-shake can now be eliminated by technology. Noise-reduction, which almost completely banishes noise, even in high-sensitivity photography, has also made stunning leaps in the last few years.
Better technology means the market is now overflowing with cameras guaranteeing a certain level of competence to all users, from beginners to press photographers who cannot afford to fail. Of course, this evolution has brought some immeasurable blessings. It's made a major contribution to the widespread adoption of cameras and the development of photographic culture. And of course, Sigma has been at the forefront. Today, as ever, we're working on all sorts of proprietary technologies. We certainly don't intend to loosen our grip on the state of the art.
But at the same time we note that the pictures resulting from this failure-
averse technology have a certain air of flatness and lifelessness. A certain sameness— whatever their subject. And a certain lack of expressiveness.
Not everyone would agree that the only "good" photographs are slick, catalog-style pictures, every inch impeccably lit, and with not a single flaw. A photo may be slightly too low-key, slightly too high-key, or a little blurred, yet still have its own distinctive charm. In fact, when it comes to expressing the emotion that moved the photographer to press the shutter, a technically-flawed photo may actually be more eloquent and vivid. That's how infinitely varied the world of photographic expression is.
You've probably heard the following apocryphal story. There's a photographer who takes really distinctive photos. He uses a single­focus lens mounted on a simple manual film camera. It doesn't even have a program mode. One day he gets an up-to-the-minute digital camera with a fully-automatic mode. That's the day he loses all interest in photography. So the story goes. Its moral? If you perfect all the extra functions intended to provide convenience for all users, delivering a camera that captures nothing but uniformly competent photos, you can end up purging photography of all individuality. Draining it of emotionally-charged natural inspiration. That's the last thing Sigma wants to do. To us, a camera isn't a tool for recording an infinite series of acceptable images. It's an aid in translating an irreplaceable instant into a work of art of the highest order. Our efforts to attain this ideal have culminated in the DP1.
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A Camera for Artists.
Sigma's main effort went into perfecting basic performance. We aimed to create a brand-new compact digital camera delivering top-of-the-range image quality. We gave it a large, SLR-sized image sensor. A direct image sensor capable of capturing all the light and color. We developed a lens specially for top performance. We developed a special image-processing engine, from scratch. If you're pursuing the very essence of cameras and photos, these elements are indispensable.
We also minimized the automatic element in selecting the capture setting. We scaled back the image­correcting functions, and took care to leave the photographer plenty of creative scope. We think the camera should be a tool that lets the photographer take the initiative and work the magic. We designed the user interface with care. We made it easy for the user to select the best mode to shoot in, based his or her perception of the light and the subject's texture. We made sure the camera's own image processing doesn't tinker too much with the
tone when the data is processed. This way, the light captured by the lens is converted faithfully into image signal. These are the ideals behind the DP1's approach to making pictures.
The DP1 may not be the easiest camera to use, and it may not be ideal for the casual user. But if you want a camera that stimulates your creative intelligence, brings out an artistic urge you never knew you had, and ignites your talent, that would be the DP1. It may not have the kind of extra features that hit the headlines. But if you want to capture the true complexities of light and color on planet Earth, and turn them into top-quality images, then no other camera will do.
A camera for artists: if the DP1 increases the sum of human art by a single work, Sigma will be happy. A high-performance compact digital camera in a class of its own. A camera aimed squarely at the heart of photographic art. A camera that sparks the creative urge. That would be the DP1.
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Camera : SIGMA DP1, File Type: X3F Raw, Exposure Mode: Aperture Priority AE, ISO Setting : 100, White Balance : Auto, Shutter Speed : 1/160s, Aperture Value : F8, Focal Length: 16.6 mm
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Camera : SIGMA DP1, File Type: X3F Raw, Exposure Mode: Aperture Priority AE, ISO Setting : 100, White Balance : Auto, Shutter Speed : 1/2s, Aperture Value : F11, Focal Length: 16.6 mm
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