CS Series Microphone
Neodymium Dynamic Capsule Select Microphone
with CS1 Vocal and CS2 Instrument Capsules
Introduction
The Samson CS Series Microphone is a professional handheld microphone featuring two
interchangeable neodymium dynamic microphone capsules for vocal and instrument
applications. Perfect for both live and studio situations, the CS Series Microphone’s
revolutionary interchangeable “Capsule Select” design allows you to quickly substitute
the capsule for your purpose. The CS Series microphone is like having two microphones
in one, and its versatility will make it one of the most valuable microphones in your collection.
The CS1 vocal capsule is designed to have minimal proximity eect, delivering excellent
clarity with a balanced frequency response, on and o axis, for enhanced detail and a
superior vocal performance. The CS2 instrument capsule is contoured to be positioned
as close to the sound source as possible. It is designed to withstand high signal pressure
levels (SPL), and its tight super cardioid pickup pattern allows you to mic loud instruments. The special capsule mounting system and robust construction of the microphone
minimizes handling noise, and provides additional protection to the capsules.
Should your microphone ever require servicing, a Return Authorization (RA) number must be obtained before shipping your unit to Samson. Without this number, the unit will not be accepted. Please call Samson at 1-800-3SAMSON (1-800-372-6766) for an RA number prior to shipping your
unit. Please retain the original packing materials and, if possible, return the unit in its original carton. If your CS Series microphone was purchased
outside of the United States, contact your local distributor for warranty details and service informa¬tion. Also, be sure to check out our website
(www.samsontech.com) for information about our full product line.
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CS Series · Capsule Select Microphone
Features
The Samson CS Series utilizes state-of-the-art microphone technology and is engineered to the nest
detail. Here are some of its main features:
• Neodymium dynamic handheld mircrophone with CS1 vocal and CS2 instrument selectable capsules
• CS1 microphone capsule tailored for vocal performance with minimal proximity eect and balanced
frequency response for on and o axis performance
• CS2 microphone capsule specially designed for close-miking instruments with high SPLs
• Ultra sensitive, neodymium element picks up the nuances of any performance
• Tight, super cardioid polar pattern for maximum gain before feedback
• Extended range frequency response for optimum reproduction and exceptionally clear, crisp sound
• Rugged, zinc alloy die-cast case ensures reliable performance and greatly reduced handling noise
• Gold-plated XLR Connector
• Microphone clip and zippered carry case are included
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ChangingtheCapsule
1. Turn down the level control of the device the CS Series Microphone is connected and disconnect the XLR
cable from the microphone.
2. Unscrew the installed capsule, removing the entire grill and element from the base.
3. Screw in the desired CS capsule, making sure the threads are aligned before tightening.
4. Ensure the capsule is completely secured to the base before using, as any vibration may loosen the capsule,
add handling noise, and result in signal loss.
5. Reconnect the XLR cable and slowly raise the volume of the microphone until the desired level is reached.
CaringforyourCSMicrophone
Your CS Series Microphone’s rugged design and gold-plated connectors are made to withstand years of extreme
usage, but to ensure your microphone and capsule will not become damaged, always store the microphone and
additional capsule in the provided protective case.
To clean your microphone, wipe it down with a damp cloth or remove the grill and rinse with plain water. If
needed, use a mild cleaner (such as dishwashing liquid soap) to remove any odors or stains. Never use abrasive
cleaners as they may damage the microphone’s nish. Should the XLR, or gold capsule ring connectors ever
become oxidized, use a deoxidizing solution. Make sure the connectors are completely dry before axing the
capsule or connecting an XLR cable.
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CS Series · Capsule Select Microphone
OperatingNotes
PolarPattern
Every microphone has a characteristic polar pattern that determines the microphone’s sensitivity to signals coming from 360° around the microphone. The CS1 and CS2 capsules are unidirectional supercardioid, meaning that they predominantly pick up and reproduce sound originating
directly in front of the microphone, with a coverage angle of approximately 115°, and rejects o-axis ambient sounds.
FeedbackRejection
When using a microphone in a live situation, you may encounter feedback issues. Feedback is the characteristic howling sound
that occurs when a mic is placed too close to a loudspeaker, and the signal from the loudspeaker is fed into the mic, then into
the loudspeaker, etc., until an oscillating tone is generated. When using oor monitors with the CS Series microphone, the
monitors should be placed about 55° o of the rear axis. This same consideration should be made when using the CS Series
microphones on drum kits or guitar ampliers; the microphone should be positioned to avoid picking up sounds from the rear
of the microphone.
ProximityEect
Proximity eect is an audio phenomenon that is inherent to uni-directional microphone designs. As the microphone is brought close to the sound
source (approximately ¼”) there is boost to the bass frequencies below 100Hz. As you become aware of this boost in frequencies, you can use it to
your advantage to enhance vocals, and increase the warmth of instruments.
GuidelinesforMicrophoneUse
• Aim the microphone at the desired source. Keep unwanted sound sources at ~126° angle from the front of the microphone.
• Place the microphone as close to the sound source as possible.
• Use the proximity eect to your advantage: the closer the mic is to the sound source, the more emphasized the bass response will be.
• Use a windscreen to suppress unwanted wind noise.
• Never cup your hand over the microphone grill, as this will aect the response of the microphone, and can induce feedback.
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MicrophonePlacement
Application Remarks
Vocals (CS1) <2 inches from lips for a full sound with increased low frequency output
Electric Guitar Amplier (CS2) ≤1 inch from the grill for a punchy sound with increased isolation
Acoustic Guitar (CS2) 1–3 inches from the sound hole for increased isolation with increased low frequency output
Snare Drums (CS2) 1–2 inches from the top of the drum head for a punchy sound
Tom-Tom Drums (CS2) 1–2 inches from the top of the drum head aimed towards the top of the head
Brass and Woodwinds (CS2) 1–2 feet from bell, o-axis for a balanced tone
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2–4 inches from lips for a balanced natural sound
1–4 inches from the grill for a balanced sound
Positioning the microphone towards the center of the speaker cone produces a brighter tone.
Positioning the microphone towards the edge of the speaker cone produces a mellower tone, and minimizes
hiss from the amplier.
3–8 inches from the sound hole for natural sound with minimal leakage
3–8 inches from the bridge to reduce pick noise
1–2 inches from the bottom of the snare for a snappy sound
When using multiple microphones, be mindful of frequency and phase cancellation
≤1 foot for increased isolation in live situations, and a brighter tone
CS Series · Capsule Select Microphone
Specications
CS1NeodymiumVocalCapsule
Frequency Response 60Hz~18kHz
Sensitivity -55±2dBV/Pa
Rated Impedance 250 ohm
Polar Pattern Super Cardioid
Max SPL 150dB
Net Weight 246g
Size Ø 54×180mm
CS2NeodymiumInstrumentCapsule
Frequency Response 50Hz~18kHz
Sensitivity -56±2dBV/Pa
Rated Impedance 250 ohm
Polar Pattern Super Cardioid
Max SPL 150dB
Net Weight 246g
Size Ø 47×170mm
Accessories Mic Clip, Zippered Case
v1.2 ©2012 Samson Technologies Corp.
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Samson Technologies Corp.
Hauppauge, New York 11788-8816
Phone: 1-800-3-SAMSON (1-800-372-6766)
45 Gilpin Avenue
Fax: 631-784-2201
samsontech.com
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