Roland TD-9KX User Manual

Roland V-Drums Catalog 2008
New possibilities for drums, creativity begins here
Explore a new world of sound and control.
The drum kit redefined.
Complete freedom of expression.
In the quest to meet the needs of every drummer,
®
Roland continues to strengthen and expand its award-winning line of V-Drums
while steadfastly adhering to the highest quality standards.
,
Roland V-Drums
When you play V-Drums, you can feel and hear the quality.
Experience a new world of expression, creativity, and inspiration that only V-Drums can offer.
V-Drums have become the global standard for drummers of every style and skill level.
V-Drums Artists
Omar Hakim Neil Peart Gregg Bissonette Thomas Lang Jason Bittner
Roland’s Most Expressive and Dynamic V-Drums Kit Ever.
The V-Pro Series TD-20K is anchored by Roland’s TD-20 module, famous for its stunning, ultra-expressive sound and
powerful-yet-friendly V-Editing. The patented mesh V-Pads
and authentic rimshot triggering, along with a cool look and striking finish. The V-Pro Series TD-20K also features Roland’s
®
innovative two-piece V-Hi-Hat
*Not included
and a drum stand* designed to hide the cabling. It’s the ultimate kit for the modern drummer!
V-Pro Series
TD-20K-BK
Percussion Sound Module V-Pad V-Pad V-Hi-Hat V-Cymbal Crash V-Cymbal Ride V-Kick Trigger Pad
Drum Stand
TD-20 PD-125BK PD-105BK VH-12 CY-14C CY-15R KD-120BK
MDS-20BK
X 1 X 3 X 2 X 1 X 2 X 1 X 1
X 1
provide a comfortable, natural feel, a wide dynamic range,
V-Pro Series
TD-20K-WT
Percussion Sound Module V-Pad V-Pad V-Hi-Hat V-Cymbal Crash V-Cymbal Ride V-Kick Trigger Pad
Drum Stand
TD-20 PD-125WT PD-105WT VH-12 CY-14C CY-15R KD-120WT
MDS-20BK
*Select a snare stand that
can accept a 12-inch diameter fixed snare.
*A mesh material is used for
the head of the KD-120BK. The use of plastic beaters is recommended because felt and wad beaters wear out quickly.
X 1 X 3 X 2 X 1 X 2 X 1 X 1
X 1
*Drum stand, snare stand, hi-hat stand and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes.
TD-20K-BK
*Select a snare stand that
can accept a 12-inch diameter fixed snare.
*A mesh material is used for
the head of the KD-120WT. The use of plastic beaters is recommended because felt and wad beaters wear out quickly.
*Drum stand, snare stand, hi-hat stand and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes.
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*V-Drums technology for use under one or more of U.S. Pat. Nos. 5,920,026 / 6,121,538 / 6,271,458 / 6,756,535 / 6,921,857 U.S. Patent Pending
Professional Quality in a Compact Kit
Great feeling, great sounding — the V-Stage Series TD-12KV makes the middle range of the V-Drums® line feel like first class.
With mesh V-Pads
The TD-12 percussion sound module share the same sound quality as the flagship TD-20.
V-Stage Series
TD-12KV-BK
Percussion Sound Module V-Pad (for Snare) V-Pad V-Hi-Hat V-Cymbal Ride/Crash V-Kick Trigger Pad
Drum Stand
all the way around, the TD-12KV lets drummers experience the best-feeling pads in the business.
TD-12 PD-105BK PD-85BK VH-11 CY-12R/C KD-85BK
MDS-12BK
X 1 X 1 X 3 X 1 X 3 X 1
X 1
V-Stage Series
TD-12KV-WH
Percussion Sound Module V-Pad (for Snare) V-Pad V-Hi-Hat V-Cymbal Ride/Crash V-Kick Trigger Pad
Drum Stand
TD-12 PD-105WT PD-85WT VH-11 CY-12R/C KD-85WT
MDS-12BK
*A mesh material is used for
the head of the KD-85BK. The use of plastic beaters is recommended because felt and wad beaters wear out quickly.
X 1 X 1 X 3 X 1 X 3 X 1
X 1
*Drum stand, hi-hat stand and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes.
TD-12KV-BK
*A mesh material is used for
the head of the KD-85WT. The use of plastic beaters is recommended because felt and wad beaters wear out quickly.
*Drum stand, hi-hat stand and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes.
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*V-Drums technology for use under one or more of U.S. Pat. Nos. 5,920,026 / 6,121,538 / 6,271,458 / 6,756,535 / 6,921,857 U.S. Patent Pending
Mid-Line Gets a First-Class Upgrade
For any type of gig, the V-Tour series enables the nuance of authentic drumming and more.
The TD-9 sound source delivers powerful, high-quality sound that cuts through the densest mixes. V-Tour kits also allow you to
record and play along with backing songs and improve your drumming with accuracy meters. The sturdy MDS-9 drum stands
provide the strength and flexibility to configure your kit exactly how you want it, and keep it firmly in place.
The TD-9KX, with mesh-head V-Pads, is equipped many features of Roland’s top-line models,
including a 10-inch PD-105 snare and CY-12R/C V-Cymbal with three-way triggering.
V-Tour Series
TD-9KX
Percussion Sound Module V-Pad (for Snare) V-Pad V-Cymbal Ride/Crash Dual-Trigger Cymbal Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
*TD-9 supports the rim-triggering on the V-Pads (Mesh)
for Toms and the 3 way-triggering with CY-12R/C for Ride.
TD-9 PD-105BK PD-85BK CY-12R/C CY-8 CY-5 KD-8 FD-8
MDS-9
X 1 X 1 X 3 X 1 X 1 X 1 X 1 X 1
X 1
TD-9KX
*Drum stand, and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes.
This popular kit features a 10-inch PDX-8 snare pad and PD-8 tom pad that responds beautifully to
dynamics. The design of the TD-9 inspires expressive performance.
V-Tour Series
TD-9K
Percussion Sound Module V-Pad (for Snare) Dual-Trigger Pad Dual-Trigger Cymbal Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
TD-9 PDX-8 PD-8 CY-8 CY-5 KD-8 FD-8
MDS-9
X 1 X 1 X 3 X 2 X 1 X 1 X 1
X 1
The ball clamp system allows unrestricted angle adjustment
The MDS-9 drum stand used in the V-Tour series employs a ball clamp system for tilting snare drums and cymbals. Because it enables free rotation and fine adjustment in any direction, you can quickly set any angle you desire.
*Drum stand, and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes.
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Great performance at a nice price
With the sound quality of flagship V-Drums®, Roland’s V-Compact kits are a price/performance breakthrough.
The heart of this compact system is the easy-to-use TD-3 V-Drums sound module, packed with great drum and percussive sounds,
plus Rhythm Coach, a metronome, and a host of great features for practice and performance. Improve your drumming skills and
have fun in the process.
This kit features the 10-inch PDX-8 V-Pad for the snare drum — a pad that’s expressive, accurate,
and comfortable to play. The TD-3KW makes a perfect first drum kit. It’s affordable, compact,
versatile, and provides a comfortable and fun drumming experience.
V-Compact Series
TD-3KW
Percussion Sound Module V-Pad (for Snare) Dual-Trigger Pad Dual-Trigger Cymbal Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
TD-3 PDX-8 PD-8 CY-8 CY-5 KD-8 FD-8
MDS-3C
X 1 X 1 X 3 X 2 X 1 X 1 X 1
X 1
*Drum stand, and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes
TD-3Kit delivers outstanding cost performance in kit that’s perfect for practice at home.
With a minimal investment, you can enjoy drumming with world-class sound.
V-Compact Series
TD-3Kit
Percussion Sound Module Dual-Trigger Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
Included with every V-Compact series drum kit is Roland's Play-Along audio CD, featuring 23 songs in a variety of musical styles. Feel like you're in the band, as you play along with the professionally recorded songs; each song is offered with and without a drum track.
TD-3 PD-8 CY-8 KD-8 FD-8
MDS-3C
Included with V-Tour/V-Compact series is a cable snake, conveniently colorcoded and securely wrapped for easy setup and reliable, clean signal transfer.
X 1 X 4 X 2 X 1 X 1
X 1
*Drum stand, and kick pedal not included and shown only for photography purposes. *Connection cables are partially hidden for photography purposes
Easy to transport and store, V-Compact series rack can quickly fold to these dimensions: 110cm (4-3/8") Tall, 70cm (2-13/16") Wide, and 70cm (2-13/16") Deep.
TD-3KW
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Options for Adding to V-Drum Kits
Expand the TD-20K with an additional CY-5 splash cymbal pad and PD-125BK second snare pad plus mounting hardware, as illustrated in the diagram.
CY-5 MDY-10U
PD-125BK
Expand the TD-9KX with an additional CY-8 crash cymbal pad and PD-85BK tom pad plus mounting hardware, as illustrated in the diagram.
CY-8 MDY-10U
PD-85BK
MDH-10U
Expand the TD-9K with an additional CY-12R/C ride/crash cymbal pad and PD-8 tom pad plus mounting hardware, as illustrated in the diagram.
CY-12R/C
MDY-10U
Expand the TD-12KV with an additional CY-5 splash cymbal pad and PD-85BK tom pad plus mounting hardware, as illustrated in the diagram.
CY-5 MDY-10U
PD-85BK MDH-10U
PD-8
MDH-10U
Expand the TD-3KW with an additional CY-8 crash cymbal pad plus mounting hardware, as illustrated in the diagram.
CY-8 MDY-10U
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Roland V-Drums Innovation File No.01
V-EDIT (TD-20/12)
Build Your Kit From the Ground Up
If you’ve never experienced the power and user-friendliness of Roland’s V-Editing, you’re in for an incredibly pleasant surprise. The TD-20 and TD-12’s visual, icon-driven editing screens make it dead simple to create your own kits from scratch. Thanks to powerful COSM modeling technology, you can choose the shell material for the drums, the shell dimensions, the head types, snare-buzz amount, the amount of muffling, kick-drum beater type, the size of the cymbals, microphone positions, and more!
Essential V-Drum Elements
In making the world’s finest electronic drum kits, Roland has mastered these key performance elements: comfort, pinpoint accuracy, full-spectrum sensitivity, realistic positional control, and stunning sound quality. In harmony, these elements combine to create the world-famous V-Drums experience.
Unmatched Power, Articulation, & Sensitivity
The V-Drums magic begins with the location and strength of the stick on the pad, as well as the intervals of the strokes. From weak to strong, from the center of the pad to the edge, from single-shots to rolls, your performance data is translated with lightning-fast accuracy by the V-Drums’ central processor.
*Detection of hitting position and interval is only possible on the TD-20/12
Beyond Specs — Tapping Into the Intangible
Memory size and sampling rate alone do not determine the actual sound quality of an electronic musical instrument. Roland looks at sound quality on a higher level. In addition to pristine audio capture and modeling, we believe that the quality of source instrument, the skill of the sampling-session player, the quality of the studio and recording equipment, and many other intangible factors add up to give V-Drums an unbeatable edge.
Strong center shot
Flam shot with moderate strength
Buzz roll near the edge
Build your own snare drum with COSM®-modeled shell material, such as wood, brass, and steel. The depth of the kick and toms can also be changed.
Add a “doughnut-style” muffler on the snare or a weight-type muffler on the bass drum. The snare strainer can also be adjusted.
Here you can change the size of your cymbal from 1 inch to 40 inches.
Choose the placement of your virtual microphones. *Only possible on the TD-20.
Here you can choose the type of drum head (such as clear, coated, and Pinstripe*) and adjust the pitch. *Pinstripe is a registered Trademark of Remo Inc. U.S.A.
Choose from a variety of kick beaters, such as felt, wood, and plastic.
*Only possible on the TD-20.
Add realistic sizzle to your cymbal with modeled rivets or a chain.
*The TD-12 only has rivets.
Add realistic snare drum buzz to give your kits even more expression. The amount of buzz* (the resonance created on the tom and bass drum) can be varied to get just the right effect. *Adjustment of buzz amount is possible only on the TD-20.
*The TD-12 can only switch the buzz on and off.
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The Best Sounds, the Most Expressive Performance
TD-20 is Roland’s best-sounding percussion module ever, with
over 500 sounds, plus superb dynamic range when used with
the PD-125/105 V-Pads and VH-12 V-Hi-Hat
®
. Superior
sensitivity lets drummers play more naturally and without
having to adjust their playing technique. Rimshot and bass
drum sounds can be varied depending on how they are played,
and with Roland’s interval control technology, drummers can
create more realistic snare rolls and cymbal swells.
Advanced V-Editing
The modeling-based V-Editing starts from careful analysis of
an entirely drum sounds. Drummers are free to change
parameters such as cymbal size, type of “sizzle” (e.g. rivets or
chain), and microphone position. Several types of kick beaters
can also be selected, including felt, wood, and plastic. For the
hi-hat, you can also add a tambourine. The TD-20 can even
model snare “buzz” (the resonance created on the tom and
bass drum) for startling realism.
Enhanced Performance Features
Eight group faders let drummers adjust the mix balance of the
kit’s components, while 15 Pad Compressors and EQs make
shaping sounds easy. There’s also a 6-part sequencer loaded
with preset backing patterns and plenty of room for your own,
plus onboard effects such as Ambience and a Mastering
Room for adding compression and EQ to the overall sound. A
choice of 10 analog outputs and a S/PDIF digital output offer
plenty of options when mixing live or in the studio. It also has
15 dual trigger inputs, so if you own a standard TD-20K drum
kit, you have four extra inputs to add more pads.
Convenient CompactFlash Storage and More
The CompactFlash slot can be used for storing custom drum
kits and sequencer patterns with optional memory cards. An
expansion bay located on the underside means there’s room
for upgrades down the road. The TD-20 also features
Roland’s V-LINK technology. Using an optional DV-7PR Video
Presenter from Edirol, drummers can trigger images or
change cameras from the pads or kick.
REAR PANEL
SPECIFICATIONS
• Sound Generator Variable Drum Modeling • Maximum Polyphony 64 Voices • Instruments Drum Instruments: 560 (1,300,021 variations), Backing Instruments: 262 • Drum Kits 50 • Drum Kit Chains 16 chains (32 steps per chain) • Instrument Parameters V-EDIT (KICK): Shell Depth, Beater Type, Head Type, Head Tuning, Muffling, Snare Buzz, Mic Position, V-EDIT (SNARE): Shell Material, Shell Depth, Head Type, Head Tuning, Muffling, Strainer Adjustment, Mic Position, V-EDIT (TOM): Shell Depth, Head Type, Head Tuning, Muffling, Snare Buzz, Mic Position, V-EDIT (HI-HAT): Cymbal Size, Add Tambourine, Mic Position, Fixed Hi-Hat, V-EDIT (CYMBAL): Cymbal Size, Sizzle Type, Sustain, Mic Position, EDIT: Pitch, Decay
• Ambience Parameters Room Type, Room Size, Wall Type, Mic Position, Room Shape • Mixer Parameters Volume, Pan, Minimum Volume, Output Assign • Effect Types Pad Equalizer (each pad), Pad Compressor (each pad), Multi-Effects: 14 types, Master Compressor, Master Equalizer, Reverb (for backing part), Chorus (for backing part) • Percussion Sets 8 • Sequencer User Patterns: 100, Preset Patterns: 100, Parts: 6, Play Type: Oneshot, Loop, Tap, Tempo: 20—260, Resolution: 192 ticks per quarter note, Recording Method: Realtime, Maximum Note Storage: approx. 20,000 Notes, Click Instruments: 20 • Display 64 x 240 dots (backlit graphic LCD), 7 segments, 3 characters (LED), Trigger Level Indicator (LED) • Faders 8 • Preview Button • Connectors Trigger Input Jack x 15, Hi-Hat Control Jack (for VH-12, VH-7 and FD-8), Master Output Jacks (L/MONO, R), Direct Output Jack x 8, Digital Output Jack (COAXIAL), Headphones Jack (Stereo 1/4 inch phone type), Mix in Jack (Stereo 1/4 inch phone type), MIDI Connectors (IN, OUT/THRU), Foot Switch Jack (1/4 inch TRS phone type), CompactFlash Card Slot, AC Inlet • Output Impedance 1.0 k ohms • Power Supply AC 117 V, AC 230 V, AC 240 V (50/60 Hz), AC 220 V (60 Hz) • Power Consumption 16 W • Dimensions 307 (W) x 256 (D) x 105 (H) mm / 12-1/8 (W) x 10-1/8 (D) x 4-3/16 (H) inches
• Weight 2.9 kg / 6 lbs 7 oz • Accessories Owner’s Manual, Power Cord
*The TD-20’s file system is developed by Kyoto Software Research, Inc. Fugue ®2004-2006 Kyoto Software Research, Inc. All rights reserved.
Unbeatable Sound
With the same stunning sound quality as the flagship TD-20,
the TD-12 drum module provides hundreds of expressive
instruments and play-along sequences in a streamlined,
affordable package. Many of the sounds in the TD-12, from
drums to cymbals, are COSM
®
modeled for the ultimate in
expression and realism. The module provides the same large,
icon-based LCD as its big brother (the TD-20), and is housed
in a road-tough, metallic black chassis with a friendly array of
buttons, controls, and mix sliders. Twelve trigger inputs are
provided, plus four audio outputs and MIDI I/O.
Unrivaled V-Editing
Enjoy the dozens of expert-programmed kits in the TD-12 —
from authentic acoustic sets to ultra-modern electronic flavors.
But the fun doesn’t stop there; customize your snare drum,
toms, bass drum, and cymbals with the modeling-based
V-Editing. Change sizes and materials, attach sizzles to
cymbals, add snare buzz, and more. Then get out your sticks
and enjoy! The TD-12 supports positional sensing on the
snare and ride, as well as on the toms when you play
rimshots. The TD-12 is also brush compatible, and features
the authentic Interval Control feature for the snare and
ride/crash/china cymbal, which varies the sound in natural
ways based on the speed of stroke repetition.
Tap Into a New World of Style and Groove
From rich studio kits to bombastic arena monsters, the TD-12
can deliver amazingly authentic drum and percussion sounds.
Pop, rock, jazz, hip-hop, you name it — the TD-12 has you
covered. But in addition to its acoustic-modeled kits, the
TD-12 also offers a crop of edgy, fun, and experimental sets
that have been created for unique, modern music creation.
With an emphasis on fun, these kits are laced with colorful
COSM processing, filter fluctuations, auto-roll effects,
tap-sequence patterns, loop patterns, and more. Let the
inspiration begin! And if you want to build your chops (or
perhaps steal the show), fire off one of the 150 patterns built
into the TD-12 and play along.
REAR PANEL
SPECIFICATIONS
• Sound Generator Variable Drum Modeling • Maximum Polyphony 64 Voices • Instruments Drum Instruments: 560 (172,161 variations), Backing Instruments: 262 • Drum Kits 50 • Drum Kit Chains 16 chains (32 steps per chain) • Instrument Parameters V-EDIT (KICK): Shell Depth, Head Type, Head Tuning, Muffling, Snare Buzz, V-EDIT (SNARE): Shell Material, Shell Depth, Head Type, Head Tuning, Muffling, Strainer Adjustment, V-EDIT (TOM): Shell Depth, Head Type, Head Tuning, Muffling, Snare Buzz, V-EDIT (HI-HAT): Cymbal Size, Fixed Hi-Hat, V-EDIT (CYMBAL): Cymbal Size, Sizzle Type, Sustain, EDIT: Pitch, Decay • Ambience Parameters Room Type, Room Size, Wall Type, Mic Position, Room Shape • Mixer Parameters Volume, Pan, Minimum Volume, Output Assign • Effect Types Pad Equalizer (each pad), Pad Compressor (each pad), Multi-Effects: 5 types, Reverb (for backing part) • Percussion Sets 8 • Sequencer User Patterns: 100, Preset Patterns: 150, Parts: 6, Play Types: Oneshot, Loop, Tap, Tempo: 20—260, Resolution: 192 ticks per quarter note, Recording Method: Realtime, Maximum Note Storage: approx. 20,000 notes, Click Sounds: 20 types • Metronome Parameters Time signature, Interval, Volume, Output select (Master and Phones/Phones only) Click Instr uments=20 (Voice counting, Click, Cowbell, etc.) • Tempo 20—260 • Display 64 x 240 dots (backlit graphic LCD), 7 segments, 3 characters (LED), Trigger Indicator (LED) • Controllers Faders: 6, Preview Button: (velocity: 3 steps) • Connectors Trigger Input Jack x 12, Hi-Hat Control Jack (for VH-12, VH-11 and FD-8), Master Output Jacks (L/MONO, R): 1/4 inch phone type, Direct Output Jacks (1, 2): 1/4 inch phone type, Headphones Jack: Stereo 1/4 inch phone type, Mix in Jack: Stereo 1/4 inch phone type, MIDI Connectors (IN, OUT/THRU), AC Inlet • Output Impedance 1.0 k ohms
• Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) • Power Consumption 13 W • Dimensions 260 (W) x 248 (D) x 108 (H) mm, 10-1/4 (W) x 9-13/16 (D) x 4-1/4 (H) inches • Weight 2.6 kg / 5 lbs 12 oz • Accessories Owner's Manual, Power Cord
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Experience the performance power of V-drumming
Over 500 high-quality sounds are built into this impressive
sound module. With the ability customize snare tuning,
muffling, cymbal size, sustain, and more, you can create your
own personalized drum kits. Another great feature of the TD-9
is its ability to incorporate audio data in its 50 backing songs
for realistic and inspiring playback. Enjoy practicing with
backing songs sourced from first-class musicians. The Quick
Rec/Play function is a great way to gauge to your
performance; a single button enables recording and playback
of playing during minus-one accompaniment.
Easy-to-use interface with Scope feature
With its clean, friendly panel layout, the TD-9 is a breeze to
use at home and onstage. In addition to its illuminated
buttons, the stylish front panel contains a large and easily
readable LCD that displays sound, tempo, and other vital
information. When the Scope function is activated, the LCD
graphically shows the timing of your performance. With both
visual and aural reference, you can more effectively cultivate
and maintain the rudimentary skills essential to drumming.
Unique features that only V-Drums provide
The TD-9 beautifully conveys the dynamics and nuance of
your playing with features such as 3-way triggering on the
V-Cymbal ride and support for rim shots on toms and snare.
Other features enhance performance, such as the USB
connector, which lets you incorporate audio data (wav files) —
great for “one-man-band type” performances. You can also
use the USB port to save data externally. The TD-9 is
equipped with a metronome function and a Mix input to enable
practice with songs from CD or digital-audio players. Inputs
are also provided for adding pads and triggers* for a
personalized setup.
*While the TD-9 uses a dedicated pad-input connector cable, there are also separate
expansion jacks for two other trigger-input types (CRASH2, AUX).
TOP PANEL
SIDE PANEL
SPECIFICATIONS
• Instruments Drum Instruments: 522 • Drum Kits 50 • Instrument Parameters KICK: Head Tuning, Muffling, SNARE: Head Tuning, Muffling, TOM: Head Tuning, Muffling, HI-HAT: Cymbal Size, Fixed Hi-Hat, CYMBAL: Cymbal Size, Sustain, Others: Pitch, Decay • Effect Types Ambience (9 Types), 2-Band Equalizer
• Ambience Parameters Room Type, Room Size, Wall Type, Mic Position, Room Shape
• Mixer Parameters Volume, Pan • Percussion Set 1 • Song Preset Songs: 50, Parts: 4, Play Functions:
One shot, Loop, Repeat, Tempo: 20-300 • Quick Rec Resolution: 480 ticks per quar ter note, Recording Method: Real-time, Maximum Note Storage: approx. 32,000 Notes • File Format Audio File: WAV • Display 64 x 128 dots Graphic Type LCD (backlit LCD) • Connectors Trigger Input connector (DB-25 type), (Kick, Snare, Tom1, Tom2, Tom3, Hi-Hat, Crash1, Ride, Ride Bell, Hi-Hat Control), Extra Trigger Input Jacks: 2 (CRASH2, AUX)(Stereo 1/4 inch phone type), Output Jacks (L (MONO), R) (Stereo 1/4 inch phone type), Phones Jack (Stereo 1/4 inch phone type), Mix in Jack (stereo miniature phone type), MIDI Connectors (IN, OUT/THRU), USB Connector (for USB Memory) • Output Impedance 1.0 k ohms • Power Supply AC Adaptor (DC 9 V) • Current Draw 500 mA • Dimensions 160 (W) x 88.5 (D) x 259.5 (H) mm/ 6-5/16 (W) x 3-1/2 (D) x 10-1/4 (H) inches • Weight 850 g / 1 lb 14 oz (excluding AC Adaptor) • Accessories Owner's Manual, Quick Start Guide, AC Adaptor (PSB-1U), Special Connection Cable, Wing Bolt (M5 x 10) x 2, Sound Module Mounting Plate
Amazing Drum Sounds at Your Fingertips
The TD-3 Percussion Sound Module boasts 114 world-class
drum and percussion sounds, and 32 kits – including separate
head/rim triggering on the snare and bow/edge triggering on
the hi-hat. It’s also easy to use, so you can start playing right
way. To find a drum kit, just use the Phrase Preview function,
and a short demo will play. The TD-3 also comes with 15
types of built-in Ambience effects and compression, making it
easy to enhance the overall sound quality.
Rhythm Coach Exercises and More
With Roland’s Rhythm Coach onboard, drummers can
improve their timing, speed, and endurance using seven types
of rhythm training exercises with variations. It’s a great way to
hone your skills while having fun. The TD-3 also includes a
stereo Mix input for playing along with external audio sources,
plus MIDI In and Out for connecting with sequencers and
other MIDI gear.
TD-3 Coach Mode List
Display Parameter
Rhythmic Notes
Time Check
Quiet Count
Speed Check
Gradual Up/Down
Step Up/Down
Ambience Type
Type n 1, n 2, n 3 b 1, b 2, b 3 d 1, d 2, d 3
c 1, c 2, c 3
C 1, C 2, C 3
Count In
level/type
An excellent warm-up exercise that also teaches note values. The metronome
3 types
plays through a series of beat divisions every two measures, starting with half notes, up to 16th-note triplets, and then back down to half notes again.
Designed to develop good timing skills through visual use of the display. As
2 levels
you play along with the metronome, your performance is measured against the timing of the click, and the result is displayed.
A timing exercise designed to develop "internal" timing. The metronome will play at the
6 types
set volume for the firs t 1, 2, 3, 4, 6, or 8 measures, then play the second 8 measures at a reduced volume, challenging you to maintain the proper tempo throughout.
Similar to Time Check, except that the metronome advances five beats per minute whenever a rhythm is played for eight measures with the correct
2 levels
timing. This continues until the metronome's maximum tempo is reached.
Designed to build stamina by increasing the metronome one beat per minute every two beats until the maximum tempo is reached. The tempo then
2 types
decreases in the same manner and the process repeats.
Designed to develop playing endurance by increasing the metronome's tempo five beats per minute every eight measures until the maximum tempo is achieved.
3 types
The tempo then decreases in the same manner and the process repeats.
A “voice count-in” function that can be very useful for practicing. There is also
––
a visual measure counter in the display.
Practice Content
Description
Natural room reverberation. Light, airy reverberation. Warm and mellow reverberation. Boosted attack gives the sound greater punch.
Warm reverberation is also added.
Boosted attack gives the sound greater punch. Shallow room reverberation is also added.
As the number increases the room size changes, making the effect more obvious.
More compression is applied as the number increases, giving the sound greater “punch.”
REAR PANEL
SIDE PANEL
SPECIFICATIONS
• Instruments Drum Instruments: 114, Click Instruments: 10 • Drum Kits 32 • Effect Ambience (15 types) • Click Tempo 20—260 • Coach Mode Menu: 7, Variation: 20 • Display 7 segments, 3 characters (LED) • Connectors Trigger Input Jack x 9, Hi-Hat Control Jack, Output Jacks (L/MONO, R), Phones Jack (stereo phone type), Mix In Jack (stereo miniature phone type), MIDI Connectors (IN,
OUT) • Output Impedance 1.0 k ohms • Power Supply AC Adaptor (DC 9V) • Current Draw 1,000 mA
• Dimensions 220 (W) x 144 (D) x 59.5 (H) mm / 8-11/16 (W) x 5-11/16 (D) x 2-3/8 (H) inches
• Weight 550 g / 1 lb 4 oz (excluding AC Adaptor) • Accessories Owner's Manual, AC Adaptor
(ACI/ACB Series), Screw (M5 x 8) x 4
1 8
1 9
Drum Instruments
Drum Kits
Preset Songs
Trigger Input
V-EDIT
Practice Functions
Interval Control
Metronome Sound
Group Faders
Digital Out
V-Hi-Hat Compatibility
Multi-Effects
Quick Rec
Data Save
114
32
9
Coach (Variations: 7)
10
MIDI
Drum Instruments
Drum Kits
Preset Songs
Trigger Input
V-EDIT
Practice Functions
Interval Control
Metronome Sound
Group Faders
Digital Out
V-Hi-Hat Compatibility
Multi-Effects
Quick Rec
Data Save
522
50
50
8+2
Scope
15
VH-11 (Option)
USB Memory
Drum Instruments
Drum Kits
Preset Songs
Trigger Input
V-EDIT
Practice Functions
Interval Control
Metronome Sound
Group Faders
Digital Out
V-Hi-Hat Compatibility
Multi-Effects
Quick Rec
Data Save
560
50
150
12
20
6
VH-12/11
5
MIDI
Drum Instruments
Drum Kits
Preset Songs
Trigger Input
V-EDIT
Practice Functions
Interval Control
Metronome Sound
Group Faders
Digital Out
V-Hi-Hat Compatibility
Multi-Effects
Quick Rec
Data Save
560
50
100
15
20
8
VH-12/11
14
CF/MIDI
V-Compact Series TD-3KW
Percussion Sound Module V-Pad (for Snare) Dual-Trigger Pad Dual-Trigger Cymbal Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
V-Compact Series
Percussion Sound Module Dual-Trigger Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
TD-3 PDX-8 PD-8 CY-8 CY-5 KD-8 FD-8
MDS-3C
TD-3Kit
TD-3 PD-8 CY-8 KD-8 FD-8
MDS-3C
X 1 X 1 X 3 X 2 X 1 X 1 X 1
X 1
X 1 X 4 X 2 X 1 X 1
X 1
V-Tour Series TD-9KX
Percussion Sound Module V-Pad (for Snare) V-Pad V-Cymbal Ride/Crash Dual-Trigger Cymbal Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
V-Tour Series TD-9K
Percussion Sound Module V-Pad (for Snare) Dual-Trigger Pad Dual-Trigger Cymbal Pad Dual-Trigger Cymbal Pad Kick Trigger Pad Hi-Hat Control Pedal
Drum Stand
TD-9 PD-105BK PD-85BK CY-12R/C CY-8 CY-5 KD-8 FD-8
MDS-9
TD-9 PDX-8 PD-8 CY-8 CY-5 KD-8 FD-8
MDS-9
X 1 X 1 X 3 X 1 X 1 X 1 X 1 X 1
X 1
X 1 X 1 X 3 X 2 X 1 X 1 X 1
X 1
V-Stage Series TD-12KV-BK
Percussion Sound Module V-Pad (for Snare) V-Pad V-Hi-Hat V-Cymbal Ride/Crash V-Kick Trigger Pad
Drum Stand
V-Stage Series TD-12KV-WH
Percussion Sound Module V-Pad (for Snare) V-Pad V-Hi-Hat V-Cymbal Ride/Crash V-Kick Trigger Pad
Drum Stand
2 0
2 1
TD-12 PD-105BK PD-85BK VH-11 CY-12R/C KD-85BK
MDS-12BK
TD-12 PD-105WT PD-85WT VH-11 CY-12R/C KD-85WT
MDS-12BK
X 1 X 1 X 3 X 1 X 3 X 1
X 1
X 1 X 1 X 3 X 1 X 3 X 1
X 1
V-Pro Series TD-20K-BK
Percussion Sound Module V-Pad V-Pad V-Hi-Hat V-Cymbal Crash V-Cymbal Ride V-Kick Trigger Pad
Drum Stand
V-Pro Series TD-20K-WT
Percussion Sound Module V-Pad V-Pad V-Hi-Hat V-Cymbal Crash V-Cymbal Ride V-Kick Trigger Pad
Drum Stand
TD-20 PD-125BK PD-105BK VH-12 CY-14C CY-15R KD-120BK
MDS-20BK
TD-20 PD-125WT PD-105WT VH-12 CY-14C CY-15R KD-120WT
MDS-20BK
X 1 X 3 X 2 X 1 X 2 X 1 X 1
X 1
X 1 X 3 X 2 X 1 X 2 X 1 X 1
X 1
PD-125BK
PD-125WT PD-105BK PD-105WT
Our Most Sensitive V-Pads Ever!
How do you improve upon the world’s most popular electronic percussion pads? Start by designing a sensor mechanism for more accurate triggering, and then give ’em a cool black or white finish! The 12-inch PD-125BK/PD-125WT and 10-inch PD-105BK/PD-105WT mesh V-Pads
PD-85WTPD-85BK
Rimshot-Ready Mesh Pads
The 8" dual-zone V-Pads feature Roland’s latest dual-triggering technology, resulting in more consistent and accurate sensing between the head and rim. Built tank-tough and ready to take a pounding, these pads are available in black or white finishes with chrome brackets. When used as tom-toms for the TD-20 and TD-12 sound modules, the pads let you play rimshots, and the sound will change depending on the strength of your stroke.
Patented V-Drums Mesh Heads
These replacement mesh heads (developed in partnership with REMO full range of V-Pads. *Available as replacement parts.
®
USA) are designed to perfectly fit Roland's
both feature Roland’s latest dual-triggering technology, resulting in more even and accurate sensing between the head and rim. They are also the first V-Pads with rimshot capabilities on the toms — including the actual “rim click” sound*.
*Rim triggering on toms requires TD-20, TD-12 or TD-9 Percussion Sound Module.
Improved V-Pad for Snare
Roland's mesh V-Pad (PDX-8) offers an expanded 10-inch rim and wider playing area. It separates head and rim triggering for authentic performance.
The Rock-Solid,
Fast-Action Pad
This durable 8.5 inch rubber pad offers super-accurate triggering and a time-tested design for years of reliable use. The PD-8’s dual-trigger capabilities make it perfect for triggering rimshots on the toms or bow/edge sounds on the hi-hat when used with the Roland TD-series percussion modules*.
*The TD-3 does not support head/rim triggering on the toms.
Natural Triggering with Double Pedal Support
Roland’s time-tested KD-120 V-Kick Trigger Pad, is available in black or white finishes to complement the rest of the pads. The 12” V-Kick Trigger Pad offers fast, natural kick-drum triggering, and is compatible with double-bass pedals (sold separately).
KD-120BK KD-120W
KD-120BK KD-120WT
A Rock-Solid Foundation
Sink your beater into this solid, great-feeling mesh kick pad — available in black or white finishes. It offers improved pad cushioning for a better feel, and can accommodate double bass pedals (sold separately). Torture-tested for quality assurance, this pad has the stamina and stability to handle the toughest poundings.
KD-85BK KD-85WT
R
Slim-Line Pedal that Feels Great
The KD-8 Kick Trigger Pad’s sturdy, vertical design gives drummers a better feel and solid, accurate triggering. The upright KD-8 can even accommodate double bass pedals (sold separately) — perfect for drummers who want to create complex rhythms. A convenient folding front leg makes transportation easy.
esponsive Kick Triggering
for Any Percussion Setup
This velocity-sensitive kick drum trigger can be used with a standard kick drum pedal. It features a mix input for chaining two KD-7’s together for a double-bass setup, and comes with a beater and connection cable (kick drum pedal not included). The KD-7 is the ideal kick trigger for use with the HPD-15/HPD-10.
Perfect for Compact Kits and Roland Percussion Pads
Thanks to Roland’s FD-8 Hi-Hat Controller, drummers can get realistic hi-hat sounds with smooth transitions between open and closed. The updated look makes the FD-8 fit perfectly with the striking look of the V-Tour
®
and V-Compact® Series.
Roland V-Drums Innovation File No.02
V-Pad & V-Kick Trigger Pad
What is a mesh head?
Mesh drum pads have the distinct advantage of being quiet and realistic in feel. The secret is the material, woven from special fabric. This material is very durable, and provides a remarkably natural touch, just like an acoustic drum head. Now you can practice in silence without ever having to worry about sore wrists.
How it works
When an acoustic drumhead is struck, the surrounding air vibrates and a sound is produced. The harder it is struck, the more the head moves and the larger the sound. With Roland’s patented mesh head (multi-layered for superior feel and strength), the air is released from the gaps in the mesh fabric, so the surrounding air does not vibrate. This is what makes a mesh head so quiet.
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Roland V-Drums Innovation File No.03
Advanced Sensor Technology for Ultimate Realism
In creating the world’s finest modeled hi-hat, Roland embarked upon a time-intensive mission to create a virtual hi-hat that would perform like the real thing. The winning formula features three different types of sensors on the top of the cymbal’s bow, the edge, and in the center of the bottom cymbal where it detects the foot pedal movements. Sophisticated triggering data, such as the distance between the top and bottom cymbals, are detected by having the three sensors working perfectly in sync. The end result is amazing playability and realism, with the same nuances and tonal coloration of an acoustic hi-hat.
Roland V-Drums Innovation File No.04
Quest For the Perfect V-Cymbal
Developing the ultimate electronic cymbal required the Roland design to create numerous prototypes comprised of a wide range of materials. After extensive research, the team arrived at the perfect combination of internal and exterior materials that are durable and can properly simulate the resistance and swing amount that drummer’s feel when an acoustic cymbal is struck.
The Technology Within
What may look like a simple rubber/plastic disc is actually a sophisticated slice of cutting-edge technology. Inside the V-Cymbal’s bell and edge is a thin film-like sensor that lies beneath the rubber playing surface. The sensors detect sticking position, velocity, and edge pressure (for cymbal choking). This complex detection and calculation happens instantly, providing drummers with a realistic and accurate playing experience. A small but important Roland design principle is that the cymbals are not completely round, which minimizes vibration that can cause mis-triggering.
VH-12 Technology in a Compact, One-Piece Format
Derived from the groundbreaking VH-12 hi-hat, Roland’s VH-11 combines two hi-hat cymbals into one with an ingenious one-piece floating design. Amazingly, it performs like a real hat, and provides a realistic up/down pedaled response thanks to the stationary base mounted below the cymbal pad. With the combination of two sensors on the bow and edge, plus a motion sensor unit mounted in the center, subtle nuances (including foot movement) can be achieved. The one-piece design makes for easy setup on conventional hi-hat stands.
The First Electronic Hi-Hat, Designed Like an Acoustic
Wow! That’s what you’ll say once you try the VH-12 V-Hi-Hat. This breakthough electronic hi-hat is designed to precisely model the look and feel of its acoustic counterpart. So much so, it mounts on an acoustic hi-hat stand! The VH-12 uses top and bottom cymbals with full motion capability for ultra-natural stick/pedal work, and is designed to
work with the TD-20/12’s enhanced dynamics. The dual-trigger VH-12 creates smooth hi-hat sounds from open to closed — including the half-open position — with all of its delicate nuances. By applying pressure to the pedal (even after closing), you can vary the pitch and decay for playing fast and tight articulations.
Realistic Feel, Streamlined Design
With eyes closed, drummers will think they’re playing a regular two-piece hi-hat. But examine the innovative VH-11 floating hi-hat, and you’ll see that it’s actually comprised of one floating cymbal pad atop a fixed lower base. Great for fast setup and easy transport, the VH-11 mounts on conventional hi-hat stands, and provides a similar playing feel to a 2-piece hi-hat. The VH-11 is fully compatible with Roland's TD-20, TD-12, TD-9, and can be used with the TD-10 w/TDW-1, TD-8, TD-6V, and TD-6.
Ultra-sensitive sheet-like
sensors (shown in blue) are
located beneath the bell
and the edge. Under the
bow area is a sensor for
detecting the strength and
location of the impact.
* V-Cymbal Technology for use under one or more of U.S. Pat. Nos. 6,632,989 / 6,881,885 U.S. Patent Pending
2 4
Natural, Three-Way Triggering and Swinging Motion
The CY-15R V-Cymbals Ride is a 15-inch cymbal that offers natural swinging movement and ultra-dynamic three-way triggering (edge/bow/bell) when used with the TD-20, TD-12, and TD-9, making this the most expressive electronic cymbal ever designed. With edge/bow or bow/bell output jacks, this cymbal can be used as a ride cymbal or large crash cymbal, expanding the possibilities of any Roland drum system.
This Crash Cymbal Really Swings!
The CY-14C V-Cymbals Crash is a 14-inch crash cymbal featuring the same dimensions and natural movement of an acoustic cymbal. A dual-trigger system with individual sensors for the edge and bow gives you more dynamic response, allowing for expressive cymbal “chokes.” Concentrated mass around the rim ensures uniform sensing whenever the cymbal is struck.
Compact, Triple-Trigger Cymbal
This 12-inch electronic cymbal brings breakthrough V-Cymbal technology to a very affordable price point. This expressive 3-way trigger* cymbal offers the natural rebound, iner tia, and natural “swinging” motion of an acoustic cymbal, plus cymbal choke capabilities. Use it as crash or a compact ride cymbal.
Dual-Trigger Cymbal with Choke Control
Sporting a refined look that more closely resembles an acoustic cymbal, the CY-8 Dual-Trigger Cymbal Pad offers precise and accurate triggering for both crash and ride purposes — complete with natural “swinging” motion and cymbal “choke” capability.
*3-way triggering is capable when used with the TD-20, TD-12 and TD-9 sound module.
Improved Cymbal Pad for Hi-Hat or Splash
The cymbal pad (CY-5) features a 12-inch playing zone and swing movement for more drummer-friendly triggering. The pad also provides separate bow and edge triggering. The CY-5 can be also used as an additional cymbal pad, such as a splash, on V-Drums kits.
Ergonomic Design and Striking Looks
Roland’s MDS-20BK Drum Stand offers a stylish curved look that keeps everything within reach. All cabling is hidden neatly inside the tubing, and the hardware is extremely durable, thanks to aluminum T-fittings. The raked design is perfect for mounting additional pads, such as VH-12
®
V-Hi-Hat quick and easy; vertical adjustments with quick-release cam levers are provided on each of the stand’s legs and the two cymbal stands, allowing the tiers to remain in place.
or SPD-S using optional stands. And changing the height is
Convenient and Stable Drum Stand
The new MDS-9 drum rack offers a sturdy four-leg design with new, improved ball-clamp snare and cymbal mounts for fast, flexible component placement.
Roland V-Drums Innovation File No.05
Solid, Stylish Drum Stand
Mount your V-Drums® in style and stability with the MDS-12BK. Featuring Roland’s sturdiest grip clamps, this rock-solid rack let’s you play with confidence, knowing that your drum and cymbal pads will remain locked in position. For a clean appearance and quick setup, the cabling can be concealed inside the pipes. The MDS-12BK's open-leg design makes hi-hat placement more convenient, and its wide design lets you to easily expand your kit with additional drum, cymbal, and percussion pads. Optional PM-30 Satellite speakers can be mounted on the center poles without the need for boom clamps (speaker bases are required).
The Perfect Portable Partner
A sturdy and ultra-affordable drum stand for use with the V-Drums V-Compact
®
.
The MDY-10U is a flexible, sturdy cymbal mount for V-Cymbal Pads or a BOSS DB-90 metronome. Its foldable design makes set up and teardown a snap. The MDH-10U is a rock-solid pad mount that’s also friendly for setup and teardown. It holds V-Pads and Trigger Pads.
V-Cymbal
CY-15R
CY-14C
CY-12R/C
CY-8
CY-5
Size
15"
14"
12"
12"
10"
Trigger (playing area)
Bell / Bow / Edge*2
Bow / Edge
Bell / Bow / Edge*2
Bow / Edge
Bow / Edge
Choke
Position Sensing
1
*
*1 Possible when use with the TD-20/12. *2 Possible when use with the TD-20/12/9.
*
1
Solid, Stylish Stands With Simple Set-Up
Form and function unite in Roland’s tough, attractive MDS-series drum stands. Adding to the sleek, clean appearance are concealed cables inside the tubes of the MDS-20BK and MDS-12BK. Both stands are constructed of sturdy steel pipes. The MDS-20BK features a quick-release cam lever to adjust height. The more affordable MDS-3C can be folded up with pads and sound module mounted for portability and storage convenience.
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Advanced Amplification for V-Drums
The PM-30 is a 2.1-channel advanced speaker system. With 200 watts of Class-D power, a high-performance 12" woofer with tweeter, a pair of 4" satellite speakers, and a proprietary DSP engine, the PM-30 delivers powerful, full-range sound in a convenient and portable package. The selectable Full-Range and Subwoofer modes let you customize low-frequency performance, while the built-in 3-band EQ lets you fine-tune the tone. A solid crossbar spans the top of the base unit for convenient carrying. The satellite speakers can be clamped onto the crossbar or mounted onto a drum rack.
SPECIFICATIONS
• Rated Power Output 200 W (Main Unit 100 W + Satellite Speaker 50 W x 2) • Nominal Input Level (1 kHz) INPUT Channel 1 (V-DRUMS): -10 thru +4 dBu, (LINE IN): -20 thru +4 dBu, Channel 2 (LINE IN): -10 thru +4 dBu, Channel 3 (LINE IN): -10 thru +4 dBu • Nominal Output Level LINE OUT: +4 dBu, SPEAKER OUT: 50 W/4 ohms • Speakers Main Unit: 30 cm (12 inches) x 1 (Woofer), 7.7 cm (3 inches) x 1 (Tweeter), Satellite Speaker: 10 cm (4 inches) x 2 (Full Range) • Controls <V-DRUMS/Channel1> PUNCH Switch, Volume Knob <Channel2 > VOLUME Knob <Channel3> VOLUME Knob <Woofer Control> Mode Select Switch, Volume Knob <MASTER> BASS Knob (Equalizer), MIDDLE knob (Equalizer), TREBLE knob (Equalizer), VOLUME Knob, POWER Switch • Indicator POWER • Connectors Main Unit: <V-DRUMS/Channel1> V-DRUMS INPUT Jack (stereo 1/4” phone type), LINE IN Jack (1/4” phone type) <Channel2 > LINE IN Jack (1/4” phone type) <Channel3> LINE IN Jack (1/4” phone type / RCA PIN type), LINE OUT Jack (1/4” phone type), SPEAKER OUT Jack (1/4” phone type), PHONES
Jack (stereo 1/4” phone type), Satellite Speaker: INPUT Jack (1/4” phone type) • Power Supply AC 117 V, AC 230 V, AC 240 V (50/60 Hz), AC 220 V (60 Hz) • Power Consumption 63 W
• Dimensions Main Unit: 451 (W) x 482 (D) x 482 (H) mm/ 17-13/16 (W) x 19 (D) x 19 (H) inches (Excluding casters), 451 (W) x 482 (D) x 533 (H) mm/ 17-13/16 (W) x 19 (D) x 21 (H) inches
(Including casters), Satellite Speaker: 152 (W) x 158 (D) x 209 (H) mm/ 6 (W) x 6-1/4 (D) x 8-1/4 (H) inches • Weight Main Unit: 24.3kg / 53 lbs 10 oz (Excluding casters), 25.0 kg / 55 lbs 2 oz (Including casters), Satellite Speaker: 2.2 kg / 4 lbs 14 oz (for each) • Accessories Mount Bar x 2, Clamp x 2, Speaker Cable (3.5 m) x 2, Caster x 4, Owner's Manual * 0 dBu = 0.775 Vrms
Solid, Portable Sound Reinforcement
Designed as a por table companion for Roland’s V-Drums, the PM-10 is equipped with a 30-watt amplifier and a 10" 2-way coaxial speaker. Its compact design is perfect for small-sized drum kits, such as the TD-3KW, and the TD-9KX/TD-9K. Jam along with your favorite songs by connecting an external CD or MP3 player to the Line In jack. Balance the V-Drums and the external audio with the dedicated volume controls; adjust the tone with the built-in 2-band EQ.
SPECIFICATIONS
• Rated Power Output 30W • Nominal Input Level/Input Impedance V-DRUMS Input: 0dBu/20k ohms, LINE Input 0dBu/20k ohms • Speakers 10" (250 mm) Woofer + 3" (77 mm) Tweeter (Coaxial, 2-way)
• Enclosure Bass-reflex type • Controls V-DRUMS Volume Knob, LINE Volume Knob, BASS Knob, TREBLE Knob, POWER SW • Indicator POWER • Connectors V-DRUMS Input Jack (Stereo 1/4" phone type) LINE Input Jack (Stereo 1/4" phone type) • Power Supply AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
• Power Consumption 36W • Dimensions 364 (W) x 396 (D) x 352 (H) mm 14-3/8 (W) x 15-5/8 (D) x 13-7/8 (H) inches • Weight 12 kg / 26 lbs 8 oz • Accessories Owner's Manual Power Cord * 0 dBu = 0.775 Vrms
Prevent your drum components from slipping while simultaneously safeguarding your floor from scratches and reducing impact noise/vibration. Roland’s TDM-10 and TDM-20 heavy-duty drum mat is adorned with the Roland V-Drums logo. The mat is available in medium and large sizes.
SPECIFICATIONS
(TDM-20) • Dimensions 1,600 (W) x 1,500 (D) x 8 (H) mm/ 63 (W) x 59-1/16 (D) x 0-3/8 (H) inches • Weight 3.0 kg/ 6 lbs. 10 oz. (TDM-10) • Dimensions 1,200 (W) x 1,300 (D) x 8 (H) mm/ 47-1/4 (W) x 51-3/16 (D) x 0-3/8 (H) inches • Weight 2.1 kg/ 4 lbs. 11 oz.
Floor shock Noise Test (JIS* A1418)
TDM-20 TDM-10
*JIS: Japanese Industrial Standards
Essential Accessories for V-Drummers
This handy drum accessory package is ideal for entry-level V-Drums owners, allowing them to start playing their V-Drums right out of the box.
DAP-3
Components
• Kick Pedal
• Drum Throne
• Drum Sticks
DAP-1
Components
• Drum Throne
• Drum Sticks
• Audio Cable
Mini plug, Cable length: 375 mm / 14-13/16"
• In-ear headphones
High-quality headphones faithfully reproduce the powerful, dynamic sound of V-Drums.
Stereo Headphones RH-300
Roland’s top-of-the-line headphones for the ultimate in sound quality, appearance, and performance. The 45mm (1-13/16”) drivers and neodymium magnets deliver dynamic, full-range performance. The snug fit shuts out external sound.
Stereo Headphones RH-D30
Optimized for high-impact onstage performance, RH-D30 headphones are light and comfortable with superior isolation, powerful and clear sound, and a super-wide frequency range. Other features include high-capacity 45mm (1-13/16") drivers and 180-degree rotating earpieces (90-degrees transverse). Carrying pouch included.
Open-Air Headphones RH-A30
Roland’s new open-air-type headphones are made for musicians who don’t want total isolation from surrounding sounds. For maximum comfort during extended sessions, the RH-A30’s ear pads have been newly designed.
Stereo HeadphonesRH-200 / RH-200S
With 40mm (1-5/8”) drivers, the RH-200/RH-200S headphones offer the clarity, sonic accuracy, and comfort needed for mixing and silent practice. They also feature a gold-plated 1/8-inch stereo connector with 1/4” adapter.
RH-200
Stereo HeadphonesRH-D20
Similar in design to the RH-D30, the RH-D20 has 40mm (1-5/8") drivers. Lightweight and comfortable for extended wearing, the RH-D20 provides superior sound isolation, balanced sound across the frequency spectrum, and 180-degree rotating earpieces for single-ear monitoring (90-degrees transverse). Carrying pouch included.
Roland Inner Ear HeadphonesRH-iE3
These attractive in-ear headphones feature aluminum housings, gold-plated plugs, and advanced drivers for a balanced, full-range sound with deeper bass and extended frequency performance. Longer shaft arms ensure easy mounting and detaching.
RH-200S
OPTIONS
Pad Stand PDS-10
Height: 643 - 1,093mm / 25-3/8 inches Weight: 3.8kg / 8 lbs 7 oz
Adjustable clamp for optimal playing position. Tilt: 200 ˚
All Purpose Clamp
This clamp can be used to attach an SPD-series percussion pad to a conventional cymbal stand for use with a V-Drums or acoustic drum kit.
Cymbal Parts Set CYM-10
This package includes three essential components; Stopper, Felt Washer, and Wing Nut. Compatible products include all Roland CY series Cymbals.
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2 9
APC-33
Mounting Plate
The MDP-7 is the mounting plate for TD-series sound modules such as the TD-3, TD-12, and TD-20 when customers want to attach the sound module to the new MDS-9.
Pedal Switch DP-2 FootSwitch FS-5U / FS-6
These rugged footswitches can be used for changing patches, star t/stop, tempo, or other parameters. They can be used with the TD-20/10/8, SPD-series, and HandSonic.
MDP-7
FS-5U FS-6
Connection Cable PCS-31L
Using the PCS-31L, you can connect two single-trigger pads to a par ticular stereo trigger input* on a TD-Series module — a great way to get more pads in your system.
*Please refer to (*6) of p. 38.
AC Adaptor
PSA-120S
The new and improved PSA-120S power adaptor features increased output of 500mA, extended length of 3m (118-1/8”), lighter weight at 140g (5 oz), and a body that’s extra slim. It’s also equipped with a power indicator.
Triggers for Kick, Snare, and Toms
With acoustic-drum triggering more popular now than ever, Roland has responded to requests from the market and created these triggers: the RT-10K (for kick drums), RT-10S (for snare drums), and RT-10T (for toms). Physically smaller than their predecessors, the RT-10 series triggers are easier to position. Best of all, they feature trigger-sensing technology for improved response.
Play MIDI Modules From an Acoustic Set!
The TMC-6 Trigger MIDI Converter makes it easy to play and trigger MIDI modules and samplers from an acoustic drum set, or expand the sound palette of electronic drum sets. This affordable device uses accurate and reliable V-Drums triggering technology, allowing acoustic drummers to “play” electronic sounds from their favorite MIDI module, or for V-Drums owners to expand their trigger inputs.
RT-10K (Kick Trigger)
• Trigger: 1 (Head) • Connector: Trigger Output Jack (1/4 inch Phone Type) • Dimensions: approx. 40 (W) x 110 (D) x 70 (H) mm / 1-5/8 (W) x 4-3/8 (D) x 2-13/16 (H) inches • Weight: 90 g / 4 oz • Accessories: Connection Cable, Hoop Guard • Guide for Installation: Rim Height: 30 to 36 mm / 1-3/16 to 1-7/16 inch, Rim Thickness (Max.): 13 mm / 9/16 inch
Supported Sound Modules: TD-20, TD-12, TD-9, TD-3, SPD-20, SPD-S
* If you need dual tr iggering for head and rim on toms, please use the RT-10S instead of the RT-10T. * Regarding the sound module with dual trigger compatible input, please refer to "Sound Module and Drum Pad Combinations" on the pages 38 - 39 of this catalog.
RT-10S (Snare Trigger)
• Triggers: 2 (Head, Rim) • Connector: Trigger Output Jack (Stereo 1/4 inch Phone Type) • Dimensions: approx. 40 (W) x 110 (D) x 50 (H) mm / approx. 1-5/8 (W) x 4-3/8 (D) x 2 (H) inches • Weight: 80 g / 3 oz
• Accessories: Connection Cable • Guide for Installation: Rim Height: 11 to 15 mm / 7/16 to 5/8 inch
Using the RT-10 Series and TMC-6
Play a TD-Series brain
Trigger an SPD-Series module
RT-10T (Tom Trigger)
• Triggers: 1 (Head) • Connector: Trigger Output Jack (1/4 inch Phone Type) • Dimensions: approx. 40 (W) x 110 (D) x 50 (H) mm / 1-5/8 (W) x 4-3/8 (D) x 2 (H) inches • Weight: 80 g / 3 oz • Accessories: Connection Cable • Guide for Installation: Rim Height: 11 to 15 mm / 7/16 to 5/8 inch
Works Great with the RT/TD-Series
The TMC-6 Trigger MIDI Converter makes it easy to play and trigger MIDI modules and samplers from an acoustic drum set equipped with Roland’s RT-series triggers, or to expand the sound palette of electronic drum sets. This affordable device uses the lightning-fast triggering technology of Roland’s V-Drums for reliable triggering and super-accurate dynamics.
Connect a MIDI module and computer
6 Trigger Inputs for Maximum Versatility
The TMC-6 includes six trigger inputs compatible with all Roland drum pads or acoustic drum triggers (an FD-8 Hi-Hat Control Pedal can also be connected). With V-Drums technology built-in, the TMC-6 provides reliable and fast response, plus separate head/rim triggering with dual-trigger V-Pads, such as the PD-125/105/85, and 3-way triggering with the CY-15R and CY-12R/C V-Cymbals. Trigger settings can be stored to 12 user-memory locations.
Expand a V-Drums Set
By connecting a set of RT-10 Series triggers to a TD-Series brain, drummers can play high-quality V-Drums sounds right from an acoustic set, or blend electronic and acoustic sounds to create unique sounds. Using the TD-series’ Tap Sequence function, drummers can trigger sequences by simply tapping the kick.
In this example, an RT-10K and RT-10S are connected to an SPD-S Sampling Pad, making this an affordable and easy way to add sampling to an acoustic set. Using the SPD-S’s Velocity Switch setting, the snare and bass drum can be set to trigger a different sample depending on how hard they are hit.
Roland’s TMC-6 Trigger MIDI Converter changes the trigger impulses received from the RT-10 series into MIDI messages — making it possible to play MIDI modules such as Roland’s Fantom XR, or even record your performance into a sequencer. This expands sonic flexibility, and allows you to create more natural dr um tracks when sequencing in the studio.
3 0
3 1
The TMC-6 is also a great way to expand the capabilities of any V-Drums set. Simply connect the TMC-6 to a TD-Series brain via MIDI, and use the TMC-6’s trigger inputs to connect more pads and cymbals. In this example, three pads and two cymbals are connected for trigger ing splash cymbal sounds and percussion instruments such as timbales and cowbell.
The Self-Contained Rhythmic Workout Station
Put yourself on the fast track to rhythmic improvement with the RMP-3 and RMP-5. These state-of-the-art electronic rhythm pads look good, feel good, and are loaded with fun exercises and timekeeping tools to build your chops. With tunable mesh drumheads, built-in metronomes, large LCDs, renowned Roland Rhythm Coach interactive lessons, and integrated one-piece molded bodies, the RMP-series offers the utmost in portability and convenience.
Rhythm Coach RMP-5
Flagship Rhythm Coach with Built-in Sounds
Rhythm Coach RMP-3
Dedicated Rhythm Trainer
Comfortable, Quiet Mesh Head
The RMP-series pads are outfitted with a great-feeling, tunable mesh drumhead for realistic and quiet performance. Just like on an acoustic drum, the RMP’s head can be adjusted for tension. The result is a true acoustic feel, but without the noise. By plugging in headphones, drummers can enjoy silent, concentrated practice without disturbing others.
Great Sounds Onboard!
Breaking the boundaries of pre-existing practice pads, the RMP-5 includes 54 of Roland’s finest snare, kick, hi-hat, cymbal, and percussion sounds for you to play. It also provides an assortment of metronome sounds, including a standard click, human-voice count, rhythmic patterns, and more.
Expanded Features with the RMP-5
Connect Kick & Cymbal Pads
Fun, Friendly Features
The large LCD provides easy-to-read instructional information, complete with a smooth-flow onscreen tempo meter that bounces from side to side. Large buttons and a clearly labeled front panel simplify operation. Each RMP has a built-in speaker for the metronome sounds, and a Mix In jack for playing along with external audio. Use the RMP on your lap, a tabletop, or best of all, with Roland’s convenient PDS-2 stand (optional).
stand PDS-2
The RMP-5 provides a dual-trigger input that can be used to connect a Roland kick trigger and a cymbal pad, such as the KD-8, CY-8, etc (optional). All together, these three components form the nucleus of a small electronic drum kit. Now you can train not only your hands, but your feet as well.
PCS-31L
KD-8
CY-8
With an optional kick and a cymbal pad connected to the RMP-5, you can build your own custom drum kit by assigning which internal sound you’d like to play on each pad.
Your Own Personal Rhythm Coach Included
The RMP-series is equipped with Roland’s famous Rhythm Coach exercises, which challenge and score your playing in fun and friendly ways. Put your skills to the test with Time Check, Auto Up/Down, and Stroke Balance, for example, to help develop consistent stick technique. Adjust the workout level according to your abilities and goals.
RMP-5 SPECIFICATIONS
• Pad Size 8 inches • Pad Sounds 54 • Tempo 20 – 300 • Click Sounds 15 types • Rhythm Types 24 types
• Patterns 22 types • Beat 24 types • Coach Mode TIME CHECK (8 variations), QUIET COUNT (6 variations), AUTO
UP/DOWN (6 variations), RHYTHMIC NOTES (3 variations), STROKE BALANCE (2 variations), ACCURACY SCORE (4 variations) • Connectors PHONES/OUTPUT Jack: 1 (Stereo miniature phone type), MIX IN Jack: 1 (Miniature phone type), AC Adaptor Jack, EXT TRIG IN Jack: 1 (Dual) * Using the PCS-31L, you can connect two pads. In that case, the rim shot, edge shot, and choking features are unavailable. • Power Supply DC 9 V: Dry Battery 6LR61/1604A (9 V) type (alkaline), AC Adaptor • Current Draw 80 mA * Expected battery life under continuous use: Carbon: 1 hour, Alkaline: 4 hours, These figures will vary depending on the actual conditions of use. • Stand Screw Size M8 • Dimensions 263 (W) x 348 (D) x 78 (H) mm,10-3/8 (W) x 13-3/4 (D) x 3-1/8 (H) inches • Weight 1.3 kg / 2 lbs 14 oz (including a battery) • Accessories Dry Battery 6LR61/1604A (9 V) type (alkaline), Tuning Key
Dr. Beat DB-90
Better Features, Better Practice
The Note Mixing function allows you to instantly create a variety of beats by adjusting the levels of five different note values. Front-panel sliders, buttons, and a large rotary dial provide instant, hands-on access to edit parameters. Select four different click sounds, including a human voice-counting sound that will help you know your place in the bar. The DB-90 is also equipped with realistic PCM drum patter ns for developing accuracy and rhythmic feel effectively. It can also be synced to external MIDI sequencers for elaborate accompaniment.
SPECIFICATIONS
• Metronome Tempo: =30-250, BEAT1: 1-9, BEAT2: OFF / 1-9, PATTERN: 30 kinds ( 8-BEAT x 4, 16-BEATx 3, SHUFFLE x 3, FUNK x 2, JAZZ x 2, BLUES, TECHNO, HOUSE, COUNTRY, REGGAE, CLAVE x 2, SALSA, RUMBA, BOSSA NOVA, SAMBA, WALTZ, TANGO, MAMBO, CHACHACHA, MARCH) • Voice Voice
1 (Standard metronome sound), Voice 2 (Electronic metronome sound), Voice 3 (Electronic click sound), Voice 4 (Human voice) • Rhythm Coach Time Check, Quiet Count, Gradual Up/Down, Step Up/Down • Reference Tone Reference Pitch:A4=438 Hz-445 Hz (1 Hz steps), Reference Tone Range:C2-B6 • Auto Power Off function 60 minutes • Connector: TRIG IN, START/STOP, MEMORY UP/DOWN, MIDI IN, INPUT, AC Adaptor, PHONES x 2 (Stereo 1/4" phone type, Stereo miniature phone type) • Power Supply: DC 9 V: Dry battery 6F22 / 6LR61 (9V), AC Adaptor (PSA-series (Option)) • Power Consumption: 85 mA or less (with
reference tone sounding), Expected battery life under continuous use: Approximately 1.5 hours (Carbon) / 6 hours (Alkaline) * These figures will vary depending on the actual conditions of use. • Dimensions: 122 (W) x 164 (D) x 37.5 (H) mm / 4-13/16 (W) x 6-1/2 (D) x 1-1/2 (H) inches • Weight: 450g / 1 lb (including batteries)
• Accessories: Dry Battery (R6 (AA) Type), Soft case, Owner’s Manual
RMP-3 SPECIFICATIONS
• Pad Size 8 inches • Tempo 20—260, Beat, 24 types • Rhythm Types 18 types • Internal Sounds Pad: 1 (tunable),
Metronome: 5 • Coach Mode Functions: 5, Exercise Variations: 20 • Connectors OUTPUT Jack: 1 (Stereo miniature phone type), MIX IN Jack: 1 (Miniature phone type), AC Adaptor Jack • Power Supply DC9V: Dry Battery 6F22/1604 (9 V) type (carbon), Dry Battery 6LR61/1604A (9 V) type (alkaline), AC Adaptor • Current Draw 55 mA * Expected battery life under continuous use: Carbon: 2 hours, Alkaline: 6 hours, These figures will vary depending on the actual conditions of use. • Stand Screw Size M8 • Dimensions 263 (W) x 348 (D) x 78 (H) mm, 10-3/8 (W) x 13-3/4 (D) x 3-1/8 (H) inches • Weight 1.2 kg / 2 lbs 11 oz (including battery) • Accessories Dry Battery 6F22/1604 (9 V) type (carbon), Tuning Key, Owner's Manual, Leaflet ("USING THE UNIT SAFELY" and "IMPORTANT NOTES") • Options AC Adaptor: BOSS PSA-Series, Pad Stand: PDS-2
CB-RMP Gig Bag for RMP-series
Practice Conversion Kit
PCK-1
SIDE PANEL
TIME CHECK
In sync with the metronome, this exercise encourages you to strike with accuracy. The display informs how accurate your shot was in seven levels.
ACCURACY SCORE
Chart your progress! With each Time Check exercise, the RMP grades your performance (for durations of 4, 8, 16, or 32 measures), and displays your accuracy from 0-100 percent.
*Available on RMP-5 only. On RMP-3, this function is available for performances of 8 measures in Time Check mode.
Turn Your Snare Drum Into a Practice Pad
The PCK-1 can convert an acoustic snare drum into a silent practice pad. It comes with a 14-inch mesh drum head that offers the same natural response as Roland’s famous V-Pads, plus a rubber rim silencer for ultra-quiet playing. An RT-5S Snare Trigger is also included, allowing access to the DB-90’s onboard rhythm training exercises.
DB-90
PD-125
By connecting a V-Pad or PCK-1, you can tap into the DB-90’s Rhythm Coach exercises.
This provides basic training by changing the rhythm type every two measures. Useful for warm-up, this exercise helps you master various note values.
Dr. Beat DB-60
Dr. Beat DB-30
The Take-Along Dr. Beat
It’s portable, reliable, and fun to use — the DB-30 helps musicians take their music to higher levels by offering a feature set that defies its diminutive size, including a variety of play-along patter ns and groove types.
RHYTHMIC NOTES
More Than Just a Metronome
The DB-60 is deluxe metronome that can lay down the click in style. Program your own beats or choose from a variety of patter ns. Tap in your tempo, and clock your practice with the Stop Watch and Timer features.
STROKE BALANCE
The onscreen metronome needle indicates how strong you play. Improve balance and accent skills for both hands.
QUIET COUNT
Designed to develop your internal tempo, this exercise alternates the volume level between normal and barely audible, challenging you to maintain the correct tempo throughout.
AUTO UP/DOWN
An endurance exercise that gradually increases and then decreases the click speed. The rate at which the tempo goes up and down is adjustable, and you can set the maximum tempo at which it starts decreasing.
SPECIFICATIONS
• Metronome Tempo: =30-250 (Accuracy: ±0.1%), BEAT: 1-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8,8+7, 8+9, 9+8 (23 kinds), PATTERN: 8-BEAT x 3, 16-BEATx 2, SHUFFLE x 2, FUNK, DANCE x 2, COUNTRY, REGGAE, CLAVE x 2, RUMBA, BOSSA NOVA, WALTZ, TANGO, MAMBO, MARCH (20 kinds) • Reference Tone Reference Pitch:A4=438 Hz-445 Hz (1 Hz steps), Reference Tone Range:C4-B4 (Accuracy: ±1 cent)
• Timer Setting Range: 1-60 minutes • Stopwatch Timing Resolution: 1/10 second, Time Duration: 10 hours (with Auto Power Off disabled) • Indicators: LCD Display, Tempo Indicator LED x 2 • Connector: PHONES Jack (Stereo miniature phone type) • Power Supply: Dry Battery (R6/LR6 (AA) Type) x 2 • Power Consumption: 70 mA or less (with reference tone sounding), Expected battery life under continuous use (Carbon): Approximately 200 hours * These figures will vary depending on the actual conditions of use. • Dimensions: 129 (W) x 84 (D) x 22 (H) mm / 5-1/8 (W) x 3-5/16 (D) x 7/8 (H) inches • Weight: 156 g / 6 oz (including batteries) • Accessories: Dry Batter y (R6 (AA) Type) x 2, Soft case, Owner's Manual
SPECIFICATIONS
• Metronome Tempo: =30-250 (Accuracy: ±0.1%), BEAT: 0-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8, 8+7, 8+9, 9+8 (24 kinds), RHYTHM: Quarter note ( ), Eighth note ( ), Eighth rest and eighth note ( ), Triple ( ), Triple with center rest ( ), Sixteenth note ( CLAVE 2 ( (1 Hz steps) Reference Tone Range: C4-B4 (Accuracy: ±1 cent) • Auto Power Off function: Turns unit off after 60 min. • Memory function: Stores the settings when the power is turned off. (The Mute status is not stored in memory.) • Indicators: LCD Display, Tempo Indicator LED x 2 • Connector PHONES Jack (Stereo miniature phone type)
• Power Supply: CR2032 lithium battery x 1 • Power Consumption: 10 mA or less (with reference tone sounding) Expected battery life under continuous use: Approximately 20 hours * These figures will vary depending on the actual conditions of use. • Dimensions: 61 (W) x 90 (D) x 20 (H) mm / 2-7/16 (W) x 3-9/16 (D) x 13/16 (H) inches • Weight: 70 g / 3 oz (including batteries) • Accessories: CR2032 lithium batter y, Owner’s Manual
), Sixteenth note with sixteenth rest ( ), CLAVE 1 ( ),
) (9 kinds) • Reference Tone Reference Pitch: A4 = 438 Hz-445 Hz
3 2
3 3
HandSonic Artists
Sheila E
Luis Conte
New Sounds
An all-new collection of sounds has been created for the HPD-10; approx. 400 high-quality instruments are onboard. All of the percussive essentials have been included — congas, bongos, tabla, djembe, cajon, etc. — as well as melodic percussion, drum kit, special effects, and more. No matter the genre, from ethnic to electronic, the HPD-10 has you covered.
Sensitive Surface
Whether you’re laying down the most delicate finger rolls or the sharpest slaps, the HPD-10’s playing surface can handle anything you give it. The comfortable round surface is divided into ten individual pads with pressure and positional sensitivity. The popular D Beam is also included for dramatic triggering and pitch control. Strike a virtual gong with your head, and control the pitch of a talking drum with your hand waving up/down — you get the picture.
Bashiri Johnson
Richie Garcia
Easy Operation
The PRESET KITS buttons give you quick access to five specially selected kits — Conga, Tabla, Steel Drum, Drums, SFX, and five of your favorite kits. The large, backlit icon-driven LCD helps you clearly see what you are playing or editing.
PRESET KITS Button
Style Guide Metronome
The HandSonic 10 has a new type of metronome that provides a musically inspiring selection of rhythm patterns based on a variety of styles — Latin, World Music, Rock, Pop, Jazz, Dance. It helps you not only for practice, but also for sessions as play-along patterns.
Effects & Controller
Dual-trigger input allows a kick pedal and cymbal pad (or footswitch) to be plugged in.
Wave your hands over the invisible D Beam to trigger and control sounds with visual impact.
REAR PANEL
SPECIFICATIONS
• Pad 10 inches, 10 sections, Pressure-Sensitive • Instruments 410 • Kits 64 • Effects Ambience (5 types), Multi-Effects (20 types) • Style Guide Metronome 86 patter ns • Tempo 40-200 • Coach Mode QUIET COUNT, RHYTHM CHECK, TIME CHECK, PAD FOLLOW, AUTO UP/DOWN, TAP TEMPO • Controllers D Beam Controller , Control Knob • Display Icon-driven Backlit LCD • Connectors Output Jacks (L/MONO, R), Phones Jack (stereo phone type), Mix In Jack (stereo phone type), Trigger Input/Foot Sw Jack (Dual), MIDI Connectors (IN, OUT) • Output Impedance 1.0 k ohms • Power Supply AC Adaptor (DC 9V)
• Current Draw 350 mA • Dimensions 323 (W) x 427 (D) x 75 (H) mm / 12-3/4 inches (W) x 16-13/16 (D) x 3 (H) inches • Weight
2.9 kg / 6 lbs 7 oz (excluding AC Adaptor) • Accessories Owner's Manual, AC Adaptor (ACI/PSB-1U Series), Label Sticker
Improve your skills with the advanced Rhythm Coavh function
Pad Follow
The “Pad Follow” lesson combines both audio and visual information. With a click playing in the background, a test pattern is played for you; at the same time, the pattern appears on the graphical pad display. Then it's your turn to copy what you just heard and saw.
Time Check teaches you to play with pinpoint precision. The 7-segment meter displays the accuracy of your performance is as you play.
Time Check
Taku Hirano
Brad Dutz
CB-HPD-10 Gig Bag for HPD/SPD series
3 5
* Actual D Beam is invisible; color has been added for illustration pur poses only.
Rhythm Check
Develop your timing while expanding your pattern vocabulary. With a click track playing in the background, Rhythm Check plays a pattern and then asks you to repeat it, then advances to the next pattern.
Auto Up/Down
An endurance exercise that gradually increases and then decreases the click speed. The rate at which the tempo goes up and down is adjustable, you can set the maximum tempo at which it starts decreasing, and the minimum tempo at which it star ts increasing.
Quiet Count
This exercise is designed to develop your internal tempo. The volume of the click will alternate between normal and Quiet, challenging you to maintain the correct tempo throughout.
Tap Tempo
Tap a series of quarter-notes on any of the ten pads and the HandSonic 10 will calculate and display your new tempo in beats per minute. A handy resource!
The World’s Most Popular Hand-Percussion Pad
The HPD-15 HandSonic is the world’s most powerful (and famous!) electronic hand percussion multi-pad. It offers incredible triggering capabilities based on Roland’s V-Drums
®
technology. Divided into 15 parts, the HPD-15 allows hand percussionists to play up to 15 sounds simultaneously with all the sensitivity that the V-Drums are famous for. There are 600 percussion sounds onboard derived from all over the world — including Latin and Asian countries, the Middle East, and Africa — plus electronic drums and sound effects!
Expressive Realtime Control
The HandSonic’s powerful controllers can be used to modulate pitch, timbre, and other parameters in real time, and with the expressive D-Beam controller, percussionists can trigger the onboard sounds or alter an instrument’s tuning simply by waving their hands over an infrared beam of
REAR PANEL
light. Also included are two ribbon controllers, an Expression Pedal input, and three control knobs. An optional KD-7 Kick Trigger Unit or FD-8 Hi-Hat Control Pedal can also be connected.
HANDSONIC 15 SPECIFICATIONS
• Maximum Polyphony 64 Voices • Instruments Pad Instruments: 600, Backing Instruments: 54 • Preset Patches 160 • User Patches 80 • Patch Chains 10 chains (32 steps per chain) • Effect Type Reverb, Multi-Effects
• Sequencer Preset Patterns : 99, User Patterns: 99 (Maximum), Tracks: 4, Play Functions: OneShot, Loop, Tap, Resolution: 96 ticks per quarter note, Recording Method: Real-time • Tempo 20-240 • Display 16 characters, 2 lines (backlit
LCD) • Controls Volume Knob, Realtime Modify Knob 1/2/3, Ribbon L/R, D Beam Controller • Pad 10 inches, 15 sections, Pressure-Sensitive • Connectors Output Jacks (L/Mono, R), Phones Jack (stereo), Mix In Jack (stereo), Expression Pedal / Hi-Hat Control Jack, Trigger Input Jack (dual), Foot Switch Jack (dual), MIDI Connectors (IN, OUT/THRU) • Output Impedance 1k ohms • Power Supply AC Adaptor (DC 9V) • Current Draw 1000mA • Dimensions 406 (W) x 405 (D) x 98 (H) mm / 16 (W) x 16 (D) x 3-7/8 (H) inches • Weight 2.9 kg / 6 lbs 7 oz (excluding AC Adaptor) • Accessories AC Adaptor (ACI/ACB Series), Label
Superb Sounds and Features
The SPD-20’s sound set includes everything from ethnic and world percussion instruments to classic and modern acoustic and electronic drum sounds — 700 sounds total! Out of the box, you get 99 patches and six rhythm loops that can be played via eight high-quality pads with natural response — even when playing with common drumming techniques like rolls and flams.
Infinitely Expressive
Four external dual-trigger inputs make the SPD-20 compatible with a dedicated hi-hat or kick drum controller and any of Roland’s drum pads (including V-Pads acoustic drum triggers for triggering acoustic drums. Other noteworthy features include a velocity-sensitive Layer function, onboard effects and MIDI connections for using the SPD-20 as a controller or sound module.
SPD-20 SPECIFICATIONS
• Pads Built-in Pads: 8 * Four external trigger inputs (dual) are provided, allowing you to connect Pads. • Maximum Polyphony 14 voices • Instruments 700 • Memory Patches: 99, Patch Chains: 8 • Sound Parameters Instrument, Level, Pitch, Decay, Pan, Curve, Effect Send Level • Effects Reverb, Delay, Chorus, Flanger • Display 7 segments, 3 characters (LED) • Connectors Output Jacks (L [Mono], R) , Phones Jack (Stereo), Trigger Input Jacks (Dual): 3 , HH CTRL/TRIG 4 Jack (Dual), MIDI Connectors (IN, OUT), Foot Sw Jack (Dual) * Trigger inputs 1 and 2 accept rim shots from the PD-7, PD-9 and PD-120 while inputs 3 and 4 accept rim shots from the PD-7 and PD-9. • Power Supply AC 12V: AC Adaptor
• Current Draw 420mA • Dimensions 450(W) x 350(D) x 70(H) mm/ 17-3/4(W)x13-13/16(D)x2-13/16(H) inches • Weight 2.8 kg/ 6 lbs 3 oz (excluding AC adaptor) • Accessories Owner's Manual, AC Adaptor (BOSS BRA Series), Slit Tape
). The trigger inputs can also be used with
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Add Sampling to Your Rig!
The SPD-S Sampling Pad is a simple and affordable way to tap into the power of sampling. Six pads and three edge triggers allow drummers to trigger CD-quality samples and create phrase loops complete with pro-quality effects.
Integrates Easily with Your Kit
The SPD-S is a great way to add sampling to any percussion setup, and it’s easy — just record a sound, assign it to a pad, and go. Up to eight sounds can be played from the six rubber pads and three edge triggers. With room for 399 User waveforms, the SPD-S can store plenty of samples. Plus, there are 181 ready-to-play waveforms pre-loaded into User memory. A sampling CD is also included, making it easy to add more sounds.
Powerful and Expandable
With 30 multi-effects algorithms and a unique ambience effect, the SPD-S offers endless sound-sculpting potential — plus the ability to create loops with the Phrase Maker function. The SPD-S has a stereo input, and can accommodate up to two trigger units for playing a drum pad in either a head or head/rim configuration. And with MIDI In and Out, it makes a great controller as well. The SPD-S can be expanded with CompactFlash media, and can import or export WAV/AIF files.
Convenient CompactFlash Storage
The SPD-S works with readily available CompactFlash media — making it easy to expand the onboard sampling time, store custom sounds, and even import or export WAV/AIF files using your Mac or PC. *Please contact your authorized Roland dealer regarding compatibility of CompactFlash media.
SAMPLING MODE/TIME
Internal
LONG
STANDARD
FINE
(approx.)
12 min.
6 min.
3 min.
16MB
12 min.
6 min.
3 min.
PRE-LOADED SOUNDS
-Phrase­ 001 Moon Drs 002 Moon Bas 003 Moon Gt1 004 Moon Gt2 005 Moon Vo 006 JzStpDrs 007 JzStpBas 008 JzStpChd 009 JzStpPad 010 JzStpMel 011 2step Bt 012 JnglBt 1 013 JnglBt 2 014 Xylo Bkg 015 SynthBkg 016 Org Bkg 017 HipHpBkg 018 Didgerdo
019 BongoPtn 020 CongaPtn 021 ShakrPtn 022 TablaPtn 023 16BtPtn1 024 16BtPtn2 025 16BtPtn3 026 16BtFil1 027 16BtFil2 028 16BtFil3 029 16BtEnd 030 16BtSnr 031 16BtCrK
-S.E.­ 032 AirDrft1 033 AirDrft2 034 SuperLow 035 RevoDown 036 SwepNoiz
CompactFlash
32MB
24 min.
12 min.
6 min.
037 VerbyHit 038 RevLASER 039 WhtPulse 040 Sperks 041 SldWhstl 042 NoiseTap 043 Dolphin 044 Scratch 045 Hi-Q 046 Spd-S 047 Welcome 048 ComeOn! 049 UGotGrv 050 Yeaaah 051 Haaaay 052 BasSlide
-Percussion­ 053 WndChimD 054 WndChimU
64MB
48 min.
24 min.
12 min.
(approx.)
128MB
96 min.
48 min.
24 min.
055 PinChime 056 BelTreeD 057 BelTreeU 058 CrotaleH 059 CrotaleL 060 TriangOp 061 TriangMt 062 AccCym 4 063 AccCym 6 064 CupChim6 065 CupChim8 066 Gong 067 Tamtam 068 BlockJam 069 Block Hi 070 Block Lo 071 Claves 1 072 Claves 2 073 Cricket
256MB
193 min.
96 min.
48 min.
512MB
386 min.
193 min.
96 min.
074 FlexMtl 075 MtlCrash 076 Ratchet 077 Vibraslp 078 Tmbrn 1 079 Tmbrn 2 080 TmbrnStk 081 Tmbrn Sk 082 CowbellS 083 CowbellL 084 CowbJam1 085 CowbJam2 086 CowbBngo 087 CowbMmbo 088 Agogo Hi 089 Agogo Lo 090 SlighBel 091 AnklBedD 092 AnklBedS
REAR PANEL
SPD-S SPECIFICATIONS
• Pads Built-in Pads: 9 • Maximum Polyphony 8 voices • Sampling Mode Fine/Standard/Long • Sampling Frequency 44.1 kHz • Input Level Line: -10 dBu, Mic: -50 dBu • Input Impedance 10 k ohms (LINE/MIC) • Output Level Output: -10 dBu
• Output Impedance Output: 1 k ohms, Headphones: 47 ohms • Memory Patches: 128, [Waves] User: 399, Card: 500 (Pre-loaded Sound 181) • Maximum Sampling Time 12 min. approx. (Internal Memory, Long Mode) • Effects Multi-Effects (30 Type) + Ambience (System) • Display 16 characters, 1 line (backlit LCD) • Connectors Output Jacks (L/Mono, R)(1/4 inch phone type), Input Jacks (L/Mono, R)(1/4 inch phone type), *LINE/MIC selectable, Headphones Jack (Stereo)(Stereo 1/4 inch phone type), Trigger Input Jacks (1/4 inch TRS phone type), Expression Pedal (1/4 inch TRS phone type), MIDI Connectors (IN, OUT), Footswitch Jack (1/4 inch TRS phone type), CompactFlash Card Slot • Power Supply DC 9 V: AC Adaptor • Current Draw 1,000 mA • Dimensions 342 (W) x 282 (D) x 83 (H) mm/ 13-1/2 (W) x 11-1/8 (D) x 3-5/16 (H) inches • Weight 2.1 kg/ 4 lbs 11 oz (excluding AC adaptor) • Accessories Owner's Manual, AC Adaptor (ACI-120C/ACI-230C/ACB-230E/ACB-240A), Sampling CD, Slit Tape, Screws: 2, Hexagon Wrench * 0 dBu = 0.775 Vrms
*The SPD-S’s file system is developed by Kyoto Software Research, Inc. Fugue ®2003 - 2006 Kyoto Software Research, Inc. All rights reserved.
PRE-LOADED PATCHES
01 Join Us!
02 Filter-9 03 HipHoppr 04 LAttin!! 05 DrumNfil 06 Efct-Me! 07 CajonBt 08 Eco-Echo 09 VeloCity 10 Industry 11 AcousDrs 12 Bongo
13 TR808Dr1 14 909Mania
15 Outback
16 SappBeat 17 Winter 18 All Perc 19 RudeDrs
20 TablaJam
21 Drums-Q 22 Mr.LO-FI 23 Pulsar 24 Spiral
25 CoolWind 26 EchoohcE 27 Voices 28 TR808Dr2 29 SnglHead 30 Perffect 31 Timbales 32 Conga 33 RhytmBox 34 Chimes 35 Cym&Gong 36 Add On
37 Percuss1 38 Percuss2 39 Percuss3 40 Percuss4 41 SynSweep 42 Phaser 43 Radio 44 Slicer 45 ShrtLupr 46 RingMod 47 OvrDrive
EFFECT ALGORITHMS
01 REVERB+GATE 02 DLYEDREVERB(Delayed Reverb) 03 STEREODELAY 04 SYNC-DELAY 05 TAPE-ECHO 06 CHORUS 07 PHASER 08 FLANGER 09 STEPFLANGER 10 TREMOLO/PAN 11 SIMPLE-COMP(Compressor) 12 COMP-ENHANC(Compressor+Enhancer) 13 2BAND-COMP(2Band Compressor) 14 4BAND-PEQ(4Band Parametric Equalizer) 15 FILTER
093 Shaker 094 ShakeEgg 095 Maracas 096 CabasaSp 097 CabasaSt 098 Bongo Hi 099 Bongo Sp 100 Bongo Lo 101 Conga Hi 102 Conga Sp 103 Conga Lo 104 Cajon Sp 105 Cajon Bs 106 TimbleHi 107 TimbleRm 108 TimbleLo 109 SpokTom1 110 SpokTom2 111 SpokTom3
112 SpokTom4 113 OctTom 1 114 OctTom 2 115 OctTom 3 116 OctTom 4
-Drums­ 117 clubSnr1 118 clubSnr2 119 clubSnr3 120 clubSnr4 121 clubSnr5 122 clubSnr6 123 clubSnr7 124 clubSnr8 125 clubSnr9 126 808Snr 127 909Snr 128 110Snr 129 eSnr
130 AcuSnr 1 131 AcuSnr 2 132 AcuSnr 3 133 Xstick 1 134 Xstick 2 135 Xstick 3 136 808Claps 137 909Claps 138 110Claps 139 HndClap1 140 HndClap2 141 FingSnap 142 clubKik1 143 clubKik2 144 clubKik3 145 clubKik4 146 clubKik5 147 808Kik 1 148 808Kik 2
16 ISOLATOR 17 WAH 18 OVERDRIVE 19 DISTORTION 20 LO-FI(Lo-Fi Processor) 21 RADIOTUNING 22 RINGMODULAT(Ring Modulator) 23 PITCHSHIFT(Pitch Shifter) 24 PITCHBENDER(Pitch Bender) 25 OCTAVE 26 VOICETRANS(Voice Transformer) 27 CENTRCANCEL(Center Canceler) 28 SYNTH-PERC(Synthesizer Percussion) 29 SHORTLOOPER 30 SLICER
149 909Kik 150 110Kik 151 AcuKik 1 152 AcuKik 2 153 clubHH1c 154 clubHH1o 155 clubHH2c 156 clubHH2o 157 808HH cl 158 808HH op 159 909HH cl 160 909HH op 161 110HH cl 162 110HH op 163 AcuHH cl 164 AcuHH op 165 AcuHH ft 166 110 Cym 167 Splash 6
168 Splash 8 169 Splash10 170 Crash 13 171 Crash 16 172 Crash 18 173 China 16 174 Ride 20 175 Ride Bl 176 808Tom 1 177 808Tom 2 178 808Tom 3 179 AcuTom10 180 AcuTom12 181 AcuTom16
3 6
3 7
You need to select the suitable “Trigger Type (Pad Type)” on the sound module for your pad.
About the table
Yes No
*pos.: Positional sensing is available. *To enable rim shot, edge shot, bell shot and choking techniques, you'll need to connect the pad with the stereo cable.
*1 Does not suppor t rim shots. *2 Supports Cross Sticks. *3 Supports br ush sweep techniques. *4 Connect to the BOW/EDGE output jack for edge shots; connect to the BOW/BELL output jack for bell shots. *5 With two cables, you can perform using three different tones: bow, bell, and edge. *6 With a Y-Cable (PCS-31L), you can connect two pads to a single trigger input jack. However, rim shots, choking and edge or bell shot on each pad or cymbal are not available for use.
*7 You need to set the “Input Mode” to “HD/RM” (or "H-r" in the RMP-5). *8 With a Y-Cable (PCS-31L), rim shots are possible with other trigger inputs in addition to Trigger Input 2. *9 You need to select “PD-120” for trigger type settings. *10 Positional sensing on rim is available. *11 With dedicated cables (RD/RDB), you can perform using three different tones: bow, bell, and edge. *12 Compatible with “PAD/RIM” dual-triggering feature in EXT TRIG mode. *13 TD-9 uses a dedicated D-Sub connection cable for input; separate Crash 2 and AUX inputs are also provided.
3 8
3 9
TD-20 / TD-12 DRUM INSTRUMENTS
No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
Kick
1 22"Birch K 2 22"Solid K 3 22"StdMple K 4 22"Maple K 5 24"Carbon K 6 22"CbnMple K 7 22"GT K 8 22"TitanHp K 9 22"Mahogny K 10 20"Lite K 11 22"RoseWd K 12 22"Oak K 13 Recording1 K 14 Recording2 K 15 Universal K 16 BigOpen K 17 JazzCombo1 K 18 JazzCombo2 K 19 Cannon K 20 Roto K 21 Booth K 22 Ballad K 23 Swing K 24 Heavy K 25 Can K 26 Fusion K 27 Latin K 28 Meat K 29 Pillow K 30 DryMed K 31 Dry K 32 Solid K 33 Reso K 34 Raw K 35 Vintage K 36 OldMple K 37 Hard K 38 BigLow K 39 Hybrid K 40 Gabba1 K 41 Gabba2 K 42 Gabba3 K KICK PROCESSED 43 Cartoon K 44 Chicken K 45 Jive K 46 RB K 47 Layered K 48 Lazy K 49 HardLow K 50 Alley K 51 DaFloor K 52 Croak K 53 Plastic K 54 Trip K 55 Gokigen K 56 FX-Wah K
1: Snare and tom sounds: The letter that follows the Patch name indicates whether it's a head shot or rimshot. S: Snare head shot, SR: Snare rimshot, T1: Tom 1 head shot, T1R: Tom 1 r imshot 2: Cymbal sounds: The letter that follows the name indicates whether it's a bow, edge, or bell sound. HH: Hi-hat bow sound, HHEg: Hi-hat edge sound, CrBw: Crash bow sound, CrEg: Crash edge sound, Rd: Ride bow sound, RdBl: Ride bell sound
TD-20 PRESET DRUM KITS
No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name
1 VPro 2 Slamin' *1 3 METAL 4 JazzCombo 5 OverDrive
*1: A Pattern is assigned to CRASH 2. *2: Brushes can be used. *3: Parameters including volume etc. are set to standard values. Use this when creating a kit from scratch.
TD-12 PRESET DRUM KITS
No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name
1 V Stage 2 TheEDGE 3 Jazz 4 Custom 5 processing
Loop: Playback starts when the pad to which the pattern is assigned is struck, and stops when hit again. (Loop Pattern) Tap: Chords or melodies are played once each time the pad to which the pattern is assigned is struck. (Tap Pattern) Shot: Playback (one time only) starts when the pad to which the pattern is assigned is struck. (One-Shot Pattern)
TD-9 DRUM INSTRUMENTS
No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
KiCK 1 Maple K 2 Custom K 3 Birch K 4 Shallow K 5 Medium K 6 Studio K 7 Wood K 8 Soft K 9 Vintage K 10 Oak K 11 RoseWood K 12 26"Deep K 13 18"Hybrid K 14 OnePly K 15 Plugged K 16 Heavy K 17 Dry K 18 Meat K 19 Buzz K 20 Bop K 21 R8Low K 22 R8Dry K 23 Blast K KICK OTHER 24 Tight K 25 ShortNoise K 26 Dance K 27 House K 28 Hip K 29 NuHip K 30 Dirty K 31 Rap K 32 Giant K 33 Lo-Fi K 34 Blow K 35 Dororo K 36 Rumble K 37 Ambient K 38 Destroyer K 39 Ninja K 40 80'sHard K 41 Gate K 42 Phase K 43 Reverse K 44 Industrial K 45 Door K 46 Chunk K 47 Voice K 48 TR808 K 49 TR808Boom K 50 TR909 K 51 TR909Wood K 52 TR909Hard K
1: Snare and tom sounds: The letter that follows the Patch name indicates whether it's a head shot or rimshot. S: Snare head shot, SR: Snare rimshot, T1: Tom 1 head shot, T1R: Tom 1 r imshot 2: Cymbal sounds: The letter that follows the name indicates whether it's a bow, edge, or bell sound. HH: Hi-hat bow sound, HHEg: Hi-hat edge sound, CrBw: Crash bow sound, CrEg: Crash edge sound, Rd: Ride bow sound, RdBl: Ride bell sound *X: Cross-sticking is possible. Cross-stick and open rimshots ca be varied according to hitting strength.
TD-9 PRESET DRUM KITS
No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name
1 V-Tour Studio 2 CoolJazz 3 Double BASS 4 Compact 18”Kick 5 Acoustic
57 Lo-Fi K KICK ELEC 58 Cosmic K 59 Hi-Q K 60 Analog1 K 61 Analog2 K 62 Analog3 K 63 ClascElec1 K 64 ClascElec2 K 65 ClascElec3 K 66 ClascElec4 K 67 ClascElec5 K 68 ClascElec6 K 69 TR808 Kick 70 TR909 Kick SNARE 71 RoundBdge S 72 RoundBdge SR 73 CoolyMple S 74 CoolyMple SR 75 70'sMetal S 76 70'sMetal SR 77 WoodBrass S 78 WoodBrass SR 79 13"Hole S 80 13"Hole SR 81 Aluminum S 82 Aluminum SR 83 Titanium S 84 Titanium SR 85 Skanky S 86 Skanky SR 87 30'sMaple S 88 30'sMaple SR 89 BrassPico S 90 BrassPico SR 91 Booth S 92 Booth SR 93 Studio S 94 Studio SR 95 Ballad S 96 Ballad SR 97 Swing S 98 Swing SR 99 Street S 100 Lite S 101 LA Fat S 102 Ring S 103 Whack S 104 Impulse S 105 Cruddy1 S 106 Cruddy2 S 107 HotRod S 108 HotRod SR SNARE BRUSH 109 Brush1 S 110 Brush1 SR 111 Brush2 S
6 Titanium 7 RotoKit *1 8 UNIVERSE 9 Skanky 10 Brushes *2
6
FLA>n<GER *Tap, 1Shot 7 Melodies *Tap 8
NewAgeJam *Tap, 1Shot 9 LatinDrms *Loop 10 Brushes
53 Elec K 54 ElecBend K 55 Elephant K 56 Gabba K 57 Space K
SNARE
58 Custom S 59 Custom SR *x 60 VintMaple S 61 VintMaple SR *x 62 SolidMaple S 63 SolidMaple SR *x 64 30'sBrass S 65 30'sBrass SR *x 66 Medium S 67 Medium SR *x 68 MediumSt S 69 MediumSt SR *x 70 MediumBr S 71 MediumBr SR *x 72 Vintage S 73 Vintage SR *x 74 VintCustom S 75 VintCustom SR *x 76 Birch S 77 Birch SR *x 78 WhiteAsh S 79 WhiteAsh SR *x 80 PiccoloSt S 81 PiccoloSt SR *x 82 PiccoloBr S 83 PiccoloBr SR *x 84 13" S 85 13" SR *x 86 Dry S 87 Dry SR *x 88 Fat S 89 Fat SR *x 90 FatBr S 91 FatBr SR *x 92 Heavy S 93 Heavy SR *x 94 Dirty S 95 Dirty SR SR *x 96 Brush S 97 Brush SR *x 98 Copper S 99 Copper SR *x 100 Reggae S 101 Reggae SR *x 102 CrossStick1 103 CrossStick2 104 CrossStick3 105 CrossStick4
6 House +LatinPerc 7 Ambient ChillOut 8 Junk INDUSTRIAL 9 TightHit 2ndHi-Hat 10 Brushes
112 Brush2 SR SNARE PROCESSED 113 Basis S 114 Chunk S 115 ClapTail S 116 ClubDry S 117 Dump S 118 HopRim1 S 119 HopRim2 S 120 HopRim3 S 121 LzrGate S 122 Pick S 123 Planet S 124 RB S 125 2Step S 126 Lo-Fi S 127 Round XStik 128 Cooly XStik 129 70's XStik 130 WoodBr XStik 131 13" XStik 132 Alumi XStik 133 Titan XStik 134 Skanky XStik 135 30's XStik 136 Reggae XStik 137 Ballad XStik 138 Studio XStik 139 Swing XStik 140 Hard XStik 141 Maple XStik SNARE ELEC 142 ClascElec1 S 143 ClascElec2 S 144 ClascElec3 S 145 ClascElec4 S 146 ClascElec5 S 147 TR808 Snare 148 TR808 SnrRim 149 TR909 Snare 150 TR909 SnrRim
TOM
151 12"Birch T1 152 12"Birch T1R 153 13"Birch T2 154 13"Birch T2R 155 16"Birch T3 156 16"Birch T3R 157 18"Birch T4 158 18"Birch T4R 159 12"GT T1 160 12"GT T1R 161 13"GT T2 162 13"GT T2R 163 16"GT T3 164 16"GT T3R 165 18"GT T4 166 18"GT T4R
11 Spark! 12 >>GT>> 13 Antique 14 =BreakBeats= 15 Studio
11 Fusion 12 Skanky 13 _/ Spark! _/ 14 GT Rock 15 UrbanPop
106 CrossStick5
SNARE OTHER
107 Whack S 108 Cruddy S 109 HardComp S 110 ShortBuzz S 111 Dance S 112 Hip S 113 BreakBeat S 114 House S 115 Garage S 116 HouseDpn S 117 Clap S 118 Punch S 119 Radio S 120 NoisyXStick S 121 DenseClick S 122 Gate S 123 Reverse S 124 Industrial S 125 Voice S 126 TR808 S 127 TR808 SR *x 128 TR808 XStick 129 TR909 S 130 TR909 SR *x 131 TR909 XStick 132 Elec1 S 133 Elec2 S TO M 134 10"Maple T1 135 10"Maple T1R 136 12"Maple T2 137 12"Maple T2R 138 14"Maple T3 139 14"Maple T3R 140 16"Maple T4 141 16"Maple T4R 142 10"Birch T1 143 10"Birch T1R 144 12"Birch T2 145 12"Birch T2R 146 14"Birch T3 147 14"Birch T3R 148 16"Birch T4 149 16"Birch T4R 150 12"Custom T1 151 12"Custom T1R 152 14"Custom T2 153 14"Custom T2R 154 16"Custom T3 155 16"Custom T3R 156 18"Custom T4 157 18"Custom T4R
11 Ballad Reverb 12 Big Rock Stadium 13 Modern JAZZ 14 JazzyBop Sizzle 15 Fusion
167 10"Univ T1 168 10"Univ T1R 169 12"Univ T2 170 12"Univ T2R 171 14"Univ T3 172 14"Univ T3R 173 16"Univ T4 174 16"Univ T4R 175 12"Clasc T1 176 12"Clasc T1R 177 13"Clasc T2 178 13"Clasc T2R 179 16"Clasc T3 180 16"Clasc T3R 181 18"Clasc T4 182 18"Clasc T4R 183 12"Fiber T1 184 12"Fiber T1R 185 14"Fiber T2 186 14"Fiber T2R 187 16"Fiber T3 188 16"Fiber T3R 189 18"Fiber T4 190 18"Fiber T4R 191 12"Maple T1 192 12"Maple T1R 193 14"Maple T2 194 14"Maple T2R 195 16"Maple T3 196 16"Maple T3R 197 18"Maple T4 198 18"Maple T4R 199 12"Oak T1 200 12"Oak T1R 201 14"Oak T2 202 14"Oak T2R 203 16"Oak T3 204 16"Oak T3R 205 18"Oak T4 206 18"Oak T4R 207 8"Roto T1 208 8"Roto T1R 209 10"Roto T2 210 10"Roto T2R 211 12"Roto T3 212 12"Roto T3R 213 14"Roto T4 214 14"Roto T4R 215 16"Roto T5 216 16"Roto T6 217 18"Roto T7 218 18"Roto T8 219 18"RotoExLo1 220 18"RotoExLo2 221 Ballad T1 222 Ballad T2 223 Ballad T3 224 Ballad T4
16 Groover *1 17 Mallet 18 Drumline 19 JazzGig *1 20 Airtime
16 JazzSizzle 17 BigRock 18 RotoKit 19 UNIVERSE 20 Cognito *Loop
158 12"Coated T1 159 12"Coated T1R 160 14"Coated T2 161 14"Coated T2R 162 16"Coated T3 163 16"Coated T3R 164 18"Coated T4 165 18"Coated T4R 166 Beech T1 167 Beech T2 168 Beech T3 169 Beech T4 170 Oyster T1 171 Oyster T2 172 Oyster T3 173 Oyster T4 174 Rose T1 175 Rose T2 176 Rose T3 177 Rose T4 178 Vintage T1 179 Vintage T2 180 Vintage T3 181 Vintage T4 182 Booth T1 183 Booth T2 184 Booth T3 185 Booth T4 186 Dry T1 187 Dry T2 188 Dry T3 189 Dry T4 190 Fiber T1 191 Fiber T2 192 Fiber T3 193 Fiber T4 194 Slap T1 195 Slap T2 196 Slap T3 197 Slap T4 198 10"Roto T1 199 12"Roto T2 200 14"Roto T3 201 19"Roto T4 202 Oct T1 203 Oct T2 204 Oct T3 205 Oct T4 206 Brush T1 207 Brush T2 208 Brush T3 209 Brush T4 210 10"Plugged T1 211 12"Plugged T2
16 Alterna Rock/Punk 17 Blast 18 Mixture 19 Groove 20 Vintage 30’s-40’s
225 Swing T1 226 Swing T2 227 Swing T3 228 Swing T4 229 Pop1 T1 230 Pop1 T2 231 Pop1 T3 232 Pop1 T4 233 Pop2 T1 234 Pop2 T2 235 Pop2 T3 236 Pop2 T4 237 Round T1 238 Round T2 239 Round T3 240 Round T4 241 80'sDry T1 242 80'sDry T2 243 80'sDry T3 244 80'sDry T4 245 90'sBig T1 246 90'sBig T2 247 90'sBig T3 248 90'sBig T4 249 90'sPower T1 250 90'sPower T2 251 90'sPower T3 252 90'sPower T4 253 OctaTom C Hi 254 OctaTom B 255 OctaTom A 256 OctaTom G 257 OctaTom F 258 OctaTom E 259 OctaTom D 260 OctaTom C 261 Mallet T1 262 Mallet T2 263 Mallet T3 264 Mallet T4 TOM BRUSH 265 Brush T1 266 Brush T2 267 Brush T3 268 Brush T4 TOM ELEC 269 ClscElec1 T1 270 ClscElec1 T2 271 ClscElec1 T3 272 ClscElec1 T4 273 ClscElec2 T1 274 ClscElec2 T2 275 ClscElec2 T3 276 ClscElec2 T4 277 ClscElec3 T1 278 ClscElec3 T2 279 ClscElec3 T3 280 ClscElec3 T4
21 Sploink! 22 Boogaloo 23 Zeppy 24 Arena 25 Maple
21
Rock Band *Loop, Tap 22 HighSpeed *Loop 23 A.O.R *Loop 24 ShortCut *Loop 25 JazzGig *Loop
212 13"Plugged T3 213 16"Plugged T4 214 Buzz T1 215 Buzz T2 216 Buzz T3 217 Buzz T4 218 Big T1 219 Big T2 220 Big T3 221 Big T4 222 TomRimClick1 223 TomRimClick2 224 TomRimClick3 225 TomRimClick4 TOM OTHER 226 Gate T1 227 Gate T2 228 Gate T3 229 Gate T4 230 Dirty T1 231 Dirty T2 232 Dirty T3 233 Dirty T4 234 Lo-Fi T1 235 Lo-Fi T2 236 Lo-Fi T3 237 Lo-Fi T4 238 Jet T1 239 Jet T2 240 Jet T3 241 Jet T4 242 Voice T1 243 Voice T2 244 Voice T3 245 Voice T4 246 TR808 T1 247 TR808 T2 248 TR808 T3 249 TR808 T4 250 TR909 T1 251 TR909 T2 252 TR909 T3 253 TR909 T4 254 Elec T1 255 Elec T2 256 Elec T3 257 Elec T4 258 ElecBend T1 259 ElecBend T2 260 ElecBend T3 261 ElecBend T4 262 Custom HH HI-HAT 263 Custom HHE
21 JazzFunk 22 90’sRock 23 80’sRock 24 70’sRock 25 Dry Pop
281 ClscElec4 T1 282 ClscElec4 T2 283 ClscElec4 T3 284 ClscElec4 T4 285 TR808 T1 286 TR808 T2 287 TR808 T3 288 TR808 T4 289 TR909 T1 290 TR909 T2 291 TR909 T3 292 TR909 T4 HI-HAT 293 14"P-Hat HH 294 14"P-Hat HHEg 295 13"Hatz HH 296 13"Hatz HHEg 297 14"Hatz HH 298 14"Hatz HHEg 299 14"Dark HH 300 14"Dark HHEg 301 14"Edge HH 302 14"Edge HHEg 303 13"Lite HH 304 13"Lite HHEg 305 Brush HH 306 CR78 HH 307 TR808 HH 308 TR909 HH 309 Tekno HH 310 Elec HH CRASH 311 16"DarK CrBw 312 16"DarK CrEg 313 16"Thin CrBw 314 16"Thin CrEg 315 16"Paper CrBw 316 16"Paper CrEg 317 16"FsPwr CrBw 318 16"FsPwr CrEg 319 18"Power CrBw 320 18"Power CrEg 321 18"Med CrBw 322 18"Med CrEg 323 19"NY CrBw 324 19"NY CrEg 325 18"Fast CrBw 326 18"Fast CrEg 327 18"Fast CrBl 328 Brush Cr 329 Brush CrEg 330 Mallet Cr SPLASH 331 6"Splazh SpBw 332 6"Splazh SpEg 333 8"Thin SpBw 334 8"Thin SpEg 335 8"Bell SpBw
26 Shallow 27 Ballad *1 28 Raspy 29 PopReggae *1 30 BrassBiggie
26 TEK MIX *Loop 27 Groover *Loop 28 DoubleBass *Loop 29 PopReggae *Loop 30 Booth *Loop
264 Dark HH 265 Dark HHE 266 Oldies HH 267 Oldies HHE 268 Brush HH 269 Tambourine HH 270 Tambourin HHE 271 Clave HH 272 Clave HHE 273 Club HH 274 Club HHE 275 Industry HH 276 Industry HHE 277 Lo-Fi HH 278 Lo-Fi HHE 279 Jingle HH 280 Jingle HHE 281 HandCym HH 282 Voice HH 283 Voice HHE 284 TR808 HH 285 TR909 HH 286 CR78 HH 287 Metal78 HH 288 Maracas HH CRASH 289 16"Dark CrBw 290 16"Dark CrE 291 18"Dark CrBw 292 18"Dark CrE 293 16"Thin CrBw
294 16"Thin CrE 295 18"Thin CrBw 296 18"Thin CrE 297 16"Paper CrBw 298 16"Paper CrE 299 18"Paper CrBw 300 18"Paper CrE 301 16"Fast CrBw 302 16"Fast CrE 303 18"Fast CrBw 304 18"Fast CrE 305 16"Power CrBw 306 16"Power CrE 307 18"Power CrBw 308 18"Power CrE 309 16"Mallet Cr 310 16"Brush Cr 311 18"Brush Cr 312 18"BrshSzl Cr 313 10"Medium Sp SPLASH/CHINA 314 10"Medium SpE 315 10"Rude Sp
26 Lo-Fi 27 FunkyDry 28 NewDisco 29 TripHop 30 HipHop OldSchool
336 8"Bell SpEg 337 8"Open SpBw 338 8"Open SpEg 339 10"Med SpBw 340 10"Med SpEg
CHINA
341 12"PgyBack 342 12"PgyBack Eg 343 16"Swish 344 16"Swish Eg 345 18"CB Low 346 18"CB Low Eg 347 20"U-China 348 China PgBack 349 Crash PgBack RIDE 350 18"PRide Rd 351 18"PRide RdBl 352 18"PRide RdEg 353 18"Bop Rd 354 18"Bop RdBl 355 18"Bop RdEg 356 20"Heavy Rd 357 20"Heavy RdBl 358 20"Heavy RdEg 359 20"Med Rd 360 20"Med RdBl 361 20"Med RdEg 362 20"Turky Rd 363 20"Turky RdBl 364 20"Turky RdEg 365 19"NY Rd 366 19"NY RdBl 367 19"NY RdEg 368 20"Lite Rd 369 20"Lite RdBl 370 20"Lite RdEg 371 22"Clean Rd 372 22"Clean RdBl 373 22"Clean RdEg 374 18"Formu Rd 375 18"Formu RdBl 376 18"Formu RdEg 377 20"Bell Rd 378 20"Bell RdBl 379 20"Bell RdEg 380 Brush Rd 381 Brush RdEg 382 Mallet1 Rd 383 Mallet2 Rd PERCUSSION 384 Bongo Hi 385 Bongo HiSlap 386 Bongo Lo 387 Bongo LoSlap 388 Conga Hi 389 Conga HiMute 390 Conga HiSlap
31 WetBooth *1 32 70s Record 33 Lite 34 Mellow 35 Stadium
31
neo style *Tap, 1Shot 32 Airtime 33 Zeppy 34 Drumline 35 SlapBack
316 10"Rude SpE 317 12"Thin Sp 318 6"Cup 319 18"Medium Ch 320 18"Medium ChE 321 20"Heavy Ch 322 16"Swish 323 19"PiggyBack 324 Piggy-Crash RIDE 325 20"Custom Rd 326 20"Custom RdE 327 20"Custom RdB 328 22"Clean Rd 329 22"Clean RdE 330 22"Clean RdB 331 20"Bright Rd 332 20"Bright RdE 333 20"Bright RdB 334 24"Heavy Rd 335 24"Heavy RdE 336 24"Heavy RdB 337 20"Oldies Rd 338 20"Oldies RdE 339 20"Oldies RdB 340 20"Sizzle Rd 341 20"Sizzle RdE 342 20"Sizzle RdB 343 20"Brush Rd 344 20"Brush RdE 345 20"Brush RdB 346 18"Crash Rd 347 18"Crash RdE 348 ShortTail Rd 349 ShortTail RdE 350 ShortTail RdB 351 Lo-Fi Rd 352 Lo-Fi RdE 353 Lo-Fi RdB CYMBAL OTHER 354 Lo-Fi Cr 355 Sweep Cr 356 Phase Cr 357 Ambient Cr 358 Reverse Cr 359 Reverse Ch 360 Reverse Rd 361 Voice Cr 362 TR808 Cr 363 Elec Cr
PERCUSSION
364 Bongo Hi 365 Bongo Lo 366 Conga Open
31 Drum'nBs 32 Break BEAT 33 Nu Jazz BrokenBeat 34 Abstract 35 Gimmick BreakBeat
391 Conga Lo 392 Conga LoMute 393 Cajon Bass 394 Cajon Mute 395 Cajon Slap 396 Cowbell Hi 397 Cowbell Lo 398 Cowbell Mute 399 CowbellMambo 400 Claves 401 SquareBlock 402 Block Hi 403 Block Lo 404 Maracas 405 Caxixi 406 Shaker 407 Tambourine1 408 Tambourine2 409 Tambourine3 410 Guiro Long 411 Guiro Short 412 Timbale Hi 413 Timbale HiRm 414 Timbale Lo 415 TimbalePaila 416 Agogo Hi 417 Agogo Lo 418 Cabasa 419 Cuica Hi 420 Cuica Lo 421 Cuica Acc 422 Pandeiro 423 PandeiroMute 424 PandeiroSlap 425 Surdo Hi 426 Surdo HiMute 427 Surdo Lo 428 Surdo LoMute 429 Whistle 430 WhistleShort 431 VibraSlap 432 Tabla Na 433 Tabla Te 434 Tabla Ti 435 Tabla Tin 436 Tabla Tun 437 Baya Ge 438 Baya Gin 439 Baya Ka 440 Baya Slide 441 PotDrum 442 PotDrum Acc 443 PotDrum Mute 444 Djembe Tone 445 Djembe Slap 446 Djembe Bass 447 TalkingDr 448 TalkingDr Up
36 TiteOctas 37 90s Power 38 FxJungle *1 39 Tekno 40 TR-808 *1
36 GatePumper 37 Stadium 38 70s Record 39 90s Power 40 BreakBeats
367 Conga Mute 368 Conga Slap 369 Conga Lo 370 Timbale Hi 371 Timbale Rim 372 Timbale Lo 373 TimbalePaila 374 Cajon Open 375 Cajon Slap 376 Cajon Bass 377 Cowbell1 378 Cowbell1 Tip 379 Cowbell2 380 Cowbell3 381 Claves 382 Maracas 383 Shaker 384 SmallShaker 385 Tambourine1 386 Tambourine2 387 Tambourine3 388 Guiro Long 389 Guiro Short 390 RainStick 391 VibraSlap 392 Quijada 393 Cabasa 394 Surdo Open 395 Surdo Mute 396 SurdoL Mt/Op 397 PandeiroThmb 398 PandeiroSlap 399 PandeiroJngl 400 RepiniqueM/O 401 RepiniqueRim 402 Agogo Hi 403 Agogo Lo 404 Whistle 405 WhistleShort 406 Caxixi 407 Cuica Hi 408 Cuica Lo 409 Djembe 410 Djembe Slap 411 Djembe Bass 412 MetalCrasher 413 AfricaJingle 414 Bendir 415 PotDrum 416 PotDrum Mute 417 Tabla Na 418 Tabla Te 419 Tabla Ti 420 Tabla Tin
36 Minimal HOUSE 37 Reggae +Timbale 38 Latin FootClave
World1 Cajon,Djembe
39 40 World2 Tabla,Baya
449 Castanet 450 WoodBlock 451 Timpani C 452 Timpani G 453 ConcertBD 454 ConcertBD Mt 455 HandCymbal 456 HandCymbalMt 457 Triangle 458 TriangleCls 459 Triangle2 460 Triangle2Cls 461 Crotale 462 BellTree 463 SleighBell 464 TreeChimes 465 ThaiGong 466 TinyGong 467 Gong 468 OrchestraHit 469 SnareRoll 470 ConcertSnare 471 SteelDrum 472 Celesta 473 Glockenspiel 474 Kalimba 475 Marimba 476 TubularBell 477 Vibraphone 478 Xylophone PERC ANALOG 479 CR78Cowbell 480 CR78Guiro 481 CR78Maracas 482 CR78MtlBeat 483 CR78Tamb 484 TR808Clap 485 TR808Claves 486 TR808Cowbell 487 TR808Maracas 488 TR808XStick 489 TR909Clap
SFX
490 Hi-Q 491 Poa 492 Pyon 493 Picoon 494 Byon 495 Kyun 496 Psyun 497 Boom 498 SuperLow 499 TimeWarp1 500 TimeWarp2 501 Transform1 502 Transform2 503 Tramsform3 504 Tekno FX1
41 TR-909 42 Hex< >Drum *1 43 Cosmosis 44 Technology 45 OrchPerc *1
41 TR-808 42 TR-909 43 Hexa<[]>drum 44 Cosmosis 45
OrchPerc *Tap, 1Shot
421 Tabla Tun 422 Baya Ge 423 Baya Gin 424 Baya Ka 425 Baya Slide 426 Sagat Mt/Op 427 TempleBell 428 TempleBlock 429 Taiko 430 Wa-Daiko 431 ConcertBD 432 ConcertBD Mt 433 Timpani G 434 Timpani C 435 HandCymbal 436 HandCym Mute 437 Castanet 438 WoodBlock Hi 439 WoodBlock Lo 440 Triangle 441 TrianglCl/Op 442 Crotale 443 BellTree 444 Sleighbell 445 TreeChimes 446 TinyGong 447 Gong 448 SteelDrum 449 Glockenspiel 450 Kalimba 451 Marimba 452 Vibraphone 453 808Cowbell1 454 808Cowbell2 455 808Maracas 456 808Claves 457 808Conga 458 78Cowbell 459 78Guiro 460 78Maracas 461 78Tambourine 462 78Bongo 463 78Claves 464 Sticks SOUND EFFECT 465 Click 466 TekClick 467 Metro Click 468 Metro Bell 469 Beep 470 Pyon 471 HI-Q 472 MetalNoise 473 MetalPhase
41 Samba Batucada 42 Symphony OrchHits 43
SteelDrm CMajorScale 44 Trancy 45 Electron Electronica
505 Tekno FX2 506 Tekno FX3 507 Ring FX 508 Drop Out 509 LaserGun 510 Spiral 511 Emergency 512 Wonderer OTHER 513 Click 514 Beep 515 Sticks 516 Sticks2 517 MetroBell 518 MetroClick 519 FingerSnaps 520 Clap 521 R8Slap 522 Motor 523 Engine 524 Glass 525 Burt 526 Boing1 527 Boing2 528 Bounce 529 VerbyHit 530 AfroStomp 531 Bomb! 532 TuningTom 533 ReverseCrash 534 ReverseChina 535 PhaseCrash 536 PhaseRide 537 Scratch1 538 Scratch2 539 Scratch3 540 Scratch4 541 TapeStop 542 TapeRewind 543 Voice OK 544 Voice Yeah 545 Vocoder1 546 Vocoder2 547 TeknoHit 548 PhillyHit 549 FunkHit 550 Bass Gliss 551 Guitar Gliss 552 GuitarScrtch 553 CutGt Down 554 CutGt Up 555 WahGt1 Down 556 WahGt1 Up 557 WahGt2 Down 558 WahGt2 Up 559 Sine 440Hz 560 For PadCheck
46 Survivor 47 Latin Toys 48 African Perc 49 Tabla/Sitar *1 50 UserKit *3
46 LatinToys *Loop 47 AfricanPerc *Loop 48
Tabla/Sitar *Loop, Tap 49 SurVivor 50 My VKit
474 SuperLow 475 Clap1 476 Clap2 477 HouseClap 478 BuzzClap 479 NoizeClap 480 MetalClap 481 MetalSlap 482 Snaps 483 Snappin' 484 Scratch1 485 Scratch2 486 Scratch3 487 Stamp 488 Ratchet 489 AirDrive 490 Hammer 491 Barrel 492 TrashCan 493 CoroCoro 494 Bubbles 495 Punch 496 HeartBeat 497 AfroStomp 498 CarDoor 499 RandomProp 500 Bomb 501 Thunder 502 Laser 503 Martian 504 Nantoka! 505 Hoo... 506 Mystery 507 Chemistry 508 OrchHit Maj 509 OrchHit Min 510 Reverse Bell 511 Reverse Voco 512 Voice-Yeah 513 Voice-Ahhh 514 Voice-Haaa 515 Voice-Dat 516 Voice-Doot 517 Voice-Boom 518 Voice-Tun 519 808Clap 520 909Clap 521 78MBeat 522 Sin 440Hz
OFF
523 OFF
46
EleDrums ClassicElec 47 TR-808 48 TR-909 49
Voices HumanBeatBox 50 User Kit
TD-3 DRUM INSTRUMENTS
No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
KICK 1 K01 Wood Kick 2 K02 Rock Kick 3 K03 Tight Kick 4 K04 Ambient Kick 5 K05 Muffle Kick 6 K06 Jazz Kick 7 K07 Hard Attack Kick 8 K08 Latin Kick 9 K09 Club Kick 1 10 K10 Club Kick 2 11 K11 Club Kick 3 12 K12 Club Kick 4 13 K13 808 Kick 14 K14 909 Kick
*1: The rimshot sound will change according to hitting strength. Strike softly for cross-stick, and harder for open rimshots. *2: Ride sound will change according to hitting strength. Strike softly for bow sounds, harder for bell sounds. *3: sound will change depending on the hitting.
TD-3 PRESET DRUM KITS
No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name No. Kit Name
1 Acoustic 2 Groove 3 Oldies 4 2 Step
SPD-20 PRESET INSTRUMENTS
No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
Bass Drum (Kick) b01-b03 Dry Kick x3 b04 Meat Kick b05 Pillow Kick : b21-b22 Reverb Kick x2 b23-b25 Mondo Kick x3 b26-b27 Solid Kick x2 : b39-b44 TR-808 Kick x6 b45-b48 TR-909 Kick x4 b49 TR-606 Distortion Kick b50 CR-78 Kick
Snare Drum
S01-S03 Piccolo Snare x3 S04-S06 Beech Snare x3 S07-S09 Acoustic Snare x3 S10-S12 Steel Snare x3 S13-S15 Loose Snare x3 S16-S21 Medium Snare x6 S22-S26 Concert Snare x5 S27 Roll Snare : S39-S45 Brush Snare x7 S46 Rock Snare S47 Rocker Snare : S70-S71 Jungle Snare x2 S72-S73 Electronic Snare x2 S74-S75 TR-808 Snare x2 S76 TR-909 Snare S77 TR-707 Snare S78 TR-606 Snare S79 CR-78 Snare S80-S86 Cross Stick x7
Tom-Tom
t01-t04 Big Tom x4 t05-t08 Studio Tom x4 t09-t12 Jazz Tom x4 : t27-t28 Room Tom x2 t29-t30 Acoustic Tom x2 : t38 TR-808 Tom t39-t40 TR-909 Tom x2
HandSonic 15 PRESET INSTRUMENTS
No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
LATIN
L01-L05,L07 Bongo Hi x6 L06, L08 Bongo Lo x2 L09-L18, L28-L29 Conga Hi x12 L19-L27,L30 Conga Lo x10 L31-L34 Cowbell x4 L35-L36 Claves x2 L37-L40 Guiro x4 L41 Maracas x1 L42-L44 Shaker x3 L45-L46 Tambourine x2 L47-L59 Timbale x13 L60 Vibra-slap x1 L61-L62 Steel Drum x2 L63-L69 Agogo x7 L70 Cabasa x1 L71-L78 Cuica x8 L79-L84 Pandeiro x6 L85-L89 Surdo x5 L90-L93 Tamborim x4 L94-L96 Whistle x3 L97 Caxixi x1 L98-l03 Berimbau x5
HandSonic 10 PRESET INSTRUMENTS
No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
LATIN
001-006 Bongo Hi x6 007 Bongo Lo 008-015 Conga Hi x8 016 Conga Lo 017-021 Conga2 Hi x5 022 Conga2 Lo 023-026 Timbale Hi x4 027-032 Timbale Lo x6 033-034 Claves x2 035-040 Cowbell x6 041-042 Shaker x2 043-045 Ganza x3 046-047 Maracas x2 048 Caxixi 049-050 Shekere x2 051 Cabasa 052 Afuche 053-055 Guiro1 x3 056-057 Guiro2 x2 058-060 AgogoBell x3 061-063 Surdo x3 064-067 Repinique x4 068-072 Pandeiro x5 073-074 Tamborim x2 075-076 Cuica x2
RMP-5 PAD INSTRUMENTS
No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name No. Inst Name
Sn1 Snare 1 Vintage Sn2 Snare 2 Brass Sn3 Snare 3 Bright Sn4 Snare 4 Funk Sn5 Snare 5 Piccolo Sn6 Snare 6 Marching Pbd Practice Board
*1: Sounds suitable for use when a rim-shot-capable pad is connected and used in combination with the RMP-5. *2: The “open” sound is easily produced by striking the pad with a stick and the “mute” sound is easily produced by str iking with the palm of your hand. *3: Kick pad sounds. Use these sounds when you have a KD-8/85/120 connected to the RMP-5. This allows you to practice using both hands and your foot with the kick pad and RMP-5
SNARE
15 S1 Bright Snare 16 S1r Bright Snare Rim *1 17 S2 Vintage Snare 18 S2r Vintage Snare Rim *1 19 S3 Vintage Snare 2 20 S3r Vintage Snare 2 Rim *1 21 S4 Funk Snare 22 S4r Funk Snare Rim *1 23 S5 Piccolo Snare 24 S5r Piccolo Snare Rim 25 S6 Brass Snare 26 S6r Brass Snare Rim 27 S7 Rock Snare 28 S7r Rock Snare Rim 29 S8 Ballad Snare
5 Ballad 6 Electronic 7 Techno House 8 Hip-Hop
Hi-Hat Cymbal
h01-h05 Pop Hi-Hat x5 h06-h10 Real Hi-Hat x5 h11-h12 Brush Hi-Hat x2 : h26-h29 TR-808 Hi-Hat x4 h30-h31 TR-909 Hi-Hat x2 h32-h33 CR-78 Hi-Hat x2
Hi-Hat Cymbal for pedal control
Hi-Hat Cymbal *1 H01-H02 Pop Hi-Hat x2 : H17 Hand Cymbal Hi-Hat
Crash/Ride Cymbal
C01-C04 Crash Cymbal x4 C05-C07 Chinese Cymbal x3 : C15-C20 Ride Cymbal x6
Sizzle Ride Cymbal
C21-C26 : C35 TR-808 Cymbal C36 TR-606 Cymbal Latin Percussion L01-L05 Bongo x5 L06-L13 Conga x8 L14-L18 Cowbell x5 L19-L20 Claves x2 L21-L22 Guiro x2 L23 Maracas L24-L26 Shaker x3 L27-L28 Tambourine x2 L29-L32 Timbale x4 L33 Vibra Slap L34-L38 Agogo x5 L39 Cabasa L40-L45 Cuica x6 L46-L52 Pandeiro x7 L53-L57 Surdo x5 L58-L61 Tamborim x4 L62-L65 Samba Whistle x4 L66 Caxixi L67-L70 Berimbau x4 L71-L74 Caixa x4 L75 Rain Stick L76 Samba Bateria
l04-l06 Caixa x3 l07-l08 Rain Stick x2 l09 SambaBateria x1 l10-l11 SpaceConga x2 l12-l13 E.Conga x2 l14-l25 AnalogPercs x12
AFRICAN
F01 Shekere x1 F02-F07 Djembe x6 F08-F13 Small Djembe x6 F14-F16 TalkingDrm x3 F17-F20 Afro Drum x4 F21 Metal Casta x1 F22-F31 Pot Drum x10 F32 Kalimba x1 F33 Log Drum x1 F34-F41 Gyilli x8 F42-F49 Balaphone x8 F50 Afro Zither x1 F51 Afro Feet x1 F52 Afro Stomp x1 F53-F54 Hand Drum x2 F55-F57 Mongu x3 F58 Clapstick x1
077-078 Caixa x2 079 Vibra-slap 080 Rain Stick 081 Cricket 082-083 Flex Metal x2 084 MetalCrasher 085-092 SteelDrum x8
WORLD
093-096 Cajon x4 097-100 Djembe x4 101-104 Djembe2 x4 105 Talking Drum 106-110 PotDrum x5 111-118 Tabla x8 119-122 Baya x4 123-127 Dholak x5 128-129 Darabuka x2 130-131 Doira x2 132-134 Doholla x3 135-137 Rek x3 138 Bendir 139 AnkleBeads 140 AfricaJingle 141 Quijada 142-143 Sagat x2 144 Bonang
ES1 Elec. Snare 1 ES2 Elec. Snare 2 K01 Kick 1 Rock *3 K02 Kick 2 Hard *3 K03 Kick 3 Jazz *3 EK1 Elec. Kick 1 *3 EK2 Elec. Kick 2 *3
30 S9 Brush Snare 31 S9r Brush Snare Rim 32 S10 Cross Stick 1 33 S11 Cross Stick 2 34 S12 Club Snare 1 35 S13 Club Snare 2 36 S14 Club Snare 3 37 S15 Club Snare 4 38 S16 Club Snare 5 39 S17 Club Snare 6 40 S18 Club Snare 7 41 S19 Club Snare 8 42 S20 Club Snare 9 43 S21 808 Snare 44 S22 909 Snare 45 S23 909 Clap
9 Jazz 10 Disco Beat 11 Open Rock 12 Standard
L77 Samba Loop *2 L78 Shaker Loop *2 Indian Percussion i01 Sarna Bell i02-i06 Baya x5 i07-i14 Tabla x8 i15-i20 Pot Drum x6 i21-i24 Dholak x4 i25-i27 Madal x3 i28 Khole i29-i32 Dhol x4 i33 Tabla Baya Loop *2
African/Middle Eastern/
Australian/Other Percussion
[Africa] F01 Shekere F02-F06 Djembe x5 F07-F09 Talking Drum x3
x6
F10-F13 Afro Drum x4 F14 Metal Castanets [Middle East] F15 Bell Tree F16-F17 Sagat x2 F18-F20 Darbuka x3 F21-F22 Doira x2 F23-F27 Doholla x5 F28-F31 Rek x4 F32 Bendir F33 Dawul [Australia] F34 Clapstick F35 Boomerang [Other] F36 Bloom Bell [Africa] F37 Afro Loop *2
Japanese/Korean/Chinese/
Southeast Asian Percussion
[Japan] J01 Biwa J02 Atarigane J03 Hyoshigi J04 Ohkawa J05-J07 Tsuzumi x3 J08-J09 Shime Taiko x2
F59 Boomerang x1 F60 Bamboo x1 F61 BloomBell x1
INDIAN
I01 Sarna Bell x1 I02-I09 Tabla x8 I10-I14 Baya x5 I15-I19 Dholak x5 I20-I23 Madal x4 I24 Khole x1 I25-I28 Dhol x4 I29-I30 Sitar x2 I31-I32 Santoor x2 I33-I34 Tambura x2 I35 Bell Tree x1 I36-I38 Sagat x3 I39-I41 Darbukka x3 I42-I43 Doira x2 I44-I49 Doholla x6 I50-I53 Rek x4 I54 Bendir x1 I55 Dawul x1 I56-I57 HmrDlcmr x2
145-146 Sitar x2 147-154 Gyilli x8 155-162 Santoor x8 163 JewsHarp 164-165 Nagado Taiko x2 166-167 Hira Taiko x2 168 Tsuzumi 169 Ohkawa 170 Atarigane 171 Hyoshigi 172-173 Gengari x2 174-175 HuYinLuo x2 176 Nao Bo 177 Xiao Bo 178-179 FingerCymbal x2 180-181 Chenchen x2 182-183 BaliCymbal x2 184 Ban Gu 185-186 Buk x2 187 Jang Gu 188 Tang Gu
ORCHESTRA
189 ConcertBD 190 ConcertSnare 191 PairCymbals 192 Mallet Cym
HH1 Hi-Hat Close HH2 Hi-Hat Open HH3 Hi-Hat Close/Open EH1 Elec. Hi-Hat Close EH2 Elec. Hi-Hat Open EH3 Elec. Hi-Hat Close/Open rd1 Ride Cymbal Bow
TOM 46 t1.1 Power Tom 12" 47 t1.2 Power Tom 14" 48 t1.3 Power Tom 16" 49 t2.1 Rock Tom 12" 50 t2.2 Rock Tom 13" 51 t2.3 Rock Tom 16" 52 t3.1 Clear Tom 10" 53 t3.2 Clear Tom 12" 54 t3.3 Clear Tom 14" 55 t3.4 Clear Tom 16" 56 t4.1 Jazz Tom 12" 57 t4.2 Jazz Tom 13" 58 t4.3 Jazz Tom 16" 59 t5.1 808 Tom 1 60 t5.2 808 Tom 2
13 Acid House 14 TR-808 15 Dirty 16 Jungle
J10-J11 Matsur i Taiko x2 J12-J14 Taiko x3 J15 Matsuri J16 Yyoo Dude [Korea] J17-J18 Buk x2 J19 Jang-Gu J20-J22 Jing x3 J23-J25 Gengar i x3 [China] J26-J28 Ban Gu x3 J29-J30 Gu x2 J31-J32 Tang Gu x2 J33-J34 Hu Yin Luo x2 J35 Nao Bo J36 Xiao Bo J37-J38 Tam-Tam x2 J39-J42 Gong x4 [Southeast Asia] J43 Finger Cymbal J44 Rama Cymbal J45-J46 Chenchen x2 J47-J48 Bali Cymbal x2 J49 Thai Gong J50-J51 Jaws Har p x2 Orchestral Percussion o01 Sleigh Bell o02 Tree Chimes o03-o04 Triangle x2 o05-o06 Castanets x2 o07 Wood Block o08 Slapstick o09-o10 o11-o14 Timpani x4 o15 Church Bell o16-o18 Percussion Hit x3 o19-o24 Orchestra Hit x6
Melodic Percussion/Melodic Instruments
M01 Glockenspiel M02 Vibraphone M03 Xylophone M04-M05 Marimba x2 M06 Bass Marimba M07 Celesta M08-M09 Tubular Bells x2
ASIAN
A01 Biwa x1 A02 Atarigane x1 A03 Hyoshigi x1 A04 Ohkawa x1 A05-A06 Tsuzumi x2 A07-A08 Shime Taiko x2 A09-A10 MatsuriTaiko x2 A11-A12 Buk x2 A13 Jang-Gu x1 A14-A15 Jing x2 A16-A17 Gengari x2 A18-A20 Ban Gu x3 A21-A23 Gu x3 A24-A25 Tang Gu x2 A26-A27 Hu Yin Luo x2 A28 Nao Bo x1 A29 Xiao Bo x1
A30 A31 Large Gong x1 A32 Small Gong x1 A33 Bend Gong x1 A34 Yang Qin x1 A35-A36 Finger Cym x2
193 Large TamTam 194 Sleigh Bell 195 Tree Chimes 196 Pin Chimes 197 Bell Tree 198 Crotale 199-202 Wood Block x4 203-205 TempleBlk x3 206-208 Triangle x3 209-211 Tambourine x3 212 Castanets 213-214 Ratchet x2 215 ClapStick 216-218 Whistle x3 219-226 Timpani x8 227-234 Glocken x8 235-242 Xylophone x8 243-250 Vibraphone x8 251-258 Marimba x8 259-266 HandBell x8 267-274 TubularBel x8
DRUMS
275-278 AcuKick x4 279-282 ClubKick x4 283 808 Kick 284 909 Kick
rd2 Ride Cymbal Bow/Bell SPL Splash t01 Tom Hi t02 Tom Lo tb1 Timbale Hi tb2 Timbale Lo tb3 Timbale Paila
61 t5.3 808 Tom 3 62 t6.1 Electronic Tom 1 63 t6.2 Electronic Tom 2 64 t6.3 Electronic Tom 3 HI-HAT 65 H01 Lite HH 66 H02 Lite HH Edge 67 H03 Dark HH 68 H04 Dark HH Edge 69 H05 Club HH 70 H06 808 HH 71 H07 909 HH 72 H08 Triangle HH 73
H09 Shaker & Pedal Claves
74
H10 Tambourine & Pedal Cowbell
17 Funk 18 Latin House 19 Abstract 20 Club Mix
Concert Bass Drum
Large TamTam
x1
Sd1 Surdo Open Sd2 Surdo Mute Sd3 Surdo Mute/Open *2 CAI Caixa AG1 Agogo Hi AG2 Agogo Lo AG3 Agogo Lo/Hi
[Central America] M10-M11 Steel Drum x2 [India] M12-M13 Sitar x2 M14-M15 Santoor x2 M16-M17 Tambura x2 [Middle East] M18-M19 Hammer Dulcimer x2 [African] M20 Kalimba M21 Log Drum M22 Balaphone M23 Afro Zither [China] M24 Yang Qin [Southeast Asia] M25 Bonang M26 Gender M27 Saron M28 Angklung [Melodic Instruments] M29-M30 Gamelan x2 M31 Glass M32 Iron Hammer M33 Bamboo M34 Drip M35-M36 Synth Strings x2 M37-M43 Brass x7 M44-M52 Choir x9 M53-M59 Bass x7 Analog Percussion A01 DR-55 Claves
x2
A02 CR-78 Cowbell A03 CR-78 Metallic Beat A04 CR-78 Guiro A05 CR-78 Tambourine A06 CR-78 Maracas A07 CR-78 Bongo A08 CR-78 Claves A09 TR-707 Cowbell A10 TR-727 Agogo A11 TR-808 Conga A12 TR-808 Claves A13 TR-808 Maracas A14 TR-808 Cowbell
A37 Rama Cymbal x1 A38-A40 Chenchen x3 A41-A43 Bali Cym x3 A44 Thai Gong x1 A45-A47 JawsHarp x3 A48 Bonang x1 A49 Gender x1 A50 Saron x1 A51 Angklung x1 A52-A53 Gamelan x2
ORCH
O01 Sleigh Bell x1 O02 Tree Chimes x1 O03-O04 Triangle x2 O05 Castanets x1 O06-O07 Wood Block x2 O08 Slapstick x1 O09-O10 Concert BsDr x2 O11 Timpani x1 O12 Perc Hit x1 O13-O14 Orch Hit x2 O15 DrmMaj Whstl x1 O16 Glockenspiel x1 O17 Vibraphone x1
285-286 AcuSnare1 x2 287-288 AcuSnare2 x2 289-290 AcuSnare3 x2 291-292 AcuSnare4 x2 293 AcuSnare5 294 MarchSnare 295-296 BrushSnare x2 297-298 CrossStick x2 299-305 ClubSnare x7 306 808 Snare 307 909 Snare 308 Kick/Snare 309-311 AcuTom 1 x3 312-314 AcuTom 2 x3 315-316 BrushTom x2 317-319 ElecTom x3 320-322 SpokeTom x3 323-325 OctTom x3 326-328 808 Tom x3 329-333 AcuHH x5 334-338 AcuHH2 x5 339-342 ClubHH x4 343-346 ClubHH2 x4 347-350 808 HH x4 351-354 909 HH x4 355-356 CrashCym x2
RIDE 75
Rd1 Pop Ride (Bow/Bell sw) *2 76 Rd2 Pop Ride Bell 77 Rd3 Pop Ride Edge 78
Rd4 Jazz Ride (Bow/Bell sw) *2 79 Rd5 Jazz Ride Bell 80 Rd6 Jazz Ride Edge CRASH 81 Cr1 Dark Thin Crash 16" 82 Cr2 Medium Crash 16" 83 Cr3 Thin Crash 18" 84 Cr4 Medium Thin Crash 18" 85 Cr5 Paper Thin Crash 14" 86 Cr6 Splash 8" 87 Cr7 China 16" 88 Cr8 808 Cymbal
21 Jazz Fusion 22 Garage House 23 Light Tuning 24 Brushes
A15 TR-808 Hand Clap A16 TR-909 Hand Clap Dance Sounds d01-d02 Hand Clap x2 d03 Little Clap d04 Hip Clap d05 Afro Clap d06-d10 Scratch x5 d11-d12 Scratch Bass Drum x2 d13 Scratch Snare d14 Jungle Hat : d19-d21 High-Q x3 d22 Air Blip d23 Techno Snap d24 Organ Chord d25 Distortion Guitar d26 Auh Voice d27 Techno Chord d28 Techno Scene d29 Synth Hit : d36 Retro UFO d37 Metal Sweep d38 Bounce d39 Distortion Swish d40 PCM Press d41 Jungle Roll Kick d42 Jungle Roll Snare d43 Techno Loop *2 Artificial Sound Effects E01 Burt E02-E03 Boing x2 E04 Onkey E05 Tom Noise E06 Lazer E07 Feedback Wave E08 Atmosphere E09 Bend Synth E10 Toy Gun : E27-E30 Noise Accent x4 E31-E34 Random Noise x4 E35 Slide E36 Uut?
O18 Xylophone x1 O19-O20 Marimba x2 O21 Bass Marimba x1 O22 Celesta x1 O23 Tubular Bell x1 O24 Glass x1 O25 Iron Hammer x1
DRUMS
R01-R12 Kick x12 R22-R34 Snare x22 R35-R36 CrossStk x2 R37-R42 Stick x6 R43-R56 Tom x14 R57-R78 Hi-Hat x22 R79-R96 Cymbal x18 R97 Wheel Pedal x1 R98-r01 KickCymbal x3 r02 Voice Kick x1 r03 Voice Snare x1 r04 Voice HiHat x1
DANCE
D01-D05 Hand Clap x5 D06-D12 Scratch x7 D15-D18 Trash x4
357-358 SplashCym x2 359 ChinaCym 360 AccentCym 361 Cup Chime 362 808 Cym 363-365 RideCym x3 366 Brush Ride 367 Ride/Crash
OTHERS
368 HandClap 369 ClubClap 370 FlamencoClap 371 808 Claps 372 909 Claps 373 FingerSnap 374 78 Claves 375 78 Cowbell 376 78 Maracas 377 78 MetalBeat 378 78 Tamb 379 Scratch 380 Scratch LE 381 Scratch PP 382 Super Low 383 SweepDown 384 Hammer
tr1 Triangle Open tr2 Triangle Mute tr3 Triangle Mute/Open Cb1 Cowbell Open Cb2 Cowbell Mute Cb3 Cowbell Mute/Open tbr Tambourine
PERCUSSION 89 P01 Claves 90 P02 Shaker 91 P03 Tambourine 92 P04 Cowbell 1 93 P05 Cowbell 2 94 P06 Wood Block Hi 95 P07 Wood Block Lo 96 P08 Triangle Open 97 P09 Triangle Close 98 P10 Sleigh Bell 99 P11 Tree Chimes 100 P12 Timbale Hi 101 P13 Timbale Rim 102 P14 Timbale Lo 103 P15 Conga Hi
25 R&B 26 Techno Cumbia 27 Classic R&B 28 Pop-Rock
Sha Shaker bL1 Wood Block Hi bL2 Wood Block Lo bL3 Wood Block Lo/Hi CLA Claves CrS Snare Cross Stick *1 S6r Snare 6 Marching Rim *1
104 P16 Conga Closed Slap 105 P17 Conga Lo 106 P18 Bongo Hi 107 P19 Bongo Closed Slap 108 P20 Bongo Lo 109
SP1 Wood Block Lo/Hi sw *3
110
SP2 Timbale Hi/Rim sw *3 111 SP3 Conga Hi/Slap sw *3 112 SP4 Bongo Hi/Slap sw *3 113 SP5 Shaker/Claves sw *3
OFF
114 oFF Off
29 Timbales Kit 30 Conga Kit 31 Percussion Set 1 32 Percussion Set 2
E37 Drop E38 Emergency E39-E40 Woody x2 E41 Monster Drum E42 Can Drum E43-E46 Wah Guitar x4 Natural Sounds, Human Voice n01-n02 Telephone x2 n03 Doorbell n04 Dog Bark n05 Bird n06 Car Door n07 Car Stop n08 Horn n09 Punch : n13 Machine Gun n14 Pistol n15 Siren : n23 Oww! n24 Woa! n25 Ooh! n26 Chiki! n27 Hey! n28 Ou! n29 Ou! Up n30 Scream n31 Voice Loop *2 Ambience, Reversed Sounds r01 Kick Ambience : r20 Reverse Tom
*1: You can continuously change the tone and length of the sound from closed to opened by using the hi-hat control pedal. *2: These are short phrases typical of that music genre. By using the pedal switch, you can hold the phrase loop.
D19-D21 High-Q x3 D29-D36 Hit x8 etc x18
SFX
S23-S26 Shot x4 S27-S36 Noise x10 etc x50
OTHERS
T01-T05 Piano x5 T06-T07 Organ x2 T08-T28 Guitar x21 T29-T41 Bass x13 T42-T44 Str ings x3 T45-T50 Brass x6 T51 Tenor sax x1 T52 Flute x1 T53-T58 Wave x6 T59-T68 Synth x10
385 AirDraft 386 AirRelease 387 CarHorn 388 FightGong 389 Bottle Blow 390 Bubble 391 Junk Beat 392 Glass Beat 393 Noise Beat 394 Toy Sound Hi 395 Toy Sound Lo 396 Clock Tick 397 Squelch 398 Glass Crash 399 Trash Can 400 VerbyStick 401 Thunder 402 SpaceGun 403 TechnoChirp 404 Zweeper 405 Ricochet 406 Transponder 407 WarpDrive 408 MicroScratch 409 MarsCode 410 Off
Sh1 Snare 1 head sound only *1 Sh2 Snare 2 head sound only *1 Sh3 Snare 3 head sound only *1 Sh4 Snare 4 head sound only *1 Sh5 Snare 5 head sound only *1
4 0
4 1
The All-In-One Kit For Every Home
Great sound with complete volume control
The V-Drums Lite HD-1 has 10 carefully selected drum kits built in that inherit the powerful and expressive sound of flagship V-Drums kits. Thanks to the mesh-head snare, cushion tom head, and beaterless kick, the HD-1 enables noise-free playing with complete volume control.
Drum Kits
No.
Normal Kit
01
Acoustic
02
Power
03
Drum & Percussion
04
Electronic
05
Voices
Variation Kit
Jazz
Double Bass
World
Dance
Droid
Simple control, convenient functions
The HD-1’s ease of use is exemplified by its friendly layout of knobs and buttons. No guessing, no hunting through menus — everything is clearly labeled and easy to access, including handy features such as the built-in metronome and MIX-IN jack, which lets you incorporate digital-audio players into your practice and performances.
From setup to performance, the included DVD shows you how
To enhance the experience of setting up and playing the drums, Roland provides a DVD manual with each HD-1. The content covers everything from kit assembly and operational controls to drumming rudiments and playing techniques. This easy-to-understand guide is sure to help even absolute beginners get a fast start.
Space-Saving Design
Dimensions
*Mat and throne sold separately.
A distinguishing feature of the HD-1 is its small footprint. For a drum kit, it requires far less space than you would imagine. Including the throne, it only occupies 90cm x 120cm (35-7/16” x 47-1/4”) of floor space. It fits perfectly in a corner of any room.
Learn more about V-Drums Lite on Roland.com!
On Roland’s official website you’ll find a wealth of information on the HD-1, including movies, practice pieces, a Room Layout simulator, and other useful items that you can download free of charge.
*V-Drums Lite HD-1 is available only as a complete kit. The sound source, pads, stands, etc., are not sold individually. *Monitor speakers, mats, and sticks sold separately.
The HD-1 is forged from the same technology as its V-Drums predecessors,
but it's smaller, more affordable, and much simpler to use. It’s also incredibly quiet,
thanks to the newly designed kick beater, cushioned tom pads, and snare head.
Most of the HD-1’s components are mounted on one stand for easy setup and
transport, and for a clean look. Just take it out of the box and play.
SPECIFICATIONS
• Kit Configuration Kick Pedal, Snare, Hi-Hat, Hi-Hat Pedal, Tom x 3, Crash, Ride • Drum Kits 10 • Preview Patterns 10
• Controls Drum Kits buttons x 5,Variation button, Metronome button, Volume knob, Tempo knob • Metronome Tempo (40 to
220), Sounds (3 types), Volume (3 levels) • Connectors Output jack (Stereo miniature phone type)*1, Headphone jack (Stereo miniature phone type), Mix In jack (Stereo miniature phone type), MIDI Out connector (5-pin DIN type), Trigger Cable connector (25-pin D-sub type) • Output Impedance 100
850 (W) x 560 (D) x 1170 (H) mm/ 33-1/2 (W)x 22-1/16 (D) x 46-1/16 (H) inches • Weight 15 kg / 33 lbs 2 oz (Excluding AC
Adaptor) • Accessories Owner’s Manual, Set-up Guide, Manual DVD, AC Adaptor (PSB-1U), Trigger Cable (Pre-wired in the DrumStand), Drum Key, Screwdriver, Roland Sticker *1 Output Jack can be connected with headphones.
• Power Supply AC Adaptor (DC 9 V) • Current Draw 300 mA • Dimensions
OPTIONS
Monitoring the HD-1 through headphones is ideal for private practice, but when you want your drumming to be heard in the room, the PM-01 personal monitor is the ideal solution. It’s small, great-sounding, affordable, and a perfect cosmetic match for the HD-1.
4 2
4 3
This handy drum accessory package is ideal for entry-level V-Drums owners, allowing them to start playing their V-Drums right out of the box.
This drum mat is specially designed for the HD-1 V-Drums Lite. It helps reduce vibration and protect against floor damage.
Visit us online at www.v-drums.com www.Roland.com
All specifications and appearances are subject to change without notice.
All trademarks used in this catalog are the property of their respective companies.
Printed in Japan May. '08 RAM-4324 CEG-2 GR-UPR-P
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