Digital Consoles Multi-Channel Recording
Live Mi xing C onsole
48 Mixing Ch/18 Bus/8 Matrix, awa rd-winn ing digi tal mix ing
console.
M-400
Mixing Console
Rack-mou ntable c onsole with the same engine as
the M-40 0.
M-380
V-STUDIO 700
Ultima te record ing solu tion for u se with REAC
systems.
Powerful and Compact Digital Mixing System
Roland Systems Group, a member of the worldwide group of Roland companies, is dedicated to the support of audio and video
professionals demanding excellence in both performance and system design. Through the development and support of video and audio
products, we endeavor to improve workflow and maximize creative possibilities.
V-LINK is a technology designed for realtime audio and video integration. Using V-LINK, musicians can “play” video from their electronic
instrument. Roland provides an integrated Audio and Visual solution.
www.rolandsystemsgroup.net
All spec ifications and a ppearances ar e subjec t to change wi thout notice.
All trade marks and logos a re the prope rty of their resp ective compani es.
Fugue ©1999-2010 Kyoto Software Research, Inc. All rights reserved.
Copyri ght 2010 Roland Co rporation. All ri ght reserved.
Printed in Japan. JUN. 2010 RAM-20008 M-PD
Powerful, Compact Mixing
An innovative console that fits anywhere.
Easy to operate. Incredible sound.
Roland introduced the modern V-Mixing System to the world in 2007. The V-Mixing System incorporates several
models of V-Mixer Live Mixing Consoles, Digital Snakes for advanced digital audio transmission, the M-48
Personal Mixing System and the SONAR REAC Recording System for multi-channel recording. The V-Mixing
System has been embraced the world over because of its high-quality sound, powerful features, extensibility and
ease of operation. V-Mixing Systems are currently in use in live venues, touring and production, television and
radio broadcasting/recording, as well as concert halls, educational institutions and houses of worship.
The M-300 V-Mixer expands the number of V-Mixing System applications with a compact, highly portable chassis
useable in any type of situation. The M-300 builds on the core V-Mixer feature set to represent the highest levels of
performance at a breakthrough price.
Introducing the M-300 V-Mixer.
32 mixing channels, L/C/R outputs, 8 AUX buses, 4 Matrices
4-band PEQ and dynamics on all channels
11 different built-in multi-effects/ PEQ and delay on all outputs
24bit AD/DA for high-quality sound
Remotely controllable from a PC
Record to /playback from USB flash memory
Perfectly integrates with the Digital Snake for simple and high-quality audio transmission, distribution, splits and merging
Construct a flexible and powerful system by adding the Personal Mixing System, multi-channel recording and
other REAC components.
Live Events Mobile
Live Events Mobile
Broadcast Installation
Broadcast Installation
32
The V-Mixing System Advantage
IN
Active in a wide range of venues
There are reasons why sound professionals and venues
around the globe have chosen the V-Mixing System.
Advantage #1
Advantage #2
Superior Sound Quality
To achieve superior sound quality, the I/O unit(s) (Digital Snake) and the mixer (V-Mixer) are separate. Before A/D
conversion, the input enters the discreetly designed, high-quality preamp, which is then digitally transmitted to the
mixer over REAC protocol. By having the mic preamps closer to their source and by avoiding the transmission
losses of long runs of analog cables, audio has a chance to sound its best throughout the whole system. The
system provides superior clear sound, great intelligibility and with the wide range of Digital Snakes and REAC
Merge Technology there is incredible flexibility for placement of audio inputs and outputs on-stage, off-stage, at
FOH or in amplifier rooms.
Intuitive User Interface
Knobs and buttons for Preamp, EQ, and PAN are located on the front panel of the V-Mixer for intuitive, analog-like
operation. Dedicated buttons for direct access to the patchbay and ef fects are also located on the front panel.
With the on-board HELP system it's easy to learn and operate the V-Mixer.
Pope Benedict XVI in Fátima, Portugal
Pope Benedict X VI made a pilgrimage to this sanctuary in Fátima. Several ceremonies were held, which were
followed by more than 450,000 at tendees as well as millions of people around the world through television, radio
and internet. All these events were mixed and split via 5 M-400 V-Mixers, and audio signals were distributed using
Digital Snake systems via cable CAT5e to different split points such as television, radio and internet. Choosing this
system was based on a previously successful experience during a 2007 visit of Pope Benedict XVI to Valencia
(Spain) where a large number of Digital Snakes were installed. Fátima Sanctuary has two V-Mixing Systems: one in
the control room of the s anctuary as a central point for audio monitoring and a second unit in the new Church of the
Holy Trinity with a capacity of 9000.
Covenant Family Worship Center, USA
At Covenant Family Worship Center (a multi-cultural, non-denominational church in Fredericksburg, Virginia),
technology and media de partment head Stephen W. Stafford uses the V-Mixing System including the Live
Personal Mixing system for regular Sunday services and other events. He finds that the V-Mixing System has
“allowed us to utilize volunteers with lit tle or no previous audio engineering expe rience to effectively control the
audio system”. He reflects that the benefits of the personal monitoring system are twofold. “First, it relieves the
audio volunteers from the additional responsibility and concern for the monitor mix. Second, it allows e ach
musician to tailor their stage mix as needed on an individual basis.” Stafford acknowledges he enjoys the “store
and recall of settings, and signal integrity over Cat5. In total, I’ve experienced state-of-the-art audio production
on an unrivaled affordabilit y scale.”
Advantage #3
Advantage #4
The Musician's Choice for Personal Mixing
Stage monitoring is crucial in getting the best performance from any artist. The V-Mixing System seamlessly
integrates with the M-48 Live Personal Mixer allowing full control of set-up and mixing of any musician’s M-48
directly from the V-Mixer interface. Musician’s around the world have chosen the M-48 as their personal mixing
system of choice because of the unprecedented level of control and amazing sound quality.
Live Recording of Up to 40 Channels
The demand for live recording has increased as live sound mixing has become digital. Connecting a PC for
recording to the V-Mixing System is a simple Cat5e connection. Live recording of up to 40 channels is easily
captured with SONAR DAW software from Cakewalk. Additionally, you can record a master mix directly from the
V-Mixer to a USB flash drive.
Simple and Flexible High-Quality Sound - REAC: Next Generation Audio Transmission Technology
The foundation of the V-Mixi ng Syste m is “REAC” (Roland Ethern et Audio C ommun icatio n), the digit al audio transmission te chnol ogy deve loped by Roland. A s a result of this technolog y, a
flexible V-Mixing Syste m can be co nstructed to match a ny venue using the D igital Snake and other RE AC compo nents. R EAC is an Eth ernet b ased tec hnology, allowing device s to be
conne cted eas ily with a standa rd CAT5e LAN ca ble. RE AC can tra nsmit up to 40x40 channels of u ncompressed
24bit digital audi o data, vol ume leve l inform ation, an d variou s contro l data usi ng a singl e cable.
By placing the preamps as close to the source as possible, sound qualit y deterioration during
transmission is minimized to the lowest possible level.
In the pas t, multiple analo g cable s were used to transmit data at low gain levels, which caus ed problems suc h as
unwanted noise, so und quality deterioration, and crosst alk bet ween channels. With RE AC, those problems have
been el iminate d since th e pre-am p gain is set before th e data is transmit ted digi tally. RE AC technology not only
provides superb sound q ualit y, but also enables easy setu p and installati on.
Trent FM Arena Nottingham, UK
The arena, which is based inside the National Ice Centre, holds many concerts/events for major acts with a
capacity of 10,000. Adam Timson facilities manager says “The brief we were work ing to was the seamless
replacement of our large 32 channel analog mixing desk ensuring there would be no loss of quality, features or
usability. We looked at quite a few different options but after consultation with Simon Taylor of One Big Star and
Andy Hague, our tame sound e ngineer, we decided the M-380 V-Mixer with D igital Snake best suited our needs
and budget. It has a 19" footprint which allows us to move it easily and the Digital Snake means we can plug it in
using just a single mains lead and single Cat5 cable. Since the M-380 was installed we have been happy with its
performance and find the menus easy to navigate. We are able to save specific set ups and still adjust on the f ly
when we need to. The desk is as flexible as we are.”
From Analog Console to V-Mixing System
Much more than just a console replacement.
Unlike oth er digital cons oles, the V-Mixing System is not just a sim ple digital version of an analog
console. The V-Mi xing Sy stem off ers a total s olutio n for audi o input a nd outpu t transmissio n/splitting,
perso nal mixing and multi-channel re cordin g in a totally integrate d system. As the center piece of the
system, the V-Mixer includes a built-in re cordin g/playback fun ction an d effects, digital scene recal l and
user customizations an d level ma nagement. To replica te all the fu nctions of the M-3 00 with a n analo g
console system, a va st array of equipm ent woul d be requi red. A 32ch analog console, 32 se parate
compre ssors, 32 separate gates, 4 se parate ste reo multi-effect uni ts, 15 separate 8 -band pa rametr ic
EQs and delays, an d a digita l record er. All that is built into th e M-300 w ith the ad ded ability for e very
setup to be e asily s aved and re calle d. More than a conso le - it's a com plete system.
Large Analog SR Console + Outboard Effects Racks
54
Compact, Uncompromising Sound and Features
Compact Size: 749 (W ) × 626 (D) × 229 ( H) mm Light Weight: 9. 8kg
Impressive mixing capacity in a small package
The M-300 V-Mixer is the ultimate solu-
tion for a variety of venues and applica-
tions. It provides a substantial mixing
capacity of 32 mixing channels, 8 aux
buses, 4 matrices, which represent the
highest level in its class. The M-300
V-Mixer seamlessly integrates with
other REAC devices. The user can
directly operate the Digital Snake
preamp, control an M-48 Personal Mixer, and set up the I/O for the S-4000M
REAC Merge Unit. All of these features are contained in a very compact size
of 749mm width x 626mm depth x 229mm height, and at a weight of 9.8kg
(21 lbs 10 oz). The M-300 is the perfect choice for any venue with a limited
set-up area, as well as for mobile sound reinforcement. Optional rack rails
are also available.
Built-in 2 REAC ports allows flexible system configuration
40ch
A
40ch
32 Mixing Ch
40ch
B
40ch
L/C/R Outputs
8 AUX
4 Matr ix
4xXLR
4xTRS
4xRCA
4xXLR
4xTRS
2xDigital
Phones
Powerful Built-in Channel Effects
Equalization of channels and dynamics are the foundation of any great mix.
The enhanced sound shaping abilities of the M-300 input channels include
4-band fully parametric EQ as well as gate and compression. A Key-In filter
can be used for the Gate/Compressor to enable more expressive mixing.
The 4 multi-effects processors can be set to use any of 11 different effects
types. In addition to Reverb and Delay, modulation ef fects such as Chorus
and Phaser are also available. The M-300’s busses are also equipped with
8 bands of fully Parametric EQ and Signal Delay on each Aux, Matrix and
Main output. The M-300 is fully equipped with all of the sound adjustment
tools built-in and ready to go.
Cutting Edge Features The M-300 interfaces with a variety of devices
Control remotely from a PC
The M-3 00 can b e controlled rem otely in re al-time from a PC ( Window s) conne cted via
the USB po rt. Mix ing functions on the M-30 0 can be operated d irectl y from a PC by
using th e M-300 RCS ded icated c ontrol software which h as the same GUI as th e M-300
color di splay. (The M-300RCS can be downlo aded fro m the Rola nd Systems Group
website.) Th e M-300 RCS can a lso be ope rated
in offline mod e, allowi ng data for variou s
settin gs to be crea ted in adva nce and saved to
a USB memory dr ive. When you get to the
venue, lo ad the set tings an d jump right into
sound check and rehearsal.
Control remotely using a wireless LAN
By enab ling Remote Desk top Con nectio n on a loca l PC
directly conne cted to the M-300 via the USB, the
M-300 c an be con trolled remotely from anot her PC
using a wi reles s LAN. A ta blet PC can be used to
control the M-30 0 from a remote location. For example,
you can be s eated in th e audie nce to adju st the hou se
mix dur ing the re hears al, or sta nd onst age to adju st the
monitor m ix whil e consul ting the stage per former. The
M-300 e nable s new mixi ng possibilities that you could
never achieve with an anal og console.
Advanced Control Surface Design
The M-380 and M-400 V-Mixers are highly regarded for their ease of use
and the M-300 continues this tradition starting with 17 x 100mm motorized
faders. Central to the M-300’s operation is a high-resolution 800x480 pixel
color display. Channel Parameters such as Gain, Pan, EQ and Dynamics
can be comfortably operated from the Channel Edit section located on the
left side of the display. All parameters can be instantly saved and recalled
from Scene Memory. The layers of faders can be easily switched with the
LAYER button. Faders can be accessed and arranged freely, and saved as
a User Layer.
Multi-channel recording to a DAW
Fort y chann els of 24-bit a udio ca n be recorded dire ctly to a PC ( Windows) by
conne cting a RE AC port to the gigabit Ethernet por t on the PC v ia a single Cat5e
cable. Audio is recorded a s indivi dual WAV file s using Ca kewalk SONAR and can be
mixed af ter recording using the
power ful digital audio tools an d
effects in SONAR.
* To use this featu re, the CW-RDK REAC dri ver
kit is req uired in addition to SO NAR.
USB memory recorder/player
Record the output of the M-300 Main, assigned
AUX bus or MATRIX bus directly to a USB
memor y drive connected to the built-in USB port.
A mix produced with the M-300 can be saved as
an uncompressed WAV file, without the need for
an external recorder. WAV files on the USB
memor y drive can also be played back on the
M-300 and used for background music/tracks.
User settings and mixer data can also be saved
to a USB memory drive.
V-LINK - Audio and V isual Solution
By connecting th e MIDI inp ut/outp ut to the vid eo switch er such as the V-1600HD,
V-LINK automatically syn chroni zes the au dio of the M-300 wi th the visual imag es
allowi ng “audio f ollows video”.
76
The variety of REAC products
Expandability and flexibility
open a world of possibilities.
STAGE UNIT
S-1608
16in/8ou t I/O unit High quali ty preamp inpu ts
Optica l digital outpu t Rackmountable
FOH UNIT
S-0816
8in/16out I /O unit Hig h quality prea mp inputs
Optica l digital outpu t Rackmountable
8x8 I/O UNIT
S-0808
8in/8o ut comp act digi tal sna ke
High quality p reamp inputs Also eq uipped with two T RS and
two Hi-Z inp uts Supports REAC
embed ded powe r and exte rnal
batter y oper ation
S-1608
40CH I/O MODUL AR RACK
S-4000S-3208
32in/8ou t flags hip I/O unit. High qualit y pream p inputs
I/O configurati on can be c ustomized with di fferent I/O (analog
or digital) cards Redunda nt REAC po rts
40CH I/O MODUL AR RACK
S-4000S-0832
8in/32ou t flags hip I/O uni t. High q ualit y preamp inputs
I/O configurati on can be c ustomized with di fferent I/O (analog
or digital) cards Redunda nt REAC po rts
4-channel Analog
Input Module
4-channel Analog
Output Module
4-channel Digital
Input Module
4-channel Digital
Output Module
SI-AD4
SO-DA4
SI-AES4
SO-AES4
SI-AD4 SO-DA4 SI-AES4 SO-AES4
REAC MERGE UNIT
S-4000M
Merge up to four RE AC devices Power REAC devices
supporting “ REAC Emb edded Power” (S- 0808, M -48)
REAC OPTICAL CONVERTER
S-OPT
Conver ts multi-chan nel RE AC signa l to a digita l optica l signal
REAC MADI BRIDGE
S-MADI
Bi-dir ection al conve rsion b etwee n REAC and MADI
REAC SPLITTER & POWER DISTRIBUTOR
NEW
S-4000D
Equipp ed with 10 RE AC ports includ ing 8 por ts of REAC
Embedded Power.
S-4000M
S-OPT
bring many advantages
Live Personal Mixer
M-48
Musician controls up to 40 channels
via 16 stereo g roups. Built-in ambient
mic, reverb, EQ, line in, line out, etc. –
many functions for the bes t possible
stage mo nitoring solut ion.
REAC CAB LE
W100S-R
100 meter Cat5e cable on r eel for RE AC
signal transmission Crossover Ethernet
cable w ith Neutrik
both ends
®
Ethercon connectors on
Basic System
Stage
Broadcasting System
S-MADI
NEW
S-0 816S-0808
Basic sy stem supports various applic ations. 2x S-1608s are use d for I/O unit.
32 inputs can be selected fo r mixin g from all i nputs, a nd 26 chan nels ca n be outpu t.
Front of House
16ch XLR
16ch XLR
8ch XLR
S-1608
8ch XLR
S-1608
* 32 input cha nnels must be se lected from 44 phys ical inputs vi a the M-300 patchba y. * 32 input cha nnels must be se lected from 44 phys ical inputs vi a the M-300 patchba y.
This sys tem enab les both l ive stage production and b roadca sting. RE AC signal comes from the stage to the M-300
and is the n split to a nother t wo locat ions. Mu lti-ch annel recording is also p ossible by conn ecting a P C.
12Ch Inputs
10Ch Outpu ts
M-300
S-4000DS-4000S-3208
Expanded System
This exp anded system has m any adva ntages . 4x S-080 8 are connected via the S-4000M M erge Unit allowing ver y flexible and di stribu table s etup.
M-48 W100S -R
Each of the musici an's M-48 Per sonal Mixers ca n also be m anage d from the M -300.
Stage Front of House
POWER
S-4000D
S-4000M
POWER
With RS-232 c ontrol, the M-300 can be operated us ing a touch panel controll er.
8ch XLR
8ch XLR
Audio Installation
8ch XLR
8ch XLR
8ch XLR
8ch XLR
M-48
S-0808
8ch XLR
8ch XLR
This exa mple sh ows a high input cou nt share d betwe en the sta ge and front of hous e.
12Ch Inputs
8Ch Outpu ts
M-300
Stage Broadcast Room
32ch XLR
S-4000S-3208
12Ch Inputs
10Ch Outputs
S-4000D
S- 0 816
M-300
Broadcasting
* 32 input cha nnels must be se lected from 44 phys ical inputs vi a the M-300 patchba y. * 32 input chan nels must be sele cted from 60 physi cal inputs via th e M-300 patchbay.
40Ch/24-bit Multi-Channel Recording
Drive r Kit
8ch XLR
Touch Pane l Controlle r
32ch XLR
S-4000S-3208
12Ch Inputs
RS-232C
Audio Pl ayer
Wirel ess Mic Recei ver
M-300
16ch XLR
S-1608
98
V-Mixer M-300 SPECIFICATIONS
PROCESSING
Numbe r of Chan nels
AD/DA Conversion
Netwo rk Late ncy
32 mixin g chann els/11 buses/4 MATRIX b uses/ Up to 92 inpu ts and
90 outp uts when using RE AC Devices
24-bit/48.0 kH z or 44.1 kHz
2.8 mS (typ.) *1
* Total System Late ncy of audio signal f rom S-1608 inputs to outputs v ia M-300's REAC por ts (A or B).
* Sample Rate: 4 8.0 kHz * Effects : No ins ert effects
CONNECTORS
CONSO LE INPUT
jacks (1 to 4 )
CONSO LE INPUT
jacks (5 t o 8)
CONSO LE INPUT
jacks (9 t o 12)
CONSOLE OUTPUT
jacks (1 to 4 )
CONSOLE OUTPUT
jacks (5 t o 8)
PHONES j ack
DIGITAL OU T jack
REAC po rt
USB por t
Remote Connectors
Other Connectors
XLR-3- 31 type (balanced, phanto m power)
1/4 inch Phone type (balanced)
RCA Pin ty pe
XLR-3- 32 type ( balan ced)
1/4 inch Phone type (balanced)
Stereo 1/4 inch ph one ty pe
Optica l type
RJ-45 Eth erCon type x 2
Type A x 1, Type B x 1
RS-232C con nector: 9 -pin D- sub type
MIDI connector s (OUT/TH RU, IN): 5-pi n DIN typ e
Grounding terminal
AC INPUT connector
INPUT/OUTPUT CHARACTERUSTUCS
Freque ncy
Response
Total Harmonic
Disto rtio n + Noise
Dynamic Ran ge
Cross talk@ 1 kHz
CONSOL E OUTPU T jacks (1 to 8):
-2 dB / +0 dB (20k o hms load, + 4 dBu)
PHONES ja ck: -3 dB / +0 d B (40 ohms lo ad, 150 mW)
CONSOL E OUTPU T jacks (1 to 8): 0.05 % (t yp., +4 dBu)
PHONES ja ck: 0.05 % (t yp., 40 ohms lo ad, 150 mW)
CONSOL E OUTPU T jacks (1 to 8): 105 dB (t yp.)
CONSOL E INPUT jacks (1 to 4):
-80dB ( Pad: ON, Inp ut sens: +4 dBu, typ.)
CONSOL E INPUT jacks (5 to 12): -80dB (I nput se ns: +4 dBu, t yp.)
CONSOL E OUTPU T jacks (1 to 8): -100 dB (typ.)
* Sampling f requency is 48 kHz o r 44.1 kHz.
Nomin al Inpu t Level
(Variable)
Input Impedance
Non Cli p Maxi mum
Input level
Nomin al Outp ut
Level
Output Impedance
Recommended
Load Impedance
Non Cli p Maxi mum
Output level
Resid ual Noi se
Level (I HF-A, typ.)
Equivalent Input
Noise L evel (E.I.N.)
OTHERS
Display
Power Supply
Power Consumption
Dimensions
Weight
* XLR type: 1 GN D, 2 HOT, 3: COLD
* phantom powe r: DC+48V(unloaded m aximum), 14mA(maxim um load) (All XLR t ype inputs)
* When a REAC Sp litter S-4000D o r a switching hub is used i n-line with REAC cab les, the network laten cy will increase by the a mount of
process ing delay introduc ed by the splitting d evice itself. The ac tual delay is depe ndant upon the spe cifications of th e splitting devic e, though
the maxim um delay amount for a s ingle splittin g device should be a bout 200micros econds.
V-Mixer M-300 Dimensions OPTION
Unit: mm
CONSOL E INPUT jacks (1 to 4):
-65 to -10 dBu (Pad: OFF ) or -45 to +10 dBu(Pad: ON)
CONSOL E INPUT jacks (5 to 12): -28 to +4 dBu
CONSOL E INPUT jacks (1 to 4): 14 k ohms
CONSOL E INPUT jacks (5 to 12): 10 k ohms
CONSOL E INPUT jacks (1 to 4):
+8 dBu (Pad: O FF) or +28 dBu (Pad: ON)
CONSOL E INPUT jacks (5 to 12): +22 dBu
CONSOL E OUTPU T jacks (1 to 8):
+4 dBu (Lo ad impedance: 10 k ohms)
CONSOL E OUTPU T jacks (1 to 8): 60 0 ohms
PHONES ja ck: 100 ohm s
CONSOL E OUTPU T jacks (1 to 8): 10 k ohms or greater
PHONES ja ck: 8 ohms or greate r
CONSOL E OUTPU T jacks (1 to 8):
+22 dBu (1 kHz, 10 k ohms l oad)
PHONES ja ck: 150 mW + 150 mW (Typ., 1 kHz, 40 ohms load)
-88 dBu ( All fade rs: Min)
-126 dBu (Ma in Fader: Unity, Cha nnel fa ders: Unity onl y one
chann el, Pream p gain: Ma x)
800 x 480 d ots Wide VG A TFT color scr een with backli ght
AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)
50 W
470.0 (W) x 482.7 (D) x 194.9 (H) mm
18-1/2(W) x 19(D) x 7-1/4(H) inc hes
9.8 kg
21 lbs 10 oz
(0dBu=0.775Vrms)
SOLOAUX
MTX
MAIN
8 OUTPUTS
S-1608
OUTPUT
PATCHBAY
1 23 4
1 23 4 5 67 8
C
LR LR
D/A
OUTPUT 1–8
REAC A INPUT
REAC B INPUT
TO OUTPUT PATCHBAY
REAC A
1
16 OUTPUTS
D/A
OUTPUT 1–16
S-0816
1
OUT
1
40
40
POST ATT PRE EQ PRE FADER POST FADER POST LIMITER POST DELAY
MAIN L, R, C
S-4000S
40
TO MONITOR SEL
GR
FX
EXT FX
PRE FADER POST FADER
POST HPFPOST ATT POST GATE POST COMP PRE EQ
MAX 40 OUTPUTS
D/A
SO-DA4
MAIN OUT L
TO REC SEL
TO MONO MIX
LIMITER DELAY
MUTE
BAL
FADER
PEQ
8-BAND
INSERT
INSERT
ATT
LCR
C ON
LR ON
PAN
MUTE FADER
PEQ
4-BAND
FX
INSERT
EXT FX
INSERT
GRGR
GATE/
SRC
AES/EBU
SO-AES4
MAIN OUT C
MAIN OUT R
TO MTX 1, 3
MTX
LINK
PAN
ONSEND
PRE EQ
PRE FADER
MTX SEND 1–4
POST FADER
MAIN ONCENTER
EXP
KEY-IN
8 OUTPUTS
D/A
OUTPUT 1–8
S-0808
MIX
MONO
MONO OUT
L
R
C
TO SOLO
TO MTX 2, 4
ONSEND
SOLO
AFL ON
PFL
AFL
LINK
ON
SEND AUX/MTX
PRE EQ
AUX SEND 1–8, MTX SEND 1–4
PAN
(LCR)
TO SOLO
SOLO
KEY-IN
KEY-IN
SOLO
KEY-IN
KEY-IN
FILTER
- SELF POST
GATE
- CH 1-32
DIRECT OUT
MAX 40 OUTPUTS
To Monitor/Broadcast
Console
(M-300, M-380 or M-400)
S-4000M
AUX 1–8
TO
1, 3...7TO2, 4...8
PAN
ONSEND
PRE EQ
PRE FADER
POST FADER
MUTE
TO SOLO
KEY-IN
FILTER
- REAC A
IN1–40
- REAC B
IN1–40
- CONSOLE
IN1–12
POST DELAY
POST LIMITER
POST FADER
PRE FADER
POST ATT PRE EQ
PRE FADER
POST FADER
GR
TO MONITOR SEL
TO REC SEL
MUTE
BAL
FADER
FX
INSERT
EXT FX
INSERT
8 OUTPUTS
OUTPUT 1–8
S-1608
AUX 1–8 OUT
DELAY
TO FX SOURCE SEL
LIMITER
PEQ
8-BAND
ATT
TO OUTPUT PATCHBAY
POINT
DIRECT OUT
PRE EQ
PRE FADER
PRE PHASE
POST FADER
MUTE
16 OUTPUTS
D/A
S-0816
OUT
REAC B
TO MTX 1, 3
MTX
LINK
PAN
ONSEND
PRE EQ
PRE FADER
MTX SEND 1–4
POST FADER
SOLO
AFL ON
AFL(L)
PFL(L)
OUTPUT 1–16
ONSEND
PFL(R)
1
AFL(R)
D/A
TO MTX 2, 4
40
MAIN SEND
KEY-IN SOLO
MAX 40 OUTPUTS
D/A
SO-DA4
S-4000S
TO MAIN L
LCR
C ON
LR ON
PAN
TALKBACK / OSC OUT
TALKBACK / OSC
OSC ON
MIC
SELECT
AES/EBU
SO-AES4
TO MAIN C
MAIN ON
OSC ON
ON
TALKBACK
LEVEL
CONSOLE INPUT 1
CONSOLE INPUT 2
SRC
TO MAIN R
PAN
CONSOLE INPUT 3
CONSOLE INPUT 4
CENTER
(LCR)
8 OUTPUTS
S-0808
TO OUTPUT PATCHBAY
LEVELFREQ
OSC
40 INPUTS
MAX 40 OUTPUTS
D/A
OUTPUT 1–8
TO SOLO
SOLO
AFL ON
PFL
AFL
S-4000M
To M-48
POST DELAY
POST LIMITER
POST FADER
PRE FADER
PRE EQ
POST ATT
To Monitor/Broadcast
Console
(M-300, M-380 or M-400)
TO MONITOR SEL
GR
BAL MUTE
FADER
8-BAND
FX
INSERT
EXT FX
INSERT
MTX 1–4
To CH 1 FX INSERT IN
To CH 32 FX INSERT IN
To AUX 1 FX INSERT IN
FX
SELECT
OUTPUT
FX 1
EFFECT
INPUT OUTPUT
FX
INPUT
SELECT
CH 1 FX INSERT OUT
CH 32 FX INSERT OUT
AUX 1 FX INSERT OUT
AUX 8 FX INSERT OUT
MTX 1–4 OUT
TO REC SEL
LIMITER DELAY
PEQ
ATT
To AUX 8 FX INSERT IN
To MTX 1 FX INSERT IN
MTX 1 FX INSERT OUT
TO SOLO
SOLO
AFL ON
PFL
AFL
To MTX 4 FX INSERT IN
To MAIN L FX INSERT IN
To MAIN R FX INSERT IN
FX 2
FX 3
Same as the above
Same as the above
MTX 4 FX INSERT OUT
MAIN L FX INSERT OUT
MAIN R FX INSERT OUT
MAIN C FX INSERT OUT
DIGITAL OUT
OPTICAL
PLAY
REC
REC
SELECT
USB MEMORY RECORDER
To MAIN C FX INSERT IN
To INPUT PATCHBAY
FX 4
Same as the above
AUX 1 OUT
AUX 8 OUT
LEVEL
USB
MEMORY
LEVEL
AUX 1 OUT
REC
LEVEL
AUX 8 OUT
MAIN OUT L
MAIN OUT R
EXT
EXT
TO INPUT
PATCHBAY
RECORDER
USB MEMORY
MAIN OUT C
MAIN OUT L+C
IN
INSERT
OUT
INSERT
REC OUT L,R
MAIN OUT R+C
To CH 1 EXT FX INSERT IN
CONSOLE INPUT 5-8
CH 1 EXT FX INSERT OUT
MONO OUT
To CH 32 EXT FX INSERT IN
CH 32 EXT FX INSERT OUT
TO MONITOR SEL
MTX 1 OUT
MTX 4 OUT
To AUX 1 EXT FX INSERT IN
To AUX 8 EXT FX INSERT IN
LEVEL
RETURN
RETURN
SEND
LEVEL
SEND
AUX 1 EXT FX INSERT OUT
To MTX 1 EXT FX INSERT IN
LEVEL
EXT FX 1-4
LEVEL
AUX 8 EXT FX INSERT OUT
MTX 1 EXT FX INSERT OUT
CONSOLE OUTPUT 1–4
CONSOLE OUTPUT 5–8
D/A
D/A
MONITOR OUT L
MONITOR OUT R
MONITOR
LEVEL
MONITOR
DELAY
DELAY
SOLO
LOGIC
SELECT
MONITOR
AUX 1 OUT
AUX 8 OUT
MAIN OUT C
MAIN OUT LR
MAIN OUT LCR
MONITOR
To MTX 4 EXT FX INSERT IN
To MAIN L EXT FX INSERT IN
To MAIN R EXT FX INSERT IN
To MAIN C EXT FX INSERT IN
TO CONSOLE OUTPUT 5-8
MTX 4 EXT FX INSERT OUT
MAIN L EXT FX INSERT OUT
MAIN R EXT FX INSERT OUT
MAIN C EXT FX INSERT OUT
TALKBACK / OSC
DIRECT OUT 1-32
MONO OUT
MAIN L SOLO
MAIN R SOLO
MAIN C SOLO
USB PLAYER L/R
MTX 1 OUT
MTX 4 OUT
AUX 1-8 SOLO
MTX 1-4 SOLO
SOLO
REC OUT LR
MAIN SEND (FROM AUX 1-8)
PHONES OUT
LEVEL
PHONES
D/A
EXTERNAL FX OUT
CONSOLE INPUT 1–12
LEVEL
MTX
1 23 4
LRC LR1 23 4 5 67 8
MAIN SOLOAUX
MTX SEND (FROM AUX 1-8)
MTX SEND (FROM MAIN L, C, R)
10
PHASE HPF COMPATT
- SELF POST
HPF
- CH 1-32
DIRECT OUT
- REAC A
IN1–40
- REAC B
IN1–40
- CONSOLE
470
430 2020
194.9
Rackmount Angle
475.7
482.7
Rackmo untabl e to 19-inch rac k (EIA)
RA-10U
M-300 Mixer Block Diagram
16 INPUTS
GAIN
PHANTOM
S-1608
INPUT1–16
PEAK
SIG
8 INPUTS
A/D
+48V
S-0816
INPUT
GAIN
PHANTOM
INPUT1–8
PREAMP
CH 1–32
PATCHBAY
1
40
INPUT
REAC A
PEAK
SIG
PEAK
SIG
A/D
A/D
MAX 40 INPUTS
GAIN
PHANTOM
SI-AD4
AES/EBU
+48V
SI-AES4
+48V
S-4000S
IN1–12
A/D
8 INPUTS
SRC
GAIN
PHANTOM
S-0808
INPUT 1–4
GAIN
MAX 40 INPUTS
HI-Z
A/D
+48V
PHANTOM
INPUT 5–8
ON/OFF
(7/8 ONLY)
+48V
S-4000M
PEAK
16 INPUTS
GAIN
(M-300, M-380 or M-400)
PHANTOM
From FOH
S-1608
INPUT1–16
TALKBACK / OSCILLATOR
1
40
INPUT
REAC B
SIG
PEAK
SIG
8 INPUTS
A/D
A/D
MAX 40 INPUTS
GAIN
GAIN
PHANTOM
+48V
S-0816
INPUT1–8
PHANTOM
+48V
S-4000S
SI-AD4
EFFECTS
PHANTOM
INPUT 5–8
A/D
GAIN
HI-Z
ON/OFF
(7/8 ONLY)
+48V
PEAK
SIG
A/D
+48V
SI-AES4
AES/EBU
8 INPUTS
S-0808
GAIN
PHANTOM
INPUT 1–4
A/D
+48V
SRC
MAX 40 INPUTS
FX 1 OUT L / R
S-4000M
EXTERNAL FX
TO EXTERNAL FX
TO OUTPUT PATCHBAY
A/D
A/D
A/D
GAIN
PHANTOM
FX 2 OUT L / R
FX 3 OUT L / R
+48V
FX 4 OUT L / R
USB PLAYER L / R
CONSOLE INPUT 1–4
CONSOLE INPUT 5–8
CONSOLE INPUT 9–12
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