Before using this unit, carefully read the sections entitled: “USING
THE UNIT SAFELY” (p. 3–5), and “IMPORTANT NOTES” (p. 6–7).
These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you
have gained a good grasp of every feature provided by your new unit,
Owner’s manual should be read in its entirety. The manual should be
saved and kept on hand as a convenient reference.
All rights reserved. No part of this publication may be reproduced in any form
Do not attempt to repair the unit, or replace
parts within it (except when this manual
provides specific instructions directing you to
do so). Refer all servicing to your retailer, the
nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information” leaflet.
Make sure you always have the unit placed so it
is level and sure to remain stable. Never place it
on stands that could wobble, or on inclined
surfaces
About the Symbols
The symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
008c
Use only the supplied AC adaptor and the correct voltage
●
Be sure to use only the AC adaptor supplied
with the unit. Also, make sure the line voltage at
the installation matches the input voltage
specified on the AC adaptor’s body. Other AC
adaptors may use a different polarity, or be
designed for a different voltage, so their use
could result in damage, malfunction, or electric
shock.
Do not bend the power cord or place heavy objects on it
●
Do not excessively twist or bend the power
cord, nor place heavy objects on it. Doing so
can damage the cord, producing severed
elements and short circuits. Damaged cords are
fire and shock hazards!
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate
for a long period of time at a high volume level, or at a level
that is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should immediately stop using the
unit, and consult an audiologist.
Don’t allow foreign objects or liquids to enter unit; never
place containers with liquid on unit
●
Do not place containers containing liquid (
flower vases
) on this product. Never allow foreign
e.g.,
objects (e.g., flammable objects, coins, wires) or
liquids (e.g., water or juice) to enter this
product. Doing so may cause short circuits,
faulty operation, or other malfunctions.
Turn off the unit if an abnormality or malfunction occurs
●
Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” leaflet when:
• The AC adaptor, the power-supply cord, or the plug has
been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled onto the
unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or exhibits a
marked change in performance.
016
Do not use overseas
●
Before using the unit in a foreign country,
consult with your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information”
leaflet.
Adults must provide supervision in places where children are
present
●
In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for
the safe operation of the unit.
Do not share an outlet with an unreasonable number of other
devices
●
Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number
of other devices. Be especially careful when
using extension cords–the total power used by
all devices you have connected to the extension
cord’s outlet must never exceed the power
rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the
cord to heat up and eventually melt through.
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from
the power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug
and the power outlet can result in poor
insulation and lead to fire.
Unplug the AC adaptor from the outlet before cleaning
●
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 15).
●
Used lithium batteries must be disposed of in
compliance with whatever regulations for their
safe disposal that may be observed in the
region in which you live.
If you remove the screw from the ground
terminal, be sure to replace it; don’t leave it
lying around where it could accidently be
swallowed by small children. When refastening
the screw, make that it is firmly fastened, so it
won’t come loose.
Precautions concerning use of phantom power supply
●
Always turn the phantom power off when
connecting any device other than condenser
microphones that require phantom power. You
risk causing damage if you mistakenly supply
phantom power to dynamic microphones,
audio playback devices, or other devices that
don’t require such power. Be sure to check the
specifications of any microphone you intend to
use by referring to the manual that came with
it.
(This instrument’s phantom power: +48 V DC, 14mA Max)
Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or
air conditioner), or that contains a motor. Depending on the
way in which the electrical appliance is used, power supply
noise may cause this unit to malfunction or may produce
audible noise. If it is not practical to use a separate electrical
outlet, connect a power supply noise filter between this unit
and the electrical outlet.
302
●
The AC adaptor will begin to generate heat after long hours of
consecutive use. This is normal, and is not a cause for concern.
307
●
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/or
damage to speakers or other devices.
309
●
With the factory settings, the M-200i’s power will automatically be switched off 8hours after you stop playing or
operating the unit.If you don’t want the power to turn off
automatically, change the “AUTO POWER OFF” setting to
“OFF” as described on p.111
The settings you were editing will be lost when the power is
turned off. If you want to keep your settings, you must save
your settings before turning the power off.
361
●
Do not put anything that contains water (e.g., flower vases) on
this unit. Also, avoid the use of insecticides, perfumes, alcohol,
nail polish, spray cans, etc., near the unit. Swiftly wipe away
any liquid that spills on the unit using a dry, soft cloth.
Maintenance
401a
●
For everyday cleaning wipe the unit with a soft, dry cloth or
one that has been slightly dampened with water. To remove
stubborn dirt, use a cloth impregnated with a mild, nonabrasive detergent. Afterwards, be sure to wipe the unit
thoroughly with a soft, dry cloth.
402
●
Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
●
Please be aware that all data contained in the unit’s memory
may be lost when the unit is sent for repairs. Important data
should always be backed up
paper (when possible). During repairs, due care is taken to
avoid the loss of data. However, in certain cases (such as when
circuitry related to memory itself is out of order), we regret
that it may not be possible to restore the data, and Roland
assumes no liability concerning such loss of data.
USB memories
, or written down on
Placement
351
●
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
352a
●
This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
352b
●
Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
354a
●
Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Excessive heat
can deform or discolor the unit.
355b
●
When moved from one location to another where the temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
360
●
Depending on the material and temperature of the surface on
which you place the unit, its rubber feet may discolor or mar
the surface.
You can place a piece of felt or cloth under the rubber feet to
prevent this from happening. If you do so, please make sure
that the unit will not slip or move accidentally.
Memory Backup
501b
●
This unit contains a battery which powers the unit’s memory
circuits while the main power is off. When this battery
becomes weak, the message shown below will appear in the
display. Once you see this message, have the battery replaced
with a fresh one as soon as possible to avoid the loss of all
data in memory. To have the battery replaced, look at the
Owner’s manual p.16. “Internal battery is low”
Additional Precautions
551
●
Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
loosing important data, we recommend that you periodically
save a backup copy of important data you have stored in the
unit’s memory
552
●
Unfortunately, it may be impossible to restore the contents of
data that was stored
it has been lost. Roland Corporation assumes no liability
concerning such loss of data.
553
●
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
●
Never strike or apply strong pressure to the display.
556
●
When connecting / disconnecting all cables, grasp the
connector itself–never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
on a USB memories.
in the unit’s memory and USB memories
once
6
Page 7
IMPORTANT NOTES
558a
●
To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you.
559a
●
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you
will need to use equivalent packaging materials.
562
●
Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
Before Using External Memories
Using External Memories
704
●
Carefully insert the
in place.
705
●
Never touch the terminals of the
getting the terminals dirty.
708
USB memories
●
handle the cards carefully, paying particular note to the
following.
• To prevent damage to the cards from static electricity, be
sure to discharge any static electricity from your own body
before handling the cards.
• Do not touch or allow metal to come into contact with the
contact portion of the cards.
• Do not bend, drop, or subject cards to strong shock or
vibration.
• Do not keep cards in direct sunlight, in closed vehicles, or
other such locations.
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
USB memories
are constructed using precision components;
About USB memory
930
●
When the access lamp of USB memory is lit or blinking, please
do not remove the USB memory. This might cause some
damage to the data of the USB memory or deficit.
931
●
Carefully insert the USB memories, all the way in-until it is
firmly in place.
●
Before using USB memory for the M-200i, please format the
memory on the M-200i.
For details, please refer to “Formatting USB memory” (p. 85).
●
Some USB memory might not be able to be used on the M200i.If an error message appears when formatting as
described in “Formatting USB memory” (p. 85), it is not
possible to use this USB memory (USB flash Memory and USB
flash drive) for the M-200i.
●
The M-200i supports only USB memory (USB flash Memory
and USB flash drive).
Hard Disk and Memory Card Reader via USB is not supported.
all the way in–until it is firmly
USB memories
. Also, avoid
●
USB memory (USB flash Memory and USB flash drive) does not
work via USB hub.
●
We recommend to format USB memory (USB flash Memory
and USB flash drive) before doing mixing operation on the M200i.
●
We recommend to use USB memory (USB flash Memory and
USB flash drive) exclusively for the V-mixer without storing
any other files or programs.
Regarding the CAT5e cable
●
In order to keep superb digital transfer quality by REAC, please
make sure to use following optional cables for 100m CAT5e
cable:
• SC-W100S 100M CAT5e cable
• W100S-R 100M CAT5e cable with reel
Channel Edit operation
●
You might hear some noise when you control the following:
• Preamp Gain
• 4-band EQ
• 8-band EQ
• Gate
• Compressor
• Limiter
• Channel Link
• Library Recall
However, this is not out of order.
Multiple connection of REAC
products
●
When multiple REAC products are connected to REAC on the
M-200i via REAC splitter or switching hub, please set the REAC
mode on each product correctly. If you turn on the power of
these products with REAC mode set incorrectly, there might
be some digital noise generated from REAC products or M200i. If this happens, please turn off the power of all REAC
products and set the REAC mode correctly.
Copyright
851852a
●
It is forbidden by law to make an audio recording, video
recording, copy or revision of a third party’s copyrighted work
(musical work, video work, broadcast, live performance, or
other work), whether in whole or in part, and distribute, sell,
lease, perform, or broadcast it without the permission of the
copyright owner.
●
Do not use this product for purposes that could infringe on a
copyright held by a third party. We assume no responsibility
whatsoever with regard to any infringements of third-party
copyrights arising through your use of this product.
Check the included items.....................................................................................................................................................11
Conventions used in this manual ......................................................................................................................................11
Basic knowledge about REAC .............................................................................................................................................11
Turning the power on/off.....................................................................................................................................................15
About the internal lithium battery....................................................................................................................................16
About USB memory ................................................................................................................................................................16
Explanation of the panels ........................................................................... 17
Top panel/Front panel...........................................................................................................................................................17
List operations ..........................................................................................................................................................................28
Copying channel settings to the clipboard....................................................................................................................28
Pasting channel settings from the clipboard ................................................................................................................29
Undoing (canceling) a paste operation...........................................................................................................................29
Editing a name..........................................................................................................................................................................33
About the input channels.....................................................................................................................................................34
Accessing the CHANNEL EDIT screen...............................................................................................................................35
CHANNEL FUNCTION screen ...............................................................................................................................................37
AUX, MTX, MAIN operations ....................................................................... 39
About AUX, MTX, MAIN .........................................................................................................................................................39
Accessing the CHANNEL EDIT screen...............................................................................................................................40
CHANNEL FUNCTION screen ...............................................................................................................................................42
GATE FUNCTION screen ........................................................................................................................................................47
COMP FUNCTION screen.......................................................................................................................................................51
LIMITER FUNCTION screen ...................................................................................................................................................54
EQ FUNCTION screen .............................................................................................................................................................56
SENDS FUNCTION screen......................................................................................................................................................58
About the meters.....................................................................................................................................................................59
METER FUNCTION screen .....................................................................................................................................................59
8
Page 9
Contents
DCA groups .................................................................................................. 60
About DCA groups..................................................................................................................................................................60
Accessing the DCA GROUP screen ....................................................................................................................................60
DCA GROUP FUNCTION screen ..........................................................................................................................................61
About mute groups ................................................................................................................................................................62
MUTE GROUP FUNCTION screen........................................................................................................................................62
About effects.............................................................................................................................................................................64
About inserting an external effects device ....................................................................................................................64
EFFECTS FUNCTION screen..................................................................................................................................................66
Using an effect via send/return..........................................................................................................................................67
Inserting an effect into a channel......................................................................................................................................68
Inserting an EXT FX into a channel....................................................................................................................................68
About GEQs ...............................................................................................................................................................................71
Scene memory.............................................................................................. 74
About Scene memory ............................................................................................................................................................74
SCENE screen operations......................................................................................................................................................74
USB memory recorder ................................................................................. 77
About the USB memory recorder ......................................................................................................................................77
RECORDER FUNCTION screen .............................................................................................................................................78
Using the USB memory recorder .......................................................................................................................................78
Accessing the SETUP screen................................................................................................................................................80
Saving and loading mixer settings....................................................................................................................................81
Locking the console................................................................................................................................................................83
Viewing system information ...............................................................................................................................................83
Initializing the mixer settings..............................................................................................................................................84
Managing USB memory ........................................................................................................................................................85
Default setting of the input/output patchbay..............................................................................................................86
About talkback .........................................................................................................................................................................89
About oscillator........................................................................................................................................................................91
About monitoring ...................................................................................................................................................................92
Using the monitor ...................................................................................................................................................................93
Using solo...................................................................................................................................................................................93
9
Page 10
Contents
User Preference settings ............................................................................. 94
USER PREFERENCE screen.....................................................................................................................................................94
Editing the user fader layers................................................................................................................................................94
Editing the user buttons .......................................................................................................................................................95
Selecting the Home screen..................................................................................................................................................95
Contents
REAC applications and settings.................................................................. 96
LAN setting ............................................................................................................................................................................. 101
Basic settings for WIRELESS LAN..................................................................................................................................... 102
Making detailed settings for WIRELESS LAN............................................................................................................... 103
Changing between RS-232C and MIDI ......................................................................................................................... 107
Setting the device ID........................................................................................................................................................... 107
USB MIDI settings ................................................................................................................................................................. 109
System settings.......................................................................................... 111
Accessing the SYSTEM screen.......................................................................................................................................... 111
Setting the auto-off function ........................................................................................................................................... 111
Adjusting the brightness of the display and panel.................................................................................................. 112
Other settings ........................................................................................................................................................................113
User button functions......................................................................................................................................................... 115
Requirements for switching hubs .................................................................................................................................. 120
Main specifications .............................................................................................................................................................. 121
Roland vintage effects ........................................................................................................................................................ 140
The amount of RAM access for each FX algorithm................................................................................................... 141
Index ........................................................................................................... 145
10
Page 11
Introduction
Check the included items
The following items are included with the M-200i. Make sure that
all of them are present:
• The M-200i itself
• Power cord
* Use only the power cord that was included with the M-200i.
• AC Adaptor
• DOCK cable
• Tablet Stand
• Owner’s manual (the document you’re reading)
Conventions used in this manual
985
The explanations in this manual include illustrations that depict
what should typically be shown by the display. Note, however,
that your unit may incorporate a newer, enhanced version of the
system, so what you actually see in the display may not always
match what appears in the manual.
Names
The following input/output units can be connected to the M200i’s REAC ports:
• S-1608 stage unit
• S-0816 FOH unit
• S-4000S 40-channel I/O modular rack (Ver. 2.010 and later)
• S-0808 8x8 I/O UNIT
• S-4000M REAC MERGE UNIT
The REAC port on the M-200i does not support REAC
EMBEDDED POWER. When you connect an S-0808, install an
external battery on the S-0808 to power via the DC IN port.
Note, however, that when the connection on the M-200i is
made via an S-4000M or S-4000D, the S-0808 is powered by the
S-4000M or S-4000D, and so no external battery is needed.
In this manual, we may abbreviate these units as the S-1608, S0816, or S-4000S, or may refer to them collectively as input/
output units.
Text enclosed in square brackets [ ] indicates a button. For
example, the direction to “press [METER]” means that you are to
press the METER button.
Basic knowledge about REAC
About REAC
The REAC (Roland Ethernet Audio Communication) interface is
the core of a V-Mixing system. It uses a proprietary protocol
based on Ethernet technology, and allows 40 channels of digital
audio to be sent in each direction via a single Cat5e Ethernet
cable.
REAC can do the following:
• Send 40 channels of digital audio in each direction
• Send audio up to 100 meters on one Cat5e cable
• A switching hub or the S-OPT option can be used to extend
the cable.
• Use a switching hub to easily split the signal
• The transmission delay between REAC devices is extremely
small (approximately 375 microseconds)
When the signal passes through a switching hub, there will be
approximately 200 microseconds of delay for each unit.
About cables
Since Cat5e Ethernet cables are used, it’s very easy to connect
REAC devices to each other. Cat5e Ethernet cables are commonly
used for computer network connections, and have RJ45 plugs.
Types of Ethernet cable
There are two types of Ethernet cables. Although both types have
the same exterior appearance, their RJ45 plugs are wired
differently, as follows:
• Crossover cable
The internal wiring of the cable is crossed at each RJ45 plug.
This means that the connections of the RJ45 plugs will differ
at each end of the cable.
• Straight cable
The internal wiring of the cable is the same at each end.
Crossover cables (such as RSS SC-W20F, RSS SC-W100S, or RSS
W100S-R) should be used when connecting to the REAC ports on
this product.
Introduction
Certain cautions apply if you’re using a conventional switching
hub with this system. For details, refer to “REAC applications” (p.
96).
11
Page 12
Introduction
M-380M-200i
MASTER
SLAVE
REAC
S-1608S-1608
Cat5e
Ethernet connectors
Ethernet cables use RJ45 plugs. REAC equipment provides an
RJ45 connector for each REAC port.
fig.RJ45andREAC-j.eps
REAC connections
Here is a typical example of connections using the S-1608.
When connecting REAC devices to each other, the REAC mode of
one device must be set to REAC master, and the REAC mode of
the other must be set to REAC slave.
In this system, the M-200i is normally set to be the master (FOH
setting), while the input/output units are set to be slaves.
Introduction
RJ45 plug
For critically important communication, it is vital to protect the
RJ45 plug and connector. For such situations, REAC RJ45
connectors use a sturdy Neutrik EtherCon plug. Using the
EtherCon RJ45 plug allows a latched-type connector similar to an
XLR plug.
The Neutrik Corporation provides EtherCon RJ45 plugs, as well as
EtherCon plugs that can be added to the RJ45 plug of
commercially available Ethernet cable.
The RJ45 connectors of REAC ports can accept either RJ45 plugs
or EtherCon plugs.
Cautions for handling Cat5e cables
• Do not apply excessive force to Cat5e cables.
• Do not bundle (bend) a Cat5e cable to a radius less than 25
mm, or fold it in two.
• Do not tightly bundle a Cat5e cable.
• Do not place multiple Cat5e cables in parallel for an
extended distance.
• Do not place Cat5e cables near a source of electrical noise
(power supply cord, motor, fluorescent lights, etc.).
REAC RJ45 connector
For a more detailed description of connections, refer to “REAC
applications” (p. 96).
Cat5e Ethernet cables up to 100 meters long are supported. If
you need a longer connection, we recommend that you use the
optional S-OPT.
fig.connect-REAC.eps
12
Cautions when making REAC connections
• REAC connections are designed so that noise will not be
produced even if you hot-swap (plug or unplug a live
connection). However in rare cases, noise may occur at the
audio output of the system. To prevent hot-swapping from
causing damage to your speakers or other equipment
connected to the audio outputs, please observe the
following points:
• Make REAC connections while holding down the [MUTE ALL
OUTPUTS] of the input/output unit
• Before you make REAC connections, mute the outputs using
[MUTE ALL OUT] in the MUTE GROUP screen (p. 62).
In some cases, the muted state will continue even after you
release your finger from [MUTE ALL OUTPUTS] of the input/
output unit. In this case, press [MUTE ALL OUTPUTS] once again
to mute, and then release your finger to unmute the unit.
Page 13
Placement
Introduction
How to Use TABLET STAND
It is possible to adjust the angle of the iPad with the included
iPad stand.
About the REAC caps
When the M-200i is shipped from the factory, a REAC cap is
attached to the REAC port. In order to use REAC port, you’ll need
to remove the REAC cap. Take care not to lose the REAC caps you
remove.
fig.connection.eps
AC power connections
Depending on the circumstances of a particular setup, you may
experience a discomforting sensation, or perceive that the
surface feels gritty to the touch when you touch this device,
microphones connected to it, or the metal portions of other
objects, such as guitars. This is due to an infinitesimal electrical
charge, which is absolutely harmless. However, if you are
concerned about this, connect the ground terminal (see figure)
with an external ground. When the unit is grounded, a slight hum
may occur, depending on the particulars of your installation. If
you are unsure of the connection method, contact the nearest
Roland Service Center, or an authorized Roland distributor, as
listed on the Information leaflet.
Introduction
Ground
Terminal
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be dangerous
in the event of lightning)
Place the AC adaptor so the side with the indicator (see
illustration) faces upwards and the side with textual information
faces downwards.
The indicator will light when you plug the AC adaptor into an AC
outlet.
AC Adaptor
Indicator
Power Cord
AC Outlet
13
Page 14
Introduction
Attaching the power cord hook
As shown in the illustration, fit the power cord hook over
1.
the power cord.
fig.cord-hook1.eps
Introduction
When installing in a Rack
When installing in a Rack, the M-200i should be used only
with the optional rackmount angle brackets, RA-10U.
RA-10U Included items
• Rackmount angles (two)
• Screws (eight)
• Hex key
* Assembly requires a Phillips screwdriver (not included).
How to Attach
Loosen the screws (16 Phillips-head screws), and remove
1.
side panels.
2.
Fasten the rack mount angles with the 8 Phillips-head
screws contained in the RA-10U.
14
Page 15
Turning the power on/off
M-380
Introduction
If you move the cursor to 8 HOURS (ENABLE “AUTO OFF”) and
press [ENTER], the auto off function is kept enabled.
Turning the power on
Once the connections have been completed, turn on power
to your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
fig.PowerOnOrder.eps
3
INPUTOUTPUT
M-200i
Connect your input/output units (S-1608, S-0816, S-
1.
4000S, etc.) to the M-200i’s REAC port.
2.
Connect your audio equipment to the audio inputs and
audio outputs of the M-200i and your input/output units.
983
Audio feedback could be produced depending on the
location of microphones relative to speakers. This can be
remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from
speakers.
3. Lowering volume levels.
Turn on the power of the equipment connected to the
3.
audio inputs of the M-200i and your input/output units.
Turn on the power by holding down the POWER switch
4.
located on the M-200i’s rear panel for 1 second or longer.
Wait for appearance of the V-Mixer logo.
When the power supply has started up, a screen like the
following will appear:
fig.ScrMeter.eps
56
Cat5e
4
This screen will not appear if the auto off function is turned
“OFF”
5.
Turn on the power of your input/output units.
For information about how to turn the power of attached REAC
devices on, refer to the owner’s manual of the REAC device.
Turn on the power of the equipment connected to the
6.
audio outputs of the M-200i and your input/output units.
942
This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit
will operate normally.
Before switching the power on/off, always be sure to turn
the volume down. Even with the volume turned down, you
might hear some sound when switching the power on/off.
However, this is normal and does not indicate a malfunction.
With the factory settings, the M-200i’s power will
automatically be switched off 8 hours after you stop playing
or operating the unit. If you don’t want the power to turn off
automatically, change the “AUTO POWER OFF” setting to
“OFF” as described on p. 111. The settings you were editing
will be lost when the power is turned off. If you want to keep
your settings, you must save your settings before turning the
power off.
Turning the power off
Turn off the power of the equipment connected to the
1.
audio outputs of the M-200i and your input/output units.
2.
Turn off the power by holding down the POWER switch
located on the M-200i’s rear panel for 1 second or longer.
Wait for the POWER OFF message.
3.
Turn off the power of your input/output units.
For information about how to turn the power of attached REAC
devices on, refer to the owner’s manual of the REAC device.
Introduction
In this screen you can specify whether the auto off function (p.
111) will be enabled or disabled.
If you move the cursor to OFF (DISABLE “AUTO OFF”) and press
[ENTER], the auto off function will be disabled.
Turn off the power of the equipment connected to the
4.
audio inputs of the M-200i and your input/output units.
921
Before you turn off the power of the M-200i, make sure that
it is not reading/writing USB memory or reading/writing
scene memory or library data. The data may be lost if you
turn off the power during such operations.
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the
power on all devices before making any connections.
15
Page 16
Introduction
About the internal lithium
battery
The M-200i has an internal lithium battery that backs up the clock
function and the mixer settings. If this battery runs down, the
clock function and the feature that provides for the
reinstatement of the mixer settings that existed prior to
switching off the power will no longer operate correctly. If a
popup message recommending that you replace the battery
appears when you turn on the power, replace the battery as
Introduction
described in the following procedure.
lUse only the specified type (model no. CR2032)
of lithium batteries (p. 16). Be sure to insert it as
directed (to ensure correct polarity).
lUsed lithium batteries must be disposed of in
compliance with whatever regulations for their
safe disposal that may be observed in the
region in which you live.
1.
Back up the M-200i’s mixer settings to USB memory (p.
82).
Data for connection to a Wireless LAN router using the LAN
or WIRELESS LAN function cannot be backed up to USB
memory. After completing the operation, connect to the
Wireless LAN router again (p. 103).
ig.battery-panel2.eps
6.
Turn on the power of the M-200i, and set the date and
time (p. 112).
7.
Load the previously saved settings (MIXER PARAMETER,
SYSTEM SETTING) from the USB memory to which you
backed up the data in step 1. (p. 81)
About USB memory
The M-200i can use USB memory to store and read a variety of
data.
• Record and play WAV files using the USB Memory Recorder
• Back up and recover internal mixer data
Carefully insert the USB memory until it is firmly in place.
Switch off the M-200i’s power, and disconnect the power
2.
cord from the AC outlet.
Remove the two screws that fasten the battery cover as
3.
shown in the illustration, and detach the battery cover.
fig.battery-panel1.eps
Remove the old battery, and insert the new battery.
4.
When removing, hook nail onto upperside of the battery.
Use care, as some of the metal edges may be sharp.
Attach the battery cover as shown in the illustration, and
5.
fasten it using the two screws you removed in step 3.
When the access lamp of USB memory is lit or blinking,
please do not remove the USB memory. This might cause
some damage to the data of the USB memory or deficit.
USB memory used with the USB Memory Recorder must support
USB 2.0 (Hi-speed).
16
Page 17
Explanation of the panels
1
2345678910
11
12
13
14
Top panel/Front panel
fig.TopPanelGuide.eps
Explanation of the panels
10
11
12
13
14
1
2
3
4
5
6
7
8
9
Fader module section
LAYER section
Main fader module
Display
CHANNEL EDIT section
DISPLAY section
Screen controller section
SENDS ON FADER section
SOLO CLEAR button
TALKBACK ON button
USER button section
PHONES jack
PHONES LEVEL knob
iPad connection area
p. 18
p. 18
p. 19
p. 19
p. 19
p. 20
p. 20
p. 21
p. 21
p. 21
p. 21
p. 21
p. 21
p. 21
17
Page 18
Explanation of the panels
1
2
1
Fader module section
fig.FaderModSectGuide.eps
LAYER section
fig.LayerSectGuide.eps
1
2
3
4
Explanation of the panels
5
This section lets you control the 16 channels you selected in the
LAYER section.
SEL buttons
Use these buttons to select the channel that you want to
control. The [SEL] button of the currently selected channel
lights up.
1
2
3
4
5
This section lets you select the channel layer to be assigned to
the fader module section. The button of the currently assigned
channel layer lights up.
USER2 layer button
1
USER1 layer button
2
These assign user fader layer 1 or user fader layer 2 to the
fader module section.
“Editing the user fader layers” (p. 94)
AUX/MTX/DCA layer button
3
This assigns AUX1 through 8, MTX1 through 4, and DCA1
through 4 to the fader module section.
CH 17 - 32 layer button
4
This assigns CH 17 through 32 to the fader module section.
SOLO buttons
2
These buttons turn solo on or off for each channel. The
button lights up when solo is on.
“Monitor/Solo” (p. 92)
Meters
3
These indicate the signal level of each channel.
“Metering” (p. 59)
MUTE buttons
4
These turn muting on or off for each channel. The button
lights up when a channel is muted.
Faders
5
These adjust the signal level of each channel.
CH 1 - 16 layer button
5
This assigns CH 1 through 16 to the fader module section.
18
Page 19
3
4
5
This operation is not enabled for the following channels:
• AUX1 - 8
• MTX1 - 4
• MAIN L/R
“GATE/EXPANDER screen” (p. 45)
Main fader module
fig.MainFaderModGuide.eps
1
2
Explanation of the panels
Display
This display indicates the mixer parameters and system settings,
as well as displaying a list of the meters.
Explanation of the panels
5
CHANNEL EDIT section
fig.DisplayGuide.eps
1
3
4
SEL button
1
This button selects the MAIN channel so that it can be
controlled. It lights up when the MAIN channel is selected.
By repeatedly pressing the [SEL] button, you can alternatingly
select first the MAIN L channel, then the MAIN R channel.
2
5
4
In this section, you can access the respective screens for working
with the parameters of the currently selected channel.
This button turns solo on or off for the MAIN L and R
channels. The button lights up when solo is on.
Mute button
3
These turn muting on or off for MAIN L and R channels. The
button lights up when MAIN L and R channels are muted.
If “DISABLE MAIN MUTE” in the System Settings (p. 111) is ON,
this button is disabled.
Fader
4
This adjusts the signal level of the MAIN L and R channels.
Meter
5
This indicates the signal level of the MAIN L and R channels.
“About the meters” (p. 59)
COMP button
3
This button accesses the COMPRESSOR/LIMITER screen.
“COMPRESSOR/LIMITER screen” (p. 49)
EQ button
4
This button accesses the EQ screen.
“4-BAND EQ” (p. 55)
SEND button
5
This button accesses the SENDS screen.
“SENDS screen” (p. 58)
19
Page 20
Explanation of the panels
7
6
DISPLAY section
fig.FunctionSectGuide.eps
SCENE button
7
This button accesses the SCENE screen, where you manage
the scene list.
1
3
5
7
METER button
1
2
4
6
8
This button accesses the METER screen, which displays a list
of meters.
“Metering” (p. 59)
Explanation of the panels
SETUP button
2
This button accesses the SETUP screen for making various
settings.
“SETUP screen” (p. 80)
DCA button
3
This button accesses the DCA GROUP screen for
manipulating and making settings for DCA groups.
“DCA groups” (p. 60)
MUTE button
4
This button accesses the MUTE GROUP screen for
manipulating and making settings for mute groups.
“Mute groups” (p. 62)
EFFECT button
5
This button accesses the EFFECTS screen, for manipulating
and making settings for internal-effect and external-effect
instruments.
“Effects, GEQ, External effects” (p. 64)
GEQ button
6
This button accesses the GEQ screen, for manipulating and
making settings for internal GEQ.
“Scene memory” (p. 74)
USB REC button
8
This button accesses the RECORDER screen for making
recorder settings and managing the song list.
“USB memory recorder” (p. 77)
Screen controller section
fig.GenCtrlSectGuide.eps
5
1
2
3
Cursor buttons
1
These buttons move the cursor and the location of focus up/
down/left/right within the screen.
Value dial
2
This adjusts the value of the parameter at which the cursor is
located.
EXIT button
3
This button exits the currently displayed screen and returns
you to the home screen.
ENTER button
4
Use this button to turn an on-screen button on or off, or to
confirm a change you’ve made to a setting.
FUNC button
5
This button has the following two functions:
• Accessing the FUNCTION screen for detailed control of
functions at their respective setting screens.
• Modifying the range by which a value changes when you
manipulate it, allowing for finer detail, by holding down
[FUNC].
4
“Effects, GEQ, External effects” (p. 64)
20
Page 21
8
9
121314
SENDS ON FADER section
fig.MeterBtn.eps
Pressing one of the [AUX1] through [AUX8] buttons turns on
SENDS ON FADER mode for the corresponding bus. The button
flashes while in SENDS ON FADER mode.
Explanation of the panels
PHONES jacks
You can connect a set of headphones to these jacks, and use
them to monitor the MONITOR L/R audio signal.
• Miniature stereo phone type
• Stereo 1/4-inch phone type
The minimum impedance of headphones that you can
connect is 16
* When connecting sets of headphones to both the miniature stereo
phone and the stereo 1/4-inch phone type jacks, ensure that the
combined impedance of the two sets of headphones is not less than
16
Ω
PHONES LEVEL knob
This adjusts the output level of headphones connected to the
PHONES jacks.
iPad connection area
Here you can place an iPad for controlling the unit remotely.
Ω
Explanation of the panels
To select MTX as the destination, simultaneously press the pair
[AUX1]/[AUX2], [AUX3]/[AUX4], [AUX5]/[AUX6], or [AUX7]/
[AUX8].
SOLO CLEAR button
This Button cancels (turns off) solo for all channels and buses.
10
TALKBACK ON button
This button turns talkback on or off. It lights up when talkback is
on.
“Talkback” (p. 89)
11
USER button section
fig.SetupSectGuide.eps
“How to Use TABLET STAND” (p. 13)
These buttons access the functions assigned to USER [1] through
[8]. The functions of these buttons are user-configurable.
“User Preference settings” (p. 94)
21
Page 22
Explanation of the panels
3
Rear panel
fig.RearPanelGuide.eps
4
10
8
5
6
7
11
13
9
14
Explanation of the panels
1
2
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
3
18
17
16
15
INPUT jacks
ASSIGNABLE OUTPUT jacks
MAIN OUTPUT jacks
AES/EBU OUT jack
REAC port
LAN connector
USB MEMORY connector
USB WLAN ADAPTOR connector
USB COMPUTER connector
Security slot
RS-232C connector
MIDI connectors
DOCK CABLE connector
BATTERY slot
Power cord hook
Grounding terminal
AC adapter connector
POWER switch
12
1
2
1
p. 23
p. 23
p. 24
p. 24
p. 24
p. 24
p. 24
p. 24
p. 24
p. 24
p. 24
p. 24
p. 25
p. 25
p. 25
p. 25
p. 25
p. 25
22
Page 23
1
+PHANTOM[+48V/14mA]
GND
COLD
HOT
2
2
INPUT jacks
fig.ConsInJackGuide.eps
21
INPUT 1 – 16 jacks
1
These are balanced XLR-3-31 female input jacks for inputting
analog audio signals from microphones or line level
equipment.
By default, they are patched to CH 1 through 16.
922
This instrument is equipped with balanced (XLR) type jacks.
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.XLRJackInput.eps
Explanation of the panels
ASSIGNABLE OUTPUT jacks
fig.ConsOutJackGuide.eps
3
2
1
Explanation of the panels
ASSIGNABLE OUTPUT 1 – 6 jacks
1
These are balanced XLR-3-32 male output jacks for
outputting analog audio signals.
By default, AUX1 through 6 are patched to these jacks.
922
This instrument is equipped with balanced (XLR) type jacks.
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.XLRJack.eps
12
GND
HOT
COLD
INPUT 17 - 22 jacks
2
These are balanced (TRS) type jacks for inputting analog
audio signals from line-level equipment.
By default, they are patched to CH 17 through 22.
922
This instrument is equipped with balanced (TRS) type jacks.
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.TRSJack.eps
INPUT 23 – 24 jacks
3
These are RCA phono jacks for inputting analog audio
signals from line-level equipment.
By default, they are patched to CH 23 through 24.
926a
ASSIGNABLE OUTPUT 7 - 10 jacks
These are balanced (TRS) type 1/4-inch phone jacks for
outputting analog audio signals.
By default, AUX7 through 8 and MAIN L/R are patched to
these jacks.
922
This instrument is equipped with balanced (TRS) type jacks.
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.TRSJack.eps
The INPUT 17 through 20 jacks and ASSIGNABLE OUTPUT 7
through 10 jacks can also be used as input/output jacks for
inserting external effect processors into channels.
For details, refer to “About inserting an external effects
device” (p. 64).
When connection cables with resistors are used, the volume
level of equipment connected to the inputs (CONSOLE
INPUT) may be low. If this happens, use connection cables
that do not contain resistors.
23
Page 24
Explanation of the panels
678
91011
12
3
MAIN OUTPUT jacks
fig.REACPortGuide.eps
LAN connector
You can use this connector to attach a Wireless LAN router for
connection to an iPad.
These are balanced XLR-3-32 male output jacks for outputting
analog audio signals.
By default, MAIN L/R is patched to these jacks.
Make connections after first checking the wiring diagrams of
other equipment you intend to connect.
12
Explanation of the panels
GND
4
AES/EBU OUT jack
This jack outputs an AES/EBU-format (IEC60958-compliant)
digital audio signal.
By default, MAIN L/R is patched to this jack.
5
REAC port
This is an RJ45 connector for connecting input/output units such
as the S-1608, S-0816, or S-4000S via a Cat5e Ethernet cable.
HOT
COLD
“LAN setting” (p. 101)
USB MEMORY connector
This connector is for attaching a USB flash drive.
Before detaching a USB flash drive, first make sure that no
read or write operation to the flash drive is in progress.
Detaching a USB flash drive while such an operation is in
progress might result in data corruption.
USB WLAN ADAPTOR connector
You can use this connector to attach a wireless USB adapter
(WNA1100-RL, sold separately) for connection to an iPad.
“Basic settings for WIRELESS LAN” (p. 102)
USB COMPUTER connector
This USB COMPUTER connector can be connected to your
computer to control the M-200i remotely.
“USB MIDI” (p. 106)
This connector supports Cat5e Ethernet cables up to 100 meters
long. If you need a longer connection, we recommend that you
use the optional S-OPT.
The default input/output patching between the M-200i and
input/output units connected to the REAC port is as follows:
Input jacks
REAC IN 1-40
Output jacks
REAC OUT 1-6
REAC OUT 7-8MAIN L, R
REAC OUT 9-40CH 1-32 DIRECT OUT
The REAC port has a REAC indicator that shows the REAC
communication status. The state of the REAC indicator has the
following designations:
State
Unlighted
LightedA split connection with a REAC device has been
FlashingConnected normally with a REAC device.
Input channel
None
Output signal
AUX 1-6
Description
No connection with a REAC device has been established.
established.
Security slot
988
You can attach a commercially available security wire here to
prevent theft. For details, refer to the following website:
http://www.kensington.com/
RS-232C connector
You can use this RS-232C connector to control the M-200i
remotely from an external device.
“RS-232C” (p. 106)
MIDI connectors
These connectors are for connection to MIDI equipment. An IN
connector (for reception) and an OUT/THRU connector (for
transmission and “thru”) are provided. You can use the REMOTE
screen to switch between the OUT and THRU functions.
“Remote” (p. 106)
24
Page 25
13
17
18
DOCK CABLE connector
Explanation of the panels
AC adapter connector
Connecting an iPad to the unit using the included dock cable lets
you control the unit remotely from the iPad.
Charging starts automatically when an iPad is connected.
14
BATTERY slot
This slot contains a lithium battery that maintains the M-200i’s
clock function and preserves the mixer settings.
If the battery runs down, you need to replace it. For details on
replacing the battery, refer to“About the internal lithium battery”
(p. 16).
15
Power cord hook
You can use this power cord hook to prevent the power cord
from being accidentally disconnected.
For details on attaching the power cord hook, refer to
“Attaching the power cord hook” (p. 14).
16
Grounding terminal
Unsuitable places for connection.
Use this to supply power from a connected AC adapter (PSB-14U).
Never connect any power cord to the M-200i other than the
included one.
POWER Switch
This turns the power on and off.
“Turning the power on/off” (p. 15)
Explanation of the panels
Do not ground the M-200i to locations such as the following:
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be dangerous
in the event of lightning)
Depending on the circumstances of a particular setup, you
may experience a discomforting sensation, or perceive that
the surface feels gritty to the touch when you touch this
device, microphones connected to it, or the metal portions
of other objects, such as guitars. This is due to an
infinitesimal electrical charge, which is absolutely harmless.
However, if you are concerned about this, connect the
ground terminal with an external ground. When the unit is
grounded, a slight hum may occur, depending on the
particulars of your installation. If you are unsure of the
connection method, contact the nearest Roland Service
Center, or an authorized Roland distributor, as listed on the
“Information” leaflet.
25
Page 26
Basic operation
Basic panel operations
Selecting the channel layer
Basic operation
Use the buttons of the LAYER section to select the channel layer to be controlled by the fader module section. Each channel layer assigns
the following channels to the fader module section:
Channel layerChannels
USER 2USER LAYER 2 (configurable)
USER 1USER LAYER 1 (configurable)
AUX/MTX/DCAAUX1–8, MTX1–4, DCA1–4
CH 17-32CH17–32
CH 1-16CH1–16
Accessing a screen
Pressing a button in the CHANNEL EDIT section or DISPLAY section displays the associated screen. The screens accessed by each button
are as follows:
METER screen
DCA GROUP screen
EFFECTS screen
SCENE screen
CHANNEL EDIT screen
GATE/EXPANDER screen
EQ screen
SETUP screen
MUTE GROUP screen
GEQ screen
RECORDER screen
COMPRESSOR/LIMITER screen
SENDS screen
Home screen
Pressing [EXIT] at any of the setting screens returns the display to the Home screen. You can select either the CHANNEL EDIT screen or the
METER screen as the Home screen. For details on how to select the Home screen, refer to “Selecting the Home screen” (p. 95).
26
Page 27
Basic operation
Screen operations
Basic screen structure
Title bar
1
This indicates the name of the screen currently shown in the
main display area.
Wireless LAN status display
2
This displays the status of the wireless LAN.
Display
Description
Connected to the Wireless LAN router. The signal
strength (the strength of the radio waves from the
Wireless LAN router) is indicated by three bars.
A wireless USB adapter is attached, but no
connection to the Wireless LAN router is in effect.
No wireless USB adapter is attached.
Button operations
Buttons on the screen are used to turn a function on or off, to
execute a command, or to access a screen. To operate a button,
move the cursor to the desired button and press [ENTER].
ON/OFF buttons
These are used to turn a parameter or function on or off.
A button that is on appears as follows:
A button that is off appears as follows:
Action buttons
These buttons are used to access an associated screen or to
execute a function.
Knob/value operations
Basic operation
Ad-hoc mode (p. 104)
Main display area
3
Most screen operations are performed in this area.
Cursor operations
The cursor is indicated by a flashing frame. You use the up, down,
left, and right keys to move the cursor.
Use the value dial to manipulate setting values on the screen.
Move the cursor to the desired value, then carry out the
operation.
You can make more-detailed settings by holding down [FUNC] and
operating the value dial.
27
Page 28
Basic operation
List operations
The selected item in a list is highlighted. Use the up/down keys or
the value dial to select a different item.
Basic operation
An item that has an accessible screen with more detailed settings
is displayed with an arrow as shown in the figure above. To
access the detailed setting screen, move to the item displayed
with an arrow and press [ENTER].
Copying channel settings to the
clipboard
Channel settings can be saved on the clipboard.
At the editing screen for the desired channel, access the
1.
FUNCTION screen.
2.
Move the cursor to “COPY” and press [ENTER].
The currently selected items are displayed with check marks.
Check boxes are displayed when it is possible to select more than
one of multiple choices.
Press [ENTER] to change setting values in a list, then use the value
dial to manipulate.
A message announcing the completion of the copy
operation is displayed.
When using the COPY function on the CHANNEL EDIT screen for
CH 1- 32, the following parameters of the selected channel are
saved to the clipboard:
Patch
Polarity
ATTAttenuator
HPFHigh-pass filter
GateGate/expander
CompCompressor
EQ4-band EQ
FaderFader
PanPan
SendAUX/MTX sends
DirectDirect out point
GroupDCA groups, mute groups
To MAINMAIN button
Input patch
Polarity
28
Page 29
When using the COPY function on the AUX/MTX/MAIN CHANNEL
EDIT screen, the following parameters for the currently selected
channel are copied:
Basic operation
ATT
CompCompressor (when compressor is selected)
EQ4-band EQ
FaderFader
BalanceBalance
LimiterLimiter (when limiter is selected)
DelayDelay
GroupDCA groups, mute groups
To MAINMAIN button/PAN (enabled only for AUX)
MTXAUX/MTX/MAIN bus mix
When using the COPY function on the GATE/EXPANDER screen,
COMPRESSOR/LIMITER screen, EQ screen, or SENDS screen, the
only contents of each respective function are copied.
Attenuator
Pasting channel settings from the
clipboard
Settings saved on the clipboard can be pasted. The paste
function is displayed only when settings are present on the
clipboard.
1.
At the editing screen for the desired channel, access the
FUNCTION screen.
A message announcing the completion of the paste operation is
displayed.
Pressing [EXIT] will cancel the operation.
When a mix of MTX has been pasted to MAIN/AUX, the levels
sent from the respective input channels to the copy-source MTX
bus are replicated at the paste-destination buses. However, the
sends from MAIN / AUX to MTX are not pasted.
Undoing (canceling) a paste
operation
This undoes the last-performed parameter paste operation.
The undo function is displayed only when pasted parameters
that can be undone exist.
1.
Access the CHANNEL FUNCTION screen for the desired
channel.
2.
Move the cursor to “UNDO” and press [ENTER].
Basic operation
2.
Move the cursor to “PASTE” and press [ENTER].
The CHANNEL PASTE screen for selecting the content to
3.
paste is displayed.
When individual settings for the COMPRESSOR/LIMITER screen
(p. 49), the EQ screen (p. 55), or the like have been copied, the
individual settings alone are pasted, with no screen for selecting
the content to paste displayed.
4.
Add check marks to the parameters that you want to
paste.
Move the cursor to the PASTE button and press [ENTER].
5.
A message announcing the completion of the undo
operation is displayed.
29
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Basic operation
Library operations
You can store settings for many of the functions of the M-200i
using LIBRARIES.
There are libraries for:
• Channels
• Buses
• Gates
• Compressors
• Limiters
•EQ
• Effects
Basic operation
• Input Patchbay settings
• Output Patchbay settings
This section describes the operations common to all LIBRARY
screens.
2.
Verify that the desired channel, effect, or patchbay is
displayed.
At the library data list, select the desired number, then
3.
press [ENTER]. A popup appears.
4.
Move the cursor to RECALL and press [ENTER].
LIBRARY screen
Target indication
1
This indicates currently displayed library, the target channel,
and other such information.
Library data list
2
NO.
NAMEThis indicates the name of the library data.
STATUS“P” is shown for preset data, and “L” is shown for
This indicates library data numbers.
Preset data numbers begin with a “P”.
User data numbers begin with a “U”.
locked user data.
A message prompting you to confirm the operation is
displayed.
5.
Pressing [ENTER] recalls the data from the library and
closes the popup.
Pressing [EXIT] cancels the library data-recall operation.
When recalling data from the CHANNEL LIBRARY, a screen for
selecting the parameter to recall is displayed in step 4.
Recalling data from a library
1.
Access the desired LIBRARY screen.
30
If the “SCENE/LIB RECALL” item in the CONFIRMATION section of
User Preference (p. 94) is not in effect, no confirmation message
will appear in step 4.
Page 31
Basic operation
Storing data to a library
1.
Access the desired LIBRARY screen.
Verify that the desired channel, effect, or patchbay is
2.
displayed.
3.
At the library data list, select the desired number, then
press [ENTER].
A popup appears.
A message prompting you to confirm the operation is
displayed.
Pressing the [ENTER] button stores the data to the library
7.
and closes the popup.
Pressing [EXIT] cancels the library data-store operation.
If the “SCENE/LIB STORE” item in the CONFIRMATION section of
User Preference (p. 94) is not in effect, no confirmation message
will appear in step 6.
Basic operation
4.
Move the cursor to STORE and press [ENTER].
The NAME EDIT screen is displayed.
Storing to numbers displayed with “P” (preset data) or with “L”
(locked data) is not possible.
5.
At the NAME EDIT screen, edit the name (p. 33).
Press [ENTER].
6.
31
Page 32
Basic operation
Locking/unlocking library data
You can lock user data to prevent from being accidentally
overwritten.
Access the desired LIBRARY screen.
1.
Basic operation
2.
Verify that the desired channel, effect, or patchbay is
displayed.
3.
At the library data list, select the desired number, then
press [ENTER].
A popup appears.
Clearing data from a library
1.
Access the desired LIBRARY screen.
Verify that the desired channel, effect, or patchbay is
2.
displayed.
3.
At the library data list, select the desired number, then
press [ENTER].
A popup appears.
4.
Move the cursor to LOCK and press [ENTER], then select
locking/unlocking of user data.
Move the cursor to the CLEAR and press [ENTER].
4.
A message prompting you to confirm the operation is
displayed.
Clearing data at numbers displayed with “P” (preset data) or
with “L” (locked data) is not possible.
Pressing [ENTER] clears the data from the library and
5.
closes the popup.
Pressing [EXIT] cancels the library data-clear operation.
32
Page 33
Basic operation
Editing the name of library data
You can assign a name of up to twelve characters to user data.
1.
Access the desired LIBRARY screen.
Verify that the desired channel, effect, or patchbay is
2.
displayed.
3.
At the library data list, select the desired number, then
press [ENTER]. A popup appears.
Editing a name
This section describes operations common to the NAME EDIT
screens.
1.
Use the left/right cursor buttons to select a character.
Use the value dial to change the character.
2.
Press [ENTER] to finalize the edited name and close the
NAME EDIT screen.
Pressing [EXIT] will cancel the operation.
Pressing a combination of buttons executes the following
action at NAME EDIT screens.
Basic operation
Move the cursor to the NAME EDIT and press [ENTER].
4.
The NAME EDIT screen is displayed.
You cannot edit library data in which “P” (preset data) or “L”
(
locked data) is shown.
At the NAME EDIT screen, edit the name.
5.
For information on how to edit the name, refer to “Editing a
name” (p. 33).
[FUNC]
+
[FUNC]
+
[FUNC]
+
[FUNC]
+
DELETE:
Deletes the character at the cursor location. The text
at the right of the cursor location will move to the
left.
INSERT:
Inserts a space at the cursor location. The text at the
right of the cursor location will move to the right.
A/a:
Changes the letter at the cursor location between
uppercase and lowercase. If the character is not an
English letter, it will be changed to the letter “A”.
NUMBER:
Converts the character at the cursor location to the
numeral “0”.
Peak clear
1.
At the CHANNEL EDIT, EQ, GATE, COMPRESSOR, or
METER screen, access the FUNCTION screen.
Move the cursor to PEAK CLEAR and press [ENTER].
2.
Press [ENTER] to finalize the edited name and close the
6.
NAME EDIT screen.
Pressing [EXIT] will cancel the operation.
The level meter’s peak hold or over indication is cleared.
33
Page 34
Input channel operations
LRLR
SOLO
12345678
LRLR12345678
MTX
1234
1234
HPF
COMP
ATT
PREAMP
KEY-IN
GR
GR
KEY-IN
POST HPFPOST ATTPOST GATE POST COMPPRE EQ
PRE FADER
PRE EQ
POST FADER
PRE FADERPOST FADER
FX
INSERT
MUTE FADER
PAN
MAIN ON
EXT FX
INSERT
ON
TO
1, 3...7
TO
2, 4...8
SENDAUX/MTX
LINK
AUX SEND 1–8, MTX SEND 1–4
PAN
SOLO
KEY-IN
SOLO
TO SOLO
TO SOLO
KEY-IN
SOLO
PRE EQ
PRE FADER
POST FADER
AFL(R)
PFL(R)
AFL(L)
PFL(L)
ONSEND
DIRECT OUT
POINT
AFL ON
KEY-IN SOLO
CH 1–32
GATE/
EXP
KEY-IN
FILTER
MUTE
MUTE
PRE EQ
TOP OF CH
PRE FADER
POST FADER
- SELF POST HPF
- CH 1-32 DIRECT OUT
- MAIN L / R
- AUX 1–8
- MTX 1–4
- INPUT 1–24
- DOCK INPUT L / R
- REAC INPUT1–40
- SELF POST GATE
- CH 1-32 DIRECT OUT
- MAIN L / R
- AUX 1–8
- MTX 1–4
- INPUT 1–24
- DOCK INPUT L / R
- REAC INPUT1–40
TO OUTPUT PATCHBAY
4-BAND
PEQ
KEY-IN
FILTER
INPUT
PATCHBAY
GEQ
INSERT
MAIN AUX
SOLOMTXMAIN AUX
About the input channels
The input channels process the audio signals from the input jacks and internal ports, and send them to the MAIN, AUX, and MTX buses.
fig.InBlkDia.eps
Input channel operations
•
INPUT PATCHBAY
This section patches input ports to input channels.
• φ
(POLARITY)
This reverses the polarity of the audio signal.
•
ATT (Attenuator)
This adjusts the input level in the digital domain.
• HPF (High-pass filter)
This is a 12 dB/octave filter that passes audio frequencies
that are higher than the specified frequency.
• GATE/EXPANDER
This is a dynamics processor that can be used as a gate,
expander, or ducking.
•
COMPRESSOR
This is a dynamics processor that can be used as a
compressor.
• EXT FX INSERT (External effect insert)
An external effect processor can be inserted at this point
using the audio input and output jacks on the rear panel.
•
FX INSERT (Effect insert)
FX1–FX4 can be inserted at this point.
• GEQ INSERT
These ports let you insert GEQ1-4.
•
4-BAND EQ
This is a 4-band EQ with LO, LO-MID, HI-MID, and HI
frequency bands.
34
• MUTE
This mutes the channel.
•
FADER
This adjusts the send level to the MAIN bus.
•
PAN
This adjusts the left/right panning of the audio signal sent to
the MAIN L/R bus.
• MAIN SW (Main switch)
This turns the send to the MAIN L/R bus on/off.
• AUX/MTX SENDS
These adjust the send to the AUX/MTX bus.
•
DIRECT OUT POINT
This specifies the position from which the direct out signal is
taken.
• SOLO
This outputs the selected signal to MONITOR OUT L/R and
PHONES OUT.
Page 35
Accessing the CHANNEL EDIT
2
screen
1.
In the LAYER section, press [CH1-16] or [CH17-32] to
assign the input channels to the fader module section.
2.
In the fader module section, press [SEL] to select the
desired input channel.
In the CHANNEL EDIT section, press [EDIT].
3.
The CHANNEL EDIT screen appears.
Input channel operations
PAD button
2
This turns the pad on/off. Turning this on lowers the input
sensitivity of the preamp by 20 dB.
The preamp circuit in the M-200i has no pad.
The PAD button is displayed when an S-1608 or other
Digital Snake device is patched.
To prevent occurrence of noise when changing pad settings,
output of the channel whose setting you change is briefly
muted.
Turn the pad on if the input level is too high even when the preamp
gain is set to the minimum position.
φ
(Polarity) button
3
This reverses the polarity of the audio signal. The polarity is
reversed when this is turned on and normal when turned off.
Input channel operations
Pressing a different [SEL] button while the CHANNEL EDIT screen is
displayed lets you switch to the view for that channel.
At the CH-SELECT OPTION screen (p. 94) in the user preference
settings, if “CH-EDIT FOLLOWS [SEL]” is in effect, pressing [SEL]
accesses the CHANNEL EDIT screen for that channel.
CHANNEL EDIT screen
Preamp
1
Here you make preamp settings for the input jacks patched to
the channels.
+48V button
1
This turns the +48 V phantom power on/off.
SENS
4
This adjusts the preamp gain.
The preamp gain is not a continuous control; it is digital with
stepped control. This is normal.
In certain situations artifact noise may occur when changing
preamp gain. This is normal.
Overload indicator
5
This will light when the output of the preamp exceeds the
OVER LEVEL setting specified in the METER FUNCTION screen
(p. 59).
For the following channels, the preamp displays only
the φ(Polarity) button:
• Channels to which no input port is patched
• Channels to which a port that has no preamp (such
as an internal port) is patched
HPF (High-pass filter)
Be sure to turn off phantom power when no device requiring
+48 V phantom power is connected. Inadvertently supplying
phantom power to a dynamic microphone, audio playback
device, or other equipment that does not require such
power might cause malfunction. Carefully check the
documentation included with the microphone or other
equipment you’re using to determine its specifications.
To prevent occurrence of noise, input is briefly muted when
phantom power is turned on or off.
HPF button
1
This turns the filter on/off.
FREQ
2
This adjusts the HPF frequency in a range of 20 Hz to 20.0
kHz.
35
Page 36
Input channel operations
1
Dynamics
3
GATE button
1
This turns the gate/expander on/off.
6
Fader
For information on editing gate/expander parameters, refer to
“Gate/expander operations” (p. 44).
COMP button
2
This turns the compressor on/off.
For information on editing compressor parameters, refer to
“Compressor/Limiter operations” (p. 49).
EQ
4
Input channel operations
EQ graph
This shows the approximate response of the EQ.
EQ button
2
This turns the 4-band EQ on/off.
For information on editing 4-band EQ parameters, refer to “4band EQ operations” (p. 55).
This adjusts the send level to MAIN in a range of -Inf dB to
+10.0 dB.
You can make more-detailed settings by holding down [FUNC]
and operating the value dial.
7
Channel meter
This indicates the signal level of the channel. For a stereolinked channel, two meters (L and R) are shown. The level
detection point is according to the setting at the METER
screen.
For details, refer to “METER FUNCTION screen” (p. 59).
Pan fader
5
PAN
1
This adjusts the panning of the audio signal sent to MAIN L/R
in a range of L63 to R63.
MAIN button
2
This turns the send to MAIN L/R on/off.
36
Page 37
Input channel operations
CHANNEL FUNCTION screen
Access the CHANNEL EDIT screen for the desired channel.
1.
2.
Press [FUNC] to access the CHANNEL FUNCTION screen.
The operations available at the CHANNEL FUNCTION screen are
as follows:
LINK
NAME EDITSpecifies the channel name.
PATCHBAYAccesses the PATCHBAY screen (p. 87).
GROUP
ASSIGN
ATT
DIRECT OUT
POINT
COPY
PASTEWhen channel settings have been copied to the
UNDOThis undoes the last-performed parameter paste
LIBRARYAccesses the CH LIBRARY screen.
PEAK CLEARClears the level meter’s peak hold or over indication.
HOME
SCREEN
For information on, NAME EDIT, COPY, PASTE, UNDO, LIBRARY,
or PEAK CLEAR, go to “Basic operation,“ and refer to “Editing a
name”(p. 33), “Copy“ (p. 28), “Paste“ (p. 29), “Undo“ (p. 29),
“Library“ (p. 30), or “Peak clear“ (p. 33).
Turns channel link on/off (p. 37).
Assigns channels to DCA groups (p. 61)and mute
groups (p. 62).
This adjusts the input level in the digital
domain.
This specifies the position from which the
direct out signal is taken (p. 38).
Copies channel settings to the clipboard.
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no action
to undo.
Selects the unit’s Home screen.
Stereo-linking channels
Adjacent odd-numbered and even-numbered channels can be
stereo-linked so that their parameters have the same settings.
This is convenient when you’re dealing with stereo sources.
Access the CHANNEL FUNCTION screen for the channel
1.
that you want to stereo-link.
2.
Move the cursor to “LINK“ and press [ENTER].
A confirmation message appears, asking you to confirm the
stereo-link operation.
The options within this menu are explained below.:
Description
LINK (L->R)
LINK (L<-R) The parameters of the odd-numbered channel are
Moving the cursor to the LINK (L->R) or LINK (L<-R) and
3.
The parameters of the even-numbered channel are
set to the values of the odd-numbered channel.
set to the values of the even-numbered channel.
pressing [ENTER] stereo-links the channels.
Pressing [EXIT] cancels the operation.
Stereo-linked parameters
The following parameters are linked by stereo link:
• Attenuator
• HPF
• Gate/expander parameters other than Key In
• Compressor parameters other than Key In
• 4-band EQ parameters
• Fader parameters
• AUX/MTX sends
• Direct out point
Input channel operations
For information on HOME SCREEN, go to “User Preference
settings,“ and refer to “Selecting the Home screen” (p. 95).
When stereo link is enabled, the gate/expander and compressor
work in stereo.
37
Page 38
Input channel operations
Changing the patching for a channel
You can change the patchbay setting for a selected channel.
1.
Access the CHANNEL FUNCTION screen for the desired
channel.
Move the cursor to “PATCHBAY” and press [ENTER].
2.
Move to the Patchbay screen for the selected channel.
From the list, select the desired input jack, then press
3.
[ENTER].
Input channel operations
For information on operations at the Patchbay screen, refer to
the “Input/output patchbay” section (p. 86).
Assigning channels to DCA groups and
mute groups
You can assign input channels to DCA groups and mute groups.
1.
Access the CHANNEL FUNCTION screen for the desired
channel.
Selecting the position from which the
channel’s signal is sent as the direct out
signal
1.
Access the CHANNEL FUNCTION screen for the desired
channel.
2.
Move the cursor to “DIRECT OUT POINT“ and press
[ENTER].
The DIRECT OUT POINT screen is displayed.
Select the position from which the channel’s signal is
3.
sent as the direct out signal, then press [ENTER].
TOP OF CHANNEL
PRE EQTake the pre-EQ signal.
PRE FADERTake the pre-fader signal.
POST FADERTake the post-fader signal.
Take the raw signal immediately out of the
preamp.
Move the cursor to “GROUP ASSIGN” and press [ENTER].
2.
The GROUP ASSIGN screen appears.
Move the cursor to the desired DCA or mute group and
3.
press [ENTER].
4.
Press [EXIT] to quit the screen.
For details about DCA groups, refer to “DCA groups” (p. 60). For
details about mute groups, refer to “Mute groups” (p. 62).
38
Page 39
AUX, MTX, MAIN operations
MAIN
LRLR
SOLOAUX
12345678
LRLR12345678
MAINSOLOAUX
MTX
1234
1234
MTX
ATT
POST ATTPRE EQPRE FADERPOST FADER POST LIMITERPOST DELAY
POST DELAY
POST DELAY
FX
INSERT
MUTE
FADER
BAL
EXT FX
INSERT
MAIN OUT L
MAIN OUT R
MONO OUT
AUX 1–8 OUT
MTX 1–4 OUT
OUTPUT
PATCHBAY
TO SOLO
* COMP and LIMITER are mutually exclusive.
* COMP and LIMITER are mutually exclusive.
* COMP and LIMITER are mutually exclusive.
LIMITERDELAY
ATT
POST ATTPRE EQ
PRE EQ
PRE FADER
PRE FADER
POST FADER
POST FADER
POST LIMITER
POST LIMITER
FX
INSERT
MUTE
FADER
FADER
BAL
EXT FX
INSERT
ATT
POST ATT
FX
INSERT
EXT FX
INSERT
BAL MUTE
TO SOLO
SOLO
SOLO
TO MONITOR SEL
TO REC SEL
TO FX SOURCE SEL
TO MONITOR SEL
TO REC SEL
LIMITER
TO SOLO
SOLO
MAIN L, R
MTX 1–4
AUX 1–8
PRE COMP
PRE FADER
POST FADER
PRE COMP
PRE FADER
POST FADER
TO MONITOR SEL
TO REC SEL
TO MONO MIX
MTX SEND 1–4
TO
MTX 1, 3
TO
MTX 2, 4
ONSEND
MTX
LINK
PAN
ONSEND
MTX SEND 1–4
TO
MTX 1, 3
TO
MTX 2, 4
ONSEND
MTX
LINK
PAN
ONSEND
TO
MAIN L
TO
MAIN R
MAIN SEND
PAN
MAIN ON
DELAY
LIMITERDELAY
MONO
MIX
AFL ON
PFL
AFL
PFL
AFL
PFL
AFL
AFL ON
AFL ON
GR
GR
GR
4-BAND
PEQ
4-BAND
PEQ
4-BAND
PEQ
GEQ
INSERT
GEQ
INSERT
GEQ
INSERT
EXT FX
INSERT
PRE COMP
COMP
GR
PRE COMP
COMP
GR
PRE COMP
COMP
GR
MAIN SEND (FROM AUX 1-8)
MTX SEND (FROM MAIN L / R)
MTX SEND (FROM AUX 1-8)
AUX 1-8 SOLO
MTX 1-4 SOLO
MAIN L SOLO
MAIN R SOLO
About AUX, MTX, MAIN
The AUX and MAIN process the mixed audio signals from the input channels, and send them to the output ports. MTX (MATRIX) process a
mix of the audio signals from input channels, AUX1-8, and MAIN, and send them to the output ports.
fig.OutBlkDia.eps
AUX, MTX, MAIN operations
39
Page 40
AUX, MTX, MAIN operations
• ATT (Attenuator)
This adjusts the input level.
•
EXT FX INSERT (External Effect insert)
These ports let you use the rear panel INPUT17–20 and
ASSIGNABLE OUTPUT 7-10 ports to insert external effects
processors.
•
FX INSERT (Effect insert)
These ports let you insert FX1–FX4.
• GEQ INSERT
GEQ1 to 4 can be inserted at this point.
• COMPRESSOR
This is a dynamics processor that can be used as a
compressor.
The compressor and limiter cannot be used concurrently.
• 4-BAND EQ
This is a 4-band EQ with LO, LO-MID, HI-MID, and HI
frequency bands.
• FADER
This adjusts the output level.
•
BALANCE
AUX, MTX, MAIN operations
This adjusts the left/right balance for MAIN L/R or for stereolinked AUX/MTX buses.
• MUTE
This mutes the output of the channel. The post fader sends
to the MAIN L/R bus and MTX buses will also be muted.
•
LIMITER
This limits the output level.
Accessing the CHANNEL EDIT
screen
1.
In the LAYER section, press [AUX/MTX] to assign the
output channels to the fader module section.
2.
In the fader module section, press [SEL] to select the
desired input channel.
In the CHANNEL EDIT section, press [EDIT].
3.
The CHANNEL EDIT screen appears.
Pressing a different [SEL] button while the CHANNEL EDIT screen is
displayed lets you switch to the view for that channel.
At the CH-SELECT OPTION screen (p. 94) in the user preference
settings, if “CH-EDIT FOLLOWS [SEL]“ is in effect, pressing [SEL]
accesses the CHANNEL EDIT screen for that channel.
The compressor and limiter cannot be used concurrently.
• MAIN SEND (AUX1–8 only)
This adjusts the send to MAIN.
•
MTX SEND (MATRIX send)
This adjusts the send to MTX1–4.
• DELAY
This delays the output signal.
•
SOLO
This outputs the selected signal to MONITOR OUT L/R and
PHONES OUT.
40
Page 41
CHANNEL EDIT screen
6
7
Attenuator
1
ATT knob
1
This adjusts the input level of the channel in a range of -48.0
dB to 0.0 dB.
Overload indicator
2
This will light when the output of the attenuator exceeds the
OVER LEVEL setting specified in the METER FUNCTION screen
(p. 59).
Normally, you should leave the attenuator set at 0 dB.
When the input of an AUX, MTX, or MAIN is overloaded,
however, you can use the attenuator to avoid overload.
AUX, MTX, MAIN operations
5
EQ
EQ graph
1
This shows the approximate response of the EQ.
EQ button
2
This turns the 4-band EQ on/off.
For information on editing 4-band EQ parameters, refer to “4band EQ operations” (p. 55).
TO MAIN (AUX only)
AUX, MTX, MAIN operations
2
Balance
This adjusts the left/right output balance for MAIN L/R or for
stereo-linked AUX/MTX buses in a range of L63 to R63.
DELAY
3
DELAY button
1
This turns delay on/off.
Delay time
2
This adjusts the amount of delay in a range of 0.0 ms to 400.0
ms.
COMP/LIMITER button
4
PAN
1
This adjusts the panning of the audio signal sent to MAIN L/R
in a range of L63 to R63.
MAIN button
2
This turns the send to MAIN L/R on/off.
Faders
This adjusts the output level in a range of -Inf dB to +10.0 dB.
This turns the compressor or limiter on/off.
For information on editing compressor or limiter parameters,
refer to “COMPRESSOR/LIMITER screen” (p. 49).
The compressor and limiter cannot be used concurrently.
41
Page 42
AUX, MTX, MAIN operations
8
Channel meter
This indicates the signal level of the channel. For a stereolinked channel, two meters (L and R) are shown. The level
detection point is according to the setting in the METER
screen.
CHANNEL FUNCTION screen
Access the CHANNEL EDIT screen for the desired channel.
1.
2.
Press [FUNC] to access the CHANNEL FUNCTION screen.
For details, refer to “Metering” (p. 59).
AUX, MTX, MAIN operations
The operations available at the CHANNEL FUNCTION screen are
as follows:
LINK
NAME EDITSpecifies the channel name.
PATCHBAYAccesses the PATCHBAY screen (p. 43).
GROUP
ASSIGN
COPYCopies channel settings to the clipboard.
PASTEWhen channel settings have been copied to the
UNDOThis undoes the last-performed parameter paste
LIBRARYAccesses the AUX/MTX/MAIN LIBRARY screen.
PEAK CLEARClears the level meter’s peak hold or over indication.
HOME
SCREEN
For information on, NAME EDIT, COPY, PASTE, UNDO, LIBRARY,
or PEAK CLEAR, go to “Basic operation,“ and refer to “Editing a
name”(p. 33), “Copy“ (p. 28), “Paste“ (p. 29), “Undo“ (p. 29),
“Library“ (p. 30), or “Peak clear“ (p. 33).
Turns channel link on/off (p. 43).
Assigns channels to DCA groups (p. 60) and mute
groups (p. 62).
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no action
to undo.
Selects the unit’s Home screen.
42
For information on HOME SCREEN, go to “User Preference
settings,“ and refer to “Selecting the Home screen” (p. 95).
Page 43
AUX, MTX, MAIN operations
Stereo-linking AUX/MTX
You can stereo-link adjacent odd-numbered and even-numbered
AUX/MTX so that their parameters have the same settings.
This is convenient when you want stereo output.
Access the CHANNEL FUNCTION screen for the AUX/MTX
1.
that you want to stereo-link.
2.
Move the cursor to “LINK“ and press [ENTER].
A confirmation message appears, asking you to confirm the
stereo-link operation.
The list in this message have the following functions:
Description
LINK (L<-R) The parameters of the odd-numbered channel are
set to the values of the even-numbered channel.
LINK (L->R) The parameters of the even-numbered channel are
set to the values of the odd-numbered channel.
3.
Moving the cursor to the LINK (L<-R) or LINK (L->R) and
pressing [ENTER] stereo-links the channels.
Pressing [EXIT] cancels the operation.
Changing the patching for a channel
You can change the patchbay setting for a selected channel.
1.
Access the CHANNEL FUNCTION screen for the desired
channel.
Move the cursor to “PATCHBAY“ and press [ENTER] to
2.
select.
The currently selected channel moves to the Patchbay
screen.
3.
From the list, select the desired output jack, then press
[ENTER].
For information on operations at the Patchbay screen, refer to
the “Input/output patchbay“ section (p. 86).
Assigning channels to DCA groups and
mute groups
MAIN, AUX, and MTX channels can be assigned to DCA groups
and mute groups.
AUX, MTX, MAIN operations
Stereo-linked parameters
The following parameters are linked by stereo link:
• Attenuator
• Compressor and limiter parameters
• 4-band EQ parameters
• Fader parameters
• MAIN send level, send switch, and send point
• MTX send level, send switch, and send point
• DELAY
MAIN L/R is always stereo-linked.
When linked, the compressor and limiter operate in stereo.
For details on operations using the GROUP ASSIGN function,
refer to “Assigning channels to DCA groups and mute groups“
(p. 38).
43
Page 44
GATE/EXPANDER screen
INPUT LEVELTIME
OUTPUT LEVEL
LEVEL
THRESHOLD
THRESHOLD
ATTACKRELEASE
INPUT SIGNAL
OUTPUT SIGNAL
RATIO
(KNEE=HARD)(RATIO=INF:1)
Gate/expander operations
A gate/expander is provided on CH1–32, and can be used as a gate, an expander, or a ducking processor.
A gate applies a user-adjustable level of attenuation (RANGE) to input signals that are lower than the threshold level.
ffig.GateCurve.eps
INPUT SIGNAL
OUTPUT SIGNAL
RELEASE
THRESHOLD
OUTPUT LEVEL
THRESHOLD
RANGE
RANGE
LEVEL
ATTACK
HOLD
INPUT LEVEL
An expander applies a user-adjustable ratio of attenuation (RATIO) to input signals that are lower than the threshold level.
fig.ExpCurve.eps
TIME
GATE/EXPANDER screen
A ducking processor applies a user-adjustable level of attenuation (RANGE) to input signals that are higher than the threshold level.
fig.GateDuck.eps
INPUT SIGNAL
THRESHOLD
LEVEL
ATTA CK
HOLD
OUTPUT SIGNAL
RELEASE
RANGE
OUTPUT LEVEL
RANGE
INPUT LEVELTIME
Gate, expander, and ducking operations are performed at the GATE/EXPANDER screen.
44
THRESHOLD
Page 45
GATE/EXPANDER screen
3
5
GATE/EXPANDER screen
1.
In the fader module section, press [SEL] to select the
desired channel.
In the CHANNEL EDIT section, press [GATE].
2.
The GATE/EXPANDER screen appears. (The name of the
screen varies depending on the type of gate selected.)
ON button
1
This turns the GATE/EXPANDER on/off.
2
IN meter
This shows the input level of the gate/expander. This shows
the level of the key-in signal when the KEY-IN FILTER is on or
the KEY-IN SOURCE is not SELF. For stereo-linked channels,
two meters (L and R) are shown.
GR meter
This shows the amount of gain reduction for the gate/
expander.
OUT meter
4
This shows the output level of the gate/expander. For stereolinked channels, two meters (L and R) are shown.
Gate
fig.PopGateGuide2.eps
THRESH knob
1
This adjusts the threshold level in a range of -80.0 dB–0.0 dB.
RANGE knob
2
This adjusts the RANGE in a range of -Inf dB–0.0 dB.
ATTACK knob
3
This adjusts the ATTACK time in a range of 0.0 ms–800.0 ms.
This is the time from when the input signal exceeds the
threshold level until the gate opens completely.
RELEASE knob
4
This adjusts the RELEASE time in a range of 0 ms–8000 ms.
This is the time over which the gate reaches its maximum
effect after the HOLD time has elapsed.
HOLD knob
This adjusts the HOLD time in a range of 0 ms–8000 ms. This
is the time from when the input signal falls below the
threshold level until the gate begins closing.
GATE/EXPANDER screen
Parameter
5
This sets the parameters for the gate/expander.
The parameters differ according to type.
45
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GATE/EXPANDER screen
5
Expander
fig.PopExpGuide.eps
THRESH knob
1
This adjusts the threshold level in a range of -80.0 dB–0.0 dB.
RATIO knob
2
This adjusts the RATIO in a range of 1.00:1–INF:1 (14 steps).
ATTACK knob
3
This adjusts the ATTACK time in a range of 0.0 ms–800.0 ms.
This is the time from when the input signal exceeds the
threshold level until the expander effect disappears.
KNEE knob
4
This adjusts the KNEE in a range of HARD or SOFT1–SOFT9
(ten steps). The way in which the expander is applied to the
GATE/EXPANDER screen
region near the threshold level can be adjusted between
steep (HARD) and gentle (SOFT9).
RELEASE knob
5
This adjusts the RELEASE time in a range of 0 ms–8000 ms.
This is the time from when the input signal falls below the
threshold level until the expander effect reaches its
maximum.
Ducking
fig.PopDuckGuide.eps
THRESH knob
1
This adjusts the threshold level in a range of -80.0 dB–0.0 dB.
RANGE knob
2
This adjusts the RANGE in a range of -Inf dB–0.0 dB.
ATTACK knob
3
This adjusts the ATTACK time in a range of 0.0 ms–800.0 ms.
This is the time from when the input signal exceeds the
threshold level until the ducking effect reaches its maximum.
RELEASE knob
4
This adjusts the RELEASE time in a range of 0 ms–8000 ms.
This is the time over which the ducking effect disappears
after the HOLD time has elapsed.
HOLD knob
This adjusts the HOLD time in a range of 0 ms–8000 ms. This
is the time from when the input signal falls below the
threshold level until the ducking effect begins to disappear.
46
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GATE/EXPANDER screen
GATE FUNCTION screen
Access the GATE/EXPANDER screen for the desired
1.
channel.
2.
Press [FUNC] to access the GATE FUNCTION screen.
The operations available at the GATE FUNCTION screen are as
follows:
TYPE SELECT
KEY-IN SOURCEThis button accesses the KEY-IN SELECT screen for
KEY-IN FILTERThis button accesses the GATE KEY-IN FILTER screen
COPYCopies gate settings to the clipboard.
PASTEWhen gate settings have been copied to the
UNDOThis undoes the last-performed parameter paste
LIBRARYAccesses the GATE LIBRARY screen.
PEAK CLEARClears the level meter’s peak hold or over indication.
This selects the type of gate from among the three
types of GATE, EXPANDER, and DUCKING (p. 45).
selecting the key-in signal. For stereo-linked
channels, L and R sources are shown (p. 37).
(p. 48).
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no action
to undo.
Selecting the type of GATE/EXPANDER
1.
Access the GATE FUNCTION screen.
Select “TYPE SELECT“ and press [ENTER].
2.
GATE TYPE SELECT screen appears.
Select GATE, EXPANDER, or DUCKING as the GATE type,
3.
and press [ENTER].
The type changes.
GATE/EXPANDER screen
For information on, COPY, PASTE, UNDO, LIBRARY, or PEAK
CLEAR, go to “Basic operation,“ and refer to “Copy“ (p. 28),
“Paste“ (p. 29), “Undo“ (p. 29), “Library“ (p. 30), or “Peak clear“ (p.
33).
47
Page 48
GATE/EXPANDER screen
3
Selecting the key-in signal
The key-in signal used by the gate is taken from the post-HPF
point of the channel itself or from any of the following sources:
• CH1-32 direct out
• AUX1-8, MTX1-4, or MAIN L/R output
• REAC INPUT1-40
• INPUT1-24
AT T
- SELF POST HPF
- CH 1-32 DIRECT OUT
- MAIN L / R
- AUX 1–8
- MTX 1–4
- INPUT 1–24
- DOCK INPUT L / R
- REAC INPUT1–40
HPF
KEY-IN
FILTER
GATE/
EXP
KEY-IN
KEY-IN
SOLO
COMP
You use the KEY-IN SOURCE screen to select the key-in signal.
Access the GATE FUNCTION screen.
1.
Select “KEY-IN SOURCE“ and press [ENTER] to access the
2.
GATE KEY-IN SOURCE screen.
GATE/EXPANDER screen
TO SOLO
Using the key-in filter
1.
Access the GATE FUNCTION screen.
Select “KEY-IN FILTER“ and press [ENTER] to access the
2.
GATE KEY-IN FILTER screen.
IN meter
1
This shows the input level of the gate/expander.
This shows the level of the key-in signal when the KEY-IN
FILTER is on or the KEY-IN SOURCE is not SELF.
For stereo-linked channels, two meters (L and R) are shown.
GR meter
2
This shows the amount of gain reduction for the gate/
expander.
3.
Use the value dial to move to the desired channel and
press [ENTER] to select the channel to use as the key-in
signal.
OUT meter
This shows the output level of the gate/expander. For stereolinked channels, two meters (L and R) are shown.
KEY-IN source
4
This shows KEY-IN source.
Filter graph
5
This indicates the approximate response of the key-in filter.
SOLO button
6
This lets you hear the key-in filter’s output signal via the
unit’s monitor output.
ON button
7
This turns the KEY-IN FILTER on/off.
TYPE
8
This select the filter type.
FREQ knob
9
This adjusts the center frequency in a range of 20 Hz to 20.00
kHz.
10
Q knob
This adjusts the Q of the peaking-type filters in a range of
0.36–16.00. Higher values produce a sharper curve.
Exiting the GATE KEY-IN FILTER screen automatically turns off
key-in solo.
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COMPRESSOR/LIMITER screen
INPUT LEVEL
OUTPUT LEVEL
THRESHOLD
INPUT SIGNAL
OUTPUT SIGNAL
(KNEE=HARD)
Compressor/Limiter operations
Compressors are provided on CH1-32, AUX 1-8, MTX1-4 and MAIN L/R.
They apply a user-adjustable ratio of attenuation to input signals that exceed the threshold level.
fig.CompCurve.eps
(KNEE=HARD, GAIN=0.0dB, AUTO GAIN=OFF)
THRESHOLD
RATIO
INPUT SIGNAL
OUTPUT SIGNAL
OUTPUT LEVEL
INPUT LEVEL
Limiters are provided on each AUX1-8, MTX1-4, and MAIN L/R.
They attenuate the signal so that the output does not exceed the threshold level.
COMPRESSOR/LIMITER screen
You can select either compressor or limiter for AUX1 through 8, MTX1 through 4, and MAIN L and R.
By default, the compressor is selected.
The insert point varies according to the type selected.
For more details about insert points, refer to “Block Diagram“ on the final page.
The COMPRESSOR screen is used to perform compressor operations, and the LIMITER screen is used to perform limiter operations.
49
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COMPRESSOR/LIMITER screen
5
COMPRESSOR screen
On button
1
This turns the COMPRESSOR on/off.
IN meter
2
This shows the input level of the compressor. For a stereolinked channel, two meters (L and R) are shown.
GR meter
3
This shows the amount of gain reduction for the compressor.
OUT meter
4
This shows the output level of the compressor. For a stereolinked channel, two meters (L and R) are shown.
Accessing the COMPRESSOR screen
1.
In the fader module section, press [SEL] to select the
desired channel.
In the CHANNEL EDIT section, press the [COMP] button.
2.
The COMPRESSOR screen appears.
When LIMITER is selected as the compressor type for AUX, MTX,
or MAIN, LIMITER is displayed in the title bar.
For information on how change the type, refer to “Changing
between COMPRESSOR/LIMITER” (p. 52).
Parameter
This sets the parameters for the compressor.
COMPRESSOR/LIMITER screen
THRESH knob
1
This adjusts the threshold level in a range of -40.0 dB to 0.0
dB.
RATIO knob
2
This adjusts the RATIO in a range of 1.00:1 to INF:1 (14 steps).
ATTACK knob
3
This adjusts the ATTACK time in a range of 0.0 ms to 800.0
ms. This is the time from when the input signal exceeds the
threshold level until the compressor effect reaches its
maximum.
KNEE knob
4
This adjusts the KNEE in a range of HARD or SOFT1 to SOFT9
(ten steps). The way in which the compressor is applied to
the region near the threshold level can be adjusted between
steep (HARD) and gentle (SOFT9).
RELEASE knob
5
This adjusts the RELEASE time in a range of 0 ms to 8000 ms.
This is the time from when the input signal falls below the
threshold level until the compressor effect disappears.
GAIN knob
6
This adjusts the GAIN in a range of -40.0 dB to +40.0 dB.
If AUTO GAIN is on, the GAIN has an effective range of -40.0 dB
to +6.0 dB.
50
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COMP FUNCTION screen
HPF
COMP
AT T
KEY-IN
TO SOLO
KEY-IN
SOLO
GATE/
EXP
- SELF POST GATE
- CH 1-32 DIRECT OUT
- MAIN L / R
- AUX 1–8
- MTX 1–4
- INPUT 1–24
- DOCK INPUT L / R
- REAC INPUT1–40
KEY-IN
FILTER
Access the COMP screen for the desired channel.
1.
2.
Press [FUNC] to access the COMP FUNCTION screen.
The operations available at the CHANNEL FUNCTION screen are
as follows:
TYPE SELECT
AUTO GAINThis turns AUTO GAIN on/off.
KEY-IN SOURCEThis button accesses the KEY-IN SELECT screen for
KEY-IN FILTERThis accesses the COMP KEY-IN FILTER screen. This is
COPYCopies compressor settings to the clipboard.
PASTEWhen compressor settings have been copied to the
UNDOThis undoes the last-performed parameter paste
LIBRARYAccesses the COMP LIBRARY screen.
PEAK CLEARClears the level meter’s peak hold or over indication.
This selects COMPRESSOR or LIMITER as the
compressor type. (LIMITER cannot be selected for
CH1-32.)
selecting the key-in signal. For stereo-linked
channels, L and R sources are shown.
This is not displayed for AUX, MTX, or MAIN (p. 37).
not displayed for AUX, MTX, or MAIN (p. 51).
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no action
to undo.
COMPRESSOR/LIMITER screen
The compressor will narrow the dynamic range, because it
reduces the output of incoming signals that exceed the
threshold level.
If AUTO GAIN is on, the upper limit of the output level
when ATTACK time is 0 ms is boosted while maintaining 6
dB of headroom from clip level (0 dB), thus maximizing the
dynamic range.
The 6 dB of headroom is maintained to prevent the
compressor’s output from clipping during the attack
portion of the input signal when the ATTACK time is set to
a longer value.
COMPRESSOR/LIMITER screen
Selecting the key-in signal
The key-in signal used by the compressor is taken from the postgate point of the channel itself or from any of the following
sources:
• CH1-32 direct out
• AUX1-8, MTX1-4, or MAIN L/R output
• REAC INPUT1-40
• INPUT1-24
You use the COMP KEY-IN SOURCE screen to select the key-in
signal.
No key-in function is available for compressors on AUX1-8,
MTX1-4, or MAIN L or R.
For information on, COPY, PASTE, UNDO, LIBRARY, or PEAK
CLEAR, go to “Basic operation,“ and refer to “Copy“ (p. 28),
“Paste“ (p. 29), “Undo“ (p. 29), “Library“ (p. 30), or “Peak clear“ (p.
33).
For information on TYPE SELECT, refer to “Changing between
COMPRESSOR/LIMITER” (p. 52).
If you turn AUTO GAIN on, the output response of the
compressor is boosted as high as possible while maintaining 6
dB of headroom.
Access the COMP FUNCTION screen.
1.
Select “KEY-IN SOURCE“ and press [ENTER] to access the
2.
COMP KEY-IN SOURCE screen.
3.
Use the value dial to move to the desired channel and
press [ENTER] to select the channel to use as the key-in
signal.
51
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COMPRESSOR/LIMITER screen
Using the key-in filter
1.
Access the COMP FUNCTION screen.
Select “KEY-IN FILTER“ and press [ENTER] to access the
2.
COMP KEY-IN FILTER screen.
IN meter
1
This shows the input level of the compressor.
This shows the level of the key-in signal when the KEY-IN
FILTER is on or the KEY-IN SOURCE is not SELF.
For stereo-linked channels, two meters (L and R) are shown.
GR meter
2
This shows the amount of gain reduction for the compressor.
Changing between COMPRESSOR/
LIMITER
You can select either compressor or limiter on AUX1 through 8,
MTX1 through 4, and MAIN L and R.
The insert point varies according to the type selected.
1.
Access the COMP FUNCTION screen.
2.
Select TYPE SELECT and press [ENTER].
OUT meter
3
This shows the output level of the compressor. For stereolinked channels, two meters (L and R) are shown.
COMPRESSOR/LIMITER screen
KEY-IN source
4
This shows KEY-IN source.
Filter graph
5
This indicates the approximate response of the key-in filter.
SOLO button
6
This lets you hear the key-in filter’s output signal via the
unit’s monitor output.
ON button
7
This turns the KEY-IN FILTER on/off.
TYPE
8
This select the filter type.
FREQ knob
9
This adjusts the center frequency in a range of 20 Hz to 20.00
kHz.
COMP/LIMITER TYPE SELECT screen appears.
3.
Select COMPRESSOR or LIMITER as the compressor type ,
and press [ENTER].
The type changes.
10
Q knob
This adjusts the Q of the peaking-type filters in a range of
0.36–16.00. Higher values produce a sharper curve.
Exiting the COMP KEY-IN FILTER screen automatically turns off
key-in solo.
52
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COMPRESSOR/LIMITER screen
LIMITER screen
Limiters are provided on each AUX1 through 8, MTX1 through 4,
and MAIN L and R.
ON button
1
This turns the LIMITER on/off.
IN meter
2
This shows the input level of the limiter. For stereo-linked
channels, two meters (L and R) are shown.
GR meter
3
This shows the amount of gain reduction for the limiter.
OUT meter
4
This shows the output level of the limiter. For stereo-linked
channels, two meters (L and R) are shown.
Accessing the LIMITER screen
1.
In the fader module section, press [SEL] to select the
desired channel.
In the CHANNEL EDIT section, press [COMP].
2.
When COMPRESSOR is selected as the compressor type,
COMPRESSOR is displayed in the title bar. For information on
how change the type, refer to “Changing between
COMPRESSOR/LIMITER” (p. 52).
COMPRESSOR/LIMITER screen
Parameter
5
This sets the parameter for the limiter.
THRESH knob
1
This adjusts the threshold level in a range of -40.0 dB to 0.0
dB.
ATTACK knob
2
This adjusts the ATTACK time in a range of 0.0 ms to 800.0
ms.
This is the time from when the input signal exceeds the
threshold level until the limiter effect reaches its maximum.
KNEE knob
3
This adjusts the KNEE in a range of HARD or SOFT1 to SOFT9
(ten steps). The way in which the limiter is applied to the
region near the threshold level can be adjusted between
steep (HARD) and gentle (SOFT9).
RELEASE knob
4
This adjusts the RELEASE time in a range of 0 ms to 8000 ms.
This is the time from when the input signal falls below the
threshold level until the limiter effect disappears.
53
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COMPRESSOR/LIMITER screen
LIMITER FUNCTION screen
Access the LIMITER screen for the desired channel.
1.
2.
Press [FUNC] to access the LIMITER FUNCTION screen.
The following functions are available at the LIMITER FUNCTION
screen.
TYPE SELECT
COPY This copies the LIMITER settings to the clipboard.
PASTEWhen LIMITER settings have been copied to the
UNDOThis undoes the last-performed parameter paste
LIBRARY Accesses the LIMITER LIBRARY screen.
PEAK CLEAR Clears the level meter’s peak hold or over indication.
This selects COMPRESSOR or LIMITER as the
compressor type.
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no action
to undo.
COMPRESSOR/LIMITER screen
For information on, COPY, PASTE, UNDO, LIBRARY, or PEAK
CLEAR, go to “Basic operation,“ and refer to “Copy“ (p. 28),
“Paste“ (p. 29), “Undo“ (p. 29), “Library“ (p. 30), or “Peak clear“ (p.
33).
For information on TYPE SELECT, refer to “Changing between
COMPRESSOR/LIMITER” (p. 52).
54
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4-BAND EQ
7
4-band EQ operations
A 4-band EQ is provided on each CH1 through 32, MAIN L and R, AUX1 through 8, and MTX1 through 4 channel.
About 4-band EQ for CH1-32
The LO and HI bands provide shelving-type or peaking-type filters, and the LO-MID and HI-MID bands provide peaking-type filters.
Also, 12-dB/octave high-pass filters that pass the region higher than the specified frequency are provided for CH1 through 32.
About 4-band EQ for AUX1-8, MTX1-4, and MAIN L/R
The LO and HI bands provide the three types of shelving, peaking, and low-pass or high-pass type filters, and the LO-MID and HI-MID
bands provide peaking-type filters.
Operating the 4-band EQ
In the fader module section, press [SEL] to select the
1.
desired channel.
2.
In the CHANNEL EDIT section, press [EQ].
fig.PopEQGuide.eps
The EQ screen is displayed.
3.
Use the up and down cursor buttons to change the page
and change the band to manipulate.
1
IN meter
This indicates the input level of the 4-band EQ. For stereolinked channels, two meters (L and R) are shown.
2
4-band EQ graph
This indicates the approximate response of the 4-band EQ.
EQ button
This turns the 4-band EQ on/off.
HPF button (only when the HPF band is selected)
This turns the HPF on/off.
This is displayed only when a channel from CH1 to 32 is
selected.
Noise may occur when you operate the filter or 4-band EQ,
but this is not a malfunction.
For some filter types, GAIN or Q is not displayed.
4-BAND EQ
3
OUT meter
This indicates the output level of the 4-band EQ. For stereolinked channels, two meters (L and R) are shown.
4
GAIN
This adjusts the gain in a range of -15.0 dB to +15.0 dB.
FREQ
5
This adjusts the center frequency in a range of 20 Hz to 20.00
kHz.
Q
6
This adjusts the Q (of the peaking-type filters) in a range of
0.36 to 16.00. Higher values produce a sharper curve.
55
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4-BAND EQ
EQ FUNCTION screen
Access the EQ screen for the desired channel.
1.
2.
Press [FUNC] to access the EQ FUNCTION screen.
The operations available at the EQ FUNCTION screen are as
follows:
FLAT
LO EQ TYPESelects as the EQ TYPE for the LO band.
HI EQ TYPESelects as the EQ TYPE for the HI band.
4-BAND EQ
COPYCopies EQ settings to the clipboard.
PASTEWhen EQ settings have been copied to the
UNDOThis undoes the last-performed parameter paste
LIBRARYAccesses the EQ LIBRARY screen.
PEAK CLEARClears the level meter’s peak hold or over indication.
For information on, COPY, PASTE, UNDO, LIBRARY, or PEAK
CLEAR, go to “Basic operation,“ and refer to “Copy“ (p. 28),
“Paste“ (p. 29), “Undo“ (p. 29), “Library““ (p. 30), or “Peak clear“
(p. 33).
This sets the gain to 0.0 dB for each band.
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no action
to undo.
56
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AUX/MTX send
ATT
POST ATTPRE EQPRE FADERPOST FADER POST LIMITERPOST DELAY
POST DELAY
FX
INSERT
MUTE
FADER
BAL
EXT FX
INSERT
MAIN OUT L
AUX 1–8 OUT
TO SOLO
* COMP and LIMITER are mutually exclusive.
* COMP and LIMITER are mutually exclusive.
LIMITERDELAY
ATT
POST ATTPRE EQPRE FADER
POST FADER
POST LIMITER
FX
INSERT
MUTE
FADER
BAL
EXT FX
INSERT
SOLO
TO MONITOR SEL
TO REC SEL
TO FX SOURCE SEL
LIMITER
MAIN L, R
AUX 1–8
PRE COMP
PRE FADER
POST FADER
PRE COMP
PRE FADER
POST FADER
TO MONITOR SEL
TO REC SEL
TO MONO MIX
MTX SEND 1–4
TO
MTX 1, 3
TO
MTX 2, 4
ONSEND
MTX
LINK
PAN
ONSEND
MTX SEND 1–4
TO
MTX 1, 3
TO
MTX 2, 4
ONSEND
MTX
LINK
PAN
ONSEND
DELAY
AFL ON
PFL
AFL
GR
GR
4-BAND
PEQ
4-BAND
PEQ
GEQ
INSERT
GEQ
INSERT
EXT FX
INSERT
PRE COMP
COMP
GR
PRE COMP
COMP
GR
AUX/MTX send operations (CH1–32)
This sends audio signal from CH1 through 32 to AUX1 through 8, and MTX1 through 4.
fig.InBlkSends.eps
MAIN
LRLR
12345678
CH 1–32
PRE EQ
PRE FADERPOST FADER
MTX
1234
SOLOAU X
4-BAND
PEQ
MUTE FADER
MUTE
PAN
AUX SEND 1–8, MTX SEND 1–4
PRE EQ
PRE FADER
POST FADER
PRE EQ
PRE FADER
POST FADER
MAIN ON
ON
SENDAUX/MTX
LINK
PAN
ONSEND
TO
1, 3...7
TO
2, 4...8
LRLR12345678
MAINSOLOAUX
MTX send (MAIN L/R, AUX1-8)
This sends audio signals from MAIN L and R and AUX1 through 8 to MTX1 through 4.
1234
MTX
AUX/MTX send
57
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AUX/MTX send
SENDS screen
In the fader module section, press [SEL] to select the
1.
desired channel.
2.
In the CHANNEL EDIT section, press the [SEND] button.
The SENDS screen is displayed.
AUX send 1-8 (CH1-32 only), MTX send 1- 4
These specify sends to the AUX or MTX buses. The AUX and MTX
sends are organized as follows:
Channel name
1
This indicates the AUX/MTX channel name.
AUX/MTX send
Send level
2
This adjusts the send level to the AUX/MTX bus in a range of
-Inf dB to +10.0 dB.
ON button
3
This turns the send switch on/off.
Send point select
4
These select the point from which the CH signal is sent to the
AUX/MTX bus, from among the following choices:
PRE EQ
PRE FDSend from the pre-fader point.
POST FDSend from the post-fader point.
Send from the pre-EQ point.
SENDS FUNCTION screen
Access the SENDS screen for the desired channel.
1.
2.
Press [FUNC] to access the SENDS FUNCTION screen.
The functions available at the SENDS FUNCTION screen are as
follows:
COPY
PASTEWhen sends settings have been copied to the
UNDOThis undoes the last-performed parameter paste
ALL ONThis turns on all send switches for each send field.
ALL OFFThis turns off all send switches for each send field.
AUX 1-8 UNITY
(CH1-32 only)
MTX 1-4 UNITYThis sets the send level to 0.0 dB for each bus from
ALL CH SEND
POINTS
For information on, COPY, PASTE, or UNDO, go to “Basic
operation“ and refer to “Copy“ (p. 28), “Paste“ (p. 29), or “Undo“
(p. 29).
Copies sends settings to the clipboard.
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no action
to undo.
This sets the send level to 0.0 dB for each bus from
AUX1 through 8.
MTX1 through 4.
This sets all AUX/MTX send points.
Pan (when the AUX/MTX bus is stereo-linked)
5
This adjusts the left/right panning of the signal sent to the
stereo-linked AUX/MTX bus in a range of L63 to R63.
PAN LINK button (when the AUX/MTX bus is stereo-
6
linked)
This turns the PAN LINK on/off. If PAN LINK is on, the pan
from the input channel (CH1 to 32) to MAIN is linked with the
pan from the channel to the stereo-linked AUX/MTX bus.
The PAN LINK is not displayed when sending from a bus (MAIN
L/R or AUX1 through 8) to MTX.
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Metering
About the meters
This section describes the METER screen, where you can view a
list of channel levels.
Accessing the METER screen
1.
In the top panel’s DISPLAY section, press [METER].
fig.ScrMeter.eps
The METER screen is displayed.
You can view a list of the levels of the channels.
METER FUNCTION screen
To change the level detection point of the meter and make peak
hold settings, you use the METER FUNCTION screen.
1.
Access the METER screen.
2.
Press [FUNC] to access the METER FUNCTION screen.
The functions available at the METER FUNCTION screen are as
follows:
PEAK HOLD
PEAK HOLD TIME This sets the duration that the meter’s peak hold or
OVER LEVELThis adjusts the level at which the OVER indication of
CH METERING
POINT
BUS METERING
POINT
HOME
SCREEN
PEAK CLEARClears the level meter’s peak hold or over indication.
This turns the meter’s peak hold function on/off.
OVER indication stays lighted, in a range of 1 sec to 4
sec or CONTINUE. Meter peak hold is enabled only
when the PEAK HOLD is on.
the meter lights up, in a range of -18 dB to 0 dB.
Use these to select the level detection point for the
CH meters.
Use these to set the level detection point for the
AUX/MTX/MAIN meters.
Selects the unit’s Home screen.
Metering
For information on PEAK CLEAR, go to “Basic operation,“ and
refer to “Peak clear“ (p. 33).
For information on HOME SCREEN, go to “User preferences ,“
and refer to “Selecting the Home screen” (p. 95).
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DCA groups
Faders assigned to DCADCA Fader
-3dB offset to each channel
-3dB
About DCA groups
DCA grouping is a function that lets you make relative
adjustments to the output level of channels so that the level of
multiple channels belonging to a group can be controlled
together.
fig.DCAGuide.eps
DCA groups
A channel can belong to more than one DCA group. This is
convenient when grouping drums or instruments.
Accessing the DCA GROUP screen
In the DISPLAY section, press [DCA].
1.
The DCA GROUP screen is displayed.
You can use fader modules 1 through 8 to control DCA
groups 1 through 8.
S
1
This shows SOLO on/off for the multiple channels assigned
to the DCA groups.
Pressing [SOLO] at the top panel lets you manipulate as a
group the solo settings of all channels belonging to the
corresponding DCA group.
M
2
This shows MUTE on/off for the multiple channels assigned
to the DCA groups.
Pressing [MUTE] at the top panel lets you manipulate as a
group the mute settings of all channels belonging to the
corresponding DCA group.
Fader
3
This adjusts as a group the levels of the multiple channels
assigned to the DCA groups.
60
Pressing [AUX/MTX] in the LAYER section to access the AUX/
MTX/DCA layer assigns DCA groups 1 through 4 to fader
modules 13 through 16.
Page 61
DCA groups
DCA GROUP FUNCTION screen
Access the DCA GROUP screen.
1.
2.
Press [FUNC] to access the DCA GROUP FUNCTION
screen.
The functions available at the DCA GROUP FUNCTION screen are
as follows:
DCA 1-8 ASSIGN
DCA 1-8 NAME EDITThese access the NAME EDIT screen (p. 61).
These access the DCA GROUP ASSIGN
screen (p. 61).
Assigning channels to DCA groups
Selecting “GROUP ASSIGN“ at the CHANNEL EDIT FUNCTION
screen also lets you assign channels to DCA groups. For details,
refer to “Assigning channels to DCA groups and mute groups”
(p. 38).
Moving the cursor to the desired DCA group at the DCA screen
and pressing [ENTER] will also let you access the DCA ASSIGN
screen.
1.
Access the DCA GROUP FUNCTION screen.
Select one from among “DCA1-8 ASSIGN“ and press
2.
[ENTER] to access the DCA ASSIGN screen.
DCA groups
3.
Select the desired channel and press [ENTER].
4.
Press [EXIT] to quit the screen.
Pressing [SEL] at the top panel while the DCA ASSIGN screen is
displayed lets you turn the corresponding channel’s assignment
to the DCA group on/off.
Specifying a name for a DCA group
You can specify a name for each DCA group. A name of up to six
characters can be specified. You use the NAME EDIT screen to
edit the name.
Access the DCA GROUP FUNCTION screen.
1.
Select one from among “DCA1-8 NAME EDIT“ and press
2.
[ENTER] to access the DCA NAME EDIT screen.
For information on how to edit the name, refer to “Editing a
name” (p. 33).
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Mute groups
2
About mute groups
Mute grouping is a function that lets you control the mute status
of multiple channels belonging to a mute group.
A channel can belong to more than one mute group.
You use the MUTE GROUP screen to make mute group settings.
Accessing the MUTE GROUP screen
In the DISPLAY section, press [MUTE].
1.
The MUTE GROUP screen is displayed.
MUTE buttons
1
These buttons turn on/off muting of multiple channels
assigned to the respective mute groups.
MUTE GROUP FUNCTION screen
Access the MUTE GROUP screen.
1.
2.
Press [FUNC] to access the MUTE GROUP FUNCTION
screen.
The operations available from the MUTE GROUP FUNCTION
screen are as follows:
MUTE 1-4 ASSIGN
MUTE 1-4 NAME EDITThese buttons access the NAME EDIT screen
Assigning a channel to a mute group
These buttons access the MUTE GROUP
ASSIGN screen (p. 62)
(p. 63)
MUTE ALL OUT button
This mutes the all output for the M-200i and any input and
output units.
Mute groups
You can also configure USER buttons to turn mute groups on
and off (p. 95).
Output muting controlled by MUTE ALL OUT cannot be stored
in a scene memory. When the M-200i starts, muting by MUTE
ALL OUT is off.
Selecting “GROUP ASSIGN“ at the CHANNEL EDIT FUNCTION
screen also lets you assign channels to mute groups. For details,
refer to “Assigning channels to DCA groups and mute groups”
(p. 38).
1.
Access the MUTE GROUP FUNCTION screen.
2.
Select one from among “MUTE1-8 ASSIGN“ and press
[ENTER] to access the MUTE ASSIGN screen.
Select the desired channel and press [ENTER].
3.
4.
Press [EXIT] to quit the screen.
Pressing [SEL] at the top panel while the MUTE ASSIGN screen is
displayed lets you turn the corresponding channel’s assignment
to the mute group on/off.
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Specifying a name for a mute group
You can specify a name for each mute group. A name of up to six
characters can be specified. You use the NAME EDIT screen to
edit the name.
Access the MUTE GROUP FUNCTION screen.
1.
2.
Select one from among “MUTE1-4 NAME EDIT“ to access
the NAME EDIT screen.
Mute groups
For information on how to edit the name, refer to “Editing a
name” (p. 33).
Mute groups
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Page 64
Effects, GEQ, External effects
SEND
LEVEL
RETURN
LEVEL
EXT FX 1-4
EXT INSERT
IN
EXT INSERT
OUT
To CH 1 EXT FX INSERT IN
To CH 32 EXT FX INSERT IN
CH 1 EXT FX INSERT OUT
CH 32 EXT FX INSERT OUT
INPUT 17-20
TO ASSIGNABLE OUTPUT 7-10
To AUX 1 EXT FX INSERT IN
To AUX 8 EXT FX INSERT IN
AUX 1 EXT FX INSERT OUT
AUX 8 EXT FX INSERT OUT
To MTX 1 EXT FX INSERT IN
To MTX 4 EXT FX INSERT IN
MTX 1 EXT FX INSERT OUT
MTX 4 EXT FX INSERT OUT
To MAIN L EXT FX INSERT IN
To MAIN R EXT FX INSERT IN
MAIN L EXT FX INSERT OUT
MAIN R EXT FX INSERT OUT
SEND
LEVEL
RETURN
LEVEL
EXTERNAL FX
The M-200i is provided with four programmable effects processors and four mono 31-band GEQs.
You can also use the input and output jacks on the rear panel to insert up to four external effect processors into channels.
About effects
fig.EffectDia.eps
EFFECTS
CH 32 FX INSERT OUT
AUX 1 FX INSERT OUT
AUX 8 FX INSERT OUT
MTX 1 FX INSERT OUT
MTX 4 FX INSERT OUT
MAIN L FX INSERT OUT
MAIN R FX INSERT OUT
CH 1 FX INSERT OUT
AUX 1 OUT
AUX 8 OUT
FX INPUT
SELECT
INPUTOUTPUT
FX 1
EFFECT
FX 2
Same as the above
FX 3
Same as the above
FX 4
Same as the above
The M-200i contains four internal effects (FX1 through FX4), each of which allows you to select from among a variety of different effect
types including reverb, delay, and a mono GEQ.
You can use effects by inserting them into a channel, or in a send/return configuration using an AUX channel in combination with an input
channel as the FX return.
You use the EFFECTS screen to control effects.
FX OUTPUT
SELECT
To CH 1 FX INSERT IN
To CH 32 FX INSERT IN
To AUX 1 FX INSERT IN
To AUX 8 FX INSERT IN
To MTX 1 FX INSERT IN
To MTX 4 FX INSERT IN
To MAIN L FX INSERT IN
To MAIN R FX INSERT IN
To INPUT PATCHBAY
About inserting an external effects device
You can use the ASSIGNABLE OUTPUT 7 through 10 and INPUT 17 through 20 jacks located on the M-200i’s rear panel to insert up to four
external effects devices into channels.
The four external effects devices are shown virtually as an EXT FX1 through EXT FX4 rack, allowing you to adjust the input levels and insert
them into channels.
Effects, GEQ, External effects
EXT FX1 through EXT FX4 use the following input/output jacks:
External effect
EXT FX1
EXT FX2ASSIGNABLE OUTPUT 8INPUT 18
EXT FX3ASSIGNABLE OUTPUT 9INPUT 19
EXT FX4ASSIGNABLE OUTPUT 10INPUT20
Output jackInput jack
ASSIGNABLE OUTPUT 7 INPUT 17
To insert external effects devices into channels, you use the EFFECTS screen.
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Effects, GEQ, External effects
2
2
4
EFFECTS screen
In the top panel’s DISPLAY section, press the [EFFECT]
1.
button.
The EFFECTS screen appears.
You can use the up and down cursor buttons to change the
effect number.
FX1-4
1
Library name
1
The upper line shows the library name, and the lower line
shows the effect type name.
When the effect type is GEQ, the GEQ overview is displayed.
EDIT button
Pressing [ENTER] accesses the FX EDIT screen for the effect.
LIB button
3
Pressing [ENTER] access the FX LIBRARY screen.
INSERT/SOURCE indication
4
This shows the input-source for the effect.
1 LINK indication
This indicates the link status of the effect.
2 BYPASS indication
This indicates the bypass status of the effect.
3 INSERT/SOURCE indication
This shows the input-source for the effect.
EXT FX1-4
INSERT indication
1
This shows the input-source for the external effect.
EXT FX ON button
2
This enables or disables the EXT FX.
SEND LEVEL knob
3
This adjusts the output level to the external effect in a range
of -Inf dB - +6.0 dB.
The ASSIGNABLE OUT jack is fixed at a nominal output level of
+4 dBu. The SEND LEVEL knob adjusts the output level in the
digital domain.
RETURN LEVEL knob
This adjusts the input level from the external effect in a
range of -Inf dB - 6.0 dB.
When you’re using it for insertion of an external effects device,
the INPUT jack’s nominal input level is fixed at +4 dBu.
The RETURN LEVEL knob adjusts the input level in the digital
domain.
Meters
5
This shows the input/output levels of the external effect.
Effects, GEQ, External effects
Meters
5
This shows the input/output levels of the effect.
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Effects, GEQ, External effects
EFFECTS FUNCTION screen
Access the EFFECTS screen.
1.
2.
Press [FUNC] to access the EFFECTS FUNCTION screen.
The operations available at the EFFECTS FUNCTION screen are as
follows:
FX 1-4 L/R
SOURCE
FX 1-4 L/R
DESTINATION
BYPASS FX
1-4 L/R
LINK FX 1-4This links the parameters between the L and R sides.
EXT FX 1-4
INSERT
This sets the input source for the specified FX.
This sets the output destination for the specified FX.
This turns bypass on/off for the specified FX.
When these are on, the input signal will be “thru-ed”
to the output.
The following effect types support LR LINK:
• DELAY x2
• P.SHIFTER x2
• CH STRIP x2
• SPH-323 x2
This selects the channel into which the external
effect will be inserted.
Effect input/output settings
You use the EFFECTS FUNCTION screen to select the input source
and output destination for the effect.
Setting the input source for an effect
1.
Access the EFFECTS FUNCTION screen.
2.
Move the cursor to the FX 1-4 SOURCE, and press
[ENTER].
The FX SOURCE screen will appear.
3.
Select the desired channel and press [ENTER].
Setting the output destination for an
effect
1.
Access the EFFECTS FUNCTION screen.
2.
Move the cursor to the FX 1-4 DESTINATION, and press
[ENTER].
Effects, GEQ, External effects
66
The FX DESTINATION screen is displayed.
3.
Select the desired channel and press [ENTER].
Press [EXIT] to quit the screen.
4.
You can select more than one output-destination channel for an
effect.
When used for Inserting an effect into a channel,
“DESTINATION“ is not displayed on the FX PATCH screen.
Page 67
Effects, GEQ, External effects
Using an effect via send/return
Effects such as reverb and delay are typically used in a send/
return configuration.
Here we will explain the procedure for using FX3 as a send/return
type effect using AUX7, CH25 and CH26.
Specifying the effect input-source
1.
Access the EFFECTS FUNCTION screen.
2.
Move the cursor to the FX 3 SOURCE, and press [ENTER].
The FX 3 SOURCE screen will appear.
3.
Move the cursor to the AUX7 OUT, and press [ENTER] to
select it.
In the same way as you did in steps 1 through 3, select
4.
AUX7 as the input-source for the R side of FX3.
Specifying the effect return channel
1.
Access the EFFECTS FUNCTION screen.
Move the cursor to the FX3 L DESTINATION, and press
2.
[ENTER].
The FX3 DESTINATION screen will appear.
Move the cursor to the CH25, and press [ENTER] to select
3.
it.
If an input port is already patched to the channel, a message
will ask you to confirm the input patching change.
Press [ENTER] to change the input patching.
If the “PATCHBAY CHANGE” item in the CONFIRMATION section
of User Preference (p. 94) is not in effect, no confirmation
message will appear in step 3.
In the same way as you did in steps 1 through 4, select
4.
CH26 as the output-destination for the R side of FX3.
Effects, GEQ, External effects
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Effects, GEQ, External effects
Inserting an effect into a channel
Here we will explain the procedure for inserting the L side of FX1
into CH1.
1.
Access the EFFECTS FUNCTION screen.
2.
Move the cursor to the FX1 L SOURCE, and press [ENTER].
The FX1 L SOURCE screen will appear.
3.
Move the cursor to the CH1 INS, and press [ENTER] to
select it.
If you want to insert the effect into both channels of a stereo-linked
pair, make insert settings for both the L and R sides.
Inserting an EXT FX into a
channel
Here we will explain how to connect your external effects device
to ASSIGNABLE OUTPUT 7 and INPUT17, and insert it into CH1.
1.
Access the EXT FX1 screen.
2.
Move the cursor to the ON button for EXT FX1, and press
[ENTER] to turn on.
Connect your external effects device to ASSIGNABLE
3.
OUTPUT7 and INPUT17.
If you connect your external effects device while the ON
button for EXT FX1 is off, the input and output may loop.
If the EXT FX insert-destination is already specified when you
connect your external effects device, noise may be heard in
the channel.
4.
Access EFFECTS FUNCTION screen.
5.
Move the cursor to the EXT FX1 SOURCE, and press
[ENTER].
Effects, GEQ, External effects
The EXT FX1 SOURCE screen will appear.
6.
Move the cursor to the CH1 INS, and press [ENTER] to
select it.
To adjust the input/output level to the external effect, you’ll use
the EFFECTS screen.
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Effects, GEQ, External effects
Editing effect parameters
You use the FX EDIT screen to manipulate effect parameters.
Accessing the FX EDIT screen
Access the EFFECTS screen.
1.
2.
Move the cursor to the EDIT button for the desired effect
among “FX1-4“ and press [ENTER].
The FX1-4 EDIT screen is displayed.
Use the up and down cursor buttons to move the cursor to
the parameter you want to access, and use the value dial to
adjust the value.
You can also configure USER buttons to access the FX1-4 EDIT
screens (p. 95).
When GEQ is selected as the effect type, refer to “GEQ EDIT
screen” (p. 72).
FX EDIT FUNCTION screen
1.
Access the FX EDIT screen.
Press [FUNC] to access the FX EDIT FUNCTION screen.
2.
The operations available at the FX EDIT FUNCTION screen are as
follows:
GEQ ON FADER
0.5dB STEPWhen this is set to ON, you can operate the GEQ
SOURCE L/RThis sets the input source for the specified FX.
DESTINATION L/R This sets the output destination for the specified FX.
BYPASS L/RThis turns bypass on/off for the specified FX. When
LINKThis links the parameters and bypass setting
FLAT
COPYCopies FX settings to the clipboard.
PASTEWhen FX settings have been copied to the clipboard,
UNDOThis undoes the last-performed parameter paste
LIBRARYAccesses the FX LIBRARY screen.
When this is set to ON, you can controll a GEQ using
the top-panel faders (p. 73).
(only when the effect type is GEQ.)
fader in steps of 0.5 dB.
(only when the effect type is GEQ.)
these are on, the input signal will be “thru-ed” to the
output.
between the L and R sides.
The following effect types support LR LINK of
parameters:
• DELAY x2
• P.SHIFTER x2
• CH STRIP x2
This sets the 31-band GEQ to a flat response.
(only when the effect type is GEQ.)
this pastes the settings from the clipboard.
operation. It is not displayed when there is no action
to undo.
Effects, GEQ, External effects
For information on COPY, PASTE, UNDO, LIBRARY go to “Basic
operation,“ and refer to Copy“ (p. 28), “Paste“ (p. 29), “Undo“(p.
29), “Library“ (p. 30).
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Effects, GEQ, External effects
Using the effect library
You use the effect library to select the effect type. You can recall
effect settings from the library, and store the current effect
settings in the library.
Effect library operations are performed at the FX LIBRARY screen.
1.
Access the EFFECTS screen.
2.
Move the cursor to the LIBRARY button for the desired
effect among “FX1-4“ and press [ENTER].
RECALL
STOREThis stores the library data selected using the list.
LOCK This locks the library data selected using the list.
CLEAR This clears the library data selected using the list.
NAME EDITThis edits the name of the library selected using the
For more information on library operations, refer to“Library
operations” (p. 30).
This recalls the library data selected using the list.
list.
The FX1-4 LIBRARY screen appears.
Any effect types that currently cannot be used are displayed
with a prohibition symbol.
The M-200i’s effects have following limitations:
• The total amount of RAM access for FX1 through 4 cannot
exceed 100%.
• Regardless of the amount of available RAM access,
“St.REVERB“ cannot be used for more than one FX unit at the
Effects, GEQ, External effects
same time.
For the RAM access consumption of each effect algorithm,
refer to “RAM access consumption of each effect algorithm“
(p. 141).
3.
Select the desired number and press [ENTER].
A popup appears.
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About GEQs
Effects, GEQ, External effects
GEQ
CH 1 GEQ INSERT OUT
CH 32 GEQINSERT OUT
AUX 1 GEQ INSERT OUT
AUX 8 GEQ NSERT OUT
MTX 1 GEQ INSERT OUT
MTX 4 GEQ INSERT OUT
MAIN L GEQ INSERT OUT
MAIN R GEQ INSERT OUT
GEQ INPUT
SELECT
INPUTOUTPUT
GEQ 1
31-BAND GEQ
GEQ 2
Same as the above
GEQ 3
Same as the above
GEQ 4
Same as the above
GEQ OUTPUT
SELECT
To CH 1 GEQ INSERT IN
To CH 32 GEQ INSERT IN
To AUX 1 GEQ INSERT IN
To AUX 8 GEQ INSERT IN
To MTX 1 GEQ INSERT IN
To MTX 4 GEQ INSERT IN
To MAIN L GEQ INSERT IN
To MAIN R GEQ INSERT IN
The M-200i has four internal GEQs (GEQ1 through 4) separately from the stereo effects.
GEQ1 through 4 can be inserted into CH1 through 32, MAIN L and R, AUX1 through 8, and MTX1 through 4.
You use the GEQ screen to operate GEQ1 through 4.
You can also change the effect type for FX1 through 4 to monaural GEQ.
GEQ screen
In the top panel’s DISPLAY section, press the [GEQ]
1.
GEQ FUNCTION screen
Access the GEQ screen.
1.
button.
2.
Press [FUNC] to access the GEQ FUNCTION screen.
Effects, GEQ, External effects
The GEQ screen is displayed.
You can use the up and down cursor buttons to change GEQ1
through 4.
Selection of the input source and output destination is the same
as at the EFFECTS screen.
For information on how to select the input source and output
destination, refer to “Effect input/output settings” (p. 66).
Accessing the FX LIBRARY screen
You can store or recall settings of GEQs using effect library.
Effect library operations are performed at the FX LIBRARY screen.
Access the GEQ screen.
1.
Move the cursor to the LIB button for the desired GEQ
2.
among "GEQ 1-4" and press [ENTER].
For information on operations at the FX LIBRARY screen, refer to
the "Using the effect library" section (P.70).
You can only choose GEQ as a effect type on GEQ 1-4.
The operations available at the GEQ FUNCTION screen are as
follows:
GEQ1-4 SOURCE This sets the insert channel for the specified GEQ.
BYPASS GEQ 1-4This turns bypass on/off for the specified GEQ.
When these are on, the input signal will be “thru-ed”
to the output.
GEQ 1/2 (3/4)
LINK
This links the parameters between GEQ 1 and 2 (or
GEQ 3 and 4).
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Effects, GEQ, External effects
Editing GEQ parameters
GEQ EDIT screen
Access the GEQ screen
1.
Move the cursor to the EDIT button for the desired GEQ
2.
among “GEQ1-4“ and press [ENTER].
The GEQ1-4 EDIT screen is displayed.
GEQ faders
1
For each frequency band, these adjust the amount of boost
or cut in a range of -15.0 dB to +15.0 dB.
Use the left and right cursor buttons to select the desired
fader.
The value of the fader you operate is shown above the faders
of the GEQ.
Noise may occur when you operate the GEQ faders, but this is
not a malfunction. While using the top panel faders to control
the GEQ, [MUTE] buttons flash for faders whose position is
anything other than 0.0dB. Pressing a flashing [MUTE] resets the
fader to the 0.0-dB position.
GEQ EDIT FUNCTION screen
1.
Access the GEQ EDIT screen for the desired channel.
Press [FUNC] to access the GEQ EDIT FUNCTION screen.
2.
The operations available at the GEQ EDIT FUNCTION screen are as
follows:
GEQ ON FADER
0.5dB STEPWhen this is set to ON, you can operate the GEQ
SOURCEThis sets the insert channel for the specified GEQ.
BYPASSThis turns bypass on/off for the specified GEQ.
LINKThis links the parameters between GEQ 1 and 2 (or
FLATThis sets the 31-band GEQ to a flat response.
COPYCopies GEQ settings to the clipboard.
PASTEWhen GEQ settings have been copied to the
UNDOThis undoes the last-performed parameter paste
LIBRARYAccesses the FX LIBRARY screen.
When this is set to ON, you can controll a GEQ
using the top-panel faders (p. 73).
fader in steps of 0.5 dB.
When these are on, the input signal will be “thrued” to the output.
GEQ 3 and 4).
clipboard, this pastes the settings from the
clipboard.
operation. It is not displayed when there is no
action to undo.
Effects, GEQ, External effects
72
For information on COPY, PASTE, UNDO, LIBRARY go to “Basic
operation,“ and refer to “Copy“ (p. 28), “Paste“ (p. 29), “Undo“(p.
29), “Library“ (p. 30).
Page 73
Controlling a GEQ using the top-panel
faders
1.
Access the desired GEQ EDIT FUNCTION screen.
2.
Move the cursor to the GEQ ON FADER and press [ENTER].
You can accomplish GEQ operations using the faders on the
top panel.
The range of corresponding faders is displayed on the
screen.
Effects, GEQ, External effects
3.
Press the layer buttons in the LAYER section (p. 18) to
select the band to manipulate.
The bands that correspond to the layer buttons are as
indicated below.
USER1 layer button
USER2 layer buttonDisabled
AUX/MTX/DCA layer button630Hz-20kHz
CH17-32 layer button125-4.0kHz
CH1-16 layer button20-630Hz
You can change the range of operation by selecting the GEQ
fader with left and right cursor.
[MUTE] buttons flash for faders whose position is anything other
than 0.0dB. Pressing a flashing [MUTE] resets its fader to the
0.0dB position.
When the “0.5dB STEP“ setting you can make at the GEQ
FUNCTION screen is turned on, you can operate the GEQ faders
in steps of 0.5 dB.
Disabled
Effects, GEQ, External effects
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Scene memory
About Scene memory
Scene memory is a function that lets you store mixer parameters as a scene, and recall them when desired.
The M-200i can store 300 scenes in its internal memory, and you can assign a 16-character name to each scene.
The following scene function is also provided:
• Lock
This prohibits overwriting, deletion, renaming, or editing for the scene (p. 76).
The following mixer parameters are stored in a scene:
• Preamp
• Input patchbay
• Output patchbay
• CH1-32
• MAIN L/R, AUX1-8, and MTX1-4
• Effects
• Talkback/oscillator
• DCA groups and mute groups
• USB memory recorder
The following parameters are not stored in a scene:
• The status of the TALKBACK ON button
• The TALKBACK MIC settings
• The setting of the monitor
• The statuses of SOLO buttons
• The recorder status (e.g., playing or recording) of the USB memory recorder
• The playback mode of the USB recorder
• The song selection of the USB recorder
Scene memory
SCENE screen operations
You use the SCENE screen to edit the scene list and make settings
for scenes.
Accessing the SCENE screen
1.
In the DISPLAY section, press [SCENE].
The following items are displayed on the scene list:
Item
No.
NAMEThis indicates the scene name.
TIMEThe following values are displayed depending on
STATUSIf a scene is locked or if the Recall Filter is turned on,
Description
This indicates the scene number.
The current scene is displayed with a [] symbol.
the date and time when the scene was stored.
When stored on that day : Time when stored
When stored more than one day previously:
Date when stored
this area indicates [L] or [F], respectively.
74
Scene settings for Recall Filter or Global Scope cannot be made
using the M-200i alone. To make Recall Filter or Global Scope
settings for a scene, use the M-200i RCS PC/Mac program or the
like.
Page 75
Scene memory
Recalling a scene memory to the mixer
parameters (recall)
1.
Access the SCENE screen.
2.
From the scene list, select the desired scene and press
[ENTER]. A popup appears.
3.
Move the cursor to the RECALL and press [ENTER].
Saving mixer parameters in a scene
memory (store)
1.
Access the SCENE screen.
2.
From the scene list, select the desired scene and press
[ENTER]. A popup appears.
Move the cursor to the STORE and press [ENTER].
3.
A confirmation message is displayed, prompting you to
confirm the scene-recall operation.
4.
Pressing [ENTER] recalls the data.
Pressing [EXIT] cancels the operation.
If “SCENE/LIB RECALL“ in the CONFIRMATION section of User
Preference (p. 94) is not in effect, no confirmation message is
displayed in step 3.
Noise may occur when you recall a scene, but this is not a
malfunction.
Recalling a blank scene is not possible.
The SCENE STORE screen is displayed. Edit the name of the
scene memory.
For information on how to edit the name, refer to “Editing a
name” (p. 33).
4.
When you’ve finished editing the name, press [ENTER].
A message prompting you to confirm the operation is
displayed.
5.
Pressing [ENTER] stores the data.
Pressing [EXIT] cancels the operation.
Scene memory
If “SCENE/LIB STORE“ in the CONFIRMATION section of User
Preference (p. 94) is not in effect, no confirmation message is
displayed in step 4.
A scene for which [L] is displayed for STATUS is locked and
cannot be stored. Unlocking is performed at the SCENE screen.
For details, refer to “Locking/unlocking a scene” (p. 76).
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Scene memory
Locking/unlocking a scene
1.
Access the SCENE screen.
From the scene list, select the desired scene and press
2.
[ENTER]. A popup appears.
3.
Moving the cursor to the LOCK and pressing [ENTER]
locks or unlocks the scene.
Clearing the data in a scene
1.
Access the SCENE screen.
2.
From the scene list, select the desired scene and press
[ENTER]. A popup appears.
Renaming a scene memory
1.
Access the SCENE screen.
Select the scene memory that you want to rename, and
2.
press [ENTER]. A popup appears.
3.
Select the NAME EDIT and press [ENTER].
Scene memory
Move the cursor to the CLEAR and press [ENTER].
3.
A message prompting you to confirm the operation is
displayed.
4.
Pressing [ENTER] deletes the scene you selected in step 2.
Pressing [EXIT] cancels the operation.
Clearing the data of a locked scene is not possible.
The NAME EDIT screen will appear.
For information on how to edit the name, refer to “Editing a
name“ (P.33).
SCENE FUNCTION screen
Access the SCENE screen.
1.
2.
Press [FUNC] to access the SCENE FUNCTION screen.
The operations available at the SCENE FUNCTION screen are as
follows:
UNDO RECALL
DISPLAY DATE/TIMEIf this is on, scene list displays date or time.
This undoes the last-performed Scene
Recall operation.
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USB memory recorder
About the USB memory recorder
The M-200i provides a two-track recorder function that uses USB
memory. This function allows you to choose any two sources
from AUX1–8, MTX1–4, MAIN L/R and MAIN MONO, and record
the audio signal to USB memory as a WAV file, or to play back a
WAV file from USB memory.
About WAV files
The recorded WAV files will be in the following formats:
The sampling frequency of the recorded WAV file will be the
same as the sampling frequency of the M-200i.
Sampling frequency
48 kHz
44.1 kHz16 bits2 channels
WAV files in the following formats can be played:
If the sampling frequency of the WAV file differs from the
sampling frequency of the M-200i itself, the file will be resampled
and played back.
Sampling frequency
48 kHz
48 kHz16 bits2 channels
44.1 kHz16 bits1 channel
44.1 kHz16 bits2 channels
Bit depthNumber of channels
16 bits2 channels
Bit depthNumber of channels
16 bits1 channel
RECORDER screen
You use the RECORDER screen to make settings for the USB
memory recorder.
1.
In the DISPLAY section, press [USB REC].
The RECORDER screen is displayed.
The following contents are shown:
WAV file number
1
This indicates the alphabetical order of the WAV files.
WAV file name
2
This indicates the name of the WAV file currently being
recorded or currently selected for playback.
Time indicator
3
This indicates time information for the WAV file currently
being recorded or played.
USB memory recorder
The M-200i cannot display filenames that use multi-byte
characters such as Japanese.
Location of the WAV files
WAV files will be recorded in the “/RSS/M-400/SONGS” folder of
the USB memory, and WAV files in the same folder can be played.
fig.RcdrFiles.eps
USB MEMORY
RSS
M-400
SONGS
WAV FILE 1
WAV FILE 2
WAV FILE n
Do not disconnect the USB memory or power-off the M-200i
while data is being saved to USB memory. Doing so may
damage the data saved on USB memory.
Playback mode
4
This indicates the playback mode. The following playback
modes are provided:
• Play one song
• Repeat one song
• Play to the last song
• Repeat all songs
REMAIN
5
If a WAV file is playing, this indicates the remaining playback
time of the WAV file.
During recording, this indicates the remaining amount of
time that can be recorded to USB memory.
RECORDER source
6
This indicates input-source for the USB memory recorder.
Meters
7
During recording, this indicates the recording level of the
USB memory recorder.
During playback, this indicates the playback level of the USB
memory recorder.
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USB memory recorder
2
Pressing buttons executes the following action at RECORDER
screens.
Using the USB memory recorder
Button
Function
REWThis selects the previous WAV file.Holding this down
during playback rewinds the WAV file being played.
FFThis selects the next WAV file.Holding this down
during playback fast-forwards the WAV file being
played.
RECThis puts the USB memory recorder into recording
standby.
PLAY
This plays the WAV file selected as the current song.
STOP
RECORDER FUNCTION screen
1.
Access the RECORDER screen.
Press [FUNC] to access the RECORDER FUNCTION screen.
2.
The operations available at the RECORDER FUNCTION screen are
as follows:
SONG LIST
PLAY MODECycles through the available playback modes.
REC LEVELThis adjusts the recording level of the USB memory
REC L SOURCEThese select the input sources for the USB memory
REC R SOURCE
PLAY L
USB memory recorder
DESTINATIONThese select the output destinations for the USB
PLAY R
DESTINATION
PEAK CLEARClears the level meter’s peak hold or over indication.
Shows the WAV files in the SONGS folder (p. 78).
recorder in a range of -Inf dB to +10.0 dB.
recorder (p. 79).
memory recorder (p. 79).
Editing the song list
The song list shows the WAV files located in the “/RSS/M-400/
SONGS“ folder of USB memory in the order of their name.
Access the RECORDER screen.
1.
Select “SONG LIST” and press [ENTER].
2.
The SONG LIST screen is displayed.
The following items are displayed :
WAV file number
1
This indicates the alphabetical order of the WAV files.
WAV file name
This indicates the name of the WAV file currently being
recorded or currently selected for playback.
Time indicator
3
This indicates time information for the WAV file currently
being recorded or played.
3.
Select the desired WAV file, and press [ENTER].
For information on PEAK CLEAR, go to “Basic operation,“ and
refer to “Peak clear“ (p. 33).
A popup will appear.
The operations available at this popup are as follows:
PLAY (STOP)
DELETEDeletes the WAV file.
NAME EDITAccess the NAME EDIT screen, where you can edit
For information on how to edit the name, refer to “Editing a
name“ (p. 33).
Plays the WAV file. (If a WAV file is playing, “STOP“ will
appear.)
the name of the WAV file.
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USB memory recorder input-source
settings
By default, the inputs of the USB memory recorder are specified
as follows:
Input
REC LMAIN L
REC RMAIN R
Input source
USB memory recorder
3.
Move the cursor to the Moving the cursor to that you
want to make the output destination and press [ENTER]
to attach a check mark to it.
Press [EXIT] to quit the screen.
4.
5.
Make the setting in the same way for R as well.
You can select more than one channel as the output
destination.
You use the REC SOURCE SELECT screen to specify the inputs.
1.
Access the RECORDER FUNCTION screen.
Select “REC L SOURCE SELECT“ and press [ENTER].
2.
The REC L SOURCE SELECT screen is displayed.
Move the cursor to the channel that you want to make
3.
the input source and press [ENTER].
4.
Make the setting in the same way for R as well.
USB memory recorder outputdestination settings
By default, the outputs of the USB memory recorder are specified
as follows:
Recording to USB memory
Access the RECORDER screen.
1.
Press [].
2.
The USB memory recorder goes into recording standby.
Press [ENTER].
3.
Recording to the USB memory starts.
You can split the WAV file by pressing [] during recording.
4.
To stop recording, again press [ENTER].
USB memory recorder
Output
PLAY LCH31
PLAY RCH32
You use the PLAY DESTINATION SELECT screen to specify the
output destinations.
1.
Access the RECORDER FUNCTION screen.
2.
Select “PLAY L DESTINATION SELECT“ and press [ENTER].
The PLAY L DESTINATION SELECT screen is displayed.
Output destination
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SETUP screen
You use the SETUP screen to make a variety of settings for the M200i.
Accessing the SETUP screen
In the top panel’s DISPLAY section, press [SETUP].
1.
The SETUP screen is displayed.
From the SETUP screen, you can access the following screens:
• PATCHBAY
This makes the settings for the M-200i’s input and output
patchbays.
“Input/output patchbay” (p. 86)
• MONITOR/SOLO
This makes the settings for the monitor and for solo.
• REAC
This makes the settings for the M-200i’s REAC port.
“REAC applications and settings” (p. 96)
• LOAD/SAVE
This accesses the LOAD/SAVE screen, where you can save or
load mixer settings in a project file (p. 81).
This is the function that you can use to make a complete backup
of all settings you have stored in the M-200i.
• LOCK CONSOLE
This locks the console, prohibiting operation(p. 83).
• USER PREF
This includes user fader layers, user button, and other
preference settings.
“Monitor/Solo” (p. 92)
• TALKBACK
This makes the settings for talkback.
“Talkback” (p. 89)
• OSC
SETUP screen
This makes the settings for the oscillator.
“Oscillator” (p. 91)
• SYSTEM
This shows the system information for the M-200i and makes
basic settings for the unit.
“User Preference settings” (p. 94)
• REMOTE
This makes the settings for remotely controlling the M-200i
via its MIDI/USB/RS-232C port.
“Remote” (p. 106).
• NETWORK
This makes the settings for remotely controlling the M-200i
via its LAN/WLAN ADAPTOR port.
“Network” (p. 100).
• INFO
This lets you verify the program version information and the
status of the internal lithium battery (p. 83).
“System settings” (p. 111)
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• INITIALIZE
This accesses the INITIALIZE screen, where you can initialize
the mixer settings (p. 84).
• SYSTEM UPDATE
This updates the system programs.
SETUP screen
Loading mixer settings from USB
memory
1.
Access the LOAD/SAVE screen.
2.
From the project file list, select the file you want to load
and press [ENTER]. A popup appears.
SYSTEM UPDATE is for future system-program updates. For
details on the system update procedure, refer to the operating
instructions provided with the updater.
• USB MEMORY
This formats USB memory or tests the speed of USB memory
(p. 85).
Saving and loading mixer
settings
You can use USB memory to save or load mixer settings as a
project file.
You use the LOAD/SAVE screen to save or load mixer settings.
The project file is backed up to the following folder in USB
memory:
: /RSS/M-200i/PROJ
Accessing the LOAD/SAVE screen.
1.
Access the SETUP screen.
2.
Select “LOAD/SAVE“ and press [ENTER].
3.
Select the LOAD and press the [ENTER] button.
A screen appears where you can select the sections whose
mixer settings you want to load.
4.
Select the sections you want to load, then move the
cursor to the LOAD button and press [ENTER].
SETUP screen
The LOAD/SAVE screen is displayed.
A message prompting you to confirm the operation is
displayed.
5.
Pressing [ENTER] executes the load operation, displaying
a “now processing“ message to indicate the progress of
loading.
When loading is complete, the progress message
disappears.
Pressing [EXIT] cancels the operation.
Never disconnect the USB memory or turn off the M-200i’s
power while data is being loaded from USB memory. Doing
so might corrupt the data saved in USB memory.
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SETUP screen
Saving mixer settings to USB memory
1.
Access the LOAD/SAVE screen.
Select the current directory, and press [ENTER].
2.
A popup will appear.
If you want to overwrite and existing file, select the file to
overwrite and press [ENTER].
3.
Move the cursor to the SAVE and press [ENTER].
It’s a good idea to save your mixer settings, because in
the unlikely event that the M-200i should malfunction,
this will allow you to move your settings to a backup M200i unit and continue operating.
4.
The PROJECT FILE SAVE screen appears.
Edit the name of the project file.
For information on how to edit the name, refer to “Editing a
name“ (p. 33).
5.
Pressing [ENTER] executes the save operation,
SETUP screen
displaying a “now processing“ message to indicate the
progress of saving.
When overwriting, a message prompting you to confirm the
operation is displayed before saving. When saving is
complete, the progress message disappears.
Pressing [EXIT] cancels the operation.
6.
Pressing [ENTER] executes the save operation, displaying
a “now processing“ message to indicate the progress of
saving.
When saving is complete, the progress message disappears.
Pressing [EXIT] cancels the operation.
Never disconnect the USB memory or turn off the M-200i’s
power while data is being saved to USB memory. Doing so
might corrupt the data saved in USB memory.
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SETUP screen
Deleting mixer settings from USB
memory
1.
Access the LOAD/SAVE screen.
2.
From the project file list, select the file you want to delete
and press [ENTER]. A popup appears.
3.
Move the cursor to the DELETE and press the [ENTER]
button.
Locking the console
You can lock the console to prevent it from being operated.
If you turn off the power while the console is locked, the console
is unlocked the next time you turn on the power.
Access the SETUP screen.
1.
2.
Select “LOCK CONSOLE“ and press [ENTER].
The console is locked.
3.
To unlock, press [ENTER] again.
Viewing system information
1.
Access the SETUP screen.
A message prompting you to confirm the operation is
displayed.
4.
Pressing [ENTER] executes the delete operation.
Pressing [EXIT] cancels the operation.
Renaming a project file
Access the LOAD/SAVE screen.
1.
2.
Select the project file that you want to rename, and press
[ENTER]. A popup appears.
3.
Select the NAME EDIT and press [ENTER].
Select “INFO“ and press [ENTER].
2.
The INFOMATION screen is displayed.
The displayed items are as follows:
SYSTEM VERSION
PANEL VERSIONPanel program version
LITHIUM BATTERYStatus of the internal lithium battery
DATECurrent date
TIMECurrent time
The voltage of the internal lithium battery is normal if “OK“ is
displayed for the Battery item. If “LOW“ is displayed, the voltage is
low. Follow the procedure in “About the internal lithium battery“
(p. 16) to replace the battery.
System program version
SETUP screen
The NAME EDIT screen will appear.
For information on how to edit the name, refer to “Editing a
name” (p. 33).
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SETUP screen
Initializing the mixer settings
Access the SETUP screen.
1.
2.
Select “INITIALIZE“ and press [ENTER].
The INITIALIZE screen is displayed.
3.
Select the sections to initialize.
The sections you can select are as follows:
MIXER
PARAMETER
SYSTEM SETTING The system settings are initialized.
NETWORK
SETTING
SCENE MEMORYThe scene memory is deleted.
ALL LIBRARYAll user libraries are initialized.
USER
PREFERENCE
The mixer parameters are initialized.
The network settings are initialized.
The user preferences are initialized.
Attempting to initialize the scenes or libraries when
locked scenes or libraries exist makes a warning
message like the following appear:
Moving the cursor to the KEEP LOCKED DATA and
pressing [ENTER] initializes only the unlocked data,
leaving the locked data uninitialized.
Moving the cursor to the INITIALIZE ALL and pressing
[ENTER] initializes all data, including the unlocked data.
Pressing [EXIT] cancels the initialization operation.
SYSTEM SETTING includes the following items:
• The M-200i’s sampling-frequency setting
• Panel and display brightness settings
• REAC settings
SETUP screen
• Remote settings
4.
Move the cursor to the INITIALIZE button and press
[ENTER].
A message prompting you to confirm the operation is
displayed.
Pressing [ENTER] initializes the sections you selected in
5.
step 3.
Pressing [EXIT] cancels the operation.
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SETUP screen
Managing USB memory
The USB MEMORY screen is used to perform USB memory
management.
Formatting USB memory
1.
Access the SETUP screen.
2.
Select “USB MEMORY“ and press [ENTER].
The USB MEMORY screen is displayed.
3.
Select “FORMAT“ and press [ENTER].
Testing the speed of USB memory
Here’s how to test your USB memory’s reading and writing speed
to verify whether it can be used by the USB memory recorder for
playback and recording.
Access the SETUP screen.
1.
2.
Select “USB MEMORY“ and press [ENTER].
The USB MEMORY screen is displayed.
Select “SPEED TEST“ and press [ENTER].
3.
A “now processing“ message appears and the USB memory
is tested. When the test is complete, the results are
displayed.
PLAYING SPEED:
This indicates whether the USB memory can be used for
playback by the USB memory recorder.
If this is OK, the memory can be used.
A message prompting you to confirm the operation is
displayed.
4.
Press [ENTER] to carry out the Format operation.
Pressing [EXIT] cancels the operation.
A progress message indicates the state of formatting.
When the “COMPLETED“ indication appears, formatting is
complete.
Never disconnect the USB memory or turn off the M-200i’s
power while USB memory is being formatted.
RECORDING SPEED:
This indicates whether the USB memory can be used for
recording by the USB memory recorder.
If this is OK, the memory can be used.
4.
Press [EXIT] to quit the screen.
If the test result is “FAILED“, we do not recommend that you use
this USB memory with the USB memory recorder.
In order for the speed of USB memory to be tested, the USB
memory must have several MB of free space.
SETUP screen
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Input/output patchbay
Default setting of the input/output patchbay
Default settings of the input patchbay
When the M-200i is in its default state, the input patchbay is set as follows:
Input channel
CH1–24
CH25–26FX3 OUT L,R
CH27–28FX4 OUT L,R
CH29–30DOCK INPUT L,R
CH31-32PLAY L,R
You can also use the EFFECTS screen to patch an effect output to a channel. For details, refer to “Setting the input source for an effect” (p. 66).
You can also use the RECORDER screen to patch a USB memory recorder output to a channel. For details, refer to “USB memory recorder
output-destination settings” (p. 79).
Input port
INPUT1–24
Default settings of the output patchbay
When the M-200i is in its default state, the output patchbay is set as follows:
Output port
REAC
ASSIGNABLE OUTPUT1-8AUX 1-8
MAIN OUTPUTL/RMAIN L,R
AES/EBU OUTL/RMAIN L,R
DOCK OUTPUTL/RMAIN L,R
OUT1–6AUX1–6
OUT7–8MAIN L,R
OUT9–40CH1–32 DIRECT OUT
9-10MONITOR L,R
Output
Input/output patchbay
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Input/output patchbay
Patchbay operations
Accessing the PATCHBAY screen
In the top panel’s DISPLAY section, press [SETUP].
1.
At the SETUP screen, select “PATCHBAY“ and press
2.
[ENTER].
The PATCHBAY screen appears.
Editing the input patching
Access the PATCHBAY screen.
1.
Select “INPUT PATCHBAY“ and press [ENTER].
2.
If the “PATCHBAY CHANGE“ item in the CONFIRMATION section
of User Preference (p. 94) is not in effect, no confirmation
message is displayed in step 3.
You can patch more than one channel to a single input jack.
Attempting to patch an INPUT jack used by an EXT FX
makes a warning message like the following appear:
Pressing [ENTER] disables the corresponding EXT FX and
continues with the patching change.
Pressing [EXIT] cancels the patching change.
The INPUT PATCHBAY selection screen is displayed.
Select the channel you want to change and press
3.
[ENTER].
From the list, select the desired input jack, then press
[ENTER].
If an input port is already patched to the channel, a message
prompting you to confirm the change in input patching is
displayed. Moving the cursor to “ASSIGN“ and pressing [ENTER]
changes the input patching.
Pressing [EXIT] cancels the change in input patching.
Input/output patchbay
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Input/output patchbay
Editing the output patching
1.
Access the PATCHBAY screen.
Select “OUTPUT PATCHBAY“ and press [ENTER].
2.
The OUTPUT PATCHBAY selection screen is displayed.
Select the jack you want to change and press [ENTER].
3.
From the list, select the desired output jack, then press
[ENTER].
Using the patchbay libraries
At the INPUT/OUTPUT PATCHBAY LIBRARY screen, you can store
the settings for the current input or output patchbay and recall
the settings later.
Access the PATCHBAY screen.
1.
2.
Select “INPUT PATCHBAY LIBRARY“ or “OUTPUT
PATCHBAY LIBRARY“ and press [ENTER].
The PATCHBAY LIBRARY screen is displayed.
3.
Select the desired number and press [ENTER].
If the channel is already patched to the output port, a message
prompting you to confirm the change in output patching is
displayed.Pressing [ENTER] changes the output patching.
Pressing [EXIT] cancels the change in output patching.
If the “PATCHBAY CHANGE“ item in the CONFIRMATION section
of User Preference (p. 94) is not in effect, no confirmation
message is displayed in step 3.
Attempting to patch to an ASSIGNABLE OUTPUT jack used
by an EXT FX makes a warning message like the following
appear:
Input/output patchbay
Pressing [ENTER] disables the corresponding EXT FX and
continues with the patching change.
The functions available at the popup are as follows:
RECALL
STOREThis stores the selected patchbay library.
LOCKThis locks the selected patchbay library.
CLEARThis clears the selected patchbay library.
NAME EDITNAME EDIT This edits the name of the selected
For more information on library operations, refer to “Library
operations” (p. 30).
This recalls the selected patchbay library.
patchbay library.
Pressing [EXIT] cancels the patching change.
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Talkback
The way in which talkback is turned on and off differs
depending on how you press [TALKBACK ON].
When you release the button quickly after pressing it, it
operates as a latch to turn talkback on or off with each
press.
When held depressed for a longer interval before
release, it operates as a momentary switch that turns on
talkback only while held down.
About talkback
fig.TB-OSCFlow.eps
TALKBACK / OSCILLATOR
INPUT 1
INPUT 16
OSC
MIC
SELECT
LEVELFREQ
OSC ON
TALKBACK / OSC
LEVEL
TALKBACK
ON
TALKBACK / OSC OUT
OSC ON
TO OUTPUT PATCHBAY
MAINLRAUX
12345678
MTX
1234
LR 12345678
MAIN AUX
1234
MTX
Talkback is a function that sends the input of a mic connected to the INPUT1–16 on the rear panel jack to an AUX, MTX, MAIN L/R, or the
output patchbay. This is useful when the mixer operator needs to convey instructions to performers on stage or to staff.
Either talkback or oscillator can be outputted. If you turn both talkback and oscillator on, oscillator will be outputted.
You can output either talkback or the oscillator (described in the following chapter), but not both. When both are turned
on, the oscillator is output.
TALKBACK screen
You use the TALKBACK screen to make the settings for talkback.
In the DISPLAY section, press [SETUP].
1.
2.
At the SETUP screen, select “TALKBACK“ and press
[ENTER].
SENS
4
This adjusts the preamp gain of the INPUT selected at the
MIC SELECT screen.
Talkback
The TALKBACK screen is displayed.
Meter display
1
These indicate the level of talkback/oscillator and of AUX,
MTX, and MAIN.
Symbols are displayed for the output destination for
talkback/oscillator.
Output destination
2
This shows the destination for talkback.
ON button
3
This button turns talkback on/off.
[TALKBACK ON] lights up when talkback is on.
LEVEL
5
This adjusts the level of talkback in a range of -Inf dB to +10.0
dB.
+48V button
6
This turns +48 V phantom power on/off for the INPUT
selected at the MIC SELECT screen.
Be sure to turn off phantom power when no device requiring
+48 V phantom power is connected. Inadvertently supplying
phantom power to a dynamic microphone, audio playback
device, or other equipment that does not require such
power might cause malfunction. Carefully check the
documentation included with the microphone or other
equipment you’re using to determine its specifications.
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Talkback
TALKBACK FUNCTION screen
1.
Access the TALKBACK screen.
Press [FUNC] to access the TALKBACK FUNCTION screen.
2.
The following functions are available at the TALKBACK FUNCTION
screen.
MIC SELECT:
DESTINATION
Talkback
This selects the input jack for connecting the mic to
use for talkback.
If you don’t use talkback, select “NONE.“
This selects the bus you want to use as the
destination for talkback.
Talkback and the oscillator share the same
output destination.
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Oscillator
About oscillator
fig.TB-OSCFlow.eps
TALKBACK / OSCILLATOR
INPUT 1
INPUT 16
OSC
MIC
SELECT
LEVELFREQ
OSC ON
TALKBACK / OSC
LEVEL
TALKBACK
ON
TALKBACK / OSC OUT
OSC ON
TO OUTPUT PATCHBAY
MAINLRAUX
12345678
MTX
1234
LR 12345678
MAIN AUX
1234
MTX
Oscillator is a function that generates a pink noise, white noise, or sine wave, and sends it to an AUX, MTX, MAIN L/R, or the output
patchbay. This is useful when you need to measure the acoustical response of a hall, or when checking the connections of external devices.
.
You can output either the oscillator or talkback (described in the previous chapter), but not both. When both are turned
on, the oscillator is output.
FREQ
OSCILLATOR screen
4
This adjusts the sine-wave frequency in a range of 20 Hz to
You use the OSCILLATOR screen to make the settings for
20 kHz.
oscillator.
LEVEL
1.
In the DISPLAY section, press [SETUP].
5
This adjusts the output level of the oscillator in a range of -Inf
2.
At the SETUP screen, select “OSCILLATOR“ and press
dB to 0.0 dB.
[ENTER].
OSCILLATOR FUNCTION screen
1.
Access the OSCILLATOR screen.
Press [FUNC] to access the OSCILLATOR FUNCTION
2.
screen.
The OSCILLATOR screen is displayed.
Meter display
1
These indicates the level of talkback/oscillator and of AUX,
MTX, and MAIN.
Symbols are displayed for the output destination for
oscillator.
Talkback and the oscillator share the same output destination.
Output destination
2
This shows the destination for oscillator.
ON/OFF button
3
This button turns the oscillator on/off.
You can assign oscillator on/off to a USER button.
The following functions are available at the OSCILLATOR
FUNCTION screen.
OSCILLATOR
TYPE
This selects from among the following choices the
type of signal output by the oscillator:
• PINK NOISE
• WHITE NOISE
SINE WAVE
•
DESTINATIONThis selects the bus you want to use as the
destination for oscillator. Talkback and the oscillator
share the same output destination.
Oscillator
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Monitor/Solo
About monitoring
fig.MonitorFlow.eps
SOLO
LR
LR
SOLO
MONITOR
AUX 1 OUT
AUX 8 OUT
MAIN OUT L
MAIN OUT R
MONO OUT
MTX 1 OUT
MTX 4 OUT
REC OUT LR
MONITOR
SELECT
SOLO
LEVEL
SOLO
LOGIC
DELAY
DELAY
MONITOR
LEVEL
DIMMER
DIMMER
MONITOR
DIRECT OUT 1-32
TALKBACK / OSC
REAC INPUT 1-40
USB PLAYER L, R
DOCK INPUT L, R
Monitoring is a function by which the AUX, MTX, MAIN, or USB memory recorder signal that you select as the monitor source can be sent
from the output jacks or headphone jack. This is used mainly by a mixing engineer to monitor the signals.
The monitor output is split to the MONITOR OUT L/R and PHONES OUT, and the level of these two can be adjusted independently. You can
use the output patchbay to patch MONITOR OUT L/R to any desired output jacks.
MONITOR OUT L
MONITOR OUT R
INPUT 1–24
OUTPUT
PATCHBAY
PHONES
LEVEL
D/A
PHONES OUT
Solo is a function by which the channel you select using a [SOLO] button is sent from the MONITOR OUT L/R or PHONES OUT jacks. This is
used to monitor a channel temporarily.
MONITOR screen
1.
In the top panel’s DISPLAY section, press [SETUP].
At the SETUP screen, select “MONITOR“ and press
2.
[ENTER].
MONITOR FUNCTION screen
1.
Access the MONITOR screen.
Press [FUNC] to access the MONITOR FUNCTION screen.
2.
The operations available at the MONITOR FUNCTION screen are
The MONITOR screen is displayed.
Meter display
1
These indicate the levels of AUX, MTX, MAIN, and MONITOR.
Monitor/Solo
MONITOR LEVEL
2
This adjusts the output level of the monitor in a range of -Inf
dB to +10.0 dB.
DELAY button
3
This turns delay on/off.
Delay time
4
This adjusts the amount of delay in a range of 0.0 ms to 400
ms (when milliseconds are used).
as follows:
MONITOR
SOURCE
SOLO MODEThis lets you select the solo mode from among the
SOLO LEVELThis adjusts the solo level in a range of -Inf dB to
This selects the monitor source.
following:
ADD ON : Channels for which [SOLO] is on are mixed
for monitoring.
LAST : Only the channel for which [SOLO] was turned
on most recently is monitored.
+10.0 dB.
The solo output level is adjusted not only by
SOLO LEVEL, but also by “MONITOR LEVEL“
or the “PHONES jack LEVEL knob.“
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Monitor/Solo
Solo is set to have the following priorities:
Solo operates under the following rules;
• Turning on a higher-priority solo temporary replaces
lower-priority solos. Operation returns to the lowerpriority solos when the higher-priority solo is cleared.
• Turning on a lower-priority solo clears higher-priority
solos.
(High)4Key-in solo
Priority
3CH
2DCA solo
(Low)1MAIN, AUX, MTX
INPUT AFL
OUTPUT AFLThis selects the point from which the signal is sent
SOLO FOLLOWS
SENDS ON FADER
This selects the point from the signal is sent from
CH1 through 32 to solo. If this is on, the post-pan
signal of the channel is sent. If this is off, the prefader signal is sent.
from MAIN, AUX, or MTX to solo. If this is on, the postfader signal of the channel is sent. If this is off, the
pre-fader signal is sent.
If this is on, the solo of the AUX/MTX is turned on in
tandem with “SENDS ON FADER.“ When the “SENDS
ON FADER“ mode is turned off, solo is turned off.
Using the monitor
1.
Access the MONITOR FUNCTION screen.
2.
Move the cursor to the MONITOR SOURCE and press
[ENTER] to access the MONITOR SOURCE screen.
Using solo
At the MONITOR FUNCTION screen, adjust the “SOLO
1.
LEVEL“ setting
2.
At the top panel, press [SOLO] for the desired channel.
The signal of that channel is sent to solo buses and output
from the output jacks to which MONITOR OUT L/R are
patched and from the PHONES jack.
At the MONITOR section, use the “LEVEL knob“ or the
3.
“PHONES LEVEL knob“ to adjust the monitor output
level.
Select the monitor source and press [ENTER].
3.
The monitor signal is output from the output jacks to which
MONITOR OUT L/R are patched, and from the PHONES jack.
Use “MONITOR LEVEL“ or the “PHONES LEVEL knob“ to
4.
adjust the output level of the monitor.
By default, MONITOR L/R is patched to ASSIGNABLE
OUTPUT 9/10. You can use the output patchbay to
change the output destination. For details, refer to
“Editing the output patching” (p. 88).
Monitor/Solo
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User Preference settings
Here you can make the settings for the user fader layers, user
buttons and other user preferences.
USER PREFERENCE screen
In the top panel’s DISPLAY section, press [SETUP].
1.
AT the SETUP screen, select “USER PREFERENCE“ and
2.
press [ENTER].
The USER PREFERENCE screen is displayed.
The following functions are available at the USER PREFERENCE
screen.
- USER LAYER 1-2
12
This edits the user fader layer assignments (p. 94).
STARTUP OPTION
7
This specifies scenes and layers in effect on powerup.
The parameters are as follows:
RECALL SCENE
LAYERThis specifies layers in effect on powerup.
This specifies scenes in effect on powerup.
Editing the user fader layers
The user fader layers are a function for assigning any channel to
the top-panel fader module section (p. 18). The unit has two user
fader layers, and you can assign any 16 channels to each user
layer.
Editing the user fader layer assignments
1.
Access the USER PREFERENCE screen.
2.
Select either “USER LAYER 1“ or “USER LAYER 2“
according to the user fader layer whose settings you
want to make, and press [ENTER].
USER BUTTON
3
This edits the user button assignments (p. 95).
CH-SELECT OPTION
4
This selects operations related to channel selection.
Operations displayed with “ON” are enabled.
The selection items are as follows:
CH-SELECT
FOLLOW [SOLO]
CH-SELECT WITH
LAYER SEL
CH-EDIT
FOLLOWS [SEL]
CONFIRMATION
5
This selects the operations that display a CONFIRM popup.
When you perform an operation that’s displayed with “ON”
here, a CONFIRMATION popup that prompts you to confirm
the operation is displayed.
The selection items are as follows:
SCENE/LIBRARY STOREScene or library store operations
SCENE/LIBRARY RECALLScene or library recall operations
PATCHBAY CHANGEChanges to the input/output patchbay
User Preference settings
HOME SCREEN
6
This selects the Home screen (p. 95).
Channels are selected by [SOLO]
The channel selection for each layer is saved in
memory, and the selected channels are changed
using the buttons in the LAYER section.
Pressing [SEL] accesses the CHANNEL EDIT screen.
The USER LAYER screen appears.
Move the cursor to the fader whose settings you want to
3.
make, then press [ENTER].
The USER FADER ASSIGN screen appears.
Move the cursor to the channel you want to assign and
4.
press [ENTER].
5.
Press [EXIT] to quit the screen.
You can also assign a user fader by pressing [SEL] for the fader
instead of pressing [ENTER] at the user fader selection screen.
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User Preference settings
Editing the user buttons
The user buttons are a function for assigning desired functions to
buttons [1] through [8] in the USER button section (p. 21).
You can make settings for eight user buttons.
Editing the user button assignments
Access the USER PREFERENCE screen.
1.
2.
Select “USER BUTTON“ and press [ENTER].
The USER BUTTON screen is displayed.
3.
Move the cursor to the user button whose setting you
want to make and press [ENTER].
Selecting the Home screen
You can select either the CHANNEL EDIT screen or the METER
screen to be the Home screen.
1.
Access the USER PREFERENCE screen.
2.
Move the cursor to “HOME SCREEN“ and press [ENTER] .
Select “CHANNEL EDIT“ or “METER“ as the Home screen.
3.
Pressing [EXIT] to quit the screen.
You can also change the HOME SCREEN from each channel’s
CHANNEL FUNCTION screen, and from the METER FUNCTION
screen.
The USER BUTTON FUNCTION screen is displayed.
4.
Select the desired category of function and press
[ENTER].
Next, select the desired function from the list and press
5.
[ENTER] to apply the change.
6.
Some function shows additional list of functions.
Select the desired function from the list and press [ENTER] to
apply the change.
For a list of assignable functions, refer to “User button functions”
(p. 115).
User Preference settings
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REAC applications and settings
REAC applications
This chapter explains more advanced ways to use REAC.
For basic information about REAC, refer to “Basic knowledge
about REAC” (p. 11) .
REAC splitting
By connecting a REAC splitter between the REAC master and
slave, you can split the output from the REAC master device and
distribute it to multiple REAC split devices.
fig.REACsplit.eps
SLAVE
SPLITSPLITSPLIT
REAC SPLITTER
MASTER
To assign a REAC device to operate in split mode, you must set its
REAC mode to Split. The REAC split device will function solely to
receive signals from the REAC master device.
About the M-200i’s REAC functionality
The REAC port on the M-200i operates as the REAC master, the
REAC slave, or the REAC split. For information on how to make
REAC settings, refer to “REAC settings” (p. 98).
REAC port input
Input signals from the REAC port rises at the input patchbay.
REAC port output
The 40 channels from the output patchbay are output to the
REAC port.
Output cannot be made to the REAC port on the M-200i when it
has been set to be a REAC split device.
Caution when using a REAC splitter
For a REAC splitter, you can use the S-4000-SP, S-4000D, or an
Ethernet switching hub. Switching hubs that meet the following
conditions can be used with the M-200i:
•
1000BASE-T compatible device (IEEE 802.3ab, Gigabit
Ethernet) that supports 100 BASE-TX (IEEE 802.3u, Fast
Ethernet)
•
Full duplex communication (simultaneous bidirectional
communication)
The network transmission time between REAC devices is
approximately 375 microseconds, but if the signal passes
through a REAC splitter (S-4000-SP, S-4000D, or an Ethernet
switching hub), approximately 200 microseconds of delay will
occur for each device. A maximum of four REAC splitters can be
connected in series.
fi
REAC applications and settings
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REAC connection examples
REAC applications and settings
Here we show some examples of REAC setups and
connections.For details on REAC settings for the M-200i, refer to
“REAC settings” (p. 98).
FOH console setup
Set the M-200i’s REAC port to be the REAC master.
• In this example, the REAC port uses input and output from
the stage.
S-1608
SLAVE
REAC
MASTER
FOH CONSOLE
• In this example, the REAC port is used for splitting to a
monitor console or broadcast console.
To Monitor
Recording to a computer
Set the M-200i’s REAC port to be the REAC master (p. 98).
• You can use a REAC driver with SONAR DAW software to
record from the M-200i’s REAC port to a computer.
For details, refer to the following website:
http://www.roland.com/professional/
Firewire
(IEEE1394)
PC
to Ethernet connector
REAC
MASTER
FOH CONSOLE
The M-200i’s REAC port connected to a computer must be a
REAC master.
To Broadcast
REAC SPLITTER
REAC
MASTER
FOH CONSOLE
To split the FOH inputs as analog audio signals or AES/EBU format,
an S-4000S in which output modules (SO-DA4 or SO-AES4) have
been installed can be used. This allows up to 40 channels of analog
audio signals (SO-DA4) or in AES/EBU format (SO-AES4).
Submixer setup
You can set the M-200i to the stage and send its input or its
output mix to an FOH console.
Set the M-200i’s REAC port to SLAVE (p. 98).
S-1608
SLAVE
REAC AREAC B
MASTERMASTER
M-480
FOH CONSOLE
The preamp gain for the M-200i cannot be controlled from the
FOH console.
The sampling frequency of the FOH console must match the
sampling frequency of the M-200i.
SLAVE
REAC applications and settings
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REAC applications and settings
In some cases, a message like the following may appear
after you change the setting of the REAC port in step 4.
This confirmation message appears if a the sampling
frequencies of the M-200i and the connected REAC device
are different.
Pressing [ENTER] changes the M-200i’s sampling frequency
to match that of the connected REAC device.
Pressing [EXIT] maintains the current sampling frequency,
and so connection is not possible.
Monitor/broadcast console setup
Set the M-200i’s REAC port to SPLIT.
• In this example, the output from the FOH console’s REAC B
split is received by the M-200i’s REAC port.
MASTERMASTER
REAC AREAC B
FOH CONSOLE
M-480
SLAVE
S-1608
SLAVE
S-1608
REAC SPLITTER
REAC
SPLIT
MONITOR / BROADCAST CONSOLE
The sampling frequency of the monitor console must match the
sampling frequency of the FOH console.
REAC settings
You use the REAC screen to make REAC settings.
1.
In the DISPLAY section, press [SETUP] to access the
SETUP screen.
For details about connection examples, refer to “REAC
connection examples” (p. 97).
4.
Pressing [ENTER] changes the setting for the REAC port.
Pressing [EXIT] cancels the change to the REAC port setting.
Select “REAC SETUP“ and press [ENTER].
2.
The REAC SETUP screen appears.
Set the REAC port to one from among “MASTER,“
3.
“SLAVE,“ “SPLIT,“ and “MASTER(External Clock)“ and
press [ENTER].
A message prompting you to confirm the operation is
displayed.
REAC applications and settings
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REAC applications and settings
99
REAC applications and settings
Page 100
Network
Network functions
LAN
You can connect a Wireless LAN router to the LAN connector on
the M-200i’s rear panel and use a application that has wireless
support (the M-200i Remote iPad application) to operate the M200i remotely.
WIRELESS LAN
You can use the WLAN ADAPTOR connector on the rear panel to
operate the M-200i remotely using an application that has
wireless support (the M-200i Remote iPad application).
Two methods are available: using a Wireless LAN router, and
connecting a Wireless device directly (ad-hoc mode) without
using a Wireless LAN router.
Network settings
IP ADDRESS
2
This indicates the IP address.
SETUP button
3
This access the LAN screen.
2
WIRELESS LAN
Connection status
1
Indication
CONNECTED
NOT CONNECTEDA wireless USB adapter is attached, but no
NOT AVAILABLENo wireless USB adapter is attached.
AD-HOCAd-hoc mode (p. 104).
Description
Connected to the Wireless LAN router.
connection to a Wireless device is in effect.
You use the NETWORK screen to make network settings.
Accessing the NETWORK screen
In the DISPLAY section, press [SETUP].
1.
2.
At the SETUP screen, select “NETWORK“ and press
[ENTER].