This manual explains how to use JD-800 Model Expansion with the JUNO-X.
There are two ways to use JD-800 Model Expansion.
In this manual, we explain how to do this via Roland Cloud Manager.
Using Roland Cloud Manager
On your computer, use the Roland Cloud Manager to download the
JD-800 Model Expansion les from Roland Cloud.
Use a USB ash drive to import the les into the JUNO-X.
¹ Click here for more information on Roland Cloud.¹ Click here to download the Roland Cloud Manager and Owner’s
Manual.
* You must purchase a Lifetime Key for the data if you want to use
Roland Cloud Manager.
* Data that was downloaded with only a Roland Cloud
membership can’t be loaded into the JUNO-X.
Updating the JUNO-X to the Latest Version
Before using the JD-800 Model Expansion, you must update the
JUNO-X to the latest version.
Download the latest software from the website below, and follow the
steps listed to update.
https://roland.cm/juno-x_dl
Downloading the JD-800 Model Expansion by
Using Roland Cloud Manager
Using Roland Cloud Connect
Use Roland Cloud Connect (sold separately) and your smartphone
to import the JD-800 Model Expansion les into the JUNO-X.
¹ Click here for more information on Roland Cloud Connect.
* If you are using Roland Cloud Connect (sold separately), you can
use the JD-800 Model Expansion les even on a membership
basis.
Downloading the JD-800 Model Expansion
1. Start Roland Cloud Manager.
2. Click “Hardware” on the Menu tab.
A list of hardware appears.
3. Click “JUNO-X”.
A list of contents appears.
4. Click JD-800 Model Expansion.
The JD-800 Model Expansion download page appears.
This explains how to use Roland Cloud Manager to download and
install the JD-800 Model Expansion les.
Installing the Roland Cloud Manager
1. On your computer, download Roland Cloud
Manager from the Roland Cloud website.
Access the website listed below to download the appropriate
installer for your computer.
https://roland.cm/RolandCloudManager
2. Double-click the installer you downloaded to begin
the installation.
Proceed with the installation by following the directions shown
onscreen.
When you see a message saying that the installation was
successful, click the [Close] or [Finish].
3. Start the Roland Cloud Manager that you installed,
and register your account.
Follow the onscreen instructions to register.
5. Click “Get Lifetime Key” to purchase a Lifetime Key.
6. Once you’ve made your purchase, click “Library” on
the Menu tab.
A list of the contents you have purchased appears.
7. Select “JD-800 Model Expansion” and download.
3
Using the JD-800 Model Expansion
Installing the JD-800 Model Expansion
Saving Files to a USB Flash Drive
* When using a USB ash drive for the rst time, you must format it
on the JUNO-X.
“Formatting a USB Flash Drive” (Startup Guide)
Ø
1. Connect the USB ash drive to your computer.
2. Save the le (EXM005_JD800.exz) to the root
directory of the USB ash drive.
3. Disconnect the USB ash drive from your computer.
Installing on the JUNO-X
1. Insert the USB ash drive you prepared in “Saving
Files to a USB Flash Drive” into the JUNO-X.
2. Turn the power of the JUNO-X on while holding
down the [ENTER] (INIT) button.
The EXPANSION top screen appears.
List of installed Model Expansions
Memory used
EMPTY:
A new le can be installed.
FULL:
A new le cannot be installed.
You must free up some memory
for installation.
“Uninstalling a Model Expansion” (p. 4)
Ø
Error Messages
IndicationAction
Expansion Memory Full!
Incorrect License! Please
Remove License
There is not enough memory available for installation.
Follow the steps in “Uninstalling a Model Expansion” to
free up the memory.
The JD-800 Model Expansion is currently linked to a
dierent user license.
Follow the steps in “Initializing Your User License”
(p. 5) to initialize the user license.
Uninstalling a Model Expansion
If there is not enough free memory, you can uninstall Model
Expansions that are already installed, and then install the JD-800
Model Expansion.
1. Hold down the [ENTER] (INIT) button and turn the
JUNO-X on.
The EXPANSION top screen appears.
2. Use the [
uninstall, and then press the [Í] button to go to the
uninstallation screen.
A conrmation message appears.
If you decide to cancel, press the [EXIT] button.
3. To execute, use the [- VALUE +] knob to select “OK”,
and then press the [ENTER] (INIT) button.
MEMO
The uninstall process works the same even if you’ve installed the
Model Expansion with Roland Cloud Connect (WC-1).
SELECTÉ] knob to select the le to
Ç
Uninstall
([Í] button)
3. Press the [
4. Use the [
Ë
Ç
Install
([Ë] button)
] button to go to the installation screen.
SELECTÉ] knob to select “EXM005_
JD800”, and press the [ENTER] (INIT) button or the
[Ë] button.
A conrmation message appears.
If you decide to cancel, press the [EXIT] button.
MEMO
The user license registration screen appears if you’re installing for
the rst time.
To continue installing, use the [Ë] button to select “OK”, and then
press the [ENTER] (INIT) button.
5. To execute, use the [- VALUE +] knob to select “OK”,
and then press the [ENTER] (INIT) button.
6. Turn the power o, then on again.
This allows you to use the JD-800 Model Expansion.
4
User License
The Model Expansions are linked to the user license of the user who
downloaded them.
You cannot import or install Model Expansions with dierent user
licenses on a single JUNO-X.
User A
A
EXZ001
User A
AB
EXZ005
User B
EXZ005
Using the JD-800 Model Expansion
* If you have not imported or installed a Sound Pack, Wave Expansion
or Model Expansion, the “Remove License” check box is not shown.
* If you select the other check boxes besides the “Remove License”
check box and execute this operation, this initializes all of the
corresponding data. See “Returning to the Factory Settings (Factory
Reset)” in the JUNO-X Startup Guide for details.
A
When you want to import or install a JD-800 Model Expansion that has
a dierent user license from the Model Expansions already registered
in the JUNO-X, follow the steps to initialize the user license.
User A
AB
EXZ005
Initialize
User B
EXZ005
A
Initializing Your User License
By initializing the user license, you can install a JD-800 Model
Expansion that you’ve downloaded with a new user license.
NOTE
¹ This deletes all Model Expansions that are already installed.¹ Never turn o the power or remove the USB ash drive while the
“Executing...” message is shown.
1. Press the [MENU] (WRITE) button on the JUNO-X.
2. Use the [
press the [ENTER] (INIT) button.
3. Use the [
RESET”, and then press the [ENTER] (INIT) button.
The FACTORY RESET screen appears.
SELECTÉ] knob to select “UTILITY”, and
Ç
SELECTÉ] knob to select “FACTORY
Ç
5. Press the [
A conrmation message appears.
If you decide to cancel, press the [EXIT] button.
] button.
Ë
6. To execute, use the [- VALUE +] knob to select “OK”,
and then press the [ENTER] (INIT) button.
“Completed. Turn o power” is shown on the display.
7. Turn the JUNO-X o.
This initializes the user license.
8. Follow the steps in “Installing the JD-800 Model
Expansion” (p. 4) to install the JD-800 Model
Expansion on the JUNO-X.
Error Messages
IndicationAction
USB Memory Not Ready!
Expansion File Not Found!
Incorrect File!
Incorrect License! Please
Remove License
Expansion Memory Full!
It has already been installed
The USB ash drive cannot be recognized. Make sure that
your USB ash drive is correctly inserted into the JUNO-X.
This is shown when there is no Expansion le in the USB
ash drive.
Make sure that the le has been correctly saved and that
the le extension is “.exz”.
This is shown when the selected le is not supported by
the JUNO-X, or when the le is corrupted.
Check which instruments support the original download,
and try downloading again.
This is shown when the JD-800 Model Expansion is
currently linked to a dierent user license.
To install, provide a le that uses the same user license
as the Expansion already installed, or initialize the user
license.
This is shown when there is not enough free memory to
install an Expansion.
In this case, you can uninstall Model Expansions that are
already installed to free up memory.
This is shown when the JD-800 Model Expansion has
already been installed.
You don’t need to reinstall.
4. Select the item using the [
SELECTÉ] knob, and
Ç
using the [ENTER] (INIT) button to select or deselect
the items, select only the “Remove License” check
box.
5
Using the JD-800 Model Expansion
Selecting a Tone
1. Press the [MODEL BANK] button.
The MODEL BANK top screen appears.
Model/category
Model name/category name
Tone name
Tone number
2. Use the [
model name/category name.
3. Use the [- VALUE +] knob to select “JD-800”.
4. Use the [
tone number.
5. Use the [- VALUE +] knob to select the tone.
SELECTÉ] knob to move the cursor to the
Ç
SELECTÉ] knob to move the cursor to the
Ç
Registering the JD-800 to a model bank
1. Hold down the [MODEL BANK] button and press a
model bank button ([1]–[16]).
2. Use the [
“Attr”.
3. Use the [- VALUE +] knob to select “MODEL”.
4. Use the [
register the JD-800.
5. Use the [- VALUE +] knob to select “JD-800”.
6. If you want to save the setting, execute the System
Write operation.
6-1.
6-2.
6-3.
Selecting a JD-800 tone using the model bank
SELECTÉ] knob to move the cursor to
Ç
SELECTÉ] knob to select where to
Ç
Hold down the [SHIFT] button and press the [MENU] (WRITE)
button.
The WRITE MENU screen appears.
Use the [ÇSELECTÉ] knob to select “SYSTEM”, and then press
the [ENTER] (INIT) button.
To execute, press the [ENTER] (INIT) button.
MEMO
Move the cursor to the model name/category name or the tone
number and press the [ENTER] (INIT) button. The tone list appears.
6. Press the [ENTER] (INIT) button to select the tone.
1. Press the [MODEL BANK] button.
The MODEL BANK top screen appears.
Use the [1]–[16] buttons to switch to tone select mode.
2. Select the model bank where you registered the
JD-800 by pressing one of the [1]–[16] buttons.
The tones for the JD-800 are shown.
You can use the [- VALUE +] knob to select a tone on this screen as
well.
3. Press the [ENTER] (INIT) button.
A list of tones is shown.
4. Use the [- VALUE +] knob to select the tone.
You can use the [ÇSELECTÉ] knob to select the tone quickly.
5. Press the [ENTER] button.
The tone is now selected.
6
Parameter Guide
Controls on the JUNO-X and Their Associated Parameters
2
1
28 29
SectionControllerParameter
ONPorta Switch
1
PORTAMENTO
TIMEPorta Time
2
PITCHSelect PITCH LFO (*1) -
3
FILTERSelect FILTER LFO (*1) -
4
AMPSelec t AMP LFO (*1) -
5
TYPELFO1: Waveform
6
LFO
RAT ELFO1: Rate
7
DELAY TIMELFO1: Fade time
8
DEPTH
9
PWM/MODWG: Pitch ne
10
11
12
OSC
SUBPARTIAL3 TVA: Level
13
NOISEPARTIAL4 TVA: Level
14
PITCHWG: Pitch coarse
15
FREQTVF: Cuto freq
16
FILTER
AMP
ENV
RESTVF: Resonance
17
KYBDTVF: Cuto KF
18
LEVELLevel
19
PITCHSelect PITCH ENV (*2) -
20
FILTER
21
AMPSelec t AMP ENV (*2) -
22
7
6
3 4 5 20 21 22
30 31 32 33
If “PITCH LFO” is selected
WG: LFO1 depth
If “FILTER LFO” is selected
TVF: LFO depth
If “AMP LFO” is selected
TVA: LFO depth
PARTIAL1 TVA: Level
PARTIAL2 TVA: Level
Select FILTER ENV
(*2)
11 13 15 14 10 18
12 8 9 16 17
Destination or
operation when
used with the
[SHIFT] button
JD-800 TONE
COMMON EDIT:
Porta Switch
JD-800 TONE
COMMON EDIT:
Porta Time
SectionControllerParameter
23
24
JD-800 TONE EDIT:
LFO1: Waveform
JD-800 TONE EDIT:
LFO1: Rate
JD-800 TONE EDIT:
LFO1: Fade time
JD-800 TONE EDIT:
WG: LFO1 depth
JD-800 TONE EDIT:
TVF: LFO depth
JD-800 TONE EDIT:
TVA: LFO depth
JD-800 TONE EDIT:
WG: Pitch ne
JD-800 TONE EDIT
PARTIAL1:
TVA: Level
JD-800 TONE EDIT
PARTIAL2:
TVA: Level
JD-800 TONE EDIT
PARTIAL3:
TVA: Level
JD-800 TONE EDIT
PARTIAL4:
TVA: Level
JD-800 TONE EDIT:
WG: Pitch coarse
JD-800 TONE EDIT:
TVF: Cuto freq
JD-800 TONE EDIT:
TVF: Resonance
JD-800 TONE EDIT:
TVF: Cuto KF
JD-800 TONE
COMMON EDIT:
Level
-
ENV
25
26
27
28
29
30
PART/FUNC
31
32
33
(*1): The priority order for LFO type is PITCH > FILTER > AMP.
(*2): The priority order for ENV type is AMP > PITCH > FILTER.
(*3): Only enabled in “FUNC” mode.
* For other parameters, see the “JUNO-X Parameter Guide” (PDF).
* The JD-800 Model Expansion parameters are located in TONE EDIT.
19
23 24 25 26
If “PITCH ENV” is selected
P-ENV: Time 1
A
D
S
R
DEPTH
MONOSelect SOLO
UNISONSelect UNISON
OSC1 SELECTSelect PARTIAL1 (*3)
OSC2 SELECTSelect PARTIAL2 (*3)
OSC3 SELECTSelect PARTIAL3 (*3)
OSC4 SELECTSelect PARTIAL4 (*3)
If “FILTER ENV” is selected
F-ENV: Time 1
If “AMP ENV” is selected
A-ENV: Time 1
If “PITCH ENV” is selected
P-ENV: Time 2
If “FILTER ENV” is selected
F-ENV: Time 3
If “AMP ENV” is selected
A-ENV: Time 3
If “PITCH ENV” is selected
P-ENV: Level 1
If “FILTER ENV” is selected
F-ENV: Sus level
If “AMP ENV” is selected
A-ENV: Sus level
If “PITCH ENV” is selected
P-ENV: Time 3
If “FILTER ENV” is selected
F-ENV: Time 4
If “AMP ENV” is selected
A-ENV: Time 4
If “FILTER ENV” is selected
TVF: ENV depth
27
Destination or
operation when
used with the
[SHIFT] button
JD-800 TONE EDIT:
P-ENV: Time 1
JD-800 TONE EDIT:
F-ENV: Time 1
JD-800 TONE EDIT:
A-ENV: Time 1
JD-800 TONE EDIT:
P-ENV: Time 2
JD-800 TONE EDIT:
F-ENV: Time 3
JD-800 TONE EDIT:
A-ENV: Time 3
JD-800 TONE EDIT:
P-ENV: Level 1
JD-800 TONE EDIT:
F-ENV: Sus level
JD-800 TONE EDIT:
A-ENV: Sus level
JD-800 TONE EDIT:
P-ENV: Time 3
JD-800 TONE EDIT:
F-ENV: Time 4
JD-800 TONE EDIT:
A-ENV: Time 4
JD-800 TONE EDIT:
TVF: ENV depth
JD-800 TONE
COMMON EDIT:
Solo switch
JD-800 TONE
COMMON EDIT:
Unison
TONE EDIT
PARTIAL1:
Active switch
TONE EDIT
PARTIAL2:
Active switch
TONE EDIT
PARTIAL3:
Active switch
TONE EDIT
PARTIAL4:
Active switch
7
Parameter Guide
TONE Parameters
TONE COMMON
JD-800
ParameterValueExplanationCC#
CategCATEGORYSelects the tone category.
Level0–100Adjusts the overall volume for all tones. 110
Key range
P1 L
Key range
P1 H
Key range
P2 L
Key range
P2 H
Key range
P3 L
Key range
P3 H
Key range
P4 L
Key range
P4 H
Bender range D0–48
Bender range U0–12
Atch bend sens
Solo switchOFF, ON
Solo legatoOFF, ON
UnisonOFF, ON
Porta switch
Porta modeNORMAL, LEGATO
Porta time0–100
0–127
0–127
0–127
0–127
0–127
0–127
0–127
0–127
-36, -24,
-12–0–+12
OFF, ON
* Portamento does not operate when the Solo switch is o,
regardless of the Porta Switch setting.
Sets the key range for each partial. Use
this when you want to play dierent
partials over dierent zones on the
keyboard.
Specify the lower (L) and upper (H)
limits for the ranges to set.
Sets the amount of change (in
semitones) made when the pitch bend
wheel is pushed all the way down.
For example, if you set this to “48” and
push the pitch bend wheel all the
way down, the pitch goes down four
octaves.
Sets the amount of change (in
semitones) made when the pitch bend
wheel is pushed all the way up.
For example, when this is set to “48”
and you push the pitch bend wheel
all the way up, the pitch goes up four
octaves.
Sets the aftertouch sensitivity.
Sets whether the tones play as single
notes (ON, monophonic) or as chords
(OFF, polyphonic) when you play
multiple keys.
This eect is applied when SOLO is on.
When this is on and you hold down
a key and then play another key, the
sound of the second note played
smoothly transitions from the rst note
without an attack.
This layers a single tone. When this is
on, a certain number of sounds (set in
each tone) are layered.
Turns the portamento on/o. When
this is on, the pitch of the second note
you play glides continuously from the
rst note.
OFF: Portamento is not applied,
regardless of the portamento time
setting.
ON: Portamento is always applied.
NORMAL: Portamento is always
applied.
LEGATO: Portamento is only applied
when you play in legato style (playing
one key and then playing the next
while holding down the rst one).
When portamento is used, this sets the
time taken for the pitch to change.
Higher settings cause the pitch to take
longer when gliding to the next note.
115
116
118
ParameterValueExplanationCC#
EQ
EQ switchOFF, ONTurns the equalizer on/o.
EQ Low gain-24.0dB–+24.0dB
EQ Mid gain-24.0dB–+24.0dB
EQ Hi gain-24.0dB–+24.0dB
EQ Low freq20–16000
EQ Mid freq20–16000
EQ Hi freq20–16000
EQ Mid Q0.5–16.0
Adjusts the amount of boost/cut of the
low frequency range.
Adjusts the amount of boost/cut of the
mid-frequency range.
Adjusts the amount of boost/cut of the
high frequency range.
Sets the center frequency of the low
range.
Sets the center frequency of the midfrequency range.
Sets the center frequency of the high
range.
Sets the width of the mid-frequency
range. Higher values make the width
more narrow.
TONE
JD-800
* The CCs that are supported dier with each partial (p. 12).
These buttons turn the partials on/o, and
select which partials are to be stacked when
played.
Selects the partials to edit. Any edits you
make apply to all selected partials.
You can select from one of four curves, which
aect how much each type of envelope is
applied according to how hard you play the
keys. The envelopes that are aected include
the PITCH ENV, TVF ENV and TVA ENV.
Sets whether the sound of the partial is
sustained (held) when you operate the hold
pedal.
These buttons set the LFO waveform.
Turn this on to sync the LFO cycle with the
tempo.
When Rate sync is o, the LFO cycle is set
irrespective of the tempo. The larger the
value, the shorter the LFO cycle.
When Rate sync is on, the LFO cycle is set to
a note length.
Sets the time it takes before the LFO eect
begins after you press a key.
The larger the value, the longer it takes for
the LFO eect to start after you play the
keyboard. The setting above 100 is “REL”. The
“REL” setting makes the LFO start right after
you release the key.
Sets the time-based change of the LFO as it
takes eect.
Set this to “+” to make the LFO amplitude
gradually ramp up to maximum.
Set this to “-” to make the LFO amplitude
gradually ramp down to zero.
No time-based change occurs when this is set
to “0”. The larger the absolute value, the more
time required for change.
Moves the center value for the LFO waveform
(the pitch or cuto frequency) up or down.
Sets whether to synchronize the start of the
LFO cycle with the timing you use to play the
keys (“ON” to synchronize, “OFF” to disable).
Turn this on to sync the LFO cycle with the
tempo.
When Rate sync is o, the LFO cycle is set
irrespective of the tempo. The larger the
value, the shorter the LFO cycle.
When Rate sync is on, the LFO cycle is set to
a note length.
Sets the time it takes before the LFO eect
begins after you press a key.
The larger the value, the longer it takes for
the LFO eect to start after you play the
keyboard. The setting above 100 is “REL”. The
“REL” setting makes the LFO start right after
you release the key.
Sets the time-based change of the LFO as it
takes eect.
Set this to “+” to make the LFO amplitude
gradually ramp up to maximum.
Set this to “-” to make the LFO amplitude
gradually ramp down to zero.
No time-based change occurs when this is set
to “0”. The larger the absolute value, the more
time required for change.
Moves the center value for the LFO waveform
(the pitch or cuto frequency) up or down.
Sets whether to synchronize the start of the
LFO cycle with the timing you use to play the
keys (“ON” to synchronize, “OFF” to disable).
Sets the waveform gain (amplitude).
The value changes in units of 6dB (decibels).
Raising the value by 6dB increases the gain by
a factor of two.
Sets the width of change at which the pitch
randomly changes with each key press. To
disable this random change, set this to “0”.
Sets the width of pitch change when the key
is shifted one octave (12 keys) up.
To make the pitch change over one octave
like regular keyboards, set this to “+100”. To
make the pitch change two octaves over the
range of one octave, set this to “+200”. Set
this to a negative value to make the pitch go
down as you play higher notes.
To play the same pitch no matter which key
you press, set this to “0”.
Sets whether MIDI pitch bend messages are
received (ON) or not (OFF) for each partial.
Sets whether MIDI aftertouch bend messages
are received (ON) or not (OFF), and whether
these messages are used to apply pitch bend
for each partial.
Adjusts the intensity at which LFO1/LFO2
modulates OSC.
Sets the depth of vibrato that is controlled by
the modulation lever.
When this is set for LFO1, the LFO1 waveform
is used for vibrato; and when this is set for
LFO2, the LFO2 waveform is used for vibrato.
Set this to “0” to turn vibrato o.
This sets the depth of vibrato that is
controlled by aftertouch.
Set the value to the maximum vibrato
depth you want when applying maximum
aftertouch.
ParameterValueExplanation
Pitch Env
Use this to set how much the pitch envelope
changes in response to how hard you play
P-ENV:
Velo sens
P-ENV:
T vsens
P-ENV:
Time KF
P-ENV:
Level 0
P-ENV:
Level 1
P-ENV:
Level 2
P-ENV:
Time 1
P-ENV:
Time 2
P-ENV:
Time 3
TVF
TVF:
Filter mode
TVF:
Cuto freq
TVF:
Resonance
TVF:
Cuto KF
TVF:
Atch sens
TVF:
LFO select
TVF:
LFO depth
TVF:
ENV depth
-50–+50
-50–+50
-10–+10
-50–+50
-50–+50
-50–+50
0–100
0–100
0–100
LPF, BPF, HPF
0–100
0–100
-100%–150%
-50–+50
LFO1, LFO2
-50–+50
-50–+50
the keys.
Set this to a “+” value to make the pitch
envelope respond more when you play
harder, and set this to a “-” value to make it
respond less when you play harder.
Use this to set how much the Time 1 (time)
value of the pitch envelope changes in
response to how hard you play the keys.
Set this to a “+” value to make the Time 1
value longer when you play harder, and set
this to a “-” value to make the value shorter
when you play harder.
Use this to set how much the Time 2–Time
4 values (pitch envelope time) change
according to the keys you play.
When you set this to a “+” value, playing
higher notes makes the time shorter (with
the pitch envelope time at C4 or middle C as
the base value); and when you set this to a “-”
value, playing higher notes makes the time
longer. Larger values produce greater change.
These knobs set the pitch envelope levels.
Use these knobs to determine how much the
pitch changes at each point in relation to the
base pitch.
Use “+” values for pitches higher than the base
pitch, and use “-” values for pitches lower than
the base pitch.
These knobs set the pitch envelope times.
Larger values make the time to reach the next
pitch longer (for example, Time 2 sets the
time it takes to go from Level 1 to Level 2).
These buttons select the TVF lter type.
HPF: High-pass lter. This cuts o frequencies
below the cuto frequency (Cuto Freq). This
lter type is useful for creating percussion
sounds and the like that have a distinctive
high end.
BPF: Band-pass lter. This cuts o frequencies
except for those around the cuto frequency
(Cuto Freq). This lter type is useful for
making sounds with a unique character.
LPF: Low-pass lter. This cuts o frequencies
above the cuto frequency (Cuto Freq).
Cutting o the high frequencies makes
the sound more mellow. This is the most
frequently-used type.
Sets the frequency at which the lter
applied to the frequency components of the
waveform begins to take eect (the cuto
frequency).
Emphasizes the portion of the sound around
the cuto frequency, giving character to the
tone. Excessively high settings can produce
oscillation, causing the sound to distort.
Set this to make the cuto frequency change
according to the keys you play.
When you set this to a “+” value, playing
higher notes raises the cuto frequency (with
the cuto frequency of the key you specied
by Cuto Freq as the base value); and when
you set this to a “-” value, playing higher notes
lowers the cuto frequency.
Set this to make the cuto frequency change
according to how much aftertouch you use.
Selects whether to apply either LFO1 or LFO2
to the cuto frequency.
Sets how much LFO1 and LFO2 aect the
cuto frequency.
This sets the intensity of the TVF envelope.
Larger values produce a greater change in the
lter envelope.
Setting this to a negative value inverts the
envelope’s shape.
9
Parameter Guide
ParameterValueExplanation
TVF Env
Use this to set how much the TVF envelope
changes in response to how hard you play
F-ENV:
Velo sens
F-ENV:
T vsens
F-ENV:
Time KF
F-ENV:
Level 1
F-ENV:
Level 2
F-ENV:
Sus level
F-ENV:
Level 4
F-ENV:
Time 1
F-ENV:
Time 2
F-ENV:
Time 3
F-ENV:
Time 4
TVA
TVA :
Bias dir
TVA :
Bias point
TVA :
Bias level
TVA:Level0–100Adjusts the volume of the partial.
TVA :
Atch sens
TVA :
LFO select
TVA :
LFO depth
TVA ENV
A-ENV:
Velo sens
A-ENV:
T vsens
-50–+50
-50–+50
-10–+10
0–100
0–100
0–100
0–100
0–100
0–100
0–100
0–100
UP, LOW, U&L
0–127
-10–+10
-50–+50
LFO1, LFO2
-50–+50
-50–+50
-50–+50
the keys.
Set this to a “+” value to make the lter
envelope respond more when you play
harder, and set this to a “-” value to make it
respond less when you play harder.
Use this to set how much the Time 1 (time)
value of the TVF envelope changes in
response to how hard you play the keys.
Set this to a “+” value to make the Time 1
value shorter when you play harder, and set
this to a “-” value to make the value longer
when you play harder.
Use this to set how much the TVF envelope
times (Time 2–Time 4) change according to
the key you play.
When you set this to a “+” value, playing
higher notes makes the time shorter (with
the lter envelope time at C4 or middle C as
the base value); and when you set this to a “-”
value, playing higher notes makes the time
longer.
Larger values produce greater change.
These knobs set the TVF envelope levels.
Use these knobs to determine how much the
cuto frequency changes at each point in
relation to the base cuto frequency.
Sets the TVF envelope times.
Larger values make the time to reach the next
cuto frequency longer (for example, Time
2 sets the time it takes to go from Level 1 to
Level 2).
UP: Changes the volume of the high end from
the bias point.
LOW: Changes the volume of the low end
from the bias point.
U&L: Symmetrically changes the volume of
the high and low end, centered around the
bias point.
Sets the base key from which the volume is
changed.
A value of 64 equals C4 (middle C).
Sets the slope of volume change respective to
the bias direction.
Larger values produce greater change.
The change is inverted when this is set to a
“-” value.
Sets the degree to which the partial volume
changes in response to aftertouch.
Selects whether to apply either LFO1 or LFO2
to the partial volume.
Sets how much LFO1 and LFO2 aect the
partial volume.
Set this to change the partial volume
according to how hard you play the keys.
Set this to a “+” value to make the partial
louder when you play harder, and set this to a
“-” value to make the partial softer when you
play harder.
Use this to set how much the Time values of
the TVA envelope change in response to how
hard you play the keys.
Set this to a “+” value to make the Time 1
value shorter when you play harder, and set
this to a “-” value to make the value longer
when you play harder.
ParameterValueExplanation
Set this to change the TVA envelope times
(Time 2–Time 4) according to the keys you
play.
A-ENV:
Time KF
A-ENV:
Level 1
A-ENV:
Level 2
A-ENV:
Sus level
A-ENV:
Time 1
A-ENV:
Time 2
A-ENV:
Time 3
A-ENV:
Time 4
-10–+10
0–100
0–100
0–100
0–100
0–100
0–100
0–100
When you set this to a “+” value, playing
higher notes makes the time shorter (with
the AMP envelope time at C4 or middle C as
the base value); and when you set this to a “-”
value, playing higher notes makes the time
longer. Larger values produce greater change.
This sets the TVA envelope levels. Use these to
determine how much the volume changes at
each point in relation to the base volume.
This sets the TVA envelope times. Larger
values make the time to reach the next
volume level longer (for example, Time 2 sets
the time it takes to go from Level 1 to Level 2).
10
Parameter Guide
TONE MFX Group B
JD-800
This can only be used when a tone from the JD-800 model is
selected for part 1.
Turn this on to synchronize the delay
times of the left, center and right delay
sounds with the tempo.
When each Sync Sw is o, the delay
times of the left, center and right
delay sounds can be set irrespective
of tempo.
When each Sync Sw is on, the delay
times of the left, center and right delay
sounds can be set by note length.
Sets the levels of the left, center and
right delay sounds.
Sets the feedback value, which is how
much of the center delay output signal
is sent back to the eect input. Set
what percentage of the normal phase/
reversed phase (+/-) of the output
signal goes back to the input. When
this is set to “0”, no feedback is applied.
When the center delay sound is fed
back, the delay sounds fed back from
the left and right will be input as well.
Sets the rate of modulation for the
chorus. Higher values produce a faster
rate.
Sets the depth of modulation for
the chorus. Higher values produce a
greater modulation depth.
Sets the delay time for the chorus. This
sets the time it takes from the start of
the original sound to when the chorus
eect begins. Larger values produce
longer delays, creating a wider sound.
Sets the feedback value, meaning how
much of the chorus output signal is
sent back to the eect input. Set what
percentage of the normal phase/
reversed phase (+/-) of the output
signal goes back to the input. When
this is set to “0”, no feedback is applied.
ParameterValueExplanationCC#
Reverb
Selects the reverb type. Use
this to select the reverberation
characteristics, which are a result of
the hall size, wall materials and so on.
concert hall. Types 1–4 dier in room
size, reections and so on.
GATE: A reverb to which a gate is
applied. This mutes the reverberations
at a xed time.
REVERSE: Makes the reverberations
grow louder and then mute at a xed
time.
FLYING1/2: Pans the reverberations
from left to right (FLYING1) or right to
left (FLYING2).
This sets the pre-delay time, meaning
the time it takes for the reverberations
to sound after the original sound is
heard.
Larger values give an impression of
being in a larger room.
Sets the sound level of the direct
reections from the walls and the early
reections after the original sound is
produced. This indicates the distance
from the sound source (the original
sound) to the walls. Larger values
indicate a shorter distance to the walls.
* This parameter is disabled if the “GATE”,
REVERSE”, or “FLYING1/2” types are
selected.
* The early reection level and reverb level
work separately. For this reason, the early
reection can still be heard even when
the reverb level is “0”.
Sets the frequencies to cut in the
high-frequency portion of the
reverberation.
The high-frequency portion of reverb
sounds decays dierently depending
on the wall material. This parameter
simulates this kind of high-frequency
decay.
Sets the reverberation time. Higher
values produce longer reverberations.
| 00 07 00 | Model JD-800 Group B Eect [JD800FxB] |
|-------------+----------------------------------------------------------------|
| 00 08 00 | Model JD-800 Tone Com [ToneCom](*) |
+------------------------------------------------------------------------------+
(*) See the “JUNO-X MIDI Implementation” for details.