Roland JD-Xi Parameter Guide

Download

Parameter Guide

Shortcut List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Additional Explanation of the Pattern Sequencer . . . . . . . . 3

TR-REC Procedure for a Digital Synth Part or the Analog

Synth Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Recording Methods Other Than TR-REC, Step Recording, and

Realtime Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Deleting All Notes at a Specic Step . . . . . . . . . . . . . . . . . . . . . . . 3

Tips for Realtime Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Note When Recording Eect Knob Movements . . . . . . . . . . . . . . 3

Initial Settings Following Complete Erasure of a Pattern . . . . . . 3

Other Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

How the JD-Xi Is Structured . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Getting Acquainted with the JD-Xi . . . . . . . . . . . . . . . . . . . . . . . . . 6

How a Tone Is Structured . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Digital Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Analog Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

How the Eects Are Structured . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Changing the Connection Destination of Each Part . . . . . 9

About the Delay Send Level and Reverb Send Level . . . . 9

About Eect Connections for the Drums Part . . . . . . . . . . 9

About Vocoder/AutoPitch Tones . . . . . . . . . . . . . . . . . . . . . 9

Digital Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

TONE EDIT: SuperNATURAL Synth Tone . . . . . . . . . . . . . . . . . . . . . 15

Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

TONE EDIT: PCM Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Eects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Eect Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Eect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

AutoPitch/Vocoder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

AutoPitch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Vocoder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

ARPEGGIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

ARPEGGIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Program List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Preset Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Bank Select/Program Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Preset Tone List (Digital Synth) . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Preset Drum Kit List (Drum Kit) . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Preset Tone List (Analog Synth) . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Preset Drum Kit Waveform Assign List . . . . . . . . . . . . . . . . . . . . 48

Program Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Program Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Analog Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

TONE EDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Shortcut List

“[A] + [B]” indicates the operation of “holding down the [A] button and press the [B] button.”

Shortcut Explanation

Value [-] + [+] To change the value rapidly, hold down one of the buttons and press the other button.

[Shift] Shows the program name in the top line of the display.

[Shift] + Value [-] [+] Switches the program bank.

[Shift] + [Menu] Jumps to the WRITE screen.

[Shift] + Part Select button

[Shift] + [Enter] Switches sounds within a program, or reverts to the original sound after editing.

[Shift] + ARPEGGIO [ON] Jumps to the Arpeggio Edit screen.

[Shift] + [01]–[04] button

([01]–[08] buttons when the scale setting is Thirty-second note)

When in Favorite mode

[Shift] + [01]–[16] button

[Shift] + [Erase] Jumps to the Pattern Erase screen.

[Shift] + CURSOR [K] [Shift] + CURSOR [J]

Long-press [Menu/Write] Jumps to the Portamento setting screen.

[Menu/Write] + [10] button Jumps to the Pattern Copy screen.

[Menu/Write] + [16] button Sends the click sound from the right side of the headphones and the OUTPUT.

When entering a name

[Shift] + [K] button

When entering a name

[Shift] + [J] button

Mutes the selected part. You can also select multiple parts. To return to the original state, hold down the [Shift] button and press the Part Select button once again.

Switches the measures of the pattern shown by the [01]–[16] buttons during playback or recording. While you hold down [Shift], buttons [01]–[04] indicate the measure (half-measures if the scale setting is Thirty-second

note). If the setting is four measures of sixteenth notes, pressing the [Shift] button makes the [01]–[04] buttons light and the

current measure blink. If the setting is four measures of thirty-second notes, pressing the [Shift] button makes the [01]–

[08] buttons light, allowing you to move in half-measure steps.

Switches the Favorite Bank.

In setting screens such as system or edit, moves between major menu items.

Deletes the character at the cursor position.

Inserts a space at the cursor position.

Additional Explanation of the Pattern Sequencer

TR-REC Procedure for a Digital Synth Part or the Analog Synth Part

You can use TR-REC for a digital synth part or the analog synth part in the same way as for a drum part.

1. Play the key that you want to record using TR-REC.

2. Use the [01]–[16] buttons to illuminate each step at which you want a note to sound.

3. Press the [

5 By pressing the [01]–[16] buttons while you hold down a chord on the keyboard, you can enter chords.

5 Note duration (Gate Time) is xed at 80%. Keyboard dynamics (Velocity) changes depending on the force with which you strike the key.

5 If you want to use TR-REC to re-input notes at a step in which you previously input a note, or which contains notes of a preset pattern, you must

] button to play back the pattern.

rst delete the existing notes. With pattern playback stopped, hold down the [Erase] button and press the button of the step number that you want to erase. When you use step recording or realtime recording, the original notes are automatically deleted and replaced (overwritten) by the newly entered notes.

Recording Methods Other Than TR-REC, Step Recording, and Realtime Recording

You can also record using the following methods.

1. Hold down the step button ([01]–[16] buttons) at which you want to enter a note.

2. While holding down the step button, play the keyboard.

3. Release the step button.

4. Press the [

5 With this recording method, the originally existing notes are not deleted; the notes you enter are added to the recording.

5 Note duration (Gate Time) is xed at 80%. Keyboard dynamics (Velocity) changes depending on the force with which you strike the key.

] button to play back the pattern.

Deleting All Notes at a Specic Step

If notes are recorded in the [01]–[16] buttons, turning o a button that contains a note (making the button go dark) prevents that note from sounding. This only mutes the note and does not delete it; if you turn on the button once again (making the button light), its note resumes sounding.

If you want to completely erase the notes of a step, stop the pattern, hold down the [Erase] button, and press the button of the step that you want to erase.

Tips for Realtime Recording

If you realtime-record while the pattern is playing, realtime recording is automatically defeated when you reach the end of the pattern (i.e., the moment that playback returns to the beginning of the pattern).

If you want to continue realtime recording while the loop plays, turn the SYSTEM parameter “Loop Rec” ON.

Note When Recording Eect Knob Movements

You can use realtime recording to record movements of the Eect 1, Eect 2, Delay, and Reverb knobs. However since eect knob movements are saved for the entire program, the eect knob movements are not erased even if you erase the entire

pattern.

* Since eect knob movements that you record cannot be erased, you’ll need to re-record.

Initial Settings Following Complete Erasure of a Pattern

If you want to completely erase a pattern, specify All as the target part and then erase; the number of measures is initialized to 1, and the scale will be sixteenth notes.

Other Notes

5 Due to the characteristics of the analog circuitry, the Square wave and SubOSC of the analog part might not produce sound in the upper range of

the keyboard.

5 If you use Auto Note to record a pattern, the Pitch Bend Range is xed at 24. If you turn Auto Note OFF and play back the pattern, the pitch change

might be dierent than when recording. If you want a pattern that was recorded with Auto Note to play back in the same way as when it was recorded, change the Pitch Bend Range to 24.

“Program Parameters” (p. 10)

5 If you turn the Envelope knob while a pattern is playing, the envelope movements or the pattern playback might not keep up.

If you record extreme knob movements, pattern playback might not keep up. If the storage capacity for knob movements reaches its limit, the display indicates “Pattern Full!” and no further recording is possible. You might

be able to solve the problem by reducing the number of parameters whose movement you are recording, or by reducing the number of notes that are being played back (e.g., reduce the number of instruments for a drum part, or reduce the number of partials for a digital synth part).

5 Vocoder/AutoPitch settings are saved for each program.

5 Vocoder/AutoPitch can be used for only one part. If you select Vocoder/AutoPitch, you can’t select an analog synth part.

5 If you have specied that the click out is sent only from the right side (Owner’s Manual: p. 14), the click sound from the OUTPUT R jack is mixed

with the output if you connect a cable only to the OUTPUT L/MONO jack. In this case, you can connect a cable or a dummy plug to the OUTPUT R side as well so that the click sound is not sent from OUTPUT L.

Error Messages

Message Meaning Action

Be aware of the following points when backing up or restoring. If you use a USB cable to connect the JD-Xi to your computer and execute a backup, a

Read Error!

Sys Mem Damaged!

MIDI Bu Full!

INT Memory Full! There is insucient space on the internal memory.

MIDI Oine! The MIDI IN connection was broken.

Now Playing!

Now Recording!

Rec Overow!

Pattern Full!

It may be that the le being restored is not a backup le, or that the le has been damaged.

It may be that the contents of system memory are damaged.

An unusually large amount of MIDI data was received, and could not be processed.

Since the JD-Xi is playing, this operation cannot be executed.

Since the JD-Xi is recording, this operation cannot be executed.

Since a large amount of recorded data was input all at once, it could not be processed correctly.

The maximum number of notes that can be recorded in one pattern has been exceeded; the pattern cannot be recorded any further.

This indication may appear if a large amount of data, such as movements of the [Envelope] knob, is being recorded. No further pattern recording is possible.

folder opens on your computer screen, and you’ll see the folder “JD-Xi.” Copy this entire

“JD-Xi” folder to your computer.

When restoring, you must also copy the entire “JD-Xi” folder. Backup and restore will not occur correctly if you copy only the “BACKUP” folder or

some of the les that are located within the “JD-Xi” folder.

Execute the factory reset operation. If this does not solve the problem, contact your dealer or customer support.

Reduce the amount of MIDI messages that are being transmitted.

Initialize unneeded program patterns, and then save again to increase the amount of free internal memory.

Check that there is no problem with the MIDI cable connected to the JD-Xi’s MIDI IN, and that the MIDI cable was not disconnected.

Stop playback before you execute the operation.

Stop recording before you execute the operation.

Reduce the amount of recorded data.

Delete unneeded data from the pattern that you’re recording.

How the JD-Xi Is Structured

Getting Acquainted with the JD-Xi

Controller section

The controller section is what you use for performing.

For example, a performer’s actions such as “playing the keyboard” are sent to the sound generator section, causing it to produce sound.

The controller section of the JD-Xi consists of the keyboard, the pitch bend and modulation wheels, and the panel buttons and knobs.

Sound generator section

The sound generator section creates the sound.

In response to the performance data sent from the controller section, this section electrically generates the waveform that is the basis of the sound, and modies the brightness and loudness to produce an incredible diversity of sounds.

The JD-Xi’s sound generator section lets you use the panel knobs and buttons to instantly change various aspects of the sound, such as its waveform and pitch, brightness, and loudness.

Program

A program consists of four parts: Digital Synth 1, Digital Synth 2, Drums, and

Analog Synth. A program you edited can be saved as a user program (64 programs in each bank E–H).

“Program Parameters” (p. 10)

Tone

You can select one tone for each part. For an analog synth tone, the oscillator, sub-oscillator, and lter sections consist of analog circuits.

“Analog Synth Tone” (p. 12)

“Digital Synth Tone” (p. 15)

“Drum Kit” (p. 20)

Eects section

The JD-Xi contains four eect units. Eect settings are saved within each program.

“Eects” (p. 26)

Arpeggio

This function automatically plays an arpeggio according to the keys that you hold down. Arpeggio settings are saved within each program.

“ARPEGGIO” (p. 29)

Pattern sequencer

This function lets you perform while patterns of several measures play back. You can also create your own original patterns and save them in a program.

System

This area stores system parameter settings that determine how the JD-Xi operates.

JD-Xi

Controller section

Keyboard

Knobs

Wheels

System

Program

Sound Generator section (4 parts)/ Eects section

Digital Synth 1 part

Digital Synth 2 part

Drums part

Analog Synth part

Arpeggio Pattern

Program Bank Number

Preset program A–D 01–64

User program E–H 01–64

Sequencer

Eects

How a Tone Is Structured

Digital Synth Tone

A digital synth tone contains three sets (Partials 1–3) of OSC (oscillator), FILTER (lter), AMP (amp), and LFO. Each partial can be turned on/o, allowing you to choose which partials are heard.

“Part Output” (p. 10)

PARTIAL 3

PARTIAL 2

PARTIAL 1

LFO

How the JD-Xi Is Structured

OSC FILTER

AFTERTOUCH

MOD LFO

MISC

AMP

Analog Synth Tone

An analog synth tone consists of OSC, Sub OSC, and FILTER implemented by analog circuitry, and a digitally-controlled AMP and LFO. The OSC, Filter, and AMP each have a separate envelope that can be controlled independently.

Analog circuit

OSC

Sub OSC

(Oct -1/-2)

FILTER AMP

Digital process

Pitch

Envelope

LFO

Filter

Envelope

Amp

Envelope

Drum Kit

A kit contains 26 sets (Partials 1–26) of WAVE, TVF, and TVA. Each partial has four wave generators. The 26 partials are assigned to the keyboard (C2–C#4) and can be played as a single instrument.

PARTIAL 26 (C#4)

PARTIAL 1 (C2)

WAVE TVF

Pitch

Envelope

* Each partial has four wave generators.

TVF

Envelope

TVA

Envelope

How the JD-Xi Is Structured

JD-Xi Block Diagram (Eect)

WG (Wave Generator)

This selects the PCM waveform that is the basis of the sound, and species how the pitch of the sound changes.

TVF (Time Variant Filter)

This species how the frequency components of the sound change over time.

TVA (Time Variant Amplier)

This creates volume changes and species the pan.

How the Eects Are Structured

As eects, the JD-Xi provides Eect 1, Eect 2, Delay, and Reverb. For Eect 1 and Eect 2 you can choose from the following eect types.

Eect 1 Distortion, Fuzz, Compressor, Bit Crusher

Eect 2 Flanger, Phaser, Ring Mod, Slicer

* If the Flanger is selected, you can set the Feedback value to 0 and use it as a Chorus.

Each program contains a single set of eect type selection and settings. For example, a program’s Digital Synth Part 1 cannot have Eect 1 set to Distortion while the same program’s Digital Synth Part 2 has Eect 1 set to

Fuzz. However as shown below, you can change the connections to specify which eect is used by each part.

Eect block diagram

Digital Synth 2 PART

Digital Synth 1 PART

Digital Synth

Tone

Analog Synth PART

Analog Synth

Tone

Drum PART

Drum Kit

Each Partial

INPUT

MIC

LINE/GUITAR

Part Level

Input Level

Part Output

Delay

Send

Reverb Send

Part Output

Delay SendDelay Reverb Send

Part Output

Delay Send Reverb Send

Vocoder

Auto Pitch

Click out

USB Audio (Input)

Outputp

Assign

Delay Send Reverb Send

Eect1

Output Assign

Delay Send Reverb Send

Eect2

Delay Send Reverb Send

Delay

Reverb send

Reverb

Master Level

OUTPUT

USB Audio

(Output)

PHONES/ OUTPUT

How the JD-Xi Is Structured

Changing the Connection Destination of Each Part

The Part Output parameter species the eects to which each part is connected (Program Parameter: p. 10).

As the connection destination, you can choose Eect 1, Eect 2, Delay, Reverb, or Direct (no eect applied). Press the [Eects On/O] button located on the panel of the JD-Xi to specify the eect to which each part is connected. Use the [Part Select] button

to select the part. You can also specify whether the Eect 1 output is connected to Eect 2 (series connection). If the Eect 1 Output Assign parameter (p. 26) is set to EFX2, Eect 1 and Eect 2 are connected in series. If it is set to DIR, Eect 1 is not connected to

Eect 2. For example if you want to use only Distortion on Part 1 and use Flanger on Part 2, set the Eect 1 Output Assign parameter to DIR, set the Part 1 Part

Output (p. 10) to EFX1, and set the Part 2 Part Output to EFX2.

About the Delay Send Level and Reverb Send Level

Delay and Reverb are “send eects.” The depth of delay and reverb for each part are adjusted by the program parameters “Delay Send Level” and “Reverb Send Level” parameters

(p. 10). If the Delay Send Level is “0,” no delay is applied even if you turn the panel [Delay] knob.

The panel [Delay] knob aects the Delay Level parameter (p. 26) within the Delay eect. In the same way, the panel [Reverb] knob aects the Reverb Level parameter (p. 26) within the Reverb eect.

For example, suppose that you want to apply delay to Part 1 when you turn the [Delay] knob, but not to Part 2. In this case, you should raise the Delay Send Level of Part 1, but set the Delay Send Level of Part 2 to 0.

About Eect Connections for the Drums Part

The Drums part lets you specify the eect connection destination, the Delay Send Level, and the Reverb Send Level for each partial (each instrument assigned to its own key).

Within the Drum Kit parameters, the Output Assign, Delay Send Level, and Reverb Send Level are set for each partial (each instrument assigned to its own key) (p. 25).

About Vocoder/AutoPitch Tones

If a Vocoder tone is selected

The currently selected Digital Synth part (Part 1 or Part 2) is connected to the Vocoder eect. You can choose the eect that is connected following the sound processed by the Vocoder. Within the Vocoder parameters, use the Output Assign parameter to select the connection destination (p. 28).

If an AutoPitch tone is selected

The currently selected Digital Synth part (Part 1 or Part 2) turns o, and the external input (Mic Input or Guitar/Line Input) is connected to AutoPitch. You can choose the eect that is connected following the sound processed by AutoPitch.

Within the AutoPitch parameters, use the Output Assign parameter to select the connection destination (p. 28).

Program Parameters

Program Edit

[Shift] + Cursor [K] [J]

COMMON

MAIN

Parameter Cursor [K] [J]

Value Value [-] [+]

Explanation

PROG: COMMON Tempo 120

Tempo of the program

Tempo MIDI, 5–300

ProgramLevel 0–127 Volume of the program

PROG: MAIN D1 Level 127

PROG: MAIN AN Level 127

Level 0–127 Volume of each part

Sound Mute OFF, MUTE Temporarily silences (MUTE) each part’s performance, or unmutes it (OFF).

Pan L64–63R

Part Output

Dly Send Lev (Delay Send Level)

Rev Send Lev (Reverb Send Level)

Mono/Poly (for the Analog part, Mono only)

Legato Sw (Legato Switch)

EFX1, EFX2, DLY, REV, DIR, KIT

0–127

MONO, POLY, TONE

OFF, ON, TONE

The Tempo knob adjusts the setting in a range from 60 to 240. If the SYSTEM parameter Sync Mode is set to SLAVE, only “MIDI” can be selected. (Since the tempo is synchronized to an external device, it’s not possible to change the tempo

from the JD-Xi.)

PROG: MAIN D2 Level 127

The part that you’re editing is shown in the right of the upper line.

D1/D2

(Digital Synth 1/2), DR (Drums), AN (Analog Synth)

Use the [Part Select] button to switch parts.

Species the stereo position of each part’s sound.

“L64” is far left, “0” is center, and “63R” is far right.

Selects the eect(s) applied to each part.

EFX1: EFX1, EFX2, Delay, and Reverb are applied. EFX2: EFX2, Delay, and Reverb are applied. DLY : Delay and Reverb are applied. REV: Reverb is applied. DIR: Output without applying any eect. KIT: Use the settings of each Partial (instrument assigned to its own note) of the Drum Kit.

KIT can be selected only if the Drum part is selected. If you want to use EFX1 and EFX2 separately for each part, set the Eect 1 parameter Output

Assign to Dir. For details, refer to “Eect block diagram” (p. 8). You can’t select this parameter if a Vocoder/AutoPitch tone is selected. Make settings within the

Vocoder/AutoPitch parameters (p. 28).

Species the amount of delay applied to each part. Set this to 0 if you don’t want to apply delay. You can’t edit this value if Part Output is set to Rev, DIR, or KIT.

Species the amount of reverb applied to each part. Set this to 0 if you don’t want to apply reverb. You can’t edit this value if Part Output is set to DIR or KIT.

Choose “MONO” if you want the tone that’s assigned to the part to play monophonically, or choose “POLY” if you want it to play polyphonically. Choose “TONE” if you want to use the settings of the tone.

When playing monophonically, you can apply legato. “Legato” is the performance technique in which notes are smoothly connected from one to the next.

This produces an eect similar to hammering-on or pulling-o when playing a guitar. Choose “ON” if you want to apply legato, or “OFF” if you don’t. Choose “TONE” if you want to

use the settings of the tone.

PROG: MAIN DR Level 127

PITCH

PROG: PITCH D1 Octave Shift +1

Octave Shift -3–3 Adjusts the pitch of each part in units of an octave (in a range of ±3 octaves).

Coarse Tune -48–+48 Adjusts the pitch of each part in units of a semitone (in a range of ±4 octaves).

Fine Tune -50–+50

Bend Range 0–24, TONE

Porta Sw (Portamento Switch)

Porta Time (Portamento Time)

OFF, ON, TONE

0–127, TONE

Adjusts the pitch of each part in units of one cent (in a range of ±50 cents). One cent is 1/100th of a semitone.

Species in semitone units the amount of pitch change that occurs when you move the pitch bend wheel (in a range of up to two octaves). The same amount of change occurs when you move upward or downward.

Choose “TONE” if you want to use the settings of the tone that’s assigned to the part.

Species whether portamento is applied. Choose “ON” if you want portamento to apply, or

“OFF” if not.

Choose “TONE” if you want to use the settings of the tone that’s assigned to the part.

Species the time over which the pitch change occurs when using portamento. Choose “TONE” if you want to use the settings of the tone that’s assigned to the part.

Program Parameters

[Shift] + Cursor [K] [J]

OFFSET

Parameter Cursor [K] [J]

Value Value [-] [+]

Explanation

PROG:OFFSET D1 Cutoff Ofst 0

Cuto Ofst (Cuto Oset) -64–+63 Adjusts the cuto frequency for the tone/drum kit that’s assigned to the part.

Reso Oset (Resonance Oset)

Attack Ofst (Attack Oset) -64–+63 Adjusts the Attack Time for the tone/drum kit that’s assigned to the part.

Decay Oset -64–+63 Adjusts the Decay Time for the tone/drum kit that’s assigned to the part.

Release Ofst (Release Oset)

Vibrato Rate -64–+63

Vibrato Depth -64–+63

Vibrato Delay -64–+63

-64–+63 Adjusts the resonance for the tone/drum kit that’s assigned to the part.

-64–+63 Adjusts the Release Time for the tone/drum kit that’s assigned to the part.

Adjusts the vibrato speed of each part (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher settings, and more slowly with lower

settings.

Adjusts the Vibrato Depth (the depth of pitch modulation) for each part. The pitch will be modulated more greatly for higher settings, and less with lower settings.

Adjusts the time delay until the vibrato (pitch modulation) eect begins. Higher settings will produce a longer delay time before vibrato begins, while lower settings produce a shorter time.

Analog Synth Tone

TONE EDIT

[Shift] + Cursor [K] [J]

COMMON

OSC

Parameter Cursor [K] [J]

Value Value [-] [+]

Explanation

TONE: COMMON Porta SW OFF

Tone Name

Porta Sw (Portamento Switch)

Porta Time (Portamento Time)

Legato Sw (Legato Switch)

Octave Shift -3–+3 Species the octave of the tone.

Bend Range U (Pitch Bend Range Up)

Bend Range D (Pitch Bend Range Down)

OFF, ON

0–127

OFF, ON

0–+24

0–-24

Species the name of the tone. Although you can edit the name and save, this is saved not for individual tones but for the

program.

Species whether portamento is applied. Choose “ON” if you want to apply portamento, or

“OFF” if you don’t.

Species the time over which the pitch change occurs when using portamento. Higher settings will cause the pitch change to the next note to take more time.

If this is on, pressing a key while the previous key remains held down will cause the pitch to change to that of the newly pressed key while maintaining the state in which the previous note was being sounded.

Species the amount of pitch change that occurs when you move the pitch bend wheel all the way up.

Species the amount of pitch change that occurs when you move the pitch bend wheel all the way down.

TONE: OSC Waveform SAW

Waveform SAW, TRI, PW-SQR Selects the waveform.

PWM Depth (Pulse Width Modulation Depth)

Pulse Width 0–127

Sub OSC OFF, OCT-1, OCT-2

0–127

Species the amount (depth) of LFO that is applied to PW (Pulse Width). If the OSC Wave has selected PW-SQR, it species the amount of LFO modulation applied to PW (pulse width).

Species the pulse width. Only if PW-SQR is selected as the OSC Wave, you can specify the width of the square wave’s top

portion (the pulse width) as a percentage of the waveform’s full cycle. Smaller values produce a narrower pulse, approaching a square wave (pulse width = 50%).

Increasing the value will increase the width, producing a distinctive sound.

Turns the sub-oscillator on/o.

OFF: Sub-oscillator is o OCT-1: Turns on (mixes) a square wave one octave below. OCT-2: Turns on (mixes) a square wave two octaves below.

PITCH

FILTER

TONE: PITCH OSC Pitch 0

OSC Pitch -24–+24 Adjusts the pitch in semitone steps.

OSC Detune -50–+50 Adjusts the pitch in steps of one cent.

Env Attack (Pitch Envelope Attack Time)

Env Decay (Pitch Envelope Decay Time)

Env Depth (Pitch Envelope Depth)

0–127

-63–+63 Species how much the pitch envelope will aect the pitch.

Species the attack time of the pitch envelope. This species the time from the moment you press the key until the pitch reaches its highest

(or lowest) point.

Species the decay time of the pitch envelope. This species the time from the moment the pitch reaches its highest (or lowest) point until it

returns to the pitch of the key you pressed.

TONE: FILTER Type LPF

Type BYPASS, LPF Species whether to use the analog LPF or not use it (BYPASS).

Cuto 0–127 Species the cuto frequency.

Analog Synth Tone

[Shift] + Cursor [K] [J]

FILTER

Parameter Cursor [K] [J]

Cuto KF (Cuto Key Follow)

Velo Sens (Filter Envelope Velocity Sense)

Resonance 0–127 Emphasizes the sound in the region of the lter cuto frequency.

Attack (Filter Envelope Attack Time)

Decay (Filter Envelope Decay Time)

Sustain (Filter Envelope Sustain Level)

Release (Filter Envelope Release Time)

Depth -63–+63 Species the direction and depth to which the cuto frequency will change.

Value Value [-] [+]

-100–+100

-63–+63

0–127

Explanation

Species how the lter cuto frequency will vary according to the key that you play.

Cuto frequency (octave)

High

-1

-2

C4C3C2 C5 C6

Species how the lter envelope depth will vary according to the strength with which you play the key.

Species the time from the moment you press the key until the cuto frequency reaches its highest (or lowest) point.

Species the time from when the cuto frequency reaches its highest (or lowest) point, until it decays to the sustain level.

Species the cuto frequency that will be maintained from when the attack and decay times have elapsed until you release the key.

Species the time from when you release the key until the cuto frequency reaches its minimum value.

+100

+50

-50

-100

Value

Low

Key

AMP

TONE: AMP AMP Level 127

AMP Level 0–127 Volume of the tone

Level V-Sens (Amp Level Velocity Sense)

Level KF (Amp Level Key Follow)

Attack (Amp Envelope Attack Time)

Decay (Amp Envelope Decay Time)

Sustain (Amp Envelope Sustain Level)

Release (Amp Envelope Release Time)

-63–+63 Species how the volume will vary according to the strength with which you play the keyboard.

Specify this if you want to vary the volume according to the position of the key that you play.

-100–+100

0–127

With positive (“+”) settings the volume increases as you play upward from the C4 key (middle C); with negative (“-”) settings the volume decreases.

Higher values will produce greater change.

Species the attack time of the amp envelope. This species the time from the moment you press the key until the maximum volume is reached.

Species the decay time of the amp envelope. This species the time from when the maximum volume is reached, until it decays to the sustain level.

Species the sustain level of the amp envelope. This species the volume level that will be maintained from when the attack and decay times have elapsed until you release the key.

Species the release time of the amp envelope. This species the time from when you release the key until the volume reaches its minimum value.

Analog Synth Tone

[Shift] + Cursor [K] [J]

LFO

Parameter Cursor [K] [J]

Value Value [-] [+]

Explanation

TONE: LFO Shape TRI

Shape

Rate 0–127 Species the LFO rate when LFO Tempo Sync Sw is OFF.

Tempo Sync OFF, ON If this is ON, the LFO rate can be specied as a note value relative to the tempo.

Sync Note

Fade Time 0–127

Key Trigger OFF, ON If this is ON, the LFO cycle will be restarted when you press a key.

Pitch Depth -63–+63 This allows the LFO to modulate the pitch, producing a vibrato eect.

Filter Depth -63–+63 This allows the LFO to modulate the FILTER CUTOFF (cuto frequency), producing a wah eect.

Amp Depth -63–+63 This allows the LFO to modulate the AMP LEVEL (volume), producing a tremolo eect.

Mod Pitch (Modulation Pitch Depth)

Mod Filter (Modulation Filter Depth)

Mod Amp (Modulation Amp Depth)

Mod Rate (Modulation Rate)

TRI, SIN, SAW, SQR, S&H, RND

16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, 1/12, 1/16, 1/24, 1/32

-63–+63

Selects the LFO waveform.

Species the LFO rate when LFO Tempo Sync Sw is ON.

Species the time from when the tone is played until the LFO reaches maximum amplitude.

Fade Time

Species the depth to which the modulation wheel (CC01) can apply modulation to the pitch of the tone.

Species the depth to which the modulation wheel (CC01) can apply modulation to the FILTER CUTOFF (cuto frequency).

Species the depth to which the modulation wheel (CC01) can apply modulation to the AMP LEVEL (volume).

Species how the modulation wheel (CC01) will modify the LFO Rate. Specify a positive (“+”) setting if you want the LFO Rate to speed up when you increase the

modulation wheel (CC01) value, or specify a negative (“-”) setting if you want the rate to slow down.

Digital Synth Tone

TONE EDIT: SuperNATURAL Synth Tone

Each tone has three sets (Partial 1–3) of OSC, FILTER, AMP, and LFO settings.

[Shift] + Cursor [K] [J]

Parameter Cursor [K] [J]

Tone Name Species the name of the tone.

Tone Category Selects the tone’s category.

Tone Level 0–127 Adjusts the overall volume of the tone.

RING Switch OFF, ON

Value Value [-] [+]

Explanation

Turns ring modulator on/o.

By multiplying partial 1’s OSC and partial 2’s OSC, this creates a complex, metallic-sounding waveform like that of a bell.

The partial 1’s OSC waveform will change as shown in the illustration, and partial 2’s OSC will be output with its original waveform.

Setting the partial 1 OSC and the partial 2 OSC to dierent pitches will make the ring modulator eect more apparent.

Partial 1’s OSC

waveform

Partial 2’s OSC

waveform

Partial 1’s OSC

output waveform

COMMON

If Ring Switch is turned on, the OSC Pulse Width Mod Depth, OSC Pulse Width, and SUPER SAW Detune of partial 1 and partial 2 cannot be used.

In addition, if an asymmetrical square wave is selected as the OSC waveform, the OSC variation will be ignored, and there will be a slight dierence in sound compared to the originally selected waveform.

Wave Shape 0–127

Analog Feel 0–127

Unison SW (Unison Switch)

Unison Size 2, 4, 6, 8

Mono/Poly POLY, MONO Species whether notes will sound polyphonically (POLY) or monophonically (MONO).

Legato SW (Legato Switch)

Porta SW (Portamento Switch)

Porta Time (Portamento Time)

Porta Mode (Portamento Mode)

Octave Shift -3–+3 Species the octave of the tone.

Bend Range U (Pitch Bend Range Up)

Bend Range D (Pitch Bend Range Down)

OFF, ON

OFF, ON Species whether the portamento eect will be applied (ON) or not applied (OFF).

0–127

NORMAL, LEGATO

0–+24

0–-24

Partial 1 will be modulated by the pitch of partial 2. Higher values produce a greater eect. This has no eect if the partial 1 waveform is PW-SQR or SP-SAW.

Use this to apply “1/f uctuation,” a type of randomness or instability that is present in many natural systems (such as a babbling brook or whispering breeze) and is perceived as pleasant by many people.

By applying “1/f uctuation” you can create the natural-sounding instability that is characteristic of an analog synthesizer.

This layers a single sound. If the Unison Switch is on, the number of notes layered on one key will change according to the

number of keys you play.

Number of notes assigned to each key when the Unison Switch is on.

Example: If Unison Size is 8

Number of keys pressed

1 8

2 4 each

3–4 2 each

5–8 1 each

This is valid only if the Mono/Poly parameter is set to “MONO.” If this is on, pressing a key while the previous key remains held down will cause the pitch to

change to that of the newly pressed key while maintaining the state in which the previous note was being sounded. This produces an eect similar to hammering-on or pulling-o when playing a guitar.

Species the time taken for the pitch to change when playing portamento. Higher values lengthen the time over which the pitch will change to the next note.

NORMAL: Portamento will always be applied. LEGATO: Portamento will be applied only when you play legato (i.e., when you press the next

key before releasing the previous key).

Species the amount of pitch change that occurs when the pitch bend/modulation lever is moved all the way to the right.

Species the amount of pitch change that occurs when the pitch bend/modulation lever is moved all the way to the left.

Number of notes sounded

Digital Synth Tone

[Shift] + Cursor [K] [J]

OSC

PITCH

Parameter Cursor [K] [J]

TONE:OSC P1 Waveform SP-SAW

Each tone has 3 Partials. The Partial (P1–P3) that is being edited is shown in the upper right of the screen.

Value Value [-] [+]

Explanation

TONE:OSC P2 Waveform SP-SAW

TONE:OSC P3 Waveform SAW

Selecting partials

You can select and edit the Partial as below. By pressing the [01] [02] and [03] buttons simultaneously, you can select or edit multiple partials. For example if [01] [02] and [03] are all on, turning [Cuto] knob will change the cuto frequency of all partials.

Partial 1 select and edit Press the [01] button.

Partial 2 select and edit Press the [02] button.

Partial 3 select and edit Press the [03] button.

Partial 1 turn on Press the [05] button (lit).

Partial 2 turn on Press the [06] button (lit).

Partial 3 turn on Press the [07] button (lit).

SAW

SQR

PW-SQR

Waveform

Variation A, B, C

Wave Number 1–160

PCM Gain -6, 0, +6, +12 [dB]

PWM Depth (Pulse Width Mod Depth)

Pulse Width 0–127

PW Shift (Pulse Width Shift)

S-Saw Detune (Super Saw Detune)

Pitch -24–+24 Adjusts the pitch in semitone steps.

Detune -50–+50 Adjusts the pitch in steps of one cent.

Attack (Pitch Env Attack Time)

Decay (Pitch Env Decay Time)

Depth (Pitch Env Depth) -63–+63 This species how much the pitch envelope will aect the pitch.

TRI

SINE

NOISE

SUPER SAW (SP-SAW)

PCM This is a PCM waveform.

0–127

This waveform contains a sine wave fundamental plus a xed proportion of sine wave harmonics at all integer multiples of that fundamental.

This waveform contains a sine wave fundamental plus a xed proportion of sine wave harmonics at odd-numbered multiples of that fundamental.

The overtone structure of this waveform will vary signicantly depending on the width of the upper portion of the waveform (Pulse Width).

This waveform contains a sine wave fundamental plus a xed proportion of sine wave harmonics at even-numbered multiples of that fundamental.

This is a sine wave. This is a waveform that produces just a single frequency; it is the basis of all sound.

This waveform contains all frequencies. It is suitable for percussion instrument sounds or sound eects.

This produces a tone similar to seven sawtooth waves heard simultaneously. Pitch-shifted sounds are added to the center sound. It is suitable for strings sounds, and for creating thick sounds.

You can select variations of the currently selected WAVE.

* This has no eect for SP-SAW or PCM.

Selects the PCM waveform.

* This is valid only if PCM is selected for OSC Wave.

Species the gain (amplitude) of the waveform. The value will change in 6 dB (decibel) steps. Each 6 dB increase doubles the gain.

* This is valid only if PCM is selected for OSC Wave.

Species the amount (depth) of LFO that is applied to PW (Pulse Width). If the OSC Wave has selected (PW-SQR), you can use this slider to specify the amount of LFO

modulation applied to PW (pulse width).

* If the Ring Switch is on, this has no eect on partials 1 and 2.

Species the pulse width. Only if (PW-SQR) is selected as the OSC Wave, you can specify the width of the square wave’s top

portion (the pulse width) as a percentage of the waveform’s full cycle. Smaller values produce a narrower pulse, approaching a square wave (pulse width = 50%). Increasing the value will increase the width, producing a distinctive sound.

* If the Ring Switch is on, this has no eect on partials 1 and 2.

Shifts the range of change. Normally, you can leave this at 127.

* If the Ring Switch is on, this has no eect on partials 1 and 2.

Species the amount of pitch dierence between the seven sawtooth waves layered within a single oscillator.

* Higher values will increase the pitch dierence. (OSC Detune applies an equal amount of pitch

dierence between each of the seven sawtooth waves.)

* If the Ring Switch is on, this has no eect on partials 1 and 2.

* This is valid only if SP-SAW is selected for OSC Wave.

Species the attack time of the pitch envelope. This species the time from the moment you press the key until the pitch reaches its highest

(or lowest) point.

Species the decay time of the pitch envelope. This species the time from the moment the pitch reaches its highest (or lowest) point until it

returns to the pitch of the key you pressed.

Digital Synth Tone

[Shift] + Cursor [K] [J]

FILTER

Parameter Cursor [K] [J]

Value Value [-] [+]

Explanation

BYPASS, LPF1, LPF2,

Type

LPF3, LPF4, HPF, BPF,

Selects the type of lter.

PKG

Selects the slope (steepness) of the lter.

For the LPF

Level

Slope (FILTER Slope) -12, -24 [dB]

Cuto 0–127 Species the cuto frequency.

Species how you can make the lter cuto frequency to vary according to the key you play.

Cuto frequency (OCTAVE)

Cuto KF (Cuto Key Follow)

-100–+100

-1

Frequency

-24 dB

FrequencyCuto

+100

+50

-50

-12 dB

High

Value

-2

-100

Low

Velo Sens -63–+63

C4C3C2 C5 C6

Species how you can make the lter envelope depth vary according to the strength with which you play the key.

Key

Resonance 0–127 Emphasizes the sound in the region of the lter cuto frequency.

Species the time from the

Attack (FILTER Env Attack) 0–127

moment you press the key until the cuto frequency reaches its highest (or lowest) point.

Species the time from when

Decay (FILTER Env Decay) 0–127

Sustain (FILTER Env Sustain)

0–127

the cuto frequency reaches its highest (or lowest) point, until it decays to the sustain level.

Species the cuto frequency that will be maintained from when the decay time has elapsed until you release the key.

Cuto Frequency

Key-on

Species the time from when you Release (FILTER Env Release)

0–127

release the key until the cuto

frequency reaches its minimum

value.

Species the direction and depth Depth (FILTER Env Depth) -63–+63

to which the cuto frequency will

change.

Key-o

DEPTH

Time

Digital Synth Tone

[Shift] + Cursor [K] [J]

FILTER HPF Cuto 0–127

AMP

LFO

Parameter Cursor [K] [J]

Level 0–127 Partial volume.

Level V-Sens -63–+63 Species how the volume will vary according to the strength with which you play the keyboard.

Pan L64–63R Species the stereo position of the partial.

Key Follow (Amp Level Key Follow)

Attack (AMP Env Attack) 0–127

Decay (AMP Env Decay) 0–127

Sustain (AMP Env Sustain) 0–127

Release (AMP Env Release)

Shape

Rate 0–127 Species the LFO rate when LFO Tempo Sync Sw is OFF.

Tempo Sync OFF, ON If this is ON, the LFO rate can be specied as a note value relative to the tempo.

Sync Note (LFO Tempo Sync Note)

Value Value [-] [+]

-100–+100

0–127

Selects the LFO waveform.

TRI

SIN

SAW

SQR

S&H Sample and Hold (The LFO value will change once each cycle.)

RND Random wave

16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, 1/12, 1/16, 1/24, 1/32

Explanation

Species the cuto frequency of an independent -6 dB high-pass lter.

BYPASS, LPF, HPF,

-6 dB HPF

Specify this if you want to vary the volume according to the position of the key that you play. With positive (“+”) settings the volume increases as you play upward from the C4 key (middle C);

with negative (“-”) settings the volume decreases. Higher values will produce greater change.

Species the time from the moment you press the key until the maximum volume is reached.

Species the time from when the maximum volume is reached, until it decays to the sustain level.

Species the volume level that will be maintained from when the attack and decay times have elapsed until you release the key.

Species the time from when you release the key until the volume reaches its minimum value.

Triangle wave

Sine wave

Sawtooth wave

Square wave

Species the LFO rate when LFO Tempo Sync Sw is ON.

Species the time from when the partial sounds until the LFO reaches its maximum amplitude.

BPF, PKG

Key-on

Key-o

Level

Time

Fade Time 0–127

Fade Time

Key Trigger OFF, ON If this is on, the LFO cycle will be restarted when you press a key.

Pitch Depth -63–+63 Allows the LFO to modulate the pitch, producing a vibrato eect.

FILTER Depth -63–+63 Allows the LFO to modulate the FILTER CUTOFF (cuto frequency), producing a wah eect.

AMP Depth -63–+63 Allows the LFO to modulate the AMP LEVEL (volume), producing a tremolo eect.

Pan Depth -63–+63 Allows the LFO to modulate the PAN (stereo position), producing an auto panning eect.

Digital Synth Tone

[Shift] + Cursor [K] [J]

MOD LFO

AFT (AFTERTOUCH)

Parameter Cursor [K] [J]

Shape

Rate 0–127 Species the LFO rate when ModLFO TempoSyncSw is OFF.

TempoSync OFF, ON If this is ON, the LFO rate can be specied as a note value relative to the tempo.

Sync Note (ModLFO TempoSyncNote)

Pitch Depth -63–+63 Allows the LFO to modulate the pitch, producing a vibrato eect.

FILTER Depth -63–+63 Allows the LFO to modulate the FILTER CUTOFF (cuto frequency), producing a wah eect.

AMP Depth -63–+63 Allows the LFO to modulate the AMP LEVEL (volume), producing a tremolo eect.

Pan Depth -63–+63 Allows the LFO to modulate the pan (stereo position), producing an auto panning eect.

Rate Control -63–+63

Cuto Sens (Cuto Aftertouch Sens)

Level Sens (Level Aftertouch Sens)

Attack Time (Attack Time Interval Sens)

Release Time (Release Time Interval Sens)

Porta Time (Portamento Time Interval Sens)

Value Value [-] [+]

Selects the MODULATION LFO waveform. There is an LFO that is always applied to the partial, and a MODULATION LFO for applying modulation with the modulation

controller (CC01).

TRI

SIN

SAW

SQR

S&H Sample and Hold (The LFO value will change once each cycle.)

RND Random wave

16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, 1/12, 1/16, 1/24, 1/32

-63–+63

0–127

Use this to loop the envelope between certain regions during a note-on.

Explanation

Triangle wave

Sine wave

Sawtooth wave

Square wave

Species the LFO rate when ModLFO TempoSyncSw is ON.

Make these settings if you want to change the Modulation LFO Rate when the modulation lever

is operated.

Specify a positive (“+”) setting if you want ModLFO Rate to become faster when you increase

the modulation controller (CC01) value; specify a negative (“-”) setting if you want it to become

slower.

Species how aftertouch pressure will aect the cuto frequency. Specify a positive (“+”) setting

if you want the cuto frequency to rise when the aftertouch message values increase; specify a

negative (“-”) setting if you want the cuto frequency to fall.

Species how aftertouch pressure aects the volume. Specify a positive (“+”) setting if you want

the volume to increase when the aftertouch message values increase; specify a negative (“-”)

setting if you want the volume to decrease.

Shortens the FILTER and AMP Attack Time according to the spacing between note-on events.

Higher values produce a greater eect. With a setting of 0, there will be no eect.

This is eective when you want to play rapid notes using a sound that has a slow attack

(Attack Time).

Shortens the FILTER and AMP Release Time if the interval between one note-on and the next

note-o is brief. Higher values produce a greater eect. With a setting of 0, there will be no eect.

This is eective when you want to play staccato notes using a sound that has a slow release.

Shortens the Portamento Time according to the spacing between note-on events. Higher values

produce a greater eect. With a setting of 0, there will be no eect.

MISC

Mode (Envelope Loop Mode)

Sync Note (Envelope Loop Sync Note)

Chroma Porta (Chromatic Portamento)

Sustain

Attack

OFF The envelope will operate normally.

FREE-RUN

TEMPO-SYNC Species the loop rate as a note value (Sync Note parameter).

Note

OFF, ON If this is turned ON, portamento will operate in semitone steps.

Decay

When the Decay segment has ended, the envelope will return to the Attack. The Attack through

Decay segments will repeat until note-o occurs.

Returns to the Attack at the specied rate. If the Attack+Decay time is shorter than the specied

loop, the sound is maintained at the Sustain Level. If the Attack+Decay time is longer than the

specied loop, the sound returns to the Attack even if the Decay has not completed. This will

continue repeating until note-o occurs.

Drum Kit

TONE EDIT: PCM Drum Kit

Each kit has 26 sets (Partial 1–26) of WAVE, TVF, and TVA settings. Each partial has four wave generators. You can assign a dierent note number that will sound each of the 26 partials.

[Shift] + Cursor [K] [J]

COMMON

Parameter

Cursor [K] [J]

Kit Name

Kit Level 0–127

Assign MULTI, SINGLE

Mute Group OFF, 1–31

Env Mode NO-SUS, SUSTAIN

Bend Range 0–48

Rx Expression OFF, ON

Rx Hold-1 OFF, ON

One Shot Mode OFF, ON

Value

Value [-] [+]

Explanation

Species the name of the drum kit. You can edit the name and save, but it is saved for the program, not for the individual drum kit.

Sets the volume of the drum kit.

MEMO

The volume of each partial in the drum kit is specied by the TVA Level parameter (p. 24).

The volume of each waveform within a partial is set by the Wave Level parameter (p. 21).

Assign Type sets the way sounds are played when the same key is pressed a number of times.

MULTI: Layer the sound of the same keys. Even with continuous sounds where the sound plays

for an extended time, such as with crash cymbals, the sounds are layered, without previously played sounds being eliminated.

SINGLE: Only one sound can be played at a time when the same key is pressed. With continuous

sounds where the sound plays for an extended time, the previous sound is stopped when the following sound is played.

On an actual acoustic drum set, an open hi-hat and a closed hi-hat sound can never occur simultaneously.

To reproduce the reality of this situation, you can set up a Mute Group. The Mute Group function allows you to designate two or more drum partials that are not allowed

to sound simultaneously. Up to 31 Mute Groups can be used. Drum partials that does not belong to any such group should be set to “OFF.”

When a loop waveform is selected, the sound will normally continue as long as the key is pressed. If you want the sound to decay naturally even if the key remains pressed, set this to

“NO-SUS.”

* If a one-shot type Wave is selected, it will not sustain even if this parameter is set to

“SUSTAIN.”

Species the amount of pitch change in semitones (4 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides.

For each drum partial, specify whether MIDI Expression messages will be received (ON), or not (OFF).

For each drum partial, specify whether MIDI Hold-1 messages will be received (ON), or not (OFF).

NOTE

This has no eect if the Env Mode parameter is set to “NO-SUS.”

The sound will play back until the end of the waveform (or the end of the envelope, whichever comes rst).

The result will be the same as when the envelope’s Env Mode parameter is set to “NO-SUS.”

WAVE

C 2:WAVE W1 No.L(MONO)137

C 2:WAVE W2 No.L(MONO)458

C 2:WAVE W3 No.L(MONO)458

C 2:WAVE W4 No.L(MONO)458

Each Drum Kit has 26 Partials (26 instruments assigned on keyboard). And each Partial has 4 Wave Generators. The Partial that is being edited is shown in the upper left of the screen. The Wave (W1–F4) that is being edited is shown in the upper right of the

screen. You can select and edit the Wave as below.

Wave 1 select and edit Press the [01] button.

Wave 2 select and edit Press the [02] button.

Wave 3 select and edit Press the [03] button.

Wave 4 select and edit Press the [04] button.

Wave 1 turn on Press the [05] button (lit).

Wave 2 turn on Press the [06] button (lit).

Wave 3 turn on Press the [07] button (lit).

Wave 4 turn on Press the [08] button (lit).

Drum Kit

[Shift] + Cursor [K] [J]

WAVE

Parameter

Cursor [K] [J]

No.L (Mono)

No.R

Gain -6, 0, +6, +12 [dB]

FXM Switch OFF, ON

FXM Color 1–4

FXM Depth 0–16

Coarse Tune -48–+48

Fine Tune -50–+50

Level 0–127

Pan L64–63R

Random Pan Sw (Random Pan Switch)

Alter Pan Sw (Alternate Pan Switch)

WMT Vel Ctrl (WMT Velocity Control)

Value

Value [-] [+]

OFF, 1–453

OFF, ON

OFF, ON, REVS

OFF, ON, RANDOM

Level

Explanation

Selects the Waves comprising the drum partial. Along with the Wave number, the Wave name

appears at the lower part of the display.

When in monaural mode, only the left side (L) is specied. When in stereo, the right side (R) is also

specied.

Species the gain (amplitude) of the waveform. The value will change in 6 dB (decibel) steps.

Each 6 dB increase doubles the gain.

Sets whether FXM will be used (ON) or not (OFF).

FXM

FXM (Frequency Cross Modulation) uses a specied waveform to apply frequency modulation to the currently selected waveform, creating complex overtones. This is useful for creating dramatic sounds or sound eects.

Species how FXM will perform frequency modulation.

Higher settings result in a grainier sound, while lower settings result in a more metallic sound.

Species the depth of the modulation produced by FXM.

NOTE

If Wave Tempo Sync is “ON,” pitch-related settings (p. 22) and FMX-related settings have no eect.

Adjusts the pitch of the waveform’s sound up or down in semitone steps (+/- 4 octaves).

MEMO

The overall coarse tuning for all of the drum partials is specied by PITCH Coarse Tune (p. 22).

Adjusts the pitch of the waveform’s sound up or down in 1-cent steps (+/-50 cents).

* One cent is 1/100th of a semitone.

MEMO

The overall ne tuning for all of the drum partials is specied by PITCH Fine Tune (p. 22).

Sets the volume of the waveform.

MEMO

The volume of each drum partial is specied by TVA Level (p. 24), and the overall volume of the entire drum kit is specied by COMMON Kit Level (p. 20).

This species the pan of the waveform.

“L64” is far left, “0” is center, and “63R” is far right.

Use this setting to cause the waveform’s panning to change randomly each time a key is pressed

(ON) or not (OFF).

* To specify the range in which pan is changed, edit Random Pan Depth (p. 24).

This setting causes panning of the waveform to be alternated between left and right each time a

key is pressed.

Set Alter Pan Sw to “ON” to pan the Wave according to the Alter Pan Depth settings, or to

“REVS” when you want the panning reversed.

If you do not want the panning to change each time a key is pressed, set this to “OFF.”

WMT Velocity Control determines whether a dierent drum partial is played (ON) or not (OFF)

depending on the force with which the key is played (velocity).

When set to “RANDOM,” the drum kit’s constituent drum partials will sound randomly,

regardless of any Velocity messages.

WMT

Vel Fade L (Velo Fade Lower)

Vel Range L (Velo Range Lower)

Vel Range U (Velo Range Upper)

Vel Fade U (Velo Fade Upper)

0–127

1–UPPER

LOWER–127

0–127

Fade Lower

Range Lower Range Upper

Determines what will happen to the tone’s level when the tone is played at a velocity lower than

its specied velocity range. Higher settings produce a more gradual change in volume. If you

want notes played outside the specied key velocity range to not be sounded at all, set this to

“0.”

Sets the lowest velocity at which the waveform will sound. Make these settings when you want

dierent waveforms to sound in response to notes played at dierent strengths.

NOTE

If you attempt to set the lower key velocity above the higher, or the higher key velocity below the lower, the other setting changes in tandem.

Sets the highest velocity at which the waveform will sound. Make these settings when you want

dierent waveforms to sound in response to notes played at dierent strengths.

This determines what will happen to the tone’s level when the tone is played at a velocity greater

than its specied velocity range.

Higher settings produce a more gradual change in volume.

If you want notes played outside the specied key velocity range to not be sounded at all, set

this to “0.”

Velocity

Fade Upper

Drum Kit

[Shift] + Cursor [K] [J]

PITCH

PITCH ENV

Parameter

Cursor [K] [J]

Coarse Tune C-1–G9

Fine Tune -50–+50

Rnd Pch Dpth (Random Pitch Depth)

Env Depth -12–+12

Env V-Sens -63–+63

Env T1 V-Sens -63–+63

Env T4 V-Sens -63–+63

Env Time 1–4 0–127

Value

Value [-] [+]

0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200

Explanation

Selects the pitch at which a drum partial sounds.

MEMO

The coarse tune of the waveforms that make up the drum partial is specied by the Wave Coarse Tune parameter (p. 21).

Adjusts the pitch of the drum partial’s sound up or down in 1-cent steps (+/-50 cents).

* One cent is 1/100th of a semitone.

MEMO

The ne tune of the waveforms that make up the drum partial is specied by the Wave Fine Tune parameter (p. 21).

Species the width of random pitch deviation that will occur each time a key is pressed. If you do not want the pitch to change randomly, set this to “0.” These values are in units of cents (1/100th of a semitone).

Adjusts the eect of the Pitch Envelope. Higher settings will cause the pitch envelope to produce greater change.

Negative (“-”) settings invert the shape of the envelope.

Keyboard playing dynamics can be used to control the depth of the pitch envelope. Specify a positive (“+”) setting if you want the pitch envelope to have a greater eect as you play

the key more strongly; specify a negative (“-”) setting if you want the pitch envelope to have less eect.

Allows keyboard dynamics to aect the Time 1 of the Pitch envelope. Specify a positive (“+”) setting if you want Time 1 to become faster as you play the key more

strongly; specify a negative (“-”) setting if you want Time 1 to become slower.

Use this parameter when you want key release speed to aect the Time 4 value of the pitch envelope.

Specify a positive (“+”) setting if you want Time 4 to become faster as you release the key more quickly; specify a negative (“-”) setting if you want Time 4 to become slower.

Specify the pitch envelope times (Time 1–Time 4). Higher settings will result in a longer time until the next pitch is reached. (For example, Time 2 is

the time over which the pitch changes from Level 1 to Level 2.)

Specify the pitch envelope levels (Level 0–Level 4). These specify the amount of pitch change at each point relative to the standard pitch

(Pitch screen) specied by coarse tune (and ne tune). Positive (“+”) settings make the pitch higher than the standard pitch; negative (“-”) settings make the pitch lower.

T1 T2 T3 T4

Env Level 0–4 -63–+63

Pitch

Key ON Key OFF

T: Time L: Level

Time

Drum Kit

LPF BPF HPF PKG

[Shift] + Cursor [K] [J]

TVF

Parameter

Cursor [K] [J]

Filter Type

Cuto 0–127

Value

Value [-] [+]

OFF, LPF, BPF, HPF, PKG, LPF2, LPF3

Explanation

Selects the type of lter. A lter cuts or boosts a specic frequency region to change a sound’s

brightness, thickness, or other qualities.

OFF: The lter is not used.

LPF: Low Pass Filter. Cuts the portion that is above the cuto frequency. By cutting the high-

frequency portion, this gives the sound a milder character. This is the most common lter used in synthesizers.

BPF: Band Pass Filter. This leaves only the frequencies in the region of the cuto frequency,

and cuts the rest. This can be useful when creating distinctive sounds.

HPF: High Pass Filter. This cuts the frequencies in the region below the cuto frequency. This is

suitable for creating percussive sounds emphasizing their higher ones.

PKG: Peaking Filter. This emphasizes the frequencies in the region of the cuto frequency. This

represents the “resonance” of a drum.

LPF2: Low Pass Filter 2. Although frequency components above the cuto frequency are cut,

the sensitivity of this lter is half that of the LPF. This makes it a comparatively warmer low pass lter. This lter is good for use with simulated instrument sounds such as the acoustic piano.

LPF3: Low Pass Filter 3. Although frequency components above the cuto frequency are cut,

the sensitivity of this lter changes according to the Cuto frequency. While this lter is also good for use with simulated acoustic instrument sounds, the nuance it exhibits diers from that of the LPF2, even with the same TVF Envelope settings.

LPF HPF BPF PKG

Resonance

Cuto frequency

Cut region

NOTE

If you set “LPF2” or “LPF3,” the setting for the Resonance parameter will be ignored.

Selects the frequency at which the lter begins to have an eect on the waveform’s frequency

components.

With “LPF/LPF2/LPF3” selected for the Filter Type parameter, lower cuto frequency settings

reduce a tone’s upper harmonics for a more rounded, warmer sound. Higher settings make it

sound brighter.

If the Filter Type parameter is set to “BPF,” the cuto frequency setting changes the region of

harmonics that are allowed to sound. This can be useful when creating distinctive sounds.

With “HPF” selected, higher Cuto Frequency settings will reduce lower harmonics to emphasize

just the brighter components of the sound.

With “PKG” selected, the harmonics to be emphasized will vary depending on Cuto Frequency

setting.

Emphasizes the portion of the sound in the region of the cuto frequency, adding character to

the sound. Excessively high settings can produce oscillation, causing the sound to distort.

Resonance 0–127

Cuto V-Crv FIXED, 1–7

Cuto V-Sens -63–+63

High

Frequency

Cuto frequency

Value

Low

Selects one of the following seven curves that determine how keyboard playing dynamics

(velocity) inuence the cuto frequency. Set this to “FIXED” if you don’t want the Cuto

frequency to be aected by the keyboard velocity.

1 2 3 4 5 6 7

Use this parameter when changing the cuto frequency to be applied as a result of changes in

playing velocity.

Specify a positive (“+”) setting if you want the cuto frequency to become higher as you play

more strongly; specify a negative (“-”) setting if you want the cuto frequency to become lower.

Drum Kit

T1 T2 T3 T4

[Shift] + Cursor [K] [J]

TVF

Parameter

Cursor [K] [J]

Res V-Sens (Resonance V-Sns)

Env V-Curve FIXED, 1–7

Env V-Sens -63–+63

Env T1 V-Sens -63–+63

Env T4 V-Sens -63–+63

Env Depth -63–+63

Env Time 1–4 0–127

Value

Value [-] [+]

-63–+63

Explanation

This allows keyboard velocity to modify the amount of Resonance. Specify a positive (“+”) setting if you want the resonance to increase as you play more strongly;

specify a negative (“-”) setting if you want the resonance to decrease.

Selects one of the following 7 curves that will determine how keyboard playing dynamics will aect the TVF envelope. Set this to “FIXED” if you don’t want the TVF Envelope to be aected by the keyboard velocity.

1 2 3 4 5 6 7

Species how keyboard playing dynamics will aect the depth of the TVF envelope. Specify a positive (“+”) setting if you want the TVF envelope to have a greater eect as you play

more strongly; specify a negative (“-”) setting if you want it to have less eect.

This allows keyboard dynamics to aect the Time 1 of the TVF envelope. Specify a positive (“+”) setting if you want Time 1 to become faster as you play the key more

strongly; specify a negative (“-”) setting if you want Time 1 to become slower.

The parameter to use when you want key release speed to control the Time 4 value of the TVF envelope.

Specify a positive (“+”) setting if you want Time 4 to become faster as you release the key more quickly; specify a negative (“-”) setting if you want Time 4 to become slower.

Species the depth of the TVF envelope. Higher settings will cause the TVF envelope to produce greater change.

Negative (“-”) settings invert the shape of the envelope.

Specify the TVF envelope times (Time 1–Time 4). Higher settings will lengthen the time until the next cuto frequency level is reached. (For example, Time 2 is the time over which Level 1 will change to Level 2.)

Specify the TVF envelope levels (Level 0–Level 4). These settings specify how the cuto frequency will change at each point, relative to the

standard cuto frequency (the cuto frequency value specied in the TVF screen).

TVF ENV

Env Level 0-4 0–127

Level 0–127

Level V-Curve FIXED, 1–7

TVA

Level V-Sens -63–+63

Pan L64–63R

Rnd Pan Dpth (Random Pan Depth)

0–63

Cuto frequency

L2L1 L4

Key ON

T: Time L: Level

Sets the volume of the drum partial. Use this parameter to adjust the volume balance between drum partials.

Key OFF

Time

MEMO

The volume of the waveform for the drum partial is specied by the Wave Level parameter (p. 21).

Choose one of the following seven curves to specify how the volume of the drum partial changes in response to your keyboard playing dynamics.

If you don’t want the volume of the drum partial to change in response to your keyboard dynamics, choose the “FIXED” setting.

1 2 3 4 5 6 7

Set this when you want the volume of the drum partial to change depending on the force with which you press the keys.

Specify a positive (“+”) setting if you want the volume of the drum partial to increase as you play more strongly; specify a negative (“-”) setting if you want the volume to decrease.

Sets the pan for the drum partial. “L64” is far left, “0” is center, and “63R” is far right.

MEMO

Use the Wave Pan parameter (p. 21) to specify the panning of the waveforms that make up the drum partial.

Use this parameter when you want the stereo location to change randomly each time you press a key.

Higher settings will produce a greater amount of change.

NOTE

This applies only to waves whose Wave Random Pan Sw parameter (p. 21) is ON.

Drum Kit

T1 T2 T3 T4

[Shift] + Cursor [K] [J]

TVA

TVA ENV

Parameter

Cursor [K] [J]

Alt Pan Dpth (Alternate Pan Depth)

Relative Level -64–+63

Env T1 V-Sens -63–+63

Env T4 V-Sens -63–+63

Env Time 1–4 0–127

Value

Value [-] [+]

L63–63R

Explanation

This setting causes panning to be alternated between left and right each time a key is pressed.

Higher settings will produce a greater amount of change. “L” or “R” settings will reverse the

order in which the pan will alternate between left and right. For example if two drum partials

are set to “L” and “R” respectively, the panning of the two drum partials will alternate each time

they are played.

NOTE

This applies only to waves whose Wave Alter Pan Sw parameter (p. 21) is ON or REVS.

Corrects for the volume of the drum partial.

This parameter is set by the key-based controller system exclusive message. Normally, you

should leave it set to 0.

NOTE

If the drum partial level is set to 127, the volume will not increase beyond that point.

This allows keyboard dynamics to aect the Time 1 of the TVA envelope.

Specify a positive (“+”) setting if you want Time 1 to become faster as you play the key more

strongly; specify a negative (“-”) setting if you want Time 1 to become slower.

The parameter to use when you want key release speed to control the Time 4 value of the TVA

envelope.

Specify a positive (“+”) setting if you want Time 4 to become faster as you release the key more

quickly; specify a negative (“-”) setting if you want Time 4 to become slower.

Specify the TVA envelope times (Time 1–Time 4). Higher settings will lengthen the time until the

next volume level is reached. (For example, Time 2 is the time over which Level 1 will change to

Level 2.)

Specify the TVA envelope levels (Level 1–Level 3).

These settings specify how the volume will change at each point, relative to the standard volume

(the Partial Level value specied in the TVA screen).

OUTPUT

TVA Env Level 1–3 0–127

Output Asgn (Output Assign)

Output Level 0–127 Species the signal level of each partial.

Dly Send Lev (Delay Send Level)

Rev Send Lev (Reverb Send Level)

EFX1, EFX2, DLY, REV, DIR

0–127 Species the level of the signal sent to the delay for each partial.

0–127 Species the level of the signal sent to the reverb for each partial.

Level

Key ON Key OFF

T: Time L: Level

Species how the sound of each partial will be output.

Time

Eects

To move between Eect1, Eect2, Delay, and Reverb, hold down the [Shift] button and use the cursor [K] [J] buttons.

Eect Edit

[Shift] + Cursor [K] [J]

EFFECT1

EFFECT2

Delay

Reverb

Parameter Cursor [K] [J]

Type

Parameters for each eect type

Output Asgn (Output Assign)

Dly Send Lev (Eect1 Delay Send Level)

Rev Send Lev (Eect1 Reverb Send Level)

Type

Parameters for each eect type

Dly Send Lev (Eect2 Delay Send Level)

Rev Send Lev (Eect2 Reverb Send Level)

Type SINGLE, PAN Selects the type of delay.

Time 0–2600 ms, note Adjusts the delay time.

Tap Time 0–100%

Feedback 0–98% Proportion of delay sound that is returned to the input.

HF Damp (High Frequency Damp)

Level 0–127 Adjusts the volume of the delay sound.

Rev Send Lev (Delay to Reverb Send Level)

Type

Time 0–127 Time length of reverberation

HF Damp 200–8000 Hz, BYPASS

Level 0–127 Adjusts the volume of the reverb sound.

Value Value [-] [+]

00: Thru 01: Distortion 02: Fuzz 03: Compressor 04: Bit Crusher

Edit the parameters for the selected eect type.

“Eect Parameters” (p. 26)

DIR, EFX2

0–127 Depth of delay applied to the sound from eect 1.

0–127 Depth of reverb applied to the sound from eect 1.

00: Thru 01: Flanger 02: Phaser 03: Ring Mod 04: Slicer

Edit the parameters for the selected eect type.

“Eect Parameters” (p. 26)

0–127 Depth of delay applied to the sound from eect 2.

0–127 Depth of reverb applied to the sound from eect 2.

200–8000 Hz, BYPASS

0–127 Depth of reverb applied to the sound that passes through the delay.

ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2

Explanation

Selects the types of eect 1.

Selects the output destination for the sound from eect 1.

DIR: Output to the Output jacks. EFX2: Output to Eect 2.

If you want to use EFX1 and EFX2 separately for each part, set this parameter to DIR. For details, refer to the eect block diagram.

Selects the types of eect 2.

Adjusts the delay time of the L-channel relative to the R-channel delay time taken as 100%.

* This can be set if Type = PAN.

Frequency at which to cut the high-frequency portion of the delay sound returned to the input (BYPASS: no cut).

Species the type of reverb.

Frequency at which to cut the high-frequency portion of the reverb sound. (BYPASS: no cut)

Eect Parameters

Eect type

Distortion

Fuzz

Compressor

Parameter Cursor [K] [J]

Type 0–5 Selects the type of distortion.

Drive 0–127 Adjusts the depth of distortion.

Presence 0–127 Adjusts the character of the ultra-high-frequency region.

Level 0–127 Adjusts the volume.

Type 0–5 Selects the type of distortion.

Drive 0–127 Adjusts the depth of distortion.

Presence 0–127 Adjusts the character of the ultra-high-frequency region.

Level 0–127 Adjusts the volume.

Threshold 0–127 Level at which compression is applied

Ratio 1: 1–inf: 1 Compression ratio

Attack 0.05–50.0 ms Time from when the input exceeds the Threshold until compression begins

Release 0.05–2000 ms Time from when the input falls below the Threshold until compression is removed

Level 0–127 Adjusts the volume.

Value Value [-] [+]

Explanation

Eects

Eect type

Bit Crusher

Flanger

Phaser

Ring Mod

Slicer

Parameter Cursor [K] [J]

Rate 0–127 Adjusts the sampling frequency.

Bit 0–127 Adjusts the bit depth.

Filter 0–127 Adjusts the lter depth.

Level 0–127 Adjusts the volume.

Rate 0–127, note Frequency of modulation

Depth 0–127 Depth of modulation

Feedback 0–127 Proportion of the anger sound that is returned to the input

Manual 0–127 Adjusts the basic frequency from which the sound will be modulated.

Balance D100: 0W–D0: 100W Volume balance between the direct sound (D) and the eect sound (W)

Level 0–127 Adjusts the volume.

Rate 0–127, note Adjusts the speed of rotation.

Depth 0–127 Adjusts the depth of the phase eect.

Resonance 0–127 Adjusts the amount of resonance.

Manual 0–127 Adjusts the basic frequency from which the sound will be modulated.

Level 0–127 Adjusts the volume.

Frequency 0–127 Adjusts the frequency at which modulation is applied.

Sens 0–127 Adjusts the amount of frequency modulation applied.

Balance D100: 0W–D0: 100W Volume balance between the direct sound (D) and the eect sound (W)

Level 0–127 Adjusts the volume.

Timing Ptn (Pattern) 0–15 Selects the rhythm pattern by which the sound is sliced.

Rate Note Adjusts the rate at which the sound is sliced.

Attack 0–127 Speed at which the level changes between steps

Trigger Level 0–127

Level 0–127 Adjusts the volume.

Value Value [-] [+]

Explanation

Species the sensitivity that will trigger playback from the beginning of the selected pattern.

* If you want the Slicer to synchronize to the pattern, set the Trigger Level parameter to 127.

MEMO

When using the Flanger, you can set the Feedback value to 0 and use it as a Chorus eect.

AutoPitch/Vocoder

AutoPitch

Parameter Cursor [K] [J]

Level 0–127 Adjusts the volume of the sound that passes through AutoPitch.

Pan L64–63R Adjusts the stereo position of the sound that passes through AutoPitch.

Output Asgn (Output Assign)

Dly Send Lev (Delay Send Level)

Rev Send Lev (Reverb Send Level)

Type

Scale Chromatic, Maj (Min)

Key C–Bm

Value Value [-] [+]

EFX1, EFX2, DLY, REV, DIR

0–127 Adjusts the amount of delay applied to the sound that passes through AutoPitch.

0–127 Adjusts the amount of reverb applied to the sound that passes through AutoPitch.

Soft, Hard, Electric1, Electric2

Explanation

Species the output destination of the sound that passes through AutoPitch.

EFX1: Output to Eect 1 EFX2: Output to Eect 2 DLY : Output to Delay REV: Output to Reverb DIR: Output without applying an eect

Soft: Corrects the pitch smoothly. Hard: Corrects the pitch quickly. Electric 1: Corrects the pitch in a stepwise manner. Electric 2: Corrects the pitch more strongly than Electric 1. This reproduces the mechanical, step-wise pitch correction

used in pop music.

Chromatic: Corrects the pitch in semitone steps. Maj (Min): Corrects the pitch to the notes of the scale (Key) you specify.

If the Scale parameter is set to “Maj (Min),” specify the key of the song you’re singing. For example if the song is in C major, specify “C”; if the song is in A minor, specify “A m.”

Relationship between the key of the song and the key signature (

Major keys

Minor keys

Major keys

and ) of the score

Minor keys

Gender -10–+10

Octave -1, 0, +1 Makes the pitch one octave higher/lower.

Balance D100: 0W–D0: 100W Species the volume balance between the direct sound (D) and the eect sound (W).

Settings in the “-” direction give the voice an increasingly masculine character; settings in the “+” direction give the voice an increasingly feminine character.

Vocoder

Parameter Cursor [K] [J]

Tone number 1–256 Selects the instrumental sound.

Level 0–127 Adjusts the output level of the sound that passes through the vocoder.

Pan L64–63R Adjusts the stereo position of the sound that passes through the vocoder.

Output Asgn (Output Assign)

Dly Send Lev (Delay Send Level)

Rev Send Lev (Reverb Send Level)

Envelope Sharp, Soft, Long

Mic Sens 0–127 Species the input sensitivity of the mic.

Synth Level 0–127 Species the input level of the instrumental sound.

Mic Mix Level 0–127

Mic HPF (Mic High Pass Filter)

Value Value [-] [+]

EFX1, EFX2, DLY, REV, DIR

0–127 Adjusts the amount of delay that is applied to the sound that passes through the vocoder.

0–127 Adjusts the amount of reverb that is applied to the sound that passes through the vocoder.

BYPASS, 1000–16000 Hz

Explanation

Species the output destination of the sound that passes through the vocoder.

EFX1: Output to Eect 1 EFX2: Output to Eect 2 DLY : Output to Delay REV: Output to Reverb DIR: Output without applying an eect

Selects the character of the sound.

SHARP: Emphasizes the human voice. SOFT: Emphasizes the sound of the instrument. LONG: Produces a vintage sound with a long decay.

Species the amount of the mic audio passing through the Mic HPF (Mic High Pass Filter) that is added to the output of the vocoder.

Species the frequency at which the high pass lter (HPF) applied to the mic audio starts to take eect. If this is set to BYPASS, no lter is applied.

ARPEGGIO

Parameter Cursor [K] [J]

(Arpeggio Style) 001–128 This selects the arpeggio’s performance style.

Grid

Duration 30–120%, Full

Motif

Velocity REAL, 1–127

Oct Range -3–+3

Accent 0–100

Value Value [-] [+]

1/4, 1/8, 1/8L, 1/8H, 1/12, 1/16, 1/16L, 1/16H, 1/24

“Selecting Ascending/Descending Variations (Motif)”

Explanation

Species the time signature and “swing” of the arpeggio style. The setting species the note value that one grid unit represents, and the degree of shue (none, light, or heavy).

1/4: Eighth note (two grid sections = one beat) 1/8: Eighth note (two grid sections = one beat) 1/8L: Eighth note shue Light (two grid sections = one beat, with a light shue) 1/8H: Eighth note shue Heavy (two grid sections = one beat, with a heavy shue) 1/12: Eighth note triplet (three grid sections = one beat) 1/16: Sixteenth note (four grid sections = one beat) 1/16L: Sixteenth note shue Light (four grid sections = one beat, with a light shue) 1/16H: Sixteenth note shue Heavy (four grid sections = one beat, with a heavy shue) 1/24: Sixteenth note triplet (six grid sections = one beat)

Species the duration that each note of the arpeggio is sounded. This determines whether the sounds are played staccato (short and clipped), or tenuto (fully drawn out).

30–120: For example if you specify “30,” each note on the grid (or in the case of tied notes, the last tied note) has a

duration that is 30% of the note value specied by the grid.

Full: Even if the linked grid is not connected with a tie, the same note continues to sound until the point at which the

next new sound is specied.

Species how notes are sounded if you press more keys than the number of notes specied for the arpeggio style. Refer to “Selecting Ascending/Descending Variations (Motif)” (p. 29).

Species the loudness of the notes that you play.

REAL: If you want the velocity value of each note to depend on how strongly you play the keyboard, set this

parameter to REAL.

1–127: Notes sound at the velocity you specify here, regardless of how strongly you play the keys.

Species the range by which the arpeggio is shifted. This adds an eect that shifts arpeggios one cycle at a time in octave units (octave range). You can set the shift range upwards or downwards (up to three octaves up or down).

Species the accent strength for the arpeggio. With a setting of “100,” the arpeggiated notes will have the velocities that are programmed by the arpeggio style.

With a setting of “0,” all arpeggiated notes will be sounded at a xed velocity.

Selecting Ascending/Descending Variations (Motif)

This selects the method used to play sounds (motif) when you have a greater number of notes than programmed for the Arpeggio Style.

* When the number of keys played is less than the number of notes in the Style, the highest-pitched of the pressed keys is played by default.

Value Explanation

Up (L) Only the lowest of the keys pressed is sounded each time, and the notes play in order from the lowest of the pressed keys.

Up (L&H) Notes from both the lowest and highest pressed keys are sounded each time, and the notes play in order from the lowest of the pressed keys.

Up (_) The notes play in order from the lowest of the pressed keys.

Down (L) Only the lowest of the keys pressed is sounded each time, and the notes play in order from the highest of the pressed keys.

Down (L&H) Notes from both the lowest and highest pressed keys are sounded each time, and the notes play in order from the highest of the pressed keys.

Down (_) The notes play in order from the highest of the pressed keys. No note is played every time.

U/D (L) Notes will be sounded from the lowest to the highest key you press and then back down to the lowest key, with only the lowest key sounded each time.

U/D (L&H)

U/D (_) The notes play in order from the lowest of the pressed keys, and then back again in the reverse order.

Rand (L) Notes will be sounded randomly for the keys you press, with only the lowest key sounded each time.

Rand (_) Only the lowest of the keys pressed is sounded each time, the notes you press will be sounded randomly.

Phrase Pressing just one key will play a phrase based on the pitch of that key. If you press more than one key, the key you press last will be used.

Action of a Style starting from the lowest note, “1-2-3-2” when the keys “C-D-E-F-G” are played

Notes from both the lowest and highest pressed keys are sounded each time, and the notes play in order from the lowest of the pressed keys and then back again in the reverse order.

5 “UP (L)” setting:

C, D, E, D 0 C, E, F, E 0 C, F, G, F (0 repeat)

5 “UP (_)” setting:

C, D, E, D 0 D, E, F, E 0 E, F, G, F (0 repeat)

5 “U/D (L&H)” setting:

C D, G, D 0 C, E, G, E 0 C, F, G, F 0 C, E, G, E (0 repeat)

Program List

Preset Program

D1 : (Digital Synth Part 1) D2 : (Digital Synth Part 2) DR : (Drum Part)

AN : (Analog Synth Part)

A01 Unleash Xi

Genre : Dubstep

D1 : Ah Super Saw Seq D2 : Scream at me Seq DR : TR-909 Kit 4

AN : We’reGoingDn

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 1

A02 Dist Seq

Genre : Techno

D1 : Dist Flt TB2 Lead D2 : LFO ResoPad2 Strings/Pad DR : Techno Kit 3

AN : SawSweep Bs1

Measure Length : 1 Scale : 1/16 Tempo : 135

MSB : 85 LSB : 64 PC : 2

A03 SPACED

Genre : Tr ap

D1 : SqrTrapPlk 2 Seq D2 : Unison SynLd Bass DR : TR-808 Kit 5

AN : Twister 2

Measure Length : 1 Scale : 1/16 Tempo : 71

MSB : 85 LSB : 64 PC : 3

A06 EDM KIDS

Genre : EDM

D1 : HPF Poly 2 Strings/Pad D2 : Tuned Winds2 FX/Other DR : TR-808 Kit 6

AN : Buzz Bass

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 6

A07 COME ON BABY

Genre : Tr ap

D1 : Buzz Lead 3 Lead D2 : Monster Bs 5 Bass DR : R&B Kit 2

AN : Juxtrans

Measure Length : 1 Scale : 1/32 Tempo : 74

MSB : 85 LSB : 64 PC : 7

A08 Hardstyle 1

Genre : Hardstyle

D1 : OldSchool Ld Bass D2 : Noise Groove FX/Other DR : TR-909 Kit 6

AN : ClassicHrdBs

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 8

A11 CARONDO

Genre : Tr ap

D1 : Tekno Lead 5 Lead D2 : WaveShapeLd2 Lead DR : TR-808 Kit 8

AN : Springer

Measure Length : 1 Scale : 1/32 Tempo : 70

MSB : 85 LSB : 64 PC : 11

A12 Electro 1

Genre : Electro

D1 : Seq Bass 3 Bass D2 : Glideator 2 Lead DR : TR-808 Kit 9

AN : Squeak Bass

Measure Length : 1 Scale : 1/16 Tempo : 124

MSB : 85 LSB : 64 PC : 12

A13 NEUWERK

Genre : Techno

D1 : Sweet 5th 2 Lead D2 : SqrTrapPlk 3 Seq DR : Hiphop Kit 4

AN : Sqr Bass 2

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 13

A16 IN DA HOUSE

Genre : House

D1 : SqrFilterBs2 Bass D2 : Buzz Lead 4 Lead DR : TR-606 Kit 2

AN : Torque Bass

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 16

A17 Moombahton 1

Genre : Moombahton

D1 : JD RingMod 2 Lead D2 : Wobble Bs 6 Bass DR : TR-909 Kit 8

AN : Laser Lead 2

Measure Length : 1 Scale : 1/16 Tempo : 110

MSB : 85 LSB : 64 PC : 17

A18 Seq Phrase 1

Genre : Techno

D1 : FltSweep Pd2 Strings/Pad D2 : Syn Brass 3 Brass DR : 707&727 Kit3

AN : Pulse SEQ 1

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 18

A04 GETTIN’CLOSE

Genre : Deep House

D1 : Pluck+SynStr Strings/Pad D2 : FilterPanPad Bass DR : 808&7*7 Kit2

AN : Backwards 2

Measure Length : 1 Scale : 1/16 Tempo : 124

MSB : 85 LSB : 64 PC : 4

A05 Trance 1

Genre : Trance

D1 : Pluck Synth2 Seq D2 : Super Saw 3 Lead DR : TR-909 Kit 5

AN : Saw Bass 2

Measure Length : 2 Scale : 1/16 Tempo : 135

MSB : 85 LSB : 64 PC : 5

A09 DUBBER

Genre : Dubstep

D1 : Wobble Bs 5 Bass D2 : Noise Snare FX/Other DR : TR-808 Kit 7

AN : Bacon Bass

Measure Length : 1 Scale : 1/16 Tempo : 84

MSB : 85 LSB : 64 PC : 9

A10 Hip-Hop 1

Genre : Hip-Hop

D1 : DnB Bass 2 Bass D2 : Harp 2 Keyboard DR : Hiphop Kit 3

AN : Sqr Lead

Measure Length : 2 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 64 PC : 10

A14 CLIX

Genre : Tr ap

D1 : Tekno Lead 6 Lead D2 : Monster Bs 6 Bass DR : TR-909 Kit 7

AN : Fluttertwerk

Measure Length : 1 Scale : 1/16 Tempo : 80

MSB : 85 LSB : 64 PC : 14

A15 PUFFS

Genre : Tr ap

D1 : SqrTrapPlk 4 Seq D2 : OSC-SyncLd 2 Lead DR : CR-78 Kit 2

AN : Spitshine

Measure Length : 1 Scale : 1/32 Tempo : 105

MSB : 85 LSB : 64 PC : 15

A19 House 1

Genre : House

D1 : Sync Pad Strings/Pad D2 : Sqr Bass 1 Bass DR : EDM Kit 3

AN : Pulse Lead 1

Measure Length : 1 Scale : 1/16 Tempo : 126

MSB : 85 LSB : 64 PC : 19

A20 DRAGON FIRE

Genre : House

D1 : Sonar Pluck2 Seq D2 : SEQ Saw 2 FX/Other DR : 909&7*7 Kit2

AN : Snake Glide2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 20

Program List

A21 E-D-M

Genre : EDM

D1 : Seq Bass 4 Bass D2 : JUNO Sqr Bs2 Bass DR : TR-808 Kit10

AN : Stream Synth

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 21

A22 EDM 1

Genre : EDM

D1 : SideChainBs3 Bass D2 : Growl Bass 2 Bass DR : EDM Kit 4

AN : Sqr SEQ 2

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 22

A23 EDM 2

Genre : EDM

D1 : 5th Stac Bs2 Bass D2 : EDM Synth 2 Seq DR : EDM Kit 5

AN : Buzz Saw Ld2

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 23

A26 EDM 4

Genre : EDM

D1 : SuperSaw/SC Seq D2 : BuzzLd/Legat Lead DR : EDM Kit 7

AN : SideChainBs1

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 26

A27 EDM 5

Genre : EDM

D1 : Shape Bs/SC Lead D2 : Buzz Ld/SC Seq DR : EDM Kit 8

AN : Siren FX 1

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 27

A28 EDM 6

Genre : EDM

D1 : Super Saw 4 Seq D2 : Fall/Sta&Hol FX/Other DR : EDM Kit 9

AN : Siren FX 2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 28

A31 EDM 9

Genre : EDM

D1 : Super Saw 6 Seq D2 : Trance Key 4 Seq DR : TR-909 Kit10

AN : Sqr+Sub Bazz

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 31

A32 Big Room 1

Genre : Big Room

D1 : Hatter drop$ Lead D2 : RiSER 2 Bass DR : TR-909 Kit11

AN : Kick Sub

Measure Length : 1 Scale : 1/8 Triple Tempo : 128

MSB : 85 LSB : 64 PC : 32

A33 Big Room 2

Genre : Big Room

D1 : RelaxngBeeps Seq D2 : Snare Noise Seq DR : TR-909 Kit12

AN : BigRoom Bass

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 33

A36 Dubstep 1

Genre : Dubstep

D1 : CuttingLead2 Lead D2 : Wobble Bs 8 Bass DR : Techno Kit 5

AN : Dubber Bass

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 36

A37 Dubstep 2

Genre : Dubstep

D1 : Grim Grime Bass D2 : Dirt Lead Lead DR : EDM Kit 13

AN : Bugs

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 37

A38 SCORPION BIT

Genre : Dubstep

D1 : Sonar Pluck4 Seq D2 : Sine Lead 2 Lead DR : EDM Kit 14

AN : Insect 1000

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 38

A24 EDM 3

Genre : EDM

D1 : HPF SweepPd2 Strings/Pad D2 : Pluck Synth3 Seq DR : Techno Kit 4

AN : Saw Bass 3

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 24

A25 UPMAN

Genre : EDM

D1 : Trance Key 3 Seq D2 : SEQ Tri 2 FX/Other DR : EDM Kit 6

AN : Saw+Sub Bs 2

Measure Length : 2 Scale : 1/16 Tempo : 132

MSB : 85 LSB : 64 PC : 25

A29 EDM 7

Genre : EDM

D1 : Mod Sqr FX/Other D2 : Super Saw 5 Seq DR : EDM Kit 10

AN : Buzz/Stacc

Measure Length : 2 Scale : 1/8 Triple Tempo : 130

MSB : 85 LSB : 64 PC : 29

A30 EDM 8

Genre : EDM

D1 : Sonar Pluck3 Seq D2 : EDM Synth 3 Seq DR : TR-909 Kit 9

AN : Saw Buzz 2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 30

A34 DUBSTOP

Genre : Dubstep

D1 : DistBacking1 Seq D2 : FlngFallRi Seq DR : EDM Kit 11

AN : DarkSaw SEQ

Measure Length : 2 Scale : 1/32 Tempo : 130

MSB : 85 LSB : 64 PC : 34

A35 THE ANKH

Genre : Dubstep

D1 : Square Ld 3 Lead D2 : Wobble Bs 7 Bass DR : EDM Kit 12

AN : Sick Bass

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 35

A39 PRAWN STAR

Genre : Dubstep

D1 : 106 Bass 4 Bass D2 : Sine Lead 3 Lead DR : EDM Kit 15

AN : Phat n Wide

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 39

A40 BENGAL BUS

Genre : Dubstep

D1 : Wobble Bs 9 Bass D2 : SideChainBs4 Bass DR : TR-808 Kit11

AN : Bass Mover

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 40

Program List

A41 Dubstep 3

Genre : Dubstep

D1 : Wah-Wah Strings/Pad D2 : Harder Pluck Lead DR : TR-909 Kit13

AN : Fast Wobbles

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 41

A42 Dubstep 4

Genre : Dubstep

D1 : Whoop Echo Seq D2 : Whoa Lead Lead DR : TR-909 Kit14

AN : 808 Bass 2

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 42

A43 Dubstep 5

Genre : Dubstep

D1 : Bass Saw Seq D2 : Arp Lead Lead DR : TR-909 Kit15

AN : HitThe Floor

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 43

A44 Dubstep 6

Genre : Dubstep

D1 : Tringle Arp Seq D2 : Sine Bells Seq DR : TR-909 Kit16

AN : Higher Wob

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 44

A45 Dubstep 7

Genre : Dubstep

D1 : Hip-Hop Lead Lead D2 : Delay Away Seq DR : TR-909 Kit17

AN : Crasy Sub

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 45

A46 Dubstep 8

Genre : Dubstep

D1 : Yay Lead Lead D2 : Wobble Bs 10 Bass DR : TR-909 Kit18

AN : Saw & Per 2

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 46

A47 Dubstep 9

Genre : Dubstep

D1 : Drty/Vel&Lg1 Bass D2 : Super Saw 7 Seq DR : TR-909 Kit19

AN : Saw Buzz 3

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 47

A48 Dubstep 10

Genre : Dubstep

D1 : Dirty /Mod Bass D2 : Sqr Buzz Ld2 Lead DR : TR-909 Kit20

AN : Saw&SubBazz

Measure Length : 2 Scale : 1/16 Tempo : 165

MSB : 85 LSB : 64 PC : 48

A49 DRUMSTEP1

Genre : Drumstep

D1 : DirtyFat/Mod Bass D2 : SawTrap Ld 2 Lead DR : TR-909 Kit21

AN : Tri Bass 2

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 49

A50 DRUMSTEP2

Genre : Drumstep

D1 : Drty/Vel&Lg2 Bass D2 : Super Saw 8 Seq DR : TR-909 Kit22

AN : Tri Bass 3

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 50

A51 Moombahton 2

Genre : Moombahton

D1 : yo son Bass D2 : Knight Noise Keyboard DR : TR-808 Kit12

AN : Pulse Lead 2

Measure Length : 1 Scale : 1/16 Tempo : 112

MSB : 85 LSB : 64 PC : 51

A52 ElectroH 1

Genre : Electro House

D1 : Monster Bs 7 Bass D2 : Reso Bass 6 Bass DR : EDM Kit 16

AN : Noisy Bass

Measure Length : 2 Scale : 1/16 Tempo : 120

MSB : 85 LSB : 64 PC : 52

A53 ElectroH 2

Genre : Electro House

D1 : ShapeLd /Leg Lead D2 : Super Saw 9 Seq DR : EDM Kit 17

AN : Eletro Bass

Measure Length : 2 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 53

A54 ElectroH 3

Genre : Electro House

D1 : Soft Brass 2 Brass D2 : Ramdom Vox FX/Other DR : EDM Kit 18

AN : House Bass 2

Measure Length : 2 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 54

A55 Progressive1

Genre : Progressive

D1 : SideChainPd3 Strings/Pad D2 : Prog Clouds Lead DR : EDM Kit 19

AN : Fat Sub 1

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 55

House

A56 Progressive2

Genre : Progressive

D1 : PianoTone Strings/Pad D2 : Revalation 2 Strings/Pad DR : TR-909 Kit23

AN : House Saw Bs

Measure Length : 2 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 56

House

A57 Progressive3

Genre : Progressive

House

D1 : PlckSyn/Vel1 Seq D2 : SideChainPd5 Strings/Pad DR : TR-909 Kit24

AN : Sqr Bass 3

Measure Length : 2 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 57

A58 ACHORDANCE

Genre : Deep House

D1 : ConChord Seq D2 : Syn Bass 2 Bass DR : TR-909 Kit25

AN : Soft Bass 2

Measure Length : 1 Scale : 1/16 Tempo : 124

MSB : 85 LSB : 64 PC : 58

A59 STRAIGHT

Genre : Deep House

D1 : StraightChrd Seq D2 : House Org 3 Keyboard DR : 808&7*7 Kit3

AN : ClickerBass2

Measure Length : 1 Scale : 1/16 Tempo : 123

MSB : 85 LSB : 64 PC : 59

A60 Deep House 1

Genre : Deep House

D1 : Analog Str 2 Strings/Pad D2 : Analog Poly5 Seq DR : 808&909 Kit3

AN : Warm Bass

Measure Length : 2 Scale : 1/16 Tempo : 123

MSB : 85 LSB : 64 PC : 60

Program List

A61 Deep House 2

Genre : Deep House

D1 : UpBeat Pluck Seq D2 : Wood Plucks Seq DR : TR-909 Kit26

AN : Move That Bs

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 61

A62 Deep House 3

Genre : Deep House

D1 : TriangleFeel Seq D2 : LFO SuperSaw Seq DR : TR-909 Kit27

AN : The Bass

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 62

A63 Deep House 4

Genre : Deep House

D1 : One Deeper Bass D2 : 80 Wow Lead DR : TR-909 Kit28

AN : Fat Sub 2

Measure Length : 1 Scale : 1/16 Tempo : 122

MSB : 85 LSB : 64 PC : 63

B01 House 2

Genre : house

D1 : MeanSuperSaw Seq D2 : RisngScremer Seq DR : TR-909 Kit30

AN : Pulled Bass

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 65

B02 CHICAGO

Genre : House

D1 : MinStack Ld2 Lead D2 : Organ Bass 2 Bass DR : TR-808 Kit13

AN : Cold Bass

Measure Length : 1 Scale : 1/16 Tempo : 124

MSB : 85 LSB : 64 PC : 66

B03 CLUBBIN’

Genre : House

D1 : S-SawStacLd2 Lead D2 : Dist TB Sqr2 Lead DR : TR-808 Kit14

AN : Floor Bass

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 67

B06 TUBULA SWELL

Genre : House

D1 : Dist TB Sqr3 Lead D2 : LFO Pad 2 Strings/Pad DR : TR-808 Kit15

AN : Berry Frog

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 70

B07 SUNSET STRIP

Genre : House

D1 : Awakening 2 Strings/Pad D2 : Organ Bass 3 Bass DR : Hiphop Kit 5

AN : Underneath

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 71

B08 ORGAN DONOR

Genre : House

D1 : LFO CarvePd2 Strings/Pad D2 : Organ Bass 4 Bass DR : Hiphop Kit 6

AN : No. 94 House

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 72

B11 House 4

Genre : House

D1 : Whoop Scream Seq D2 : Detund S-Saw Lead DR : TR-909 Kit34

AN : Hit hem Hard

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 75

B12 House 5

Genre : House

D1 : SquaredJumpy Seq D2 : More Pads Strings/Pad DR : TR-909 Kit35

AN : Fat Bass

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 76

B13 House 6

Genre : Indie House

D1 : Dark Horn Lead D2 : Pluck It Bass DR : 808&909 Kit4

AN : Feedback

Measure Length : 1 Scale : 1/16 Tempo : 112

MSB : 85 LSB : 64 PC : 77

A64 Deep House 5

Genre : Deep House

D1 : SideChainPd2 Strings/Pad D2 : Porta S-Saw Lead DR : TR-909 Kit29

AN : Dark Tri Bs

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 64

B04 TRAUMA

Genre : House

D1 : Chow Bass 3 Bass D2 : Paperclip 2 Seq DR : TR-909 Kit31

AN : Pumper Bass2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 68

B05 THE DONK

Genre : House

D1 : JP8 Strings5 Strings/Pad D2 : Hover Lead 2 Lead DR : TR-909 Kit32

AN : Slo worn 2

Measure Length : 2 Scale : 1/32 Tempo : 130

MSB : 85 LSB : 64 PC : 69

B09 CHEWY BACCA

Genre : House

D1 : Maker’s 303 Lead D2 : Saw Lead 2 Lead DR : 808&7*7 Kit4

AN : Blip

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 73

B10 House 3

Genre : House

D1 : Noise Hit 1 FX/O ther D2 : Bouncy Pluck Lead DR : TR-909 Kit33

AN : Up Bass

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 74

B14 PACIFIC+8090

Genre : House

D1 : Lead Sax Brass D2 : SweepStrings Lead DR : Hiphop Kit 7

AN : ResoPulseBs2

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 78

B15 House 7

Genre : House

D1 : House Org 4 Keyboard D2 : Flute 1 Brass DR : House Kit 2

AN : Sqr+Sub Bs 1

Measure Length : 1 Scale : 1/16 Tempo : 118

MSB : 85 LSB : 64 PC : 79

Program List

B16 Latin

Genre : Latin

D1 : JD Piano 2 Keyboard D2 : House Bass 2 Bass DR : House Kit 3

AN : Porta Tri Ld

Measure Length : 1 Scale : 1/16 Tempo : 118

MSB : 85 LSB : 64 PC : 80

B17 BRISTOL BABY

Genre : Drum & Bass

D1 : Sine Lead 4 Lead D2 : Noise SEQ 2 FX/Other DR : Drum&Bs Kit2

AN : Zippers 4

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 81

B18 Drum&Bass 1

Genre : Drum & Bass

D1 : SmallSync Ld Seq D2 : PchSweep Sin Lead DR : TR-909 Kit36

AN : OBeat Wob2

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 82

B21 CYCLIC BITE

Genre : Drum & Bass

D1 : Hollow Pad 4 Strings/Pad D2 : 106 Bass 5 Bass DR : EDM Kit 22

AN : Squelchy 3

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 85

B22 THE SPEAKER

Genre : Drum & Bass

D1 : Sine Lead 5 Lead D2 : Bright Pad 2 Strings/Pad DR : Drum&Bs Kit3

AN : Unsteady Bs

Measure Length : 4 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 86

B23 TURN IT UP

Genre : Drum & Bass

D1 : Detune Bs 2 Bass D2 : Growl Bass 3 Bass DR : Hiphop Kit 8

AN : Bo Wop

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 87

B26 Drum&Bass 3

Genre : Drum & Bass

D1 : Vib Wurly 2 Keyboard D2 : HPF Poly 3 Strings/Pad DR : Drum&Bs Kit4

AN : Tri Bass 4

Measure Length : 2 Scale : 1/16 Tempo : 170

MSB : 85 LSB : 64 PC : 90

B27 DRUMATIC

Genre : Drum & Bass

D1 : Sweep JD 2 Strings/Pad D2 : Digital Tp Seq DR : Drum&Bs Kit5

AN : Deep Bass

Measure Length : 1 Scale : 1/16 Tempo : 160

MSB : 85 LSB : 64 PC : 91

B28 WAR MASTER

Genre : Drum & Bass

D1 : Square Bs 3 Bass D2 : Vibraphone 2 Keyboard DR : Drum&Bs Kit6

AN : Tri Bass 5

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 92

B31 WA*SA*BI

Genre : Drum & Bass

D1 : S-Saw Vib Pd Seq D2 : S-Saw Pad 2 Seq DR : EDM Kit 23

AN : Saw+Sub Bs 3

Measure Length : 2 Scale : 1/16 Tempo : 185

MSB : 85 LSB : 64 PC : 95

B32 Circadian

Genre : Drum & Bass

D1 : Fall Down Pd FX/Other D2 : Low Bass 3 Bass DR : Hiphop Kit10

AN : Saw+Sub SEQ

Measure Length : 2 Scale : 1/32 Tempo : 180

MSB : 85 LSB : 64 PC : 96

B33 Drum&Bass 4

Genre : Drum & Bass

D1 : DnB Bass 3 Bass D2 : Trance Key 5 Seq DR : Drum&Bs Kit9

AN : ResoSaw SEQ1

Measure Length : 2 Scale : 1/16 Tempo : 160

MSB : 85 LSB : 64 PC : 97

B19 NOSTALGIA

Genre : Drum & Bass

D1 : Hollow Pad 2 Strings/Pad D2 : Sqr Bass 2 Bass DR : EDM Kit 20

AN : Tear Drop 2

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 83

B20 RUBBER BAND

Genre : Drum & Bass

D1 : Hollow Pad 3 Strings/Pad D2 : MKS-50 Bass2 Bass DR : EDM Kit 21

AN : Squelchy 2

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 84

B24 ROLLIN!

Genre : Drum & Bass

D1 : Growl Bass 4 Bass D2 : Growl Bass 5 Keyboard DR : Hiphop Kit 9

AN : DnB Wobbler2

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 64 PC : 88

B25 Drum&Bass 2

Genre : Drum & Bass

D1 : Alarma Lead D2 : Ready4u Bass DR : TR-909 Kit37

AN : Water

Measure Length : 1 Scale : 1/16 Tempo : 180

MSB : 85 LSB : 64 PC : 89

B29 SHACKLES

Genre : Drum & Bass

D1 : Sweet5th SEQ Lead D2 : HouseResoHit FX/Other DR : Drum&Bs Kit7

AN : Tri Fall Bs2

Measure Length : 2 Scale : 1/16 Tempo : 180

MSB : 85 LSB : 64 PC : 93

B30 Drumso

Genre : Drum & Bass

D1 : Saw Sweep Pd Strings/Pad D2 : Dist Sine Bs Bass DR : Drum&Bs Kit8

AN : Tri Lead 2

Measure Length : 4 Scale : 1/32 Tempo : 192

MSB : 85 LSB : 64 PC : 94

B34 DARK TB

Genre : Techno

D1 : Buzz Lead 5 Lead D2 : Dist TB Sqr4 Lead DR : TR-808 Kit16

AN : Pure Comp

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 98

B35 TECHNO LOVE

Genre : Techno

D1 : 106 Bass 6 Bass D2 : House Bass 3 Bass DR : TR-808 Kit17

AN : Hamster

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 64 PC : 99

Program List

B36 HARTFLUR

Genre : Techno

D1 : Dist TB Sqr5 Lead D2 : Analog Str 3 Strings/Pad DR : TR-808 Kit18

AN : Fundamental

Measure Length : 1 Scale : 1/16 Tempo : 127

MSB : 85 LSB : 64 PC : 100

B37 CLUBTOOL

Genre : Techno

D1 : Chubby Lead2 Lead D2 : Tri Stac Ld2 Lead DR : 808&909 Kit5

AN : Chirp Bass

Measure Length : 1 Scale : 1/16 Tempo : 123

MSB : 85 LSB : 64 PC : 101

B38 CULTURE

Genre : Techno

D1 : MinStack Ld3 Lead D2 : JD RingMod 3 Lead DR : 808&7*7 Kit5

AN : Average Bass

Measure Length : 2 Scale : 1/16 Tempo : 125

MSB : 85 LSB : 64 PC : 102

B41 HUUP AMP

Genre : Techno

D1 : LFO Saw SEQ Seq D2 : Saw+Nz SEQ Seq DR : 808&909 Kit7

AN : Saw+Sub Bs 4

Measure Length : 1 Scale : 1/16 Tempo : 132

MSB : 85 LSB : 64 PC : 105

B42 Techno 1

Genre : Techno

D1 : SinStackRi Lead D2 : Saw+Sqr SEQ2 Seq DR : Techno Kit 7

AN : AcidSaw SEQ2

Measure Length : 1 Scale : 1/16 Tempo : 152

MSB : 85 LSB : 64 PC : 106

B43 STARS

Genre : Techno

D1 : EP SEQ Keyboard D2 : Trip 2 Mars2 Strings/Pad DR : 808&7*7 Kit6

AN : Tri Bass 6

Measure Length : 2 Scale : 1/32 Tempo : 128

MSB : 85 LSB : 64 PC : 107

B46 Techno 2

Genre : Techno

D1 : TB Sqr Seq 2 Seq D2 : S-Saw Pad 3 Seq DR : Techno Kit 8

AN : Saw Bass 4

Measure Length : 1 Scale : 1/16 Tempo : 132

MSB : 85 LSB : 64 PC : 110

B47 Seq Phrase 2

Genre : Techno

D1 : TB Saw Seq 2 Seq D2 : Reso S&H Pd2 Strings/Pad DR : TR-808 Kit20

AN : Pulse+SubBs

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 111

B48 Seq Phrase 3

Genre : Techno

D1 : Seq Bass 5 Bass D2 : S-SawStacLd3 Lead DR : Techno Kit 9

AN : Saw SEQ

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 112

B51 AcidHrdstyle

Genre : Acid Hardstyle

D1 : RingMod Lead Lead D2 : Sweeporama FX/Other DR : TR-909 Kit40

AN : Tri+SubOSCBs

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 115

B52 TechHouse1

Genre : Tech House

D1 : House Org 5 Keyboard D2 : Sweet 5th 4 Lead DR : EDM Kit 24

AN : Tri Bass 8

Measure Length : 1 Scale : 1/16 Tempo : 126

MSB : 85 LSB : 64 PC : 116

B53 TechHouse2

Genre : Tech House

D1 : MinStack Ld4 Lead D2 : Mute Guitar Keyboard DR : EDM Kit 25

AN : Tri Bass 9

Measure Length : 1 Scale : 1/16 Tempo : 126

MSB : 85 LSB : 64 PC : 117

B39 IMITATION($)

Genre : Techno

D1 : Saw Backing Strings/Pad D2 : Tri + Nz SEQ Seq DR : Techno Kit 6

AN : PortaSawRi

Measure Length : 1 Scale : 1/16 Tempo : 108

MSB : 85 LSB : 64 PC : 103

B40 MOBILE SUIT

Genre : Techno

D1 : Saw+Sqr Wah Seq D2 : PortaSqrRi Seq DR : 808&909 Kit6

AN : ResoPulseBs3

Measure Length : 1 Scale : 1/16 Tempo : 102

MSB : 85 LSB : 64 PC : 104

B44 Parabola

Genre : Techno

D1 : Sine SEQ Seq D2 : Soft Nz Pad Strings/Pad DR : TR-808 Kit19

AN : Tri Bass 7

Measure Length : 1 Scale : 1/16 Tempo : 125

MSB : 85 LSB : 64 PC : 108

B45 HOTDOGER

Genre : Techno

D1 : Syn Sniper 2 Strings/Pad D2 : Bend Lead 2 FX/Other DR : TR-909 Kit38

AN : ResoSaw SEQ2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 109

B49 Seq Phrase 4

Genre : Techno

D1 : LFO Pad 3 Strings/Pad D2 : Sweet 5th 3 Lead DR : 808&909 Kit8

AN : Sqr SEQ 3

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 64 PC : 113

B50 HardHouse

Genre : Techno

D1 : ResoSweepPd1 Strings/Pad D2 : ResoSaw SEQ1 Seq DR : TR-909 Kit39

AN : Saw Bass 5

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 114

B54 TechHouse3

Genre : Tech House

D1 : RETROX 139 2 Strings/Pad D2 : E.Grand 2 Keyboard DR : EDM Kit 26

AN : Tri Bass 10

Measure Length : 1 Scale : 1/16 Tempo : 126

MSB : 85 LSB : 64 PC : 118

B55 Hardstyle 2

Genre : Hardstyle

D1 : Sliding Lead Lead D2 : Noise Hit 2 FX/O ther DR : TR-909 Kit41

AN : SideChainBs2

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 119

Program List

B56 Hardstyle 3

Genre : Hardstyle

D1 : Synth Crazy Seq D2 : FallingS-Saw Seq DR : TR-909 Kit42

AN : HarderKickBs

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 120

B57 Hardstyle 4

Genre : Hardstyle

D1 : SideChainPd4 Strings/Pad D2 : Lets go fast Lead DR : TR-909 Kit43

AN : Open Bass

Measure Length : 1 Scale : 1/16 Tempo : 160

MSB : 85 LSB : 64 PC : 121

B58 Hardstyle 5

Genre : Hardstyle

D1 : Ahhh Bass D2 : Detuner Man Lead DR : TR-909 Kit44

AN : Big Kick

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 122

B61 Hardcore 2

Genre : Hardcore

D1 : Dist Saw SEQ Seq D2 : SqrUnisonRif Seq DR : Hardcore Kit

AN : Dist LFO Bs2

Measure Length : 2 Scale : 1/16 Tempo : 190

MSB : 85 LSB : 64 PC : 125

Techno

B62 Gabbas

Genre : Gabba

D1 : Sqr+Sine Ld Lead D2 : Pan S-Saw Ld Lead DR : Gabba Kit

AN : Dist TB Bs 2

Measure Length : 2 Scale : 1/16 Tempo : 202

MSB : 85 LSB : 64 PC : 126

B63 90’S TRANCE

Genre : Trance

D1 : Seq Bass 6 Bass D2 : House Bass 4 Bass DR : Techno Kit10

AN : Tranalog

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 127

C01 SHIFTER

Genre : Trance

D1 : 106 Bass 7 Bass D2 : LFO Pad 4 Strings/Pad DR : Hiphop Kit11

AN : Trance Bass1

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 1

C02 TEMPER

Genre : Trance

D1 : Filter Bass2 Bass D2 : SEQ Saw 3 FX/Other DR : 808&909Kit10

AN : Arpy Synth

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 2

C03 EXILE

Genre : Trance

D1 : 5th Stac Bs3 Bass D2 : JUNO Sqr Bs3 Bass DR : 808&909Kit11

AN : Exile Synth

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 3

C06 Trance 3

Genre : Trance

D1 : Dots Seq D2 : More Bass Bass DR : TR-909 Kit47

AN : LFO Line

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 65 PC : 6

C07 Trance 4

Genre : Trance

D1 : SuperSaw Hit Seq D2 : SlidngPtchLd Lead DR : TR-909 Kit48

AN : More Bass

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 7

C08 NEURAL

Genre : Trance

D1 : Acid SEQ Bass D2 : SawDetuneSEQ Brass DR : TR-909 Kit49

AN : DarkSawBass1

Measure Length : 1 Scale : 1/16 Tempo : 136

MSB : 85 LSB : 65 PC : 8

B59 Hardstyle 6

Genre : HardStyle

D1 : UnisonBuzzLd Lead D2 : SawBuzz Ld 2 Lead DR : TR-909 Kit45

AN : SawSweep Bs2

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 64 PC : 123

B60 Hardcore 1

Genre : Hardcore

D1 : Sonar Noise FX/Other D2 : Hover Lead 3 Lead DR : TR-909 Kit46

AN : Pulse SEQ 2

Measure Length : 2 Scale : 1/16 Tempo : 170

MSB : 85 LSB : 64 PC : 124

Techno

B64 DEEP INSIDE

Genre : Trance

D1 : Buzz Lead 6 Lead D2 : Soft ResoPd2 Strings/Pad DR : 808&909 Kit9

AN : Oompf Bass

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 64 PC : 128

C04 TOXIC

Genre : Trance

D1 : Buzz Lead 7 Lead D2 : Seq Bass 7 Bass DR : 808&909Kit12

AN : Toxic Bass 2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 4

C05 Trance 2

Genre : Trance

D1 : Beauty Bass D2 : Trance Pad Lead DR : Techno Kit11

AN : Sync Bass

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 5

C09 Trance 5

Genre : Trance

D1 : Pluck /Vel Seq D2 : SideChainPd6 Seq DR : TR-909 Kit50

AN : Sqr Bass 4

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 9

C10 Trance 6

Genre : Trance

D1 : S-Saw Pad 4 Seq D2 : SideChainPd7 Strings/Pad DR : TR-909 Kit51

AN : Trance Bass2

Measure Length : 2 Scale : 1/16 Tempo : 134

MSB : 85 LSB : 65 PC : 10

Program List

C11 Trance 7

Genre : Trance

D1 : Clv&Sync/Vel Keyboard D2 : Sqr Buzz Ld3 Lead DR : TR-909 Kit52

AN : Psy Bass 4

Measure Length : 2 Scale : 1/16 Tempo : 137

MSB : 85 LSB : 65 PC : 11

C12 Trance 8

Genre : Trance

D1 : BPF Syn Bs 3 Bass D2 : Super Saw 10 Seq DR : TR-909 Kit53

AN : Sqr SEQ 4

Measure Length : 1 Scale : 1/16 Tempo : 135

MSB : 85 LSB : 65 PC : 12

C13 DIGI

Genre : Psytrance

D1 : Square Ld 4 Lead D2 : Reso Bass 7 Bass DR : Techno Kit12

AN : Psy Bass 5

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 13

C16 R&B

Genre : R&B

D1 : Trem EP 2 Keyboard D2 : MG Bass 5 Bass DR : R&B Kit 3

AN : Sine Lead 2

Measure Length : 1 Scale : 1/32 Tempo : 70

MSB : 85 LSB : 65 PC : 16

C17 Hip-Hop 2

Genre : Hip-hop

D1 : D. Mute Gtr2 Keyboard D2 : Flutter Saw Lead DR : Hiphop Kit12

AN : Stinger Bass

Measure Length : 1 Scale : 1/16 Tempo : 95

MSB : 85 LSB : 65 PC : 17

C18 Hip-Hop 3

Genre : Hip-hop

D1 : BPF Syn Bs 4 Bass D2 : Tekno Lead 7 Lead DR : Hiphop Kit13

AN : Beep Synth

Measure Length : 1 Scale : 1/16 Tempo : 90

MSB : 85 LSB : 65 PC : 18

C21 Hip-Hop 4

Genre : Hip-Hop

D1 : 5th SawLead2 Lead D2 : Monster Bs 8 Bass DR : Hiphop Kit14

AN : Sub Bass 2

Measure Length : 2 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 21

C22 SLACK NOIZ

Genre : Hip-Hop

D1 : LFO CarvePd3 Strings/Pad D2 : JD Piano 3 Keyboard DR : Hiphop Kit15

AN : Orient Flute

Measure Length : 2 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 22

C23 Hip-Hop 5

Genre : Hip-Hop

D1 : Oldskool Strings/Pad D2 : Gator Strings/Pad DR : 808&7*7 Kit8

AN : Robo sweep

Measure Length : 1 Scale : 1/32 Tempo : 75

MSB : 85 LSB : 65 PC : 23

C26 BELFREEZ

Genre : Tr ap

D1 : Fantasy 2 Strings/Pad D2 : Wide Bass 2 Bass DR : TR-909 Kit56

AN : Resocut 2

Measure Length : 1 Scale : 1/16 Tempo : 98

MSB : 85 LSB : 65 PC : 26

C27 BAD GIRLZ

Genre : Tr ap

D1 : JD RingMod 4 Lead D2 : 106 Bass 8 Bass DR : TR-909 Kit57

AN : Creeper

Measure Length : 1 Scale : 1/16 Tempo : 136

MSB : 85 LSB : 65 PC : 27

C28 DRAGONFLY

Genre : Tr ap

D1 : Awakening 3 Strings/Pad D2 : 106 Bass 9 Bass DR : TR-909 Kit58

AN : Sub Pulse

Measure Length : 1 Scale : 1/16 Tempo : 68

MSB : 85 LSB : 65 PC : 28

C14 Psytrance

Genre : Psytrance

D1 : Wobble Bs 11 Bass D2 : Seq Bass 8 Bass DR : 808&7*7 Kit7

AN : Psy Bass 6

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 14

C15 VIBRATION

Genre : R&B

D1 : PaperclipHit Seq D2 : FM E.Piano 3 Keyboard DR : 707&727 Kit4

AN : ResoSaw Bs 3

Measure Length : 1 Scale : 1/16 Tempo : 82

MSB : 85 LSB : 65 PC : 15

C19 SWAG BABY

Genre : Hip-hop

D1 : Vintager 2 Lead D2 : SEQ Saw 4 FX/Other DR : R&B Kit 4

AN : Xi Power Bs

Measure Length : 1 Scale : 1/16 Tempo : 96

MSB : 85 LSB : 65 PC : 19

C20 FLY EAST

Genre : Hip-Hop

D1 : Synth Flute Lead D2 : Super Saw 11 Seq DR : TR-808 Kit21

AN : Saw Bass 6

Measure Length : 2 Scale : 1/16 Tempo : 120

MSB : 85 LSB : 65 PC : 20

C24 Trap 1

Genre : Tr ap

D1 : RiSER 3 FX/Other D2 : Super Saw 12 Lead DR : TR-909 Kit54

AN : LFBlow

Measure Length : 1 Scale : 1/16 Tempo : 78

MSB : 85 LSB : 65 PC : 24

C25 Trap 2

Genre : Tr ap

D1 : Monster Bs 9 Bass D2 : EDM Synth 4 Seq DR : TR-909 Kit55

AN : Celoclip 2

Measure Length : 1 Scale : 1/16 Tempo : 92

MSB : 85 LSB : 65 PC : 25

C29 BURNED

Genre : Tr ap

D1 : HPF Poly 4 Strings/Pad D2 : Buzz Lead 8 Lead DR : TR-909 Kit59

AN : Chewy

Measure Length : 1 Scale : 1/16 Tempo : 126

MSB : 85 LSB : 65 PC : 29

C30 Trap 3

Genre : Tr ap

D1 : EDM Synth 5 Seq D2 : Tri Stac Ld3 Lead DR : TR-909 Kit60

AN : TriPE

Measure Length : 1 Scale : 1/32 Tempo : 75

MSB : 85 LSB : 65 PC : 30

Program List

C31 CLAX

Genre : Tr ap

D1 : D-50 Pizz 2 Strings/Pad D2 : Cincosoft 2 Strings/Pad DR : TR-909 Kit61

AN : Orange Alert

Measure Length : 1 Scale : 1/16 Tempo : 80

MSB : 85 LSB : 65 PC : 31

C32 CRUTCHES

Genre : Tr ap

D1 : JP8 Strings6 Strings/Pad D2 : Monster Bs10 Bass DR : TR-909 Kit62

AN : ZipPhase 2

Measure Length : 1 Scale : 1/32 Tempo : 80

MSB : 85 LSB : 65 PC : 32

C33 Trap 4

Genre : Tr ap

D1 : Buzz Lead 9 Lead D2 : Psychoscilo2 Strings/Pad DR : 90’s Kit 2

AN : SawLFO Bass1

Measure Length : 1 Scale : 1/32 Tempo : 74

MSB : 85 LSB : 65 PC : 33

C36 NEEDED

Genre : Tr ap

D1 : Syn Sniper 4 Strings/Pad D2 : PXZoon 2 Strings/Pad DR : TR-808 Kit23

AN : Foundry

Measure Length : 1 Scale : 1/16 Tempo : 80

MSB : 85 LSB : 65 PC : 36

C37 THE UNGOOD

Genre : Tr ap

D1 : Trance Key 6 Seq D2 : Detune Bs 3 Bass DR : R&B Kit 6

AN : Chatter

Measure Length : 1 Scale : 1/32 Tempo : 96

MSB : 85 LSB : 65 PC : 37

C38 Trap 5

Genre : Tr ap

D1 : Syn Sniper 5 Strings/Pad D2 : Monster Bs12 Bass DR : R&B Kit 7

AN : Buzzreed

Measure Length : 1 Scale : 1/32 Tempo : 74

MSB : 85 LSB : 65 PC : 38

C41 Trap 7

Genre : Tr ap

D1 : D-50 Stack 2 Strings/Pad D2 : LFO CarvePd4 Strings/Pad DR : TR-808 Kit24

AN : Roomboom

Measure Length : 1 Scale : 1/32 Tempo : 62

MSB : 85 LSB : 65 PC : 41

C42 CLONED

Genre : Tr ap

D1 : Rising SEQ 2 FX/Other D2 : UnisonSynBs2 Bass DR : TR-808 Kit25

AN : Icepick

Measure Length : 1 Scale : 1/16 Tempo : 70

MSB : 85 LSB : 65 PC : 42

C43 ANTIHERO

Genre : Tr ap

D1 : SEQ Tri 3 FX/Other D2 : Syn Vox 2 FX/Other DR : TR-808 Kit26

AN : SawLFO Bass2

Measure Length : 1 Scale : 1/32 Tempo : 96

MSB : 85 LSB : 65 PC : 43

C46 NEON

Genre : Tr ap

D1 : Kick Bass 3 Bass D2 : Super Saw 13 Lead DR : TR-909 Kit64

AN : DarkSawBass2

Measure Length : 1 Scale : 1/32 Tempo : 78

MSB : 85 LSB : 65 PC : 46

C47 BRONZE

Genre : Tr ap

D1 : SideChainBs5 Bass D2 : Super Saw 14 Lead DR : TR-909 Kit65

AN : Copper Tone

Measure Length : 1 Scale : 1/16 Tempo : 74

MSB : 85 LSB : 65 PC : 47

C48 FROST

Genre : Tr ap

D1 : FX 4 FX/Other D2 : Dreaming 2 Strings/Pad DR : TR-909 Kit66

AN : Popsickle

Measure Length : 1 Scale : 1/32 Tempo : 67

MSB : 85 LSB : 65 PC : 48

C34 BACKFLIP

Genre : Tr ap

D1 : Syn Sniper 3 Strings/Pad D2 : Monster Bs11 Bass DR : R&B Kit 5

AN : Hollwcrisp

Measure Length : 1 Scale : 1/32 Tempo : 70

MSB : 85 LSB : 65 PC : 34

C35 DENIED

Genre : Tr ap

D1 : SawBuzz Ld 3 Lead D2 : SqrTrapPlk 5 Seq DR : TR-808 Kit22

AN : Stinger 2

Measure Length : 1 Scale : 1/32 Tempo : 76

MSB : 85 LSB : 65 PC : 35

C39 GET THE $

Genre : Tr ap

D1 : OSC-SyncLd 3 Lead D2 : Ac. Brs Sect Brass DR : R&B Kit 8

AN : Sus Zap 2

Measure Length : 1 Scale : 1/32 Tempo : 88

MSB : 85 LSB : 65 PC : 39

C40 Trap 6

Genre : Tr ap

D1 : Tekno Lead 8 Lead D2 : Buzz Lead 10 Lead DR : R&B Kit 9

AN : Bowouch 2

Measure Length : 1 Scale : 1/32 Tempo : 88

MSB : 85 LSB : 65 PC : 40

C44 CHOKED

Genre : Tr ap

D1 : RETROX 139 3 Strings/Pad D2 : WaveShapeLd3 Lead DR : TR-808 Kit27

AN : Tanker

Measure Length : 1 Scale : 1/32 Tempo : 96

MSB : 85 LSB : 65 PC : 44

C45 C-SHOP

Genre : Tr ap

D1 : Kick Bass 2 Bass D2 : SideChainPd8 Strings/Pad DR : TR-909 Kit63

AN : Lobotone

Measure Length : 1 Scale : 1/16 Tempo : 76

MSB : 85 LSB : 65 PC : 45

C49 DRILLED

Genre : Tr ap

D1 : Rising SEQ 3 FX/Other D2 : Super Saw 15 Lead DR : TR-909 Kit67

AN : Looowww

Measure Length : 1 Scale : 1/32 Tempo : 72

MSB : 85 LSB : 65 PC : 49

C50 BUZZ KILL

Genre : Tr ap

D1 : Rising SEQ 4 FX/Other D2 : Bend Lead 3 FX/Other DR : TR-909 Kit68

AN : ToadThroat

Measure Length : 1 Scale : 1/32 Tempo : 76

MSB : 85 LSB : 65 PC : 50

Program List

C51 TRAPPED

Genre : Tr ap

D1 : Square Ld 5 Lead D2 : SawTrap Ld 3 Lead DR : TR-808 Kit28

AN : Spooky Bass1

Measure Length : 2 Scale : 1/16 Tempo : 74

MSB : 85 LSB : 65 PC : 51

C52 PUMP THAT

Genre : Tr ap

D1 : Hover Lead 4 Lead D2 : Bend Lead 4 FX/Other DR : 808&909Kit13

AN : HooverSuprt2

Measure Length : 2 Scale : 1/16 Tempo : 80

MSB : 85 LSB : 65 PC : 52

C53 Trap 8

Genre : Tr ap

D1 : Sqr Trap Ld2 Lead D2 : O’Skool Hit2 FX/Other DR : Hiphop Kit16

AN : Long & Deep

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 65 PC : 53

C56 Trap 11

Genre : Tr ap

D1 : Susans Horn Lead D2 : Pluck You Bass DR : TR-808 Kit29

AN : Little Bot

Measure Length : 1 Scale : 1/16 Tempo : 145

MSB : 85 LSB : 65 PC : 56

C57 LAZER CHEST

Genre : Tr ap

D1 : Super Saw 16 Lead D2 : Super Saw 17 Lead DR : TR-808 Kit30

AN : Zippers 5

Measure Length : 2 Scale : 1/32 Tempo : 130

MSB : 85 LSB : 65 PC : 57

C58 Trap 12

Genre : Tr ap

D1 : CuttingLead3 Lead D2 : Growl Bass 6 Bass DR : TR-808 Kit31

AN : Reel 2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 58

C61 Trap 14

Genre : Tr ap

D1 : Sqr Trap Ld3 Lead D2 : Tekno Lead 9 Lead DR : EDM Kit 28

AN : Porta Lead 2

Measure Length : 1 Scale : 1/32 Tempo : 107

MSB : 85 LSB : 65 PC : 61

C62 Trap 15

Genre : Tr ap

D1 : SawBuzz Ld 4 Lead D2 : Super Saw 18 Seq DR : EDM Kit 29

AN : SirenFX/Mod2

Measure Length : 1 Scale : 1/32 Tempo : 140

MSB : 85 LSB : 65 PC : 62

C63 Trap 16

Genre : Tr ap

D1 : Kick Bass 4 Bass D2 : Talking Bs 2 Bass DR : Hiphop Kit17

AN : SqrTrapPluck

Measure Length : 1 Scale : 1/32 Tempo : 70

MSB : 85 LSB : 65 PC : 63

D01 INNER PEACE

Genre : Ambient

D1 : JP8 Strings7 Strings/Pad D2 : Harp 3 Keyboard DR : CR-78 Kit 3

AN : Sub Bass 3

Measure Length : 2 Scale : 1/16 Tempo : 120

MSB : 85 LSB : 65 PC : 65

D02 CYGNUS X

Genre : Ambient

D1 : Syn Sniper 6 Strings/Pad D2 : UnisonSynBs3 Bass DR : TR-808 Kit33

AN : Cygnus Bass

Measure Length : 1 Scale : 1/16 Tempo : 120

MSB : 85 LSB : 65 PC : 66

D03 DESCENT

Genre : Ambient

D1 : JP8 Strings8 Strings/Pad D2 : Vibraphone 3 Keyboard DR : TR-808 Kit34

AN : RelaxationBs

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 67

C54 Trap 9

Genre : Tr ap

D1 : SquaredLFOLd Lead D2 : Swelling Wow Seq DR : TR-909 Kit69

AN : Harp Sub

Measure Length : 1 Scale : 1/32 Tempo : 130

MSB : 85 LSB : 65 PC : 54

C55 Trap 10

Genre : Tr ap

D1 : 808 Kick Bs Bass D2 : Epic Saws Lead DR : TR-909 Kit70

AN : Siren Hell 2

Measure Length : 1 Scale : 1/32 Tempo : 70

MSB : 85 LSB : 65 PC : 55

C59 TRAPPED DOOR

Genre : Tr ap

D1 : SawTrap Ld 4 Lead D2 : Growl Bass 7 Bass DR : TR-808 Kit32

AN : Reel 3

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 59

C60 Trap 13

Genre : Tr ap

D1 : D-50 Stack 3 Strings/Pad D2 : LFO CarvePd5 Strings/Pad DR : EDM Kit 27

AN : Fall Synth 2

Measure Length : 1 Scale : 1/32 Tempo : 140

MSB : 85 LSB : 65 PC : 60

C64 Ambient

Genre : Ambient

D1 : Analog Str 4 Strings/Pad D2 : Seq Bass 9 Bass DR : Noise Kit 2

AN : Mustard

Measure Length : 1 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 64

D04 CHILL WAVE

Genre : Chill Wave

D1 : Vox Pad/SC FX/Other D2 : PlckSyn/Vel2 Bass DR : EDM Kit 30

AN : SawLd&PanDly

Measure Length : 2 Scale : 1/16 Tempo : 90

MSB : 85 LSB : 65 PC : 68

D05 80s Re-Vamp

Genre : 80s Re-Vamp

D1 : UnderTheSea Strings/Pad D2 : Pluck Me Bass DR : 808&909Kit14

AN : Saw LFO Lead

Measure Length : 1 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 69

Program List

D06 Experimental

Genre : Experimental

D1 : Deep Vibes Lead D2 : Lil guy Bass DR : TR-909 Kit71

AN : Wobbler sub

Measure Length : 1 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 65 PC : 70

D07 Future Bass

Genre : Future Bass

D1 : Weewoo Seq D2 : Breathe Lead DR : TR-909 Kit72

AN : Saw Bass 7

Measure Length : 1 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 71

D08 PULL UP

Genre : Ghetto Funk

D1 : Soft Pad 3 Strings/Pad D2 : PLS Pad 3 Strings/Pad DR : 808&7*7 Kit9

AN : Zippers 6

Measure Length : 4 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 72

D11 Electronica2

Genre : Electronica

D1 : Vib Wurly 4 Keyboard D2 : Psychoscilo3 Strings/Pad DR : EDM Kit 32

AN : Polta Lead

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 65 PC : 75

D12 Electronic

Genre : Electronic

D1 : Pop Lead Lead D2 : Saw Pad Strings/Pad DR : TR-909 Kit73

AN : SideChainHrd

Measure Length : 1 Scale : 1/16 Tempo : 116

MSB : 85 LSB : 65 PC : 76

D13 LATE NIGHT

Genre : Electronic

D1 : Sine Lead 6 Lead D2 : Brite Str 2 Strings/Pad DR : CR-78 Kit 4

AN : Spooky Bass2

Measure Length : 1 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 77

D16 TRONIX

Genre : Electronic

D1 : JP8 Strings9 Strings/Pad D2 : Seq Bass 11 Bass DR : TR-606 Kit 3

AN : Lava Bass

Measure Length : 1 Scale : 1/16 Tempo : 80

MSB : 85 LSB : 65 PC : 80

D17 CRUISING

Genre : Electronic

D1 : MG Bass 6 Bass D2 : Analog Str 5 Strings/Pad DR : Drum&BsKit10

AN : Attack Bass

Measure Length : 1 Scale : 1/16 Tempo : 90

MSB : 85 LSB : 65 PC : 81

D18 Ring Mod

Genre : Electronic

D1 : SinDetuneBs2 Bass D2 : PluckBacking Seq DR : TR-808 Kit36

AN : Saw+Sub Lead

Measure Length : 1 Scale : 1/16 Tempo : 90

MSB : 85 LSB : 65 PC : 82

D21 ILLEKTRO

Genre : Electro

D1 : Organ Bass 5 Bass D2 : JUNO Str 2 Strings/Pad DR : 808&909Kit15

AN : Roller Bass

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 85

D22 ELECTROFYING

Genre : Electro

D1 : Square Ld 6 Lead D2 : JP8 Str 10 Strings/Pad DR : TR-808 Kit38

AN : Drama Lead

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 86

D23 Electro 2

Genre : Electro

D1 : 5th SawLead3 Lead D2 : Tri Stac Ld4 Lead DR : 808&909Kit16

AN : PulseOfLife2

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 87

D09 GRIME TIME

Genre : Grime

D1 : Sqr Lead 2 Lead D2 : D-50 Pizz 3 Strings/Pad DR : TR-808 Kit35

AN : LFO Skips

Measure Length : 2 Scale : 1/32 Tempo : 135

MSB : 85 LSB : 65 PC : 73

D10 Electronica1

Genre : Electronica

D1 : Vib Wurly 3 Keyboard D2 : LowBitSample Strings/Pad DR : EDM Kit 31

AN : Tri Bass 11

Measure Length : 2 Scale : 1/16 Tempo : 132

MSB : 85 LSB : 65 PC : 74

D14 NEW WAVE

Genre : Electronic

D1 : S-SawStacLd4 Lead D2 : Seq Bass 10 Bass DR : TR-626 Kit 2

AN : Slime Bass

Measure Length : 1 Scale : 1/16 Tempo : 115

MSB : 85 LSB : 65 PC : 78

D15 70’S SEQ

Genre : Electronic

D1 : FilterEnvBs2 Bass D2 : JUNO Octavr2 Seq DR : Noise Kit 3

AN : Soak Bottle

Measure Length : 1 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 79

D19 LoFi

Genre : Electronic

D1 : Flute 2 Brass D2 : Trem EP 3 Keyboard DR : 90’s Kit 3

AN : Sqr+Sub Bs 2

Measure Length : 1 Scale : 1/16 Tempo : 90

MSB : 85 LSB : 65 PC : 83

D20 DUCKS ATTACK

Genre : Electro

D1 : Dist Flt TB3 Lead D2 : Seq Bass 12 Bass DR : TR-808 Kit37

AN : Gargle

Measure Length : 1 Scale : 1/16 Tempo : 124

MSB : 85 LSB : 65 PC : 84

D24 Electro 3

Genre : Electro

D1 : Groovy Pluck Seq D2 : High Clicks Seq DR : TR-909 Kit74

AN : Sawed Out

Measure Length : 1 Scale : 1/16 Tempo : 114

MSB : 85 LSB : 65 PC : 88

D25 Electro 4

Genre : Electro

D1 : Stab it Lead D2 : Old whip Bass DR : TR-909 Kit75

AN : Afro Crack

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 65 PC : 89

Program List

D26 Electro 5

Genre : Electro

D1 : Crusty Ba$$ Lead D2 : Laserhead FX/Other DR : TR-909 Kit76

AN : Init Grime

Measure Length : 1 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 65 PC : 90

D27 Electro 6

Genre : Electro

D1 : Big Plucker Bass D2 : Creeper Lead DR : TR-909 Kit77

AN : Guitar Sweep

Measure Length : 1 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 91

D28 Electro 7

Genre : Electro

D1 : Metallic Aci Lead D2 : Throw Up Lead DR : TR-808 Kit39

AN : Crying Alien

Measure Length : 1 Scale : 1/16 Tempo : 126

MSB : 85 LSB : 65 PC : 92

D31 FIRE FIGHT

Genre : Breakbeat

D1 : SEQ 5 Seq D2 : Low Bass 4 Bass DR : Hiphop Kit19

AN : Fat as That2

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 95

D32 END OF NIGHT

Genre : Breakbeat

D1 : JD Piano 4 Keyboard D2 : Detune Bs 4 Bass DR : Hiphop Kit20

AN : PWM Basic

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 96

D33 LOCK UP!

Genre : Garage

D1 : Sine Lead 7 Lead D2 : D-50 Pizz 4 Strings/Pad DR : TR-909 Kit78

AN : Knat Squat

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 97

D36 GOPHER GOLD

Genre : Garage

D1 : Sine Lead 8 Lead D2 : Sine Lead 9 Lead DR : TR-909 Kit81

AN : Slurry Bass

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 100

D37 Chiptune 1

Genre : Chiptune

D1 : 8bitSqr /Mod Bass D2 : EDM Synth 6 Seq DR : EDM Kit 33

AN : 8bitBass/Leg

Measure Length : 2 Scale : 1/16 Tempo : 170

MSB : 85 LSB : 65 PC : 101

D38 Chiptune 2

Genre : Chiptune

D1 : 8bit Per Seq D2 : DirtyBass/SC Seq DR : EDM Kit 34

AN : Bleep Bass

Measure Length : 2 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 65 PC : 102

D41 90sVideoGame

Genre : Chiptune

D1 : Dist Guitar2 Keyboard D2 : 4Op FM Bass2 Bass DR : TR-626 Kit 3

AN : Pulse Lead 3

Measure Length : 2 Scale : 1/16 Tempo : 150

MSB : 85 LSB : 65 PC : 105

D42 Synth Pop

Genre : Synth Pop

D1 : Saw+S-SawSEQ Strings/Pad D2 : ResoSweepPd2 Seq DR : Techno Kit14

AN : Saw Bass 8

Measure Length : 2 Scale : 1/16 Tempo : 125

MSB : 85 LSB : 65 PC : 106

D43 TECHOtooOLD

Genre : Synth Pop

D1 : Saw+S-Saw Pd Bass D2 : Synth Snare FX/Other DR : TR-808 Kit40

AN : Analog Kick2

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 107

D29 Gio-Gio-MRD

Genre : Electro

D1 : Pulse Synth Seq D2 : S-Saw Pad 5 Strings/Pad DR : Techno Kit13

AN : Pulse Bass 2

Measure Length : 1 Scale : 1/16 Tempo : 136

MSB : 85 LSB : 65 PC : 93

D30 MAINLINE

Genre : Breakbeat

D1 : PLS Pad 4 Strings/Pad D2 : House Org 6 Keyboard DR : Hiphop Kit18

AN : Drift & Grit

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 94

D34 MINISTRY

Genre : Garage

D1 : Hollow Pad 5 Strings/Pad D2 : JD Piano 5 Keyboard DR : TR-909 Kit79

AN : ReeceClassic

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 98

D35 LORNA’s VIBE

Genre : Garage

D1 : Revalation 3 Strings/Pad D2 : JD Piano 6 Keyboard DR : TR-909 Kit80

AN : Bouncy Bass2

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 99

D39 9BIT

Genre : Chiptune

D1 : Sqr Backing Seq D2 : Sqr SEQ Seq DR : ElectricKit1

AN : Tri Bass 12

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 103

D40 STRIKE

Genre : Chiptune

D1 : Tri Bass 2 Bass D2 : Sqr+Pls Pad Strings/Pad DR : 707&727 Kit5

AN : Sqr SEQ 5

Measure Length : 2 Scale : 1/16 Tempo : 175

MSB : 85 LSB : 65 PC : 104

D44 Idol Error

Genre : Synth Pop

D1 : DistBacking2 Seq D2 : Saw+Sqr Ri Seq DR : Techno Kit15

AN : ResoSaw Bs 4

Measure Length : 1 Scale : 1/16 Tempo : 136

MSB : 85 LSB : 65 PC : 108

D45 Fancy’70s

Genre : Synth Pop

D1 : LFO S-SawSyn Strings/Pad D2 : Saw+Sqr SEQ1 Seq DR : CR-78 Kit 5

AN : Tri+Sub SEQ

Measure Length : 1 Scale : 1/16 Tempo : 118

MSB : 85 LSB : 65 PC : 109

Program List

D46 1024K

Genre : Synth Pop

D1 : ResoSaw SEQ2 Seq D2 : S&H Reso Pad Strings/Pad DR : ElectricKit2

AN : Pulse Bass 3

Measure Length : 2 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 110

D51 Pop 2

Genre : Pop

D1 : PortaSaw Ld2 Lead D2 : Tekno Lead10 Lead DR : EDM Kit 35

AN : Xi Saw

Measure Length : 1 Scale : 1/16 Tempo : 95

MSB : 85 LSB : 65 PC : 115

D56 CHANCE!

Genre : Pop

D1 : OSC-SyncLd 4 Lead D2 : Bright Pad 3 Strings/Pad DR : 80’s Kit 3

AN : Saw Bs&SEQ

Measure Length : 2 Scale : 1/16 Tempo : 130

MSB : 85 LSB : 65 PC : 120

D61 Orch

Genre : Symphony

D1 : Strings 2 Strings/Pad D2 : Harp 4 Keyboard DR : Pop Kit 6

AN : Analog Tp 2

Measure Length : 1 Scale : 1/8 Triple Tempo : 120

MSB : 85 LSB : 65 PC : 125

D47 SYMPATHY

Genre : Eurobeat

D1 : MMM Box Bs Bass D2 : S-Saw Pad 6 Seq DR : Techno Kit16

AN : Sqr SEQ 6

Measure Length : 1 Scale : 1/16 Tempo : 126

MSB : 85 LSB : 65 PC : 111

D48 Eurobeat

Genre : Eurobeat

D1 : 4Op FM Bass3 Bass D2 : Bend SynBrs1 Brass DR : 80’s Kit 2

AN : PulseSweepLd

Measure Length : 2 Scale : 1/16 Tempo : 125

MSB : 85 LSB : 65 PC : 112

D49 Pop 1

Genre : Pop

D1 : Monster Bs13 Bass D2 : Bend SynBrs2 Brass DR : R&B Kit 10

AN : Sub Buzz Bs

Measure Length : 1 Scale : 1/16 Tempo : 80

MSB : 85 LSB : 65 PC : 113

D52 TWERK IT

Genre : Pop

D1 : Vintager 3 Lead D2 : Monster Bs15 Bass DR : TR-808 Kit41

AN : Boing Synth

Measure Length : 1 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 116

D53 DREAM

Genre : Pop

D1 : SynStrBackng Seq D2 : Pluck Synth4 Seq DR : Pop Kit 3

AN : ResoSaw Bs 5

Measure Length : 1 Scale : 1/16 Tempo : 110

MSB : 85 LSB : 65 PC : 117

D54 YOKAI

Genre : Pop

D1 : Sti Bass Bass D2 : S-Saw Pad 7 Seq DR : ElectricKit3

AN : Sqr SEQ 7

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 118

D57 Pop 3

Genre : Pop

D1 : Awakening 4 Strings/Pad D2 : Chubby SEQ Lead DR : Pop Kit 4

AN : Saw+Sub Bs 5

Measure Length : 2 Scale : 1/16 Tempo : 128

MSB : 85 LSB : 65 PC : 121

D58 Pop 4

Genre : Pop

D1 : Funk Guitar2 Keyboard D2 : Slap Bass 2 Bass DR : Pop Kit 5

AN : ResoPulseSEQ

Measure Length : 1 Scale : 1/16 Tempo : 120

MSB : 85 LSB : 65 PC : 122

D59 Pop 5

Genre : Pop

D1 : Fantasy 3 Strings/Pad D2 : FM E.Piano 4 Keyboard DR : TR-808 Kit42

AN : Saw Bass 9

Measure Length : 1 Scale : 1/16 Tempo : 70

MSB : 85 LSB : 65 PC : 123

D62 Vocoder Tmpl

Genre : Template

D1 : Voc:Ensemble FX/O ther D2 : UnisonSynBs4 Bass DR : Pop Kit 7

AN : Init Tone

Measure Length : 1 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 126

D63 AutoPch Tmpl

Genre : Template

D1 : AP:Elct Pch1 --- D2 : Fingerd Bs 2 Bass DR : Pop Kit 8

AN : Init Tone

Measure Length : 1 Scale : 1/16 Tempo : 120

MSB : 85 LSB : 65 PC : 127

D64 Voice In

Genre : Template

D1 : Voice In --- D2 : Seq Bass 13 Bass DR : TR-909 Kit83

AN : Init Tone

Measure Length : 1 Scale : 1/16 Tempo : 135

MSB : 85 LSB : 65 PC : 128

D50 POP STAR

Genre : Pop

D1 : Monster Bs14 Bass D2 : SawBuzz Ld 5 Lead DR : R&B Kit 11

AN : Rub Bass

Measure Length : 1 Scale : 1/16 Tempo : 100

MSB : 85 LSB : 65 PC : 114

D55 Fake Side

Genre : Pop

D1 : Oct Saw Bass Bass D2 : SideChainPd9 Strings/Pad DR : TR-909 Kit82

AN : PortaSaw Ld2

Measure Length : 2 Scale : 1/16 Tempo : 135

MSB : 85 LSB : 65 PC : 119

D60 GENIE SMOKE

Genre : Other

D1 : Fantasy 4 Strings/Pad D2 : Sine Lead 10 Lead DR : CR-78 Kit 6

AN : PWM Base 2

Measure Length : 2 Scale : 1/16 Tempo : 140

MSB : 85 LSB : 65 PC : 124

Bank Select/Program Change

Preset Program

Bank/Number MSB LSB PC

A01–A64 85 64 1–64

B01–B64 85 64 65–128

C01–C64 85 65 1–64

D01–D64 85 65 65–128

User Program

Bank/Number MSB LSB PC

E01–E64 85 0 1–64

F01–F64 85 0 65–128

G01–G64 85 1 1–64

H01–H64 85 1 65–128

Program List

Preset Tone List (Digital Synth)

No. Name Category MSB LSB PC

001 JP8 Strings1 Strings/Pad 95 64 1

002 Soft Pad 1 Strings/Pad 95 64 2

003 JP8 Strings2 Strings/Pad 95 64 3

004 JUNO Str 1 Strings/Pad 95 64 4

005 Oct Strings Strings/Pad 95 64 5

006 Brite Str 1 Strings/Pad 95 64 6

007 Boreal Pad Strings/Pad 95 64 7

008 JP8 Strings3 Strings/Pad 95 64 8

009 JP8 Strings4 Strings/Pad 95 64 9

010 Hollow Pad 1 Strings/Pad 95 64 10

011 LFO Pad 1 Strings/Pad 95 64 11

012 Hybrid Str Strings/Pad 95 64 12

013 Awakening 1 Strings/Pad 95 64 13

014 Cincosoft 1 Strings/Pad 95 64 14

015 Bright Pad 1 Strings/Pad 95 64 15

016 Analog Str 1 Strings/Pad 95 64 16

017 Soft ResoPd1 Strings/Pad 95 64 17

018 HPF Poly 1 Strings/Pad 95 64 18

019 BPF Poly Strings/Pad 95 64 19

020 Sweep Pad 1 Strings/Pad 95 64 20

021 Soft Pad 2 Strings/Pad 95 64 21

022 Sweep JD 1 Strings/Pad 95 64 22

023 FltSweep Pd1 Strings/Pad 95 64 23

024 HPF Pad Strings/Pad 95 64 24

025 HPF SweepPd1 Strings/Pad 95 64 25

026 KO Pad Strings/Pad 95 64 26

027 Sweep Pad 2 Strings/Pad 95 64 27

028 TrnsSweepPad Strings/Pad 95 64 28

029 Revalation 1 Strings/Pad 95 64 29

030 LFO CarvePd1 Strings/Pad 95 64 30

031 RETROX 139 1 Strings/Pad 95 64 31

032 LFO ResoPad1 Strings/Pad 95 64 32

033 PLS Pad 1 Strings/Pad 95 64 33

034 PLS Pad 2 Strings/Pad 95 64 34

035 Trip 2 Mars1 Strings/Pad 95 64 35

036 Reso S&H Pd1 Strings/Pad 95 64 36

037 SideChainPd1 Strings/Pad 95 64 37

038 PXZoon 1 Strings/Pad 95 64 38

039 Psychoscilo1 Strings/Pad 95 64 39

040 Fantasy 1 Strings/Pad 95 64 40

041 D-50 Stack 1 Strings/Pad 95 64 41

042 Organ Pad Strings/Pad 95 64 42

043 Bell Pad Strings/Pad 95 64 43

044 Dreaming 1 Strings/Pad 95 64 44

045 Syn Sniper 1 Strings/Pad 95 64 45

046 Strings 1 Strings/Pad 95 64 46

047 D-50 Pizz 1 Strings/Pad 95 64 47

048 Super Saw 1 Lead 95 64 48

049 S-SawStacLd1 Lead 95 64 49

050 Tekno Lead 1 Lead 95 64 50

051 Tekno Lead 2 Lead 95 64 51

052 Tekno Lead 3 Lead 95 64 52

053 OSC-SyncLd 1 Lead 95 64 53

054 WaveShapeLd1 Lead 95 64 54

055 JD RingMod 1 Lead 95 64 55

056 Buzz Lead 1 Lead 95 64 56

057 Buzz Lead 2 Lead 95 64 57

058 SawBuzz Ld 1 Lead 95 64 58

059 Sqr Buzz Ld1 Lead 95 64 59

060 Tekno Lead 4 Lead 95 64 60

061 Dist Flt TB1 Lead 95 64 61

062 Dist TB Sqr1 Lead 95 64 62

063 Glideator 1 Lead 95 64 63

064 Vintager 1 Lead 95 64 64

065 Hover Lead 1 Lead 95 64 65

066 Saw Lead 1 Lead 95

067 Saw+Tri Lead Lead 95 64 67

068 PortaSaw Ld1 Lead 95 64 68

069 Reso Saw Ld Lead 95 64 69

64 66

No. Name Category MSB LSB PC

070 SawTrap Ld 1 Lead 95 64 70

071 Fat GR Lead Lead 95 64 71

072 Pulstar Ld Lead 95 64 72

073 Slow Lead Lead 95 64 73

074 AnaVox Lead Lead 95 64 74

075 Square Ld 1 Lead 95 64 75

076 Square Ld 2 Lead 95 64 76

077 Sqr Lead 1 Lead 95 64 77

078 Sqr Trap Ld1 Lead 95 64 78

079 Sine Lead 1 Lead 95 64 79

080 Tri Lead Lead 95 64 80

081 Tri Stac Ld1 Lead 95 64 81

082 5th SawLead1 Lead 95 64 82

083 Sweet 5th 1 Lead 95 64 83

084 4th Syn Lead Lead 95 64 84

085 Maj Stack Ld Lead 95 64 85

086 MinStack Ld1 Lead 95 64 86

087 Chubby Lead1 Lead 95 64 87

088 CuttingLead1 Lead 95 64 88

089 Seq Bass 1 Bass 95 64 89

090 Reso Bass 1 Bass 95 64 90

091 TB Bass 1 Bass 95 64 91

092 106 Bass 1 Bass 95 64 92

093 FilterEnvBs1 Bass 95 64 93

094 JUNO Sqr Bs1 Bass 95 64 94

095 Reso Bass 2 Bass 95 64 95

096 JUNO Bass Bass 95 64 96

097 MG Bass 1 Bass 95 64 97

098 106 Bass 3 Bass 95 64 98

099 Reso Bass 3 Bass 95 64 99

100 Detune Bs 1 Bass 95 64 100

101 MKS-50 Bass1 Bass 95 64 101

102 Sweep Bass Bass 95 64 102

103 MG Bass 2 Bass 95 64 103

104 MG Bass 3 Bass 95 64 104

105 ResRubber Bs Bass 95 64 105

106 R&B Bass 1 Bass 95 64 106

107 Reso Bass 4 Bass 95 64 107

108 Wide Bass 1 Bass 95 64 108

109 Chow Bass 1 Bass 95 64 109

110 Chow Bass 2 Bass 95 64 110

111 SqrFilterBs1 Bass 95 64 111

112 Reso Bass 5 Bass 95 64 112

113 Syn Bass 1 Bass 95 64 113

114 ResoSawSynBs Bass 95 64 114

115 Filter Bass1 Bass 95 64 115

116 SeqFltEnvBs Bass 95 64 116

117 DnB Bass 1 Bass 95 64 117

118 UnisonSynBs1 Bass 95 64 118

119 Modular Bs Bass 95 64 119

120 Monster Bs 1 Bass 95 64 120

121 Monster Bs 2 Bass 95 64 121

122 Monster Bs 3 Bass 95 64 122

123 Monster Bs 4 Bass 95 64 123

124 Square Bs 1 Bass 95 64 124

125 106 Bass 2 Bass 95 64 125

126 5th Stac Bs1 Bass 95 64 126

127 SqrStacSynBs Bass 95 64 127

128 MC-202 Bs Bass 95 64 128

129 TB Bass 2 Bass 95 65 1

130 Square Bs 2 Bass 95 65 2

131 SH-101 Bs Bass 95 65 3

132 R&B Bass 2 Bass 95 65 4

133 MG Bass 4 Bass 95 65 5

134 Seq Bass 2 Bass 95 65 6

135 Tri Bass 1 Bass 95

136 BPF Syn Bs 2 Bass 95 65 8

137 BPF Syn Bs 1 Bass 95 65 9

138 Low Bass 1 Bass 95 65 10

65 7

Preset Tone List (Digital Synth)

No. Name Category MSB LSB PC

139 Low Bass 2 Bass 95 65 11

140 Kick Bass 1 Bass 95 65 12

141 SinDetuneBs1 Bass 95 65 13

142 Organ Bass 1 Bass 95 65 14

143 Growl Bass 1 Bass 95 65 15

144 Talking Bs 1 Bass 95 65 16

145 LFO Bass 1 Bass 95 65 17

146 LFO Bass 2 Bass 95 65 18

147 Crack Bass Bass 95 65 19

148 Wobble Bs 1 Bass 95 65 20

149 Wobble Bs 2 Bass 95 65 21

150 Wobble Bs 3 Bass 95 65 22

151 Wobble Bs 4 Bass 95 65 23

152 SideChainBs1 Bass 95 65 24

153 SideChainBs2 Bass 95 65 25

154 House Bass 1 Bass 95 65 26

155 FM Bass Bass 95 65 27

156 4Op FM Bass1 Bass 95 65 28

157 Ac. Bass Bass 95 65 29

158 Fingerd Bs 1 Bass 95 65 30

159 Picked Bass Bass 95 65 31

160 Fretless Bs Bass 95 65 32

161 Slap Bass 1 Bass 95 65 33

162 JD Piano 1 Keyboard 95 65 34

163 E. Grand 1 Keyboard 95 65 35

164 Trem EP 1 Keyboard 95 65 36

165 FM E. Piano 1 Keyboard 95 65 37

166 FM E. Piano 2 Keyboard 95 65 38

167 Vib Wurly 1 Keyboard 95 65 39

168 Pulse Clav Keyboard 95 65 40

169 Clav Keyboard 95 65 41

170 70’s E. Organ Keyboard 95 65 42

171 House Org 1 Keyboard 95 65 43

172 House Org 2 Keyboard 95 65 44

173 Bell 1 Keyboard 95 65 45

174 Bell 2 Keyboard 95 65 46

175 Organ Bell Keyboard 95 65 47

176 Vibraphone 1 Keyboard 95 65 48

177 Steel Drum Keyboard 95 65 49

178 Harp 1 Keyboard 95 65 50

179 Ac. Guitar Keyboard 95 65 51

180 Bright Strat Keyboard 95 65 52

181 Funk Guitar1 Keyboard 95 65 53

182 Jazz Guitar Keyboard 95 65 54

183 Dist Guitar1 Keyboard 95 65 55

184 D. Mute Gtr1 Keyboard 95 65 56

185 E. Sitar Keyboard 95 65 57

186 Sitar Drone Keyboard 95 65 58

187 FX 1 FX/Other 95 65 59

188 FX 2 FX/Other 95 65 60

189 FX 3 FX/Other 95 65 61

190 Tuned Winds1 FX/Other 95 65 62

191 Bend Lead 1 FX/Other 95 65 63

192 RiSER 1 FX/Other 95 65 64

193 Rising SEQ 1 FX/Other 95 65 65

194 Scream Saw FX/Other 95 65 66

195 Noise SEQ 1 FX/Other 95 65 67

196 Syn Vox 1 FX/Other 95 65 68

197 JD SoftVox FX/Other 95 65 69

198 Vox Pad FX/Other 95 65 70

199 VP-330 Chr FX/Other 95 65 71

200 Orch Hit FX/Other 95 65 72

201 Philly Hit FX/Other 95 65 73

202 House Hit FX/Other 95 65 74

203 O’Skool Hit1 FX/Other 95 65 75

204 Punch Hit FX/Other 95

205 Tao Hit FX/Other 95 65 77

206 SEQ Saw 1 Seq 95 65 78

207 SEQ Sqr Seq 95 65 79

65 76

No. Name Category MSB LSB PC

208 SEQ Tri 1 Seq 95 65 80

209 SEQ 1 Seq 95 65 81

210 SEQ 2 Seq 95 65 82

211 SEQ 3 Seq 95 65 83

212 SEQ 4 Seq 95 65 84

213 Sqr Reso Plk Seq 95 65 85

214 Pluck Synth1 Seq 95 65 86

215 Paperclip 1 Seq 95 65 87

216 Sonar Pluck1 Seq 95 65 88

217 SqrTrapPlk 1 Seq 95 65 89

218 TB Saw Seq 1 Seq 95 65 90

219 TB Sqr Seq 1 Seq 95 65 91

220 JUNO Key Seq 95 65 92

221 Analog Poly1 Seq 95 65 93

222 Analog Poly2 Seq 95 65 94

223 Analog Poly3 Seq 95 65 95

224 Analog Poly4 Seq 95 65 96

225 JUNO Octavr1 Seq 95 65 97

226 EDM Synth 1 Seq 95 65 98

227 Super Saw 2 Seq 95 65 99

228 S-Saw Poly Seq 95 65 100

229 Trance Key 1 Seq 95 65 101

230 S-Saw Pad 1 Seq 95 65 102

231 7th Stac Syn Seq 95 65 103

232 S-SawStc Syn Seq 95 65 104

233 Trance Key 2 Seq 95 65 105

234 Analog Brass Brass 95 65 106

235 Reso Brass Brass 95 65 107

236 Soft Brass 1 Brass 95 65 108

237 FM Brass Brass 95 65 109

238 Syn Brass 1 Brass 95 65 110

239 Syn Brass 2 Brass 95 65 111

240 JP8 Brass Brass 95 65 112

241 Soft SynBrs1 Brass 95 65 113

242 Soft SynBrs2 Brass 95 65 114

243 EpicSlow Brs Brass 95 65 115

244 JUNO Brass Brass 95 65 116

245 Poly Brass Brass 95 65 117

246

(257)

247

(258)

248

(259)

249

(260)

250

(261)

251

(262)

252

(263)

253

(264)

254

(265)

255

(266)

256 Init Tone FX/Other 95 65 128

Voc:Ensemble FX/Other 95 65 118

Voc:5thStack FX/Other 95 65 119

Voc:Robot FX/Other 95 65 120

Voc:Saw FX/Other 95 65 121

Voc:Sqr FX/Other 95 65 122

Voc:Rise Up FX/Other 95 65 123

Voc:Auto Vib FX/Other 95 65 124

Voc:PitchEnv FX/Other 95 65 125

Voc:VP-330 FX/Other 95 65 126

Voc:Noise FX/Other 95 65 127

* If you’re using the vocoder, choose a tone from numbers

257–266.

Preset Drum Kit List (Drum Kit)

No. Name MSB LSB PC

001 TR-909 Kit 1 86 64 1

002 TR-808 Kit 1 86 64 2

003 707&727 Kit1 86 64 3

004 CR-78 Kit 1 86 64 4

005 TR-606 Kit 1 86 64 5

006 TR-626 Kit 1 86 64 6

007 EDM Kit 1 86 64 7

008 Drum&Bs Kit1 86 64 8

009 Techno Kit 1 86 64 9

010 House Kit 1 86 64 10

011 Hiphop Kit 1 86 64 11

012 R&B Kit 1 86 64 12

013 TR-909 Kit 2 86 64 13

014 TR-909 Kit 3 86 64 14

015 TR-808 Kit 2 86 64 15

016 TR-808 Kit 3 86 64 16

017 TR-808 Kit 4 86 64 17

018 808&909 Kit1 86 64 18

019 808&909 Kit2 86 64 19

020 707&727 Kit2 86 64 20

021 909&7*7 Kit1 86 64 21

022 808&7*7 Kit1 86 64 22

023 EDM Kit 2 86 64 23

024 Techno Kit 2 86 64 24

025 Hiphop Kit 2 86 64 25

026 80’s Kit 1 86 64 26

027 90’s Kit 1 86 64 27

028 Noise Kit 1 86 64 28

029 Pop Kit 1 86 64 29

030 Pop Kit 2 86 64 30

031 Rock Kit 86 64 31

032 Jazz Kit 86 64 32

033 Latin Kit 86 64 33

Preset Tone List (Analog Synth)

No. Name MSB LSB PC

001 Toxic Bass 1 94 64 1

002 Sub Bass 1 94 64 2

003 Backwards 1 94 64 3

004 Fat as That1 94 64 4

005 Saw+Sub Bs 1 94 64 5

006 Saw Bass 1 94 64 6

007 Pulse Bass 1 94 64 7

008 ResoSaw Bs 1 94 64 8

009 ResoSaw Bs 2 94 64 9

010 AcidSaw SEQ1 94 64 10

011 Psy Bass 1 94 64 11

012 Dist TB Bs 1 94 64 12

013 Sqr Bass 1 94 64 13

014 Tri Bass 1 94 64 14

015 Snake Glide1 94 64 15

016 Soft Bass 1 94 64 16

017 Tear Drop 1 94 64 17

018 Slo worn 1 94 64 18

019 Dist LFO Bs1 94 64 19

020 ResoPulseBs1 94 64 20

021 Squelchy 1 94 64 21

022 DnB Wobbler1 94 64 22

023 O Beat Wob1 94 64 23

024 Chilled Wob 94 64 24

025 Bouncy Bass1 94 64 25

026 PulseOfLife1 94 64 26

027 PWM Base 1 94 64 27

028 Pumper Bass1 94 64 28

029 ClickerBass1 94 64 29

030 Psy Bass 2 94 64 30

031 HooverSuprt1 94 64 31

032 Celoclip 1 94 64 32

033 Tri Fall Bs1 94 64 33

034 808 Bass 1 94 64 34

035 House Bass 1 94 64 35

036 Psy Bass 3 94 64 36

037 Reel 1 94 64 37

038 PortaSaw Ld1 94 64 38

039 Porta Lead 1 94 64 39

040 Analog Tp 1 94 64 40

041 Tri Lead 1 94 64 41

042 Sine Lead 1 94 64 42

043 Saw Buzz 1 94 64 43

044 Buzz Saw Ld1 94 64 44

045 Laser Lead 1 94 64 45

046 Saw & Per 1 94 64 46

047 Insect 1 94 64 47

048 Sqr SEQ 1 94 64 48

049 ZipPhase 1 94 64 49

050 Stinger 1 94 64 50

051 3 Oh 3 94 64 51

052 Sus Zap 1 94 64 52

053 Bowouch 1 94 64 53

054 Resocut 1 94 64 54

055 LFO FX 94 64 55

056 Fall Synth 1 94 64 56

057 Twister 1 94 64 57

058 Analog Kick1 94 64 58

059 Zippers 1 94 64 59

060 Zippers 2 94 64 60

061 Zippers 3 94 64 61

062 Siren Hell 1 94 64 62

063 SirenFX/Mod1 94 64 63

064 Init Tone 94 64 64

Preset Drum Kit Waveform Assign List

Partial TR-909 Kit 1 TR-808 Kit 1 707&727 Kit1 CR-78 Kit 1 TR-606 Kit 1

BD1 909 Kick 1aP 808 Kick 4aP 707 Kick 1 P 78 Kick P 606 Kick P

RIM 909 RimshotP 808 RimshotP 707 Rimshot 78 Rimshot 808 RimshotP

BD2 909 Kick 1bP 808 Kick 4bP 707 Kick 2 P Lite Kick P 808 Kick 1aP

CLAP 909 Clap 2 P 808 ClapL2 P 707 Clap P R8 Clap 808 ClapS2 P

BD3 909 Kick 1cP 808 Kick 4cP 626 Kick 1 P 606 Kick P 808 Kick 2aP

SD1 909 Snr 3a P 808 Snr 3a P 707 Snr 1a P 78 Snr 606 Snr 1 P

CHH 909 CHH 1 808 CHH 707 CHH 78 CHH 606 CHH

SD2 909 Snr 3b P 808 Snr 3b P 707 Snr 2a P Lite Snare 606 Snr 2 P

PHH 909 CHH 3 808 C&OHH L 707 OHH 78 Cymbal 606 C&OHH

SD3 909 Snr 3c P 808 Snr 3c P 707 Snr 1b P 808 Snr 1a P 808 Snr 1a P

OHH 909 OHH 3 808 OHH L 707 OHH 78 Cymbal 606 OHH

SD4 909 Snr 3d P 808 Snr 2c P 707 Snr 2b P 808 Snr 3c P 808 Snr 2a P

TOM1 909 L.Tom P 808 L.Tom P 707 L.Tom P 808 L.Tom P 606 L.Tom P

PERC1 707 Cowbell 808 CowbellP 707 Cowbell 78 Tamb 808 CowbellP

TOM2 909 M.Tom P 808 M.Tom P 707 M.Tom P 808 M.Tom P 606 L.Tom P

PERC2 707 Tamb P 808 Claves P 707 Tamb P 78 MetalBt P 808 Claves P

TOM3 909 H.Tom P 808 H.Tom P 707 H.Tom P 808 H.Tom P 606 H.Tom P

PERC3 727 L.Bongo 808 L.CongaP 727 L.Bongo 78 L.Conga P 808 L.CongaP

CYM1 909 CrashCym 808 Cymbal 1 707 CrashCym MG Nz Cym 606 Cymbal

PERC4 727 H.Bongo 808 M.CongaP 727 H.Bongo 78 L.Bongo P 808 M.CongaP

CYM2 909 Rev Cym 808 Cymbal 2 707 CrashCym 606 Cymbal 808 Cymbal 2

PERC5 727 H.Timbal 808 H.CongaP 727 L/H.Timbal 78 H.Bongo P 808 H.CongaP

CYM3 909 RideCym 808 Cymbal 3 707 RideCym 808 Cymbal 3 808 Cymbal 3

HIT TB Blip Philly Hit PercOrgan 1 78 Guiro S/L MG S Zap 3

OTHER1 909 DstKickP 808 MaracasP 727 Quijada 78 Maracas P 808 MaracasP

OTHER2 909 DstSnr2P 808 Kick 2Lp 727 StrChime 78 Claves P 808 Kick 2Lp

Partial TR-626 Kit 1 EDM Kit 1 Drum&Bs Kit1 Techno Kit 1 House Kit 1

BD1 626 Kick 1 P Synth Kick10 Jungle KickP Synth Kick 7 909 Kick 2cP

RIM 626 Rimshot Wild Stick P WD Cstick 909 RimshotP 909 RimshotP

BD2 626 Kick 2 P Synth Kick 9 TM-2 Kick 1 Synth Kick 1 909 Kick 3P

CLAP 626 Clap 909 DstClapP Dist Clap 909 Clap 3 P Bright Clap

BD3 707 Kick 1 P 909 Kick 4 Synth Kick 5 Synth Kick 2 Warm Kick P

SD1 626 Snr 1 909 DstSnr3P Jungle Snr 3 Analog Snr 2 909 Snr 2b P

CHH 626 CHH 909 CHH 1 S13 CHH Tip 909 CHH 1 909 CHH 1

SD2 626 Snr 2 626 Snr 1a P TM-2 Snr 2 Analog Snr 3 909 Snr 1c P

PHH 626 OHH 909 CHH 2 S13 PHH 909 CHH 3 909 CHH 3

SD3 626 Snr 3 626 Snr 1b P Rock Snr2 P Analog Snr 1 DanceHallSnr

OHH 626 OHH 909 OHH 3 S13 OHH Shft 909 OHH 2 909 OHH 1

SD4 626 Snr 1b P 106 Snr Jazz Rim P Synth Snr 2 Ragga Snr

TOM1 626 L.Tom 1 SF L.Tom P LD L.Tom P 909 L.Tom P 909 L.Tom P

PERC1 626 Cowbell 626 L.Agogo Tamborine 1 626 Cowbell 626 Cowbell

TOM2 626 M.Tom 1 SF M.Tom P LD M.Tom P 909 M.Tom P 909 M.Tom P

PERC2 626 Tamb 626 H.Agogo Tamborine 2 78 MetalBt P TM-2 Tamb

TOM3 626 H.Tom 1 SF H.Tom P LD H.Tom P 909 H.Tom P 909 H.Tom P

PERC3 626 L.Conga 626 L.Conga Conga Hi Mt Udu Pot Hi Bongo Lo Op / Hi Mt

CYM1 626 CrashCym 909 CrashCym Crash Cym 1 909 CrashCym 909 CrashCym

PERC4 626 H.CngaOp/Mt 626 H.CngaOp Conga Lo Op Udo Conga Lo / Hi Op

CYM2 626 RideCym 909 CrashCym Crash Cym 2 909 CrashCym P17 CrashTip

PERC5 626 Claves 626 H.Timbal Conga Hi Op Udu Pot Slp Timbale 1 / 2

CYM3 626 ChinaCym 909 RideCym Ride Cymbal 909 RideCym 909 RideCym

HIT Tao Hit Flute Fx Strings Hit O’Skool Hit Strings Hit

OTHER1 626 Shaker Ahh M SH2 S Zap 2 White Noise Triangle

OTHER2 626 L/H.Timbal Yeah F MG S Zap 2 SH2 S Zap 3 Triangle

Preset Drum Kit Waveform Assign List

Partial Hiphop Kit 1 R&B Kit 1 TR-909 Kit 2 TR-909 Kit 3 TR-808 Kit 2

BD1 808 Kick 4bP 808 Kick 2bP 909 Kick 1aP 909 Kick 3P 808 Kick 1aP

RIM 808 RimshotP TY Cstick 909 RimshotP 909 RimshotP 808 RimshotP

BD2 808 Kick 4cP Mix Kick 1 909 Kick 2bP 909 Kick Lp 808 Kick 1bP

CLAP 808 ClapL1 P 808 ClapS1 P 909 Clap 3 P 909 DstClapP 808 ClapS1 P

BD3 Mix Kick 1 Mix Kick 2 909 Kick 2cP 909 DstKickP 808 Kick 1cP

SD1 808 Snr 3b P 808 Snr 2b P 909 Snr 1a P 909 Snr 2a P 808 Snr 1a P

CHH 808 CHH 808 CHH 909 CHH 1 909 CHH 1 808 CHH

SD2 808 Snr 3b P 808 Snr 2b P 909 Snr 1b P 909 Snr 2b P 808 Snr 1b P

PHH 808 C&OHH L 808 C&OHH L 909 CHH 3 909 CHH 3 808 C&OHH L

SD3 HphpJazzSnrP Real Clap 909 Snr 1c P 909 Snr 2c P 808 Snr 1c P

OHH 808 OHH L 808 OHH L 909 OHH 3 909 OHH 3 808 OHH L

SD4 DanceHallSnr Club FinSnap 909 Snr 1d P 909 Snr 2d P 808 Snr 3c P

TOM1 808 L.Tom P 808 L.Tom P 909 L.Tom P 909 L.Tom P 808 L.Tom P

PERC1 808 CowbellP 808 CowbellP 707 Cowbell 707 Cowbell 808 CowbellP

TOM2 808 M.Tom P 808 M.Tom P 909 M.Tom P 909 M.Tom P 808 M.Tom P

PERC2 808 Claves P TM-2 Tamb 707 Tamb P 707 Tamb P 808 Claves P

TOM3 808 H.Tom P 808 H.Tom P 909 H.Tom P 909 H.Tom P 808 H.Tom P

PERC3 808 L.CongaP 808 L.CongaP 727 L.CongaP 727 L.Bongo 808 L.CongaP

CYM1 808 Cymbal 1 808 Cymbal 3 909 CrashCym 909 CrashCym 808 Cymbal 1

PERC4 808 M.CongaP 808 M.CongaP 727 H.CngOpP 727 H.Bongo 808 M.CongaP

CYM2 808 Cymbal 2 606 Cymbal 909 Rev Cym 909 Rev Cym 808 Cymbal 2

PERC5 808 H.CongaP 808 H.CongaP 727 H.Timbal 727 H.Timbal 808 H.CongaP

CYM3 808 Cymbal 3 78 Cymbal 909 RideCym 909 RideCym 808 Cymbal 3

HIT Philly Hit C’mon Baby F Smear Hit ClassicHseHt O’Skool Hit

OTHER1 Scratch 1 Shaker 909 Kick 1aP 909 DstKickP 808 MaracasP

OTHER2 Scratch 5 SH2 U Zap 4 909 DstSnr2P 909 DstSnr3P 808 Kick 2Lp

Partial TR-808 Kit 3 TR-808 Kit 4 808&909 Kit1 808&909 Kit2 707&727 Kit2

BD1 808 Kick 2aP 808 Kick 3aP 808 Kick 4cP 808 Kick 2cP 707 Kick 1 P

RIM 808 RimshotP 808 RimshotP 808 RimshotP 909 RimshotP 707 Rimshot

BD2 808 Kick 2bP 808 Kick 3bP 808 Kick 3aP 808 Kick 1bP 707 Kick 2 P

CLAP 808 ClapS2 P 808 ClapL1 P 909 Clap 2 P 808 ClapL1 P 707 Clap P

BD3 808 Kick 2cP 808 Kick 3cP 909 Kick 2bP 909 Kick 1bP 626 Kick 1 P

SD1 808 Snr 2a P 808 Snr 3a P 808 Snr 1c P 808 Snr 2a P 707 Snr 1a P

CHH 808 CHH 808 CHH 808 CHH 909 CHH 1 707 CHH

SD2 808 Snr 2b P 808 Snr 3b P 808 Snr 3b P 808 Snr 3c P 707 Snr 2a P

PHH 808 C&OHH L 808 C&OHH L 808 C&OHH L 909 CHH 3 707 OHH

SD3 808 Snr 2c P 808 Snr 3c P 909 Snr 1c P 909 Snr 2c P 707 Snr 1b P

OHH 808 OHH L 808 OHH L 808 OHH L 909 OHH 3 707 OHH

SD4 808 Snr 3c P 808 Snr 1c P 909 Snr 3c P 909 Snr 3c P 707 Snr 2b P

TOM1 808 L.Tom P 808 L.Tom P 909 L.Tom P 808 L.Tom P 707 L.Tom P

PERC1 808 CowbellP 808 CowbellP 808 CowbellP 808 CowbellP 727 L.Agogo

TOM2 808 M.Tom P 808 M.Tom P 909 M.Tom P 808 M.Tom P 707 M.Tom P

PERC2 808 Claves P 808 Claves P 808 Claves P 808 Claves P 727 H.Agogo

TOM3 808 H.Tom P 808 H.Tom P 909 H.Tom P 808 H.Tom P 707 H.Tom P

PERC3 808 L.CongaP 808 L.CongaP 808 L.CongaP 808 L.CongaP 727 L.CongaP

CYM1 808 Cymbal 1 808 Cymbal 1 808 Cymbal 1 909 CrashCym 707 CrashCym

PERC4 808 M.CongaP 808 M.CongaP 808 M.CongaP 808 M.CongaP 727 H.CngMtP

CYM2 808 Cymbal 2 808 Cymbal 2 808 Cymbal 2 808 Cymbal 3 707 CrashCym

PERC5 808 H.CongaP 808 H.CongaP 808 H.CongaP 808 H.CongaP 727 H.CngOpP

CYM3 808 Cymbal 3 808 Cymbal 3 808 Cymbal 3 909 RideCym 707 RideCym

HIT Punch Hit Wooh F Tao Hit ClassicHseHt PercOrgan 2

OTHER1 808 MaracasP 808 MaracasP 808 MaracasP 808 MaracasP 727 MaracasP/727 Cabasa P

OTHER2 808 Kick 2Lp 808 Kick 2Lp 808 Kick 1Lp 909 Kick Lp 727 WhistleS/L

Preset Drum Kit Waveform Assign List

Partial 909&707 Kit1 808&7*7 Kit1 EDM Kit 2 Techno Kit 2 Hiphop Kit 2

BD1 909 Kick 1bP 808 Kick 4bP Synth Kick15 Analog Kick5 PurePhatKckP

RIM 909 RimshotP 808 RimshotP 808 RimshotP 909 RimshotP Wild Stick P

BD2 909 Kick 1cP 808 Kick 2Lp 909 Kick 4 Synth Kick13 Mix Kick 2

CLAP 909 Clap 3 P 808 ClapS1 P 808 ClapS1 P 909 Clap 1 P Gospel Clap

BD3 707 Kick 1 P 707 Kick 1 P Synth Kick 5 PlasticKick1 HipHop Kick

SD1 909 Snr 3b P 808 Snr 3a P 626 Snr 1, Real Clap Synth Snr 1 PurePhatSnrP

CHH 909 CHH 1 808 CHH S13 CHH Tip 808 CHH HipHop CHH

SD2 909 Snr 3c P 808 Snr 2c P 626 Snr 1, Finger Snap 106 Snr HphpJazzSnrP

PHH 909 CHH 3 808 C&OHH L S13 PHH 808 C&OHH S Hip PHH

SD3 707 Snr 1a P 707 Snr 1a P 626 Snr 1, Claptail 909 DstSnr2P Break Snr

OHH 909 OHH 3 808 OHH L S13 OHH Shft 808 OHH L HipHop OHH

SD4 707 Snr 2a P 707 Snr 2a P 626 Snr 1, Dist Clap 909 DstSnr3P Jungle Snr 1

TOM1 909 L.Tom P 808 L.Tom P 808 L.Tom P 909 L.Tom P SF L.Tom P

PERC1 707 Cowbell 707 Cowbell Cowbell Mute 707 Cowbell Cowbell Mute

TOM2 909 M.Tom P 808 M.Tom P 808 M.Tom P 909 M.Tom P SF M.Tom P

PERC2 707 Tamb P 707 Tamb P Tamborine 2 78 Tamb TM-2 Tamb

TOM3 909 H.Tom P 808 H.Tom P 808 H.Tom P 909 H.Tom P SF H.Tom P

PERC3 727 L.CongaP 727 L.CongaP Bongo Lo Op Conga Lo Op TablaBayam 1/3

CYM1 909 CrashCym 808 Cymbal 2 P17 CrashTip 909 CrashCym Crash Cym 2

PERC4 727 H.CngOpP 727 H.CngOpP Bongo Hi Op Conga Slp Op TablaBayam 4/5

CYM2 707 CrashCym 707 CrashCym S18 CrashTip 909 CrashCym Rock Crash 1

PERC5 727 H.Timbal 727 H.Timbal Bongo Hi Slp Conga Hi Op TablaBayam 2

CYM3 909 RideCym 707 RideCym Z18kCrashSft 909 RideCym Ride Cymbal

HIT O’Skool Hit Philly Hit Hah F ClassicHseHt Smear Hit

OTHER1 727 L.Agogo 808 MaracasP Maracas Atmosphere Scratch 2

OTHER2 727 H.Agogo 727 Quijada Cabasa Cut MG S Zap 2 Ahh M

Partial 80’s Kit 1 90’s Kit 1 Noise Kit Pop Kit 1 Pop Kit 2

BD1 HashKick 1 P LoBit Kick1P Pink Noise WD Kick P SF Kick 1 P

RIM Vint Stick P Lo-Bit Stk P White Noise WD Cstick LD Cstick

BD2 HashKick 2 P LoBit Kick2P White Noise LD Kick P SF Kick 2 P

CLAP Old Clap P Dist Clap White Noise Real Clap Hand Clap

BD3 Vint Kick P Reg.Kick P White Noise TY Kick P Bright KickP

SD1 Sim Snare Lo-Bit Snr1P Pink Noise WoodSnr RS SF Snr P

CHH 707 CHH S13 CHH Tip White Noise S14 CHH Tip S13 CHH Tip

SD2 DanceHallSnr Lo-Bit Snr2P White Noise LD Snr Reg.Snr1 P

PHH 707 OHH S13 PHH White Noise S14 PHH S13 PHH

SD3 Lo-Fi Snare Reg.Snr1 P White Noise WD Snr P Reg.Snr2 P

OHH 707 OHH S13 OHH Shft White Noise S14 OHH Shft S13 OHH Shft

SD4 626 Snr 1b P Reg.Snr2 P White Noise WD Rim P Ballad Snr P

TOM1 SimV Tom 3 P LD L.Tom P White Noise LD L.Tom P TY L.Tom P

PERC1 707 Cowbell Cowbell Mute White Noise Cowbell Mute Cowbell Mute

TOM2 SimV Tom 2 P LD M.Tom P White Noise LD M.Tom P TY M.Tom P

PERC2 707 Tamb P Tamborine 3 White Noise TM-2 Tamb TM-2 Tamb

TOM3 SimV Tom 1 P LD H.Tom P White Noise LD H.Tom P TY H.Tom P

PERC3 727 L.CongaP Conga Lo Op White Noise Conga Lo Op Conga Lo Op

CYM1 626 CrashCym Crash Cym 1 White Noise Rock Crash 1 S18 CrashTip

PERC4 626 H.CngaMt Conga Hi Mt White Noise Conga Hi Op Conga Hi Op

CYM2 626 Cup Crash Cym 2 White Noise Splash Cym Z18kCrashSft

PERC5 626 H.CngaOp Conga Hi Op White Noise Conga Slp Op Conga Slp Op

CYM3 626 RideCym Ride Cymbal White Noise China Cymbal China Cymbal

HIT Orch. Hit Punch Hit White Noise Orch. Hit Punch Hit

OTHER1 727 L.Agogo Maracas White Noise Cabasa Cut Claves

OTHER2 727 H.Agogo Shaker White Noise Shaker Wood Block

Partial Rock Kit Jazz Kit Latin Kit

BD1 WD Kick P Jz Dry Kick Power Kick

RIM WD Cstick LD Cstick Hard Stick P

BD2 Rock Kick P Old Kick Warm Kick P

CLAP Bright Clap Hand Clap Real Clap

BD3 Wide Kick P Jazz Kick P Hush Kick P

SD1 TY Rim Jz BrshSlapP Ballad Snr P

CHH Rock CHH Reg.CHH S13 CHH Tip

SD2 Rock Snr1 P Jz BrshSwshP Piccolo SnrP

PHH Rock PHH Reg.PHH S13 PHH

SD3 Rock Snr2 P Swish&Trn P Jazz Rim P

OHH Rock OHH Reg.OHH S13 OHH Shft

SD4 SF Rim Jazz Rim P Tight Snr

TOM1 SF L.Tom P SF L.Tom P TY L.Tom P

PERC1 Cowbell Mute Cowbell Mute PandeiroMt/Op

TOM2 SF M.Tom P SF M.Tom P TY M.Tom P

PERC2 Tamborine 3 TM-2 Tamb Tamborine 2/3

TOM3 SF H.Tom P SF H.Tom P T Y H.Tom P

PERC3 Conga Lo Op Conga 2L Op Conga Lo/Hi Op

CYM1 Rock Crash 1 Jazz Crash P17 CrashTip

PERC4 Conga Hi Mt Conga 2H Slp Conga Thumb/Efx

CYM2 Rock Crash 2 Crash Cym 1 S18 CrashTip

PERC5 Conga Hi Op Conga 2H Op Timbale 1/2

CYM3 Rock Rd Cup Ride Cymbal Z18kCrashSft

HIT D.Mute Gtr Pop Brs Atk Pop Brs Atk

OTHER1 Z18kCrashSft Finger Snap Cabasa Up/Down

OTHER2 China Cymbal Club FinSnap Whistle

Preset Drum Kit Waveform Assign List

Roland JD-Xi Parameter Guide

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

Shortcut List

Additional Explanation of the Pattern Sequencer

TR-REC Procedure for a Digital Synth Part or the Analog Synth Part

Recording Methods Other Than TR-REC, Step Recording, and Realtime Recording

Tips for Realtime Recording

Initial Settings Following Complete Erasure of a Pattern

Other Notes

Error Messages

How the JD-Xi Is Structured

Getting Acquainted with the JD-Xi

How a Tone Is Structured

Digital Synth Tone

Analog Synth Tone

Drum Kit

Changing the Connection Destination of Each Part

About the Delay Send Level and Reverb Send Level

About Vocoder/AutoPitch Tones

Program Parameters

Program Edit

Analog Synth Tone

TONE EDIT

Digital Synth Tone

TONE EDIT: SuperNATURAL Synth Tone

Drum Kit

TONE EDIT: PCM Drum Kit

AutoPitch/Vocoder

AutoPitch

Vocoder

ARPEGGIO

ARPEGGIO

Program List

Preset Program

Bank Select/Program Change

Preset Tone List (Digital Synth)

Preset Drum Kit List (Drum Kit)

Preset Tone List (Analog Synth)

Preset Drum Kit Waveform Assign List