Roland Jd-xa User Manual

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Owner’s Manual

Panel Descriptions

Top Panel

Rear Panel

Introduction

Turning On/O the Power

Selecting a Sound (Program)

Selecting a Part

Editing a Sound (Program)

Editing an Analog Part

Editing a Digital Part

Editing the Eects

Initializing a Sound (Init)

Copying a Sound or Pattern (Copy)

Saving a Program (Write)

Using Favorite Sounds (Programs) (Favorite)

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Recording (Pattern Sequencer)

Realtime Recording (Real Time REC)

Step Recording (Step REC)

Step Recording 2 (Step REC 2)

Playing Patterns

Erasing an Entire Pattern (Pattern Erase)

Pattern Utility

Saving a Pattern (Write)

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Playing an Arpeggio

Selecting an Arpeggio Template

Editing an Arpeggio Pattern

Saving an Arpeggio (Write)

Using the Microphone

Adjusting the Input Level

Using the Vocoder

Using a Microphone to Apply Modulation

Outputting the Mic’s Vocal Input

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Controlling Your Performance

Changing the Pitch/Applying Vibrato (Pitch Bend/Modulation Lever)

Using an Assigned Function to Modify the Sound (WHEEL 1/2)

Using External Pedals (HOLD/CTRL 1/CTRL 2)

Connecting External Devices

Using the JD-XA as a MIDI Controller

Connecting an Analog Synthesizer via the CV/GATE Output

Connecting a Computer via USB

Overall Settings for the JD-XA

Accessing the Menu Screens

Making System Settings (SYSTEM)

Saving the System Settings

Convenient Functions (UTILITY)

Formatting a USB Flash Drive (USB MEM FORMAT)

Restoring Backup Data from a USB Flash Drive

Returning to the Factory Settings (FACTORY RESET )

Making the Power Automatically Turn O After a Time (Auto O)

Customizing the Knob and Slider Illumination (LED CUSTOMIZE)

List of Shortcut Keys

Error Messages

Main Specications

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USING THE UNIT SAFELY

IMPORTANT NOTES

Placing the JD-XA on a Stand

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Owner’s Manual

Read this rst. It explains the basic things you need to know in order to use the JD-XA.

PDF Manual

5Parameter Guide

This explains all parameters of the JD-XA.

5MIDI Implementation

This is detailed information about MIDI messages.

Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (leaet “USING THE UNIT SAFELY” and Owner’s Manual (p. 18)). After reading, keep the document(s) including those sections where it will be available for immediate reference. © 2015 Roland Corporation

(this document)

(download from the Web)

(English)

To obtain the PDF manual

Enter the following URL in your computer.

http://www.roland.com/manuals/

Choose “JD-XA” as the product name.

Panel Descriptions

Top Panel

Common section

Here you can make the following settings for the JD-XA.

Controller Explanation

MASTER [Mute] button

MASTER [Volume] knob

Display

Cursor [K] [J] buttons Move the cursor left/right.

[-] [+] buttons Change the value at the cursor position.

[MIDI CTRL] button

[Menu] button

[Write] button

[Shift] button

[Exit] button

[Enter] (Manual) button

PROGRAM No. display

[Program Select] (Init) button

[Bank] (Copy) button

[USB Memory] button Lets you use programs that are stored on a USB ash drive.

[Favorite] button

[Transpose] button

OCTAVE [Down] [Up] buttons

[Key Hold] button Holds the notes that are currently pressed on the keyboard.

[Arpeggio] button

[Mono] button Switches the part’s mono/poly setting (only for a digital part).

[Portamento Time] knob Species the portamento time.

[Portamento On] button Turns portamento on/o.

Mutes the sound from the OUTPUT L/MONO and R jacks and the ANALOG DRY jack.

Adjusts the volume of the sound that’s output from the OUTPUT L/ MONO and R jacks and the PHONES jack.

Shows various information for the operation.

* The explanations in this manual include illustrations that depict

what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Lets you use the JD-XA’s controllers to control an external MIDI device.

“Using the JD-XA as a MIDI Controller” (p. 11)

Accesses the Menu screen.

“Accessing the Menu Screens” (p. 12)

Saves the edited data.

“Saving a Program (Write)” (p. 7)

When used in conjunction with other buttons or knobs, lets you view parameters or edit dierent parameters.

“List of Shortcut Keys” (p. 16)

Returns you to the previous screen. In some screens, this cancels the operation currently being executed. When used in conjunction with a knob, lets you view the current parameter without changing its value.

Press this to conrm a value or execute an operation. If you press this button while holding down the [Shift] button, the positions of all knobs and sliders are applied to the sound you’re editing (Manual).

Displays the currently selected program number ( If the program or pattern has been edited, the decimal point is lit.

Lets you use the [01]–[16] buttons to select programs. If you hold down the [Shift] button and press this button, the Init Menu screen appears.

“Initializing a Sound (Init)” (p. 7)

Press this button to make it blink, and then use the [01] (A)–[16] (P) buttons to select the program bank. When you’ve selected the program bank, the button goes dark, returning to its previous state. If you hold down the [Shift] button and press this button, the Copy Menu screen appears.

“Copying a Sound or Pattern (Copy)” (p. 7)

Lets you register and recall frequently-used program numbers as favorites (Favorite)

Turns the transpose function on/o. Hold down the [Transpose] button and use the OCTAVE [Down] [Up] buttons to specify the amount of transposition.

Switch the octave of the keyboard.

Turns the arpeggio function on/o.

“Playing an Arpeggio” (p. 9)

A01.–P16.

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Synthesizer section

ANALOG PART

Here you can select and edit an analog part.

DIGITAL PART

Here you can select and edit a digital part.

Controllers

Pitch bend/modulation lever

You can use this to modify the pitch or to apply vibrato.

Wheel 1/2

You can assign MIDI messages of your choice to these wheels and use them as controllers.

“Making System Settings (SYSTEM)” (p. 12)

MIC

Controller Explanation

[Level] knob Species the volume of the microphone.

[Vocoder] button The microphone is used as a vocoder.

[Mod] button The microphone is used for modulation.

[Bypass] button The sound of the microphone is output without change.

[01]–[16] buttons

Use these buttons to select programs or banks, or when recording on the pattern sequencer.

PATTERN SEQ (pattern sequencer)

Here you can record your keyboard performance and knob operations, and play

them back repeatedly.

TEMPO

Here you can specify the tempo of the arpeggio or the pattern sequencer.

Controller Explanation

TEMPO display Displays the tempo value.

[Tap] button

[TEMPO] knob Species the tempo.

You can change the tempo by pressing the [Tap] button three times or more at quarter-note intervals of the desired tempo.

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Rear Panel

Panel Descriptions

Amplied Speakers

Microphone

This instrument is equipped

with balanced (XLR/TRS) type jacks. Wiring diagrams for these jacks are shown below. Make connections after rst checking the wiring diagrams of other equipment you intend to connect.

Here you can connect an analog synthesizer that is equipped with a CV/ GATE input jack.

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For connecting MIDI device.

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Computer USB ash drive

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A B C D E F G H I

Headphones

Pedal switch (DP-2; sold separately)

Expression pedal (EV-5; sold separately)

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Place the AC adaptor so the side with the indicator (see illustration) faces

upwards and the side with textual information faces downwards. The indicator will light when you plug the AC adaptor into an AC outlet.

AC adaptor

Indicator

Power Cord

AC Outlet

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* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

OUTPUT jacks

Jack Explanation

PHONES jack You can connect a set of headphones here.

L/MONO, R jacks

ANALOG DRY jack Outputs the dry sound (without eects) of the analog parts.

CLICK jack Outputs the metronome click sound.

MIC INPUT

Controller/jack Explanation

[LEVEL] knob Adjusts the input level of the MIC INPUT jack.

MIC INPUT jack

FOOT PEDAL jacks

Jack Explanation

HOLD jack

CTRL 1/2 jacks

* Use only the specied expression pedal (EV-5; sold separately). By connecting any other

expression pedals, you risk causing malfunction and/or damage to the unit.

CV/GATE jacks

Jack Explanation

GATE OUT 1/2 jacks

CV OUT 1/2 jacks

Connect these jacks to your amplied speakers. Use the L/MONO jack if you’re outputting in monaural.

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Connect a microphone here. The MIC INPUT jack supports both XLR type and TRS type plugs. The XLR type connection supports 48 V phantom power, allowing you to connect a condenser microphone that supports phantom power (phantom power: DC 48 V, 10 mA max.).

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You can connect a pedal switch (such as the DP-2; sold separately) here and use it as a hold pedal.

You can connect an expression pedal (EV-5; sold separately) or pedal switch (such as the DP-2; sold separately) here and use it to control various parameters or operations.

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These jacks output note-on/o. They output +5 V.

These jacks output pitch. If you’ve specied a transpose or octave shift setting, the voltage changes according to the setting. These jacks support OCT/V (Hz/V is not supported).

USB port

Port Explanation

USB COMPUTER port

USB MEMORY port

DC IN jack

If the JD-XA is connected to your computer via a commercially available USB 2.0 cable, you can synchronize it with a DAW on your computer via USB MIDI, and record the sound of the JD-XA into your DAW via USB audio.

“Connecting a Computer via USB” (p. 11)

You can connect a USB ash drive here. You can use a USB ash drive to save programs and back up data.

“Restoring Backup Data from a USB Flash Drive” (p. 15)

* Use a USB ash drive sold by Roland. We cannot guarantee

operation if other products are used.

Connect the included AC adaptor here.

* To prevent the inadvertent disruption of power to your unit (should the plug be pulled out

accidentally), and to avoid applying undue stress to the jack, anchor the power cord using the cord hook, as shown in the illustration.

[POWER] switch

This turns the power on/o.

“Turning On/O the Power” (p. 4)

Ground terminal

Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an innitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see gure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

5Water pipes (may result in shock or electrocution) 5Gas pipes (may result in re or explosion) 5Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

MIDI connectors (IN/OUT)

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These connectors can be connected to other MIDI devices to receive and transmit MIDI messages.

Introduction

Turning On/O the Power

* Once everything is properly connected (p. 3), be sure to follow the procedure below to

turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

* Before turning the unit on/o, always be sure to turn the volume down. Even with the volume

turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

Before turning on the JD-XA’s power, consider these two questions:

5Are your speakers or headphones connected correctly? 5Is the connected equipment powered-o?

Turn the MASTER [Volume] knob on the top panel all the way to the left.

Turn on the [POWER] switch located on the rear panel.

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after turning the

unit on is required before it will operate normally.

Switch on power to the connected equipment, and raise the volume to an

appropriate level.

Turning O the Power

Before turning o the power, consider these two questions:

5Have you minimized the volume of the connected equipment? 5Have you saved any sounds or patterns that you created?

Turn o the power for all connected audio devices.

Turn o the [POWER] switch of the JD-XA.

About the Auto O Function

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function.

“Making the Power Automatically Turn O After a Time (Auto O)” (p. 15)

NOTE

5Any settings that you are in the process of editing will be lost when the power is

turned o. If you have any settings that you want to keep, you should save them beforehand.

5To restore power, turn the power on again.

“Turning On/O the Power” (p. 4)

Selecting a Sound (Program)

Selecting a Part

Each analog part is monophonic. The [Poly Stack] button lets you make the four monophonic analog parts operate in four-voice polyphony (p. 5).

Selecting an ANALOG Part

Function Operation

Select a part to edit

Select a part to play from the keyboard

Part mute

MEMO

Since the analog synth parts consist of analog circuitry, their sound may be aected by the temperature, the power supply, and the environment in which the instrument is located.

Selecting a DIGITAL Part

The digital parts are polyphonic. Each part is a three-partial SuperNATURAL synthesizer, and you can use four such parts.

Press a Select [01]–[04] button to make it light. You can select multiple parts by pressing multiple buttons simultaneously. You can’t select analog par ts and digital parts simultaneously.

Press an On [01]–[04] button to make it light. If the button is unlit, that part won’t produce sound.

Hold down the [Shift] button and press an On [01]–[04] button (blinking: muted / lit: unmuted). The mute status is shown while you hold down the [Shift] button.

About the program select screen

INIT PROGRAM

A program consists of a total of eight parts: four analog parts and four digital parts. After editing a program, you can save it in internal memory (INT:A01–INT:P16) or on a USB ash drive (USB:A01–USB:P16).

Selecting a Program

Press the [Program Select] button so it’s lit.

The program select screen appears. The [01]–[16] button corresponding to the currently selected program number is lit.

Press one of the [01]–[16] buttons.

The program changes.

Saved location

[USB Memory]

Internal memory ([USB Memory] button unlit)

USB ash drive ([USB Memory] button lit)

MEMO

If no USB ash drive is connected, the [USB Memory] button does not light even if you press it.

Switching banks

In the program select screen, press the [Bank] button to make it light.

The [01] (A)–[16] (P) button corresponding to the currently selected bank number (A–P) blinks.

Press one of the [01] (A)–[16] (P) buttons.

The bank is switched, and the [Bank] button goes dark.

Use the [01]–[16] buttons to select a program.

Bank

[Bank] 0 [01] (A)–[16] (P)

INT:A–INT:P 01–16

USB:A–USB:P 01–16

Number

[01]–[16]

Function Operation

Select a part to edit

Select a part to play from the keyboard

Part mute

Press a Select [01]–[04] button to make it light. You can select multiple parts by pressing multiple buttons simultaneously. You can’t select analog par ts and digital parts simultaneously. Each digital part consists of three partials.

Press an On [01]–[04] button to make it light. If the button is unlit, that part won’t produce sound.

Hold down the [Shift] button and press an On [01]–[04] button (blinking: muted / lit: unmuted). The mute status is shown while you hold down the [Shift] button.

Selecting a partial (Digital part only)

Function Operation

Select a partial to edit

Play a partial’s sound

Press a Select [01]–[03] button to make it light. You can select multiple partials by pressing multiple buttons simultaneously.

Press an On [01]–[03] button to make it light. If the button is unlit, that partial won’t produce sound.

Editing a Sound (Program)

Editing an Analog Part

ANALOG PART

AUX

A-Filter

A-OSC2

Pitch ENV

1/2

For details of the overall structure, refer to the “JD-XA Structure Diagram”

inside the front cover.

Filter ENV

LFO 1/2

When you move a controller, the corresponding parameter is shown in the screen (the value changes in tandem with the controller). If you move the controller while holding down the [Exit] button, the parameter is displayed without changing its value; this lets you check the current value.

ANALOG PART

Controller Explanation

Select [01]–[04] buttons

On [01]–[04] buttons

[Poly Stack] button

[Unison] button Selects unison. This is available only if poly stack is on.

Select the part that is edited by panel operations.

Select the part that is played from the keyboard.

Lets you use the four analog parts as one four-voice poly part. If the Poly Stack is on, only one part is on. Use the On [01]–[04] buttons to select the parts that are used for poly stack.

LFO

Controller Explanation

Wave knob

[Rate] knob

[Select] button

[Tempo Sync] button

[Fade Time] slider

[Pitch Depth] slider Allows the LFO to modulate the A-OSC pitch, producing a vibrato eect.

[Filter Depth] slider

[Amp Depth] slider

Selects the LFO waveform.

(Triangle wave), R (Sine wave),T (Sawtooth wave), U (Square wave),

(Sample and Hold), RND (Random wave)

Determines the speed of the LFO modulation.

* If the [Tempo Sync] button is on, you can specify the LFO modulation

speed in terms of a note value relative to the tempo.

Selects the LFO that will be edited. LFO1 (unlit), LFO2 (lit)

Synchronizes the LFO modulation speed to the tempo.

Species the time from when the tone sounds until the LFO reaches its maximum amplitude.

Allows the LFO to modulate the FILTER CUTOFF (cuto frequency), producing a wah eect.

Allows the LFO to modulate the AMP LEVEL (volume), producing a tremolo eect.

A-OSC1

Controller Explanation

Wave knob

[Variation] button Not used with analog parts.

[PWM] slider

[PW] slider

[Pitch] knob Species the oscillator pitch.

[Fine] knob Fine adjustment of the oscillator pitch.

[Cross Mod] knob

[Ring Mod] button

[Mod Source] button

Selects the oscillator waveform.

(Sawtooth wave), U (Square wave), V (Asymmetrical square wave),

(Triangle wave), R (Sine wave),

Variation (not used with A-OSC)

When V (asymmetrical square wave) is selected as the oscillator waveform

Species the amount of LFO modulation applied to PW.

When V (asymmetrical square wave) is selected as the oscillator waveform

Species the pulse width.

Species the amount by which the A-OSC2/AUX waveform modies the frequency of A-OSC1.

Gives the sound a metallic character by multiplying A-OSC1 and A-OSC2/ AUX.

Selects the modulation source waveform (A-OSC2/AUX).

HPFDRIVEA-OSC1

AMP

AMP ENV

MFX

A-OSC2

Controller Explanation

Wave knob

DRY OUT

[PWM] slider

[PW] slider

[Pitch] knob Species the oscillator pitch.

[Fine] knob Fine adjustment of the oscillator pitch.

[OSC Sync] button

Selects the oscillator waveform.

(Sawtooth wave), U (Square wave), V (Asymmetrical square wave),

(Triangle wave), R (Sine wave),

When V (asymmetrical square wave) is selected as the oscillator waveform

Species the amount of LFO modulation applied to PW.

When V (asymmetrical square wave) is selected as the oscillator waveform

Species the pulse width.

Creates a complex waveform by forcibly returning A-OSC1 to the beginning of its cycle in synchronization with the cycle of A-OSC2.

PITCH ENV

Controller Explanation

[Depth] knob Species the direction and amount of the pitch change.

[Select] button Selects the pitch envelope editing target.

[A] slider

[D] slider

These sliders operate similarly to the [A] [D] sliders of the AMP section (they aect the pitch rather than the volume).

MIXER

Controller Explanation

[A-OSC 1] knob Species the A-OSC1 volume.

[A-OSC 2] knob Species the A-OSC2 volume.

[AUX] knob Species the AUX volume.

[Select] button

Species the AUX source. White Noise, Pink Noise, Digital Part, MIC

* The digital part that can be selected as the AUX source will be the same

part number as the analog part. It is not possible to select a dierent part.

Analog part Digital part selected

Analog part 01 Digital part 01

Analog part 02 Digital part 02

Analog part 03 Digital part 03

Analog part 04 Digital part 04

FILTER

Controller Explanation

[HPF] knob Species the cuto frequency of the high-pass lter.

[Drive] knob Adjusts the drive.

Filter type select knob

[Variation] button Not used with analog parts.

[Cuto] knob Species the cuto frequency.

[Resonance] knob Species the resonance.

[Key Follow] knob

[ENV Depth] knob Species the direction and amount of the change in cuto frequency.

[A] slider

[D] slider

[S] slider

[R] slider

Selects the lter type. LPF1–3 (Low Pass Filter), HPF (High Pass Filter), BPF (Band Pass Filter)

Allows the lter cuto frequency to vary according to the key that you play. If the knob is turned toward the right, the cuto frequency becomes higher as you play higher notes. If the knob is turned toward the left, the cuto frequency becomes lower as you play lower notes.

These sliders operate similarly to the [A] [D] [S] [R] sliders of the AMP section (they aect the cuto frequency rather than the volume).

AMP

Controller Explanation

[Level] knob Species the AMP Level.

[A] slider (Attack time)

[D] slider (Decay time)

[S] slider (Sustain level)

[R] slider (Release time)

EFFECTS

“Editing the Eects” (p. 6)

Species the time from the moment you press the key until the maximum volume is reached.

Species the time from when the maximum volume is reached, until it decays to the sustain level.

Species the volume level that will be maintained from when the attack and decay times have elapsed until you release the key.

Species the time from when you release the key until the volume reaches its minimum value.

MEMO

5If the program has been edited, the decimal point of the program

number is lit.

5The edited sound is saved in the program.

“Saving a Program (Write)” (p. 7)

5Some parameters can be edited without using a controller.

For details, refer to “Parameter Guide (English)” (PDF).

Editing a Sound (Program)

Editing a Digital Part

DIGITAL PART (SuperNATURAL Synth)

Partial 3

Partial 2

Partial 1

WG TVF TVA

Pitch ENV Filter ENV AMP ENV

LFO

For details of the overall structure, refer to the “JD-XA Structure Diagram”

inside the front cover.

* Digital parts do not use the A-OSC2 and MIXER sections.

DIGITAL PART

Controller Explanation

Select [01]–[04] buttons

On [01]–[04] buttons

[Unison] button Selects unison.

PARTIAL

Controller Explanation

Select [01]–[03] buttons

On [01]–[03] buttons

LFO

Controller Explanation

Wave knob

[Rate] knob

[Select] button Not used with digital parts.

[Tempo Sync] button

[Fade Time] slider

[Pitch Depth] slider

[Filter Depth] slider

[Amp Depth] slider

D-OSC

Controller Explanation

Wave knob

[Variation] button Selects the variation waveform as the waveform of the oscillator.

[PWM] slider

[PW] slider

[Pitch] knob Species the oscillator pitch.

[Fine] knob Fine adjustment of the oscillator pitch.

Select the part that is edited by panel operations.

Select the part that is played from the keyboard.

Select the partial that is edited by panel operations.

Select the partials that produce sound.

Selects the LFO waveform.

(Triangle wave), R (Sine wave),T (Sawtooth wave), U (Square wave),

(Sample and Hold), RND (Random wave)

Determines the speed of the LFO modulation.

* If the [Tempo Sync] button is on, you can specify the LFO modulation

speed in terms of a note value relative to the tempo.

Synchronizes the LFO modulation speed to the tempo.

Species the time from when the tone sounds until the LFO reaches its maximum amplitude.

Allows the LFO to modulate the pitch of the partial, producing a vibrato eect.

Allows the LFO to modulate the FILTER CUTOFF (cuto frequency), producing a wah eect.

Allows the LFO to modulate the AMP LEVEL (volume), producing a tremolo eect.

Selects the oscillator waveform.

(Sawtooth wave), U (Square wave), V (Asymmetrical square wave),

(Triangle wave), R (Sine wave),

Variation (Press the [Variation] button and use the [-] [+] buttons to select the variation waveform.)

When V (asymmetrical square wave) is selected as the oscillator waveform

Species the amount of LFO modulation applied to PW.

When V (asymmetrical square wave) is selected as the oscillator waveform

Species the pulse width.

When SuperSaw is selected as the oscillator waveform

Species the detune.

MFX

Controller Explanation

[Cross Mod] knob Not used with digital parts.

[Ring Mod] button

[Mod Source] button

Produces a more complex waveform by multiplying Partial 1’s OSC by Partial 2’s OSC.

Not used with digital parts.

PITCH ENV

Controller Explanation

[Depth] knob Species the direction and amount of the pitch change.

[Select] button Not used with digital parts.

[A] slider

[D] slider

These have the same operation as the PITCH ENV [A] [D] sliders for an analog part.

FILTER

Controller Explanation

[HPF] knob Species the cuto frequency of the high-pass lter.

[Drive] knob Not used with digital parts.

Filter type select knob

[Variation] button Selects the variation type as the type of lter.

[Cuto] knob Species the cuto frequency.

[Resonance] knob Species the resonance.

[Key Follow] knob Allows the lter cuto frequency to vary according to the key that you play.

[ENV Depth] knob Species the direction and amount of the change in cuto frequency.

[A] slider

[D] slider

[S] slider

[R] slider

Selects the lter type. The indicator shows the slope of the lter.

-12 dB/oct (unlit), -24 dB/oct (lit)

These have the same operation as the FILTER [A] [D] [S] [R] sliders for an analog part.

AMP

Controller Explanation

[Level] knob Species the AMP Level.

[A] slider

[D] slider

[S] slider

[R] slider

EFFECTS

“Editing the Eects” (p. 6)

These have the same operation as the AMP [A] [D] [S] [R] sliders for an analog part.

MEMO

5If the program has been edited, the decimal point of the program

number is lit.

5The edited sound is saved in the program.

“Saving a Program (Write)” (p. 7)

5Some parameters can be edited without using a controller.

For details, refer to “Parameter Guide (English)” (PDF).

Editing the Eects

For details of the overall structure, refer to the “JD-XA Structure Diagram”

inside the front cover.

Controller Explanation

[TFX 1/2 Select] knob

[TFX 1/2 CTRL] knob

[TFX 1/2 On] button Turns TFX1/2 on/o.

[Reverb] knob Species the volume of reverb.

[Delay] knob Species the volume of delay.

Delay [Time] knob Species the delay time.

[Part MFX SW] button

[Tempo Sync] button

For details on the parameters, refer to “Parameter Guide (English)” (PDF).

MEMO

Eect settings are saved in the program.

“Saving a Program (Write)” (p. 7)

Selects the TFX1/2 eect type.

Globally controls TFX1/2. Global control is a function that lets you use a single knob to control multiple parameters that make up the eect.

Turns the Part MFX on/o.

Synchronizes the Part MFX and delay to the tempo. If this is “o,” the Tempo Sync setting of each eect is used.

Initializing a Sound (Init)

Here’s how to initialize the settings of a program, part, partial, or pattern.

Hold down the [Shift] button and press the [Program Select/Init] button.

The INIT screen appears.

Use the cursor [K] [J] buttons and the [-] [+] buttons to specify what you

want to initialize.

Settings to initialize

[-] [+]

PROGRAM Program settings

PAR T Part settings (including MFX, the MIDI channel)

PARTIAL Partial settings (if a digital part is selected)

PATTERN Pattern

Press the [Enter] button.

A conrmation message appears. If you decide to cancel, press the [Exit] button.

Press the [Enter] button.

The screen indicates “Completed!” and initialization is executed.

Explanation

Copying a Sound or Pattern (Copy)

Here’s how to copy settings from a part, partial, or pattern that’s saved in another program, or from an INTEGRA-7 or FA-06/08 tone.

Hold down the [Shift] button and press the [Bank] (Copy) button.

The COPY screen appears.

Use the cursor [K] [J] buttons to select the data that you want to copy, and

press the [Enter] button.

Settings to copy

Cursor [K] [J]

Part Part settings (including MFX, excluding the MIDI channel)

Partial Partial settings (only if a digital part is selected)

Pattern Pattern

Tone

Explanation

Tone (only if a USB ash drive is connected)

Copying tone settings

“SuperNATURAL synth tones” from the INTEGRA-7 or FA-06/08 can be used by a digital part of the JD-XA. Export/save the “SuperNATURAL synth tone” data from an INTEGRA-7 or FA06/08 to your USB ash drive. Importing that data into the JD-XA is referred to as copying the tone settings. The data to be imported must be saved to the IMPORT folder of the USB ash drive.

For details, refer to “The folder structure of a USB ash drive” (p. 14).

NOTE

If “Part” is selected as the data to copy, the MIDI channel is not copied.

Use the [-] [+] buttons to select the copy-source data, and then press the

[Enter] button (select Source).

The parameters dier depending on the copy-source you selected. Repeat this procedure as many times as needed.

MEMO

Depending on the parameters, you can also use [Bank], [01]–[16], and each part’s Select [01]–[04] and Partial [01]–[03] buttons.

Use the [-] [+] buttons to select the copy-destination, and then press the

[Enter] button (select Destination).

The parameters dier depending on what you’re copying. Repeat this procedure as many times as needed.

MEMO

Depending on the parameters, you can also use each part’s On [01]–[04] and Partial [01]–[03] buttons.

Press the [Enter] button.

A conrmation message appears. If you decide to cancel, press the [Exit] button.

Press the [Enter] button.

The screen indicates “Completed!” and the copy is executed.

Saving a Program (Write)

A sound that you create will loose if you move the knobs or if you select a dierent program. It will also be lost if you power-o the JD-XA. When you’ve created a sound that you like, you should save it as a program.

Press the [Write] button.

Use the Cursor [K] [J] buttons to select “PROGRAM,” and then press the

[Enter] button.

The name input screen appears.

Editing a Sound (Program)

When you’ve nished specifying the name, press the [Enter] button.

Use the [-] [+] buttons to select the save-destination.

If you want to save to a USB ash drive, press the [USB Memory] button to make it light. You can also use the [Bank] and [01]–[16] buttons to select the save-destination.

* If you specify a number in which data is already saved, the program name is shown in the

lower line. If you save to this number, the previous data is erased and overwritten by the new program.

Press the [Enter] button.

A conrmation message appears. If you decide to cancel, press the [Exit] button.

Press the [Enter] button.

A screen indicating “Completed!” appears, and the data is saved.

* NEVER turn the power o while you are saving settings.

Using Favorite Sounds (Programs) (Favorite)

Controller Explanation

[Favorite] button Use these button to register and recall your favorite sounds (programs).

[01]–[16] buttons Use these buttons to select Favorite 01–16.

[Bank] button Use this button to select the Favorite bank (A–P).

Selecting a Favorite

Press the [Favorite] button so it’s lit.

The [01]–[16] buttons become the Favorite select buttons.

Press one of the [01]–[16] buttons to select a favorite sound.

If you press a button in which nothing is registered, the screen indicates “Not Registered!”

Switching the Favorite bank

When the [Favorite] button is lit, press the [Bank] button.

The [01] (A)–[16] (P) button corresponding to the currently selected bank number (A–P) blinks.

Press one of the [01] (A)–[16] (P) buttons.

The bank is switched, and the [Bank] button goes dark.

Use the [01]–[16] buttons to select a favorite.

Registering a Favorite

Select a program that you want to register as a favorite.

Press the [Favorite] button so it’s lit.

Select the bank in which you want to register the favorite.

“Switching the Favorite bank” (p. 7)

Hold down the [Favorite] button and press the favorite number ([01]–[16]

buttons) that you want to register.

The currently selected program is registered to that button. While you hold down the [Favorite] button, the [01]–[16] buttons in which you saved favorites are lit; buttons in which you did not save favorites are blinking.

NOTE

If you’ve edited a program, save that program rst before registering it as a favorite.

“Saving a Program (Write)” (p. 7)

Deleting a Favorite

In the Menu screen, choose “FAVORITE UTIL” and press the [Enter] button.

The FAVORITE UTIL screen also appears if you hold down the [Shift] button and press the [Favorite] button.

Use the cursor [K] [J] buttons to select a favorite bank.

[-] [+]

Use the

You can also use the [01]–[16] buttons to select a favorite to delete.

Press the [Enter] button to delete the favorite that is shown.

buttons to select the favorite that you want to delete.

PROG NAME: [Ent] INIT PROGRAM

Use the cursor [K] [J] buttons and [-] [+] buttons to edit the characters.

Recording (Pattern Sequencer)

The pattern sequencer lets you record keyboard performance and knob operations, and play them back repeatedly. When you record, the currently selected part is recorded.

Controller Explanation

[Scale] button

[Erase] button Erase a recorded pattern or a portion of a pattern.

[Step REC] button Lets you record your keyboard playing one step at a time.

[Pattern Length] button

[Play] button Play or stop the pattern.

[Real Time REC] button

Changes the length of one step. The indicators at the left of the button show the setting.

5The [01]–[12] buttons correspond to a recording input range of two beats,

allowing you to enter 16th note triplets.

5The [01]–[12] buttons correspond to a recording input range of one

measure, allowing you to enter 8th note triplets.

5The [01]–[16] buttons correspond to a recording input range of two beats,

allowing you to enter 32nd notes.

5The [01]–[16] buttons correspond to a recording input range of one

measure, allowing you to enter 16th notes.

Changes the number of measures in the pattern. You can create a pattern up to four measures long. Use the [01]–[04] buttons to specify the length. For some Scale settings, use the [01]–[08] buttons to specify the length.

Create a pattern by recording your performance of the keyboard and controllers in real time.

Realtime Recording (Real Time REC)

Here’s how to create a pattern by recording your performance of the keyboard and controllers in real time. Your performance is recorded by layering it onto the selected pattern.

Use the ANALOG PART or DIGITAL PART On [01]–[04] buttons to turn on the

part that you want to record.

Press the [Real Time REC] button (REC STANDBY).

Make settings for realtime recording.

Use the cursor [K] [J] buttons to select a parameter, and use the [-] [+] buttons to edit the setting.

Parameter

Cursor [K] [J]

Cnt In (Count In)

* This is shown

only during REC STANDBY.

Input Qtz (Input Quantize)

Reso (Resolution)

Strength

Rate

Loop Rec

Tempo Rec Species whether tempo changes are recorded (ON) or not recorded (OFF).

Click Switch Turns the click sound on/o.

For details on the parameters, refer to “Parameter Guide (English)” (PDF).

Press the [Play] button to start recording.

During playback, you can also press the [Real Time REC] button to start recording.

Play the keyboard.

Movements of the knobs and wheels are also recorded.

Press the [Real Time Rec] button to stop recording.

Click Settings

Press the [Menu] button.

Select “SYSTEM” and then press the [Enter] button.

Choose the CLICK parameter (p. 13), and use the [-] [+] buttons to change

the value.

Press the [Exit] button several times to return to the program select screen.

Save the system parameters if necessary.

“Saving the System Settings” (p. 14)

Explanation

Selects the way in which recording is started. OFF, 1 MEAS, 2 MEAS, WAIT NOTE

Quantize is a function that automatically corrects inaccuracies in the timing at which you play the keyboard, tightening-up the rhythmic accuracy. You can apply the quantize function during realtime recording. This setting species whether quantize will be applied during recording. OFF, GRID, SHFL (shue)

Species the note timing value at which quantization is applied.

GRID: 1/32 ( SHFL: 1/16 (

This setting is used with grid quantize. It species the degree to which your notes are moved to precise intervals of the note values specied by the Reso setting. If this is set to “100%,” the notes that you record are moved all the way to exact intervals of the specied Reso. With lower percentages, less correction is applied. If this is set to “0%,” the timing is not corrected at all. 0–100%

Use this setting when applying shue quantize. With a setting of “50%” the notes are spaced at equal intervals. As you increase this setting, you’ll get an increasingly “bouncy” feel as though the notes were dotted.

Specify whether Real Time REC turns o (OFF) or stays on (ON) when you move to the next loop after recording your performance.

)–1/4 ( ) )–1/8 ( )

Erasing Only a Portion of a Phrase

During playback or recording, press the [Erase] button (Erase Mode).

The button is lit, allowing you to erase notes. The Erase screen appears.

Use the [-] [+] buttons to choose what you want to erase, and then press the

[Enter] button.

The chosen data is erased while you hold down the button.

MEMO

In erase mode, notes of the key you hold down are erased while you continue holding down that key.

If you hold down two keys, all notes between those two keys are erased.

Press the [Erase] button once again.

The button goes dark and the JD-XA returns to its previous state.

Changing the Tempo

“TEMPO” (p. 2)

MEMO

The tempo is saved for each individual program.

“Saving a Program (Write)” (p. 7)

Step Recording (Step REC)

Here’s how to create a pattern by recording your keyboard performance one step at a time. Your new recording replaces the pattern that’s selected.

Controller Explanation

[01]–[16] buttons The button of the part being recorded is blinking.

Use the ANALOG PART or DIGITAL PART On [01]–[04] buttons to select the

part that you want to record.

Press the [Step REC] button.

The [01] button blinks. The following screen is shown until you stop recording.

STEP REC: 1 1:1 Type 1/16( )

You can use the Cursor [K] [J] buttons to select a parameter, and use the [-] [+] buttons to edit the value of that parameter.

Parameter

Cursor [K] [J]

Type (Note Type) Species the note value of the notes you’ll input.

Gate Time (duration of the note)

Velocity (keyboard dynamics)

Play one note on the keyboard.

Your performance is recorded in step 1; you automatically advance to the next step and the [02] button lights. You can record a chord by selecting multiple notes.

Repeat step 3 to record each step.

MEMO

5To erase the data at a step (or to enter a rest), press the [Erase] button. 5To enter a tie, press the [Enter] button. 5To change the step that you’re recording, press one of the [01]–[16] buttons. 5If you want to change the number of measures, press the [Pattern Length] button

and then use the [01]–[04] buttons to specify the length (for some scale settings, use [01]–[08] to specify the length).

Press the [Step Rec] button to stop recording.

Step Recording 2 (Step REC 2)

While playing or stopped, use the [01]–[16] buttons to record on the selected step (step recording 2).

Press the [Step REC] button twice to turn Step REC o.

Use the ANALOG PART or DIGITAL PART On [01]–[04] buttons to select the

part that you want to record.

On the keyboard, play the note that you want to record, and then use the

[01]–[16] buttons to turn the step on.

MEMO

5You can also record on a specied step by holding down a note and pressing a [01]–

[16] button to specify the step.

5By turning a knob while holding down one of the [01]–[16] buttons, you can record

the last state of that knob in the specied step.

5Operation of the knob is recorded on the part selected in the PART Select.

Value

[-] [+]

Species the duration of the notes relative to the note type. 5–200%

Real (the actually-played dynamics), 1–127 (xed dynamics)

Playing an Arpeggio

Playing Patterns

Press the [Play] button.

You can perform the following operations during playback.

Function Operation Explanation

Part Mute

Realtime Erase

To stop, press the [Play] button once again.

[Shift] + each part’s Select [01]–[04] buttons

1. Press the [Erase] button.

2. Turn on the part that you want to

erase.

3. Use [-] [+] to select what will be erased.

4. Data is erased while you hold down the [Enter] button.

Mutes the selected part during pattern playback (multiple parts can be selected).

To enter Erase Mode, press the [Erase] button during playback.

MEMO

If the pattern exceeds 16 steps, hold down the [Shift] button and press the [01]–[04] buttons to change the range of measures/beats (for some scale settings, use the [Shift] button + [01]–[08] buttons).

Erasing an Entire Pattern (Pattern Erase)

Here’s how to erase an entire pattern.

Hold down the [Shift] button and press the [Erase] button.

The Erase screen appears.

Use the [-] [+] buttons to select what you want to erase.

Value

[-] [+]

All Erase the entire contents of the pattern.

Track Erase only the data of the selected track.

SysEx Erase only the system exclusive data.

Tempo Erase only the tempo data.

Press the [Enter] button.

The data is erased.

Explanation

Pattern Utility

You can specify a pattern’s output destination settings, and import or export SMF data.

Press the [Menu] button.

Select “PATTERN UTIL” and then press the [Enter] button.

Use the cursor [K] [J] buttons to select the function that you want to

execute, and then press the [Enter] button.

Function

Cursor [K] [J]

Track Settings

SMF Import

Explanation

Species the output destination of each track. INT (JD-XA), EXT (external MIDI device), BOTH (both JD-XA and external MIDI device), OFF (no output)

* This setting is saved in the program together with the pattern.

Imports the specied SMF into the temporary area.

* When you import, the current state of the temporary area is discarded.

The SMF that you want to import must be saved in the IMPORT folder of the USB ash drive.

SMF data that can be imported:

5Only SMF format 0 is supported. 5Up to four measures of SMF data can be imported. Subsequent data is

not imported.

MEMO

In the SMF Import screen, you can press the [Play] button to audition the selected SMF.

SMF Export

For details, refer to

(p. 14).

Exports the pattern currently in the temporary area as an SMF with the name you specify.

“The folder structure of a USB ash drive”

Saving a Pattern (Write)

A pattern that you create will loose if you select a dierent program or if you powero the JD-XA. When you’ve created a pattern that you like, you should save it as a program. The pattern is saved as a program.

“Saving a Program (Write)” (p. 7)

Playing an Arpeggio

Press the [Arpeggio] button to make it light; the arpeggio function turns on. An “arpeggio” is a performance technique in which the notes of a chord are played at dierent times.

Selecting an Arpeggio Template

Press the [Arpeggio] button.

The arpeggio function turns on, and the ARPEGGIO screen appears. By holding down the [Shift] button and pressing the [Arpeggio] button, you can access the ARPEGGIO screen without turning the function on/o.

Use the Cursor [K] [J] buttons to select “Select Template,” and then press

the [Enter] button.

Use the [-] [+] buttons to select an arpeggio template, and press the [Enter]

button.

Press the [Exit] button to return to the program select screen.

Editing an Arpeggio Pattern

Hold down the [Shift] button and press the [Arpeggio] button.

The ARPEGGIO screen appears without changing the arpeggio on/o state.

ARPEGGIO: Arp Hold OFF

Select the note number that you want to enter.

You can also use the keyboard to specify the note number and velocity at the same time.

Specify the velocity that you want to enter.

You can also use the keyboard to specify the note number and velocity at the same time.

Use the [01]–[16] buttons to turn on the button for the step that you want

to enter.

Steps beyond the number of steps you’ve specied will not turn on.

MEMO

You can press the [Step REC] button to step-record an arpeggio style (use the keyboard to enter the data one note at a time).

Press the [Exit] button several times to return to the program select screen.

There are also parameters such as Arp Hold and Motif.

For details on the parameters, refer to “Parameter Guide (English)” (PDF).

Saving an Arpeggio (Write)

An arpeggio that you create will loose if you select a dierent program or if you power-o the JD-XA. When you’ve created an arpeggio that you like, you should save it as a program. The arpeggio is saved as a program.

“Saving a Program (Write)” (p. 7)

Use the Cursor [K] [J] buttons to select “Pattern Edit,” and then press the

[Enter] button.

Use the cursor [K] [J] buttons to select “End Step,” and specify the number

of steps.

Using the Microphone

* Acoustic feedback could be produced depending on the location of microphones relative to

speakers. This can be remedied by:

5Changing the orientation of the microphone(s). 5Relocating microphone(s) at a greater distance from speakers. 5Lowering volume levels.

When using a microphone that uses phantom power

The JD-XA’s MIC INPUT jack can supply phantom power. You must turn phantom power o unless you have connected a condenser microphone that requires phantom power. Supplying phantom power to a dynamic microphone or an audio playback device can cause malfunctions. For details on the specications of your microphone, refer to its owner’s manual. (The JD-XA’s phantom power: DC 48 V, 10 mA max.)

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “MIC EDIT,” and then press the [Enter]

button.

The MIC screen appears.

Use the cursor [K] [J] buttons to select “Phantom Sw,” and use the [-] [+]

buttons to select “ON.”

MEMO

The JD-XA does not remember the phantom power setting. The setting reverts to “OFF” when you power-o the JD-XA.

Adjusting the Input Level

Here’s how to adjust the input level of a microphone that’s connected to the rear panel MIC INPUT jack.

Adjust the rear panel MIC INPUT [Level] knob.

If the signal level from the mic input is excessive, the top panel MIC [Level] knob indicator blinks.

MEMO

Once you have adjusted the mic input level, you should generally leave it unchanged. If you want to raise or lower the volume, adjust the top panel MIC [Level] knob.

Using the Vocoder

A “vocoder” is an eect that is typically applied to a human voice. By sending a human voice through a vocoder, you can give it an unexpressive robotlike character. The pitch is controlled by playing the keyboard.

Press the [Vocoder] button.

Edit the MIC VOCODER parameters.

For details on the parameters, refer to “Parameter Guide (English)” (PDF).

While playing the keyboard, vocalize into the microphone.

Using a Microphone to Apply Modulation

Modulation is a function that lets you use your voice to modify the sound that you’re playing. Changes in the loudness of your voice can vary a synthesizer parameter of an analog part. You can choose the parameter that apply modulation.

Press the [Mod] button.

Edit the MIC MOD parameters.

For details on the parameters, refer to “Parameter Guide (English)” (PDF).

ANALOG PART Select [01]–[04] buttons to select the part that you want to

apply modulation.

While playing the keyboard, vocalize into the microphone.

Outputting the Mic’s Vocal Input

You can output the vocal that is being input to the microphone.

Press the [Bypass] button.

Edit the MIC REVERB parameters.

For details on the parameters, refer to “MIC REVERB” (p. 14).

Vocalize into the microphone.

MEMO

MIC REVERB is available only when the [Bypass] button is on.

Controlling Your Performance

Changing the Pitch/Applying Vibrato (Pitch Bend/Modulation Lever)

Function Explanation

Pitch bend

Modulation

Using an Assigned Function to Modify the Sound (WHEEL 1/2)

Controller Explanation

WHEEL 1

WHEEL 2

While playing the keyboard, move the lever to the left to lower the pitch, or toward the right to raise the pitch.

Move the lever away from yourself to apply vibrato. Each tone has two LFOs: an LFO that is always applied to the tone, and a MODULATION LFO that is applied when you move the pitch bend / modulation lever away from yourself. The state specied by the MODULATION LFO setting is applied when you hold down the [Shift] button and move the pitch bend / modulation lever away from yourself.

For details on the parameters, refer to “Parameter Guide (English)”

(PDF).

Controls the parameter assigned by the WHEEL 1/2 Assign setting. If you hold down the [Shift] button and move the wheel, the WHEEL 1/2 setting screen appears.

For details on the parameters, refer to “Parameter Guide (English)”

(PDF).

Using External Pedals (HOLD/CTRL 1/CTRL 2)

Pedal switch (DP series; sold separately)

Jack Explanation

HOLD

CTRL 1

CTRL 2

You can connect a pedal switch (DP series; sold separately) and use it as a hold pedal.

You can connect an expression pedal (EV-5; sold separately) or pedal switch (DP series; sold separately) here and use them to control various parameters or functions.

Expression pedal (EV-5; sold separately)

Connecting External Devices

Using the JD-XA as a MIDI Controller

The JD-XA’s panel operations can be transmitted as MIDI messages from its MIDI OUT connector or from USB MIDI OUT.

Press the [MIDI CTRL] button.

Keyboard performance and panel operations transmit MIDI messages on eight channels (channels 9–16 by default) that are separate from those used by the analog parts and digital parts.

When MIDI CTRL is o, the messages are transmitted on the channel settings for the analog parts and digital parts. When you press the [MIDI CTRL] button, panel operations will be transmitted using the channel settings of MIDI CONTROL PART 01–08 (pattern sequencer messages are always transmitted on channels 1–16). You can specify the messages transmitted by each knob and slider, and the channel settings for the MIDI control parts.

For details of the overall structure, refer to the “JD-XA Structure Diagram”

inside the front cover.

Transmitting MIDI Messages Assigned to Buttons (Trigger Mode)

You can assign MIDI messages to the [01]–[16] buttons so that the assigned MIDI message is transmitted from the MIDI OUT connector or USB MIDI OUT when you press the corresponding button. These messages are not transmitted to the internal sound engine or to the sequencer.

Hold down the [Shift] button and press the [MIDI CTRL] button.

The Program No. display changes to “ mode parameters appear.

When you press the [01]–[16] buttons, the assigned MIDI messages are

transmitted.

,” trigger mode turns on, and the trigger

TrG

They are transmitted on the channel of the currently selected part.

* To turn trigger mode o, hold down the [Shift] button and press the [MIDI CTRL] button once

again.

Changing the trigger mode settings

When trigger mode is on, hold down the [Exit] button and press one of the

[01]–[16] buttons.

The parameters transmitted in trigger mode are shown.

Use the cursor [K] [J] buttons to select the parameter and use the [-] [+]

buttons to change the setting.

Button

[01]–[16]

* Available if Assign is NOTE, CC, BEND-DOWN,BEND-UP, or AFT.

Press the [Exit] button several times to return to the program select screen.

The trigger mode setting is saved in the program.

Parameter

Cursor [K] [J]

Assign

Type (*)

Value

[-] [+]

When you change the value, you’ll be able to edit any related values.

NOTE

BEND-DOWN

BEND-UP

AFT

PC+BS

LATCH

MOMENTARY

“Saving a Program (Write)” (p. 7)

Explanation

Number: Note number

Velocity: Velocity

Number: Controller number

On Value: Value when button is turned on

O Value: Value when button is turned o

Outputs a pitch bend message.

Outputs a channel pressure

MSB: Bank select MSB

LSB: Bank select LSB

PC: Program change

Alternates on/o each time you press the button.

Remains on while you hold down the button. Turns o when you release the button.

message.

Connecting an Analog Synthesizer via the CV/GATE Output

You can connect an analog synthesizer equipped with CV/GATE input jacks, and control its note on/o or pitch.

Jack Explanation

GATE OUT 1 jack GATE OUT 2 jack

CV OUT 1 jack CV OUT 2 jack

For details on these settings, refer to “CV/GATE1/2 OUT” (p. 13).

These jacks output note on/o. Outputs +5 V.

These jacks output pitch. If you’ve made transpose or octave shift settings, this voltage changes accordingly. These jacks support OCT/V (it does not support Hz/V ).

Connecting a Computer via USB

Here’s how to specify the USB driver that will be used when the JD-XA is connected to your computer via the USB COMPUTER port.

Download the Driver

In order to use the JD-XA with the “VENDOR” setting, you must download the driver from the following URL and install it on your computer. For details on installation, refer to the following URL.

http://www.roland.com/downloads/

NOTE

Do not connect the JD-XA to your computer until you have nished installing the driver.

If you have already connected the JD-XA, disconnect it, and then reconnect it after driver installation is completed.

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “SYSTEM,” and then press the [Enter]

button.

The setting screen appears.

Use the Cursor [K] [J] buttons to select “USB Drv” and use the [-] [+] buttons

to change the setting.

Normally you should use the VENDOR setting (MIDI and audio). If you use the GENERIC setting, only MIDI is available.

[Shift]+ Cursor [K] [J]

GENERAL USB Dr v

This system takes eect when the JD-XA is powered-on following System Write.

Press the [Exit] button several times to return to the program select screen.

Save the system settings.

“Saving the System Settings” (p. 14)

Turn the power of the JD-XA o, then on again.

After changing the “USB Drv” setting and saving it, you must turn the power o, then on again in order to get the system to operate correctly.

Parameter

Cursor [K] [J]

Value

[-] [+]

VENDOR:

GENERIC:

Choose this if you want to use a USB driver downloaded from the Roland website.

Choose this if you want to use the generic USB driver provided by your computer’s operating system.

Overall Settings for the JD-XA

Accessing the Menu Screens

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select the item that you want to edit, and

press the [Enter] button.

The corresponding edit screen appears.

Use the Cursor [K] [J] buttons to select the parameter that you want to edit,

and then use the [-] [+] buttons to edit the setting of that parameter.

Press the [Exit] button several times to return to the program select screen.

Editable items

Cursor [K] [J]

SYSTEM Make settings of the entire JD-XA.

PROGRAM EDIT Access the program parameter screen.

PART EDIT Access the part parameter screen.

TONE EDIT Access the TONE EDIT screen of the currently selected part.

EFFECTS EDIT Access the eect edit screen.

MIC EDIT Access the mic edit screen.

LED CUSTOMIZE

PATTERN UTIL Access the pattern utility and settings screen.

FAVORITE UTIL Access a screen where you can view or delete favorite registrations.

UTILITY Access the utility menu.

VERSION INFO View the software version.

For details on the parameters, refer to “Parameter Guide (English)” (PDF).

Explanation

Access a screen where you can specify how the top panel LEDs are illuminated.

Making System Settings (SYSTEM)

Here’s how to make overall settings for the JD-XA itself.

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “SYSTEM,” and then press the [Enter]

button.

GENERAL: LCD Contrast 10

Hold down the [Shift] button and use the Cursor [K] [J] buttons to select

the menu item that you want to edit.

Use the Cursor [K] [J] buttons to select the parameter that you want to edit,

and then use the [-] [+] buttons to edit the setting of that parameter.

Press the [Exit] button several times to return to the program select screen.

[Shift]+ Cursor [K] [J]

GENERAL

Parameter

Cursor [K] [J]

LCD Contrast 1–10 Adjusts the contrast of the display.

Auto O

StartPrg

Knob Mode DIRECT, CATCH

LED Demo

USB Drv

Value

[-] [+]

OFF, 30 min, 240 min

INT:A01– USB:P16

OFF, 1 min–60 min

VENDOR, GENERIC

Explanation

Species whether the unit will turn o automatically after a certain time has elapsed. If you don’t want the unit to turn o automatically, choose “OFF” setting.

Species the program number that is selected at startup.

When you operate a knob, this setting species whether control data corresponding to the knob’s position is always transmitted (DIRECT) or whether control data is transmitted only after the knob passes through the current value of the parameter (CATCH).

Species the time (minutes) until the LED demo is shown.

Use the dedicated driver provided by Roland. MIDI and audio are available (VENDOR). Use the default driver provided by the operating system. Only MIDI is available (GENERIC).

[Shift]+ Cursor [K] [J]

KEY TOUCH

PEDAL1 PEDAL2

HOLD PEDAL

WHEEL1 WHEEL2

Parameter

Cursor [K] [J]

Velocity

Velo Crv

Velo Oset -10–+9

After Sens 0–100

Asgn Src

Asgn

Dest

Polarity STD, RVS

Cont Hold OFF, ON

Asgn Src

Asgn

Dest

Value

[-] [+]

REAL

1–127

LIGHT

MEDIUM This is the standard keyboard touch setting.

HEAVY

SYSTEM, PROGRAM

OFF No function is assigned.

CC01–31, 33–95 Controller number 1–31, 33–95

BEND-DOWN

BEND-UP

AFT After touch

START/STOP

TAP-TEMPO

PROG-DOWN Switch the program to the previous number.

PROG-UP Switch the program to the next number.

FAV-DOWN Switch the favorite to the previous number.

FAV-UP Switch the favorite to the next number.

PANEL-DEC

PANEL-INC

PART-Select, PART-On

SYSTEM, PROGRAM

OFF No function is assigned.

CC Controller number 1–31, 33–95

BEND

BEND-DOWN

BEND-UP

AFT After touch

PART-Select, PART-On

Explanation

The transmitted velocity value will correspond to the force with which you strike the key.

The transmitted velocity value will be xed, regardless of the force with which you strike the key.

The keyboard will have a lighter-feeling touch. Since you’ll be able to reach fortissimo ( ) without having to play as strongly as with the “MEDIUM” setting, the keyboard will feel lighter. This setting makes it easier for people with reduced nger strength to play the keyboard.

The key will have a heavier-feeling touch. Since you’ll need to play more strongly than with the “MEDIUM” setting in order to reach fortissimo ( ), the keyboard will feel heavier. This setting allows you to use your playing dynamics to add more expression to your performances.

Adjusts the keyboard velocity curve. Lower values make the keyboard feel lighter. Higher values make the keyboard feel heavier.

Species the aftertouch sensitivity. Increasing this value makes it easier to apply aftertouch. Normally you should leave this set at “100.”

Species whether the function controlled by the pedal is determined by the system setting (SYSTEM) or the settings of the program (PROGRAM).

The same eect as moving the pitch bend lever to the left.

The same eect as moving the pitch bend lever to the right.

Start/stop the pattern.

The same eect as pressing the panel [Tap] button.

The same eect as pressing the panel [-] button.

The same eect as pressing the panel [+] button.

Species whether the part to which the eect applies is determined by the PART Select setting or by the PART On setting (when CC, BEND, or AFT is selected).

Selects the polarity of the pedals. Depending on the model of pedal, the result of depressing or releasing the pedal might be the opposite of what you expect. If so, choose the “RVS” setting. If you’re using a Roland pedal (that has no polarity switch), choose the “STD” setting.

Selects the polarity of the pedal. Depending on the model of pedal, the result of depressing or releasing the pedal might be the opposite of what you expect. If so, choose the “RVS” setting. If you’re using a Roland pedal (that has no polarity switch), choose the “STD” setting.

If this is ON, the HOLD jack will support halfpedaling.

Species whether the function controlled by the wheel is determined by the system setting (SYSTEM) or by the settings of the program (PROGRAM).

Moving the wheel upward raises the pitch, and moving it downward lowers the pitch. When the wheel is in the center, there is no pitch change.

The same eect as moving the pitch bend lever to the left.

The same eect as moving the pitch bend lever to the right.

Species whether the part to which the eect applies is determined by the PART Select setting or by the PART On setting.

Overall Settings for the JD-XA

[Shift]+ Cursor [K] [J]

SOUND

SYNC/TEMPO

CLICK

CLICK OUT

MIDI

Parameter

Cursor [K] [J]

Local Switch OFF, ON

MasterTune 415.3–466.2

MasterKeySft -24–+24

Value

[-] [+]

Explanation

Enables/disables the connection between the controller section (keyboard, pitch bend/modulation lever, wheels, panel knobs and buttons, pedals, etc.) and the internal sound engine. Normally you should leave this “ON.” Choose the “OFF” setting if you want operations on the JD-XA to control only an external sound module.

Sets the JD-XA’s overall tuning (the frequency of the A4 key).

Shifts the JD-XA’s overall pitch range in semitone steps.

Master Level 0–127 Sets the JD-XA’s overall volume.

Output Gain -12 dB–+12 dB Adjusts the JD-XA’s overall output gain.

The JD-XA will be the synchronization master. Choose this setting if you’re using

MASTER

Sync Mode

REMOTE

SLAVE

Sync Output OFF, ON

Clock Src MIDI, USB

TempoSrc

SYSTEM, PROGRAM

the JD-XA on its own without synchronizing it to another device, or if you want the tempo of an external MIDI device to synchronize with the JD-XA.

The JD-XA will obey start, and stop messages from another device, but the JD-XA’s own tempo setting is used as the playback tempo.

The JD-XA will be the synchronization slave. Choose this setting if you want the JD-XA to synchronize to MIDI clock messages received from an external device.

Species whether clock, start, and stop messages are transmitted to another device (ON) or are not transmitted (OFF).

When the Sync Mode is “SLAVE,” this setting species whether the JD-XA will synchronize to synchronization messages from the MIDI IN connector or from the USB port.

Species whether the tempo will use the system tempo setting (SYSTEM) or the tempo setting of the program (PROGRAM).

Sys Tempo 5.00–300.00 Species the JD-XA’s system tempo.

OFF No click is sounded.

PLAY-ONLY The click sounds when a pattern is playing.

The click sounds when a pattern is being recorded.

The click sounds when a pattern is playing or being recorded.

Mode

REC-ONLY

PLAY&REC

ALW AYS The click sounds at all times.

* Regardless of the Mode setting, the click always sounds

from the CLICK jack.

Level 0–10 Adjusts the click volume.

Accent Sw OFF, ON Adds an accent to the click sound.

Level 0–127

Stereo Sw MONO, STEREO

Device ID 17–32

Remote Kbd OFF, ON

Prog Ctrl Ch 1–16

Adjusts the output volume from the CLICK jack.

Switches the CLICK jack between stereo and mono. Specify “MONO” if you’re using a monaural cable, or “STEREO” if you’re using a stereo cable.

When transmitting and receiving system exclusive messages, the device ID numbers of both devices must match.

Turn this “ON” if you’re using an external MIDI keyboard instead of the JD-XA’s keyboard. In this case, the MIDI transmit channel of your external MIDI keyboard does not matter. Normally, this can be left at “OFF.”

* If you want to control the arpeggiator

from an external MIDI device, turn this “ON.”

Species the MIDI receive channel on which program change messages to switch programs or control change messages that control parameters of the entire program are received from an external MIDI device.

[Shift]+ Cursor [K] [J]

MIDI

MIDI TX

MIDI RX

CV/GATE1/2 OUT

INDICATORS

CONTROL

MIC

Parameter

Cursor [K] [J]

Value

[-] [+]

Explanation

Species whether MIDI messages received via the USB COMPUTER port/MIDI IN connector will be re-transmitted from the MIDI OUT connector/USB COMPUTER port (ON) or not be re-transmitted (OFF).

USBMIDI Thru=OFF

MIDI OUT

MIDI INUSB

USBMIDI Thru OFF, ON

Soft Thru OFF, ON

Tx Prog Chg OFF, ON

Tx Bank Sel OFF, ON

Tx Actv Sens OFF, ON

Tx Edit Data OFF, ON

Rx Prog Chg OFF, ON

Rx Bank Sel OFF, ON

Rx Exclusive OFF, ON

Ch Src

SYSTEM, PROGRAM

Ctrl Ch 1–16, OFF

Ref Note C0–C4

USBMIDI Thru=ON

MIDI OUT

If this is ON, MIDI messages that are input from the MIDI IN connector are retransmitted without change from the MIDI OUT connector.

Species whether program change messages will be transmitted (ON) or not be transmitted (OFF).

Species whether bank select messages will be transmitted (ON) or not be transmitted (OFF).

Species whether active sensing messages will be transmitted (ON) or not be transmitted (OFF).

Specify whether changes you make in the settings of a program will be transmitted as system exclusive messages (ON), or will not be transmitted (OFF).

Species whether program change messages will be received (ON) or not be received (OFF).

Species whether bank select messages will be received (ON) or not be received (OFF).

Species whether system exclusive messages will be received (ON) or not be received (OFF).

Species whether the CV/GATE channel setting will use the system setting (SYSTEM) or the setting of the program (PROGRAM).

Species the channel whose notes are output from the CV OUT 1/2 and GATE OUT 1/2 jacks.

Species the note number at which the CV OUT is 0 V, in units of octaves.

MIDI INUSB

Scale -63–+63 Adjusts the scale of the CV.

Fine Tune -50–+50

Part OFF, ON

Beat OFF, ON

Src Sel

SYSTEM Sys Ctrl Src1–4 will be used for tone control.

PROGRAM

Sys Ctrl1–4

OFF, CC, BEND, AFT

NS Switch OFF, ON

NS Threshold 0–127

NS Release 0–127

Adjusts the 0 V of the CV OUT.

* This value will uctuate slightly if the

Scale value is changed.

Turns on/o the indicator showing that a part is producing sound.

Turns on/o the tempo-synchronized beat indicator.

Tone Control Src 1–4 of the program will be used for tone control.

Specify the MIDI messages that will be used as system controls. System Control settings allow you to specify MIDI messages that will apply in common to the entire JD-XA, and can be used for controlling volume, tone, etc. You can assign up to four MIDI messages for this type of control. If you want to make assignments for realtime control of the sound and eects for each tone independently, use “matrix control” or “multi-eect control.”

For details, refer to “Parameter Guide

(English)” (PDF).

Switches the noise suppressor on/o. The noise suppressor is a function that suppresses noise during periods of silence.

Adjusts the volume at which noise suppression starts to be applied.

Adjusts the time from when noise suppression starts until the volume reaches

OUT

Sound

Generator

Section

JD-XA

Sound

Generator

Section

JD-XA

USB IN

Overall Settings for the JD-XA

[Shift]+ Cursor [K] [J]

MIC REVERB

MASTER EQ

Parameter

Cursor [K] [J]

Switch OFF, ON Switches the reverb on/o.

Type

Time 0–127 Time length of reverberation

Level 0–127 Volume of the reverb sound

Switch OFF, ON Switches the master EQ on/o.

Input Gain -15 dB–+15 dB Adjusts the input gain of the master EQ.

Low Freq 16 Hz–800 Hz Frequency of the low range.

Low Gain -15 dB–+15 dB Gain of the low frequency range.

Mid1 Freq

Mid1 Gain -15 dB–+15 dB Gain of the middle frequency range 1.

Mid1 Q 0.5–8.0

Mid2 Freq

Mid2 Gain -15 dB–+15 dB Gain of the middle frequency range 2.

Mid2 Q 0.5–8.0

Mid3 Freq

Mid3 Gain -15 dB–+15 dB Gain of the middle frequency range 3.

Mid3 Q 0.5–8.0

HighFreq

High Gain -15 dB–+15 dB Gain of the high frequenc y range.

Value

[-] [+]

ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DLY

16 Hz–16000 Hz

630 Hz–16000 Hz

Explanation

Type of reverb

Frequency of the middle range 1.

Width of the middle frequency range 1. Set a higher value for Q to narrow the range to be aected.

Frequency of the middle range 2.

Width of the middle frequency range 2. Set a higher value for Q to narrow the range to be aected.

Frequency of the middle range 3.

Width of the middle frequency range 3. Set a higher value for Q to narrow the range to be aected.

Frequency of the high range.

Formatting a USB Flash Drive (USB MEM FORMAT)

* Never turn o the power or remove the USB ash drives while the screen indicates “Executing.” * Carefully insert the USB ash drives all the way in—until it is rmly in place.

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “UTILITY,” and then press the [Enter]

button.

Use the Cursor [K] [J] buttons to select “USB MEM FORMAT,” and then press

the [Enter] button.

A conrmation message appears.

Format USB Mem? [Exit]:N [Ent]:Y

If you decide to cancel, press the [Exit] button.

Press the [Enter] button to execute.

When formatting is complete, the following screen appears.

Completed!

The folder structure of a USB ash drive

Saving the System Settings

System settings revert to their previous state when you turn o the power. If you want to keep these settings even after the power is turned o, you must save the system settings.

Press the [Write] button.

Use the Cursor [K] [J] buttons to select “SYSTEM,” and then press the [Enter]

button.

A conrmation message appears. If you decide to cancel, press the [Exit] button.

Press the [Enter] button.

A screen indicating “Completed!” appears, and the data is saved.

* NEVER turn the power o while you are saving settings.

MEMO

You can also save the system settings by pressing the [Write] button in the system setting screen.

Convenient Functions (UTILITY)

These functions let you back up the JD-XA’s internal data to a USB ash drive, or to restore data from a USB ash drive into the JD-XA. Other utility functions let you return the JD-XA to its factory-set state, or initialize a USB ash drive.

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “UTILITY,” and then press the [Enter]

button.

The UTILITY screen appears.

Menu items

Cursor [K] [J]

BACKUP

RESTORE

FACTORY RESET

USB MEM FORMAT

Use the Cursor [K] [J] buttons to select the item that you want to edit, and

press the [Enter] button.

Explanation

Backs up data to a le with the name you specify. System and user setting (. SVD) and pattern (. BIN) les are created.

“Backing Up Data (BACKUP)” (p. 15)

Restores data from the le you specify. Data is restored from the system and user setting (. SVD) and pattern (. BIN) les.

“Restoring Data (RESTORE)” (p. 15)

“Returning to the Factory Settings (FACTORY RESET)”

(p. 15)

“Formatting a USB Flash Drive (USB MEM FORMAT)”

(p. 14)

EXPORT SMF folder

Exported SMF les are saved here.

IMPORT folder

Files that you want to import to the JD-XA should be copied here.

(File name) . SVD : Tone import (File name) . MID : SMF import

ROLAND folder

JD-XA programs and backup data are saved here.

BACKUP folder

Backup data is saved here.

JD-XA folder

PROGRAM folder

Programs in the USB ash drive are saved here.

A folder

Bank A program data

B folder

Bank B program data

P folder

Bank P program data

Overall Settings for the JD-XA

Restoring Backup Data from a USB Flash Drive

Use a USB ash drive sold by Roland. We cannot guarantee operation if any other product is used.

Backing Up Data (BACKUP)

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “UTILITY,” and then press the [Enter]

button.

UTILITY [Ent]

BACKUP

Use the Cursor [K] [J] buttons to select “BACKUP,” and then press the [Enter]

button.

The name input screen appears.

BACKUP NAME[Ent] JDXA_BKUP .SVD

Use the cursor [K] [J] buttons to move the cursor, and use the [-] [+] buttons

to select characters.

When you’ve specied the name, press the [Enter] button.

A conrmation message appears.

Backup? [Exit]:N [Ent]:Y

If you decide to cancel, press the [Exit] button.

Press the [Enter] button.

Restoring Data (RESTORE)

NOTE

When you execute the restore operation, all user data is rewritten. If the JD-XA contains important data, back it up on a USB ash drive using a

dierent name before you execute the restore operation.

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “UTILITY,” and then press the [Enter]

button.

Use the Cursor [K] [J] buttons to select “RESTORE,” and then press the [Enter]

button.

Use the [-] [+] buttons to select the le that you want to restore, and then

press the [Enter] button.

A conrmation message appears.

Items initialized by Factory Reset

5All user programs (including arpeggios, patterns, and eects) 5System settings 5LED CUSTOMIZE settings

Making the Power Automatically Turn O After a Time (Auto O)

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “SYSTEM,” and then press the [Enter]

button.

GENERAL: Auto Off 30min

Hold down the [Shift] button and use the cursor [K] [J] buttons to select

“GENERAL.”

Use the Cursor [K] [J] buttons to select “Auto O” and use the [-] [+] buttons

to change the setting.

If you don’t want the unit to turn o automatically, choose “OFF” setting.

Press the [Exit] button several times to return to the program select screen.

Customizing the Knob and Slider Illumination (LED CUSTOMIZE)

By using the LED Customize settings you can control the way in which the LEDs illuminate regardless of the Part Select status.

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “LED CUSTOMIZE,” and then press

the [Enter] button.

Use the [-] [+] buttons to specify the LED Customize parameter.

Move the knobs and sliders to specify how you want the LEDs to illuminate.

Press the [Write] button to save the settings.

MEMO

The LED illumination status changes (all lit , all unlit) each time you hold down the [Shift] button and press the [Program Select] (Init) button in the LED CUSTOMIZE screen.

Restore? [Exit]:N [Ent]:Y

If you decide to cancel, press the [Exit] button.

Press the [Enter] button.

When restoring is complete, the following screen appears.

Completed. Turn off power.

Turn the power of the JD-XA o, then on again.

Returning to the Factory Settings (FACTORY RESET)

Press the [Menu] button.

Use the Cursor [K] [J] buttons to select “UTILITY,” and then press the [Enter]

button.

Use the Cursor [K] [J] buttons to select “FACTORY RESET,” and then press

the [Enter] button.

A conrmation message appears.

Factory Reset? [Exit]:N [Ent]:Y

If you decide to cancel, press the [Exit] button.

Press the [Enter] button to execute.

Turn the power of the JD-XA o, then on again.

List of Shortcut Keys

* “[A]+[B]” indicates the operation of “holding down the [A] button and pressing the [B] button.”

Shortcut Explanation

Part

[Shift]+ Part On [01]–[04] Turns part mute on/o (p. 4).

[Arpeggio]+ Part On [01]–[04] Turns each part’s Arpeggio Sw on/o (p. 9).

[Vocoder]+ Part On [01]–[04] Turns each part’s Vocoder Send Sw on/o.

Press Part On [01]–[04] + keyboard twice (to specify the lower and upper limit)

Controllers

[Shift]+[Modulation] lever

[Shift] + operate Wheel 1 Displays the Wheel 1 assignment (p. 12).

[Shift] + operate Wheel 2 Displays the Wheel 2 assignment (p. 12).

[Shift]+ operate Pedal 1 Displays the Pedal 1 assignment (p. 12).

[Shift]+ operate Pedal 2 Displays the Pedal 2 assignment (p. 12).

Common section

[Exit] + controller Displays the parameter (the value does not change).

[-], [+]

[Shift]+[-] [+] Makes the value change more greatly.

[Shift]+[K] [J] Moves to the previous/next parameter section.

[Shift]+[MIDI CTRL] Turns trigger mode on/o (p. 11).

[Shift]+[Menu]

[Shift]+[Write] Displays the LED Customize screen (p. 15).

[Shift]+[Enter] Executes the Manual function (p. 2).

[Shift]+[Program Select]

[Shift]+[Bank] Displays the Copy screen (p. 7).

[Shift]+[Favorite] Displays the Favorite Util screen (p. 7).

[Program Select]+[01]–[16] Selects a program

[Bank]+[01]–[16]

[Favorite]+[01]–[16]

LFO

[Shift]+ [Tempo Sync]

[Shift]+ [AMP Depth]

OSC1

[Shift]+[Pitch]

Part Select [01]–[04]+[Pitch] Adjust the pan of each part.

[Shift]+[PW]

PITCH ENV

[Shift]+[Depth]

FILTER

[Shift]+[Cuto]

[Shift]+[Key Follow]

[Shift]+[Env Depth]

AMP

[Shift]+[Level]

Part Sel [01]–[04]+[AMP Level] Adjust the volume of each part.

EFFECTS

[Shift]+[TFX 1 On]

[Shift]+[TFX 2 On]

[Shift]+[Part MFX On]

Species the key range of each part.

Enters the Modulation LFO setting state. To exit this state, use [Shift] + [Modulation] lever once again.

Hold down one button while pressing the other button to make the value change rapidly.

Display Lock on/o. If this is on, the corresponding parameter is not displayed when you move a controller (the value is changed).

Displays the Init screen (p. 7). (In the Arpeggio Edit screen, initializes the arpeggio pattern.)

Normally: Switches the program bank (p. 4). Favorites: Switches the favorite bank (p. 7).

Registers the current program number as a favorite (p. 7).

Analog part: Turns LFO Key Trigger on/o. Digital part: Turns LFO Key Trigger on/o.

Analog part: No function. Digital part: Adjusts LFO Pan Depth.

Analog part: No function. Digital part: Adjusts AMP Pan.

Analog part: No function. Digital part: Adjusts OSC PW Shift (Pulse Width Shift).

Analog part: Adjusts Pitch Env Velo Sens (Velocity Sens). Digital part: No function.

Analog part: Adjusts FILTER Cuto Fine. Digital part: No function.

Analog part: Adjusts FILTER KF Fine (Key Follow Fine). Digital part: No function.

Analog part: Adjusts FILTER Velo Sens (Velocity Sens). Digital part: Adjusts FILTER Velo Sens (Velocity Sens).

Analog part: Adjusts AMP Velo Sens ( Velocity Sens). Digital part: Adjusts AMP Velo Sens (Velocity Sens).

Displays the TFX 1 screen (TFX1 Sw setting does not change).

Displays the TFX 2 screen (TFX2 Sw setting does not change).

Displays the Part MFX screen (Part MFX Sw setting does not change).

Shortcut Explanation

PATTERN SEQ

[Shift]+[01]–[16] [Pattern Length]+[01]–[16]

[01]–[16] + knob (during Step REC2)

Keyboard + [01]–[16] (during Step REC2)

[Shift]+[Erase] Displays the Pattern Erase menu (p. 9).

[Erase]+Part On [01]–[04]

[Erase]+[01]–[16]

[Erase] + knob

[Shift]+[Step REC]

[Shift]+[Realtime REC]

[Shift]+[Tap] Displays the tempo parameter.

At the left side of the keyboard

[Shift]+OCTAVE [Up] [Down] Sets Tone Common Oct Shift (Octave Shift).

[Shift]+[Key Hold]

[Shift]+[Arpeggio]

For details on the parameters, refer to “Parameter Guide (English)” (PDF).

Use the [01]–[16] buttons to move the region (measures) of performance data that is displayed (p. 8).

Records the knob operation at the specied step (position) (p. 8).

Records the keyboard note at the specied step (position).

Displays the Pattern Erase menu and assigns the specied part as the target for erasure (p. 9).

Erases the all recorded data included in the specied step of the applicable Step REC part (p. 8).

During Realtime Erase: Assigns the knob data as the target for erasure (p. 8).

Displays the Step REC setting screen (p. 8). (The Step REC status does not change)

Displays the Realtime REC setting screen (p. 8). (The Realtime REC status does not change)

Switches the Kbd Velocity setting (Real , xed value (default:127)) (p. 12).

Displays the arpeggio screen (p. 9). (The arpeggio switch does not change)

Error Messages

If an incorrect operation is performed, or if processing could not be performed as you specied, an error message appears. Refer to the explanation for the error message that appears, and take the appropriate action.

Message Meaning Action

Incorrect File!

USBMem NotReady!

Read Error!

Write Error!

USB Memory Full!

INT Memory Full!

Sys Mem Damaged!

MIDI Bu Full!

MIDI Oine! The MIDI IN connection was broken.

Not Registered! No favorites have been registered.

No More Regist!

Program Error!

Now Playing!

The SMF being imported cannot be loaded into the JD-XA.

The USB ash drive is not inserted, or is inserted incompletely.

The USB ash drive was removed after you selected data that was on the USB ash drive.

The format of the USB ash drive is invalid.

Data could not be read from the USB ash drive.

The le is damaged. Do not use this le.

Data could not be written to the USB ash drive.

The format of the USB ash drive is invalid.

There is insucient space on the USB ash drive.

There is insucient space on the internal memory.

The contents of the JD-XA’s save area may be damaged.

An unusually large amount of MIDI data was received, and could not be processed.

No more favorites have been registered.

The JD-XA was unable to start up. The program could not be read correctly. Alternatively, the system update program may be invalid.

Since the JD-XA is playing, this operation cannot be executed.

SMF data containing time signature data other than 4/4 cannot be loaded into the JD-XA. Correct the time signature data of the SMF.

Set the SMF being imported to Format 0.

Turn o the unit, rmly insert the USB ash drive, and then turn on the unit once again (p. 4).

Use the JD-XA to format the USB ash drive (p. 14).

Make sure that the USB ash drive is correctly connected. Also make sure that you’re using a USB ash drive sold by Roland.

Use the JD-XA to format the USB ash drive (p. 14).

Delete unneeded data.

Either initialize a pattern of an unneeded program and resave it, or save it to a USB ash drive.

Execute the factory reset operation (p. 15). If this does not solve the problem, contact your dealer or customer support.

Reduce the amount of MIDI messages that are being transmitted.

Check that there is no problem with the MIDI cable connected to the JD-XA’s MIDI IN, and that the MIDI cable was not disconnected.

Check whether any favorites are registered (p. 7).

Check the currently selected favorite number and the direction (“FAV-UP” or “FAV-DOWN”) that’s assigned to the pedal (p. 12).

Use the correct program to perform the update once again. If this does not solve the problem, contact your dealer or customer support.

Stop playback before you execute the operation.

Message Meaning Action

Now Recording!

Rec Overow!

Pattern Full!

Not Found!

Since the JD-XA is recording, this operation cannot be executed.

Since a large amount of recorded data was input all at once, it could not be processed correctly.

The maximum number of notes that can be recorded in one pattern has been exceeded; the pattern cannot be recorded any further.

The le was not found on the USB ash drive.

Stop recording before you execute the operation.

Reduce the amount of recorded data.

Delete unneeded data from the pattern that you’re recording.

Make sure that the le exists on the USB ash drive.

Main Specications

Roland JD-XA: Synthesizer keyboard

Keyboard 49 keys (with velocity and channel aftertouch)

Power Supply AC adaptor

Current draw 3,000 mA

Dimensions

Weight

Accessories

Options

* In the interest of product improvement, the specications and/or appearance of this unit are

subject to change without prior notice.

899 (W) x 388 (D) x 111 (H) mm 35-7/16 (W) x 15-5/16 (D) x 4-3/8 (H) inches

6.5 kg (excluding AC adaptor) 14 lbs 6 oz

Owner’s manual AC adaptor Power cord

Keyboard stand (*1): KS-18Z Pedal Switch: DP series Expression Pedal: EV-5

USB Flash Memory (*2) *1 When using the KS-18Z ensure that the height of the unit is one meter or

lower.

*2 Use USB Flash Memory (supports USB 2.0 Hi-Speed Flash Memory) sold by

Roland. We cannot guarantee operation if other products are used.

USING THE UNIT SAFELY

WARNING

To completely turn o power to the unit, pull out the plug from the outlet

Even with the power switch turned o, this unit is not completely separated from its main source of power. When the power needs to be completely turned o, turn o the power switch on the unit, then pull out the plug from the outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Concerning the Auto O function

Use only the stand that is recommended

This unit should be used only with a stand that is recommended by Roland.

Do not place in a location that is unstable

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

WARNING

Precautions regarding placement of this unit on a stand

Be sure to follow the instructions in the Owner’s Manual carefully when placing this unit on a stand (p. 18).

If it is not set up properly, you risk creating an unstable situation which could lead to the unit falling or the stand toppling, and may result in injury.

Use only the supplied AC adaptor and the correct voltage

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the supplied power cord

Use only the attached power cord. Also, the supplied power cord must not be used with any other device.

CAUTION

Use only the specied stand(s)

This unit is designed to be used in combination with specic stands (KS-18Z) manufactured by Roland. If used in combination with other stands, you risk sustaining injuries as the result of this product dropping down or toppling over due to a lack of stability.

Evaluate safety issues before using stands

Even if you observe the cautions given in the owner’s manual, certain types of handling may allow this product to fall from the stand, or cause the stand to overturn. Please be mindful of any safety issues before using this product.

Handle the ground terminal carefully

If you remove the screw from the ground terminal, be sure to replace it; don’t leave it lying around where it could accidently be swallowed by small children. When refastening the screw, make that it is rmly fastened, so it won’t come loose.

Precautions concerning use of phantom power supply

Always turn the phantom power o when connecting any device other than condenser microphones that require phantom power. You risk causing damage if you mistakenly supply phantom power to dynamic microphones, audio playback devices, or other devices that don’t require such power. Be sure to check the specications of any microphone you intend to use by referring to the manual that came with it.

(This instrument’s phantom power: 48 V DC, 10 mA Max)

IMPORTANT NOTES

Placement

5Do not allow objects to remain on top of the keyboard. This

can be the cause of malfunction, such as keys ceasing to produce sound.

5Depending on the material and temperature of the surface

on which you place the unit, its rubber feet may discolor or mar the surface.

Repairs and Data

5Before sending the unit away for repairs, be sure to make

a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.

Additional Precautions

5Any data stored within the unit can be lost as the result

of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.

5Roland assumes no liability concerning the restoration of any

stored content that has been lost.

5Never strike or apply strong pressure to the display.

5Use only the specied expression pedal (EV-5; sold

separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

5Do not use connection cables that contain a built-in resistor.

Using External Memories

5Please observe the following precautions when handling

external memory devices. Also, make sure to carefully observe all the precautions that were supplied with the external memory device.

5Do not remove the device while reading/writing is in

progress.

5To prevent damage from static electricity, discharge all

static electricity from your person before handling the device.

Intellectual Property Right

5It is forbidden by law to make an audio recording, video

recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform, or broadcast it without the permission of the copyright owner.

5Do not use this product for purposes that could infringe on a

copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

5The copyright of content in this product (the sound waveform

data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

5Purchasers of this product are permitted to utilize said

content (except song data such as Demo Songs) for the creating, performing, recording and distributing original musical works.

5Purchasers of this product are NOT permitted to extract

said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

Placing the JD-XA on a Stand

If you want to place the JD-XA on a stand, use the Roland KS-18Z. Be careful not to pinch your ngers when setting up the stand. Place the instrument on the stand as follows.

KS-18Z

Place the JD-XA so that it is in the center of the stand

Adjust so that the height does not exceed 1 meter (Adjust the stand to a level no higher than the third level from the bottom)

Place the JD-XA so that it is in the center of the stand

5MMP (Moore Microprocessor Portfolio) refers to a patent

portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

5ASIO is a trademark and software of Steinberg Media

Technologies GmbH.

5This product contains eCROS integrated software platform of

eSOL Co.,Ltd. eCROS is a trademark of eSOL Co., Ltd. in Japan.

5Roland, SuperNATURAL are either registered trademarks or

trademarks of Roland Corporation in the United States and/ or other countries.

5Company names and product names appearing in this

document are registered trademarks or trademarks of their respective owners.

Adjust the outer width of the stand within the range shown below 800 mm–between the rubber feet of the JD-XA

Between the rubber feet

800 mm or

Top view

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL LIVE

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit. Any unauthorized changes or modications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

CAN ICES-3 (B)/NMB-3 (B)

Manufacturer:

2036-1 Nakagawa, Hosoe-cho, Kita-ku, Hamamatsu, Shizuoka 431-1304, JAPAN ENA 23 Zone 1 nr. 1620 Klaus-Michael Kuehnelaan 13, 2440 Geel, BELGIUMImporter:

For Canada

For Korea

For EU Countries

For the USA

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

产品中有害物质的名称及含量

JD-XA SYNTHESIZER KEYBOARD Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938 (323) 890-3700

有害物质

× ×

本表格依据SJ/T 11364的规定编制。

表示该有害物质在该部件所有均质材料中的含量均在GB/T 26572 规定的限量要求以下。

О:

×:

表示该有害物质至少在该部件的某一均质材料中的含量超出GB/T 26572的限量要求。

（企业可在此处，根据实际情况对上表中打“×”的技术原因进行进一步说明。）

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Roland Jd-xa User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

Panel Descriptions

Top Panel

Rear Panel

Introduction

Selecting a Sound (Program)

Selecting a Part

Editing a Sound (Program)

Editing an Analog Part

Editing a Digital Part

Initializing a Sound (Init)

Copying a Sound or Pattern (Copy)

Saving a Program (Write)

Using Favorite Sounds (Programs) (Favorite)

Recording (Pattern Sequencer)

Realtime Recording (Real Time REC)

Step Recording (Step REC)

Step Recording 2 (Step REC 2)

Playing an Arpeggio

Playing Patterns

Erasing an Entire Pattern (Pattern Erase)

Pattern Utility

Saving a Pattern (Write)

Selecting an Arpeggio Template

Editing an Arpeggio Pattern

Saving an Arpeggio (Write)

Using the Microphone

Adjusting the Input Level

Using the Vocoder

Using a Microphone to Apply Modulation

Outputting the Mic’s Vocal Input

Controlling Your Performance

Changing the Pitch/Applying Vibrato (Pitch Bend/Modulation Lever)

Using an Assigned Function to Modify the Sound (WHEEL 1/2)

Using External Pedals (HOLD/CTRL 1/CTRL 2)

Connecting External Devices

Using the JD-XA as a MIDI Controller

Connecting an Analog Synthesizer via the CV/GATE Output

Connecting a Computer via USB

Overall Settings for the JD-XA

Accessing the Menu Screens

Making System Settings (SYSTEM)

Formatting a USB Flash Drive (USB MEM FORMAT)

Saving the System Settings

Convenient Functions (UTILITY)

Restoring Backup Data from a USB Flash Drive

Customizing the Knob and Slider Illumination (LED CUSTOMIZE)

Returning to the Factory Settings (FACTORY RESET)

List of Shortcut Keys

Error Messages

USING THE UNIT SAFELY

IMPORTANT NOTES

Placing the JD-XA on a Stand