Roland Integra-7 User Manual

Download

Owner’s Manual (this document)

Read this rst. It explains the basic things you need to know in order to use the INTEGRA-7.

PDF Manual (download from the Web)

• Parameter Guide

This explains all parameters of the INTEGRA-7.

• Sound List

This is a list of the sounds built into the INTEGRA-7.

• MIDI Implementation

This is detailed information about MIDI messages.

To obtain the PDF manual

Enter the following URL in your computer.

http://www.roland.com/manuals/

2. Choose “INTEGRA-7” as the product name.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

USING THE UNIT SAFELY

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Quick Guide

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

ALWAYS OBSERVE THE FOLLOWING

WARNING

Make sure that the power cord is grounded

Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

Do not disassemble or modify by yourself

Do not open or perform any internal modications on the unit.

Do not repair or replace parts by yourself

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Do not use or store in the following types of locations

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

Do not place in an unstable location

When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

Connect the power cord to an outlet of the correct voltage

The unit should be connected to a power supply only of the type described as marked on the rear side of unit.

About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

WARNING

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

WARNING

Use only the included power cord

Use only the attached power-supply cord. Also, the included power cord must not be used with any other device.

Do not bend the power cord or place heavy objects on it

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are re and shock hazards!

Avoid extended use at high volume

This unit, either alone or in combination with an amplier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Don’t allow foreign objects or liquids to enter unit; never place containers with liquid on unit

Do not place containers containing liquid on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

USING THE UNIT SAFELY

WARNING

Turn o the unit if an abnormality or malfunction occurs

Immediately turn the unit o, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord or the plug has been damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

Adults must provide supervision in places where children are present

When using the unit in locations where children are present, be careful so no mishandling of the unit can take place. An adult should always be on hand to provide supervision and guidance.

Do not drop or subject to strong impact

Protect the unit from strong impact.

(Do not drop it!)

Do not share an outlet with an unreasonable number of other devices

Do not force the unit’s powersupply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

WARNING

Do not use overseas

Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

CAUTION

Place in a well ventilated location

The unit should be located so that its location or position does not interfere with its proper ventilation.

Grasp the plug when connecting or disconnecting the power cord

Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

Periodically clean the power cord’s plug

At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to re.

Manage cables for safety

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

Avoid climbing on top of the unit, or placing heavy objects on it

Never climb on top of, nor place heavy objects on the unit.

CAUTION

Do not connect or disconnect the power cord with wet hands

Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

Disconnect everything before moving the unit

Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

Unplug the power cord from the outlet before cleaning

Before cleaning the unit, turn it o and unplug the power cord from the outlet (p. 22).

If there is a possibility of lightning strike, disconnect the power cord from the outlet

Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• To prevent malfunction and equipment failure, always make sure to turn o the power on all your equipment before you make any connections.

• Although the LCD and LEDs are switched o when the unit is turned o, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn o the power completely, rst turn o the unit’s switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

• With the factory settings, the INTEGRA-7 will automatically be switched o four hours after you stop playing or operating the unit. If you don’t want the unit to turn o automatically, change the “Auto O” setting to “OFF” as described on p. 55.

* The settings you were editing will be lost when the

unit is turned o. If you want to keep your settings, you must save your settings before turning the unit o.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

• Do not put anything that contains water on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

Maintenance

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, nonabrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up USB ash drives, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a USB ash drives.

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, USB ash drives once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• A small amount of heat will radiate from the unit during normal operation.

• To avoid disturbing others nearby, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you.

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

Before Using External Memories

Using External Memories

• Carefully insert the USB ash drives all the way in—until it is rmly in place.

• Never touch the terminals of the USB ash drives. Also, avoid getting the terminals dirty.

• USB ash drives are constructed using precision components; handle the USB ash drives carefully, paying particular note to the following.

• To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the USB ash drives.

• Do not touch or allow metal to come into contact with the contact portion of the USB ash drives.

• Do not bend, drop, or subject USB ash drives to strong shock or vibration.

• Do not keep USB ash drives in direct sunlight, in closed vehicles, or other such locations.

• Do not allow USB ash drives to become wet.

• Do not disassemble or modify the USB ash drives.

Handling DVDs

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty DVD discs may not be read properly. Keep your discs clean using a commercially available DVD cleaner.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

IMPORTANT NOTES

Intellectual Property Right

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

• Purchasers of this product are permitted to utilize said content for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

• Before you open the included DVD-ROM, you must read the “license agreement.” Opening the DVD-ROM will be taken to mean your acceptance of the license agreement.

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

• Microsoft product screen shot(s) reprinted with permission from Microsoft Corporation.

• This product contains eCROS integrated software platform of eSOL Co.,Ltd. eCROS is a trademark of eSOL Co., Ltd. in Japan.

• Roland, SuperNATURAL are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

• Cakewalk is a registered trademark of Cakewalk, Inc. in the United States.

• SONAR is a trademark of Cakewalk, Inc.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

IMPORTANT SAFETY INSTRUCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Quick Guide 8

Main Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Using the Internal Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Using the Expansion Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Creating a Sound Field with Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Using SONAR LE to Play Sounds (Windows) . . . . . . . . . . . . . . . . . . . . .18

Introduction 20

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Turning the INTEGRA-7 On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Playing the Demo Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Rear Panel Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Getting Acquainted with the INTEGRA-7 . . . . . . . . . . . . . . . . . . . . . . . . .24

Studio Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

How a Tone Is Structured . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

How a Studio Set Is Structured . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Eects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

About Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Switching Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Moving the Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Editing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

[SHIFT] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

[ENTER] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Assigning a Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Inserting or Deleting Characters . . . . . . . . . . . . . . . . . . . . . . . . . .29

Playing/Creating Sounds 30

Playing Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Choosing a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Viewing a List of All Parts (PART VIEW -ALL- Screen) . . . . . . . . . . . . . .30

Viewing the Part Settings (PART VIEW Screen) . . . . . . . . . . . . . . . . . . .30

Temporarily Silencing a Part’s Sound (MUTE) . . . . . . . . . . . . . . . . . . . .30

Listening to Only One Part (SOLO) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Choosing a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

Selecting Tones from a Tone List by Category . . . . . . . . . . . . . .31

Selecting Tones from a Tone List by Type/Bank . . . . . . . . . . . .31

Selecting Drum Kits from a Tone List . . . . . . . . . . . . . . . . . . . . . .31

Editing a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Studio Set Common Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Editing the Part Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Saving a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Panning the Sound with Depth (MOTIONAL SURROUND Screen) .34

Editing the Motional Surround Settings . . . . . . . . . . . . . . . . . . .35

Turning Eects On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Editing the Eects of a Studio Set (EFFECTS ROUTING Screen). . . .36

Editing the CHORUS Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Editing the REVERB Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Adjusting the Overall Tone of the Audio Output (MASTER EQ) . . . .36

Initializing a Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Initializing the Sound Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Initializing a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Editing a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Editing the Tones Assigned to a Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

SuperNATURAL Acoustic Tone (SN-A) . . . . . . . . . . . . . . . . . . . . . .38

SuperNATURAL Synth Tone (SN-S) . . . . . . . . . . . . . . . . . . . . . . . . .38

SuperNATURAL Drum Kit (SN-D) . . . . . . . . . . . . . . . . . . . . . . . . . .39

PCM Synth Tone (PCMS) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

PCM Drum Kit (PCMD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Saving a Tone/Drum Kit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Editing the Eects of a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Editing the MFX (Multi-Eect) Settings . . . . . . . . . . . . . . . . . . . .41

Editing the COMP (Compressor) and EQ (Equalizer) Settings 41

Initializing a Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

Initializing a Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

Copying a Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

Selecting the Partial to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

Use with a Computer 43

Using the INTEGRA-7 with Your Computer . . . . . . . . . . . . . . . . . . . . . . . .43

USB Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

Connecting the INTEGRA-7 to Your Computer . . . . . . . . . . . . . . . . . . .44

USB MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

MIDI Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Specifying the Output Destination of the Incoming

Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

USB AUDIO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Audio Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Specifying the Sampling Rate for USB Audio . . . . . . . . . . . . . .46

Applying Motional Surround to Sounds of an External Device . . . . .47

Connection Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Overall Settings 48

Overall Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Saving the System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

System Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Viewing the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Basic Procedure for Utility Operations . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Initializing a USB Flash Drive (FORMAT USB MEMORY) . . . . . . . . . . .50

Exporting/Importing Sound Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Exporting Sound Data (Export) . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Importing Sound Data (Import) . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Marking Multiple Items of Data . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Deleting an Exported File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Renaming an Exported File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Backing Up User Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Backing Up to a USB Flash Drive (BACKUP) . . . . . . . . . . . . . . . .52

Restoring Backed-up Settings from a USB Flash Drive

(RESTORE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Deleting a Backup File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Renaming a Backup File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Backing Up USB Flash Drive Data to a Computer . . . . . . . . . . .53

Restoring Backed-up Data from a Computer to a USB

Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Transmitting the Temporary Area’s Data to an External MIDI

Device (BULK DUMP) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Restoring the Factory Settings (FACTORY RESET) . . . . . . . . . . . . . . . .55

Making the Unit Automatically Turn O After a Time (Auto O) . .55

Appendix 56

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56

Error Message List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59

Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

01 Main Features

The INTEGRA-7 is a completely new sound module that contains expressive and high-quality SuperNATURAL sounds in addition to a rich sound library from the ever-popular SRX series, as well as “Motional Surround,” which uses RSS (Roland Sound Space) technology to oer a new type of sound eld.

The powerful SuperNATURAL sounds are reproduced using Motional Surround in a deeper and even more natural sound eld, allowing a truly new dimension of sound creation.

SuperNATURAL tones provide not only realistic sound, but also rich, natural expression during a performance

SuperNATURAL Acoustic Tones

The SuperNATURAL acoustic tones built into the INTEGRA-7 do not merely reproduce the sound of acoustic instruments, they also use Behavior Modeling Technology to simulate the characteristic behavior of an instrument when it is played.

A dedicated sound engine tuned specically for each type of instrument analyzes the phrases performed by the player, automatically dierentiating between chordal and melodic playing to produce the optimal expression for a performance.

For example, the “violin” SuperNATURAL acoustic tone allows your conventional keyboard playing to create a realistically expressive solo violin sound that sounds as if it were being played by a violinist.

Crescendo

Glissando technique Vibrato

SuperNATURAL Synth Tones

These are SuperNATURAL synth tones, which realistically reproduce sounds ranging from vintage analog synths to digital synths. Each synth tone consists of three sets of OSC, FILTER, AMP, and LFO, meaning that powerful synth sounds can be created using just a single synth tone.

In addition, the behaviors of the oscillators and lters of analog synths have been analyzed, allowing their distinctive sounds to be reproduced. The INTEGRA-7 contains more than 1,000 sounds, which cover every type of synth sound from analog to digital.

SuperNATURAL Drum Kits

The SuperNATURAL drum kits built into the INTEGRA-7 provide not only realistic, highquality sound, they also boast smooth tonal change in response to your playing dynamics or to repeated strikes.

For example, the crash cymbal can be played not only by a powerful strike, but will also respond to a light touch. The ride cymbal will shift through a variety of tones in response to your varying dynamics. The drum will also respond appropriately to repeated strikes, so press rolls, ams, and ll-ins will sound natural.

Repeated strikes on cymbal edge

Snare roll

What is SuperNATURAL?

These are proprietary Roland sounds created using Behavior Modeling Technology, which enables natural and rich expression that was dicult to achieve on earlier sound generators.

What is Behavior Modeling Technology?

Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds to how the performer plays, resulting in true-to-life, expressive sounds in realtime.

The INTEGRA-7 brings together the classic sounds of Roland synthesizers (PCM Tones)

Classic preset sounds from past models of Roland synthesizers, as well as the sounds from the entire SRX series wave expansion boards have been included, especially tuned for the INTEGRA-7.

The sound data includes PCM synth tones and PCM drum kits, and can be called up from the preset banks and expansion banks.

Quick Guide

The sounds of the SRX series are organized into SRX-01 through SRX-12 just as on the actual SRX models; when you load an entire title of sound data into one of the four virtual slots, those sounds will be available for use.

PCM Synth Tones

These are sounds that were called “patches” on previous Roland synthesizers; they have been tuned specically for the INTEGRA-7. One PCM synth tone can consist of up to four partials (waves).

PCM Drum Kits

These were called “rhythm sets” on previous Roland synthesizers; they have been tuned specically for the INTEGRA-7. A drum kit is a group of multiple percussion instrument sounds assigned so that a dierent percussion instrument will be heard depending on the key (note number) you play.

Multi-eects Usable for 16 Parts Simultaneously

All of the tones (SuperNATURAL tones and PCM tones) built into the INTEGRA-7 includes dedicated multi-eect settings. Since a multi-eect can be used by each of the 16 parts simultaneously, the most appropriate multi-eect settings will be called up when you select a tone.

Motional Surround lets you control not only left/right panning but also depth

The INTEGRA-7 supports two-channel output as well as 5.1 channel surround. Using the Motional Surround function gives you even more freedom to manipulate the spatial position of each part (p. 16).

Until now, sounds in a MIDI sound module could only be panned between left and right. However, the INTEGRA-7 lets you specify the depth as well, allowing you to create a sound eld that has unprecedented depth and spaciousness.

For example, a solo instrument can be placed nearby, while the ensemble or percussion instruments are placed at a distance, thus creating a sound eld with greater depth; or you can create a perceptual space that extends beyond the actual speakers.

This eect can be applied to external input signals as well, so you can use it on audio tracks as well as on the sounds of the sound module.

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

* To use the Motional Surround function, turn the [MOTIONAL SURROUND] button ON (p. 16, p. 34).

What is Motional Surround?

In the sounds we hear every day, the “direct sound,” which reaches our ears directly from the sound source, is combined with the “reected sound,” which has bounced o various objects in the environment. The combination of these two types of sound gives us a sense of the distance between us and the sound source. Motional Surround takes into account the state of the actual room, and simulates the way in which objects in the room reect the sound, thus creating a three-dimensional sound eld.

In order to create the most realistic sound eld, the INTEGRA-7 contains a processor that generates a sense of distance, reverberation, and directionality, and also performs format conversion.

As appropriate for your playback system, Motional Surround supports both 5.1 channel and two-channel output.

02 Getting Ready

Connection example 1: A compact production setup

Here’s an example of the use of the INTEGRA-7 for high-quality music production.

This is an easy way to set up a full-edged music production system based on the INTEGRA-7 simply by connecting it to DAW software in your computer and to a MIDI keyboard.

* If you turn the INTEGRA-7’s USB-MIDI Thru setting “ON,” you’ll be able to use it as a MIDI interface (p. 45).

Audio input from an external device can be panned spatially using the Ext part of the Motional Surround function (p. 47).

INTEGRA-7

MIDI keyboard

Connect an instrument or other device.

MIDI IN

MIDI OUT

Computer

Sequencer software such as SONAR

To powered speakers or amp

REFERENCE

For details on connections, refer to “Rear Panel Connections” (p. 22).

Connecting your computer via USB

If you connect the INTEGRA-7 to your computer using a USB cable, you’ll be able to use your DAW software to record performance data (MIDI data) from a MIDI keyboard connected to the INTEGRA-7, and use performance data (MIDI data) played back by the DAW software to play the sound generator of the INTEGRA-7 (USB MIDI).

The INTEGRA-7 will operate as a MIDI sound module when it is connected to your computer with a USB cable.

To use USB audio functionality

You’ll need to install a driver in order to use the USB audio functionality of the INTEGRA-7. This driver can be downloaded from the Roland website.

Roland website

http://www.roland.com/support/en/

For the installation procedure, refer to the Readme le that was extracted along with the installer.

You need to set the “Ext Part Source Select” parameter under “Volume and Pitch Settings (SOUND)” (p. 48) to “USB AUDIO.”

“USB MIDI” page 45

“USB AUDIO” page 46

Connection example 2: Using the INTEGRA-7 as a sound module for live performance

Here’s a connection example of including the INTEGRA-7 in an existing live performance system.

In this example, the MIDI connector is used to connect a keyboard or another sound module.

Keyboard

MIDI OUT

OUTPUT

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

INTEGRA-7

MEMO

Turn the INTEGRA-7’s USB-MIDI Thru setting “OFF” (p. 45).

REFERENCE

For details on connections, refer to “Rear Panel Connections” (p. 22).

MIDI IN

INPUT

To mixer, or amp

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard specication that allows musical data to be transferred between electronic musical instruments and computers. If a MIDI cable is connected between devices equipped with MIDI connectors, you’ll be able to play multiple devices from a single MIDI keyboard, perform ensembles using multiple MIDI instruments, program the settings to change automatically as the song progresses, and more.

03 Using the Internal Sounds

About the INTEGRA-7’s screen

When you turn on the INTEGRA-7, the top screen will appear. You can choose the type of top screen (p. 48).

Part number

Tone type

Tone bank

Mute on/o of each part (p. 30)

The “*” indicates an edit

Solo on/o of the current part (p. 30)

Playing SuperNATURAL tones

1. Press the [SuperNATURAL] button.

The tone of the selected part will change to a SuperNATURAL tone.

The display will show the SuperNATURAL tone list.

2. Use the cursor buttons to change the type or the bank.

3. Use the value dial to select a tone.

4. Press the [ENTER] button.

The part’s tone will be selected.

The “!” indicates use of sound that’s not loaded

Part number

Tone number and tone name of the current part

Part level meter

External audio input level

Playing PCM tones

1. Press the [PCM] button.

The tone of the selected part will change to a PCM tone.

The display will show the PCM tone list.

2. Use the cursor buttons to change the type or the bank.

3. Use the value dial to select a tone.

4. Press the [ENTER] button.

The part’s tone will be selected.

MEMO

Tone Preview function

By pressing the [VOLUME] knob you can audition the tone of the selected part.

Connecting a MIDI keyboard and performing

Connection example

OUTPUT

Keyboard

MIDI IN

INTEGRA-7

* Depending on the settings of the connected MIDI keyboard, note messages played on the keyboard might be transmitted on several

channels. Make settings on your MIDI keyboard so that the MIDI output is appropriate.

OUTPUT A (MIX)

To powered speakers or amp

Types and Features of the Internal Sounds

For details on how to select sounds, refer to p. 12.

SuperNATURAL Acoustic Tone (SN-A)

Changes in dynamics

From delicate pianissimo to powerful fortissimo, these tones provide natural timbral variation (dynamics) that goes beyond mere changes in volume.

* Dynamics can be controlled by note-on velocity, modulation controller (CC01), and expression (CC11).

While a note is sounding, you can operate the modulation controller (CC01) or expression pedal (CC11) to continuously control the dynamics (except for struck-string instruments and plucked-string instruments).

Legato

By playing legato (the technique of sending the next note-on before releasing the previous key) you can produce smooth transitions between notes.

* To obtain the legato eect, set the Mono/Poly of the part settings to “MONO” and set the Legato switch to “ON” (p. 32).

Switching variation sounds

Each instrument provides eective performance variation sounds; you can use control changes CC80, CC81, CC82, CC83 (Tone Variation 1–4) to switch instantly between them as you play.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

SuperNATURAL Synth Tone (SN-S)

Realistic lter behavior

The INTEGRA-7 contains lters that simulate the classic analog synths of the past, producing natural-sounding change when you vary the cuto frequency (CC74) or resonance (CC71).

SuperNATURAL Drum Kit (SN-D)

Changes in dynamics

From delicate pianissimo to powerful fortissimo, these sounds provide natural timbral variation (dynamics) that goes beyond mere changes in volume.

Eliminates boring uniformity even for repeated attacks

To avoid monotonous uniformity, the sense of attack will dier for each strike.

Ambience control for the entire kit

The drum kit consists of multiple drum instruments such as snare, kick, and hi-hat. You can control the resonance between instruments and the ambience of the room.

PCM Synth Tone (PCMS) / PCM Drum Kit (PCMD)

The PCM synth tones and PCM drum kits are what were called patches and rhythm sets on previous Roland synthesizers; they are remarkable for their high quality and their rich variations. Many classic sounds tuned specically for the INTEGRA-7 are included.

04 Using the Expansion Sounds

About the EXPANSION Virtual Slots

The INTEGRA-7 contains all the sound data from the entire SRX series of wave expansion boards, as well as expansion SuperNATURAL tones.

You can add these sounds by loading each title into one of the INTEGRA-7’s four EXPANSION Virtual Slots (Slot A–D). (In other words, sound data for up to four titles can be used simultaneously.)

The sound data includes tones (patches), drum kits (rhythm sets), instruments, and wave (waveform) data. (The content will vary by title.)

Sound data (expansion)

The INTEGRA-7 contains all SRX series sound data, expansion SuperNATURAL tones, and high-quality GM2 sounds.

SRX series (all 12 titles)

SRX-01

Dynamic Drum Kits

PCM Synth Tone : 41 PCM Drum Kit : 79

SRX-04

Symphonique Strings

PCM Synth Tone : 128

SRX-07

Ultimate Keys

PCM Synth Tone : 475 PCM Drum Kit : 11

SRX-10

Big Brass Ensemble

PCM Synth Tone : 100

Expansion SuperNATURAL sounds

ExSN1

ExSN2

ExSN3

ExSN4

ExSN5

ExSN6

Ethnic (SuperNATURAL Acoustic Tone : 17) Ethnic instruments such as kalimba and santur

Wood Winds (SuperNATURAL Acoustic Tone : 17) Woodwinds such as sax and ute

Session (SuperNATURAL Acoustic Tone : 50) Electric guitar and bass

A. Guitar (SuperNATURAL Acoustic Tone : 12) Acoustic guitar

Brass (SuperNATURAL Acoustic Tone : 12) Brass instruments such as trumpet and trombone

SFX (SuperNATURAL Drum Kit : 7) Realistic sound eects

SRX-02

Concert Piano

PCM Synth Tone : 50

SRX-05

Supreme Dance

PCM Synth Tone : 312 PCM Drum Kit : 34

SRX-08

Platinum Trax

PCM Synth Tone : 448 PCM Drum Kit : 21

SRX-11

Complete Piano

PCM Synth Tone : 42

High-quality GM2 sounds/Diverse synth sounds

ExPCM

SRX-03

Studio SRX

PCM Synth Tone : 128 PCM Drum Kit : 12

SRX-06

Complete Orchestra

PCM Synth Tone : 449 PCM Drum Kit : 5

SRX-09

World Collection

PCM Synth Tone : 414 PCM Drum Kit : 12

SRX-12

Classic EPs

PCM Synth Tone : 50

HQ GM2 + HQ PCM Sound Collection

High-quality GM2 sounds and a variety of synth

sounds

HQ GM2 (GM2#)

PCM Synth Tone : 256 PCM Drim Kit : 9

HQ PCM (ExPCM)

PCM Synth Tone : 512 PCM Drum Kit : 19

* ExPCM uses all four slots.

EXPANSION Virtual Slots

Choose one title of sound data for each slot.

Slot CSlot BSlot A

Slot D

Sound banks (example)

PRESET USER SRX-01 ExSN3 SRX-11

When you load expansion sound data into the EXPANSION Virtual Slots (A–D), the loaded sounds will be available for selection from the corresponding sound bank (title is displayed).

SRX-05

Loading sound data into an EXPANSION Virtual Slot

1. Press the [MENU] button.

2. Choose “EXPANSION” and press the [ENTER] button.

The EXPANSION screen will appear. This screen shows the sounds that are loaded into each EXPANSION Virtual Slot.

3. In the VIRTUAL SLOTS area, move the cursor to the slot that

you want to load, and use the [DEC] [INC] buttons to select the desired sound data.

MEMO

To view the expansion sound list, move the cursor to “INFO/LIST” and press the [ENTER] button.

Sound data to be loaded An “*” symbol is shown at the left of the name of edited sound data.

4. Move the cursor to “LOAD” and press the [ENTER] button.

A message will ask “Are you sure?”

5. To execute, choose “OK” and press the [ENTER] button.

MEMO

You can also access the EXPANSION (VIRTUAL SLOT) screen by holding down the [SHIFT] button and pressing the [MENU] button.

Using SRX series sounds

SRX series sounds can be selected in the same way as PCM sounds. Select one SRX bank (SRX-01–SRX-12) to use the sounds that have been loaded into an EXPANSION Virtual Slot.

* Some SRX titles have no PCM drum kit (PCMD).

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Using SuperNATURAL sounds

SuperNATURAL sounds that have been loaded can be selected in the same way as the SuperNATURAL sounds of preset memory or user memory. Select one ExSN bank (ExSN1–SxSN6) to use the sounds that have been loaded into an EXPANSION Virtual Slot.

* ExSN 1--5 contain only SuperNATURAL acoustic tones, and ExSN6 contains only SuperNATURAL drum kits.

Using ExPCM sounds

Loaded ExPCM sounds can be selected in the same way as PCM sounds.

The sounds loaded into the EXPANSION Virtual Slot can be made available for use by selecting the ExPCM bank. When you load the ExPCM sounds, the “GM2” bank indication will change to “GM2#”, and high-quality GM2 sounds will be available.

* The ExPCM sounds use all four slots.

* You can’t edit ExPCM tones.

If you want the expansion sounds to be loaded automatically at start-up

You can have the INTEGRA-7 automatically load specied sound data into the EXPANSION Virtual Slots upon startup.

* With the factory settings, the sound data will be loaded.

1. Press the [MENU] button.

2. In the MENU screen, choose “SYSTEM” and press the [ENTER] button.

3. Select the desired sound data for Startup Exp Slot A–D.

4. Hold down the [SHIFT] button and press the [EDIT] button to save the settings.

05 Creating a Sound Field with Depth

Connection example

Here’s an example of using the INTEGRA-7’s Motional Surround function for 5.1 channel surround output.

Place your speakers as shown in the illustration.

To use the Motional Surround function, press the [MOTIONAL SURROUND] button to turn the Motional Surround function on.

Ls Rs

* Dolby Digital and DTS are not supported. Please

use analog cables to connect ve speakers and a subwoofer.

LFE

It’s best to place the subwoofer at the same distance as the satellite speakers, with the listening position at the center.

LFE

Jack

Explanation

name

L Front left output

R Front right output

R L

LsRs

C Front center output

Ls Rear left output

Rs Rear right output

LFE Subwoofer output

REFERENCE

• For more about connections, refer to “Rear Panel Connections” (p. 22).

• For more about front center speaker (C jack) and subwoofer (LFE jack) output settings, refer to “Motional Surround Settings (MOTIONAL SURROUND)” (p. 49) in System Settings.

About the monitoring environment

• An acoustically dead space with minimal reverberation is ideal as a monitoring room.

• You should monitor at the sweet spot of your speaker system.

Concerning perception of a sound image’s location

• The ease with which one can sense where a sound emanates from can dier depending on the sound. For example, it is dicult to perceive the spatial location of low-frequency sounds or sounds that have relatively little harmonic content (such as sine waves). Conversely, it tends to be easier to determine the location of sounds having rich harmonic content and a distinct attack.

• Perception of front/back localization can dier between individuals.

If you want to use Motional Surround with a two-channel system, connect your speakers to the A (MIX) L (MONO)/R jacks.

Using Motional Surround

1. Press the [MOTIONAL SURROUND] button.

Quick Guide

Motional Surround will turn on, and the MOTIONAL SURROUND screen will appear.

2. Use the PART [ ] [ ] buttons to select a part.

The selected part number will be highlighted.

3. Use the cursor buttons to specify the sound’s panning (front/rear, left/right).

Detailed settings for Motional Surround

Here’s how to make detailed settings for the ambience eect and for each part.

1. In the MOTIONAL SURROUND screen, press the [ENTER] button.

The MOTIONAL SURROUND EDIT screen will appear.

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

2. Use the cursor [ ] [ ] buttons to select the “COMMON,” “PART,” or “CONTROL” tab, and use the

cursor [ ] [ ] buttons to select a parameter.

3. Use the value dial to edit the setting.

REFERENCE

For details on the each parameters, refer to p. 35.

What is Motional Surround?

The INTEGRA-7 supports two-channel and 5.1 channel surround output. By using the Motional Surround function, you can freely and easily control the placement of each part (p. 34).

While conventional systems allow sound to be placed only in the left/right direction, this new function adds the front/back dimension, enabling you to play sounds that you’ve freely placed in a soundscape with depth. Additionally, you can specify the type and size of room; this allows you to adjust the acoustics as appropriate for your song, ranging from an intimate room to a large concert hall.

06 Using SONAR LE to Play Sounds (Windows)

Installing SONAR LE

Install the included SONAR LE in your computer.

For details on installation and main operations, refer to the manual included on the SONAR LE DVD-ROM.

* SONAR LE is for Windows only. If you are a Mac user, you’ll need to obtain DAW software separately.

Audio and MIDI settings

Important!

Before you begin making settings, download the INTEGRA-7’s USB driver from the Roland website and install it (p. 43). When installing the driver, change the USB Driver setting to “VENDER” (p. 44).

Audio settings

Specify the INTEGRA-7 as the audio input and output.

1. Use a USB cable to connect the INTEGRA-7 to your computer.

Connect the INTEGRA-7 to your computer as shown in “Connection example 1: A compact production setup” (p. 10).

2. Start up SONAR.

3. The “Quick Start” dialog box will appear. Click [Close].

4. Click [Edit] [Preferences] to access the “Preferences” dialog box.

5. From the “Audio” list at the left of the screen, choose [Options]. Choose “ASIO” as the driver mode, and click [Apply].

6. In the “Audio” section of the list at the left of the screen, choose [Select Device]. Clear the check marks from audio devices

you’re not using, and enter a check mark only for the INTEGRA-7.

Input device Output device

INTEGRA-7 IN INTEGRA-7 OUT

* When selecting INTEGRA-7 OUT as the output device, you need to set the “Ext Part Source Select” parameter under “Volume and Pitch

Settings (SOUND)” (p. 48) to “USB AUDIO.”

MIDI settings

Next, you need to specify the INTEGRA-7 as the MIDI input and output device.

7. In the “MIDI” section of the list at the left of the screen, choose [Select Device]. Enter a check mark for the INTEGRA-7, and

clear the check marks from MIDI devices you’re not using.

Input device Output device

INTEGRA-7 INTEGRA-7

* When handling ordinary performance data, use “INTEGRA-7.”

Use “INTEGRA-7 CTRL” (Windows only) when handling control data, such as that for MOTIONAL SURROUND.

8. Click [Apply].

9. In the “Preferences” dialog box, click [Close].

MEMO

If the INTEGRA-7 is not shown in the list of devices, close SONAR and try the operation again from step 2.

If it is still not shown, the driver installation might not have completed successfully. Uninstall the driver, and then install the driver once again.

Recording on a MIDI track

Connect the INTEGRA-7 to your computer as shown in “Connection example 1: A compact production setup” (p. 10).

* Turn the INTEGRA-7’s USB-MIDI Thru setting (p. 49) ON.

1. In the [File] menu, click [New].

The “Create a New Project” dialog box will appear.

2. In the “Template” area, choose [Normal]; in the “Name” area, enter a name for

your project and then click [OK].

Quick Guide

3. Record a MIDI track in SONAR.

For details on how to record, refer to SONAR’s help.

4. Play back SONAR.

You’ll hear sound from the INTEGRA-7.

Recording the INTEGRA-7’s sound on an audio track

1. In the [Insert] menu, choose [Audio Track].

One audio track will be added.

2. For the input eld of the audio track, choose “Stereo INTEGRA-7 IN.”

Track control list

Input eld

MEMO

If the input eld is not shown, click the track control list and choose “ALL.”

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

3. Adjust the recording level.

Put the track in recording-standby mode, then get the INTEGRA-7 to start playing. Adjust the input level of the SONAR so that the level meter reaches approximately -6 during the loudest passages.

* For details on the recording procedure, refer to SONAR’s help.

4. Record.

Put the track in recording-standby mode, and press the record button of the transport module to begin recording.

Record

Recordingstandby

Level meter

5. When the song ends, press the stop button.

Recording will stop, and the recorded sound will be shown as a waveform in the audio track of SONAR.

Panel Descriptions

Front Panel

1 72

3 4 5 6

89 9

Num-

Name Explanation Page

ber

USB MEMORY port

[VOLUME] knob

Display

MIDI indicator This will light when MIDI messages are being received from a MIDI device connected to the MIDI IN connector. –

USB indicator This will light when MIDI messages are being received from the connected computer. –

PEAK indicator This will light when the input signal from the INPUT L/R jacks reaches a level just before clipping. –

[PART VIEW] button

PART [

[TONE FINDER] button Accesses the TONE FINDER screen. p. 31

TONE [SuperNATURAL] button Changes the tone of the currently selected part to a SuperNATURAL tone, and displays the tone list. p. 31

TONE [PCM] button Changes the tone of the currently selected part to a PCM tone, and displays the tone list. p. 31

[MOTIONAL SURROUND] button

[EFFECTS] button Pressed to access the EFFECTS ROUTING screen. p. 36, p. 41

[SHIFT] button This is used in conjunction with other buttons to access setting screens related to those buttons. p. 29

Cursor [ ] [ ] [ ] [ ] button

Value dial

[MENU] button

[EDIT] button

] [ ] buttons

[DEC]/[INC] buttons

[EXIT] button

[ENTER] button Press this to conrm a value or execute an operation. –

[ ] switch

INPUT L/R jacks (front)

PHONES jacks You can connect headphones (sold separately) here. –

Rack-mount bracket

Connect USB ash drive (sold separately) here.

* Use USB Flash Memory available from Roland. Proper operation cannot be guaranteed if other USB

device is used.

Adjusts the volume of the output from the A (MIX) L/MONO, R jacks and PHONES jack. By pressing the [VOLUME] knob you can audition the tone of the currently selected part.

Shows various information for the operation.

* The explanations in this manual include illustrations that depict what should typically be shown by the display.

Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Switches you between the screen that lists all parts, the PART VIEW screen, and the top screen.

By holding down the [SHIFT] button and pressing the [PART VIEW] button, you can access the Studio Set select screen.

These switch the part shown in the screen. p. 28

Turns on motional surround, and displays the MOTIONAL SURROUND screen. By holding down the [SHIFT] button and pressing the [MOTIONAL SURROUND] button, you can access the

MOTIONAL SURROUND screen without changing the motional surround on/o setting.

Move the cursor up/down/left/right. p. 28

Use this to edit values. To make the value change rapidly, operate the value dial while holding down the [SHIFT] button.

Accesses the Menu screen. By holding down the [SHIFT] button and pressing the [MENU] button, you can access the EXPANSION (VIRTUAL

SLOT) screen.

Displays the TONE EDIT screen for the currently selected part. By holding down the [SHIFT] button and pressing the [EDIT] button, you can access the WRITE screen.

Use these buttons to edit values. To make the change occur more rapidly, hold down one button and press the opposite button. You can also make the value change rapidly by holding down the [SHIFT] button and pressing one of these buttons.

Returns you to the previous screen, or closes the window that’s currently open. In some screens, this cancels the operation currently being executed.

Turns the INTEGRA-7 on/o. p. 21

You can connect a synthesizer or other instrument here. If an instrument is also connected to the INPUT L/R jacks (rear), the sounds of both will be mixed.

Use these when installing the INTEGRA-7 in a 19-inch rack. For details on how to install the INTEGRA-7 in a rack, refer to the owner’s manual included with the rack you’re

using.

* Do not remove the rack-mount brackets.

p. 50

p. 21

p. 12

p. 30

p. 34

p. 28

–

p. 38

p. 28

–

p. 47

–

Turning the INTEGRA-7 On/O

Panel Descriptions

Once everything is properly connected (p. 22), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

Turning the INTEGRA-7 On

Before turning the unit on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

1. Minimize the volume of the INTEGRA-7 and your speakers.

2. Turn the INTEGRA-7’s [ ] switch ON.

This unit is equipped with a protection circuit. A brief interval (a few

seconds) after turning the unit on is required before it will operate normally.

3. Turn on the power of your speakers.

4. Use the [VOLUME] knob to adjust the volume

appropriately.

NOTE

With the factory settings, the INTEGRA-7 will

automatically be switched o four hours after you stop playing or operating the unit. If you don’t want the unit to turn o automatically, change the “Auto O” setting to “OFF” as described on p. 55.

* The settings you were editing will be lost when the unit is

turned o. If you want to keep your settings, you must save your settings before turning the unit o.

* When turning the unit back on after it was turned o by the

Auto-O function, you must wait at least 10 seconds before turning the unit on. If you do not allow this interval to pass, the Auto-O function might not be reset, and the unit might not turn on normally.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Turning the INTEGRA-7 O

1. Minimize the volume of the INTEGRA-7 and your speakers.

2. Turn o the power of your speakers.

3. Turn the INTEGRA-7’s [ ] switch OFF.

NOTE

If you need to turn o the power completely, rst turn o the unit, then unplug the power cord from the power outlet. Refer to Power Supply (p. 5).

Playing the Demo Song

1. Press the [MENU] button.

2. Choose “DEMO PLAY” and press the [ENTER] button.

3. Choose a demo song and press the [ENTER] button.

The demo song will play.

* The performance data for the demo song will not be output from the MIDI OUT connector.

* If you want sound to be produced from the front center / subwoofer of your 5.1 channel speaker system, turn the 5.1CH Center SP Switch /

Sub Woofer(LFE) Switch “ON.”

MEMO

The DEMO MENU screen can also be accessed by pressing the [EXIT] button while holding down the [SHIFT] button.

Panel Descriptions

Rear Panel Connections

AC IN jack

Connect the included AC cord here.

INPUT L/R jacks (rear)

Use audio cables to connect a synthesizer or other instrument here.

If an instrument is also connected to the INPUT L/R jacks (front), the sounds of both will be mixed.

MIDI connectors

For connecting MIDI device.

USB COMPUTER port

With a USB cable, you can connect the INTEGRA-7 to your computer.

page 11

page 44

OUTPUT jacks

You can switch the output between stereo, mono, and 5.1 channel surround.

For details on connections, refer to p. 23.

* Only the A (MIX) L/MONO, R jacks are balanced.

DIGITAL AUDIO OUT connector

This is a coaxial digital output connector. It complies with S/P DIF specications. It outputs the same signal as is output from the OUTPUT A (MIX) jacks.

It provides 44.1/48/96 kHz, 24-bit linear, stereo output.

page 23

OUTPUT jacks

1: GND2: HOT

3: COLD

1: GND 2: HOT

3: COLD

(When motional surround (p. 34) is OFF)

A (MIX) L/MONO, R jacks

These jacks output a stereo signal (L/R) to your amp or mixer. If you want to output in mono, connect to only the L side.

Both XLR type and TRS type jacks are provided; they output the same audio.

B, C, D L/R jacks

These jacks output a stereo signal (L/R) to your amp or mixer.

* The [VOLUME] knob on the front panel does not adjust

the volume of these jacks.

8 7

Panel Descriptions

221

4 36 5

Quick Guide

INDIVIDUAL 1–8 jacks

These jacks output mono signals to your amp or mixer.

* The [VOLUME] knob on the front panel does not adjust

the volume of INDIVIDUAL 3–8 jacks.

* The output destination (A–D, 1–8) can be assigned

independently for each part “Output Assign” (p. 32).

OUTPUT jacks

(When motional surround (p. 34) is ON)

Supports both two-channel and 5.1 channel surround output.

MOTIONAL SURROUND 2 CH L/R jacks

These jacks allow two speakers to output sound with spatial depth as specied by the motional surround settings.

The same audio will be output from the TRS type and the XLR type jacks.

MOTIONAL SURROUND 5.1 CH L/R/C/Ls/Rs/LFE jacks

These jacks output 5.1 channel surround as specied by the motional surround settings.

Position your speakers as shown in the illustration.

* The [VOLUME] knob on the front panel does not adjust

the volume of these jacks.

LFE

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

R L

L R

Motional

Surround

R L

RRL

LFE

* Two-channel and 5.1 channel surround are output simultaneously.

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

* This instrument is equipped with balanced (XLR/TRS) type jacks. Wiring diagrams for these jacks are shown below. Make connections after rst

checking the wiring diagrams of other equipment you intend to connect.

TIP: HOT RING: COLD SLEEVE: GND

* When connection cables with resistors are used, the volume level of equipment connected to the input jacks (front, rear) may be low. If this

happens, use connection cables that do not contain resistors.

1: GND 2: HOT

3: COLD

Getting Acquainted with the INTEGRA-7

Studio Sets

Studio Sets allow you to use multiple tones and drum kits simultaneously.

One studio set contains 16 “parts” for tones and one external part (EXT PART). You can assign a tone or drum kit to each part, allowing you to create an ensemble or to play rich-sounding layers.

If you’re using an external MIDI device or DAW software, you’ll be able to independently control multiple sounds on a single INTEGRA-7 unit.

How a Tone Is Structured

A “tone” is a unit of sound used when performing. There are “SuperNATURAL tones” and “PCM tones,” each containing their own eect (MFX) settings.

You need to select a tone from the sound library and assign it to a part. You can also edit a tone and save it in user memory.

SuperNATURAL Tone

There are three types of SuperNATURAL tones: “SuperNATURAL acoustic tones,” “SuperNATURAL synth tones,” and “SuperNATURAL drum kits.”

SuperNATURAL Acoustic Tone (p. 38)

These tones do not merely reproduce the sound of acoustic instruments, they also use behavior modeling technology appropriate for the selected tone to emulate the expressive power distinctive of each acoustic instrument, such as the phrases performed by the player and the dierences between chords and melodic phrases.

SuperNATURAL Synth Tone (p. 38)

These tones consist of three partials, and allow powerful synth sounds to be produced by a single tone.

SuperNATURAL Drum Kit (p. 39)

These tones consist of 62 partials; they allow you to sound a dierent percussion instrument for each key (note number) that’s played.

A drum kit is provided with six compressor + equalizer units, allowing you to divide the instruments into groups so that you can individually adjust the dynamics of each group or modify its tone quality.

SOUND LIBRARY

TONE

PCM

EXPANSION (VIRTUAL SLOT)

EXPANSION SOUNDS

PCM Tone

There are two types of PCM tones: “PCM synth tones” and “PCM drum kits.”

PCM Synth Tone (p. 39)

These tones consist of four partials. Each partial can be turned on/o individually, allowing you to choose which partials will be heard.

SLOT

USB AUDIO

INPUT (Front/Rear)

ACOUSTIC SYNTH

SYNTH

SLOT

LOAD

ExPCM

SLOT

ExSN4ExSN1 ExSN5ExSN2 ExSN6ExSN3

DRUM KIT

SLOT

PCM Drum Kit (p. 40)

These consist of 88 partials, and allow for the play of a dierent percussion instrument sound for each key (note number) you press. A drum kit is provided with six compressor + equalizer units, allowing you to divide the instruments into groups so that you can individually adjust the dynamics of each group or modify its tone quality.

* The six compressor + equalizer units for a drum kit are applied only to one specied part of the multiple parts to which a drum kit can be assigned.

Make this setting in STUDIO SET COMMON (p. 32).

* Dedicated multi-eect settings are included in each tone (SuperNATURAL tones and PCM tones) built into the INTEGRA-7.

EXPANSION Virtual Slots

EXPANSION Virtual Slots are banks into which you can load “EXPANSION SOUNDS” sound data for use.

“SRX tones,” “SuperNATURAL tones,” or “ExPCM (GM2 compatible) tones” can be loaded into an EXPANSION Virtual Slot. “ExPCM tones” use all four slots, meaning that they do not allow other tones to be loaded.

For details, refer to “04 Using the Expansion Sounds” (p. 14).

How a Studio Set Is Structured

Getting Acquainted with the INTEGRA-7

A studio set has sixteen parts; you can assign a tone to each part, allowing you to use sixteen sounds simultaneously.

STUDIO SET

PART 16

PART 15

PART 14

ASSIGN

EXT PART

PART 3

PART 2

PART 1

TONE

INST/PARTIAL

PART 10 (DRUM PART)

DRUM KIT

DRUM INST

DRUM

INST

OUTPUT

ASSIGN

MFX

LEVEL

MOTIONAL

SURROUND

ON/OFF

OFF

MOTIONAL SURROUND

REVERB

CHORUS

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

MASTER

COMP+EQ 6

COMP+EQ 5

COMP+EQ 4

COMP+EQ 3

COMP+EQ 2

COMP+EQ 1

* Although you are free to assign a drum kit to any or all of the parts, we have assigned a drum kit to part 10 and a tone to the

remaining parts as an example.

DRUM

COMP+EQ

OUTPUT

ASSIGN

2 CH/MIX OUT

5.1 CH/INDIVIDUAL OUT

Bank

Tones are organized into groups called “banks.”

Part

A “part” is a location to which you can assign a tone or drum kit in order to play it on the INTEGRA-7.

Partial

A “partial” is a unit of sound within a SuperNATURAL synth tone (p. 38), SuperNATURAL drum kit (p. 39), PCM synth tone (p. 39), or PCM drum kit (p. 40). These tones consist of multiple partials.

Inst

An “inst” is the smallest unit of sound within a SuperNATURAL acoustic tone (p. 38). Each SuperNATURAL acoustic tone consists of a single “inst.”

Getting Acquainted with the INTEGRA-7

Eects

The INTEGRA-7 contains the following eects; each eect can be edited independently.

STUDIO SET

PART 1–9, 11–16

TONE

INST/PARTIAL

PART 10 (DRUM PART)

MFX

DRUM KIT

DRUM INST 1–62

COMP+EQ

1–6

MFX

Eects for a Tone

Multi-eects (MFX)

These are general-purpose eects that can modify the sound itself, even transforming it into an entirely dierent type of sound.

You can choose from 67 types of eects as appropriate for your purpose.

There are types that consist of a single eect, such as distortion or anger, as well as a wide variety of other types. Although the multieect types also include chorus, this is a separate processor that is independent of the chorus unit of a studio set.

Each tone has one set of multi-eect settings.

Compressor + Equalizer (COMP + EQ)

A drum part allows you to use six compressor + equalizer units. They can be assigned individually to the drum instruments.

* Although it is possible to assign drum kits to all of the parts, the

six compressor + equalizer sets provided for a drum kit will be available only for the single part you specify (the Drum COMP + EQ Assign part).

DRUM COMP+EQ OUTPUT ASSIGN

MOTIONAL SURROUND

MOTIONAL

SURROUND

ON/OFF

OFF

Eects for a Studio Set

Equalizer (EQ)

This equalizer is applied to each individual part.

It allows you to independently adjust the high, mid, and lowfrequency ranges.

MOTIONAL SURROUND

Motional surround allows you to not only position a sound anywhere between the left and right edges of the sound eld, but also allows you to move it towards the front or rear.

Two-channel and 5.1 channel output is supported, allowing you to place each instrument at the desired depth.

* When you turn Motional Surround on, reverb/chorus will not be

applied.

CHORUS

The chorus eect adds depth and spaciousness to the sound.

* Motional Surround and chorus cannot be applied at the same time.

2 CH/

MIX OUT

MASTER

REVERB

CHORUS

5.1 CH/

INDIVIDUAL

OUT

REVERB

The reverb eect adds the reverberation that is characteristic of sounds played in a concert hall.

You can choose from six types of reverb as appropriate for your needs.

* Motional Surround and reverb cannot be applied at the same time.

MASTER EQ

This equalizer is applied to the overall sound of the entire INTEGRA-7 sound module.

It allows you to independently adjust the high, mid, and lowfrequency ranges.

Getting Acquainted with the INTEGRA-7

About Memory

Memory is where data such as the settings for studio sets and tones are held.

There are three types of memory: “temporary memory” (the temporary area, and the EXPANSION Virtual Slots), “rewritable memory” (user memory, system memory, and USB memory), and “non-rewritable memory” (preset memory).

INTEGRA-7

Quick Guide

EXPANSION Virtual Slot

Load Select Select Write

Preset Memory

SuperNATURAL Acoustic Tone

SuperNATURAL Synth Tone

SuperNATURAL Drum Kit

PCM Synth Tone

PCM Drum Kit

EXPANSION SOUNDS

Temporary Area

User Memory System Memory

Studio Set

SuperNATURAL Acoustic Tone

SuperNATURAL Synth Tone

SuperNATURAL Drum Kit

PCM Synth Tone

PCM Drum Kit

Backup ExportRestore

Import

USB Memory

ROLAND Folder

SOUND FolderBACKUP Folder

Backup Sound Data

System Setting

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Temporary memory

Temporary Area

This area temporarily holds the data of the studio set or tone that you’ve selected from the panel.

When you play, the INTEGRA-7 produces sound according to the settings in the temporary area. When you edit a studio set or a tone, you’re not directly modifying the data in that memory; rather, the data is called into the temporary area, and your editing modies this data.

Settings in the temporary area are temporary, and will be lost when you turn o the unit or call up other settings. If you want to keep the settings of the temporary area, you must execute the Write operation (p. 29) to save them into rewritable User Memory.

EXPANSION Virtual Slots

Sound data from EXPANSION SOUNDS can be loaded into these memory locations to expand the available sounds.

You can load four titles of SRX or SuperNATURAL sound data into these virtual slots.

Rewritable memory

System Memory

This is memory that holds the system parameter settings that specify how the INTEGRA-7 is to operate. To store the system parameters, execute the System Write operation (p. 48).

User Memory

This is memory that stores data inside the INTEGRA-7. To store a studio set, execute Studio Set Write (p. 34). To store a tone, execute Tone Write (p. 40). To store a drum kit, execute Drum Kit Write (p. 40).

* EXPANSION SOUNDS sound data

that you’ve edited in the temporary area can be saved in user memory, but it will not be audible unless the EXPANSION SOUNDS used by that sound data have been loaded into an EXPANSION Virtual Slot.

USB Memory

You can use a USB ash drive to back up all of the studio sets, tones, and drum kits in User Memory, together with the system parameters from System Memory, as a single collection of data (p. 52).

Of the studio sets and tones saved in the INTEGRA-7, you can select the desired sound data and export it to a USB ash drive. You can also select a desired studio set or tone from a le that was previously exported to a USB ash drive, and import it.

Non-rewritable Memory

Preset Memory

The data in preset memory cannot be rewritten.

However, settings loaded from preset memory into the temporary area can be edited and then stored in user memory.

Basic Operation

This section explains the basic button operations used to operate the INTEGRA-7.

[TONE FINDER] button

Accesses the TONE FINDER screen.

page 31 page 30 page 15

TONE [SuperNATURAL] button TONE [PCM] button

These switch the tone of the currently selected part between SuperNATURAL or PCM tones, and display a tone list.

page 31

[PART VIEW] button

Accesses the screen that lists all parts. Press this button once again to access the PART VIEW screen for the currently selected part.

[SHIFT] + [PART VIEW] button

Accesses the Studio Set select screen.

[MOTIONAL SURROUND] button

Accesses the MOTIONAL SURROUND screen.

page 34

[MENU] button

Accesses the menu screen. Accesses settings for the INTEGRA-7 or various functions.

[SHIFT] + [MENU] button

Accesses the data loading screen for the EXPANSION Virtual Slots.

[EFFECTS] button

Accesses the EFFECTS ROUTING screen.

page 36

page 41 page 28

[EDIT] button

Accesses the TONE EDIT screen for the currently selected part.

[SHIFT] + [EDIT] button

Accesses the WRITE screen.

Cursor buttons

Move the cursor.

Value dial

Edits a value.

page 38

page 29

page 28

Switching Parts

Here’s how to switch the part that’s shown in the screen or is selected (the “current part”).

In the top screen, the current part is indicated by a the part number.

PART [ ] [ ] buttons

Press the PART [ ] button to switch to the next part. Press the PART [

If you hold down the PART [ change successively.

The part will switch more rapidly if you press the PART [ PART [ ] button) while holding down the PART [ ] button (or PART [ ] button).

] button to switch to the previous part.

] or PART [ ] button, the part will

Moving the Cursor

A single screen or window will contain multiple items (parameters) to edit or select. To edit a parameter’s setting, you must rst move the cursor to that parameter’s value.

The value of the selected parameter is highlighted.

Cursor buttons

symbol below

] (or

Editing a Value

To edit the value highlighted by the cursor, use either of the following controllers.

• Value dial

• [DEC] [INC] button

Value dial

Turning the value dial toward the right will increase the value, and turning it toward the left will decrease the value.

If you hold down the [SHIFT] button while turning the value dial, the value will change in larger steps.

[DEC] [INC] buttons

Press the [INC] button to increase the value, or press the [DEC] button to decrease the value.

• If you hold down a button, the value will increase (or decrease) continuously.

• To rapidly increase the value, hold down the [INC] button and press the [DEC] button. Conversely, to rapidly decrease the value, hold down the [DEC] button and press the [INC] button.

• If you hold down the [SHIFT] button and press the [INC] button or [DEC] button, the value will change in larger steps.

You can move the cursor by pressing the cursor [ ] [ ] [ ] [ ] buttons.

If you hold down a cursor button, the cursor will continue moving.

If you hold down the cursor button for the desired direction, and then press the opposite cursor button, the cursor will move more quickly.

Basic Operation

[SHIFT] Button Operations

By holding down the [SHIFT] button and pressing another button, you can edit the settings of the button you pressed, or access a specic screen (shortcut).

If you hold down the [SHIFT] button while editing a parameter’s value, the value will change in larger steps.

Shortcut list

Shortcut Explanation

[SHIFT] + [PART VIEW] Accesses the Studio Set select screen.

[SHIFT] + PART [

[SHIFT] + cursor [

[SHIFT] + [MOTIONAL SURROUND]

[SHIFT] + [MENU] Accesses the Expansion Load screen.

[SHIFT] + [EDIT]

[SHIFT] + [ENTER]

[SHIFT] + [EXIT] Accesses the DEMO MENU screen.

[EXIT] + [

[MENU] + [

[SHIFT] + press the [VOLUME]

]

] (startup)

Select the part 1.

Select the Ext part.

Switch between tabs in screens that contain tabs.

Accesses the Motional Surround setting screen without changing the MOTIONAL SURROUND ON/OFF status.

Accesses the corresponding WRITE MENU screen for each page.

Switches the display type in the top screen..

Starts up the INTEGRA-7 without loading the expansions.

* Continue holding down [EXIT] button

until the top screen appears.

Returns the LCD contrast and LCD backlight brightness to their factory settings, and accesses the LCD contrast setting screen.

* Continue holding down [MENU] button

until the setup screen appears.

Continues preview playback. Press the [VOLUME] knob once again to stop.

Saving

From the top screen, hold down the [SHIFT] button and press the [EDIT] button to access the WRITE MENU screen. Select a studio set or tone, and save your settings.

From the TONE EDIT screen, hold down the [SHIFT] button and press the [EDIT] button to save the tone.

From the SYSTEM screen, hold down the [SHIFT] button and press the [EDIT] button to save the system settings.

Studio Set

Save the Studio Set.

Tone/Drum Kit

Save the Tone/Drum Kit

System

Save overall settings for the INTEGRA-7.

page 34

page 40

page 48

Assigning a Name

The INTEGRA-7 lets you assign names to the following items.

• Studio Set

• Tone/Drum Kit

• Sound data to be exported

• Backup le

Regardless of what you’re naming, the procedure is the same.

1. Press the [ ] [ ] buttons to move the cursor to the

location where you wish to input a character.

2. Turn the VALUE dial, or press the [DEC] [INC] buttons to

specify the character.

You can use the cursor [ ] [ ] buttons to switch between uppercase and lowercase letters.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

[ENTER] Button Operations

The [ENTER] button is used to set a value or to execute an operation.

In the various editing screens, pressing the [ENTER] button will display a parameter list. Select a value and then press the [ENTER] button once again to conrm your selection.

3. If you decide to cancel your input, press the [EXIT] button.

Inserting or Deleting Characters

When entering a name, you can insert or delete characters.

1. While entering a name, press the [MENU] button.

The Menu screen will appear.

Pressing the [MENU] button once again will take you back to the previous screen.

2. Choose “INSERT” or “DELETE,” and press the [ENTER]

button.

Function Explanation

INSERT

DELETE

Press the [ENTER] button to insert a space (blank) at the cursor location.

Press the [ENTER] button to delete the character at the cursor location; subsequent characters will be moved forward to ll the gap.

Playing Sounds

Choosing a Studio Set

A Studio Set stores the sounds selected for each Part, as well as various performance-related settings (except for system parameters).

By switching studio sets you can change sounds at the beginning of a song or change large numbers of settings at once.

NOTE

If you’re selecting a studio set that uses tones from an EXPANSION Virtual Slot, you won’t hear anything unless the corresponding sound data is loaded.

1. Press the [MENU] button.

2. Choose “STUDIO SET SELECT” and press the[ENTER]

button.

3. Use the value dial to select a Studio Set.

4. Press the [ENTER] button.

The studio set will be switched.

Viewing the Part Settings (PART VIEW Screen)

In this screen you can edit the part parameters while focusing on a single part.

1. In the top screen, press the [PART VIEW] button twice.

2. Use the PART [ ] [ ] buttons to select the part that

you want to change.

3. Use the cursor buttons to select the item that you want to

edit, and use the value dial to edit the value.

Temporarily Silencing a Part’s Sound (MUTE)

Here’s how to temporarily mute (silence) the sound of each part.

MEMO

You can also access the STUDIO SET selection screen by holding down the [SHIFT] button and pressing the [PART VIEW] button.

Viewing a List of All Parts (PART VIEW -ALL- Screen)

In this screen you can edit the part parameters while viewing a list of all parts.

* Some of the part parameters are not shown.

1. Press the [PART VIEW] button.

2. Use the cursor buttons to select the item that you want to

edit, and use the value dial to edit the value.

By holding down the [SHIFT] button and pressing a cursor [ ] [ ] button you can switch between tabs.

1. In the top screen, move the cursor to “MUTE.”

2. Use the PART [ ] [ ] buttons to select the part that

you want to mute (silence).

3. Use the [DEC] [INC] buttons to turn mute on/o.

The bar (—) above the part number will disappear to indicate parts for which Mute is turned on.

Listening to Only One Part (SOLO)

Here’s how you can listen to only the sound of the currently selected part.

1. In the top screen, move the cursor to “SOLO.”

Only the selected part will be heard.

2. Use the PART [ ] [ ] buttons to select the part that

you want to hear.

3. Use the [DEC] [INC] buttons to turn solo on/o.

MEMO

If you switch parts while solo is on, the soloed part will also change.

Playing Sounds

Choosing a Tone

In the PART VIEW screen you can select the tone for each part.

You can view the tone list by category or by type.

Tone Preview function

By pressing the [VOLUME] knob you can audition the tone of the selected part.

Selecting Tones from a Tone List by Category

1. Press the [TONE FINDER] button.

The tone list organized by category will appear.

2. Use the cursor [ ] [ ] buttons to switch categories.

3. Use the value dial or the cursor [ ] [ ] buttons to select

a tone, and press the [ENTER] button.

Selecting Drum Kits from a Tone List

1. Press the [SuperNATURAL] or [PCM] button.

The tone list will appear.

2. Use the cursor buttons to select the drum kit tab.

Select the “SN Drum Kit” tab for SuperNATURAL tones, or the “PCM Drum Kit” tab for PCM tones.

3. Use the value dial or the cursor [ ] [ ] buttons to select

a drum kit, and press the [ENTER] button.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

MEMO

By holding down the [SHIFT] button and using the cursor [

] [ ] buttons, you can switch to the next (or previous)

type/bank.

Selecting Tones from a Tone List by Type/Bank

1. Press the [SuperNATURAL] or [PCM] button.

The tone list will appear.

2. Use the cursor buttons to switch the type or bank tab.

3. Use the value dial or the cursor [ ] [ ] buttons to select

a tone, and press the [ENTER] button.

Editing a Studio Set

Studio Set Common Settings

Here you can make settings that are common to the entire studio set.

1. In the Top screen, press the [MENU] button.

2. Choose “STUDIO SET COMMON” and press the [ENTER]

button.

3. Use the cursor buttons to select an item, and use the

value dial to edit the value of that item.

COMMON parameter

MEMO

For details on the part parameters, refer to “Parameter Guide PDF.”

Tab Explanation

GENERAL

CONTROL

PHASE LOCK

Species the tempo of the studio set, and the drum part to which COMP+EQ will be applied.

When using tone controls 1–4, species the MIDI messages that will control the parameters.

Turn this “on” if you want to minimize discrepancies in timing between notes played by parts on the same MIDI channel.

Editing the Part Settings

A studio set contains 16 parts; you can edit settings such as volume (Level), equalizer (EQ), and key range (KBD) for each part.

1. In the top screen, press the [PART VIEW] button twice.

2. Use the cursor buttons to select the item that you want to

edit, and use the value dial to edit the value.

By holding down the [SHIFT] button and pressing a cursor [ ] [ ] button you can switch between tabs.

MEMO

For details on the part parameters, refer to “Parameter Guide PDF.”

Parts 1–16

Tab Parameter Value

TYPE Displays/selects the tone type.

TONE

BANK Displays/selects the tone bank.

Tone Number

Displays/selects the tone number. The tone name is shown at the right.

Tab Parameter Value

Adjust the volume of each part.

This setting’s main purpose is to adjust the volume balance between parts.

Adjust the pan of each part.

“L64” is far left, “0” is center, and “63R” is far right.

* This has no eect if Motional Surround is on.

Sets the level of the signal sent to chorus for each part.

Set this to 0 if you don’t want to apply chorus.

Sets the level of the signal sent to reverb for each part.

Set this to 0 if you don’t want to apply reverb.

Species for each part how the direct sound will be output.

If Motional Surround is on, surround output will be enabled, and this setting will be ignored.

For each part, specify whether it will receive MIDI data (ON) or ignore it (OFF).

Sets how the Patch’s notes play. The MONO setting is eective when playing a solo instrument Patch such as sax or ute.

Turn this parameter “ON” when you want to use the Legato feature and “OFF” when you don’t.

Legato is a feature that works only when the Mono/ Poly is MONO. When Legato is ON, pressing one key when another is already pressed causes the currently playing note’s pitch to change to that of the newly pressed key while continuing to sound. This can be eective when you wish to simulate performance techniques such as a guitarist’s hammering on and pulling o strings.

* This setting is ignored for parts to which a tone is

assigned.

Species the number of voices that reserved for each Part when more than 128 voices are played simultaneously.

Turn this “ or “– (OFF)” if you don’t.

Species the width of the mid range.

Higher values make the range narrower.

This determines what will happen to the tone’s level when a note that’s higher than the tone’s specied keyboard range is played.

Higher settings produce a more gradual decrease in volume. If you don’t want the tone to sound at all when a note outside the keyboard range is played, set this parameter to “0.”

Species the highest note that the tone will sound for each tone.

* If you attempt to raise the lower key higher than

the upper key, or to lower the upper key below the lower key, the other value will be automatically modied to the same setting.

Species the lowest note that the tone will sound for each tone.

This determines what will happen to the tone’s level when a note that’s lower than the tone’s specied keyboard range is played.

Higher settings produce a more gradual decrease in volume. If you don’t want the tone to sound at all when a note outside the keyboard range is played, set this parameter to “0.”

LEVEL

KBD

Level

Pan

Cho Send Level

Rev Send Level

Output Assign

Rx Switch

Rx Channel Species the MIDI channel of each part.

Mono/Poly (*)

Legato Switch (*)

Voice Reserve (*)

EQ Switch

EQ Low Freq (*) Species the frequency of the low range.

EQ Low Gain Species the amount of boost/cut for the low range.

EQ Mid Freq (*) Species the frequency of the mid range.

EQ Mid Gain Species the amount of boost/cut for the mid range.

Q (*)

EQ High Freq(*) Species the frequency of the high range.

EQ High Gain Species the amount of boost/cut for the high range.

Key Fade Upper

Key Range Upper

Key Range Lower

Key Fade Lower

(ON)” if you want to use the equalizer,

Editing a Studio Set

Tab Parameter Value

This determines what will happen to the tone’s level when the tone is played at a velocity greater than its specied velocity range.

Higher settings produce a more gradual decrease in volume.

If you want notes played outside the specied key velocity range to not be sounded at all, set this to “0.”

This species the upper limit of the velocities that will sound the tone.

Edit this setting if you want to use velocity to switch between tones.

* If you attempt to set the Lower velocity limit above

the Upper, or the Upper below the Lower, the other value will automatically be adjusted to the same setting.

This species the lower limit of the velocities that will sound the tone.

Edit this setting if you want to use velocity to switch between tones.

This determines what will happen to the tone’s level when the tone is played at a velocity lower than its specied velocity range.

Higher settings produce a more gradual decrease in volume.

If you want notes played outside the specied key velocity range to not be sounded at all, set this to “0.”

Applies an oset to the velocity sensitivity for the entire tone, while preserving the dierences between velocity sensitivity values.

Adjusts the pitch of the part’s sound up or down in units of an octave (over a range of +/-3 octaves).

Adjusts the pitch of the part’s sound up or down in semitone steps (over a range of +/-4 octaves).

Adjusts the pitch of the part’s sound up or down in 1-cent steps (over a range of +/-50 cents).

Species the amount of pitch change in semitones (over a range of 2 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides.

Species whether the portamento eect will be applied (ON) or not (OFF).

* Portamento is an eect which smoothly

changes the pitch from the rst-played key to the next-played key. By applying portamento when the Mono/Poly parameter is “MONO,” you can simulate slide performance techniques on a violin or similar instrument.

When portamento is used, this species the time over which the pitch will change. Higher settings will cause the pitch change to the next note to take more time.

Adjusts the cuto frequency for the tone or drum kit assigned to a part.

Adjusts the Resonance for the tone or drum kit set assigned to a part.

Adjusts the Attack Time for the tone or drum kit assigned to a part.

Adjusts the Decay Time for the tone or drum kit assigned to a part.

Adjusts the Release Time for the tone or drum kit assigned to a part.

For each part, adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher settings, and more slowly with lower settings.

For each part, this adjusts the depth of the vibrato eect (the depth at which the pitch is modulated). The pitch will be modulated more greatly for higher settings, and less with lower settings.

KBD

PITCH

OFFSET

Velo Fade Upper (*)

Velo Range Upper (*)

Velo Range Lower (*)

Velo Fade Lower (*)

Velo Sens Oset (*)

Octave Shift

Coarse Tune

Fine Tune

Bend Range

Porta Switch (*)

Porta Time (*)

Cuto Oset

Reso Oset

Attack Oset

Decay Oset

Release Oset

Vibrato Rate (*)

Vibrato Depth (*)

Tab Parameter Value

For each part, this adjusts the time delay until the vibrato (pitch modulation) eect begins. Higher settings will produce a longer delay time before vibrato begins, while lower settings produce a shorter time.

If you want to play the keyboard using a tuning other than equal temperament, you can choose an alternative tuning such as just intonation (major, minor) or an Arabian scale.

When using a tuning other than equal temperament, choose the tonic that’s appropriate for the key of the song you’re playing (i.e., the note corresponding to “C” for major, or “A” for minor).

If you’re using equal temperament, there’s no need to select the tonic.

For each note, this lets you adjust the pitch in steps of one cent (1/100 semitone) relative to the equal-tempered pitch.

Species whether Program Change messages will be received (ON) or not (OFF).

Species whether Bank Select messages will be received (ON) or not (OFF).

Specify whether Pitch Bend messages will be received (ON), or not (OFF).

Specify whether Polyphonic Key Pressure messages will be received (ON), or not (OFF).

Specify whether Channel Pressure messages will be received (ON), or not (OFF).

Specify whether Modulation messages will be received (ON), or not (OFF).

Specify whether Volume messages will be received (ON), or not (OFF).

Specify whether Pan messages will be received (ON), or not (OFF).

Specify whether Expression messages will be received (ON), or not (OFF).

Specify whether Hold 1 messages will be received (ON), or not (OFF).

Velocity Curve selects for each MIDI channel one of the four Velocity Curve types that best matches the touch of the connected MIDI keyboard. Set this to “OFF” if you are using the MIDI keyboard’s own velocity curve.

OFFSET

SCALE

MIDI

Vibrato Delay (*)

Type

Key

(Keyboard) (*)

PC (Rx Program Change)

BS (Rx Bank Select)

BEND (Rx Pitch Bend)

PAFT (Rx Poly Key Press)

CAFT (Rx Ch Press)

MOD (Rx Modulation)

VOL (Rx Volume)

PAN (Rx Pan)

EXP (Rx Expression)

HOLD (Rx Hold-1)

VELO CRV (Velo Crv Type)

(*): Not shown in the PART VIEW -ALL- screen.

* Depending on the sound, some of the part parameters will have

no eect.

Ext part

Parameter Explanation

Level

Cho Send Level

Rev Send Level

Species the volume of the part.

This is used mainly to adjust the volume balance between parts.

Species the depth of chorus.

Set this to 0 if you don’t want to apply chorus.

Species the depth of reverb.

Set this to 0 if you don’t want to apply reverb.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Editing a Studio Set

Saving a Studio Set

Edits you make to a Studio Set are temporary; they will be lost when you turn o the unit or select another Studio Set. If you want to keep an edited Studio Set, you must save it.

NOTE

When you execute the Write operation, the existing data at the write destination will be overwritten.

1. From the top screen or the STUDIO SET EDIT screen, hold

down the [SHIFT] button and press the [EDIT] button.

The WRITE MENU screen will appear.

2. Choose “STUDIO SET WRITE” and press the [ENTER]

button.

3. Assign a name for the Studio Set.

For details on how to assign a name, refer to “Assigning a Name” (p.

29).

4. Press the [ENTER] button.

5. Use the value dial or the [DEC] [INC] buttons to select the

desired save destination.

6. Press the [ENTER] button.

A message will ask “Are you sure?”

7. To execute, choose “OK” and press the [ENTER] button.

MEMO

If you decide to cancel without saving, press the [EXIT] button.

NOTE

Never turn o the unit while settings are being saved.

Panning the Sound with Depth (MOTIONAL SURROUND Screen)

In addition to the left/right panning of each sound, the INTEGRA-7 lets you specify its depth in the sound eld.

In the MOTIONAL SURROUND screen you can visually specify the left/right panning and depth of each sound.

1. Press the [MOTIONAL SURROUND] button.

Motional Surround will turn on, and the MOTIONAL SURROUND screen will appear.

2. Use the cursor buttons to specify the position (left/right

and depth) of each instrument.

You can use the PART [ ] [ ] buttons to switch the part you’re editing.

MEMO

• If you want to turn Motional Surround o, press the [MOTIONAL SURROUND] button once again in the Motional Surround screen.

• If you want to return to the previous screen but leave Motional Surround turned on, press the [EXIT] button.

• The [MOTIONAL SURROUND] button’s indicator shows whether Motional Surround is on (lit) or o (unlit).

• By holding down the [SHIFT] button and pressing the [MOTIONAL SURROUND] button, you can access the Motional Surround screen without changing the Motional Surround on/ o setting.

* Motional Surround and reverb/chorus cannot be applied at the

same time.

* When you turn Motional Surround on, reverb/chorus will turn

o.

Editing a Studio Set

Editing the Motional Surround Settings

Here’s how to turn Motional Surround on/o and specify the size of the room.

1. In the MOTIONAL SURROUND screen, press the [ENTER]

button.

MOTIONAL SURROUND EDIT screen will appear.

2. Use the cursor buttons to select the item you want to edit,

and use the value dial to edit the value.

You can use the cursor [ ] [ ] buttons to switch tabs.

Tab Parameter Explanation

These are overall settings for Motional Surround.

Room Type Species the room type.

Room Size Species the room size.

COMMON

PART

CONTROL

Motional Surround Depth

Ambience Level Species the volume of ambience.

Ambience Time Species the duration of ambience.

Ambience Density

Ambience HF Damp

These numerically specify the position of each part’s instrument.

You can also use MIDI control changes to control the values of these parameters (except for Width).

L-R

F-B

Width

Ambience Send Level

Ext Part Control Ch

Species the depth of the Motional Surround eect.

Species the density of ambience.

Species the frequency at which the high range of the ambience will be cut.

Species the left/right position.

Control change number

• 1–16 Part : CC12

• Ext Part : CC28

Species the front/rear (back) position.

Control change number

• 1–16 Part : CC13

• Ext Part : CC29

Species the width of the positioned sound.

Species the send level to ambience

Control change number

• 1–16 Part : CC14

• Ext Part : CC30

Species the MIDI channel used when controlling the front/back/left/right position and ambience send level of an Ext part via MIDI.

Turning Eects On/O

Quick Guide

1. In the top screen, press the [EFFECTS] button.

The EFFECTS ROUTING screen will appear.

When Motional Surround is “o”

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

When Motional Surround is “on”

2. Use the cursor buttons to select the eect that you want

to turn on/o.

3. Use [DEC] [INC] button to turn each eect on/o.

MEMO

For details on the parameters, refer to “Parameter Guide PDF.”

Editing a Studio Set

Editing the Eects of a Studio Set (EFFECTS ROUTING Screen)

Here’s how to edit a studio set’s eects.

1. In the top screen, press the [EFFECTS] button.

The EFFECTS ROUTING screen will appear.

When Motional Surround is “o”

When Motional Surround is “on”

2. Move the cursor to the eect that you want to edit, and

press the [ENTER] button.

3. Use the cursor buttons to select the setting you want to

edit, and use the value dial to edit its value.

Editing the REVERB Settings

To edit Reverb settings, access the Reverb parameter screen.

* Reverb will not be available when Motional Surround is on.

1. Access the EFFECTS SWITCH screen or the EFFECTS

ROUTING screen when the Motional Surround function is “OFF,” move the cursor to “REVERB,” and press the [ENTER] button.

2. Use the cursor buttons to select the setting that you want

to edit, and use the value dial to edit its value.

Adjusting the Overall Tone of the Audio Output (MASTER EQ)

Here’s how to make nal adjustments to the overall tone of INTEGRA-7’s audio output (OUTPUT A (MIX) jacks and PHONES jack).

1. From the EFFECTS ROUTING screen, move the cursor to

“MEQ (MASTER EQ)” and press the [ENTER] button.

Editing the CHORUS Settings

To edit Chorus settings, access the Chorus parameter screen.

* Chorus will not be available when Motional Surround is on.

1. Access the EFFECTS SWITCH screen or the EFFECTS

ROUTING screen when the Motional Surround function is “OFF,” move the cursor to “CHORUS,” and press the [ENTER] button.

2. Use the cursor buttons to select the setting you want to

edit, and use the value dial to edit its value.

2. Use the cursor buttons to select the setting that you want

to edit, and use the value dial to edit its value.

Editing a Studio Set

Initializing a Part

This operation will initialize the part settings of the current part.

1. From the top screen or the STUDIO SET EDIT screen, press

the [MENU] button.

2. Choose “PART INIT” and press the [ENTER] button.

A message will ask “Are you sure?”

3. To initialize, choose “OK” and press the [ENTER] button.

Initializing the Sound Controls

This operation will initialize the following oset parameters that aect how each part sounds.

• Cuto Oset

• Resonance Oset

• Attack Oset

• Decay Oset

• Release Oset

• Vibrato Rate

• Vibrato Depth

• Vibrato Delay

Initializing a Studio Set

Here’s how to initialize the currently selected Studio Set.

1. From the top screen or the STUDIO SET EDIT screen, press

the [MENU] button.

2. Choose “STUDIO SET INIT” and press the [ENTER] button.

A message will ask “Are you sure?”

3. To initialize, choose “OK” and press the [ENTER] button.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

1. From the top screen or the STUDIO SET EDIT screen, press

the [MENU] button.

2. Choose “SOUND CTRL INIT” and press the [ENTER] button.

A message will ask “Are you sure?”

3. To initialize, choose “OK” and press the [ENTER] button.

Editing a Tone

Editing the Tones Assigned to a Part

Here’s how to edit the sound of each part.

1. Select the part that you want to edit.

2. Press the [EDIT] button.

The tone edit screen will dier depending on the type of tone that’s selected for the part.

MEMO

For details on the tone parameters, refer to “Parameter Guide PDF.”

SuperNATURAL Acoustic Tone (SN-A)

MFXINST

SuperNATURAL Synth Tone (SN-S)

PARTIAL 3

PARTIAL 2

PARTIAL 1

LFO

OSC FILTER

AFTERTOUCH

MOD LFO

MODIFY

AMP

MFX

Tab Explanation

COMMON Settings that apply to the entire tone.

INST

MFX Settings for the multi-eect.

MFX CTRL Settings for controlling MFX via MIDI.

Settings for the INST assigned to the tone.

These are detailed settings for the INST that’s assigned.

Tab Explanation

COMMON Settings that apply to the entire tone.

OSC

PITCH Settings related to pitch.

FILTER Settings related to the lter.

AMP Settings related to the volume.

LFO Settings for the LFO that modulates the sound.

MOD LFO Settings for the modulation applied to the sound.

AFTERTOUCH Settings related to aftertouch.

MISC Settings for envelopes and portamento time control.

MFX Settings for the multi-eect.

MFX CTRL Settings for controlling MFX via MIDI.

Settings for the waveform that is the basis of the tone.

Editing a Tone

SuperNATURAL Drum Kit (SN-D)

PARTIAL 62

PARTIAL 1

DRUM INST

COMP+EQ 1

COMP+EQ 2 COMP+EQ 5

COMP+EQ 3 COMP+EQ 6

Tab Explanation

COMMON Settings that apply to the entire tone.

DRUM INST Instrument settings for each partial.

COMP Settings for the drum part compressor.

EQ Settings for the drum part equalizer.

MFX Settings for the multi-eect.

MFX CTRL Settings for controlling MFX via MIDI.

MEMO

If a note-on message is received, the partial number you’re editing will change.

COMP+EQ 4

MFX

PCM Synth Tone (PCMS)

PARTIAL 4

PARTIAL 3

PARTIAL 2

PARTIAL 1

LFO 1

WAVE TVF

PITCH

ENV

Tab Explanation

COMMON Settings that apply to the entire tone.

WAVE

(Partial Mix Table)

PMT

PITCH Settings related to pitch.

PITCH ENV Settings for the pitch envelope.

TVF Settings related to the lter.

TVF ENV Settings for the TVF envelope.

TVA Settings related to volume.

TVA ENV Settings for the TVA envelope.

OUTPUT Settings related to output.

LFO 1

LFO 2

STEP LFO

CTRL Settings related to controllers.

MTRX CTRL 1

MTRX CTRL 2

MTRX CTRL 3

MTRX CTRL 4

MFX Settings for the multi-eect.

MFX CTRL Settings for controlling MFX via MIDI.

TVF ENV

LFO 2

STEP LFO

Settings for the waveform that is the basis of the tone.

Settings for how partials are combined, and for key range.

Settings for the LFO that modulates the sound.

Settings that specify how steps 1–16 will modulate the sound.

Settings related to matrix controls 1–4.

TVA

TVA ENV

Quick Guide

MFX

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

MEMO

You can’t edit the sounds of the GM2 bank or the ExPCM bank.

Editing a Tone

PCM Drum Kit (PCMD)

PARTIAL 88

PARTIAL 1

WAVE TVF

PITCH

ENV

Tab Explanation

COMMON Settings that apply to the entire tone.

WAVE

(Wave Mix Table) Make settings for velocity-switching between tones..

WMT

PITCH Settings related to pitch.

PITCH ENV Settings for the pitch envelope.

TVF Settings related to the lter.

TVF ENV Settings for the TVF envelope.

TVA Settings related to volume.

TVA ENV Settings for the TVA envelope.

OUTPUT Settings related to output.

COMP

MFX Settings for the multi-eect.

MFX CTRL Settings for controlling MFX via MIDI.

TVF ENV

Settings for the waveform that is the basis of the tone.

Settings for the Drum Comp + EQ Assign part compressor.

Settings for the Drum Comp + EQ Assign part equalizer.

TVA

TVA ENV

COMP+EQ 1

COMP+EQ 2 COMP+EQ 5

COMP+EQ 3 COMP+EQ 6

COMP+EQ 4

MFX

Saving a Tone/Drum Kit

Edits you make to a Tone/Drum Kit are temporary; they will be lost when you turn o the unit or select another Tone/Drum Kit. If you want to keep an edited Tone/Drum Kit, you must save it.

NOTE

When you execute the Write operation, the existing data at the write destination will be overwritten.

1. In the TONE EDIT screen, hold down the [SHIFT] button

and press the [EDIT] button.

2. Assign a name to the tone/drum kit.

For details on assigning a name, refer to “Assigning a Name” (p. 29).

3. Press the [ENTER] button.

4. Move the cursor to the save destination, and use the

value dial or the [DEC] [INC] buttons to specify the save destination.

5. Press the [ENTER] button.

A message will ask “Are you sure?”

6. To execute, select “OK” and press the [ENTER] button.

MEMO

If you decide to cancel without saving, press the [EXIT] button.

NOTE

Never turn o the unit while data is being written to memory.

MEMO

• If a note-on message is received, the partial number you’re editing will change.

• You can’t edit the sounds of the GM2 bank or the ExPCM bank.

Editing a Tone

Editing the Eects of a Tone

Here’s how to edit the MFX settings or the settings of the compressor and equalizer used by the drum part.

1. In the top screen, press the [EFFECTS] button.

The EFFECTS ROUTING screen will appear.

When Motional Surround is “o”

When Motional Surround is “on”

2. Move the cursor to the eect that you want to edit, and

press the [ENTER] button.

Editing the COMP (Compressor) and EQ (Equalizer) Settings

Here’s how to make compressor and equalizer settings for the drum kit of a Drum COMP + EQ Assign part.

There are six compressor/equalizer sets; for each instrument (DRUM INST) in the drum kit, you can select the compressor/equalizer set that will be used.

1. Use the PART [ ] [ ] buttons to select the part that is

specied as the Drum Comp+EQ Assign part.

“COMP+EQ” will appear in the screen.

MEMO

The Drum COMP + EQ Assign part to which the compressor and equalizer are applied can be specied in the “GENERAL” tab (p. 32) of the Studio Set Common screen.

2. In the EFFECTS ROUTING screen, move the cursor to

“Comp+EQ” and press the [ENTER] button.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

3. Use the cursor buttons to select an item, and use the

value dial to edit its value.

Editing the MFX (Multi-Eect) Settings

Here’s how to make detailed settings for the multi-eect.

MFX settings are handled as part of the tone; your edits are saved as a user tone.

1. In the EFFECTS ROUTING screen, move the cursor to “MFX”

and press the [ENTER] button.

2. Use the cursor buttons to select an item, and use the

value dial to edit its value.

3. Use the cursor buttons to select an item, and use the

value dial to edit its value.

MEMO

In the EFFECTS ROUTING screen, you can place the cursor at the location shown in the illustration and press the [ENTER] button to access the COMP + EQ output setting screen.

Settings for COMP + EQ output can be saved as parameters of the studio set.

Editing a Tone

Initializing a Tone

Here’s how you can initialize the settings of the current tone.

1. Press the [EDIT] button.

The TONE EDIT screen will appear.

2. Press the [MENU] button.

3. Choose “TONE INIT” and press the [ENTER] button.

A message will ask “Are you sure?”

4. To initialize, choose “OK” and press the [ENTER] button.

If you decide to cancel, press the [EXIT] button.

When the initialization has been completed, press the [MENU] button to return to the previous screen.

Initializing a Partial

Here’s how to initialize the partials of a SuperNATURAL Synth Tone, SuperNATURAL Drum Kit, PCM Synth Tone, or PCM Drum Kit.

1. Press the [EDIT] button.

The TONE EDIT screen will appear.

2. Press the [MENU] button.

3. Choose “PARTIAL INIT” and press the [ENTER] button.

Copying a Partial

Here’s how to copy the partial settings of a SuperNATURAL Synth Tone, SuperNATURAL Drum Kit, PCM Synth Tone, or PCM Drum Kit.

1. Press the [EDIT] button.

The TONE EDIT screen will appear.

2. Press the [MENU] button.

3. Choose “PARTIAL COPY” and press the [ENTER] button.

4. Select the copy-source partial and the copy-destination

partial.

5. To execute, choose “OK” and press the [ENTER] button.

Selecting the Partial to Edit

Here’s how to select the partials of a SuperNATURAL Synth Tone, SuperNATURAL Drum Kit, PCM Synth Tone, or PCM Drum Kit.

1. Press the [EDIT] button.

The TONE EDIT screen will appear.

2. Press the [MENU] button.

3. Choose “PARTIAL SELECT” and press the [ENTER] button.

4. Select the partial that you want to initialize.

5. To initialize, choose “OK” and press the [ENTER] button.

If you decide to cancel, press the [EXIT] button.

When the initialization has been completed, press the [MENU] button to return to the previous screen.

4. Select the partial that you want to edit.

5. Turn the value dial or use [DEC] [INC] buttons to switch

the partial/wave you’re editing on/o.

* For a SuperNATURAL drum kit, only one partial can be selected.

* You can’t switch all partials o.

Using the INTEGRA-7 with Your Computer

If you use a commercially available USB cable to connect the USB COMPUTER port on the INTEGRA-7’s rear panel to your computer’s USB connector, audio or MIDI data played by your MIDI software (DAW software) can be sounded by the INTEGRA-7.

Computer’s USB port (Supports USB 2.0 Hi-Speed)

USB cable (Supports USB 2.0 Hi-Speed)

INTEGRA-7

For details on operating requirements, refer to the Roland website.

http://www.roland.com/

NOTE

• For some models of computer, the system might not operate correctly. Refer to the Roland website for the operating systems that are supported.

• Before you make connections to other equipment, turn down the volume and turn o the power o on all equipment in order to prevent malfunction and/or speaker damage.

• A USB cable is not included. To purchase one, please contact the dealer where you purchased the INTEGRA-7.

• Use a USB cable that supports USB 2.0 Hi-Speed.

• Use a computer that supports USB 2.0 Hi-Speed.

• Switch on the INTEGRA-7 before you start up the DAW software on your computer. Do not switch the INTEGRA-7 on/o while your DAW software is running.

What is the USB driver?

The USB driver is software that transfers data between the INTEGRA-7 and the application (e.g., DAW software) on your computer when the INTEGRA-7 is connected via USB to your computer.

The USB driver sends data from your application to the INTEGRA-7, and data from the INTEGRA-7 to your application.

USB MIDI (p. 45)

You’ll be able to use the INTEGRA-7 as a MIDI interface with your DAW software, and use the INTEGRA-7’s sound generator to play performance data (MIDI data) that’s played back by your DAW software.

USB audio (p. 46)

If you want to use USB audio, you’ll need to use the VENDER driver (p. 44).

Settings for INTEGRA-7 computer

If the INTEGRA-7 is connected via a USB cable to the application (e.g., DAW software) on your computer, the same sound as from the INTEGRA-7’s MAIN OUT can be recorded into your computer.

Settings for computer INTEGRA-7

Sound from your computer can be played from the audio system connected to the INTEGRA-7’s OUTPUT jacks.

If the Motional Surround function is on, the sound from your computer can also be positioned in the front/rear and left/right directions.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Using the INTEGRA-7 with Your Computer

USB Driver

Here’s how to switch between the dedicated INTEGRA-7 USB driver and the generic driver provided by the operating system.

If you want to use USB audio, you’ll need to use the VENDER driver.

1. In the MENU screen, choose “SYSTEM” and press the

[ENTER] button.

2. Choose “SETUP” tab and press the [ENTER] button.

3. Specify the USB Driver that you want to use.

When you change this setting, a conrmation message will appear.

Driver Explanation

VENDER (MIDI+AUDIO)

GENERIC (MIDI only)

MEMO

This setting will take eect after you’ve carried out a System Write, and you’ve turned the unit o, then back on again.

4. Choose “WRITE” and press the [ENTER] button to save the

setting.

The dedicated INTEGRA-7 driver provided by Roland will be used. MIDI and audio will be available.

The generic driver provided by the operating system will be used. Only MIDI will be available.

Connecting the INTEGRA-7 to Your Computer

1. Install the USB driver on your computer.

If you want to use the INTEGRA-7’s USB audio functionality, change the USB Driver setting to VENDER and then install the driver. You can download the driver from the Roland website.

Roland website

http://www.roland.com/support/en/

The procedure for installing the driver will dier depending on your system. Before you proceed, you should carefully read the “Readme” le that was extracted along with the installer.

2. Use a USB cable (sold separately) to connect the

INTEGRA-7 to your computer.

5. Turn the unit o, then on again.

Using the INTEGRA-7 with Your Computer

USB MIDI

If you connect your computer and MIDI keyboard to the INTEGRA-7 as shown in the illustration and turn the USB-MIDI Thru ON, you’ll be able to use the INTEGRA-7 as a MIDI interface.

This is convenient when you want to use a MIDI keyboard with DAW software on your computer to create song data.

For details about settings on your computer, refer to the owner’s manual of the software you’re using.

Computer

INTEGRA-7 Rear Panel

MIDI IN

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

MIDI Keyboard

If you want to play the sound generator of the INTEGRA-7 directly from your MIDI keyboard, turn the USB-MIDI Thru OFF.

MIDI OUT

MIDI Signal Flow

USB-MIDI Thru=OFF

USB INMIDI IN USB OUTMIDI OUT

Sound

Generator

Section

INTEGRA-7

USB-MIDI Thru=ON

Specifying the Output Destination of the Incoming Messages

USB INMIDI IN USB OUTMIDI OUT

Sound

Generator

Section

INTEGRA-7

Here’s how to specify whether the MIDI messages received at MIDI IN will be retransmitted without change to computer (the “ON” setting), or will not be transmitted (the “OFF” setting).

1. Press the [MENU] button.

2. Choose “SYSTEM” and press the [ENTER] button.

3. In the “MIDI” tab, choose “USB-MIDI Thru” and specify the ON/OFF setting.

4. Hold down the [SHIFT] button and press the [EDIT] button to save the setting.

Using the INTEGRA-7 with Your Computer

USB AUDIO

Sound played back by your computer can be output from the INTEGRA-7.

MEMO

If you want to use the INTEGRA-7’s USB audio functionality, change the USB Driver setting to VENDER and then install the driver. You can download the driver from the Roland website.

Roland website

http://www.roland.com/support/en/

The procedure for installing the driver will dier depending on your system. Before you proceed, you should carefully read the “Readme” le that was extracted along with the installer.

Audio Signal Flow

Computer

USB

USB INPUT L USB INPUT R

Front INPUT L Front INPUT R

Rear INPUT L Rear INPUT R

Ext Part Source Select (p. 48)

Sound Generator

Part 1–16

Motional Surround

Chorus

Reverb

INTEGRA-7

USB OUTPUT L USB OUTPUT R

A (MIX)-L (1)

A (MIX)-R (2)

B-L (3)

B-R (4)

C-L (5)

C-R (6)

D-L (7)

D-R (8)

Specifying the Sampling Rate for USB Audio

Here’s how to specify the sampling rate of the INTEGRA-7. If you’re using software, you’ll also need to restart your software.

The USB Audio Sampling Rate must be set to match the sampling rate of the software you’re using.

1. In the MENU screen, choose “SYSTEM” and press the [ENTER] button.

2 CH L

2 CH R

5.1 CH L

5.1 CH R

5.1 CH C

5.1 CH Ls

5.1 CH Rs

5.1 CH LFE

2. In the “SOUND” tab, choose “Sampling Rate” and change the setting.

3. Change the “Sampling Rate” setting.

MEMO

If you want to save the setting, hold down the [SHIFT] button in the system setting screen and press the [EDIT] button.

The INTEGRA-7’s audio format

Sampling rate 44.1, 48, 96 kHz

Bit depth 24-bit (xed)

Number of channels 2 channels (stereo)

Applying Motional Surround to Sounds of an External Device

Connection Example

You can assign the sound of the external input as the Ext part, and apply Motional Surround to it.

Quick Guide

It’s best to place the subwoofer at the same distance as the satellite speakers, with the listening position at the center.

Computer

LFE

Ext part

Rs Ls

LFE

R L

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Jack

Explanation

name

L Front left output

R Front right output

C Front center output

Ls Rear left output

Rs Rear right output

LFE Subwoofer output

MIDI Keyboard/Synthesizer

MEMO

• In order to use Motional Surround, you must turn Motional Surround on (p. 34).

• If you want to apply Motional Surround to the sound of the external input, set the “Ext Part Source Sel” parameter (p. 48) to “Input.”

• If you want to apply Motional Surround to your PC’s sound, set the “Ext Part Source Sel” parameter (p. 48) to “USB.”

• Depending on the equipment you’ve connected and the sound that is being input, it may be dicult to obtain the Motional Surround eect.

Overall Settings

System Settings

Here you can make overall settings that apply to the entire INTEGRA-7, such as those for tuning and MIDI message reception.

1. In the MENU screen, choose “SYSTEM” and press the

[ENTER] button

The SYSTEM screen will appear.

2. Select the item whose settings you want to edit.

3. Select the parameter that you want to edit, and edit its

value.

Saving the System Settings

System settings will return to their previous state when you turn o the unit. If you want these settings to be retained even after the unit is turned o, you must save the system settings.

1. In the SYSTEM screen, hold down the [SHIFT] button and

press the [EDIT] button.

A message will indicate “Completed!” and the settings will be saved.

NOTE

Never turn o the unit while data is being saved.

System Parameter

The operations of the system parameters are explained below, organized according to the structure of the parameters.

Setup Settings (SETUP)

Parameter Value Explanation

LCD Contrast

LCD Brightness

Top Screen

Auto O

USB Driver

1–20 Adjusts the contrast of the display.

1–20

TYPE1, TYPE2

OFF, 30 [min], 240 [min]

VENDER (MIDI+AUDIO), GENERIC (MIDI Only)

Adjusts the brightness of the display.

The brightness will increase as the value is raised.

TYPE1: A screen that shows the tone of the current part in large characters

TYPE2: A screen that shows the studio set and tones

* You can also switch this by pressing [SHIFT]

+ [ENTER] in the top screen.

Species whether the unit will turn o automatically after a certain time has elapsed. (p. 55)

If you don’t want the unit to turn o automatically, choose “OFF” setting.

Species whether the INTEGRA-7 will use the dedicated driver provided by Roland (VENDER) or the standard driver provided by the operating system (GENERIC) (p. 44).

If you choose GENERIC, USB operation is limited to MIDI.

* This setting will take eect after you save

the settings and turn the unit o, then on again.

Startup Settings (STARTUP)

Parameter Value Explanation

Startup Studio Set

Startup Expansion SlotA–SlotD

LAST-SET, (Studio Set number)

OFF, (Sound Library name)

Species the studio set that will be loaded when the unit is turned on.

If you want the most recently selected studio set to be loaded, choose “LAST-SET.”

Species the sound library that will be loaded into each RAM slot when the unit is turned on.

Volume and Pitch Settings (SOUND)

Parameter Value Explanation

Master Level

Master Tune

Output Gain -12–+12 dB

Master Key Shift

Sampling Rate

Ext Part Source Select

0–127 Species the overall volume of the INTEGRA-7.

415.3–466.2 Hz

-24–+24 Transposes the overall pitch in semitone steps.

44.1, 48, 96 kHz

USB AUDIO, INPUT

Species the overall tuning. The displayed value is the frequency of the A4 note (middle “A”).

Adjusts the output gain of the analog output and digital output.

Species the audio sampling rate.

Selects the input source that will be assigned to the Ext part.

Synchronization Settings (SYNC/TEMPO)

Parameter Value Explanation

MASTER: Choose this setting when using the

Sync Mode

Clock Source

System Tempo

Tempo Assign Source

MASTER, SLAVE

MIDI, USB

20–250

SYSTEM, STUDIO SET

INTEGRA-7 by itself.

SLAVE: Choose this setting if you want the INTEGRA-7 to operate in synchronization with the MIDI clock of an external device.

If the Sync Mode is set to “SLAVE,” you can specify whether the INTEGRA-7 will synchronize with clock received at the MIDI IN or with clock received at the USB port.

Species the system tempo.

* If the Sync Mode is “SLAVE,” this tempo

value is ignored because the INTEGRA-7 will synchronize to clock data received from an external MIDI device.

Species whether the tempo will follow the system setting (System Tempo) or the tempo of each studio set (Studio Set Tempo).

Overall Settings

MIDI Settings (MIDI)

Parameter Value Explanation

Device ID 17–32

Studio Set Control Channel

USB-MIDI Thru

Tx Edit Data OFF, ON

Rx Program Change

Rx Bank Select

Rx Exclusive OFF, ON

Rx GM System On

Rx GM2 System On

Rx GS Reset OFF, ON

1–16, OFF

OFF, ON

When transmitting and receiving system exclusive messages, the device ID numbers of both devices must match.

Species the MIDI receive channel on which MIDI messages (program change/bank select) from an external MIDI device will be received by the INTEGRA-7 to switch studio sets.

Choose “OFF” setting if you don’t want studio sets to be switched from a connected MIDI device.

Species whether MIDI messages received via the USB COMPUTER port/MIDI IN connector will be re-transmitted from the MIDI OUT connector/USB COMPUTER port (ON) or not be re-transmitted (OFF) (p. 45).

When you edit tone or studio set settings, this species whether your edits will be transmitted as system exclusive messages (ON) or not be transmitted (OFF).

Species whether program change messages will be received (ON) or not be received (OFF).

Species whether bank select messages will be received (ON) or not be received (OFF).

Species whether system exclusive messages will be received (ON) or not be received (OFF).

Species whether GM System On messages will be received (ON) or not be received (OFF).

Species whether GM2 System On messages will be received (ON) or not be received (OFF).

Species whether GS Reset messages will be received (ON) or not be received (OFF).

Motional Surround Settings (MOTIONAL SURROUND)

Parameter Value Explanation

2CH Out Mode

5.1CH Center SP Switch

5.1CH Sub Woofer (LFE) Switch

SPEAKER, PHONES

OFF, ON

Species whether the two-channel surround output will be processed appropriately for listening through speakers (SPEAKER) or headphones (PHONES).

Species whether sound will (ON) or will not (OFF) be output from the front center speaker of a 5.1 channel speaker system.

Species whether sound will (ON) or will not (OFF) be output from the subwoofer of a 5.1 channel speaker system.

Preview Settings (PREVIEW)

Parameter Value Explanation

SINGLE: The notes specied by Preview 1–4 Note Number will be sounded one at a time, consecutively.

CHORD: The notes specied by Preview 1–4 Note Number will be sounded simultaneously.

PHRASE: The phrase provided for the corresponding patch type (category) will be played.

Specify the pitches of the four notes that will be sounded if you set the Preview Mode to “SINGLE” or “CHORD.”

* These settings are ignored if Preview Mode

is set to “PHRASE.”

Specify the velocities of the four notes that will be sounded if you set the Preview Mode to “SINGLE” or “CHORD.”

* These settings are ignored if Preview Mode

is set to “PHRASE.”

Preview Mode

Preview 1–4 Note Number

Preview 1–4 Velocity

SINGLE, CHORD, PHRASE

C-1–G9

OFF, 1–127

Control Function Settings (CONTROL)

Parameter Value Explanation

Specify the MIDI messages that will be used as system controls.

System Control settings allow you to specify MIDI messages that will apply in common to the entire INTEGRA-7, and can be used for controlling volume, tone, etc.

You can assign up to four MIDI messages for this type of control.

If you want to make assignments for realtime control of the sound and eects for each tone independently, use “matrix control” or “multi-eect control.”

For details, refer to the “Parameter Guide PDF.”

SYSTEM: “System Control Src 1--4” will be used for tone control.

STUDIO SET: Tone Control Src 1--4 (p. 32) of the Studio Set will be used for tone control.

System Control Src1–4

Control Source Select

OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH

SYSTEM, STUDIO SET

Viewing the System Version

Shows the INTEGRA-7’s software version.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

1. In the MENU screen, choose “SYSTEM” and press the

[ENTER] button.

The SYSTEM screen will appear.

2. Use the cursor [ ] [ ] buttons to select the “VERSION”

tab.

Convenient Functions

Basic Procedure for Utility Operations

1. In the MENU screen, choose “UTILITY” and press the

[ENTER] button.

The UTILITY screen will appear.

2. Select the function that you want to execute, and press

the [ENTER] button.

Function Explanation Page

BACKUP

RESTORE

EXPORT

IMPORT

FACTORY RESET

FORMAT USB MEMORY

BULK DUMP

Saves (backs up) all settings of the INTEGRA-7 to a USB ash drive.

Restores data from a backup on a USB ash drive into the INTEGRA-7.

Writes sound data of the INTEGRA-7 to a USB ash drive.

Loads previously exported data from a USB ash drive into the INTEGRA-7.

Returns the INTEGRA-7 to its factory-set state.

Initializes the USB ash drive. p. 50

Sends the studio set and tone settings in the temporary area to an external MIDI device.

p. 52

p. 53

p. 51

p. 55

p. 54

Initializing a USB Flash Drive (FORMAT USB MEMORY)

This operation will initialize (format) a USB ash drive.

NOTE

When you execute this operation, all data saved on the USB ash drive will be lost. If the USB ash drive contains important data, back it up to your computer before initializing the USB ash drive.

1. In the UTILITY screen, choose “FORMAT USB MEMORY”

and press the [ENTER] button.

2. To initialize, choose “OK” and press the [ENTER] button.

NOTE

Never turn o the unit while the formatting is in progress.

USB Flash Drive

The settings of the INTEGRA-7, sound data backups, and data for studio sets and tones can be exported to a USB ash drive (p. 27).

NOTE

• Never insert or remove a USB ash drive while this unit is on. Doing so may corrupt the unit’s data or the data on the USB ash drive.

• Carefully insert the USB ash drive all the way in-until it is rmly in place.

• Use USB ash drive available from Roland. Proper operation cannot be guaranteed if other USB device is used.

• Don’t connect anything other than a USB ash drive to the USB MEMORY connector.

Convenient Functions

Exporting/Importing Sound Data

From the studio sets and tones saved in the INTEGRA-7, you can select the desired items and export them to a USB ash drive.

You can also select the desired studio sets or tones from a le that was exported to a USB ash drive, and import them into the INTEGRA-7.

When you export a studio set, the tones used by that studio set will also be exported.

* Connect your USB ash drive to the USB MEMORY port before

you export or import.

Exporting Sound Data (Export)

1. In the UTILITY screen, choose “EXPORT” and press the

[ENTER] button.

The EXPORT screen will appear.

2. Mark the sound data that you want to export.

Select the desired studio set or tone, and press the [INC] button.

Pressing the [DEC] button will clear the mark.

You can use the tabs to switch between studio sets and dierent types of tones.

When you mark an item, an “*” will appear at the left of the Number/ Name. A “+” symbol will automatically appear for the tones used by sound data marked with an “*” symbol. The “+” symbol cannot be directly erased.

3. Press the [ENTER] button.

4. Assign a name to the le that will be exported.

For details on assigning a name, refer to “Assigning a Name” (p. 29).

MEMO

The exported sound data will be saved together in a single le named ***.SVD, located below /ROLAND/SOUND in the USB ash drive.

5. Press the [ENTER] button.

A message will ask “Are you sure?”

6. To export, choose “OK” and press the [ENTER] button.

Importing Sound Data (Import)

1. In the UTILITY screen, choose “IMPORT” and press the

[ENTER] button.

The IMPORT screen will appear.

2. Select the data le from which you want to import, and

press the [ENTER] button.

3. Select the sound data that you want to import.

Select the desired studio set or tone, and press the [INC] button.

Pressing the [DEC] button will clear the mark.

You can use the tabs to switch between studio sets and dierent types of tones.

4. Press the [ENTER] button.

A screen will appear, allowing you to specify the destination for the import.

The names “INIT STUDIO,” “INIT TONE,” and “INIT KIT” will be used when assigning the import destinations; this occurs in order, starting with the lowest number.

NOTE

If you’ve edited a sound and have saved it with the name “INIT STUDIO,” “INIT TONE,” or “INIT KIT,” it may be automatically selected as the destination for the import.

If you then execute the import, this data will be overwritten and lost. The lost sound data cannot be recovered.

Please save your important sound data using names other than “INIT STUDIO,” “INIT TONE,” and “INIT KIT.”

5. If you want to change the destination of the import, clear

the specied mark, and then select and mark the desired destination for the import.

For the import destination, select the same number of sound data items as you marked in step 3. (Importing is not possible if the number is insucient.)

You cannot select more import destinations than the number of sound data items being imported.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

NOTE

Never turn o the unit while the export operation is in progress.

6. Press the [ENTER] button.

A message will ask “Are you sure?”

7. To Import, choose “OK” and press the [ENTER] button.

NOTE

Never turn o the unit while the import is in progress.

Convenient Functions

Marking Multiple Items of Data

You can select multiple consecutive items of sound data, and set or clear their marks in a single operation.

1. In the screen where you’re selecting sound data, select

the lowest-numbered item of sound data that you want to select.

2. Hold down the [SHIFT] button and use the cursor

[ ] [ ] buttons to select the highest-numbered item of sound data that you want to select.

All sounds between the numbers you selected in steps 1 and 2 will be selected.

The number of currently selected data items is shown in the upper right of the screen.

3. Press the [INC] button.

Pressing the [DEC] button will clear the mark from the sound data.

Backing Up User Data

You can back up all of settings in the INTEGRA-7 to a USB ash drive (sold separately), or restore those settings into the INTEGRA-7’s memory.

* Connect your USB ash drive to the USB MEMORY port before

you back up or restore data.

NOTE

• If you execute the backup operation using a le name that already exists, the backup data currently saved on the USB ash drive will be overwritten. If you want to keep multiple backup les within a single USB ash drive, you can either back them up with dierent le names, or back them up as described in “Backing Up USB Flash Drive Data to a Computer” (p. 53).

• Never insert or remove a USB ash drive while this unit is on. Doing so may corrupt the unit’s data or the data on the USB ash drive.

• Carefully insert the USB ash drive all the way in-until it is rmly in place.

• Use USB ash drive available from Roland. Proper operation cannot be guaranteed if other USB device is used.

Backing Up to a USB Flash Drive (BACKUP)

Deleting an Exported File

In the screen where you select the data le to be imported, you can delete data les.

1. In the UTILITY screen, choose “IMPORT” and press the

[ENTER] button.

The IMPORT screen will appear.

2. Select the data le that you want to delete.

NOTE

Data that you delete cannot be recovered.

Take care not to inadvertently delete important data.

3. Press the [MENU] button.

4. Choose “DELETE” and press the [ENTER] button.

A message will ask “Are you sure?”

5. Choose “OK” and press the [ENTER] button.

Renaming an Exported File

In the screen where you select the data le to be imported, you can rename the data le.

1. In the UTILITY screen, choose “IMPORT” and press the

[ENTER] button.

The IMPORT screen will appear.

1. In the UTILITY screen, choose “BACKUP” and press the

[ENTER] button.

2. Assign a name to the backup le.

For details on assigning a name, refer to “Assigning a Name” (p. 29).

3. Press the [ENTER] button.

A message will ask “Are you sure?”

4. To execute, choose “OK” and press the [ENTER] button.

NOTE

Never turn o the unit while the backup operation is in progress.

2. Select the data le that you want to rename.

3. Press the [MENU] button.

4. Choose “RENAME” and press the [ENTER] button.

For details on assigning a name, refer to “Assigning a Name” (p. 29).

5. Press the [ENTER] button.

Convenient Functions

Restoring Backed-up Settings from a USB Flash Drive (RESTORE)

1. In the UTILITY screen, choose “RESTORE” and press the

[ENTER] button.

The RESTORE screen will appear.

2. Select the le that you want to restore.

3. Press the [ENTER] button.

A message will ask “Are you sure?”

NOTE

When you execute the Restore operation, all settings currently saved in the INTEGRA-7 will be lost. If you want to keep the current settings, back them up under a dierent name.

4. To execute, choose “OK” and press the [ENTER] button.

NOTE

Never turn o the unit while the restore operation is in progress.

Renaming a Backup File

You can rename a data le in the screen where you select a data le to be restored.

1. In the UTILITY screen, choose “RESTORE” and press the

[ENTER] button.

The RESTORE screen will appear.

2. Select the data le that you want to rename.

3. Press the [MENU] button.

4. Choose “RENAME” and press the [ENTER] button.

For details on assigning a name, refer to “Assigning a Name” (p. 29).

5. Press the [ENTER] button.

Backing Up USB Flash Drive Data to a Computer

Here’s how to back up the data from a USB ash drive to your computer.

1. Turn o the INTEGRA-7.

2. Disconnect the USB ash drive from the INTEGRA-7, and

connect it to your computer.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

5. Turn the INTEGRA-7 o, and then on again.

Deleting a Backup File

You can delete a data le in the screen where you select a data le to be restored.

1. In the UTILITY screen, choose “RESTORE” and press the

[ENTER] button.

The RESTORE screen will appear.

2. Select the data le that you want to delete.

NOTE

Data that you delete cannot be recovered.

Take care not to inadvertently delete important data.

3. Press the [MENU] button.

4. Choose “DELETE” and press the [ENTER] button.

A message will ask “Are you sure?”

3. On your computer, open the USB ash drive.

4. Copy (drag and drop) the entire “ROLAND” folder from the

USB ash drive into a folder on your computer.

NOTE

• You must copy the entire “ROLAND” folder.

• The data will not be backed up correctly if you copy only part of the les in the “ROLAND” folder.

5. When the copy is completed, unmount (eject) the USB

ash drive from your computer, and then disconnect it from the computer.

Windows 7/ Windows Vista / Windows XP users:

In My Computer (or Computer), right-click the “removable disk” icon and choose “Eject.”

Mac OS X users:

Drag the USB ash drive icon into the Trash (Eject icon).

5. Choose “OK” and press the [ENTER] button.

Convenient Functions

Restoring Backed-up Data from a Computer to a USB Flash Drive

1. Connect the USB ash drive to your computer, and open

the USB ash drive.

2. Copy (drag and drop) the entire backed-up “ROLAND”

folder from your computer into the USB ash drive.

NOTE

• When you copy the backed-up data to the USB ash drive, the “ROLAND” folder that previously existed on the USB ash drive will be overwritten, and its data will be lost.

• You must copy the entire “ROLAND” folder. The system will not operate correctly if you copy only some of the les from the “ROLAND” folder.

3. Disconnect the USB ash drive from your computer as

described in step 5 of “Backing Up USB Flash Drive Data to a Computer” (p. 53).

Transmitting the Temporary Area’s Data to an External MIDI Device (BULK DUMP)

Here’s how to transmit the studio set and tone settings to an external MIDI device. This operation is called “bulk dump.” You can use this operation when you want to connect another INTEGRA-7 unit and play it using identical settings, or when you want to save your studio set and tone settings on an external MIDI device as a precaution against data loss.

Connect the INTEGRA-7 to your external MIDI device as shown in the illustration before you proceed.

INTEGRA-7

Computer

Sequencer software such as SONAR

1. In the UTILITY screen, choose “BULK DUMP” and press the

[ENTER] button.

A message will ask “Are you sure?”

2. To execute the bulk dump, choose “OK” and press the

[ENTER] button.

Convenient Functions

Restoring the Factory Settings (FACTORY RESET)

This “FACTORY RESET” operation will restore all settings of the INTEGRA-7 to their factory-set state.

NOTE

When you execute the Factory Reset operation, all data in the INTEGRA-7 will be lost. If there is any data that you want to keep, back it up to a USB ash drive (p. 52).

1. In the MENU screen, choose “UTILITY” and press the

[ENTER] button.

The UTILITY screen will appear.

2. Choose “FACTORY RESET” and press the [ENTER] button.

3. To execute the factory reset, choose “OK” and press the

[ENTER] button.

NOTE

Never turn o the unit before the factory reset has been completed.

4. Turn the INTEGRA-7 o, and then on again.

Making the Unit Automatically Turn O After a Time (Auto O)

With the factory settings, the INTEGRA-7 will automatically be switched o 4 hours after you stop playing or operating the unit.

If you don’t need the unit to turn o automatically, set “Auto O” to the “OFF” setting as described below.

1. In the MENU screen, choose “SYSTEM” and press the

[ENTER] button.

The SYSTEM screen will appear.

2. Use the cursor [ ] [ ] buttons to select the “SETUP” tab.

3. Use the cursor [ ] [ ] buttons to select “Auto O,” and

change the setting.

Value Value

OFF The unit will not turn o automatically.

30 [min]

240 [min] (default)

The unit will automatically turn o if no operation is performed for 30 minutes.

The unit will automatically turn o if no operation is performed for 240 minutes (4 hours).

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

4. Hold down the [SHIFT] button and press the [EDIT]

button.

A message will indicate “Completed!” and the settings will be saved.

NOTE

• Never turn o the unit while data is being saved.

• When turning the unit back on after it has been shut down due to the Auto O function, always make sure to allow at least ten seconds to pass after the unit has been shut o before you turn the unit back on. If you turn it back on too rapidly, the Auto O function will not have had enough time to reset itself, and you may not be able to turn on the unit in the normal way.

Troubleshooting

Problem Items to check Action Page

Overall problems

The unit turns o unexpectedly

Unit won’t turn on

No sound

Problems with the Synthesizer sound

No sound

No sound from a specic part

No sound from a specic range of keys

Can’t hear the audio signal from the computer

Sound is distorted

Pitch is wrong

Notes are broken o

Sound is still heard from the opposite side as well even when panned all the way to one side

Notes played in a high register sound funny

Check the “Auto O” system setting. The INTEGRA-7 will automatically be turned o when no operation has been performed for a certain length of time. (At the factory settings, the power will be turned o after 4 hours.)

Is the included AC power cord correctly connected to an outlet and to the INTEGRA-7?

Is the connected amp or speaker powered up? Turn on the power of the connected amp or speaker.

Could the volume of a connected device have been lowered? Adjust the volume of the connected equipment.

Could the [VOLUME] knob be set to the minimum level? Adjust the [VOLUME] knob.

Are your amp, speakers, headphones, etc., connected correctly? Correctly connect your amp, speakers, and headphones. p. 23

Can you connect headphones and hear sound through them?

Does the MIDI receive channel match?

Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. p. 23

Could the tone’s partials be turned o? Turn on the “Partial Switch.” p. 42

Could the level setting be too low? In the “SOUND” system settings, check “Master Level.” p. 48

Are the eect settings correct?

Has the expansion sound data been loaded correctly?

Could the volume have been lowered by a MIDI message (volume message or expression message) received from an external MIDI device?

Could the USB-MIDI Thru setting be ON?

Could the volume level of the part have been lowered?

Could the part be muted? Change the mute setting to “-”. p. 30

Could the Rx Switch of the part be turned o? Turn the Rx Switch on. p. 32

Could a key range be set?

Could the audio signal from the computer be at a dierent sampling rate than the sampling rate of the INTEGRA-7 itself?

Could the [VOLUME] knob be set too high? If the overall sound is distorted, lower the [VOLUME] knob. p. 21

Could the Output Gain be raised excessively? In the “SOUND” system settings, check the “Output Gain” setting. p. 48

Could the INPUT (front or rear) input signal be too high?

Could the INTEGRA-7’s tuning be incorrect? In the “SOUND” system settings,” check the “Master Tune” setting. p. 48

Could the pitch be wrong because of a pitch bend message received from an external MIDI device?

Could the Coarse Tune or Fine Tune parameters be set? Check the Coarse Tune and Fine Tune settings. p. 33

Notes will be interrupted if more than 128 notes are sounded simultaneously.

Could eects be applied?

Could Motional Surround be turned on?

When you play high notes on the INTEGRA-7, you might hear notes that fail to sound, whose pitch fails to rise, or a noise that changes depending on the note you play (a warbling, chirping, rustling, beeping, etc.)

If you want the INTEGRA-7 to stay on, change the “Auto O” system setting to “OFF.”

Make sure that the AC power cord is connected correctly.

Do not use anything other than the included AC power cord; otherwise, you risk causing a malfunction.

If you hear sound through your headphones, it may be that there is a broken connection cable, or that your amp or mixer have malfunctioned. Check your connection cables and equipment once again.

Make sure that the MIDI transmit channel of the connected device matches the MIDI receive channel (Rx Channel) of the INTEGRA-7.

Check the eect on/o settings. Also check settings such as the eect levels.

If the settings of the sound use a tone, wave, or instrument of an expansion sound, make sure that the corresponding expansion sound data is loaded correctly.

Adjust the Level setting to raise the volume of the part that you don’t hear.

Check the expression messages that are being transmitted by your external MIDI device.

If USB-MIDI Thru is on, MIDI messages received at MIDI IN will be re-transmitted without change from USB OUT, so the sound generator will not produce sound.

If you want to play the sound generator via the MIDI IN connector, turn USB-MIDI Thru o.

Adjust the Level to raise the volume of the part that you don’t hear.

If you don’t hear sound from a specic range of keys, check the key range settings.

Change the Sampling Rate setting of the INTEGRA-7 so that it matches the sampling rate of the audio signal.

The PEAK indicator on the front panel will light if the input level clips. Adjust the volume of the connected device to an appropriate level so that the PEAK indicator does not light.

Check the pitch bend messages that are being transmitted by your external MIDI device.

Reduce the number of layers in the Live Set you’re using. Increase the voice reserve setting for layers in which notes must not drop out.

Since the INTEGRA-7’s internal eects are stereo, applying an insert eect will allow eect sound to be heard from the opposite side even if the source sound is panned all the way to one side.

PAN will not work if Motional Surround is on. Turn MOTIONAL SURROUND o.

This is usually because you have exceeded the highest note that the INTEGRA-7 is able to produce, and won’t occur with the notes you would normally use. This does not indicate a malfunction.

p. 55

p. 22

p. 21

p. 20

p. 32

p. 36, p. 41

p. 15

p. 32

p. 45

p. 32

p. 48

–

p. 32

p. 36, p. 41

p. 34

–

Troubleshooting

Problem Items to check Action Page

Delay time does not change when you change the tempo

Pitch sometimes fails to rise when playing legato

Problems with the Synthesizer eects

Eect not applied

You specied a delay time value (for example for multi eect DELAY) as a note value, but there’s a limit beyond which the delay time will not change

Problems with external MIDI devices

No sound from an external MIDI device

Exclusive messages are not received

Problems with an external device you’re recording

The volume level of the

instrument connected to INPUT jacks (Front, Rear) is too low.

Problems with the USB ash drive

USB ash drive is not recognized

Data on the USB ash drive was damaged

Can’t back up to USB ash drive

Problems with a USB connection

The INTEGRA-7 is not recognized by your computer

Could the system setting “USB Song Sync Mode” have been set to “SLAVE”?

When the Legato Switch (p. 32) is “ON” and Legato Retrigger is “OFF,” and you hold down a low note and play a high note to produce a legato eect, the pitch might stop at a certain point and fail to rise as far as you expect because the upper limit of the wave data has been exceeded.

If the tone uses multiple waves, and each of these waves has a dierent upper limit, the result might no longer sound mono.

Could the eect switch be o? Check the on/o setting of each eect. p. 36, p. 41

Check the send level to each eect.

Check the delay time setting.

Does the INTEGRA-7’s MIDI transmit channel match the connected device’s MIDI receive channel?

Could Rx Exclusive be turned “OFF”? Turn Rx Exclusive “ON.” p. 49

Does the transmitting unit’s Device ID number match the INTEGRA-7’s Device ID number?

Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. p. 23

Is the volume of the external device adjusted correctly? Adjust the volume of your external device to an appropriate level. –

Did you adjust the Level of Ext Part? Adjust Level of Ext Part. p. 33

Check the format of the USB ash drive.

Could a strong physical shock have been applied to the USB ash drive?

Could the unit have been turned o while accessing the USB ash drive?

Is there sucient free space on the USB ash drive? Use an USB ash drive that has sucient free space. –

Check the format of the USB ash drive. The INTEGRA-7 can use USB ash drive that are formatted in FAT format.

Does your computer’s USB port support USB 2.0 Hi-Speed?

If “Sync Mode” is set to “SLAVE,” change the tempo of the external device that is transmitting MIDI clock data.

If you want to make large changes in the pitch, you should turn Legato Retrigger “ON.”

For details on the parameters, refer to “Parameter Guide PDF.”

The eect won’t be obtained if the send level to that eect is set at 0. Even if the send levels to the eect is set above 0, the eect won’t be applied if the multi-eect level, or reverb level are set to

0. Check each of these settings.

Increase the System tempo.

Since the delay time has an upper limit, specifying the delay time as a note value and then slowing down the tempo may reach this upper limit. The maximum delay time is the highest value that can be specied numerically (i.e., other than in terms of a note value).

Match the INTEGRA-7’s transmit channel and your connected device’s receive channel.

Set the Device ID numbers. p. 49

Format the USB ash drive on the INTEGRA-7.

The INTEGRA-7 can use a USB ash drive that’s formatted as FAT. (Normally, a USB ash drive will be formatted as FAT when you purchase it, so you can use it as is.) USB ash drives with a format other than FAT (such as NTFS) will not be recognized by the INTEGRA-7.

Format the USB ash drive on the INTEGRA-7. p. 50

The USB port of the computer connected to the INTEGRA-7 must support USB 2.0 Hi-Speed.

p. 48

p. 39

p. 36

p. 48

p. 32

p. 50

–

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Error Message List

If an incorrect operation is performed, or if processing could not be performed as you specied, an error message will appear.

Refer to the explanation for the error message that appears, and take the appropriate action.

Message Meaning Action

Cannot Import! Sound data cannot be imported.

File Not Selected! No le is selected. Select a le.

Incorrect File Name! The le name is invalid.

MIDI Buer Full!

MIDI Oine! The MIDI IN connection was broken.

Permission Denied!

Program Error!

Read Error!

System Memory Damaged!

USB Memory Full! There is insucient space on the USB ash drive. Delete unneeded data (p. 52, p. 53).

USB Memory Not Ready!

Write Error!

An unusually large amount of MIDI data was received, and could not be processed.

The operation could not be performed because the read-only attribute is set for the folder or le.

The INTEGRA-7 was unable to start up.

The program could not be read correctly. Alternatively, the system update program may be invalid.

Data could not be read from the USB ash drive.

The le is damaged. Do not use this le.

The contents of system memory may be damaged.

The USB ash drive is not inserted, or is inserted incompletely.

The USB ash drive was removed after you selected data that was on the USB ash drive.

The format of the USB ash drive is invalid. Use the INTEGRA-7 to format the USB ash drive (p. 50).

Data could not be written to the USB ash drive.

The format of the USB ash drive is invalid. Use the INTEGRA-7 to format the USB ash drive (p. 50).

An import destination has not been selected. Select the import destination (p. 51).

Do not use a le name that starts with “.” or contains a character that may not be used (¥ / ; * ? “ < > |) in a le name.

Reduce the amount of MIDI messages that are being transmitted.

Check that there is no problem with the MIDI cable connected to the INTEGRA-7’s MIDI IN, and that the MIDI cable was not disconnected.

Use your computer to clear the read-only attribute of the le or folder.

Use the correct program to perform the update once again.

If this does not solve the problem, contact your dealer or customer support.

Make sure that USB ash drive is correctly connected (p. 5).

Also make sure that you’re using a USB ash drive sold by Roland.

Execute the factory reset operation (p. 55).

If this does not solve the problem, contact your dealer or customer support.

Turn o the unit, rmly insert the USB ash drive, and then turn on the unit once again (p. 5, p. 21).

Make sure that USB ash drive is correctly connected (p. 5).

Also make sure that you’re using a USB ash drive sold by Roland.

MIDI Implementation Chart

Model INTEGRA-7

Function...

Basic Channel

Default Changed

Default

Mode

Message Altered

Note Number

Velocity

After Touch

: True Voice

Note On Note O

Key’s Channel’s

Pitch Bend

Control Change

Program Change

: True Number

System Exclusive

System Common

System Realtime

Aux Messages

: Song Position : Song Select : Tune

: Clock : Commands

: All Sound O : Reset All Controllers : Local On/O : All Notes O : Active Sensing : System Reset

Notes

Mode 1: Omni On, Poly Mode 3: Omni O, Poly

0, 32

6, 38

1–31, 33–95

96, 97

98, 99 100, 101 102, 119

1 2 4 5

7 10 11 12 13 14 16 17 18 19 28 29 30 64 65 66 67 68 71 72 73 74 75 76 77 78 80 81 82 83 84 91 93

Transmitted Recognized Remarks

x x

************** x **************

x x

x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x

x **************

o *3

x x x

x x

x x x x x x

*1 O X is selectable. *2 Recognized as M=1 even if M 1. *3 Transmitted only when “Transmitted Edit Data” is ON or RQ1 is received. *4 Motional Surround setting; valid when Motional Surround is on.

Mode 2: Omni On, Mono Mode 4: Omni O, Mono

1–16 1–16

Mode 3 Mode 3, 4 (M=1)

0–127 0–127

o o

o *1 o *1

o *1 o

o o o o o o o o o (Part L-R) o (Part F-B) o (Part Ambience Send) o (Tone Modify 1) o (Tone Modify 2) o (Tone Modify 3) o (Tone Modify 4) o (Ext Part L-R) o (Ext Part F-B) o (

Ext Part Ambience Send o o o o o o o o o o o o o o (Tone Variation 1) o (Tone Variation 2) o (Tone Variation 3) o (Tone Variation 4) o o (Reverb) o (Chorus) o x x o x

o *1 0–127

o *1

x x x

o x

o o x o (123–127) o x

Bank select

Modulation Breath type Foot type Portamento time Data entry

Volume

Panpot

Expression

Eect control 1

Eect control 2

General purpose controller 1 General purpose controller 2 General purpose controller 3 General purpose controller 4

*4 *4 *4

)

Hold 1 Portamento Sostenuto Soft Legato foot switch Resonance Release time Attack time Cuto Decay time Vibrato rate Vibrato depth Vibrato delay General purpose controller 5 General purpose controller 6 General purpose controller 7 General purpose controller 8 Portamento control General purpose eect 1 General purpose eect 3 General purpose controller Increment, Decrement NRPN LSB, MSB RPN LSB, MSB

Program Number 1–128

Date : Jun. 1, 2012

Version : 1.00

o: Yes x: No

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Specications

Roland INTEGRA-7: SuperNATURAL Sound Module

Sound Generator Section

Maximum Polyphony

Parts 16 parts

Tones

Expansion Virtual Slots

Eects

128 voices (varies according to the sound generator load)

SuperNATURAL Acoustic

SuperNATURAL Synth

SuperNATURAL Drum Kit

PCM Synth

PCM Drum Kit

* GM2 compatible sounds are included.

4 Slots

* The following titles are loaded from the internal memory into

the virtual slots.

SRX Series (12 titles)

• SRX-01 Dynamic Drum Kits

• SRX-02 Concert Piano

• SRX-03 Studio SRX

• SRX-04 Symphonique Strings

• SRX-05 Supreme Dance

• SRX-06 Complete Orchestra

• SRX-07 Ultimate Keys

• SRX-08 Platinum Trax

• SRX-09 World Collection

• SRX-10 Big Brass Ensemble

• SRX-11 Complete Piano

• SRX-12 Classic EPs

Expansion SuperNATURAL Sounds (6 titles)

• ExSN1 Ethnic

• ExSN2 Wood Winds

• ExSN3 Session

• ExSN4 A. Guitar

• ExSN5 Brass

• ExSN6 SFX

Expansion Hi-Quality PCM Sounds (1 title)

• ExPCM HQ GM2 + HQ PCM Sound Collection

* The SRX Series and the Expansion SuperNATURAL Sounds use

one virtual slot per title.

* The Expansion Hi-Quality PCM Sounds use all four virtual slots.

• Multi-Eects: 16 systems, 67 types

• Part EQ: 16 systems

• Drum Part COMP+EQ: 6 systems

• Motional Surround

• Chorus: 3 types

• Reverb: 6 types

• Master EQ

Others

Display 256 x 80 dots graphic LCD (with backlit)

• PHONES jack (stereo 1/4-inch phone type)

• INPUT jacks (L, R) (1/4-inch phone type, Front)

• INPUT jacks (L, R) (1/4-inch phone type, Rear)

• OUTPUT A (MIX) jacks (L, R) (1/4-inch TRS phone type)

• OUTPUT A (MIX) jacks (L, R) (XLR type)

• OUTPUT B jacks (L, R) (1/4-inch phone type)

Connectors

Power Consumption

Dimensions

Weight

Accessories

Options (sold separately)

* In the interest of product improvement, the specications and/or appearance of

this unit are subject to change without prior notice.

• OUTPUT C jacks (L, R) (1/4-inch phone type)

• OUTPUT D jacks (L, R) (1/4-inch phone type)

• DIGITAL AUDIO OUT jack (COAXIAL)

• MIDI Connectors (IN, OUT, THRU)

• USB COMPUTER port (Audio/MIDI)

• USB Memory port

• AC IN jack

18 W

481 (W) x 262 (D) x 89 (H) mm

18-15/16 (W) x 10-3/8 (D) x 3-9/16 (H) inches

3.9 kg

8 lbs 10 oz

• Owner’s Manual

• DVD-ROM (SONAR LE)

• Power Cord

USB Flash Memory

* Use USB Flash Memory sold by Roland. We cannot guarantee

operation if other products are used.

Index

Symbols

2CH Out Mode . . . . . . . . . . . . . . . . . . 49

5.1 channel surround . . . . . . . . 16, 47

5.1CH Center SP Switch . . . . . . . . . . 49

5.1CH Sub Woofer (LFE) Switch . . . 49 [

] switch . . . . . . . . . . . . . . . . . . . . . . 21

AC IN jack . . . . . . . . . . . . . . . . . . . . . . . 22

Assigning a Name . . . . . . . . . . . . . . . 29

Auto O . . . . . . . . . . . . . . . . . . . . . 48, 55

BACKUP

Computer . . . . . . . . . . . . . . . . . . . 53

USB Flash Drive . . . . . . . . . . . . . . 52

Backup File

Delete . . . . . . . . . . . . . . . . . . . . . . . 53

Rename . . . . . . . . . . . . . . . . . . . . . 53

Bank . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Behavior Modeling Technology . . . 8

BULK DUMP . . . . . . . . . . . . . . . . . . . . . 54

Cannot Import! . . . . . . . . . . . . . . . . . . 58

CHORUS . . . . . . . . . . . . . . . . . . . . . 26, 36

Clock Source . . . . . . . . . . . . . . . . . . . . 48

COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Compressor . . . . . . . . . . . . . . . . . . . . . 41

Compressor + Equalizer . . . . . . . . . . 26

Computer . . . . . . . . . . . . . . . . . . . . . . . 43

Backup . . . . . . . . . . . . . . . . . . . . . . 53

Connection example

Compact production setup . . 10

For live performance . . . . . . . . . 11

Motional Surround . . . . . . . . . . . 16

Motional Surround (external

device) . . . . . . . . . . . . . . . . . . . . . . 47

Control Source Select . . . . . . . . . . . . 49

Copy

Partial . . . . . . . . . . . . . . . . . . . . . . . 42

Cursor buttons . . . . . . . . . . . . . . . . . . 28

[DEC] button . . . . . . . . . . . . . . . . . . . . 28

Delete

Backup File . . . . . . . . . . . . . . . . . . 53

Character . . . . . . . . . . . . . . . . . . . . 29

Exported File . . . . . . . . . . . . . . . . 52

Demo Song . . . . . . . . . . . . . . . . . . . . . 21

Device ID . . . . . . . . . . . . . . . . . . . . . . . . 49

DIGITAL AUDIO OUT connector. . . 22

Display . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Drum Kit

Save . . . . . . . . . . . . . . . . . . . . . . . . . 40

Edit

Eect . . . . . . . . . . . . . . . . . . . . 36, 41

Partial . . . . . . . . . . . . . . . . . . . . . . . 42

PCM Drum Kit (PCMD) . . . . . . . 40

PCM Synth Tone (PCMS) . . . . . . 39

Studio Set . . . . . . . . . . . . . . . . . . . 32

SuperNATURAL Acoustic Tone

(SN-A) . . . . . . . . . . . . . . . . . . . . . . . 38

SuperNATURAL Drum Kit

(SN-D) . . . . . . . . . . . . . . . . . . . . . . . 39

SuperNATURAL Synth Tone

(SN-S) . . . . . . . . . . . . . . . . . . . . . . . 38

Tone . . . . . . . . . . . . . . . . . . . . . . . . 38

Eect . . . . . . . . . . . . . . . . . . . . . . . . 26, 41

Edit . . . . . . . . . . . . . . . . . . . . . . . . . 36

[ENTER] button . . . . . . . . . . . . . . 20, 29

EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Equalizer . . . . . . . . . . . . . . . . . . . . 26, 41

Error Message List . . . . . . . . . . . . . . . 58

[EXIT] button . . . . . . . . . . . . . . . . . . . . 20

Expansion Sound Data . . . . . . . . . . . 14

EXPANSION Virtual Slot . . . . . . 14, 27

ExPCM sounds . . . . . . . . . . . . . . . . . . . 15

EXPORT

Sound Data . . . . . . . . . . . . . . . . . . 51

Exported File

Delete . . . . . . . . . . . . . . . . . . . . . . . 52

Rename . . . . . . . . . . . . . . . . . . . . . 52

Ext Part Source Select . . . . . . . . . . . . 48

FACTORY RESET . . . . . . . . . . . . . . . . . 55

File Not Selected! . . . . . . . . . . . . . . . . 58

FORMAT USB MEMORY. . . . . . . . . . . 50

IMPORT

Sound Data . . . . . . . . . . . . . . . . . . 51

[INC] button . . . . . . . . . . . . . . . . . . . . . 28

Incorrect File Name! . . . . . . . . . . . . . 58

Initialize

Part . . . . . . . . . . . . . . . . . . . . . . . . . 37

Partial . . . . . . . . . . . . . . . . . . . . . . . 42

Sound Control . . . . . . . . . . . . . . . 37

Studio Set . . . . . . . . . . . . . . . . . . . 37

Tone . . . . . . . . . . . . . . . . . . . . . . . . 42

USB Flash Drive . . . . . . . . . . . . . . 50

INPUT L/R jacks

Front . . . . . . . . . . . . . . . . . . . . . . . . 20

Rear . . . . . . . . . . . . . . . . . . . . . . . . . 22

Insert

Character . . . . . . . . . . . . . . . . . . . . 29

Inst . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

LCD

Brightness . . . . . . . . . . . . . . . . . . . 48

Contrast . . . . . . . . . . . . . . . . . . . . . 48

MASTER EQ . . . . . . . . . . . . . . . . . . 26, 36

Master Key Shift . . . . . . . . . . . . . . . . . 48

Master Level . . . . . . . . . . . . . . . . . . . . . 48

Master Tune . . . . . . . . . . . . . . . . . . . . . 48

[MENU] button . . . . . . . . . . . . . . . . . . 20

MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

MIDI Buer Full!. . . . . . . . . . . . . . . . . . 58

MIDI connectors . . . . . . . . . . . . . . . . . 22

MIDI indicator . . . . . . . . . . . . . . . . . . . 20

MIDI Oine! . . . . . . . . . . . . . . . . . . . . . 58

Motional Surround . 9, 17, 26, 34, 47 [MOTIONAL SURROUND] button . 34

Multi-Eect . . . . . . . . . . . . . . . . . . 26, 41

MUTE . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Output Gain . . . . . . . . . . . . . . . . . . . . . 48

OUTPUT jacks

A (MIX) L/MONO, R jacks . . . . . 23

B, C, D L/R jacks . . . . . . . . . . . . . . 23

INDIVIDUAL 1–8 jacks . . . . . . . . 23

RSS L/R jacks . . . . . . . . . . . . . . . . . 23

SURROUND L/R/C/Ls/Rs/LFE

jacks . . . . . . . . . . . . . . . . . . . . . . . . 23

Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Initialize . . . . . . . . . . . . . . . . . . . . . 37

PART [

] [ ] buttons . . . . . . . . 28

Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Copy . . . . . . . . . . . . . . . . . . . . . . . . 42

Edit . . . . . . . . . . . . . . . . . . . . . . . . . 42

Initialize . . . . . . . . . . . . . . . . . . . . . 42

[PART VIEW] button . . . . . . . . . . . . . . 30

[PCM] button . . . . . . . . . . . . . . . . . . . . 31

PCM Drum Kit . . . . . . . . . . . . . 9, 13, 24

PCM Synth Tone . . . . . . . . . . . 9, 13, 24

PCM Tone . . . . . . . . . . . . . . . . . . . . . 9, 24

PEAK indicator . . . . . . . . . . . . . . . . . . . 20

Permission Denied! . . . . . . . . . . . . . . 58

PHONES jacks . . . . . . . . . . . . . . . . . . . 20

Preset Memory . . . . . . . . . . . . . . . . . . 27

Preview 1–4 Note . . . . . . . . . . . . . . . . 49

Preview 1–4 Velo . . . . . . . . . . . . . . . . 49

Preview Mode . . . . . . . . . . . . . . . . . . . 49

Program Error! . . . . . . . . . . . . . . . . . . . 58

Rack-mount bracket . . . . . . . . . . . . . 20

Read Error! . . . . . . . . . . . . . . . . . . . . . . 58

Rename

Backup File . . . . . . . . . . . . . . . . . . 53

Exported File . . . . . . . . . . . . . . . . 52

RESTORE

USB Flash Drive . . . . . . . . . . . . . . 53

REVERB . . . . . . . . . . . . . . . . . . . . . . 26, 36

Rx Bank Select . . . . . . . . . . . . . . . . . . . 49

Rx Exclusive . . . . . . . . . . . . . . . . . . . . . 49

Rx GM2 System On . . . . . . . . . . . . . . 49

Rx GM System On . . . . . . . . . . . . . . . . 49

Rx GS Reset . . . . . . . . . . . . . . . . . . . . . . 49

Rx Program Change . . . . . . . . . . . . . . 49

Sampling Rate . . . . . . . . . . . . . . . 46, 48

Save

Drum Kit . . . . . . . . . . . . . . . . . . . . 40

Studio Set . . . . . . . . . . . . . . . . . . . 34

System . . . . . . . . . . . . . . . . . . . . . . 48

Tone . . . . . . . . . . . . . . . . . . . . . . . . 40

Setting

System . . . . . . . . . . . . . . . . . . . . . . 48

[SHIFT] Button . . . . . . . . . . . . . . . . . . . 29

Shortcut list . . . . . . . . . . . . . . . . . . . . . 29

SOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

SONAR LE . . . . . . . . . . . . . . . . . . . . . . . 18

Sound Control

Initialize . . . . . . . . . . . . . . . . . . . . . 37

Sound Data

Export . . . . . . . . . . . . . . . . . . . . . . . 51

Import . . . . . . . . . . . . . . . . . . . . . . 51

SRX series sounds. . . . . . . . . . . . . . . . 15

Startup Exp SlotA–SlotD . . . . . . . . . 48

Startup Studio Set . . . . . . . . . . . . . . . 48

Studio Set . . . . . . . . . . . . . . . . . . . . . . . 25

Edit . . . . . . . . . . . . . . . . . . . . . . . . . 32

Initialize . . . . . . . . . . . . . . . . . . . . . 37

Save . . . . . . . . . . . . . . . . . . . . . . . . . 34

Studio Set Control Channel . . . . . . 49

SuperNATURAL . . . . . . . . . . . . . . . . . . . 8

SuperNATURAL Acoustic

Tone . . . . . . . . . . . . . . . . . . . . . . 8, 13, 24

[SuperNATURAL] button . . . . . . . . . 31

SuperNATURAL Drum Kit . . . 8, 13, 24 SuperNATURAL Synth Tone 8, 13, 24

SuperNATURAL Tone . . . . . . . . . . . 8, 24

Switching Parts . . . . . . . . . . . . . . . . . . 28

Sync Mode . . . . . . . . . . . . . . . . . . . . . . 48

System

Setting . . . . . . . . . . . . . . . . . . . . . . 48

System Control Src1–4 . . . . . . . . . . . 49

System Memory . . . . . . . . . . . . . . . . . 27

System Memory Damaged! . . . . . . 58

System Setting

Save . . . . . . . . . . . . . . . . . . . . . . . . . 48

System Tempo . . . . . . . . . . . . . . . . . . . 48

System Version . . . . . . . . . . . . . . . . . . 49

Tempo Assign Source . . . . . . . . . . . . 48

Temporary Area . . . . . . . . . . . . . . . . . 27

Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Edit . . . . . . . . . . . . . . . . . . . . . . . . . 38

Initialize . . . . . . . . . . . . . . . . . . . . . 42

Save . . . . . . . . . . . . . . . . . . . . . . . . . 40

[TONE FINDER] button . . . . . . . . . . . 31

Tone List

Bank . . . . . . . . . . . . . . . . . . . . . . . . 31

Category . . . . . . . . . . . . . . . . . . . . 31

Drum Kit . . . . . . . . . . . . . . . . . . . . 31

Type . . . . . . . . . . . . . . . . . . . . . . . . . 31

Top Screen . . . . . . . . . . . . . . . . . . . . . . 48

Tx Edit Data . . . . . . . . . . . . . . . . . . . . . 49

USB Audio . . . . . . . . . . . . . . . . . . . 43, 46

USB COMPUTER port. . . . . . . . . . . . . 22

USB Driver . . . . . . . . . . . . . . . . 43, 44, 48

USB Flash Drive . . . . . . . . . . . . . . . . . . 50

Backup . . . . . . . . . . . . . . . . . . . . . . 52

Initialize . . . . . . . . . . . . . . . . . . . . . 50

Restore . . . . . . . . . . . . . . . . . . . . . . 53

USB Flash Drive Data

Backup . . . . . . . . . . . . . . . . . . . . . . 53

USB indicator . . . . . . . . . . . . . . . . . . . . 20

USB Memory . . . . . . . . . . . . . . . . . . . . 27

USB Memory Full! . . . . . . . . . . . . . . . . 58

USB Memory Not Ready! . . . . . . . . . 58

USB MEMORY port . . . . . . . . . . . . . . . 20

USB MIDI . . . . . . . . . . . . . . . . . . . . 43, 45

USB-MIDI Thru . . . . . . . . . . . . . . . . . . . 49

User Memory . . . . . . . . . . . . . . . . . . . . 27

Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Value dial . . . . . . . . . . . . . . . . . . . . . . . . 28

[VOLUME] knob . . . . . . . . . . . . . . . . . 20

Write Error! . . . . . . . . . . . . . . . . . . . . . . 58

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

Block Diagram

MEMO

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

MEMO

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

For EU Countries

For China

INTEGRA-7 Sound Module Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938 (323) 890-3700

For EU Countries

This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit. Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

Quick Guide

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

For C.A. US (Proposition 65

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

)

Information

AFRICA

EGYPT

Al Fanny Trading Oﬃ ce

9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-417-1828

REUNION

MARCEL FO-YAM Sarl

25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429

SOUTH AFRICA

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24 Londonderry Road, Ottery 7800 Cape Town, SOUTH AFRICA TEL: (021) 799 4900

ASIA

CHINA

Roland Shanghai Electronics Co.,Ltd.

5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800

Roland Shanghai Electronics Co.,Ltd. (BEIJING OFFICE)

3F, Soluxe Fortune Building 63 West Dawang Road, Chaoyang District, Beijing, CHINA TEL: (010) 5960-2565

HONG KONG

Tom Lee Music

11/F Silvercord Tower 1 30 Canton Rd Tsimshatsui, Kowloon, HONG KONG TEL: 852-2737-7688

Parsons Music Ltd.

8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 852-2333-1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

411, Nirman Kendra Mahalaxmi Flats Compound O . Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 2493 9051

INDONESIA

PT. Citra Intirama

Ruko Garden Shopping Arcade Unit 8 CR, Podomoro City Jl.Letjend. S.Parman Kav.28 Jakarta Barat 11470, INDONESIA TEL: (021) 5698-5519/5520

KAZAKHSTAN

Alatau Dybystary

141 Abylai-Khan ave, 1st  oor, 050000 Almaty, KAZAKHSTAN TEL: (727) 2725477 FAX: (727) 2720730

KOREA

Cosmos Corporation

1461-9, Seocho-Dong, Seocho Ku, Seoul, KOREA TEL: (02) 3486-8855

MALAYSIA/ SINGAPORE

Roland Asia Paci c Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Jaya, Selangor, MALAYSIA TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD.

9F-5, No. 112 Chung Shan North Road Sec. 2 Taipei 104, TAIWAN R.O.C. TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

100-108 Soi Verng Nakornkasem, New Road,Sumpantawong, Bangkok 10100, THAILAND TEL: (02) 224-8821

VIET NAM

VIET THUONG CORPORATION

386 CACH MANG THANG TAM ST. DIST.3, HO CHI MINH CITY, VIET NAM TEL: (08) 9316540

OCEANIA

AUSTRALIA/ NEW ZEALAND

Roland Corporation Australia Pty.,Ltd.

38 Campbell Avenue Dee Why West. NSW 2099, AUSTRALIA

For Australia TEL: (02) 9982 8266 For New Zealand TEL: (09) 3098 715

CENTRAL/LATIN AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055 (1123) Buenos Aires, ARGENTINA TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park Wildey, St.Michael, BARBADOS TEL: (246) 430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 211 Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1 Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 384-2180

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9 Medellin, COLOMBIA TEL: (574) 3812529

COSTA RICA

JUAN Bansbach Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237, San Jose, COSTA RICA TEL: 258-0211

CURACAO

Zeelandia Music Center Inc.

Orionweg 30 Curacao, Netherland Antilles TEL: (305) 5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Roberto Pastoriza #325 Sanchez Naco Santo Domingo, DOMINICAN REPUBLIC TEL: (809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma Guayaquil - ECUADOR TEL: (593-4) 2302364

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final Alameda Juan Pablo II, Edi cio No.4010 San Salvador, EL SALVADOR TEL: 262-0788

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11 Ciudad de Guatemala, GUATEMALA TEL: (502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona 3 Ave.11 Calle S.O San Pedro Sula, HONDURAS TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle 97232 Le Lamentin, MARTINIQUE F.W.I. TEL: 596 596 426860

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F., MEXICO TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos Musicales Nicaragua

Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida 1 Cuadra al Lago.#503 Managua, NICARAGUA TEL: (505) 277-2557

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101

PARAGUAY

Distribuidora De Instrumentos Musicales

J.E. Olear y ESQ. Manduvira Asuncion, PARAGUAY TEL: (595) 21 492147

PERU

Audionet Distribuciones Musicales SAC

Av. 2 de Mayo 562 Mira ores Lima, PERU TEL: (511) 447-0691

TRINIDAD

AMR Ltd

Ground Floor Maritime Plaza Barataria TRINIDAD W.I. TEL: (868) 638 6385

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales Allegro,C.A.

Av.las industrias edf.Guitar import #7 zona Industrial de Turumo Caracas, VENEZUELA TEL: (212) 244-1122

EUROPE

BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811

BOSNIA AND HERZEGOVINA

Mix-AP Music

78000 Banja Luka, Veselina Maslese 3, BOSNIA AND HERZEGOVINA TEL: 65 403 168

CROATIA

ART-CENTAR

Degenova 3. HR - 10000 Zagreb, CROATIA TEL: (1) 466 8493

CZECH REP.

CZECH REPUBLIC DISTRIBUTOR s.r.o

Pod Bání 8 180 00 Praha 8, CZECH REP. TEL: 266 312 557

DENMARK/ESTONIA/ LATVIA/LITHUANIA

Roland Scandinavia A/S

Skagerrakvej 7 Postbox 880 DK-2100 Copenhagen, DENMARK TEL: 39166222

FINLAND

Roland Scandinavia As, Filial Finland

Vanha Nurmijarventie 62 01670 Vantaa, FINLAND TEL: (0) 9 68 24 020

GERMANY/AUSTRIA

Roland Elektronische Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt, GERMANY TEL: (040) 52 60090

GREECE/CYPRUS

STOLLAS S.A. Music Sound Light

155, New National Road Patras 26442, GREECE TEL: 2610 435400

HUNGARY/ROMANIA

Roland East Europe Ltd.

2045. Törökbálint, FSD Park 3. ép., Budapest, HUNGARY TEL: (23) 511 011

IRELAND

Roland Ireland

E2 Calmount Park, Calmount Avenue, Dublin 12, Republic of IRELAND TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

MACEDONIA

MK MJUZIK

Alekso Demnievski-Bauman 9-3, 1400 Veles, MACEDONIA TEL: 70 264 458

MONTENEGRO

MAX-AP

Przno, Kamenovo bb., 86000 Budva, MONTENEGRO TEL: 68 050 112

NORWAY

Roland Scandinavia Avd. Kontor Norge

Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo, NORWAY TEL: 2273 0074

POLAND

ROLAND POLSKA SP. Z O.O.

ul. Kty Grodziskie 16B 03-289 Warszawa, POLAND TEL: (022) 678 9512

PORTUGAL

Roland Systems Group EMEA, S.L. Branch Oﬃ ce Porto

Edifício Tower Plaza Rotunda Eng. Edgar Cardoso 23, 4-B 4400-676 Vila Nova de Gaia, PORTUGAL TEL: (+351) 22 608 00 60

RUSSIA

Roland Music LLC

Dorozhnaya ul.3,korp.6 117 545 Moscow, RUSSIA TEL: (495) 981-4967

SERBIA

Music AP

Sutjeska br. 5 XS - 24413 PALIC, SERBIA TEL: (0) 24 539 395

SLOVAKIA

DAN Acoustic s.r.o.

Povazská 18. SK - 940 01 Nové Zámky, SLOVAKIA TEL: (035) 6424 330

SPAIN

Roland Systems Group EMEA, S.L.

Paseo García Faria, 33-35 08005 Barcelona, SPAIN TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S SWEDISH SALES OFFICE

Mårbackagatan 31, 4 tr. SE-123 43 Farsta, SWEDEN TEL: (0) 8 683 04 30

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach, CH-4452 Itingen, SWITZERLAND TEL: (061) 975-9987

UKRAINE

EURHYTHMICS Ltd.

P.O.Box: 37-a. Nedecey Str. 30 UA - 89600 Mukachevo, UKRAINE TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 702701

MIDDLE EAST

BAHRAIN

Moon Stores

No.1231&1249 Rumaytha Building Road 3931, Manama 339, BAHRAIN TEL: 17 813 942

IRAN

MOCO INC.

Jadeh Makhsous Karaj (K-9), Nakhe Zarin Ave. Jalal Street, Reza Alley No.4 Tehran 1389716791, IRAN TEL: (021)-44545370-5

ISRAEL

Halilit P. Greenspoon & Sons Ltd.

8 Retzif Ha'alia Hashnia St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666

JORDAN

MUSIC HOUSE CO. LTD. FREDDY FOR MUSIC

P. O. Box 922846 Amman 11192, JORDAN TEL: (06) 5692696

KUWAIT

EASA HUSAIN AL-YOUSIFI & SONS CO.

Al-Yousi Service Center P.O.Box 126 (Safat) 13002, KUWAIT TEL: 00 965 802929

LEBANON

Chahine S.A.L.

George Zeidan St., Chahine Bldg., Achra eh, P.O.Box: 16-5857 Beirut, LEBANON TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

Malatan House No.1 Al Noor Street, Ruwi SULTANATE OF OMAN TEL: 2478 3443

QATAR

AL-EMADI TRADING & CONTRACTING CO.

P.O. Box 62, Doha, QATAR TEL: 4423-554

SAUDI ARABIA

Adawliah Universal Electronics APL

Behind Pizza Inn Prince Turkey Street Adawliah Building, PO BOX 2154, Al Khobar 31952, SAUDI ARABIA TEL: (03) 8643601

SYRIA

Technical Light & Sound Center

PO Box 13520 Bldg No.49 Khaled Abn Alwalid St. Damascus, SYRIA TEL: (011) 223-5384

TURKEY

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.33 Beyoglu, Istanbul, TURKEY TEL: (0212) 249 85 10

U.A.E.

Adawliah Universal Electronics APL

Omar bin alkhattab street,  sh round about, nayef area, deira, Dubai, U.A.E. TEL: (04) 2340442

NORTH AMERICA

CANADA

Roland Canada Ltd. (Head Oﬃ ce)

5480 Parkwood Way Richmond B. C., V6V 2M4, CANADA TEL: (604) 270 6626

Roland Canada Ltd. (Toronto Oﬃ ce)

170 Admiral Boulevard Mississauga On L5T 2N6, CANADA TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700

As of July. 1, 2012 (ROLAND)

* 5 1 0 0 0 2 9 2 2 6 - 0 2 *

Roland Integra-7 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

IMPORTANT SAFETY INSTRUCTIONS

USING THE UNIT SAFELY

IMPORTANT NOTES

Contents

01 Main Features

02 Getting Ready

03 Using the Internal Sounds

04 Using the Expansion Sounds

05 Creating a Sound Field with Depth

06 Using SONAR LE to Play Sounds (Windows)

Panel Descriptions

Front Panel

Playing the Demo Song

Rear Panel Connections

Getting Acquainted with the INTEGRA-7

Studio Sets

How a Tone Is Structured

How a Studio Set Is Structured

About Memory

Basic Operation

Switching Parts

Moving the Cursor

Editing a Value

[SHIFT] Button Operations

Saving

Assigning a Name

[ENTER] Button Operations

Inserting or Deleting Characters

Playing Sounds

Choosing a Studio Set

Viewing the Part Settings (PART VIEW Screen)

Temporarily Silencing a Part’s Sound (MUTE)

Viewing a List of All Parts (PART VIEW -ALL- Screen)

Listening to Only One Part (SOLO)

Choosing a Tone

Selecting Tones from a Tone List by Category

Selecting Drum Kits from a Tone List

Selecting Tones from a Tone List by Type/Bank

Editing a Studio Set

Studio Set Common Settings

Editing the Part Settings

Saving a Studio Set

Panning the Sound with Depth (MOTIONAL SURROUND Screen)

Editing the Motional Surround Settings

Editing the REVERB Settings

Adjusting the Overall Tone of the Audio Output (MASTER EQ)

Editing the CHORUS Settings

Initializing a Part

Initializing the Sound Controls

Initializing a Studio Set

Editing a Tone

Editing the Tones Assigned to a Part

SuperNATURAL Acoustic Tone (SN-A)

SuperNATURAL Synth Tone (SN-S)

SuperNATURAL Drum Kit (SN-D)

PCM Synth Tone (PCMS)

PCM Drum Kit (PCMD)

Saving a Tone/Drum Kit

Editing the COMP (Compressor) and EQ (Equalizer) Settings

Initializing a Tone

Initializing a Partial

Copying a Partial

Selecting the Partial to Edit

Using the INTEGRA-7 with Your Computer

Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix

USB Driver

Connecting the INTEGRA-7 to Your Computer

USB MIDI

MIDI Signal Flow

Specifying the Output Destination of the Incoming Messages

USB AUDIO

Audio Signal Flow

Specifying the Sampling Rate for USB Audio

Applying Motional Surround to Sounds of an External Device

Connection Example

Overall Settings