Roland HP506, HP508 Owner's Manual

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS”, “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

NEUTRAL LIVE

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USING THE UNIT SAFELY

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

ALWAYS OBSERVE THE FOLLOWING

WARNING WARNING WARNING

To completely turn o power to the unit, pull out the plug from the outlet

Even with the power switch turned o, this unit is not completely separated from its main source of power. When the power needs to be completely turned o, turn o the power switch on the unit, then pull out the plug from the outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Concerning the Auto O function

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function (p. 44).

Do not disassemble or modify by yourself

Do not carry out anything unless you are instructed to do so in the owner’s manual. Otherwise, you risk causing malfunction.

Do not repair or replace parts by yourself

Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information.”

Do not use or store in the following types of locations

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

Do not place in an unstable loc ation

Otherwise, you risk injury as the result of the unit toppling over or dropping down.

Connect the power cord to an outlet of the correct voltage

The unit should be connected to a power supply only of the type described as marked on the rear side of unit.

Use only the supplied power cord

Use only the attached power cord. Also, the supplied power cord must not be used with any other device.

Do not bend the power cord or place heavy objects on it

Otherwise, re or electric shock may result.

About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

Avoid extended use at high volume

Use of the unit at high volume for extended periods of time may cause hearing loss. If you ever experience any hearing loss or ringing in the ears, you should immediately stop using the unit and consult a specialized physician.

Do not allow foreign objec ts or liquids to enter unit; never place containers with liquid on unit

Do not place containers containing liquid (e.g., ower vases) on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

Turn o the unit if an abnormality or malfunc tion occurs

Immediately turn the unit o, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” when:

• The power cord has been damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

Be cautious to protect children from injury

Always make sure that an adult is on hand to provide supervision and guidance when using the unit in places where children are present, or when a child will be using the unit.

USING THE UNIT SAFELY

WARNING CAUTION

Do not drop or subject to strong impac t

Otherwise, you risk causing damage or malfunction.

Do not share an outlet with an unreasonable number of other devices

Otherwise, you risk overheating or re.

Do not use overseas

Before using the unit in overseas, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information.”

CAUTION

Place in a well ventilated location

The unit should be located so that its location or position does not interfere with its proper ventilation.

When disconnecting the power cord, grasp it by the plug

To prevent conductor damage, always grasp the power cord by its plug when disconnecting it from this unit or from a power outlet.

Periodically clean the power plug

An accumulation of dust or foreign objects between the power plug and the power outlet can lead to re or electric shock. At regular intervals, be sure to pull out the power plug, and using a dry cloth, wipe away any dust or foreign objects that may have accumulated.

Disconnect the power plug whenever the unit will not be used for an extended period of time

Fire may result in the unlikely event that a breakdown occurs.

Route all power cords and c ables in such a way as to prevent them from getting entangled

Injury could result if someone were to trip on a cable and cause the unit to fall or topple.

Before cleaning the unit, disconnect the power plug from the outlet

If the power plug is not removed from the outlet, you risk receiving an electric shock.

Whenever there is a threat of lightning, disconnect the power plug from the outlet

If the power plug is not removed from the outlet, you risk receiving an electric shock.

Take care so as not to get ngers pinched

When handling the following moving parts, take care so as not to get ngers, toes, etc., pinched. Whenever a child uses the unit, an adult should be on hand to provide supervision and guidance.

• Lid (p. 16)

• Music Rest (p. 16)

Keep small items out of the reach of children

To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.

• Included Parts Screws for stand assembly (p. 62)

Avoid climbing on top of the unit, or placing heavy objects on it

Otherwise, you risk injury as the result of the unit toppling over or dropping down.

Never connect/disconnect a power plug if your hands are wet

Otherwise, you could receive an electric shock.

Cautions when moving this unit

If you need to move the instrument, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a rm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the screws securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

• Raise the adjusters on the stand (p. 63).

• Close the lid.

• Fold down the music stand.

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IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This unit may interfere with radio and television reception. Do not use this unit in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this or switch them o.

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Do not allow rubber, vinyl, or similar materials to remain on this unit for long periods of time. Such objects can deform or discolor the unit.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

• Do not

paste stickers, decals, or the like to this instrument. Peeling such matter o the instrument may damage the exterior nish.

• Do not place containers or anything else containing liquid on top of this unit. Also, whenever any liquid has been spilled on the surface of this unit, be sure to promptly wipe it away using a soft, dry cloth.

unit,

Maintenance

• To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the nish.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

• The pedals of this unit are made of brass. Brass eventually darkens as the result of the natural oxidization process. If the brass becomes tarnished, polish it using commercially available metal polisher.

Maintenance of polished-nish pianos (Only for HP508-PE)

• The surface of this unit has been polished so as to create a high-gloss, mirror-like nish. Since this beautiful nish is as delicate as that of the highest quality, wood-crafted furniture, it needs to be cared for at regular intervals. Please make sure to observe the following when caring for the unit.

• For routine care, gently clean the surface using a soft cloth or a piano-use feather duster. You must avoid applying any force, since even the tiniest particles of sand or grit can produce scratches if you wipe too hard.

• If the nish loses its luster, use a soft cloth dampened with some polishing liquid to evenly wipe the surface of the unit.

• Avoid using detergents or other cleaners, as they can cause the surface nish to deteriorate. This may lead to the formation of cracks or other imperfections. Also, do not use chemically-enhanced cleaning cloths.

• Precautions concerning the use of polishing agents

• Refer to the instructions that came with the polishing agent for instructions on its proper use.

• Use only polishing agents that are designed specically for use on the mirror nishes of pianos. By using any other product, you risk causing scratches, deformation, discoloration, etc. To purchase an appropriate product, please consult the nearest musical instrument store.

• Use the product only on the portions of this unit that have a using an even touch, apply it equally over the entire surface. If you apply more force in one place over another, you risk losing some of the luster of the nish.

• Store in a location that is out of the reach of small children. If accidentally ingested, induce vomiting immediately. Then, see a doctor to obtain a diagnosis.

mirror-like nish, and

Repairs and Data

• Before sending the unit away for repairs, be sure to make a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.

Additional Precautions

• Any data stored within the unit can be lost as the result of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.

• Roland

• Use a reasonable amount of care when

• Never strike or apply strong pressure to the

• When disconnecting all cables, grasp the

• A small amount of heat will radiate from the

• To avoid disturbing others nearby, try to

• The sound of keys being struck and

• When you need to transport the unit, pack

• Do not apply undue force to the music

When opening/closing the lid or raising/folding down the music rest, please get your ngers pinched between the movable part and the panel. In places where small children are present, make sure that an adult provides supervision and guidance.

assumes no liability concerning the restoration of any stored content that has been lost.

using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

display.

connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

unit during normal operation.

keep the unit’s volume at reasonable levels.

vibrations produced by playing an instrument can be transmitted through a oor or wall to an unexpected extent. Please take care not to cause annoyance to others nearby.

it in shock-absorbent material. Transporting the unit without doing so can cause it to become scratched or damaged, and could lead to malfunction.

stand while it is in use.

be careful not to

Using External Memories

• Please observe the following precautions when handling external memory devices. Also, make sure to carefully observe all the precautions that were supplied with the external memory device.

• Do not remove the device while reading/ writing is in progress.

• To prevent damage from static electricity, discharge all static electricity from your person before handling the device.

IMPORTANT NOTES

Regarding the wireless LAN function

• If you experience noise or dropouts while using the wireless LAN function, take the following measures. These may improve the situation.

• Move wireless devices away from this unit.

• Change the connection method (WPS/ ad-hoc mode)

• It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform, or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

• Purchasers of this product are permitted to utilize said content (except song data such as Demo Songs) for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited ( TPL). Roland has licensed this technology from the TPL Group.

• XGlite ( trademark of Yamaha Corporation.

• Microsoft product screen shot(s) reprinted with permission from Microsoft Corporation.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

• Microsoft, Windows, Windows Vista, and DirectX are either registered trademarks or trademarks of Microsoft Corporation.

• Mac OS and iTunes are either registered trademarks or trademarks of Apple Inc.

• Roland, GS, SuperNATURAL, Acoustic Projection, and Ivory Feel are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

) is a registered trademark or a

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About the Ivory Feel Keyboard

Features of an ivory feel keyboard

Traditional piano keys are made from the best materials-ivory (for white keys) and ebony (for black keys). The Ivory Feel keyboard uses the latest in technology to reproduce the touch and feel of these materials.

An Ivory Feel keyboard oers the following features.

• We’re sure you’ll develop a fondness for the distinctive texture of these keys, which feels better the more you play them.

• Surfaces incorporate stripes of moisture-absorbing material for improved touch and playability.

• The keys feature subtle gloss and understated coloring, enhancing the look and elegance.

• The white keys are nished with a slight yellowish tinge for the look of real ivory.

Handling

• Do not write on the keyboard with any pen or other implement, and do not stamp or place any marking on the instrument. Ink will seep into the surface lines and become unremovable.

• Do not ax stickers on the keyboard. You may be unable to remove stickers that use strong adhesives, and the adhesive may cause discoloration.

Care and maintenance

Please note the following points. Failure to do so may result in scratches on the surface nish, damaged gloss, or other discoloration or deformation.

• To remove dirt, use a soft cloth. Using a moistened and tightly wrung-out cloth, gently wipe o any dirt. Do not rub the surface vigorously.

• To remove stubborn dirt, use a commercially available keyboard cleaner that does not contain abrasives. Start by wiping lightly. If the dirt does not come o, wipe using gradually increasing amounts of pressure while taking care not to scratch the keys.

• Do not use benzene, paint thinner, or alcohol on the instrument.

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USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

About the Ivory Feel Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Look What You Can Do! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Operation Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Before You Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Setting Up the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Opening/Closing the Lid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Turning the Power On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Performing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Performing with Various Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Switching Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Performing with Two Layered Tones (Dual Play) . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Playing Dierent Tones with the Right and Left Hands (Split Play) . . . . . . . . . .20

Adjusting the Sound to Your Taste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Adding Reverberation to the Sound (Ambience) . . . . . . . . . . . . . . . . . . . . . . . . . .22

Adjusting the Brightness of the Sound (Brilliance) . . . . . . . . . . . . . . . . . . . . . . . . .23

Adjusting the Keyboard Response (Key Touch) . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Dividing the Keyboard for Two-Person Performance (Twin Piano) . . . . . . .24

Shifting the Pitch (Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Practicing with the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Changing the Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Changing the Time Signature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Adjusting the Metronome’s Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Adding a Count-in to Synchronize Your Performance . . . . . . . . . . . . . . . . . . . . . .27

Practicing with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Selecting and Playing a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Playing Songs Consecutively (All Songs Play) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Adjusting the Volume Balance of the Song and the Keyboard

Performance (Song Balance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Adjusting a Song’s Tempo for Easier Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Practicing One Hand at a Time (Part Mute) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Repeatedly Practicing a Portion of a Song (AB Repeat) . . . . . . . . . . . . . . . . . . . .31

Recording the Song You’re Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

SMF Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Overdubbing a Recorded Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Converting a Song Recorded as an SMF to Audio . . . . . . . . . . . . . . . . . . . . . . . . .36

Audio Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Transposing a Song for Easier Performance (Audio Transpose) . . . . . . . . . . . . .38

Enjoying Karaoke with an Audio File (Center Cancel) . . . . . . . . . . . . . . . . . . . . . .38

Burning an Audio Recording of a Song (WAV le) to a CD . . . . . . . . . . . . . . . . . .39

Saving a Song with the Name You Specify . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Renaming a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Personalizing Your Piano Sound (Piano Designer) . . . . . . . . . . . . . . . . . . . 42

Making Detailed Adjustments to the Piano Sound . . . . . . . . . . . . . . . . . . . . .42

Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Adjusting the Brightness of the Display (Display Contrast) . . . . . . . . . . . . . .44

Making the Power Automatically Turn O After a Time (Auto O) . . . . . . .44

Retaining the Settings Even After Power-o (Memory Backup) . . . . . . . . .44

Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . . . . . . . .45

Copying a Saved Song (Copy Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Initializing the Memory (Format Media) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Disabling the Buttons (Panel Lock) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

About the Wireless LAN Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Basic Connection Method (Connect by WPS) . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Wireless LAN Function Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Status Indication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Connecting to a Wireless LAN Access Point That You Select (Select AP) . . . . .48

Other Settings (Option) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Various Settings (Function Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Applying a Headphones 3D Ambience Eect to the Piano Sound

(Headphones 3D Ambience) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Adjusting the Dual Play Volume Balance (Dual Balance) . . . . . . . . . . . . . . . . . . .50

Matching the Pitch with Other Instruments (Master Tuning) . . . . . . . . . . . . . . .50

Changing the Tuning Method (Temperament) . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Specifying a Song’s Tonic (Temperament Key) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Adjusting the Volume of an Audio Playback Device (Input Volume) . . . . . . . .50

Playing Back an Audio File with Its Central Sound Minimized (Center

Cancel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Transposing an Audio File (Audio Transpose). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Specifying What the Transpose Will Aect (Transpose Mode) . . . . . . . . . . . . . .51

Changing the Pitch of the Tone in Octave Steps (Octave Shift) . . . . . . . . . . . . .51

Selecting the Format for Recording (Recording Mode) . . . . . . . . . . . . . . . . . . . .51

Changing How the Pedal Eects Are Applied (Damper Pedal Part) . . . . . . . . .51

Changing How the Pedals Work (Center Pedal) . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Preventing Doubled Notes When Connected to a Sequencer (Local

Control) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MIDI Transmit Channel Settings (MIDI Transmit Channel) . . . . . . . . . . . . . . . . . .52

Renaming a Song (Save Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Copying a Saved Song (Copy Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Initializing the Memory (Format Media) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Changing the USB Driver Settings (USB Driver) . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Changing the USB Flash Drive Setting (USB Memory Mode) . . . . . . . . . . . . . . .53

Controlling Video Equipment (Visual Control Mode) . . . . . . . . . . . . . . . . . . . . . .53

Specifying the Visual Control Channel (Visual Control Channel) . . . . . . . . . . . .53

Wireless LAN Function Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Adjusting the Brightness of the Display (Display Contrast) . . . . . . . . . . . . . . . . .54

Specifying the Maximum Volume (Volume Limit) . . . . . . . . . . . . . . . . . . . . . . . . .54

Changing the Language Displayed in the Screen (Language) . . . . . . . . . . . . . .54

Making the Power Automatically Turn O After a Time (Auto O) . . . . . . . . . .54

Storing Your Settings (Memory Backup) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Internal Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Assembling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Convenient Functions

How to read the explanatory illustrations

Press two buttons.

Numerals indicate the sequence of steps.

Press one of the enclosed buttons.

Function Mode

Appendix

While holding down a button, press another button.



Look What You Can Do!



Play the Piano



Practice Songs



Sound a metronome

You can sound a metronome.



Play various sounds

The HP508 contains a wide variety of tones (sounds). You can freely select and perform using these tones.



Play two layered tones

You can layer two tones on a single key.



Play dierent tones with your left and right hands

You can divide the keyboard into left and right zones, and select a dierent tone for each zone.



Play duets

You can divide the keyboard into left and right halves, playing it as though it were two pianos.

page 26

page 18

page 19

page 20

page 24



Practice along with the built-in songs

The HP508 contains numerous built-in songs. For the song titles, refer to “Internal Song List” (p. 59).



Practice each hand separately

You can practice along with a song while listening to only the right-hand or left-hand part play back.



Record Songs



Record your performances

You can record your own playing.



Use your computer to create a CD of a song you recorded

A song you’ve recorded can be copied to your computer, and written to a CD.

page 28

page 30

page 32

page 39



Environmentally Friendly Energy-Ecient Design



The power will turn o after a specied time has elapsed

When thirty minutes have elapsed since you last played or operated the HP508, the power will turn o automatically.

* If you don’t want the power to turn o automatically, change the “Auto O” setting (p. 44).

page 44



Adjust Your Piano

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer



Adjust the keyboard touch

You can adjust the touch sensitivity of the keyboard to match your own playing style.



Add reverberation to the sound

You can add reverberation (ambience) to create the sensation of performing in a concert hall.



Adjust the brightness of the sound

You can adjust the tone quality of the sound, ranging from a brilliant timbre to a mellow tone.



Personalize Your Piano (Piano Designer)



Adjust the openness of the grand piano’s lid

Closing the lid will produce a softer tone, and opening it will produce a brighter tone.

page 23

page 22

page 23

page 42



Adjust the resonance of chords

You can modify the resonance of chords by changing the way in which the piano’s soundboard vibrates.



Switch the temperament

You can switch between various temperaments, such as historic temperaments used during the Baroque era.



Convenient Functions



Transpose the pitch of the keyboard or song

The Transpose function lets you shift the pitch of the keyboard or a song so that you can perform more conveniently.



Disable the buttons

page 43

Convenient Functions

page 25

Function Mode

page 47

The Panel Lock function lets you prevent sounds or settings from being changed when buttons are pressed inadvertently.



Connect to a Wireless LAN

You can use a WNA1100-RL wireless USB adapter (sold separately) to connect to a wireless LAN and use wireless applications, such as the iPad app.

page 47

Appendix



Operation Guide

Adding Reverberation (Ambience)

You can add a pleasant reverberation to the sounds,

producing the impression that you are performing in a concert hall.

To turn ambience on

Press the [Ambience] button so it’s lit.

To adjust the ambience

While holding down the [Ambience] button, press the [–] [+] buttons.

Adjusting the Overall Volume

Adjust the volume by pressing the Volume buttons.

page 17

Softer Louder

page 22

Adjusting the Keyboard Touch (Key Touch)

You can adjust the way in which the keyboard responds to your playing.

To turn key touch on

Press the [Key Touch] button so it’s lit.

To adjust the key touch

While holding down the [Key Touch] button, press the [–] [+] buttons.

page 23

Adjusting the Brightness of the Sound

(

Brilliance)

You can adjust the brightness of the sound you play from the keyboard or the sounds of a song you play back.

To adjust the brilliance

Hold down the [Ambience] button and press the [Key Touch] button to see the value; then use the [–][+] buttons to adjust it.

page 23

Dividing the Keyboard for Two-person Performance

(Twin Piano)

This function divides the keyboard into left and right, allowing two people to play the same range of pitches.

To turn twin piano on

Press the [Twin Piano] button so it’s lit.

To change how the sounds are heard

While holding down the [Twin Piano] button, press the [–] [+] buttons.

The sound of the right-hand keyboard zone will be heard more loudly from the right speaker than

Pair

Individual

from the left speaker. The sound of the left-hand keyboard zone will

be heard more loudly from the left speaker than from the right speaker.

The sound of the right-hand keyboard zone will be heard only from the right speaker.

The sound of the left-hand keyboard zone will be heard only from the left speaker.

page 24

Transposing Your Performance

Transposes the keyboard and/or song.

To turn transpose on

Press the [Transpose] button so it’s lit.

To adjust the amount of transposition

While holding down the [Transpose] button, press the [–] [+] buttons.

Retaining the settings even after power-o (memory backup)

The HP508 allows you to adjust numerous settings, but these settings will return to their default values as soon as you turn o the power.

However, by using the Memory Backup feature, you can have the changes you’ve made in settings be retained.

(Transpose)

page 25

page 44

1. While holding down the [Song Balance]

button, press the [AB Repeat] button.

2. Use the [ ] [ ] (Slow/Fast) buttons to select

“Memory Backup.”

3. Press the [Song] button.

4. Use the [ ] (Fast) button to select “Yes.”

Tone Buttons

Operation Guide

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

To select a single tone

Press one of the tone buttons, and then use the [–] [+] buttons.

Press one

page 18

Playing Dierent Tones with the Right and Left Hands (Split Play)

This function divides the keyboard into left and right zones, allowing you to play a dierent tone in each zone.

To turn split on

While holding down the [Transpose] button, press the [Twin Piano] button.

page 20

To layer two tones (dual play)

Press two tone buttons.

Press two

To change the tones

Tone 1 Press the [–] [+] buttons.

Tone 2

Hold down the right-most of the lit tone button, and then use the [–] [+] buttons.

Using the Metronome

Here’s how to sound the metronome.

To turn the metronome on

Press the [Metronome] button so it’s lit.

To adjust the metronome’s volume

While holding down the [Metronome] button, use the [–] [+] buttons.

page 19

page 26

To change the tones

Right-hand Tone

Left-hand Tone

1. Press a tone button.

2. Press the [–] [+] buttons.

1. While holding down the [Transpose] button and [Twin Piano] button, press a tone button.

2. While holding down the [Transpose] button and [Twin Piano] button, use the [–] [+] buttons.

Changing the keyboard’s split point

While holding down the [Transpose] button and [Twin Piano] button, play the key that you want to specify as the split point.

Changing the Tempo or Time Signature

You can adjust the tempo of the metronome or song.

To change the tempo

Use the [ ] [ ] (Slow/Fast) buttons.

To change the time signature

While holding down the [Metronome] button, use the [ ] [ ] (Slow/Fast) buttons.

Customizing Your Piano Sound (Piano Designer)

You can adjust various elements of a grand piano’s sound to create your own personalized piano.

1. While holding down the Piano [Grand] button, press the Piano [Upright] button.

2. Use the [ ] [ ] (Slow/Fast) buttons to select the item that you want to adjust.

3. Use the [–] [+] buttons to adjust the value.

Convenient Functions

page 26

Function Mode

page 42

Appendix

Operation Guide

Adjusting the Song Volume (Song Balance)

By modifying the playback volume of the song, you can adjust the balance between the song and your keyboard performance.

To turn song balance on

Press the [Song Balance] button so it’s lit.

To adjust the song balance

While holding down the [Song Balance] button, press the [–] [+] buttons.

page 29

Repeatedly Practicing a Portion of a Song (AB Repeat)

Here’s how you can make a specic portion of a song play back repeatedly.

page 31

1. Press the [ ] (Play/Stop) button to play back the

song.

2. At the beginning of the portion to be repeated, press

the [AB Repeat] button.

3. At the end of the portion to be repeated, press the [AB

Repeat] button once again.

Display

The display shows information such as the tone name, song name, tempo, and time signature.

Tempo Time signature Measure Tone Name

Song Name

Selecting Variation Tones/Adjusting the Settings

You can select tone variations or songs, and adjust various settings.

• Holding down the [–] [+] buttons will make the value change continuously.

• To rapidly increase the value, hold down the [+] button and press the [–] button.

• To rapidly decrease the value, hold down the [–] button and press the [+] button.

• To return the value to its default setting, press the [+] and [-] buttons simultaneously.

Selecting a Song

First, you need to access the song screen; this is where you can select songs.

To select a song

page 28

1. Press the [Song] button to access the song screen.

Panel Descriptions

[Power] Switch

This turns the power on/o.

page 17

WARNING

* The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing

music, or its buttons or controls were operated (Auto O function).

If you do not want the power to be turned o automatically, disengage the Auto O function (p. 44).

* Any settings that you are in the process of editing will be lost when the power is turned o. If you have any settings that you want to keep, you should refer to “Retaining

the Settings Even After Power-o (Memory Backup)” (p. 44) and save your settings. * To restore power, turn the power on again * When turning the power on again, you must allow at least ve seconds after power-o before you once again turn the power on. If you fail to allow enough time, the Auto

O function might not be reset, preventing the power from turning on correctly.

Headphone Hook

Whenever you are not using the headphones, you can hang them on the headphone hook.

Front Panel

These buttons are used to operate the HP508.

“Operation Guide” page 10–13

Pedals

* Don’t hang anything other than headphones on

this hook, and don’t apply excessive force to it. Doing so may damage the headphone hook.

Damper Pedal

Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an extended time even if you release your ngers from the keyboard.

With the damper pedal on an acoustic piano, when you step on the pedal it will at rst oer only a slight amount of resistance, but as you press down further it will start to feel much heavier. On the HP508, this change in the feeling of resistance is simulated.

On an acoustic piano, when you step on the damper pedal, you’ll rst hear the sound of the dampers releasing the strings. Then, you should also be able to hear the sound of strings adjacent to the ones for the notes actually played resonate sympathetically, resulting in a rich, resounding tone. Additionally, when using half-pedaling techniques, the core of the sound disappears rapidly while a rich, spacious resonance remains, producing a unique form of reverberation. On the HP508, the unique, lingering tones produced by the half-pedaling technique are reproduced in addition to released-string sounds (Damper Noise) and resonating sounds (Damper Resonance).

Sostenuto Pedal

The notes you are pressing when this pedal is depressed will be sustained.

Soft Pedal

This pedal is used to make the sound softer. Playing with the soft pedal depressed produces a sound that is not as strong as when otherwise played with the equivalent

strength. This is the same function as the left pedal of an acoustic piano. The softness of the tone can be varied subtly by the depth to which you press the pedal.

Panel Descriptions

USB Memory Port

If a USB ash drive is connected, you can use it to save or play back songs.

You can do the following things using a USB ash drive.

• WAVE les or MIDI les (SMF) data copied from your computer can be played back by the HP508.

• You can make audio recordings of your performances on the HP508.

• The audio recordings of songs that you’ve made can be played on your computer, or burned to a CD.

* Carefully insert the USB ash drives all the way in-until it is rmly

in place.

* Use a USB ash drive sold by Roland. We cannot guarantee

operation if any other USB ash drive is used.

Pedal Connector

Connect the pedal cord of the dedicated stand to this connector.

page 63

page 28 page 41

AC In (AC Inlet)

Connect the included power cord here.

page 63

USB Computer Port

If you use a commercially available USB cable to connect the HP508’s USB computer port to your computer’s USB port, you’ll be able to do the following things.

• SMF data played back by MIDI-compatible software can be sounded by the HP508.

• MIDI data can be transferred between the HP508 and your sequencer software (sold separately), opening up a wide range of possibilities for music production and editing.

Rear side

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Output Jacks

If you connect these jacks to amplied speakers, the sound of HP508 will be heard through them.

* Before turning o the power of the

HP508, you must rst turn o the power of the devices that are connected to the Output jacks.

Phones Jacks

Here you can connect stereo headphones. The HP508 has two headphone jacks, two people can

also use headphones simultaneously.

A Headphones 3D Ambience eect will be applied, producing the sensation that the sound is emanating from the piano itself even when using headphones.

* The Headphones 3D Ambience eect applies only to piano tones; it does not

apply to other tones. * You can also turn the Headphones 3D Ambience eect o (p. 50). * You can use the [Ambience] button to adjust the Headphones 3D Ambience

eect.

Input jack

If a digital audio player or other audio playback device is connected here, you’ll be able to listen to its playback through the HP508. The volume of the device connected to the Input jack can be adjusted by means of Input Volume (p. 50).

Convenient Functions

Function Mode

Appendix

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections. * When connection cables with resistors are used, the volume level of equipment connected to the Input jack may be low. If this happens, use connection cables that do

not contain resistors.



Before You Play

* When opening/closing the lid or raising/folding down the music rest, please be careful not to get your ngers pinched between the movable part

and the panel. In places where small children are present, make sure that an adult provides supervision and guidance.

Setting Up the Music Rest

Raising the music rest

1. Gently raise the music rest.

2. Fit the latch into one of the slots so that the music rest is

at the desired angle.

Folding down the music rest

1. While using one hand to support the music rest, raise the

latches located on the back of the music rest, then gently

fold down the music rest.

Opening/Closing the Lid

To open the lid, use both hands to lift it lightly, and slide it away

from yourself.

To close the lid, pull it gently toward yourself, and lower it softly

after it has been fully extended.

Using the music holders

You can use the holders to hold pages in place. When not using the holders, leave them folded down.

Push

Using the lid to conceal the buttons and display (Classic Position)

You can use the lid to conceal the buttons and the display. This allows you to concentrate on performing without being distracted by the buttons or the display.

NOTE

When opening and closing the lid, be careful not to let your ngers get caught. If small children will be using the HP508, adult supervision should be provided.

If you need to move the piano, make sure the lid is closed rst to prevent accidents.

Lid

Before You Play

Turning the Power On/O

NOTE

Once everything is properly connected (p. 15), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

O

Turning the power on

1. Press the [Power] switch.

After a brief interval, you’ll be able to produce sounds by playing the keyboard.

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after turning the unit on is required before it will operate normally.

2. Use the [Volume] buttons to adjust the volume.

The volume increases when you press the button on the right, and decreases when you press the button on the left. This will adjust the volume of the speakers if you’re using the speakers of the unit, or the volume of the headphones if headphones are connected.

Each volume setting (for speaker or headphone) is saved automatically.

Volume adjustment screen when using speakers Volume adjustment screen when using headphones

Softer Louder

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

MEMO

The HP508 is designed so that nuances in the dynamics of your playing will be clearly heard even at low volume, and that the sound will remain clear even at high volume.

Turning the power o

1. Press the [Power] switch.

The power is turned o.

* If you need to turn o the power completely, rst turn o the unit, then unplug the power cord from the power outlet. Refer to “To completely

turn o power to the unit, pull out the plug from the outlet” (p. 3).

WARNING

If you don’t want the power to turn o automatically, change the “Auto O” setting to “O”!

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function).

If you do not want the power to be turned o automatically, disengage the Auto O function (p. 44).

NOTE

• Any settings that you are in the process of editing will be lost when the power is turned o. If you have any settings that you want to keep, you should refer to “Retaining the Settings Even After Power-o (Memory Backup)” (p. 44) and save your settings.

• To restore power, turn the power on again (p. 14).

• When turning the power on again, you must allow at least ve seconds after power-o before you once again turn the power on. If you fail to allow enough time, the Auto O function might not be reset, preventing the power from turning on correctly.

Convenient Functions

Function Mode

Appendix



Performing

Performing with Various Sounds

In addition to piano sounds, the HP508 lets you enjoy performing with many other sounds (350 types). These sounds are called “Tones.” The Tones are categorized into four groups, each of which is assigned to a dierent Tone button.

Switching Tones

Let’s start by performing with a piano tone. When you turn on the power, the “ConcertPiano” tone is selected.

1. Press a tone button to select the tone group.

The currently selected tone number and tone name are displayed.

* The explanations in this manual include illustrations that depict what should typically be

shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g.,

includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Tone groups

Tone button Description

Piano [Grand] button Selects grand piano sounds.

Piano [Upright] button Selects upright piano sounds

[E. Piano] button Selects various electric piano sounds used in pop or rock.

Selects a variety of sounds such as string instruments, organ, or accompaniment sounds.

[Strings] button

For details on the tones, refer to “Tone List” (p. 58). *1 Rotary eect:

Rotary is an eect which simulates the sound of rotating speakers. There is a choice of two settings: Fast and Slow.

* If you select tone numbers 57–65, you’ll be able to use the keyboard to play the sounds of a drum set. * If you’ve selected an organ sound that provides a rotary eect (*1), such as a Combo Jz. Org or a Ballad Organ, pressing the [Strings]

button will switch the speed of the rotary eect.

2. Use the [–] [+] buttons to select a variation within the tone group.

* If you’ve selected a drum set tone or an SFX set tone, some notes of the keyboard will not produce sound.

Auditioning tones (tone demo)

1. While holding down a tone button, press the [ ] (Play/Stop) button.

A tone demo that uses the rst tone of each tone group will begin playing back.

2. To stop the tone demo, press the [Song] button or the [ ] (Play/Stop) button.

Performing

Performing with Two Layered Tones (Dual Play)

You can play two tones simultaneously from each note of the keyboard. This feature is called “Dual Play.” As an example, here’s how to layer piano and strings tones.

1. While holding down the Piano [Grand] button, press the [Strings] button.

Both buttons will light. When you play the keyboard, you’ll hear both the piano and the strings tones.

* Dual play is not available if Split Play (p. 20) or Twin Piano (p. 24) are turned on. * For some combinations of sounds, the eect is not applied to tone 2, and this may aect how the tone sounds. * It’s not possible to layer Piano [Grand] and Piano [Upright] tones together.

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Selecting tones for dual play

Tone name Corresponding button How to select tones

Tone 1 Left tone button Press the [–] [+] buttons.

Tone 2 Right tone button While holding down the tone button for Tone 2 (the right-most of the lit Tone buttons), and press the [–] [+] buttons.

2. To exit Dual Play, press one of the tone buttons.

Advanced techniques

Changing the pitch of tone 2 in steps of an octave: “Octave Shift” (p. 51) Specifying the part(s) aected by the damper pedal: “Damper Pedal Part” (p. 51) Adjusting the volume balance of the two tones: “Dual Balance” (p. 50)

Convenient Functions

Function Mode

What are eects?

Some of the tones provide a wide variety of other “eects” that can modify the sound in various ways. The rotary eect is one of these eects.

Appendix

Performing

Playing Dierent Tones with the Right and Left Hands (Split Play)

You can play dierent tones in the left and right sides of the keyboard, divided at a certain key. This feature is called “Split Play,” and the key at which the keyboard is divided is called the “Split Point.”

1. While holding down the [Transpose] button, press the [Twin Piano] button.

The Split screen will appear.

When Split is turned on, the keyboard settings will be as follows.

Split Point (Power-up default: F 3)

C1 D1 E1 F1 G1 A1 B1A0 B0 C2 C3 C4 C5 C8B7

…

Left-hand Tone Right-hand Tone

2. To exit Split Play, hold down the [Transpose] button and press the [Twin Piano] button once again.

* Depending on which tones are being used together, the tones might sound dierent because no eect is applied to the left-hand tone.

Advanced technique

Specifying the part(s) aected by the damper pedal: “Damper Pedal Part” (p. 51)

Changing the right-hand tone

1. Press a tone button.

The number and name of tone currently selected for the right-hand zone are shown.

2. Press the [–] [+] buttons.

A dierent tone is selected.

Performing

Changing the left-hand tone

1. While holding down the [Transpose] button and [Twin Piano] button, press a tone button.

The number and name of the tone currently selected for the left-hand zone are shown.

2. While holding down the [Transpose] button and [Twin Piano] button, press the [–] [+] buttons.

A dierent tone is selected.

Advanced technique

Changing the pitch of the left-hand tone in steps of an octave: “Octave Shift” (p. 51)

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Changing the keyboard’s split point

Range in which you can specify the split point (B1–B6)

Split Point

Power-up default: F#3

The Split Point belongs to the

1. While holding down the [Transpose] button and [Twin Piano] button, press the key that you want to assign as the split point.

The key you pressed becomes the new split point, and that key will be shown in the display.

Screen Value

B1–B6

(default: F#3)

left-hand section of the keyboard

Saving your settings

The HP508’s settings will revert to the default values when you turn o the power, but you can save them as described in “Retaining the Settings Even After Power-o (Memory Backup)” (p. 44).

Convenient Functions

Function Mode

Appendix

+ 47 hidden pages

Roland HP506, HP508 Owner's Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

About the Ivory Feel Keyboard

Contents

Look What You Can Do!

Operation Guide

Panel Descriptions

Before You Play

Setting Up the Music Rest

Opening/Closing the Lid

Performing

Performing with Various Sounds

Switching Tones

Performing with Two Layered Tones (Dual Play)