Roland FP-60X User guide

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Page 1

Owner’s Manual

Look What You Can Do with the FP-90X/FP-60X

Play the Piano

Play various sounds

This unit contains a wide variety of tones (sounds). You can freely select and perform using these tones.

Play two layered tones (Dual Play)

You can layer two tones on a single key.

Play dierent tones with your left and right hands (Split Play)

You can divide the keyboard into left and right zones, and select a dierent tone for each zone.

Live Performance Features

Adjust the tone color (Equalizer)

You can adjust the character of the sound as appropriate for the location where you’re playing the instrument.

Recall performance settings (Registration)

You can save the settings related to your performance and recall them up anytime, easily.

Add vocals to your performance

You can connect a microphone (sold separately) to the this unit and add your voice to your performance. You can even add eects to your vocals.

Convenient Functions

Record your performances

You can record your own keyboard performance, and then play back to check it.

Bluetooth function

You can use the Bluetooth-compatible app “Piano Every Day” or play back audio from your smartphone.

Personalize your piano (Piano Designer)

You can customize the individual sound characteristics of the piano sound to create the perfect tone for your performances.

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Download the apps

Download these smartphone/tablet apps and use them with your piano.

Piano Every Day Piano Designer

This app lets you download musical scores and practice songs. This app lets you customize the piano sound to your taste.

Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (leaet “USING THE UNIT SAFELY” and Owner’s Manual (p. 32)). After reading, keep the document(s) including those sections where it will be available for immediate reference.

Page 2

Placing This Unit on a Stand

For the FP-90X

Be careful not to pinch your ngers when setting up the stand. Please use one of the following Roland stands to support your FP-90X: KSC-90, KS-G8B, KS-10Z, KS-12 or KS-20X. Refer to the following when using a stand.

KSC-90

Refer to the KSC-90 Owner’s Manual.

KS-G8B

KS-10Z

Align the seam in the Piano’s panel (on the bottom, near the front) with the corners of the stand’s rubber feet

Align the front of the Piano with the front of the stand

NOTE

For safety, do not use the stand in its very highest adjustment position.

Align the center of the Piano with the center of the stand.

Adjust the horizontal width

NOTE

For safety, do not use the stand in its very highest adjustment position.

Place the Piano so that its rubber feet are on the inner side of the stand

Top view

Adjust the width of the stand so that the rubber feet of the Piano straddle the stand

Top view

KS-12

KS-20X

Adjust the width of the stand so that the rubber feet on the front of the piano t into the corresponding openings of the stand

Top view

Align the front of the Piano with the front of the stand

NOTE

For safety, do not use the stand in its very highest adjustment position.

Adjust the horizontal width

Align the center of the Piano with the center of the stand.

NOTE

Adjust the stand so that its width is not less than 700 mm.

Page 3

For the FP-60X

Be careful not to pinch your ngers when setting up the stand. Please use one of the following Roland stands to support your FP-60X: KSC-72, KS-G8B, KS-10Z, KS-12 or KS-20X. Refer to the following when using a stand.

KSC-72

Refer to the KSC-72 Owner’s Manual.

Placing This Unit on a Stand

KS-G8B

KS-10Z

Position the piano so that the pad at the rear of the stand is immediately in front of the row of screws on the bottom of the piano

row of screws

Pad

Align the front of the Piano with the front of the stand

NOTE

For safety, do not use the stand in its very highest adjustment position.

Align the center of the Piano with the center of the stand.

Adjust the horizontal width

NOTE

For safety, do not use the stand in its very highest adjustment position.

Place the Piano so that its rubber feet are on the inner side of the stand

Top view

Place the Piano so that its rubber feet are on the inner side of the stand

Top view

KS-12

KS-20X

Adjust the horizontal width so that the rubber feet on the bottom of the piano t into the depressions (four locations) of the stand.

Top view

Align the front of the Piano with the front of the stand

NOTE

For safety, do not use the stand in its very highest adjustment position.

Adjust the horizontal width

Align the center of the Piano with the center of the stand.

NOTE

Adjust the stand so that its width is not less than 700 mm.

Page 4

Contents

Placing This Unit on a Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Basic Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Operation Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Connecting the Piano and a Mobile Device via Bluetooth 12

Here’s What You Can Do . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Listening to Music Through the Piano’s Speakers . . . . . . . 13

Making Initial Settings (Pairing) . . . . . . . . . . . . . . . . . . . . . . 13

Connecting an Already-Paired Mobile Device . . . . . . . . . . 13

Playing Back Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Using the Piano with an App . . . . . . . . . . . . . . . . . . . . . . . . 14

Apps You Can Use with This Piano . . . . . . . . . . . . . . . . . . . . 14

Making Settings (Pairing) . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

If Pairing Does Not Succeed in “Using the Piano with an

App” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Advanced Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Playing Various Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Selecting Your Preferred Performance Environment

(My Stage) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Selecting the Type and Depth of Ambience . . . . . . . . . . . 16

Practicing with the Metronome . . . . . . . . . . . . . . . . . . . . . . 16

Changing the Settings for Metronome . . . . . . . . . . . . . . . . 17

Sounding a Click Tone in Synchronization with the Song

Tempo (Auto Tempo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Detecting the Tempo of Your Own Performance

(Tempo Coach) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Dividing the Keyboard for Two People (Twin Piano) . . . . 17

Recording Your Per formance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

SMF Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Recording a New Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Recording Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Convenient Functions for Song Playback . . . . . . . . . . . . . . 19

Renaming a Song (Rename Song) . . . . . . . . . . . . . . . . . . . . 19

Copying a Saved Song (Copy Song) . . . . . . . . . . . . . . . . . . 20

Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . 20

Personalizing Your Piano Sound (Piano Designer) . . . . . . . . . . . . 21

Using the Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Connecting a Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Applying an Eect to the Mic (Mic Eects) . . . . . . . . . . . . . 22

Adjusting the Mic Eect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Saving Performance Settings (Registrations) . . . . . . . . . . . . . . . . 23

What Is a Registration? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Recalling a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Saving Current Settings into a Registration . . . . . . . . . . . . 23

Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Initializing the Memory (Format Media) . . . . . . . . . . . . . . . 25

Returning to the Factory Settings (Factory Reset). . . . . . . 25

Retaining Settings After Power-O (Memory Backup) . . . 25

Using USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Various Settings (Function Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Adjusting the Keyboard Response (Key Touch) . . . . . . . . . 26

Matching the Pitch with Other Instruments

(Master Tuning) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Changing the Tuning Method (Temperament) . . . . . . . . . 26

Specifying a Song’s Tonic (Temperament Key) . . . . . . . . . 26

Editing the Equalizer Settings . . . . . . . . . . . . . . . . . . . . . . . . 26

Transposing the Pitch of the Song Playback

(Song Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Adjusting the Song Volume (Song Volume) . . . . . . . . . . . . 27

Adjusting the Volume of an Audio Playback Device

(Input/Bluetooth Vol.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Adjusting the Volume from the Computer

(USB Audio Input Volume) . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Setting the Song (SMF) Playback Mode (SMF Play Mode) 27 Selecting the Format for Recording (Recording Mode) . . 27 Changing How the Pedal Eects Are Applied

(Damper Pedal Part) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Changing the Function of the Center Pedal

(Center Pedal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Changing How the Pedal Eects Are Applied

(Center Pedal Part) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Sending Tone-Change Information

(Transmit MIDI Information) . . . . . . . . . . . . . . . . . . . . . . . . . 28

Preventing Doubled Notes When Connected to a

Sequencer (Local Control) . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

MIDI Transmit Channel Settings (MIDI Transmit Ch.) . . . . 28

Adjusting the Brightness of the Display

(Display Contrast) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Adjusting the Brightness of the Buttons

(Panel Brightness) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Outputting Sound Both from Headphones and Internal

Speakers (Speaker Auto Mute) . . . . . . . . . . . . . . . . . . . . . . . 28

Making the Power Automatically Turn O After a Time

(Auto O) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Saved Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Internal Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Main Specications

FP-90X FP-60X

Sound generator

Keyboard

Bluetooth function

Power Supply AC adaptor

Power consumption

Dimensions

Piano Sound: PureAcoustic Piano Modeling PHA-50 Keyboard: Wood and Plastic Hybrid Structure, with Escapement and Ebony/Ivory Feel (88 keys) Audio: Bluetooth Ver. 3.0 (Supports SCMS-T content protection)

MIDI: Bluetooth Ver. 4.0

40 W (When using the included AC adaptor)

* Approximate power consumption when playing the piano at medium

volume: 14 W (FP-90X), 5W (FP-60X)

* Power consumption when sound has not been played after power-on:

12 W (FP-90X), 4W (FP-60X)

Detached music rest:

1,340 (W) x 390 (D) x 136 (H) mm

52-13/16 (W) x 15-3/8 (D) x 5-3/8 (H) inches

FP-90X with KSC-90 and music rest:

1,340 (W) x 418 (D) x 932 (H) mm

52-13/16 (W) x 16-1/2 (D) x 36-3/4 (H) inches

Piano Sound: SuperNATURAL Piano

PHA-4 Standard Keyboard: with Escapement and Ivory Feel (88 keys)

25 W (When using the included AC adaptor)

Detached music rest:

1,291 (W) x 344 (D) x 126 (H) mm

50-7/8 (W) x 13-9/16 (D) x 5 (H) inches

FP-60X with KSC-72 and music rest:

1,291 (W) x 382 (D) x 939 (H) mm

50-7/8 (W) x 15-1/16 (D) x 37 (H) inches

Roland FP-90X, FP-60X: Digital Piano

FP-90X FP-60X

23.6 kg, 52 lbs 1 oz

Weight

Accessories

Options

This document explains the specications of the product at the time that the document was issued. For the latest information, refer to the Roland website.

(FP-90X with music rest)

37.8 kg, 83 lbs 6 oz (FP-90X with KSC90, KPD-90, and music rest) Owner’s Manual, Leaet “USING THE UNIT SAFELY,” AC adaptor, Power cord, Music rest, Damper pedal (DP-10, capable of continuous detection)

Dedicated stand: KSC-90 Dedicated stand: KSC-72 Dedicated pedal board: KPD-90 Keyboard stand: KS-G8B, KS-10Z, KS-12, KS-20X Pedal unit: RPU-3 Damper pedal: DP series Pedal switch: DP-2 (Cannot use for Damper/R.) Expression pedal: EV-5 Carrying Bag: CB-88RL Headphones

19.3 kg, 42 lbs 9 oz (FP-60X with music rest)

33.0 kg, 72 lbs 13 oz (FP-60X with KSC72, KPD-90, and music rest)

Page 5

Panel Descriptions

Attaching the Music Rest

FP-90X FP-60X

1. Loosen the attachment screws.

2. Fit the cut-outs of the music rest onto the attachment screws.

3. Firmly tighten the attachment screws.

[L] button

Turning On the Power

Before turning the unit on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

1. Move the [Volume] slider all the way down to minimize the

volume.

2. Hold down the [L] button until the display shows “Roland Digital

Piano.”

The power turns on, and the tone buttons and other buttons illuminate.

3. Move the [Volume] slider to adjust the volume.

Turning O the Power

1. Move the [Volume] slider all the way down to minimize the

volume.

2. Hold down the [L] button until the display shows “Don’t

disconnect the power.”

The unit is turned o.

Minimize the volume.

1. Insert the music rest into the slit on the top of the piano.

Front Panel

This is where you operate the unit.

page

Headphone Jacks

Connect headphones (sold separately) here.

* The illustration

shows the FP-90X.

Concerning the Auto O function

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function (p. 28).

5 Any settings that you are in the process of editing will be lost when the power is turned o. If you have any settings that you want to keep, you should save them beforehand. 5 To restore power, turn the power on again.

Pedals (KPD-90/RPU-3: sold separately)

Damper Pedal

Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an extended time even if you release your ngers from the keyboard.

On an acoustic piano, when you step on the damper pedal, you’ll rst hear the sound of the dampers releasing the strings. Then, you should also be able to hear the sound of strings adjacent to the ones for the notes actually played resonate sympathetically,

resulting in a rich, resounding tone. Additionally, when using half-pedaling techniques, the core of the sound disappears rapidly while a rich, spacious resonance remains,

producing a unique form of reverberation. On the unit, the unique, lingering tones produced by the half-pedaling technique are

KPD-90 (sold separately)

RPU-3 (sold separately)

* When operating the pedal, take care not to pinch your ngers between the moving part and the body of the unit. Pay special attention to this when using the unit where

children are present.

reproduced in addition to released-string sounds (Damper Noise) and resonating sounds (Damper Resonance). With the damper pedal on an acoustic piano, when you step on the pedal it will at rst oer only a slight amount of resistance, but as

you press down further it will start to feel much heavier. On KPD-90, this change in the feeling of resistance is simulated.

Sostenuto Pedal

The notes you are pressing when this pedal is depressed will be sustained.

Soft Pedal

This pedal is used to make the sound softer. Playing with the soft pedal depressed produces a sound that is not as strong as when otherwise played with the equivalent strength. This is the same function as the left pedal of a grand piano. The softness of the tone can be varied subtly by the depth to which you press the pedal.

Page 6

Panel Descriptions

Rear Panel

Connect pedals and USB ash drive.

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

Computer USB ash drive

Pedal

DP-10 (*1) Sold separately: KPD-90, RPU-3, EV-5

1 2

6 7 8 9

Dynamic microphone

Place the AC adaptor so the side with the indicator (see illustration) faces upwards.The indicator will light when you plug the AC adaptor into an AC outlet.

Audio player

AC outlet

Power cord

AC adaptor

Amplied speakers

Indicator

Cord hook

Place the AC adaptor so the side with the indicator (see illustration) faces upwards. The indicator will light when you plug the AC adaptor into an AC outlet.

AC outlet

4 5 6 7 8 9

Indicator

AC adaptor

Power cord

Use the cord hook to secure the cord of the AC adaptor as shown in the illustration.

1 2

Cord hook

Computer USB ash drive

*1 When operating the pedal, take care not to pinch your ngers between the moving part and the body of the unit. Pay special attention to this when using the unit where children are present.

Page 7

Panel Descriptions

USB Computer port

Here you can connect your computer via a USB cable (sold separately). If your computer is connected, performance data and audio signals can be transferred between the piano and sequencer software (sold separately) on your computer, allowing you to produce or edit music.

USB Memory port

You can use USB ash drives (sold separately) to do the following.

5 Play WAV les, MP3 les, and standard MIDI les (SMF les) copied from

your computer.

5 Make audio recordings of your Piano 5 Export/Import a registration set.

* Never turn o the power or disconnect a USB ash drive or the power

cord while the screen indicates “Executing …”

DC In jack

Connect the included AC adaptor here.

Pedal Damper/Sostenuto/Soft jacks

Connect pedals to these jacks.

* Do not connect any pedal other than the specied pedal to the Pedal

Damper jack.

* The EV-5 is compatible only with the Pedal Sostenuto/Soft jack.

Basic Operations

Speaker [O/On] switch

Turns the piano’s speakers on or o.

Mic Input jack

Connect the dynamic microphone (sold separately) here.

This is a 1/4” phone (unbalanced) jack.

Mic [Gain] knob

Adjust the microphone’s gain.

Input Stereo jack

Connect an audio player here.

* If you use a cable that contains a built-in resistor, the volume of the

device connected to the Input Stereo jack might be decreased. Use a connection cable that does not contain a resistor.

Output R, L/Mono jacks

You can output the sound of piano to amplied speakers.

MIDI Out/In jacks

Connect MIDI devices here. You can record your piano performance as MIDI data on a MIDI device, or use MIDI data from a MIDI device to play the piano.

FP-90X

On this piano, you can use the buttons of the operating panel to make various function settings.

The “K” “J,” “-” “+,” “Enter (Func),” and “Exit” indications shown in the screen indicate the buttons used to operate the various functions.

Upper line: shows the category to specify

(you can use the [K] [J] buttons to

change this)

Lower line: shows the value within the category

(you can use the [-] [+] buttons to change this)

Screen display

Selecting the category to set

Use the [K] [J] buttons to select the category that you want to set.

Selecting values within a category

Use the [-] [+] buttons to change a value within the category.

“Enter” and “Exit”

Use the [Function] (Enter) button to conrm the selected category or value. Use the [Exit] button to go back to the previous operation.

Page 8

Operation Guide

Selecting a Tone (Single)

In addition to piano sounds, the unit lets you enjoy performing with many other sounds.

These sounds are called “Tones.” The Tones are divided into ve groups, each of which is assigned to a dierent Tone button.

Tone groups

[Piano] button

[E. Piano] button

[Organ] button

[Strings/Pad] button

[Synth/Other] button

MEMO

When playing a tone that uses tremolo or has a vibrating quality, you can adjust the speed of the modulation by holding down the

current Tone button and pressing the Tempo [Slow] [Fast] buttons.

Allows you to select various historical instruments, including grand pianos, or harpsichords. Allows you to select various electric piano sounds used in pop or rock. Allows you to select organ tones.

If you’ve selected a tone to which the rotary eect is applied, pressing the [Organ] button will switch the speed of the rotary eect. Allows you to select sounds of instruments used in an orchestra, mainly string instruments such as violins, as well as synth pad sounds. Allows you to select sounds that are unique to synthesizers, as well as vocal and GM2 sounds.

Changing the Keyboard Volume Balance (Part Volume)

When using Split Play or Dual Play, you can adjust the keyboard’s volume balance.

When using Normal (Single) Play

When using Split Play

When using Dual Play

[Lower] slider [Upper] slider

Not used

Adjusts the volume of the region below the split point. Adjusts the volume of tone 2.

Adjusts the volume of the keyboard. Adjusts the volume of the region above the split point. Adjusts the volume of tone 1.

Basic operations

Select a setting item

Edit a value Press the [-] [+] buttons.

Restore the default value Cancel an operation Press the [Exit] button.

Press the [K] [J] buttons.

Press the [–] [+] buttons simultaneously.

To select a tone

1. Press a tone button (e.g., [Piano]) and then use the [–] [+] buttons.

Viewing the display

Tone name

Song transposition

Tempo

Time signature

Keyboard transposition

Measure

Auditioning the tones (Tone Demo)

1. Hold down the [Split/Dual] button and press the [Transpose]

button.

2. Press one of the Tone buttons.

The tone used for the demo song depends on which Tone button you press.

Single Split

Dual

By pressing the [Dual/ Split] button, you can sequentially cycle between “Single,” “Split,” and “Dual.”

Adjusting the Overall Volume

You can adjust the speaker volume when using the internal speakers, or the headphone volume when headphones are connected.

Adjusting the Tone Color (Equalizer)

Adjusting the Ambience (Ambience)

1. Press the [Ambience] button.

FP-60X

1-2. Press the [Function] (Enter) button.

2. Use the [K] [J] buttons to select the “ambience type.”

This lets you change the acoustical character of the sound.

3. Use the [–][+] buttons to specify the “ambience depth.”

This lets you adjust the acoustical character (ambience) of the sound.

MEMO

FP-60X

You can select whether to add the acoustical character of the sound heard in headphones (Headphones 3D Ambience) (p. 16).

Use these sliders to boost or cut the sound in the Low, Mid, and High frequency ranges.

page

Transposing Your Performance (Transpose)

The keyboard can be transposed in

page

semitone steps. For example if a song is in the key of E

major but you want to play it using the ngering of the C major scale, you would set the keyboard transpose setting to “4.”

1. While holding down the [Transpose] button, press the [–] [+] buttons.

The display will indicate the amount of transposition.

2. To cancel the transposition, press the [Transpose] button once again.

The [Transpose] button will go out.

-6–0–+5 (default value: 0)

Kbd Transpose

MEMO

You can also change the keyboard transpose setting by holding down the [Transpose] button and pressing the note that will be the tonic (root note) of the transposed key.

If you play C E G0It will sound E G# B

Page 9

Operation Guide

Playing Dierent Tones with the Right and Left Hands (Split)

You can play dierent tones in the areas at the left and right of a specied key. For example, you can use your left hand to play a bass tone and use your right hand to play a piano tone.

This feature is called “Split Play,” and the point at which the keyboard is divided is called the “split point.”

Turning Split Play on

The following settings can be operated when the Split screen is shown.

Changing the right-hand tone and left-hand tone

(Right Tone/Left Tone)

Changing the sprit point (Split Point)

Changing the octave of the right-hand tone and left-hand tone

(Right Shift/Left Shift)

Left-hand tone Right-hand tone

* Depending on the combination of tones, the eect might not apply to the left-

hand tone, causing the sound to appear dierently than usual.

* If you select a sound from the [Piano] button as the left-hand tone, it might sound

dierent than usual.

Press the [Split/Dual] button several times to access the Split screen.

1. Use the [K] [J] buttons to select “right-hand

tone” or “left-hand tone.”

2. Press a tone button.

3. Use the [–] [+] buttons.

1. Use the [K] [J] buttons to select “Split Point.”

2. Use the [–][+] buttons to specify the value.

MEMO

You can also specify the split point by holding down the [Split/Dual] button and pressing the key where you want to split the keyboard.

B1–B6 (default value: F#3)

1. Use the [K] [J] buttons to select “Right Shift” or

“Left Shift.”

2. Use the [–][+] buttons to specify the value.

-3–0–+3 (default value: 0)

F#3

Layering two tones (Dual)

You can play two tones simultaneously from a single key. This function is called “Dual Play.”

Press the [Split/Dual] button several times to access the Dual screen.

Turning Dual Play on

The following settings can be operated when the Dual screen is shown.

Changing tone 1 and tone 2

(Tone 1/Tone 2)

Changing the octave of tone 1 or tone 2

(Tone 1 Shift/Tone 2 Shift)

* Depending on the combination of tones, the eect might not apply to tone 2,

causing the sound to appear dierently than usual.

* If you select a sound from the [Piano] button as tone 2, it might sound dierent

than usual.

Reading the note name (e.g., C4)

The alphabetical indication for settings such as Split Point shows the name of the note. In solfege, A = la, B = ti, C = do … G = so.

For example, the indication “C4” means “the fourth ‘C’ from the left edge of the keyboard.”

MEMO

You can also use Dual Play by pressing two tone buttons simultaneously.

1. Use the [K] [J] buttons to select “tone 1” or

“tone 2.”

2. Press a tone button.

3. Use the [–] [+] buttons.

1. Use the [K] [J] buttons to select “Tone 1 Shift” or

“Tone 2 Shift.”

2. Use the [–][+] buttons to specify the value.

-3–0–+3 (default value: 0)

C4 C5 C6 C7 C8C3C2C1

Recalling Performance Settings (Registration)

You can use the registration feature to save the current performance settings into a “registration” that you can recall whenever you wish.

By switching the registration, you can instantly recall saved settings.

Recalling a registration

1. Press the [Registration] button.

2. Press one of the number buttons, from [1] to [5], to select the

registration.

3. Press the [–] [+] buttons to select the registration variation.

Saving current settings into a registration

1. Set the desired performance settings.

2. While holding down the [Registration] button, press a button from

[1] to [5] to select a registration and then press the [–] [+] buttons to select a registration variation.

3. Use the [–] [+] buttons and the [K] [J] buttons to give a name to the

registration.

4. Press the [Function] button to save.

MEMO

For details on the settings that can be stored, refer to “Saved Settings” (page 30).

page

Selecting a Favorite Performance Environment (My Stage)

By selecting My Stage, you can enjoy your favorite piano and performance environment in your own home. This function reproduces the sound and resonance that you would experience when playing an ideally-matched grand piano in various environments such as a concert hall, church, or rehearsal studio.

page

Selecting a My Stage

1. Press the [My Stage] button.

2. Use the [–][+] buttons to select the desired performance

environment.

MEMO

You can save your favorite My Stage settings in a registration (p. 23).

Page 10

Operation Guide

Display

The display shows information such as the tone name, song name, tempo, and time signature.

Single

Time signature

Tempo

Bluetooth connection status

Measure

Tone name

Song transposition

Keyboard transposition

Split

Right-hand Tone

Basic operations

Select a setting item

Edit a value Press the [-] [+] buttons.

Restore the default value Cancel an operation Press the [Exit] button.

Press the [K] [J] buttons.

Press the [–] [+] buttons simultaneously.

Dual

Tone 1

Left-hand Tone

Tone 2

Various Settings (Function Mode)

You can make detailed settings for the unit.

1. Press the [Function] button.

2. Use the [K] [J] buttons to select the item that you want to adjust.

3. Use the [-] [+] buttons to adjust the value.

* By long-pressing the [Function] button, you can begin pairing with a

Bluetooth device.

Sounding a Click at the Song’s Tempo (Auto Tempo)

You can sound a click tone in synchronization with the tempo of a song that is input from an external audio source (Bluetooth audio, the Input Stereo jack, or USB audio).

In this example, we’ll sound a click tone in synchronization with the tempo of a song played from an audio player connected to the Input Stereo jack.

1. Connect your audio player to the Input Stereo jack.

2. Play back a song on your audio player.

The song is heard from the piano’s speakers.

3. While the song is playing, long-press the [Metronome] button.

Auto tempo turns on, and the click tone is sounded in synchronization with the tempo of the song.

MEMO

Even in the middle of the song, you can update the tempo as many times as you like by long-pressing the [Metronome] button once again.

4. To stop using auto tempo, press the [Metronome] button to make

it go dark.

MEMO

For details on the auto tempo setting, see the following.

page

Using the Metronome

You can sound a metronome while you perform. You can also change the tempo and time signature of the metronome.

If a song is playing, the metronome sounds at the tempo and time signature of that song.

Sounding the Metronome

1. Press the [Metronome] button so it’s lit.

The metronome is sounded.

2. To stop the metronome, press the [Metronome] button once again

to make it go dark.

Change the Metronome tempo

1. Use the Tempo [Slow] [Fast] buttons to change the tempo.

Tempo range 10–500

MEMO

For details on the metronome settings, see the following.

page

Page 11

Selecting a Song

Access the song screen, and select a song.

1. Press the [Song] button to access the song screen.

Connecting the Piano and a Mobile Device via Bluetooth

Here’s What You Can Do

By using the Bluetooth function, you can wirelessly connect the piano with a mobile device such as your smartphone or tablet, allowing you to do the following things.

Music played back by the mobile device can be heard through the piano’s speakers.

You can play back music data that’s saved on your iPhone or other mobile device, and wirelessly listen to it through the piano’s speakers.

page

0 “Listening to Music Through the Piano’s Speakers”

Speakers

You can use apps to expand your piano enjoyment.

You can install apps (such as Roland’s “Piano Every Day” or “Piano Designer”) on your mobile device, and use them in conjunction with the piano.

page

0 “Using the Piano with an App”

Pairing

To wirelessly connect the piano with your mobile device, you must rst perform “pairing” to create a one-to-one connection between the piano and your mobile device.

“Pairing” is the procedure of registering (mutually authenticating) your mobile device with the piano.

Pair your device as described in the procedure for each function.

App [Piano Designer]App [Piano Every Day]

The pairing process

Separate pairing is required for “playing music through the piano’s speakers” and for “using the piano with an app.” Note that these processes are dierent.

Playing music through

the piano’s speakers

Using the piano with

an app

Pairing

Settings on the piano

Settings on the mobile device

* If pairing is not successful, refer to If Pairing Does Not Succeed in “Using the Piano with an App” (p. 15).

Settings on the mobile device

Settings on the App

App

Page 13

Connecting the Piano and a Mobile Device via Bluetooth

Listening to Music Through the Piano’s Speakers

Here’s how to make settings so that music data saved on your mobile device can be wirelessly played back through the piano’s speakers.

* If your mobile device is already paired with the piano, there is no need

to perform pairing again. Refer to “Connecting an Already-Paired Mobile Device” (p. 13).

Making Initial Settings (Pairing)

As an example, we explain how to make settings for an iPad. If you’re using an Android device, refer to the owner’s manual of the mobile device you’re using.

1. Place the mobile device that you want to connect near the piano.

MEMO

You can also initiate pairing by long-pressing the [Function] button instead of performing steps 2–4.

2. Long-press the [Function] button.

When the display indicates “Now Pairing...,” proceed to step 5.

2. Press the [Function] button, and then use the [K] [J]

buttons to select “Bluetooth.”

7. Press the [Exit] button several times to exit Function mode.

This completes initial settings.

Connecting an Already-Paired Mobile Device

1. Turn on the Bluetooth function of the mobile device.

The piano and the mobile device are wirelessly connected.

MEMO

If you were unable to establish a connection using the procedure above, tap “FP-90X Audio” or “FP-60X Audio” that is displayed in the Bluetooth device screen of the mobile device.

Playing Back Audio

When you play back music data on the mobile device, the sound is heard from the piano’s speakers.

Adjusting the volume of Bluetooth audio

Normally you’ll adjust the volume on your mobile device. If this does not provide the volume adjustment you want, you can adjust the volume as follows.

1. Proceed with steps 2–3 of “Making Initial Settings

(Pairing)” (p. 13).

2. Use the [K] [J] buttons to select “Input/Bluetooth Vol.,” and

use the [–] [+] buttons to adjust the volume.

3. Press the [Function] (Enter) button.

The Bluetooth screen appears.

4. Use the [K][J] buttons to select “Bluetooth Pairing,” and

then press the [Function] (Enter) button.

The display indicates “Now pairing…,” and the piano waits for a response from the mobile device (pairing start).

* If you decide to cancel pairing, press the [Exit] button.

5. Turn on the Bluetooth function of the mobile device.

6. Tap “FP-90X Audio” or “FP-60X Audio” that is shown in the

Bluetooth device screen of your mobile device.

* If the mobile device’s

screen asks you to enter a “Pass Key,” enter “0000” (four zeros).

The piano and mobile device are paired. When pairing is completed, a display like the following appears.

Mobile device

Piano

“FP-90X Audio” or “FP-60X Audio” are added in the “My Devices” eld

The “AUDIO” is shown beside the Bluetooth symbol

To pair your device with multiple pianos

For example, if you want to pair your mobile device with multiple pianos located in a music school, you can specify an Bluetooth ID for each piano to pair your mobile device with the desired pianos.

* When you make this setting, an ID number is added to

the end of the device name shown on the mobile device (e.g., FP-90X Audio1).

1. Perform steps 2–3 of “Making Initial Settings (Pairing)”

(p. 13).

2. Use the [K] [J] buttons to select “Bluetooth ID.”

3. Use the [–] [+] buttons to edit the value of the setting.

FP-90X

Value Explanation

0–99

FP-60X

Value Explanation

0–99

* If you are pairing in an environment where there are multiple

pianos, we recommend that you turn on the power of the mobile device and only those pianos that you want to pair (turn o the power of other devices).

Set to “0”: “FP-90X Audio” “FP-90X MIDI” (default value) Set to “1”: “FP-90X Audio 1” “FP-90X MIDI 1”

Set to “0”: “FP-60X Audio” “FP-60X MIDI” (default value) Set to “1”: “FP-60X Audio 1” “FP-60X MIDI 1”

Page 14

Connecting the Piano and a Mobile Device via Bluetooth

Using the Piano with an App

Here’s how to make settings so that you can use the piano with an app that’s installed on your mobile device.

Apps You Can Use with This Piano

App name

Piano Every Day

Piano Designer

* Apps can be downloaded from the App Store or Google Play

(free of charge).

* In addition to the above, you can also use music apps (such as Garage

Band) that are compatible with Bluetooth MIDI.

* The information provided about apps made by Roland was current

when this manual was published. For the latest information, refer to the Roland website.

Supported OS

iOS Android

Explanation

This app lets you download electronic scores, practice songs as if you were playing a game, or keep a record of your practicing.

This app lets you customize the piano sound to your taste. It provides touch-based editing within the app for the various elements of the sound in “Creating Your Own Piano Tone (Piano Designer)” (p. 21).

Bluetooth

The screen of your mobile device shows “FP-90X MIDI” or “FP-60X MIDI.”

4. Tap either “FP-90X MIDI” or “FP-60X MIDI” depending on

the unit that you’re using.

The piano and mobile device are paired. When pairing is completed, a display like the following appears.

Mobile device

Piano

“FP-90X MIDI” or “FP-60X MIDI” are added in the “My Devices” eld

The “MIDI” is shown beside the Bluetooth symbol

Making Settings (Pairing)

You can make settings for using the piano together with an app that’s installed on your mobile device. As an example, we’ll explain the procedure for using an iPad with the “Piano Every Day” app.

* In the case of “using the piano with an app,” settings on the piano are

not necessary. Perform operations in the app to pair it with the piano.

1. Turn on the Bluetooth function of the mobile device.

NOTE

Even if the “DEVICES” eld shows the name of the device you’re using (such as “FP-90X MIDI”), do not tap it.

2. Start the app that you installed on your mobile device.

3. Tap the menu located in the lower right of the app screen,

and then in the menu screen tap “Bluetooth.”

Settings are now complete.

Page 15

Connecting the Piano and a Mobile Device via Bluetooth

If Pairing Does Not Succeed in “Using the Piano with an App”

If pairing is not successful in “Using the Piano with an App” (p. 14), try steps 1–4 below.

Make sure that the piano’s Bluetooth function is “ O n .”

1. Press the piano’s [Function] button.

Use the [K] [J] buttons to select “Bluetooth.”

3. Press the [Function] (Enter) button.

The Bluetooth setting screen appears.

Use the [K] [J] buttons to select “Bluetooth On/O,” and

then use the [–] [+] buttons to turn it “On.”

The piano’s Bluetooth function turns on.

Press the [Function] button.

You exit function mode.

Exit all apps on your mobile device.

Closing the app

1. Double-click the home button, and swipe up on the app

screen.

If already paired, cancel pairing, and turn o the

Bluetooth function.

Clearing the pairing

1. In the mobile device’s screen, tap the “i” located beside

”Connected,” and tap “Forget This Device.”

2. Turn the Bluetooth switch o.

Perform the pairing procedure of p. 14 from step

MEMO

If checking these points does not solve the problem, please refer to the Roland support website.

https://www.roland.com/support/

Page 16

Advanced Operation

Playing Various Tones

Selecting Your Preferred Performance Environment (My Stage)

“My Stage” is a function that lets you select your preferred piano and performance environment while at home. This function reproduces the sound and resonance that you would experience when playing in locations such as a concert hall, church, or rehearsal studio on a grand piano that’s ideally matched for that location.

* The My Stage settings consist of the combination of “grand piano tone,”

“ambience (acoustics) type,” and “ambience (acoustics) depth.”

No. FP-90X FP-60X

1 Piano Recital Piano Recital

2 At Hall Stage At Hall Stage

3 Lakeside Studio Lakeside Studio

4 Impressionists Heritage Hall

5 Heritage Hall Lounge Concert

6 Lounge Concert Church Concert

7 Church Concert Jazz Club

8 Jazz Club Recording Studio

9 Medieval Salon

10 Recording Studio

11 Trad Opera House

12 East Coast Hall

1. Press the [My Stage] button to make it light.

2. Use the [–][+] buttons to select your preferred performance

environment.

Play the keyboard to perform with the selected “My Stage” settings.

MEMO

You can press the [J] button to hear a “My Stage” demo performance.

3. To exit the My Stage function, press the [My Stage] button

to make it go dark.

Selecting the Type and Depth of Ambience

You can add acoustical ambience that is characteristic of a performance in a concert hall or cathedral. By changing the “Ambience Type” you can simulate the acoustics of a piano being played in a variety of locations.

When using headphones, the FP-60X lets you apply a headphone 3D ambience eect. The FP-90X features headphone acoustic projection technology that lets you experience a more three-dimensional sound eld.

FP-90X

1. Press the [Ambience] button to make it light.

The ambience screen appears.

Ambience type

Ambience depth

2. Use the [K] [J] buttons to select the “Ambience Type.”

3. Use the [–][+] buttons to specify the “Ambience Depth.”

4. When you are nished making settings, press the

[Ambience] button once again to make it go dark.

FP-60X

1. Press the [Ambience] button to make it light.

The ambience edit screen appears.

2. Press the [Function] (Enter) button.

The ambience screen appears.

Ambience type

Ambience depth

3. Use the [K] [J] buttons to select the “Ambience Type.”

4. Use the [–][+] buttons to specify the “Ambience Depth.”

If you want to change the headphone 3D ambience, proceed as follows.

5. Press the [Exit] button to return to the ambience edit

screen.

6. Use the [J] button to select “Headphones 3D Ambience,”

and then use the [–][+] buttons to specify the “On/O” setting.

7. When you are nished making settings, press the

[Ambience] button once again to make it go dark.

Selects the ambience that is characteristic of playing a piano in various locations.

* If you’re using the FP-90X, you can choose the type of

ambience when a tone of the PureAcoustic Piano sound

Ambience Type

Ambience Depth

Headphones 3D Ambience

FP-60X

MEMO

If you store your preferred My Stage settings as a “registration,” you’ll be able to recall them any time you like (p. 23).

engine is selected (p. 31).

FP-90X

FP-60X

Adjusts the depth of the sound’s ambience. Higher settings produce deeper ambience, and lower settings produce less ambience.

* The reverberation eect is not applied to audio les.

0–10

You can apply a Headphones 3D Ambience eect that creates the impression that the sound is being heard from the piano itself even when you’re using headphones.

* The eect is applied if “Concert Hall” is selected as the

ambience type and a tone of the “SuperNATURAL Piano sound engine” is selected (p. 31).

* The reverberation eect is not applied to audio les.

O, On (default value: On)

Studio, Lounge, Concert Hall, Wooden Hall, Stone Hall, Cathedral

Studio, Lounge, Concert Hall, Cathedral

Practicing with the Metronome

You can practice while hearing a metronome.

1. Press the [Metronome] button to make it light.

The metronome sounds.

MEMO

If a song is playing, the metronome sounds at the tempo and time signature of that song.

2. To change the tempo, use the Tempo [Slow] [Fast] buttons.

Tempo range 10–500

3. To stop the metronome, press the [Metronome] button

once again to make it go dark.

Page 17

Advanced Operation

Changing the Settings for Metronome

Change the following settings while the [Metronome] button is on.

1. Use the [K] [J] buttons to access the parameter that you

want to edit.

2. Use the [–][+] buttons to specify the value.

Tempo Coach Uses the Tempo Coach function (p. 17).

Metronome Volume

Metronome Tone

Beat

Metronome Down Beat

Metronome Pattern

Changing the metronome’s volume

O, 1–10 (default value: 5)

Changes the tone of the metronome. Click, Electronic, Voice (Japanese), Voice (English) (default value: Click)

Changes the time signature of the metronome.

2/2, 3/2, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 8/8, 9/8, 12/8 (default value: 4/4)

Sounds a downbeat.

O, On (default value: On)

Changes the pattern of the metronome. O, Eighth note, Eighth-note triplet, Shue, Sixteenth note, Quarter-note triplet, Quarter note, Dotted eighth (default value: O)

Sounding a Click Tone in Synchronization with the Song Tempo (Auto Tempo)

The auto tempo function sounds a click tone (metronome sound) in synchronization with the tempo of an audio song being input from an external source. This is very convenient when you want to practice along with an audio song while also hearing a click.

5 Even if you don’t know the tempo of the original song, the tempo is

automatically detected and the click is synchronized.

5 Even if the original song does not contain drums or other rhythm

instruments, the tempo can be detected, and the click used instead of a rhythm performance.

The auto tempo function can be used with a song that is being played in the following three situations.

5 A song played back by a Bluetooth-connected mobile device (p. 13) 5 A song played back by an audio player connected to the Input Stereo jack

(p. 6)

5 A song played back by player software on a computer that’s connected to

the USB Computer port (p. 6)

In advance, connect your mobile device or computer to the piano using the appropriate connection for your situation (via Bluetooth, an audio cable, or a USB cable).

1. Play back a song from your external device.

The song is heard from the piano’s speakers.

2. While the song plays, long-press the [Metronome] button.

Auto tempo turns on, and a click tone is heard in synchronization with the tempo of the song.

Go ahead and perform in time with the song and the click tone.

MEMO

Even in the middle of the song, you can once again long-press the [Metronome] button and update the tempo as many times as you like.

3. To stop using auto tempo, press the [Metronome] button

to make it go dark.

Detecting the Tempo of Your Own Performance (Tempo Coach)

By using the tempo coach function, you can ascertain the tempo of the current keyboard performance.

You can operate the tempo coach setting when the [Metronome] button is on.

1. Use the [K] [J] buttons to make the display indicate

“Tempo Coach.”

2. Press the [Function] (Enter) button.

The tempo coach screen appears, and the metronome stops.

3. Play a song on the piano.

The tempo of the played song is detected, and the performance tempo is displayed.

MEMO

When you play a song, the tempo can be detected more accurately if you play using both hands than if you play using one hand.

4. Press the [Exit] button.

You exit the tempo coach screen.

MEMO

By pressing the [Metronome] button you can sound the metronome at the detected tempo.

Dividing the Keyboard for Two People (Twin Piano)

You can divide the keyboard into left and right areas so that two people can play the same range of pitches. One person can play a model performance, and the other person can practice along with that model performance. You can also change the way (Mode) in which notes are sounded in Twin Piano.

* If you select some tones, it sounds dierent than usual.

1. Press the [Function] button, and then use the [K][J]

buttons to select “Twin Piano.”

2. Use the [–][+] buttons to turn twin piano “On.”

3. Press the [Exit] button.

The Twin Piano screen appears.

4. Use the [K] [J] buttons to access the parameter that you

want to edit.

5. Use the [–][+] buttons to specify the value.

Tone Selects the tone used when playing Twin Piano.

Selects how notes are heard when playing Twin Piano.

The sound will be heard from the right as you play toward the right of the keyboard, and from the left as you play toward the left. Notes played in the right area will be heard from the right speaker, and notes played in the left area will be heard from the left speaker.

Mode

Pair

Individual

6. When you are nished using Twin Piano, press

the [Function] button to return to the “Twin Piano (On/O screen),” and return it to “O.”

7. Press the [Exit] button several times to exit function mode.

Page 18

Advanced Operation

Recording Your Performance

It’s easy to record your own performances. You can play back a recorded performance to check your playing, or play along with a recorded performance.

Type of recording

SMF recording

Audio recording

5 The performance is recorded as MIDI data.

SMF format 0

5 Your performance will be recorded as audio data.

WAV format, 44.1 kHz, 16-bit linear

* In order to use audio recording, you must connect a USB

ash drive (sold separately) to the USB Memory port.

MEMO

5 You can change the name of the song (p. 19). 5 You can delete the song (p. 20).

NOTE

Never turn o the power while “Saving...” is shown in the display.

Listening to the recorded performance

After you record, the newly recorded song is selected.

1. Press the [s] button.

Playback starts from the beginning of your recorded performance.

SMF Recording

Recording a New Song

Preparing to Record

1. Select the tone that you want to play (p. 8).

2. You can sound the metronome if you like (p. 16).

You can specify the tempo and time signature of the metronome.

MEMO

The metronome’s tempo and time signature settings are stored in the song, so that the metronome plays correctly even when you play back the song.

3. Press the [t] button.

The [t] button lights, the [s] button blinks, and the unit enters

record-standby mode.

If you decide to cancel recording, press the [t] button once again.

Starting your recording and saving it

1. Press the [s] button.

Recording starts after a one-measure count sounds.

When recording starts, the [t] button and [s] button light.

MEMO

You can also start recording by playing the keyboard. In this case, a count is not sounded.

2. Press the [s] button.

Recording stops, and your performance is automatically saved.

Recording Audio

If you audio-record your performance, you’ll be able to listen to it on your computer or audio player, use it to create a music CD, or publish it on the Internet.

Preparing to Record

5 4

1. Connect your USB ash drive to the USB Memory port

(p. 6).

* Audio data can’t be stored in internal memory.

31 2

2. Select the tone that you want to play (p. 8).

3. Hold down the [t] button and press the [+] button to

select “Audio.”

MEMO

You can also specify this via the Function mode “Recording Mode” setting (p. 27).

4. Press the [t] button.

The [t] button lights, the [s] button blinks, and the unit enters

record-standby mode.

If you decide to cancel recording, press the [t] button once again.

NOTE

Never turn o the power or disconnect the USB ash drive during recording.

5. You can sound the metronome if you like (p. 16).

Page 19

Advanced Operation

Starting your recording and saving it

1 2

1. Press the [s] button.

Recording starts.

When recording starts, the [t] button and [s] button light.

2. Press the [s] button.

Recording stops, and your performance is automatically saved.

MEMO

5 You can change the name of the song (p. 19). 5 You can delete the song (p. 20).

Listening to the recorded performance

After you record, the newly recorded song is selected.

1. Press the [s] button.

Playback starts from the beginning of your recorded performance.

Converting an SMF-recorded song to audio

A song recorded as SMF can be re-recorded as audio so that you can play it back on your computer.

1. Select the song that you want to convert to audio (p. 11).

2. Prepare for audio recording (“Preparing to Record” (p. 18)).

1. Connect your USB ash drive.

2. Hold down the [t] button and use the [+] button to select

“Audio.”

3. Press the [t] button.

3. Press the cursor [J] button to select the song of step 1.

4. Press the [s] button to start audio recording (“Starting your

recording and saving it” (p. 19)).

* During recording, any sounds that you produce by playing the keyboard

or that are input to the unit via the Mic Input jack, the USB port, the Input Stereo jack, or Bluetooth audio are included in the audio that is recorded during this conversion.

* Depending on the SMF, it might not be possible to convert it into the

identical audio as when the song was recorded.

Convenient Functions for Song Playback

When playing back a song, you can use the following functions.

Play all songs in the selected category

(All Song Play)

Change the song tempo Press the Tempo [Slow] [Fast] button.

Play back the song at a constant tempo

(Tempo Mute)

Sound a count-in (*1)

*1 A series of sounds rhythmically played to indicate the tempo before a song starts

is called a “count-in.” If you sound a count-in, it will be easier for you to synchronize your own performance to the tempo of the playback You can change the number of measures that are sounded as a count (p. 27).

Hold down the [Song] button and press the [s]

button.

Hold down the [s] button and press the Tempo

[Slow] or [Fast] button.

To clear the tempo mute function, hold down the [s]

button once again and press the Tempo [Slow] or [Fast] button.

Hold down the [Metronome] button and press the

[s] button.

Renaming a Song (Rename Song)

Here’s how to rename a previously-saved song.

1. Press the [Function] button, and then use the [K] [J]

buttons to select “Rename Song.”

2. Press the [Function] (Enter) button.

The Rename Song screen appears.

3. Use the [–] [+] buttons to select the media that contains the

song that you want to rename.

4. Press the [Function] (Enter) button.

5. Use the [–] [+] buttons to select the song that you want to

rename, and then press the [Function] (Enter) button.

6. Rename the song.

Select the character to change Change the character Press the [-] [+] buttons. Insert one character Delete one character

If you decide to cancel, press the [Exit] (Exit) button.

7. Press the [Function] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [Exit] (Exit) button.

8. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

The song is renamed.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

9. Press the [Exit] button several times to exit Function mode.

Press the [K] [J] buttons. Press the [s] button.

Press the [t] button.

Page 20

Advanced Operation

Copying a Saved Song (Copy Song)

Songs that have been saved in internal memory can be copied to USB ash drive. Alternatively, songs stored on a USB ash drive can be copied to internal memory.

* Audio les cannot be copied.

* If a USB ash drive is not connected, you won’t be able to perform this

operation.

1. Press the [Function] button, and then use the [K] [J]

buttons to select “Copy Song.”

2. Press the [Function] (Enter) button.

The Copy Song screen appears.

3. Use the [–] [+] buttons to select the copy-source and copy

destination memory locations.

4. Press the [Function] (Enter) button.

5. Use the [–] [+] buttons to select the song that you want to

copy.

If you decide to cancel, press the [Exit] (Exit) button.

6. Press the [Function] (Enter) button.

The copy is executed.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

MEMO

If a song with the same le name has already been saved, the conrmation message “Overwrite?” appears. To overwrite the song,

use the [J] button to select “Yes,” and then press the [Function]

(Enter) button.

7. Press the [Exit] button several times to exit Function mode.

Deleting a Saved Song (Delete Song)

Here’s how to delete a song that you saved on an internal memory or USB ash drive.

MEMO

5 If you want to delete all songs that have been saved to internal

memory or USB ash drive, initialize the memory (p. 25).

5 If you want to delete a song on the USB ash drive, connect your USB

ash drive to the USB Memory port before you continue.

1. Press the [Function] button, and then use the [K] [J]

buttons to select “Delete Song.”

2. Press the [Function] (Enter) button.

The Delete Song screen appears.

3. Use the [–] [+] buttons to select the memory location that

contains the song you want to delete.

4. Press the [Function] (Enter) button.

5. Use the [–] [+] buttons to select the song that you want to

delete.

6. Press the [Function] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [Exit] (Exit) button.

7. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

The deletion is executed.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

8. Press the [Exit] button several times to exit Function mode.

MEMO

You can also delete a song by holding down the [t] button and pressing the [Exit] button.

Page 21

Personalizing Your Piano Sound (Piano Designer)

Parameter 90X 60X Value Explanation

What is Piano Designer?

This unit allows you to personalize your piano sound by adjusting various factors that aect the sound, such as the piano’s strings, the resonance produced using the pedals, and the sound of the hammers striking the strings.

This function is called “Piano Designer.”

Hammer Noise

Adjusting the piano sound to your taste

String Resonance

Full Scale String Res.

String Resonance

MEMO

5 The Piano Designer function can be used to personalize the sound

only with “PureAcoustic Piano sound engine” tones on the FP-90X,

Damper Resonance

and only with “SuperNATURAL Piano sound engine” tones on the FP-60X.

5 The settings are saved for each tone.

1. Press the [Function] button, and then use the [K] [J]

Key O Resonance

buttons to select “Piano Designer.”

2. Press the [Function] (Enter) button.

The Piano Designer screen appears.

3. Use the [K] [J] buttons to select the item that you want to

Cabinet Resonance

Soundboard Type

Damper Noise

edit.

4. Use the [–] [+] buttons to adjust the value.

5. When you’re nished using Piano Designer, press the [Exit]

button.

A conrmation message appears.

If you decide to cancel, press the [Exit] (Exit) button.

Soft Pedal

Single Note Tuning

Single Note Volume

Single Note Character

6. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

The Piano Designer settings are saved.

MEMO

If you decide to exit without saving the settings, use the [K] button

to select “No” and then press the [Function] (Enter) button.

Piano designer parameters

* The parameters that can be edited dier between the FP-90X and the

FP-60X.

Parameter 90X 60X Value Explanation

Adjusts the extent to which the lid of the grand piano is open.

Lid

Key O Noise

Hammer Noise

Duplex Scale

t t

–

0–6

O, 1–10

-5–0–+5

O, 1–10

The sound will become more mellow as you close the lid of the piano in the screen. The sound will become brighter as you open the lid of the piano in the screen.

Adjusts the action noise that is heard when you release a key.

Higher settings produce a louder action noise.

Adjusts the sound produced when the hammer of an acoustic piano strikes the string.

Higher settings will produce a louder sound of the hammer striking the string.

Adjusts the sympathetic vibrations of an acoustic piano’s Duplex Scale.

Higher settings will make the sympathetic vibration louder.

Reset Setting

88-key settings

1. Select the Single Note Tuning, Single Note Volume, or Single

Note Character, and press the [Function] (Enter) button.

2. Play the key that you want to edit, and use the [–] [+] buttons to

adjust the settings for that key.

MEMO

You can use the [K] [J] buttons to move to a dierent 88-key

parameter.

3. Press the [Exit] button to return to the previous screen.

What is the duplex scale?

The Duplex Scale is a system of sympathetically vibrating strings sometimes included in grand pianos.

These sympathetically vibrating strings are not struck directly with hammers, but sound by vibrating in sympathy with the vibrations of other strings. By resonating with the overtones, these strings add richness and brilliance to the sound. These sympathetic strings are added only to the high register above approximately C4. Since they do not have a damper (a mechanism that stops them from sounding), they will continue then release it to stop the sound of the string that was actually struck.

Advanced Operation

Adjusts the resonant sound of an acoustic piano (the sound produced by the strings of previously-pressed keys vibrating in sympathy

O, 1–10

–

O, 1–10

1–5

O, 1–10

1–10

-50–0–+50

-50–0

-5–0–+5

–

t t

Here’s how the Piano Designer settings of the selected sound can be returned to their factory-set state.

1. Press the [Function] (Enter) button.

If you decide to cancel, press the [Exit] button.

2. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

The settings return to their factory-set state.

with newly played notes, or the sound of other strings vibrating in sympathy with the notes you play while pressing the damper pedal).

Higher settings produce louder sympathetic resonance.

This adjusts the string resonance of the acoustic piano sound (the sympathetic vibrations of strings for previously played notes that occur when you play another note).

Higher settings will make the sympathetic vibration louder.

Adjusts the overall resonance of the acoustic piano when its damper pedal is pressed (the sound of other strings vibrating in sympathy when you press the damper pedal, and the resonance of the entire instrument).

Higher settings make the sympathetic vibration louder.

Adjusts the resonance of the subtle sounds that occur when a key of an acoustic piano is released. A higher value produces a larger tonal change during the decay.

Adjusts the body resonance of the grand piano itself.

Higher values will produce a larger body resonance.

Selects how the soundboard of the acoustic piano will resonate.

You can choose from ve dierent types of resonance.

Adjusts the damper noise of the acoustic piano sound (the sound of the damper releasing the strings when you press the damper pedal).

Adjusts the depth of the eect that occurs when you press the soft pedal. With higher values, the change will be greater.

Species a method of tuning (stretch tuning) that is distinctive to the piano, in which the high register is tuned slightly sharper and the low register is tuned slightly atter.

Adjusts the volume of each key. Higher settings increase the volume.

Adjusts the tonal character of each key. Higher settings produce a harder tone, and lower settings produce a softer tone.

sounding even after you play a note and

Page 22

Advanced Operation

Using the Microphone

You can connect a dynamic microphone (sold separately) to the Mic Input jack and sing while playing.

Connecting a Microphone

Here’s how to connect a microphone to the Mic Input jack.

FP-90X

3 3

1 14 4

FP-60X

Applying an Eect to the Mic (Mic Eects)

Here’s how to apply an eect to the sound of the mic.

FP-90X

1. Press the [Mic] button.

The Mic Eects screen appears.

2. Use the [K] [J] buttons to select the eect that you want to

apply.

3. Use the [-] [+] buttons to switch the setting on/o.

FP-60X

1. Press the [Function] button to make it light.

2. Use the [K] [J] buttons to select “Mic Eects.”

2 2

Microphone Microphone

1. Move the [Mic Vol.] slider all the way down to minimize the

volume.

2. Connect the microphone to the Mic Input jack.

The microphone input will turn on.

3. If the sound of the mic is too weak or is distorted, turn the

rear panel Mic [Gain] knob to adjust the volume of the mic.

4. Move the [Mic Vol.] slider to adjust the volume of the mic.

* If the volume is excessive, you may hear noise from the speakers.

MEMO

You can adjust the volume balance as with an audio mixer.

FP-90X

Piano (Part) volume Song volume Mic volume

FP-60X

Piano (Part) volume Mic volume

3. Press the [Function] (Enter) button.

The Mic Eects screen appears.

4. Use the [K] [J] buttons to select the eect that you want to

apply.

5. Use the [-] [+] buttons to switch the setting on/o.

Adjusting the Mic Eect

Here’s how to adjust how the eect is applied.

1. In the Mic Eects screen, press the [J] button.

2. Adjust the eect.

Indication

[K] [J] button

Compressor Type Soft, Normal, Hard

Doubling Type

Doubling Width Light, Normal, Deep

Doubling Level 0–10

Echo Type 1–7 Selects the type of echo.

Echo Level 0–10

Value [-] [+] buttons

One Voice, Two Voice

Explanation

Species the amount of the eect that restrains the level in response to the audio input. Soft, Normal, and Hard settings produce a progressively greater eect. Produces an eect as though a singing voice is layered multiple times. Species the pitch dierence between the layered voice and the original sound.

Light, Normal, and Deep settings produce progressively greater pitch dierence. Species the volume of the doubling eect.

Higher values produce greater reverberance.

Page 23

Saving Performance Settings (Registrations)

Advanced Operation

What Is a Registration?

Tone settings and performance settings such as Dual Play or Split Play can be saved as a “registration” and recalled whenever you like.

This unit has ve registration buttons ([1]–[5]), and you can save nine dierent registrations under each button. This means that you can save as many as 45 registrations.

An entire group of 45 registrations is called a “Registration Set.”

Variation

1-1

MEMO

5 For more about the settings saved in a registration, refer to “Saved

Settings” (p. 30).

5 You can save registration sets to a USB ash drive (sold separately;

p. 6).

4-9

3-9

2-9

1-9

5-1

4-1

3-1

2-1

45 registrations=Registration set

5-9

Recalling a Registration

Here’s how to recall settings that you’ve saved in a registration.

1 32

1. Press the [Registration] button.

The rst time you press the [Registration] button after turning on the power, a screen like the following will appear.

Saving Current Settings into a Registration

Here’s how to save the performance settings to a registration.

NOTE

When you save a registration into a location, it will overwrite any registration already stored at that location.

2 2 2

1. Make the desired performance settings.

2. Hold down the [Registration] button and press one of the

[1]–[5] buttons, then press the [-] [+] buttons to which you want to assign the settings.

When you release the [Registration] button, you will see a screen like the one shown below.

3. Rename the registration.

Select the character to change Change the character Press the [-] [+] buttons. Insert one character Delete one character

If you decide to cancel, press the [Exit] (Exit) button.

4. Press the [Function] (Store) button.

The performance settings are saved.

NOTE

Do not turn o the power while “Executing...” is displayed.

5. Press the [Exit] button.

MEMO

You can reset all registrations to their factory defaults. For details, refer to “Returning the Factory Settings (Factory Reset)” (p. 25).

Press the [K] [J] buttons. Press the [s] button.

Press the [t] button.

2. Press a number button ([1] to [5]) to choose the location

where the desired registration is saved.

3. Press the [–] [+] buttons to select the registration variation.

The settings change accordingly.

MEMO

5 You can also use a pedal to recall registrations (p. 28). 5 You can reload registration sets that you’ve saved to a USB ash

drive (p. 24).

4. Press the [Exit] button.

Page 24

Advanced Operation

Saving a Registration Set (Registration Set Export)

Here’s how the registration set that’s saved in this unit can be saved to a USB ash drive.

* If you’re saving to a USB ash drive, connect your USB ash drive to the

USB Memory port before proceeding.

1. Press the [Function] button.

2. Use the [K] [J] buttons to select “Reg. Set Export.”

3. Press the [Function] (Enter) button.

The Reg. Set Export screen appears.

4. Renaming the registration set.

Select the character to change Change the character Press the [-] [+] buttons. Insert one character Delete one character

If you decide to cancel, press the [Exit] (Exit) button.

5. Press the [Function] (Enter) button.

The registration set is saved.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

6. Press the [Exit] button several times to exit Function mode.

Press the [K] [J] buttons. Press the [s] button.

Press the [t] button.

Loading a Saved Registration Set (Registration Set Import)

Here’s how a registration set saved on a USB ash drive can be loaded into the registrations of this unit.

* If you want to load a registration set from a USB ash drive, connect

your USB ash drive to the USB Memory port before proceeding.

NOTE

Note that when you load a registration set, it will overwrite (and erase) all of the registrations already in registration memory. If you wish to retain your existing registrations, save them to a USB ash drive.

1. Press the [Function] button.

2. Use the [K] [J] buttons to select “Reg. Set Import.”

3. Press the [Function] (Enter) button.

The Reg. Set Import screen appears.

4. Use the [–] [+] buttons to select the registration set you

want to load.

5. Press the [Function] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [Exit] (Exit) button.

6. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

The registration set will be loaded.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

7. Press the [Exit] button several times to exit Function mode.

Page 25

Convenient Functions

Advanced Operation

Initializing the Memory (Format Media)

You can completely erase all data that were saved in internal memory or on a USB ash drive.

NOTE

5 All data saved in internal memory or on the USB ash drive will be

erased when you initialize the media.

5 If you want settings other than the internal memory and USB ash

drive songs to be returned to their factory-set state, execute a Factory Reset (p. 25).

1. If you want to initialize a USB ash drive, connect the USB

ash drive to the USB Memory port (p. 6).

2. Press the [Function] button, and then use the [K] [J]

buttons to select “Format Media.”

3. Press the [Function] (Enter) button.

The Format Media screen appears.

If you decide to cancel, press the [Exit] (Exit) button.

4. Use the [–] [+] buttons to select the media that you want to

format.

5. Press the [Function] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [Exit] (Exit) button.

6. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

The memory is formatted.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

7. Press the [Exit] button several times to exit Function mode.

Returning to the Factory Settings (Factory Reset)

Here’s how to restore all registrations and internally saved settings to the factory-set condition. This function is called “Factory Reset.”

NOTE

A factory reset returns all of your saved settings to their factory values.

MEMO

Executing this function does not erase the songs in internal memory or on a USB ash drive (sold separately). If you want to erase all songs from internal memory or from a USB ash drive, refer to “Reformatting Memory (Format Media)” (p. 25).

3. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

The memory is reset to its factory values.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

4. Turn the power o, then on again (p. 5).

Retaining Settings After Power-O (Memory Backup)

Temperament settings, equalizer settings, and other settings are reset to their default values when this unit is turned o.

You can automatically restore the desired settings if you save them in internal memory.

MEMO

For a list of settings saved by Memory Backup, see “Saved Settings” (p.

30).

1. Press the [Function] button, and then use the [K] [J]

buttons to select “Memory Backup.”

2. Press the [Function] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [Exit] (Exit) button.

3. Use the [J] button to select “Yes,” and then press the

[Function] (Enter) button.

Memory Backup will be carried out.

NOTE

Never turn o the power or remove the USB ash drives while the

screen indicates “Executing....”

4. Press the [Exit] button several times to exit Function mode.

Using USB

This unit can be USB-connected to a computer or similar device so that performance data (USB MIDI) and audio signals (USB Audio) can be transferred, allowing you to do the following things.

5 A performance played on this unit can be recorded as MIDI data into

sequencer software (sold separately).

5 MIDI data sent from sequencer software can played by this unit.

5 A performance played on this unit can be recorded as an audio signal into

sequencer software.

5 Music played back on your computer can be heard through the

speakers of this unit.

MEMO

Since this unit’s USB functionality uses the default USB driver of your computer, you don’t need to install a dedicated USB driver.

1. Press the [Function] button, and then press the [K] [J]

buttons to select “Factory Reset.”

2. Press the [Function] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [Exit] (Exit) button.

Page 26

Advanced Operation

Various Settings (Function Mode)

1. Press the [Function] button.

The [Function] button lights, and the unit is in Function mode.

2. Press the [K] [J] buttons to select the setting you want to

change.

* Depending on the item you select, an additional screen may be

displayed.

Indication [K] [J] buttons

Bluetooth

Parameter [-] [+] buttons Explanation

You can use a smartphone app via Bluetooth, or play back audio from your smartphone. Refer to “Connecting the Piano and a Mobile Device via Bluetooth” (p. 12).

Adjusting the Keyboard Response (Key Touch)

Key Touch

The way in which the keyboard responds to your playing strength can be adjusted to your personal taste.

Fix, 1–100

Higher values will make the keyboard feel heavier. If you’ve specied “Fix,” notes will sound at the same volume regardless of how strongly you play the keyboard.

Matching the Pitch with Other Instruments (Master Tuning)

Master Tuning

When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument. The reference pitch generally refers to the pitch of the note that’s played when you nger the middle A key. For a cleaner ensemble sound while

performing with one or more other instruments, ensure that each instrument’s standard pitch is in tune with that of the other instruments.

415.3 Hz–440.0 Hz–466.2 Hz

Changing the Tuning Method (Temperament)

You can play classical styles such as Baroque using historic temperaments (tuning methods). Most modern songs are composed and played with the assumption that equal temperament (the most common tuning in use today) will be used,

but when classical music was composed, there were a wide variety of other tuning systems in existence. Playing a composition with its original

Temperament

tuning lets you enjoy the sonorities of the chords that the composer originally intended.

Equal

Just Major

Just Minor

Pythagorean

Kirnberger I

Kirnberger II This is a revision of Kirnberger I that reduces the limitations on the usable keys.

Kirnberger III

Meantone

Werckmeister

Arabic This scale is suitable for Arabic music.

This temperament divides the octave into twelve equal steps. It is the temperament that is most commonly used on today’s pianos. Every interval has the same slight amount of dissonance.

In these temperaments, the primary triads are perfectly consonant. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities. The Just tunings dier from major and minor keys.

This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and fths. Although third chord is slightly dissonant, this tuning is suitable for songs that have a simple melody. As in the Just temperaments, the primary triads are consonant in this tuning. Beautiful sonorities are obtained when playing songs that are written in keys appropriate for this tuning.

This is an improvement of the Meantone and Just tunings that provides a high degree of freedom of modulation. Performances are possible in all keys. Since the resonance diers depending on the key, chords played in this temperament resonate in diverse ways when compared to equal temperament. This temperament slightly narrows the fth relative to Just temperaments. While the Just temperaments contains two types of whole tone (major whole tone and minor whole tone), meantone temperament uses only one type of whole tone (mean whole tone). Transposition within a limited range of keys is possible. This temperament consists of eight perfect fths and four narrowed fths. Performance in all keys is possible. Since dierent keys produce dierent sonorities, chords will resonate in diverse ways when compared to equal temperament (Werckmeister I (III)).

3. Press the [–] [+] buttons to adjust the value.

4. Press the [Exit] button to nish.

Specifying a Song’s Tonic (Temperament Key)

Temperament Key

Piano Designer

Hammer Response O, 1–10 Adjusts the time from when you play the key until the piano sound is heard. Higher values produce a greater delay.

Twin Piano

When playing with tuning other than equal temperament, you need to specify the temperament key for tuning the song to be performed (that is, the note that corresponds to C for a major key or to A for a minor key). If you choose an equal temperament, there’s no need to select a temperament key.

C–B Lets you personalize your piano sound by adjusting various elements that aect the sound: the piano’s physical strings, the resonances produced by the pedals, the sound of hammers striking the strings, and more. Refer to “Personalizing Your Piano Sound (Piano Designer)” (p. 21).

You can divide the keyboard into left and right areas so that two people can play the same range of pitches. Refer to “Dividing the Keyboard for Two People (Twin Piano)” (p. 17).

Editing the Equalizer Settings

You can use the equalizer to modify the tone color by boosting or reducing just the low-frequency or high-frequency range of the sound.

Equalizer

Mic Eects

FP-60X

Song Transpose

To edit the equalizer settings, use the [K] [J] buttons to select “Equalizer,” and then press the [Function] (Enter) button.

EQ Low Freq 20–400 (Hz)

EQ Mid Freq 200–8000 (Hz)

EQ Mid Q

EQ High Freq

Access the Mic Eects screen. Refer to “Applying Eects to the Mic (Mic Eect)” (p. 22).

* On the FP-90X, you can make these settings from the [Mic.] button (p. 22).

0.5, 1.0, 2.0,

4.0, 8.0

2000–16000 (Hz)

Transposing the Pitch of the Song Playback (Song Transpose)

You can transpose the song playback in semitone steps.

-12–0–+12

Frequency point in the low-frequency range. This changes the level at and under the specied bandwidth.

Frequency point in the mid-frequency range. This changes the level of the specied bandwidth centered on this frequency.

Changes the bandwidth of the mid-frequency range. The bandwidth aected narrows as the value increases.

Frequency point in the high-frequency range. This changes the level at and over the specied bandwidth.

Page 27

Advanced Operation

Indication [K] [J] buttons

Song Vol.

FP-60X

Input/Bluetooth Vol.

USB Audio Input Vol.

SMF Play Mode

Parameter [-] [+] buttons Explanation

Adjusting the Song Volume (Song Volume)

This setting adjusts the volume of your keyboard performance while a song plays back. This adjusts the volume of the song (SMF data / audio data) that is played back.

* On the FP-90X, the [Song Vol.] slider simultaneously adjusts the volume of the SMF and the audio. * If the SMF playback mode (p. 27) is set to “Auto-Select” or “Internal,” there will be some parts whose volume is not changed by the [Song Vol.]. If

you set the SMF playback mode to “External,” the volume of all parts will change.

0–10

Adjusting the Volume of an Audio Playback Device (Input/Bluetooth Vol.)

This setting adjusts the volume of your keyboard performance while a song plays back. You can adjust the volume of an audio playback device that’s connected to the Input jacks. 0–10

Adjusting the Volume from the Computer (USB Audio Input Volume)

This setting adjusts the volume from the computer when you’re playing back audio from a computer connected to the USB Computer port. 0–10

Setting the Song (SMF) Playback Mode (SMF Play Mode)

This setting species the tone that you play on the keyboard while a song is playing back. Normally you will use the “Auto-Select” setting. This determines whether the setting that is most suitable for the internal song or most suitable for external data is selected when you play back a song whose le format is SMF.

Changing this setting does not aect the sound character of tone that you play from the keyboard.

MEMO

You can also switch the SMF Play Mode by holding down the [s] button and using the [–] [+] button.

Auto-Select

Internal

External

Automatically switches the SMF Play Mode to either “Internal” or “External” depending on the song that is being played. When you play back a song, the tone that you play from the keyboard changes to the tone that is saved in the song. This is recommended when you play back an internal song or a song that you recorded on this piano. The tone that you play from the keyboard does not change when you play back a song. This is recommended when you play back external data such as commercially available music data.

* With this setting, some eects might not apply to the song playback sound.

For this reason, the character of the sound during playback might be dierent than the sound while you were recording.

Selecting the Format for Recording (Recording Mode)

You can choose whether to record as SMF or as audio.

Recording Mode

Count In Measure

Delete Song Refer to ”Deleting a Saved Song (Delete Song)” (p. 20).

Rename Song Refer to ”Renaming a Song (Rename Song)” (p. 19).

Copy Song Refer to ”Copying a Saved Song (Copy Song)” (p. 20).

Format Media Refer to “Reformatting Memory (Format Media)” (p. 25).

MEMO

You can also switch the Recording Mode by holding down the [t] button and using the [–] [+] button.

SMF The performance is recorded as MIDI data. (SMF format 0)

Audio

You can change the number of measures that are sounded as a count before song playback or recording begins.

* For details on the count in, see the following (p. 18) (p. 19).

1 Measure, 2 Measures

The recording will be made as audio data. (WAV format, 44.1 kHz, 16-bit linear)

* If a USB ash drive is not inserted, “Audio” cannot be selected.

Changing How the Pedal Eects Are Applied (Damper Pedal Part)

Damper Pedal Part

When you press the pedal connected to the Pedal Damper jack during Dual Play or Split Play, the pedal eect is normally applied to both tones, but you can also select the tone to which the eect is to be applied.

Right & Left All enabled Right Applied only to the Tone 1 (in Dual Play)/Right-hand tone (in Split Play) Left Applied only to the Tone 2 (in Dual Play)/Left-hand tone (in Split Play)

Changing the Function of the Center Pedal (Center Pedal)

Use this feature to change the function of the pedal connected to the Pedal Sostenuto jack. Sostenuto *1 Sets function to sostenuto pedal.

Soft *2 Sets function to soft pedal.

Center Pedal

Play/Stop Layer In Dual Play, you can control of the Tone 2 volume.

Expression *3

Master Expression Controls the overall volume of this unit. Bend Up *3 *4 Pitch rises when pedal is depressed. Bend Down *3 *4 Pitch is lowered when pedal is depressed. Modulation *3 *4 Vibrato is added when pedal is depressed. Mic Doubling Sw The pedal will turn Mic eect “Doubling” on/o. Mic Echo Sw The pedal will turn Mic eect “Echo” on/o. Rotary Sw When using the rotary eect, switches the rotary eect between slow and fast. *1 Only works on the Center Pedal Function.

*2 Only works on the Left Pedal Function. *3 Works only on the tone set as the corresponding pedal part (Center Pedal Part or Left Pedal Part). *4 For some tones, this setting might not apply an eect.

* Use only the specied expression pedal. By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

The pedal will have the same function as the [s] button.

Allows control of the volume. You may nd it convenient to connect an expression pedal (EV-5: sold separately). Does not change the recorded performance play.

Page 28

Advanced Operation

Indication [K] [J] buttons

Parameter [-] [+] buttons Explanation

Changing How the Pedal Eects Are Applied (Center Pedal Part)

Center Pedal Part

Left Pedal

When you press the pedal connected to the Pedal Sostenuto jack during Dual Play or Split Play, the pedal eect is normally applied to both tones, but you can also select the tone to which the eect is to be applied.

Refer to “Changing How the Pedal Eects Are Applied (Damper Pedal Part)” (p. 27).

Changing the Function of the Left Pedal (Left Pedal)

Use this feature to change the function of the pedal connected to the Pedal Soft jack. Refer to “Changing the Function of the Center Pedal (Center Pedal)” (p. 27).

Changing How the Pedal Eects Are Applied (Left Pedal Part)

Left Pedal Part

When you press the pedal connected to the Pedal Soft jack during Dual Play or Split Play, the pedal eect is normally applied to both tones, but you can also select the tone to which the eect is to be applied.

Refer to “Changing How the Pedal Eects Are Applied (Damper Pedal Part)” (p. 27).

Using a Pedal to Switch Registrations (Reg. Pedal Shift)

Reg. Pedal Shift

Reg. Set Export Refer to “Saving a Registration Set (Registration Set Export)” (p. 24). Reg. Set Import Refer to “Loading a Saved Registration Set (Registration Set Import)” (p. 24).

You can assign a pedal to successively switch registrations. Each time you press the pedal, you will switch to the next registration. O The functions assigned to the Pedal Soft jack and Pedal Sostenuto jack will be available for use. Left Pedal The pedal connected to the Pedal Soft jack can be used only for switching registrations.

Center Pedal The pedal connected to the Pedal Sostenuto jack can be used only for switching registrations.

Sending Tone-Change Information (Transmit MIDI Information)

When you switch registrations, this unit simultaneously transmits the following: Program Change, Bank Select MSB, and Bank Select LSB.

Reg. Transmit Ch. O, 1–16 Sets the Program Change transmit channel. Reg. Bank MSB 0 (00) –127 (7F) Sets the Bank Select MSB. Reg. Bank LSB 0 (00) –127 (7F) Sets the Bank Select LSB. Reg. PC 1 (00) –128 (7F) Sets the Program Change number.

You can also set the transmit channel.

Preventing Doubled Notes When Connected to a Sequencer (Local Control)

When you have a MIDI sequencer connected, set this parameter to Local O.

Local Control

Since most sequencers have their Thru function turned on, notes you play on the keyboard may be sounded in duplicate, or get dropped. To prevent this, you can enable the “Local O” setting so that the keyboard and internal sound generator will be disconnected.

O

Local Control is o. The keyboard is disconnected from the internal sound generator. Playing the keyboard will not produce sound.

Local Control is on. The keyboard is connected to the internal sound generator.

MIDI Transmit Channel Settings (MIDI Transmit Ch.)

MIDI Transmit Ch.

Display Contrast

Panel Brightness

This setting species the MIDI channel on which the unit will transmit. This unit will receive all sixteen channels (1–16). O, 1–16

Adjusting the Brightness of the Display (Display Contrast)

Adjusts the brightness of this unit display. 1–10

Adjusting the Brightness of the Buttons (Panel Brightness)

You can adjust the brightness of this unit’s buttons. Dim, Bright

Outputting Sound Both from Headphones and Internal Speakers (Speaker Auto Mute)

With the factory settings, sound is no longer output from the internal speaker when you connect headphones to the PHONES jack. However, you can

Speaker Auto Mute

change this setting so that sound is output both from the headphones and from the internal speakers.

* If this is “O,” the sound that is output from the headphones will have a dierent character.

* If this is “O,” sound is heard from the internal speakers even if the Speaker [O/On] switch is “O.” O Sound is heard both from headphones and the internal speakers. On Sound is heard only from the headphones (default value).

Making the Power Automatically Turn O After a Time (Auto O)

Auto O

Memory Backup

Factory Reset Refer to “Restoring the Factory Settings (Factory Reset)” (p. 25).

Version Displays the version of the unit’s system program.

With the factory settings, the unit’s power will automatically be switched o 240 minutes after you stop playing or operating the unit. If you don’t want the power to turn o automatically, change the “Auto O” setting to “O.”

O, 10, 30, 240 (min.) This unit settings return to their factory defaults when you turn o the power. But if you backup the current settings into internal memory, they will be restored the next time the power comes on.

Refer to “Retaining Settings After Power-O (Memory Backup)” (p. 25).

* This unit settings return to their factory defaults when you turn o the power. But if you backup the current settings into internal memory, they will be

restored the next time the power comes on. Refer to “Retaining Settings After Power-O (Memory Backup)” (p. 25).

Page 29

Troubleshooting

Problem Items to Check Action Page Even though

you’re using headphones and the sound is muted, a thumping sound is heard when you play the keyboard

Power turns o on its own

Power turns on unexpectedly

Pedal does not work, or is “stuck”

Unable to read from/write to USB ash drive

“Buzz” is heard from external devices

The volume level of the unit connected to Input Stereo jack is too low

No sound

Sound is heard from the internal speakers even when headphones are connected Sound is output from the internal speakers even when the Speaker [O/ On] switch is “O” No sound from the microphone Mic sound is not loud enough

Notes don’t sound right

Pitch of the keyboard or song is incorrect

Notes are interrupted

Sounds are heard twice (doubled) when the keyboard is played

Could you be hearing the sound of the hammers inside the keyboard, or vibrations in the oor or walls?

Could the autoo setting be something other than “O”?

Is the AC adaptor connected correctly? –

Is the pedal connected correctly? – Could you have disconnected or connected the pedal cord while the power was on? Could you have changed the function of the pedal? Could you be using the Reg. Pedal Shift function? p. 28

Is the USB ash drive connected to the USB Memory port?

Are the external devices connected to more than one AC power outlet?

Could the Input/Bluetooth Vol. be turned down? p. 27

Could the volume of the connected device be turned down?

Are your amp, speakers, headphones, etc., connected correctly? Is the volume turned down? p. 8 Could headphones or an adaptor plug be inserted in the Phones jacks? The speakers will not produce sound if headphones or plug are connected to the Phones jacks. Has Local Control been set to “O ”? Could the Speaker [O/On] switch be “O”?

If the Speaker [O/On] switch is “O,” sound is not output from the internal speakers. Could the Part [Upper] [Lower] sliders both be lowered?

If the Part sliders are lowered, no sound is heard. Could you be using an expression pedal?

Could Speaker Auto Mute be “O”? If Speaker Auto Mute is “O,” sound is output from the

internal speakers even if headphones are connected or if the Speaker [O/On] switch is “O.”

Is the [Mic Vol.] slider raised? p. 22

Could you have made Transpose settings? p. 8 Is the Master Tune setting appropriate? p. 26 Is the setting for the Temperament correct? p. 26 Is the Single Note Tuning setting appropriate? p. 21 Could you be holding down the damper pedal and sounding a large number of notes?

Could you be using Dual Play or playing along with a song? Is the unit in Dual Play?

Could the unit be connected to an external sequencer?

Playing the keyboard causes internal hammers to operate, and the vibrations may be transmitted to the oor or walls. To minimize such vibrations, you can move the piano away from the wall, or lay down a commercially available anti-vibration mat designed for use with pianos.

If you don’t need the power to turn o automatically, turn the Auto O setting “O.”

Power-o the unit before you connect or disconnect the pedal cord.

Return the pedal function (Center Pedal, Left Pedal) to its previous setting.

If you connect external devices, be sure to connect them to the same AC outlet.

Set Local Control to “On.” p. 28

Use an expression pedal to adjust the volume.

Press the [Split/Dual] button to turn o Dual Play. If you don’t want the other sound module to produce sound, turn your DAW’s soft thru function “o.”

If Local Control is turned “On,” set Local Control to “O.”

p. 28

p. 27

p. 6

p. 5

p. 6

p. 8

p. 28

Problem Items to Check Action Page

Eect does not apply

Reverberation

–

remains even if you defeat the Ambience eect

Only high or low sound is heard

The sound of the higher notes suddenly changes from a certain key

–

High-pitched ringing is heard

–

Low notes sound

–

wrong, or are buzzy

–

The selected sound changes when you play back a song

Loud “damper noise” is heard.

Song does not play correctly

The piano’s tonal

–

character changes when you record

Only the sound of a particular instrument in a song does not play

Song volume is too low /

Volume diers between recording and playback

Can’t play back a song saved in USB ash drive

–

Song name in USB

–

ash drive is not shown

–

Can’t record

Can’t record audio Is a USB ash drive connected to the USB Memory port? –

For some combinations of tones, the eect does not apply to Dual Play tone 2 or to the left-hand tone of Split Pla y. Even if the Ambience eect is o, the acoustic piano’s own resonance remains.

You can reduce this reverberation by adjusting the Cabinet Resonance (FP-90X only).

Could you have adjusted the equalizer? p. 26

This simulates the characteristics of an acoustic piano, and is not a malfunction.

The sound will change where there is a change in the number of strings per key or a transition from wound strings to unwound strings. If you don’t hear it through headphones: It may be that the unit has malfunctioned. Please contact your dealer or a Roland customer service center.

If you also hear it through headphones: To decrease the metallic ringing, adjust the following settings.

•Duplex Scale (FP-90X only)

•Full Scale String Res. (FP-90X only)

•Ambience

Could the volume be set to maximum? If you also hear it through headphones: It may be that the unit has malfunctioned. Please contact your dealer or a Roland customer service center.

If you don’t hear it through headphones: Objects near the unit are resonating because of the high volume of sound coming from the speakers. You can take the following measures to minimize resonances.

•Locate the speakers 10–15 cm (4–6 inch) away from

walls or other surfaces.

•Keep the volume down.

•Move away from the objects that are resonating.

Could the SMF Play Mode be set to “Auto-Select” or “Internal”? Could you be using a damper pedal other than the specied model?

Could you be recording with a tone that you created in Piano Designer? Could you be playing back the audiorecorded sound?

Could the Part [Upper] [Lower] sliders both be lowered? If the Part sliders are lowered, no sound is heard.

Lower the volume. p. 8

Set the SMF Play Mode to “External.” p. 27

Use a damper pedal that supports continuous detection, such as the DP-10 or KPD-90. If you’re using the DP-10, set the DP-10’s switch to the “Continuous” position.

The Piano Designer settings might not be reproduced when you play back a song.

Record as SMF. p. 18

FP-90X

Could the [Song Vol.] slider be set too low?

FP-60X

Could the Song Vol. settings be too low?

Could the Part [Upper] [Lower] sliders be set to “0”? p. 8

Could the Audio les of the format be played? (WAV or MP3) Audio les of the following format can be played back.

• WAV format, 44.1 kHz, 16-bit linear, File extension “.wav”

• MP3 format, 44.1

Is the lename extension “.MID”? – Could the song name information in the le be blank or consist of only spaces? Is the lename extension “.MID”? – Could the le name contain two-byte characters (such as Japanese)?

Rename the le so that it consists only of single-byte alphanumeric characters.

–

p. 21

–

p. 21

–

p. 6

–

p. 8

p. 27

–

Page 30

Error Messages

Indication Meaning

Error 2

Error 3 The same le already exists.

Error 10

Error 11

Error 14

Error 15 The le is unreadable. The data format is not compatible with the unit.

Error 18

Error 30 Internal memory capacity of the unit is full.

Error 40

Error 41 A MIDI cable was disconnected. Connect the MIDI cable correctly. Error 43 A MIDI transmission error has occurred. Check the MIDI cable and connected MIDI device.

Error 51

Error 65

An error occurred during writing. The external media may be corrupted. Insert other external media and try again. Alternatively, you can initialize the external media (p. 25).

The internal memory might be damaged. Format the internal memory (p. 25).

No external media is inserted. Insert the external media and try again. The internal memory might be damaged. Format the internal memory (p. 25). There is not sucient free memory in the save destination.

Either insert other external media or delete unneeded les and try again. An error occurred during reading. The external media may be corrupted. Insert other external media and try again. Alternatively, you can initialize the external media (p. 25). The internal memory might be damaged. Format the internal memory (p. 25).

This audio format is not supported. Please use 44.1 kHz 16-bit linear WAV format or 44.1 kHz 64 kbps–320 kbps MP3 format audio les.

The unit cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the amount of MIDI data sent to the unit.

There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the Roland service center. The USB ash drive connector was subjected to excessive current. Make sure that there is no problem with the external media, then turn the power o, then on again.

Saved Settings

Parameter Explanation

Selected tone (including Split or Dual tones) Dual Play On/O Split Play On/O

Split Point Split Point Right Shift/Left Shift Octave shift of the right-hand and left-hand tone Tone 1 Shift/Tone 2 Shift Octave shift of tone 1 and tone 2 Transpose Transpose on/o and transpose value Ambience Type Ambience type Ambience Depth Depth of the ambience eect Rotary Speed Modulation speed of the rotary eect Modulation Speed Speed at which the sound is modulated Key Touch Key Touch Damper Pedal Part Damper pedal part setting Center Pedal Part Center pedal part setting Center Pedal Function of the center pedal Left Pedal Part Left pedal part setting Left Pedal Function of the left pedal Reg. Pedal Shift Registration pedal shift setting MIDI Transmit Ch. MIDI transmit channel Reg. Transmit Ch. Reg. PC Reg. Bank MSB Reg. Bank LSB Mic Eects Mic eects setting Headphones 3D Ambience Headphones 3D Ambience Hammer Response Hammer response Metronome Metronome (volume, sound, downbeat) Master Tuning Master Tuning Temperament Tuning method Temperament Key Base note for the tuning method Input/Bluetooth Vol. Input/Bluetooth volume USB Audio Input Vol. USB Audio input volume SMF Play Mode SMF playback mode Display Contrast Display contrast Panel Brightness Brightness of the buttons

Speaker Auto Mute Settings of the Speaker Auto Mute function Auto O Auto o Equalizer Equalizer settings

*1 Saved in registrations only for the FP-90X. *2 The “Reg. Pedal Shift” setting is saved on the USB ash drive when you execute Registration Set Export.

Part Volume

Tone switching information

All settings of the Bluetooth function

Settings Saved in Registrations

Items Stored by Memory Backup

t t t t t t t t t*1 t t t t t t t t t t t t t*2 t t t

t t

Settings Stored Immediately When Edited

t t t t t t

t t t t t

t t

Page 31

Tone List

Piano

# Tone Name 1 Concert Piano *

2 Stage Grand * 3 Concert Ballad * 4 Concert Mellow * 5 Concert Bright * 6 Concert Brilliance * 7 Stage Mellow * 8 Stage Bright * 9 Upright Piano 10 Mellow Upright 11 Bright Upright 12 Rock Piano 13 Ragtime Piano 14 Bright Forte 15 SA Piano 16 JD Piano 17 70’s E.Grand 18 Magical Piano 19 Harpsichord 20 Harpsi 8’+4’

* Tones with the (*) symbol

are “PureAcoustic Piano sound engine” tones.

FP-90X FP-60X

Piano

# Tone Name 1 Concert Piano *

2 Ballad Piano * 3 Mellow Piano * 4 Bright Piano * 5 Upright Piano 6 Mellow Upright 7 Bright Upright 8 Rock Piano 9 Ragtime Piano 10 Bright Forte 11 SA Piano 12 JD Piano 13 70’s E.Grand 14 Magical Piano 15 Harpsichord 16 Harpsi 8’+4’

* Tones with the (*) symbol

are “SuperNATURAL Piano sound engine” tones.

E. Piano

# Tone Name 1 1976SuitCase

2 Tine EP Lite 3 ModiedDyno 4 VR EP 1 5 Wurly 200 6 Pure Wurly 7 Phase EP Mix 8 80’s FM EP 9 MetalicEP Ex 10 SA E.Piano 1 11 SA EP1 Stack 12 SA E.Piano 2 13 JD8 CrystlEP 14 Glassy EP 1 15 Tremolo EP 16 EP Belle 17 BrillClav DB 18 BrillClavWah

Organ

# Tone Name 1 B.Organ Slow

2 Combo Jz.Org 3 Ballad Organ 4 Gospel Spin 5 Full Stops 6 Mellow Bars 7 Lower Organ 8 Light Organ 9 Pipe Organ 10 Nason t 8’ 11 ChurchOrgan1 12 ChurchOrgan2 13 Accordion 14 Acd Musette 15 Acd Harmonm 16 Animal Mod 17 Surf Monkeys 18 Rising Sun

Strings/Pad

# Tone Name 1 Chamber Str

2 String Exp 3 Full Strings 4 Strings forI 5 Epic Strings 6 Rich Strings 7 SymphonicStr1 8 SymphonicStr2 9 Orchestra 10 String Trio 11 Harpiness 12 OrchestraBrs 13 Super SynPad 14 Choir Aahs 1 15 Choir Aahs 2 16 D50 StackPad 17 Legend Pad 18 Voice of Hvn 19 New Jupiter 20 ChordofCnada 21 JP8 Strings 22 Air Pad 23 Boreal Pad 24 JP8 Hollow 25 Soft Pad 26 Solina 27 Tron Strings

Synth/Other

# Tone Name 1 Super Saw

2 Trancy Synth 3 Flip Pad 4 D50 Fantasia 5 D50 Stac Hvn 6 D50 FuturePd 7 D50 DigiNDnc 8 EQ Lead 9 DelyResoSaws 10 StrawberyFlt 11 Jazz Scat 12 Ac.Bass wRel 13 Comp’d JBass 14 A.Bass+Cymbl

(8-drum sets and 1

15–23

SFX set)

24–

(GM2 Tones)

279

Internal Song List

Common to FP-90X/FP-60X

Song Name Composer

Elevations * Original Reection * Original Fly day * marasy Barcarolle * Fryderyk Franciszek Chopin

Zhavoronok *

Valse, op.34-1 * Fryderyk Franciszek Chopin Polonaise op.53 * Fryderyk Franciszek Chopin Nocturne No.20 * Fryderyk Franciszek Chopin Die Forelle * Franz Peter Schubert, Arranged by Franz Liszt Reets dans l’Eau * Claude Achille Debussy Polovtsian Dances Alexander Borodin Ombra mai fù George Frideric Handel Lascia ch’io pianga George Frideric Handel Twinkle Twinkle Little Star French Folk Song Mary Had a Little Lamb Traditional Bear Song American Folk Song Ich Bin Ein Musikante German Folk Song Grand Father’s Clock Henr y Work Jingle Bells James Pierpont We Wish You a Merry Christmas Carol

* All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. * Performance data of the tone demos and the built-in songs is not output from the USB Computer port or from Bluetooth (MIDI). * If the SMF playback mode (p. 27) is set to “Auto-Select” or “Internal,” there will be some parts whose volume is not changed by the [Song Vol.]. If you set the SMF playback mode

to “External,” the volume of all parts will change. * Songs marked by an asterisk (*) are piano solo songs. They have no accompaniment. * “Fly day” are played by marasy

“Mikhail Ivanovich Glinka, Arranged by Mily Alexeyevich Balakirev”

Song Name Composer

Silent Night Franz Gruber Amazing Grace Hymn Lavender’s Blue Traditional Aura Lee George R. Poulton Auld Lang Syne Traditional Greensleeves Traditional Maple Leaf Rag Scott Joplin The Entertainer Scott Joplin When The Saints Go Marching In Traditional Little Brown Jug Joseph Winner Singing Winds Original City Lights Original

FP-90X only

Song Name Composer

Amazing Grace * Hymn Nocturne, op.9-2 * Fryderyk Franciszek Chopin

Page 32

USING THE UNIT SAFELY

WARNING

Concerning the Auto O function

Use only the stand that is recommended

This unit should be used only with a stand that is recommended by Roland.

Do not place in a location that is unstable

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

Precautions regarding placement of this unit on a stand

Be sure to follow the instructions in the Owner’s Manual carefully when placing this unit on a stand (p. 2).

If it is not set up properly, you risk creating an unstable situation which could lead to the unit falling or the stand toppling, and may result in injury.

WARNING

Use only the supplied AC adaptor and the correct voltage

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the supplied power cord

Use only the attached power cord. Also, the supplied power cord must not be used with any other device.

CAUTION

Use only the specied stand(s)

This unit is designed to be used in combination with specic stands (*1) manufactured by Roland. If used in combination with other stands, you risk sustaining injuries as the result of this product dropping down or toppling over due to a lack of stability.

*1 FP-90X: KSC-90, KS-G8B, KS-10Z, KS-12, KS-20X

FP-60X: KSC-72, KS-G8B, KS-10Z, KS-12, KS-20X

CAUTION

Evaluate safety issues before using stands

Even if you observe the cautions given in the owner’s manual, certain types of handling may allow this product to fall from the stand, or cause the stand to overturn. Please be mindful of any safety issues before using this product.

Cautions when moving this unit

Since this product is very heavy, you must make sure that a sucient number of people are on hand to help, so you can lift and move it safely, without causing strain. Make sure to have a rm grip, to protect yourself from injury and the instrument from damage. If you need to move the instrument, take note of the precautions listed below.

• Check to make sure the Knob Bolt securing the unit to

the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

• Remove the music stand.

Keep small items out of the reach of children

To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.

• Removable Parts

Music rest attachment screws (FP-90X only) (p. 5)

IMPORTANT NOTES

Placement

• Do not allow objects to remain on top of the keyboard.

This can be the cause of malfunction, such as keys ceasing to produce sound.

• Depending on the material and temperature of the

surface on which you place the unit, its rubber feet may discolor or mar the surface.

Care of the Keyboard

• Do not write on the keyboard with any pen or other

implement, and do not stamp or place any marking on the instrument. Ink will seep into the surface lines and become unremovable.

• Do not ax stickers on the keyboard. You may be

unable to remove stickers that use strong adhesives, and the adhesive may cause discoloration.

• To remove stubborn dirt, use a commercially available

keyboard cleaner that does not contain abrasives. Start by wiping lightly. If the dirt does not come o, wipe using gradually increasing amounts of pressure while taking care not to scratch the keys.

Repairs and Data

• Before sending the unit away for repairs, be sure to

make a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.

Additional Precautions

• Any data stored within the unit can be lost as the result

of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.

• Roland assumes no liability concerning the restoration

of any stored content that has been lost.

• Never strike or apply strong pressure to the display.

• The sound of keys being struck and vibrations produced

by playing an instrument can be transmitted through a oor or wall to an unexpected extent. Please take care not to cause annoyance to others nearby.

• Do not apply undue force to the music stand while it

is in use.

• Use only the specied expression pedal. By connecting

any other expression pedals, you risk causing malfunction and/or damage to the unit.

• Do not use connection cables that contain a built-in

resistor.

Using External Memories

• Please observe the following precautions when

handling external memory devices. Also, make sure to carefully observe all the precautions that were supplied with the external memory device.

• Do not remove the device while reading/writing is

in progress.

• To prevent damage from static electricity, discharge

all static electricity from your person before handling the device.

Caution Regarding Radio Frequency Emissions

• The following actions may subject you to penalty of law.

• Disassembling or modifying this device.

• Removing the certication label axed to the back

of this device.

• Using this device in a country other than where it

was purchased

Intellectual Property Right

• It is forbidden by law to make an audio recording, video

recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a

copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound

waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

• Purchasers of this product are permitted to utilize said

content (except song data such as Demo Songs) for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract

said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

• This product contains eParts integrated software platform of

eSOL Co.,Ltd. eParts is a trademark of eSOL Co., Ltd. in Japan.

• The Bluetooth® word mark and logos are registered

trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Roland is under license.

• This Product uses the Source Code of μT-Kernel under

T-License 2.0 granted by the T-Engine Forum (www.tron.org).

• This product includes third party open source software.

Copyright © 2009-2018 Arm Limited. All rights reserved. Copyright © 2018 STMicroelectronics. All rights reserved. Licensed under the Apache License, Version 2.0 (the “License”); You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Copyright © 2018 STMicroelectronics. All rights reserved. This software component is licensed by ST under BSD 3-Clause license, the “License”; You may obtain a copy of the License at https://opensource.org/licenses/BSD-3-Clause This product is using the Jansson (http://www.digip.org/ jansson/) source code. Copyright © 2009-2016 Petri Lehtinen <[email protected]> Released under the MIT license http://opensource.org/licenses/mit-license.php

• Roland, SuperNATURAL, PureAcoustic, Piano Every Day

are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

• Company names and product names appearing in this

document are registered trademarks or trademarks of their respective owners.

Page 33

Internal Song Music Book

内蔵曲楽譜集

1 : Elevations

2 : Reection

Page 34

& ?

Allegro (oca.140)

&?4

playful

A m

œ œ

Elevations

Original

C 6

œ œ

G 7/C

œ œ

.ú

C/G

rit.

œ œ

D m G9

C/G G

œ œ

& ?

a tempo

œ Œ

œ œ

F/A

C/G F 6

œ œ

a tempo

œ œ œ

œ œ

œjœ

poco rit.

œ œ œ

‰

D m7

œ œ œ

Page 35

œ œ œjœ

œ œ œ

Cmaj7

œ œ œjœ

œ œ

œ œ œJœ

& ?

C/B

œ œ œjœ

œ œœœœœ

œjœ œJœ

ú œ œ œ œ

œœœ

œ J

œœœœœ

œ œ

C/B

œ J

œœœ

Cmaj7

œœœ

Poco slower

œ J

& ?

Fmaj7

expressivo

úúú

C/G

œ œ

Gsus4

Œ ‰

œ œjœ

.ú

œ ‰

œ œ

ú œ œ

Più mosso

ú ú

Fmaj7

œ œ

Ó Œ

‰

œ œ

Dm/A

œ œ

maj7

œ œ

Page 36

C/E

F/A

F6 Am7

œ œ

‰

Œ œ

œ œ

‰

maj7

rit.

.úb

Fm6

‰jœ

C/G

a tempo

ú ú

ú œ

..ú

‰

.ú

œb

œœbœ

& ?

.œ .

Tempo I

œ œ œJœ J

playful

Fmaj7

œ œ œ

Cmaj7

œ œ œJœ J

‰

rit.

œ .

ú ú Œ

Page 37

& ?

Fm6

poco rit.

a tempo

C/G

expressivo

Gsus4

œ œ

& ?

maj7

Più mosso

œ œ œ Œ ‰

úb

Fmaj7

œb

.ú

œ œ

œ œ œ Œ ‰

úb

C/G

œ œ

.ú .

œ œ

œ œ œ

úb

ú œ

maj7

œb

úb

ú ú

. .

œ œ

∑

œ œ œ Œ

úb

∑

úb

œ œ

poco rit.

.ú .

ú ú

Page 38

Moderate (oca.112)

.œ

Reflection

Original

œ j

& ?

Ó œ

.œ

.ú

œ Œ œ

œ.ú

Dm7

œ.ú

œ j

œ.ú

F F6

Œ œ

.ú

Fmaj7

.œ

œ j

œ.ú

F G

& ?

F/A G7/B

œ œ

Page 39

.œ

œ j

ú œ

& ?

A m G/B

œ.ú

#m7b

œ œ

œ#

poco rit.

ún

a tempo

ú œ œ w

œb

& ?

œ .ú

œb

œ .ú

œb

ú œ

œb

ú œ

œb

œ.ú

œb

poco rit.

œ.ú

w w

Page 40