Before using this unit,
carefully read the
sections entitled:
“USING THE UNIT
SAFELY” and
“IMPORTANT NOTES”
(p. 2–3). These sections
provide important information concerning the
proper operation of the
unit. Additionally, in
order to feel assured
that you have gained a
03458945 3RCC
good grasp of every
feature provided by
your new unit, Owner’s
manual should be read
in its entirety. The
manual should be
saved and kept on
hand as a convenient
Owner’s Manual
Thank you and congratulations on your choice of the Roland Dual Trigger Pad PD-8/Dual
Trigger Cymbal Pad CY-8/Kick Trigger Pad KD-8/HH Control Pedal FD-8.
Before using PD-8/CY-8/KD-8/FD-8, you need to make the
settings for the percussion sound module (p. 12).
• Do not attempt to repair the unit, or replace
parts within it (except when this manual
provides specific instructions directing you
to do so). Refer all servicing to your retailer,
the nearest Roland Service Center, or an
authorized Roland distributor, as listed on
the attached “Information” leaflet.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
006
• When using the unit with a rack or stand
recommended by Roland, the rack or stand
must be carefully placed so it is level and
sure to remain stable. If not using a rack or
stand, you still need to make sure that any
location you choose for placing the unit
provides a level surface that will properly
support the unit, and keep it from wobbling.
• Make sure you always have the unit placed
so it is level and sure to remain stable. Never
place it on stands that could wobble, or on
inclined surfaces.
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for
the safe operation of the unit.
Should you remove nuts, washers, screws,
anchor bolts, etc., make sure to put them in a
safe place out of children’s reach, so there is no
chance of them being swallowed accidentally.
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the
following:
Placement
354b
• Do not expose the unit to direct sunlight, place it
near devices that radiate heat, leave it inside an
enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices
that normally are used while their light source is
very close to the unit (such as a piano light), or
powerful spotlights to shine upon the same area of
the unit for extended periods of time. Excessive heat
can deform or discolor the unit.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit.
Damage or malfunction may result if you attempt to
use the unit in this condition. Therefore, before using
the unit, you must allow it to stand for several hours,
until the condensation has completely evaporated.
356
• Do not allow rubber, vinyl, or similar materials to
remain on the unit for long periods of time. Such objects
can discolor or otherwise harmfully affect the finish.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry
cloth or one that has been slightly dampened with
water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a
soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of
any kind, to avoid the possibility of discoloration
and/or deformation.
Additional Precautions
553
• Use a reasonable amount of care when using the
unit’s buttons, sliders, or other controls; and when
using its jacks and connectors. Rough handling can
lead to malfunctions.
556
• When connecting / disconnecting all cables, grasp
the connector itself—never pull on the cable. This
way you will avoid causing shorts, or damage to
the cable’s internal elements.
558d
• This instrument is designed to minimize the
extraneous sounds produced when it’s played.
However, since sound vibrations can be transmitted
through floors and walls to a greater degree than
expected, take care not to allow these sounds to
become a nuisance to neighbors, especially when
performing at night and when using headphones.
add
• The pad’s rubber surface may turn white, but this
has no effect on the pad’s function.
3
PD-8
Features
• Pad is compatible with dual triggers for separate
head and rim sounds.
• Velocity sensitive pad provides rich expression.
• Compact, 8.5-inch pad allows for greater versatility
when setting up.
• When used with a percussion sound module capable
of positional sensing, you can obtain tonal changes
by varying the location at which the pad is struck.
For details on positional sensing, refer to the documentation
for the percussion sound module you’re using.
Contents of the Package
❑ PD-8 (pad unit)
❑ Connection Cable (stereo)
■ Owner's Manual (this manual)
Making the Settings
Attaching the Pad to a Stand
Attach the PD-8 to a drum stand.
When attaching the PD-8 to the pad mount, be sure to tighten
the stand fixing screw securely. If any of them remain loose,
the pad could fall off.
Tighten
Loosen
Rod
Pass the rod through the pipe that is inside the holder.
Panel Description
Stand Fixing Screw
Head
Stand Fixing Screw
Output Jack
When attaching the PD-8 to a commercially available tom
stand, check the dimensions of the rod. Depending on the
dimensions of the rod, it may not be possible to attach the pad
to the stand.
Acceptable rod diameters: 8.5–11.5 (3/8 to 1/2 inch)
Connecting to a Percussion Sound
Module
921
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1.
Use the included connection cable and connect
the output jack of the PD-8 to the trigger input
jack of the percussion sound module.
Connect the L-shaped plug of the included cable to the
PD-8. This will prevent strain from being applied to the
PD-8.
4
2.
Make the trigger settings for the percussion
sound module. For the recommended values,
refer to p. 12.
Should you neglect to make the appropriate settings for
the percussion sound module, you could likely experience
the following problems:
• Sometimes it does not sound (uneven volume)
• The volume is too low (reduced sensitivity)
For information on how to change the parameters for a
percussion sound module, refer to the documentation for
In the interest of product improvement, the specifications
and/or appearance of this unit are subject to change without
prior notice.
5
CY-8
Features
• Velocity sensitive cymbal pad provides rich
expression.
• Designed specially for cymbals, the pad offers
superior playing feel. Realistically reproduces the
cymbal’s characteristic “swinging” motion.
• You can use bow shots, edge shots, and choking
techniques.
Contents of the Box
❑ CY-8 (cymbal pad unit)
❑ Connection Cable (stereo)
❑ Wing Nut
❑ Felt Washer
❑ Stopper
■ Owner's Manual (this manual)
Making the Settings
Attaching the Cymbal Pad to a Stand
Attach the CY-8 to a cymbal mount.
1.
Use a commercially available tuning key to
tighten the stopper bolt.
The stopper keeps the cymbal pad from turning, and prevents
the cables from catching or getting tangled on the stand.
Stopper
(Be sure to
orient it correctly)
2.
Attach the CY-8 so the Roland logo is positioned
on the opposite side of the playing area.
3.
Tighten the wing nut to obtain the desired
movement.
Use the included felt washer and the wing nut.
Tighten the bolt with
a commercially available
tuning key.
Panel Description
Pad Face
Bow Portion
Edge Portion
Output Jack
6
Wing Nut
Felt Washer
Take care to ensure that the cables do not touch the cymbal
units and/or the stand. A cable touching a cymbal unit or a
stand may cause double sounding or other incorrect
operation.
Connecting to a Percussion Sound
Module
921
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1.
Use the included connection cable and connect
the output jack of the CY-8 to the trigger input
jack of the percussion sound module.
Connect the L-shaped plug of the included cable to the CY-
8. This will prevent strain from being applied to the CY-8.
To make use of edge shot and choking play techniques,
you’ll need to connect to a trigger input jack on the
percussion sound module that accommodates rim shots.
2.
Leave some slack in the cable to ensure that they are
not pulled by the movement of the CY-8 when struck.
fig.CY04a.e
Leave some slack
in the cable
CY-8
Edge Shot
This playing method involves striking the edge with the
shoulder of the stick. It corresponds to the sound of the “rimside” of the connected trigger input.
To make use of edge shot, you’ll need to connect to a
trigger input jack on the percussion sound module that
accommodates rim shots.
Edge
Choking
Choking (pinching) the cymbal’s edge with the hand
immediately after hitting the cymbal makes the sound stop.
3.
Make the trigger settings for the percussion sound
module. For the recommended values, refer to p. 12.
Should you neglect to make the appropriate settings for
the percussion sound module, you could likely experience
the following problems:
• Sometimes it does not sound (uneven volume)
• The volume is too low (reduced sensitivity)
For information on how to change the parameters for a
percussion sound module, refer to the documentation for
the percussion sound module you’re using.
Playing the CY-8
Bow Shot
This is the most common playing method, playing the pad face
of the cymbal. It corresponds to the sound of the “head-side” of
the connected trigger input.
Bow
To make use of choking play techniques, you’ll need to
connect to a trigger input jack on the percussion sound
In the interest of product improvement, the specifications
and/or appearance of this unit are subject to change without
prior notice.
7
KD-8
Features
• Velocity sensitive pad provides rich expression.
• Vertical trigger surface for extremely quiet
performance. Also compatible with twin pedals.
Contents of the Box
❑ KD-8 (pad unit)
❑ Connection Cable (monaural)
❑ Screws (attached to the bottom panel)
■ Owner's Manual (this manual)
* This package does not include a kick pedal and beater.
Use with a commercially available kick pedal and beater.
Panel Description
Output Jack
Stand
Head
Making the Settings
921
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1.
Remove the screws attached to the reverse side
of the KD-8’s trigger.
2.
Pull out the stand in the direction indicated by the
arrow until it is fully extended.
8
Anchor Bolt
Foot Plate
Using any commercially available tuning key,
3.
tighten the screws removed in Step 1 so that the
stand is firmly secured.
4.
Attach the kick pedal.
Position the beater so that it strikes the center of the head,
then secure the kick pedal and KD-8 firmly in place.
Beater
Install the kick pedal securely.
Adjusting the Foot Plate Height
Depending on your kick pedal, it can be unstable when you
attach it to the KD-8. Be sure to adjust the foot plate height so
that the entire bottom surface of the pedal is attached to the
floor.
Beater
KD-8
• Install the kick pedal securely.
• Take care not to pinch your fingers.
• The tips of the anchor bolts are sharp. Handle with care.
• When moving the setup, be sure to remove the screws
and fold the stand. Transporting the KD-8 while it
remains open may subject the stand to excessive strain
and result in damage to the stand.
Commercially Available Kick Pedal
* Adjust the height so that the entire pedal comes
into contact with the floor.
1.
Loosen the stand’s anchor bolts and remove
the foot plate.
2.
Set the kick pedal so that the entire bottom
surface is attached to the floor.
3.
In most cases, the stand becomes somewhat
floated. Tighten the anchor bolts securely there
to fix the stand and foot plate.
This hight will vary depending
on your kick pedal.
Adjusting the Anchor Bolts
When using the kick pedal on a carpet or similar surface, adjust
the anchor bolts so their tips protrude from the plate and secure
the pedal in place; this will make it easier to use the kick pedal.
However, when used on flooring, the anchor bolts may
damage the floor. Adjust the anchor bolts correctly.
Adjusting the Anchor Bolts
When Using on the CarpetWhen using on the Floor
• The tips of the anchor bolts are sharp. Handle with care.
When Using a Twin Pedal
Position the two beaters equally
apart from the center of the pad as
shown in the figure at left. If one of
the beater is further away from the
center than the other, the sound from
the further beater will be lower in
volume, or will not sound as desired.
Using a twin pedal will result in
lower sensitivity as compared to
when a single pedal is used. Raise the
sensitivity on the sound module.
9
KD-8
Connecting to a Percussion Sound
Module
1.
Use the included connection cable and connect
the output jack of the KD-8 to the trigger input
jack of the percussion sound module.
Connect the L-shaped plug of the included cable to the
KD-8. This will prevent strain from being applied to the
KD-8.
2.
Make the trigger settings for the percussion
sound module. For the recommended values,
refer to p. 12.
Should you neglect to make the appropriate settings for
the percussion sound module, you could likely experience
the following problems:
• Sometimes it does not sound (uneven volume)
• The volume is too low (reduced sensitivity)
For information on how to change the parameters for a
percussion sound module, refer to the documentation for
In the interest of product improvement, the specifications
and/or appearance of this unit are subject to change without
prior notice.
10
FD-8
Features
This hi-hat controller pedal features freely adjustable
pedal plate angle and tension. It provides open, closed,
and half-open sounds and continuous control from full
open to closed positions for richly expressive hi-hat work.
Adjusting the Travel of the Pedal
Loosen the nut with the included tuning key.
After adjusting, tighten the nut.
Shift the Arm
deep
Contents of the Box
Contents of the Package
❑ FD-8 (pad unit)
❑ Connection Cable (monaural)
■ Owner's Manual (this manual)
Panel Description
Pedal Plate
Anchor Bolt
Control Out Jack
Specifications
FD-8: Hi-Hat Control Pedal
Control Out Jack: 1
Dimensions:130 (W) x 396 (D) x 103 (H) mm
5-1/8 (W) x 15-5/8 (D) x 4-1/16 (H) inches
Weight:1.3 kg / 2 lbs 14 oz
Accessories:Owner’s Manual, Connection Cable,
Tuning Key
shallow
Pedal Plate
Control Out Jack
Attaching the Anchor Bolts (When Using on the Carpet)
Anchor Bolt
Spring for
the Anchor Bolt
• The tips of the anchor bolts are sharp. Handle with care.
• When using on flooring, the anchor bolts may damage
the floor. Do not attach the anchor bolts.
• When the FD-8 is not going to be used for a long period
of time, move and fix the arm, allowing longer travel for
the pedal.
• To avoid damage, do not leave the FD-8 for extended
periods of time with the pedal plate depressed.
962a
In the interest of product improvement, the specifications
and/or appearance of this unit are subject to change without
prior notice.
Making the Settings
921
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Connecting to a Percussion Sound
Module
1.
Use the included connection cable and connect
the control out jack of the FD-8 to the Hi-Hat
Control jack of the percussion sound module.
Connect the L-shaped plug of the included cable to the FD-
8. This will prevent strain from being applied to the FD-8.
11
Recommended Settings for the Percussion Sound Module
Recommended settings for the trigger parameters when using the PD-8/CY-8/KD-8 with various
percussion sound modules.
• The trigger parameters should be adjusted as necessary to match the actual state of your configuration, and the
environment in which it is being used.
TD-10 (TDW-1 V-Cymbal Control, TDW-1)
Trigger Type
Sensitivity
Threshold
Curve
Scan Time
Retrigger Cancel
Mask Time
Xtalk Cancel
Mount Type
PD-8
P9A
5
235
Linear
0.8
4
8
(40)
Pad Mount
CY-8KD-8
CrBKD7
810
LinearLog1
2.00.8
104
84
(40)(OFF)
CymMountSeparate
TD-10 (Non expanded)
Trigger Type
Sensitivity
Threshold
Curve
Scan Time
Retrigger Cancel
Mask Time
Xtalk Cancel
PD-8
PD9PD9KD7
3
1
Linear
0.8
1
8
(30)(30)(OFF)
CY-8KD-8
57
13
LinearLinear
2.00.8
81
812
TD-8
Trigger Type
Sensitivity
Threshold
Curve
Scan Time
Retrig Cancel
Mask Time
Xtalk Cancel
PD-8CY-8KD-8
PD-6
6
3
LINEARLINEARLINEAR
0.6
3
4
(30)
CY1KD7
107
33
2.01.2
82
88
(30)(30)
TD-6
TrigType
Sensitivity
Threshold
TrigCurve
Xtalk Cancel
Scan Time
Retrig Cancel
Mask Time
PD-8
PD6
7
3
LINEAR
(50)
1.0
3
4
CY-8KD-8
CY6KD7
109
33
LINEARLINEAR
(60)(20)
2.02.0
33
88
SPD-20
Trig Sens
Trig Threshold
Trig Type
Trig Curve
Scan Time
Retrigger Cancel
Mask Time
Cross Talk Cancel
Rim Sensitivity
PD-8
6
010
Pd9
0
00
2
8
(40)
---
CY-8KD-8
1211
Pd5Kd7
01
2008
62
128
(50)(OFF)
------
SPD-S
CY-8KD-8
HD&RMTRGx2
99
34
LINEARLINEAR
2.00.8
43
88
------
1.1---
InputMode
Type
Sensitivity
Threshold
VeloCrv
Scan Time
RegrigCancel
Mask Time
XtalkCancel
Rim Sens
Rim Gain
PD-8
HD&RM
PDCY-6KD
7
3
LINEAR
0.8
3
8
(30)(30)(30)
---
1.4
HPD-15
Input Mode
Trig Type
Trig Sens
Curve
Threshold
Scan Time
Retrig Cancel
Mask Time
X-Talk Rate
Rim Sens
PD-8
HD/RM
PD-7PD-5KD-7
9
Linear
3
1ms
2
6ms
OFF
---
CY-8KD-8
HD/RMTRIGx2
1110
LinearLinear
36
2ms1ms
92
8ms6ms
OFF(40%)
------
RM-2
PD-8
Input Mode
Trigger Type
Threshold
Sensitivity
Velocity Curve
Scan Time
Retrigger Cancel
Crosstalk Cancel
Mask Time
Rim Sensitivity------