D-05 Parameter Guide
Copyright © 2017 ROLAND CORPORATION
01
Basic Operation.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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Basic Operation for Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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Settings Common to All Screens . . . . . . . . . . . . . . . . . . . |
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CONTROL.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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OUTPUT (Output Mode). . . . . . . . . . . . . . . . . . . . . . . . . . . |
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CHASE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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TONE TUNE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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MIDI (MIDI Functions) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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Copying a Reverb Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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Copying a Reverb Type.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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Saving Patches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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Tone Parameters (Upper/Lower Tone Menu). . . . . . . . . . . . . . |
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Common Parameters (Common) . . . . . . . . . . . . . . . . . . . . . . . . |
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Struct (Structure).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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P-ENV (Pitch Envelope) . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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LFO (Low Frequency Oscillator) . . . . . . . . . . . . . . . . . . . . |
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EQ/CHORUS (Equalizer/Chorus). . . . . . . . . . . . . . . . . . . . |
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Partial Parameters (Part-1, Part-2). . . . . . . . . . . . . . . . . . . . . . . . |
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PITCH (WG Pitch). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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Form (WG Form). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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TVF (Time Variant Filter) . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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TVA (Time Variant Amplifier). . . . . . . . . . . . . . . . . . . . . . . |
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Key Mode Alteration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Mono Mode, Poly Mode.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
SEQUENCER/ARPEGGIATOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Transferring Patches To and From the D-50/550. . . . . . . . . . 21
Transferring Patches from the D-50 to the D-05. . . . . . . . . . . 22 Transferring Patches from the D-50/550 to the D-05. 22
Sound List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Preset Patches.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Waveform.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Parameter List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Patch Factors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Tone Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Common Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Partial Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
System Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
MIDI Implementation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
The items that you can edit are grouped into screens. To find the item that you want to edit, switch between display screens as necessary.
1.Make sure that the PATCH TOP screen is shown.
2.Press the [EDIT] button.
Edit Menu (TnTune)(RtEdit)
3. Press the [F2] (PtEdit) button.
The Patch Edit Menu screen appears.
Patch Edit Menu (P-Name) (Ctrl)
4. Use the [ ] [ |
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[F1] [F2] buttons to select the item that you want to |
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edit. |
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Item |
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Explanation |
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Rename the patch. |
P-Name (Patch Name) |
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Use the [F1] [F2] buttons to move the cursor |
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Use the numeric keys to input characters |
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Press the [EXIT] button to exit the screen |
Ctrl (Control) |
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Control functions (p. 3) |
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Output |
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Output mode (p. 4) |
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Chase |
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Chase function (p. 4) |
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MIDI |
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MIDI functions for each patch (p. 5) |
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5.Use the [] [] buttons to switch pages, and use the [F1] [F2] buttons to select the item that you want to edit.
Control Edit
Bend 05 AfPB 00
When you press a [F1] [F2] button, the selected parameter blinks.
6. Use the joystick or the [INCREMENT] [DECREMENT] buttons to edit the setting.
Press the [EXIT] button to return to the Patch Edit Menu screen.
7.Repeat steps 5–6 to make patch factor settings.
8.If you want to save the edited settings, perform the
Write operation.
& “Saving Patches” (p. 7)
If you don’t want to save, press the [EXIT] button to return to the PATCH TOP screen. If you return to the PATCH TOP screen without saving, the colon (:) between the patch number and patch name blinks, indicates that the patch settings are modified (the patch is being edited).
*If you select another patch while editing, or turn off the power, the changes you made to the patch settings are lost.
UPPER/LOWER/VALUE/LOCAL (switching the joystick’s function)
These buttons switch the function of the joystick.
The function changes each time you press a selection button.
Indicator / |
Explanation |
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UPPER |
The up/down direction changes the part balance, and |
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LOWER |
the left/right direction changes the partial balance of the |
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selected part. |
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VALUE |
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Enters values, such as during editing. |
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LOCAL |
Enables local editing (a function that lets you use the joystick |
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to simultaneously edit adjacent items in the display). |
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Select button |
Switches in the order of UPPER LOWER VALUE |
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LOCAL. |
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KEY MODE
Neo Horizon
DUAL SP C4
Key Mode refers to the Upper and Lower Tones are played on the keyboard.
1.In the main screen, press the [F1] button and then use the [INCREMENT] [DECREMENT] buttons to edit the parameter.
Value: WHOLE, DUAL, SPLIT, SEP, WHOL-S, DUAL-S, SPL-US, SPL-LS,
SEP-S
Indication |
Description |
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WHOLE |
Upper Tone can be played in 16 voice polyphony |
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DUAL |
Both Upper and Lower Tones are played by each key in |
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8 voices polyphony. |
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The Split mode divides the keyboard into upper and |
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lower sections, where two different Tones can be played |
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SPLIT |
in 8 voices polyphony. That is, the D-05 works like two 8 |
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voice synthesizers. The Split Point (where the keyboard |
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is divided into two sections) is shown next to the Key |
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Mode indication. |
SEP (Separate)
WHOL-S (Whole Solo)
DUAL-S (Dual Solo)
SPL-US (Split Upper Solo)
SPL-LS (Split Lower Solo)
SEP-S (Separate Solo)
The Separate mode lets you control the upper and lower sections on separate MIDI channels.
The Upper Tone is monophonic.
Both Upper and Lower Tones are monophonic.
The Upper Tone is monophonic, and the Lower Tone is 8 voices polyphonic.
The Lower Tone is monophonic, and the Upper Tone is 8 voices polyphonic.
The Upper Tone and Lower Tone can be controlled on separate MIDI channels. The Upper Tone is monophonic.
*The way in which the Key Mode affects how the voices play
depends on whether the D-05 is in mono mode or poly mode.
& “Key Mode Alteration” (p. 18)
2
Basic Operation
SPLIT (Split Point)
Neo Horizon
DUAL SP C4
This specifies the split point that is used when the KEY MODE (key mode) is set to SPLIT (split), SPL-US (split upper solo), or SPLLS (split lower solo).
The Split Point can be changed as follows.
1.In the main screen, press the [F2] (SP) button and then use the [INCREMENT] [DECREMENT] buttons to edit the parameter.
Value: C2–C7
CHASE (Chase Button)
Switches the Chase function (p. 4) on and off.
Value: OFF, ON
PORTAMENTO (Portamento Button)
C2–B2 |
C3–B3 |
C4–B4 |
C5–B5 |
C6–B6 C7 |
(middle C)
BALANCE (Tone Balance)
The volume balance of the Upper and the Lower Tone can be change.
1. In the main screen, press the [ ] button.
The page changes.
Neo Horizon
Bal 00 Trns 00
Switches the Portamento function on and off. Portamento is a slide from one pitch to another, and is often used for violin performance.
Value: OFF, ON
2.Press the [F1] (Bal) button, and then use the
[INCREMENT] [DECREMENT] buttons to edit the parameter.
Value: 0–100
TRANSPOSE (Transpose)
The pitch range of the keyboard can be transposed (shifted) in semitone steps.
1. In the main screen, press the [ ] button.
The page changes.
Neo Horizon
Bal 00 Trns 00
2.Press the [F2] (Trns) button, and then use the
[INCREMENT] [DECREMENT] buttons to edit the
parameter.
If you hold down the [SHIFT] button and use the [INCREMENT] [DECREMENT] buttons to edit the parameter, the value changes in steps of one octave (12 semitones).
Value: -36–0–+36
These parameters specify how the control functions affect each patch.
Control Edit
Bend 05 AfPB 00
Bend (Bender Range)
This specifies the available range of pitch change when you operate pitch bend.
The variable range set here may result differently depending on the setting of the Tone Parameter Bender Mode (p. 12).
Value: 0–12
AfterPB (Aftertouch, Pitch Bender)
This sets the sensitivity of the aftertouch effect on pitch. Higher values mean higher sensitivity. A Minus setting decreases the pitch, and a plus setting increases it.
Value: -12–+12
Port (Portamento Time)
This sets the portamento time from one note to another. Higher
values make the time longer.
Value: 0–100
3
Basic Operation
Port (Portamento Mode)
This selects the Tone that should take on the Portamento effect. When the Key Mode is Whole , Portamento always works whichever of the above three modes may be selected.
Value: U, L, UL
Indication |
Function |
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Works on the Upper Tone. |
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Works on the Lower Tone. |
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UL |
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Works on the both Tones. |
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*Even when Portamento is set to ON, the Portamento ON/OFF message sent from an external device can change the settings of Portamento.
Hold (Hold Mode)
This selects the Tone that on the Pedal Hold effect. When the Key mode is Whole , Pedal Hold always works whichever of the above three modes may be selected.
Value: U, L, UL
Indication |
Function |
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Works on the Upper Tone. |
L |
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Works on the Lower Tone. |
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UL |
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Works on the both Tones. |
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The Output Mode determines how the Tones take on the reverb effect, and how the Tones appear at the outputs.
A sound reverberated in an acoustic environment consists of three parts. First, you hear the direct sound as it travels from the source outward. Next the early reflection resounds once, or several time, from the walls, ceiling ,and floor. Finally, you hear the reverberated sound as it reflects many times in the environment.
Output Mode Edit
Mode 01 Rev 24
Reverb Sound
Direct Sound
Sound Generator |
Listener |
Mode (Output Mode)
Here you can choose one of four modes to specify how the reverb applied to the two tones is sent from the output.
Value: 01–04
Indication Function
01Stereo reverb works on the mixed sound of Upper and Lower Tones, and id sent out in stereo.
02The Mixture of Upper and Lower takes on stereo reverb, and the direct sound is sent out separately for Upper and Lower.
03Only the Upper Tone takes on reverb. Upper and lower Tones are sent out separately.
04Only the Lower Tone takes on reverb, Upper and Lower Tones are sent out separately.
Rev (Reverb Type)
Selects one of the 32-reverb types.
Value: 1–32
*A reverb type (any one of types 17–32) from another bank can be copied to a reverb type (any one of types 17–32) of patch bank
U1–U8.
& “Copying a Reverb Type” (p. 6)
Rbal (Reverb Balance)
Sets the volume of the reverb and direct sounds.
Value: 0–100
Indication Function
100The volume of the reverb sound = maximum, the volume of the direct sound = 0.
0The volume of the reverb sound = 0, the volume of the direct sound = maximum.
Vol (Total Volume)
Sets the volume of both tones, and therefore adjusts the volume
difference between Patches.
Value: 0–100
The Chase Play function makes it possible to output the Lower Tone slightly later than the Upper Tone, which is actually played on the keyboard. This function, however, is only available in Dual or Whole Key Mode.
Chase Edit
ModeULU Lev 50
Mode (Chase Mode)
Sets how tones sound. Depending on the Chase Level and Velocity , the number of repeats of the delayed sound differ.
Value: UL, ULL, ULU
5When the Key Mode is Dual
Indication |
Function |
UL |
The Upper Tone then the Lower Tone is played. |
ULL |
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The Upper, then the Lower Tone is repeated. |
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ULU |
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The Upper, the Lower and the Upper Tone alternate. |
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5When the Key Mode is Whole
Indication |
Function |
UL |
The Upper Tone is played twice. |
ULL |
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Upper Tone is repeated. |
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ULU |
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Upper Tone is repeated. |
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Lev (Chase Level)
This adjusts the level of the sound that is heard after a delay relative to the Upper Tone, which is heard first. Higher values produce a higher level.
Value: 0–100
4
Basic Operation
Time (Chase Time)
Adjusts the sounding time. Higher value is longer time.
Value: 0–100
The relative pitch of the Upper and the Lower Tones can be separately set. By setting slightly different pitches, a detune effect can be obtained. Also, by lowering the pitch of the Upper Tone, and raising the pitch of the Lower Tone, the pitches of the Two Tones can become exactly the same.
Neo Horizon
LKey 00 Ukey 00
LKey (Key Shift of the Lower Tone)
Allows you to shift the pitch of the Lower Tone in semi-tone steps.
Value: -24–+24 (+/- 2 octave)
UKey (Key Shift of the Upper Tone)
Allows you to shift the pitch of the Upper Tone in semi-tone steps.
Value: -24–+24 (+/- 2 octave)
LTun (Fine Tuning of the Lower Tone)
Allows you to Tune the pitch of the Lower Tone.
Value: -50–+50 (approx. +/- 2 cents)
UTun (Fine Tuning of the Upper Tone)
Allows you to Tune the pitch of the Upper Tone.
Value: -50–+50 (approx. +/- 2 cents)
You can change the setting of the MIDI Functions included Patch
Factor as follows.
MIDI Edit
TxCH B TxPC OFF
TxCH (Transmit Channel)
The transmit channel of each Patch can be set to a deferent number from the basic channel (“Function Menu” 0 “MIDI” 0 “CH” parameter). At B, the channel number is the same as the Basic Channel.
Value: B (Basic), 1–16
TxPC (Transmit Program Change Number)
A Program Change number to be transmitted can be set for each patch individually. At OFF, the Program Change number preprogrammed in each Patch is transmitted.
Value: OFF, 1–100
SepCH (Receive Channel in Separate Mode)
A receive MIDI Channel in separate mode can be set for each
Patch individually. At OFF, the receive channel set in MIDI
Functions commonly set for System Function is used (“Function
Menu” 0 “MIDI” 0 “SepCH” parameter).
Value: OFF, 1–16
5
In addition to the patches (64 patches), 16 reverb types (17–32 are also saved to the D-05’s patch banks (P1–P6, U1–U8). Different reverb types 17–32 are saved to each patch bank. The reverb types you can use vary with the selected patch as described below.
55 All shared common reverb types (1–16) can be used.
55 The reverb types 17–32 in individual banks can be used only with the patches (64 patches) contained in that bank.
55 Reverb types from a bank other than the internal banks (any from 1 through 32) can be copied to a reverb type in the internal banks (any from 17 through 32).
55 This is convenient when, for example, you want to use Reverb Type 25 (Gate Reverb) from the Patch Bank P1 as Reverb Type 30 in the
Common
Reverb Type (NOT rewritable)
1 |
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5 |
6 |
7 |
8 |
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10 11 12 |
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13 14 15 16 |
Preset Bank
P1
Reverb Type (NOT rewritable)
17 18 19 20 |
21 22 23 24 |
25 26 27 28 |
29 30 31 32 |
User Bank
U1
Reverb Type (rewritable)
17 18 19 20 |
21 22 23 24 |
25 26 27 28 |
29 30 31 32 |
*Reverb Types (17–32) are transferred simultaneously with patch data when patch data is transferred from the D-50 to the D-05 (bulk loaded) or from the D-05 to the D-50 (bulk dumped).
1.Hold down the [SHIFT] button and press the [WRITE] button.
The Reverb Write screen appears.
Reverb Write
To: U8-24
2.Use the [F1] [F2] buttons and the [INCREMENT] [DECREMENT] buttons to select the copy-destination.
3.Press the [] button.
A confirmation message appears.
Reverb Write? [EXIT]:N [ENT]:Y
If you decide to cancel, press the [EXIT] button.
4. Press the [ENTER] button.
Completed.
When saving is finished, the destination indicates Completed.
6
1. Press the [WRITE] button.
The WRITE screen appears.
(Patch Name)
To: U2-11
2.Use the [INCREMENT] [DECREMENT] buttons and the PATCH BANK [1]–[8] and NUMBER [1]–[8] buttons to select the save-destination.
3. Press the [ ] button.
A confirmation message appears.
Patch Write? [EXIT]:N [ENT]:Y
4. Press the [ENTER] button.
Completed.
When saving is finished, the destination indicates Completed.
7
1.Make sure that the PATCH TOP screen is shown.
2.Press the [EDIT] button.
Edit Menu (TnTune)(RtEdit)
3. Use the [ ] [ ] buttons to switch the page so that (L-Tone) (U-Tone) is displayed.
Edit Menu (L-Tone)(U-Tone)
4.Use the [F1] (lower) [F2] (upper) buttons to select the tone that you want to edit.
Upper Tone Menu (T-Name)(Common)
5. Use the [ ] [ |
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[F1] [F2] buttons to select the item that you want to |
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edit. |
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Item |
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Explanation |
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Edits the tone name. |
T-Name (Tone Name) |
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Use the [F1] [F2] buttons to move the cursor |
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Use the numbers to enter characters |
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Press the [EXIT] button to exit the screen |
Common |
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Common parameters |
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Part-1 (Partial 1 Parameter) |
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Partial parameters
Part-2 (Partial 2 Parameter)
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Copies a tone. |
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T-Copy (Tone Copy) |
Select the copy-source, and press the [ ] |
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Assign a name, and press the [ ] button |
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&“Struct (Structure)” (p. 8)
&“P-ENV (Pitch Envelope)” (p. 8)
&“LFO (Low Frequency Oscillator)” (p. 9)
&“EQ/CHORUS (Equalizer/Chorus)” (p. 10)
Str (Structure Number)
Selects one of seven ways in which the partials are combined and
used.
Value: 01–07
Number |
Partial 1 |
Partial 2 |
Combination of two Partials |
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01 |
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S |
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Mixture of Partial 1 and partial 2. |
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02 |
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S |
S |
Mixture of Partial 1 and ring- |
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modulation. |
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03 |
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P |
S |
Mixture of Partial 1 and partial 2. |
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04 |
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P |
S |
Mixture of Partial 1 and ring- |
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modulation. |
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05 |
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S |
P |
Mixture of Partial 1 and ring- |
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modulation |
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06 |
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P |
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Mixture of Partial 1 and partial 2. |
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Number |
Partial 1 |
Partial 2 |
Combination of two Partials |
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07 |
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P |
P |
Mixture of Partial 1 and ring- |
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modulation. |
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S: Synthesizer Sound Generator
P: PCM Sound Generator
R: Ring Modulator
P-ENV Edit (Envelope)
U:P-Env Edit
Velo 00 TKF 00
Velo (Velocity Range)
Sets the maximum effect of the velocity that controls the pitch of the P-ENV. At higher values, the keyboard velocity has a greater, effect on the envelope.
Value: 0–2
TKF (Keyfollow (Time))
Sets the time of the P-ENV depending on the key played. Higher values change the time more drastically.
Value: 0–4
P-ENV Time (Pitch Envelope Time)
The envelope curve is determined by times and levels.
Point 1 |
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Point 2 |
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Point 3 |
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L1 |
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SusL |
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Pitch 0 |
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L3 |
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T1 |
T2 |
T3 |
T4 |
EndL |
L0 |
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Point 0 |
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(Key O ) |
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Point 4 |
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(Key On) |
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T1 (Time 1)
Sets the time needed from point 0 (the moment the key is pressed) to point 1.
Value: 0–50
T2 (Time 2)
Sets the time needed from point 1 to point 2.
Value: 0–50
T3 (Time 3)
Sets the time needed from point 2 to point 3.
Value: 0–50
8
Tone Parameters (Upper/Lower Tone Menu)
T4 (Time 4) |
Aftr (Pitch Aftertouch Modulation) |
Sets the time needed from the moment the key is released to point 4.
Value: 0–50
This sets the sensitivity of the vibrato depth controlled by aftertouch. Higher values deepen the vibrato effect.
Value: 0–100
P-ENV Level Edit
L0 (Level 0)
Sets the pitch created the moment a key is pressed.
Value: -50–+50
The parameters of LFO-2 and LFO-3 can be set like LFO-1, except for a few parameters.
U:LFO1 Edit
WaveTRI Rate 74
L1 (Level 1)
Sets the pitch of the point 1.
Value: -50–+50
L2 (Level 2)
Sets the pitch of the point 2.
Value: -50–+50
SusL (Sustain level)
Sets the pitch of the point 3.
Value: -50–+50
EndL (End Level)
Sets the pitch of the point 4.
Value: -50–+50
*If the Levels of two adjacent points are set to similar values, the time between these two points may prove to be shorter than what is actually set, or even zero.
*The maximum variable range of each level will depend on the Velocity Range in P-ENV. (p. 8)
Velocity Range Level |
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Pitch Mod (Pitch Modulation)
Depending on how the LFO in WG Mod (p. 11) is set, the vibrato set here may have no effect at all.
U:P-Mod Edit
LFOD 02
Wave (LFO Waveform)
Selects the LFO waveform.
Value: TRI, SAW, SQU, RND
Indication Waveform
TRI (Triangle wave)
SAW (Sawtooth)
SQU (Square wave)
RND (Random) |
Waveform changes randomly. |
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Rate (LFO Rate)
Sets the rate (frequency) of the LFO. Higher values quicken the
rate.
Value: 0–100
Dely (LFO Delay Time)
This sets the time needed for the LFO to appear, from the moment a key is pressed. Higher values increase the delay time.
Value: 0–100
Sync
Selects the timing of the LFO oscillation as follows. For LFO-2 and LFO-3, KEY cannot be selected.
Value: OFF, ON, KEY
Indication |
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LFOD (LFO Depth)
Sets the depth of LFO-1, that controls the WG pitch. Higher values
deepen the effect.
Value: 0–100
Levr (Pitch Lever Modulation)
Sets the sensitivity of the vibrato depth controlled by the bender lever. Higher values deepen the effect.
Value: 0–100
9
Tone Parameters (Upper/Lower Tone Menu)
EQ Edit (Equalizer)
In the equalizer section, the frequency characteristic of the sound can be modified.
U:EQ Edit
Lf 300 Lg +01
LowFreq
LowGain
Level 0
Frequency
Lf (Low Frequency)
Sets the frequency where the gain is altered in the low to middle range.
Value: 63, 75, 88, 105, 125, 150, 175, 210, 250, 300, 350, 420, 500, 600, 700, 840 Hz
Lg (Low Gain)
Sets the gain of the lower frequencies.
“+” settings raise the gain, and “-” settings lower it. Value: -12–+12 dB
Hf (High Frequency)
Sets the frequency where the gain is altered in the middle to high range.
Value: 250, 300, 350, 420, 500, 600, 700, 840 Hz, 1.0, 1.2, 1.4, 1.7, 2.0, 2.4, 2.8, 3.4, 4.0, 4.8, 5.7, 6.7, 8.0, 9.5 kHz
HQ (High Q)
Sets the width of the frequency band where the gain is boosted or cut. With a higher value, the frequency band is narrower, and vice versa.
Value: 0.3, 0.5, 0.7, 1.0, 1.4, 2.0, 3.0, 4.2, 6.0
HQ is Height.
HQ is low.
Level 0
HiFreq Frequency
Hg (High Gain)
Sets the gain of the Hf frequency.
“+” settings raise the gain and “-” settings lower it. Value: -12–+12 dB
HiFreq
HiGain
Level 0
Frequency
Chorus Edit (Chorus)
U:Chorus Edit
Type 02 Rate 25
Type (Chorus Type)
Selects one of the 8 basic chorus effects.
Value: 01–08
Indication |
Type |
01 |
Chorus 1 |
02 |
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03 |
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04 |
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05 |
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06 |
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07 |
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08 |
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Rate (Chorus Rate)
Sets the rate of the chorus effect. Higher values quicken the rate.
Value: 0–100
Dpth (Chorus Depth)
Sets the depth of the chorus effect. Higher values deepen the
effect.
Value: 0–100
Bal (Chorus Balance)
This sets the volume balance of the chorus of the chorus sound
and normal sound.
Value: 0–100
10
Tone Parameters (Upper/Lower Tone Menu)
Restriction of the available parameters caused by Structure
Depending on what Structure is used, the available parameters may be different.
1.Some parameters included in a Partial that uses a PCM sound generator are invalid.
2.With Ring Modulation, some parameters in Partial 2 will automatically become the same as for Partial 1. Therefore, the values shown in the display are irrelevant with the actual values.
&“PITCH (WG Pitch)” (p. 11)
&“Form (WG Form)” (p. 12)
&“TVF (Time Variant Filter)” (p. 13)
&“TVA (Time Variant Amplifier)” (p. 15)
&“*Init*” (Initialize)
WG Pitch (Pitch)
S3 WG Pitch
CorsC5 Fine 00
Cors (Pitch Coarse)
Sets the standard pitch of a Partial in semi-tone steps. The standard pitch is the pitch at C4 (middle C) key.
KF (Keyfollow (pitch))
Usually, the keyboard to a synthesizer assigns a semi-tone to each key. This parameter can change the pitch ratio as show below. The value represents how many octaves are changed over 12 keys.
Value: -1, -1/2, -1/4, 0, 1/8, 1/4, 3/8, 1/2, 5/8, 3/4, 7/8, 1, 5/4, 3/2, 2, s1, s2
* s1 or s2 may be selected for slightly stretching octaves. s1: Pitch 1 cent higher than one octave.
s2: Pitch 5 cents higher than one octave.
WG Mod (Modulation)
S3 WG Mod
LFO OFF ENV (+)
LFO (LFO Mode)
Normal
“-” is selected.
Selects one of the following four vibrato modes.
Value: OFF, (+), (-), A&L
Indication |
Function |
OFF |
No vibrato is obtained. |
(+)Vibrato is on.
(-) |
Vibrato is on but inverted. |
A&L |
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Vibrato can be obtained only by Aftertouch and Bender Lever. |
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Value: C1–C7
Fine (Pitch Fine)
Makes a fine adjustment to the standard pitch.
Value: -50–+50
+3 |
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2 3/2 5/4 |
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ENV (P-ENV Mode)
“+” is selected.
“-” is selected.
Selects one of the following three modes, determining how the pitch is controlled by P-ENV.
Value: OFF, (+), (-)
Indication |
Function |
OFF |
No alteration. |
(+)Pitch changes with the set P-ENV curve.
(-) |
Pitch changes with the P-ENV curve inverted. |
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Middle C (C4)
11
Tone Parameters (Upper/Lower Tone Menu)
Bend (Bender Mode)
Selects how the pitch is controlled by the bender lever as follows. Value: OFF, KF, Norm
Indication |
Function |
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OFF |
No pitch alteration by moving the lever right or the left. |
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KF |
Pitch changes within the Bender range, set in Patch Factors, |
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plus Keyfollow (Pitch) of WG. |
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Norm |
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WG PW (Pulse Width)
S3 WG PW
PW 00 Velo 00
PW (Pulse Width)
A square waveform has exactly the same width, up and down but a Pulse waveform has different widths. The ratio of upper width to lower is called pulse width. Depending on the set pulse width value, the harmonic content of the sound changes greatly.
Bender Mode Example:
55 If the Bender range (p. 3) is set to 12 (1 octave), and the Keyfollow (Pitch) (p. 11) of WG is set to 2, the maximum pitch change caused by moving the Bender Lever is 2 octaves.
55 When the Keyfollow (Pitch) (p. 11) of WG is set to zero, there is no pitch change caused by the Bender lever.
WG Form (Waveform)
S3 WG Form
WaveSAW
Wave (Waveform)
Selects the waveform of the synthesizer sound generator.
Value: SQU, SAW
Indication |
Waveform |
SQU (Square wave)
SAW (Sawtooth)
*A sawtooth waveform is produced by processing a square Waveform at the TVF, that is, all the waveform are square at WG even when a sawtooth is selected.
Value: 0–100
*When a sawtooth is selected with WG Waveform , pulse width 50% raises the pitch by an octave.
100
97%
50
50%
0
Velo (Velocity Range)
Sets the sensitivity of the velocity that controls the pulse width. With “-” values, the pulse width becomes smaller by playing the keyboard harder, and with “+” values, the pulse width becomes wider by playing the keyboard harder.
Value: -7–+7
+7
0
-7
PCM (PCM Wave Number)
This selects one of the 100 different sampled waves of the PCM sound generator.
& “Waveform” (p. 29) Value: 1–100
Aftr (Aftertouch Range)
Sets the sensitivity of the aftertouch that controls the pulse width. With “-” values, the pulse width becomes smaller with stronger aftertouch, and with “+” values, the pulse width becomes wider with stronger aftertouch.
Value: -7–+7
12
LFO (LFO Select)
Pulse Width Modulation (PWM) means changing the pulse width periodically.
LFO Select decides which of the LFO’s is to be used for modulating the pulse width.
Value: +1, -1, +2, -2, +3, -3
Positive Phase (+)
Negative Phase (-)
Indication |
LFO (Phase) |
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+1 |
LFO-1 (+) |
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-1 |
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LFO-2 |
(+) |
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LFO-2 |
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LFO-3 |
(+) |
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LFO-3 |
(-) |
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LFOD (LFO Depth)
This sets the depth of the PWM. Higher values Deepen the effect.
Value: 0–100
TVF
Freq (Cutoff Frequency)
Sets the cutoff point of the TVF. As you lower the value, higher frequencies are removed and the waveform gradually become an approximation of a sine wave, then the sound will finally fade out.
Value: 0–100
100
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Level |
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Level |
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Cuto Point |
Frequency |
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Cuto Point |
Frequency |
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0 |
Cuto Point |
Frequency |
Tone Parameters (Upper/Lower Tone Menu)
Reso (Resonance)
Boosts the cutoff point. As you increase the value, specific harmonics are emphasized and the sound will become more unusual, more electronic in nature.
Value: 0–30
30 |
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Cuto Point |
Frequency |
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Level |
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Cuto Point |
Frequency |
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Frequency |
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0 |
Cuto Point |
Frequency |
KF (Keyfollow (Cutoff Point))
Keyfollow can change the cutoff point depending on the key played. Just like the Keyfollow of WG pitch, the value represents how many octaves change over 12 keys.
Value: -1, -1/2, -1/4, 0, 1/8, 1/4, 3/8, 1/2, 5/8, 3/4, 7/8, 1, 5/4, 3/2, 2
+3 |
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Middle C (C4)
BP (Bias Point)
You can add a further change (= bias level) to the Keyfollow curve, and set the range (bias direction) where the bias level is valid. The bias range is where the bias level is valid on the keyboard. It can be set with the bias point (where the bias range begins) and bias direction ( < or > ).
Value: <A1–<C7, >A1–>C7
Display Example Example Function
>C4 |
The bias level is only valid on the keyboard above the C4 |
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<C4 |
The bias level is only valid on the keyboard below the C4 |
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13
Tone Parameters (Upper/Lower Tone Menu)
BLvl (Bias Level) |
TVF ENV Time (TVF Envelope Time) |
The bias level can be set. “+” values raise the curve, and “-” value lower the curve.
An envelope curve is determined by times and levels.
Value: -7–+7
Keyfollow Adjustment
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L1 |
L2 |
L3 |
SusL |
Point 5 |
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T2 |
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Key O |
S3 TVF ENV
T1 00 T2 00
Middle C (C4)
The curve in the picture represents the Keyfollow value with the bias level added.
This means that if the keyfollow slope is different, the actual slope will differ even if the value of the slope to be biased is the same.
TVF Keyfollow (Cutoff Point): 0 Bias Direction: >C4
T1 (Time 1)
Sets the time needs to reach point 1 from the moment the key is
pressed.
Value: 0–100
T2 (Time 2)
Sets the time needed to reach point 2 from point 1.
Value: 0–100
TVF ENV (TVF Envelope)
S3 TVF ENV
Depth100 Velo 00
Dpth (ENV Depth)
Sets the depth of the TVF ENV modulation that changes the TVF cutoff Point. Higher values deepen the effect.
Value: 0–100
Velo (Velocity Range)
Sets the sensitivity of the velocity than controls the depth of the TVF ENV. At higher values, the effect is deeper by playing harder.
Value: 0–100
DKF (Keyfollow (Depth))
This can change the TVF ENV depth depending on the key played. Higher values change the depth more drastically.
Value: 0–4
TKF (Keyfollow (Time))
This can change the time of the TVF ENV depending on the key played. Higher values change the time more drastically.
Value: 0–4
T3 (Time 3)
Sets the time needed to reach point 3 from point 2.
Value: 0–100
T4 (Time 4)
Sets the time needed to reach point 4 from point 3.
Value: 0–100
T5 (Time 5)
Sets the time needed to reach point 5 from the moment the key
is released.
Value: 0–100
TVF ENV Level (TVF Envelope Level)
S3 TVF ENV
L1100 L2100
L1 (Level 1)
Sets the of point 1.
Value: 0–100
L2 (Level 2)
Sets the level of point 2.
Value: 0–100
L3 (Level 3)
Sets the level of point 3.
Value: 0–100
SusL (Sustain level)
This sets the level of point 4.
Value: 0–100
14