Thank you, and congratulations on your choice of the Roland CY-12R/C V-Cymbal.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 3–4) and
“IMPORTANT NOTES” (p. 4). These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be
saved and kept on hand as a convenient reference.
Before using the CY-12R/C, you need to make the settings for the percussion
sound module (p. 2).
Contents of the Package
❑CY-12R/C (V-Cymbal unit)
❑Connection Cable
❑Cable Tie
■Owner's Manual (this manual)
❑ Wing Nut
❑ Felt Washer
❑ Stopper
Names of the Components
Bell Portion
Bow Portion
Edge Portion
BOW/EDGE Output Jack
BOW/BELL Output Jack
Features
• Similar touch and feel as with acoustic cymbals
The superior design has taken into account not only the shape of the cymbal, but also the bounce of the stick, and
even the movement caused by playing. It can be used as a ride, crash, or splash cymbal.
• They're quiet!
• Separate tones in bow and edge, or bow and bell; choking possible
When the CY-12R/C is used as a ride cymbal, you can play bell shots (p. 6); edge shots (p. 6) can be played when using
it as a crash cymbal.
You can also use choking techniques, whereby you stop the sound by grasping the cymbal edge with your hand (p. 7).
• Compatible with all Roland percussion sound modules (p. 2)
• Three way triggering and positional sensing are possible
(When using the TD-10 + TDW-1 with V-Cymbal Control) (p. 6)
Recommended Settings for the Percussion Sound Module
8
4
10
8
4
Recommended settings for the trigger parameters when using the CY-12R/C with various percussion
sound modules.
• Bow shots, edge shots, bell shots and choking techniques are possible with the CY-12R/C (p. 6).
• If you find it difficult to get bell shots to sound, try adjusting the “Scan Time.”
• The trigger parameters should be adjusted as necessary to match the actual state of your configuration, and the
environment in which it is being used.
5
TDW-1 V-Cymbal Contro
TD-10 (
Trigger Type
Sensitivity
Threshold
Curve
Scan Time(*1) 1.0
Retrigger Cancel
Mask Time(*1) 8
Xtalk Cancel(*1) 50
Mount Type(*1) CymMount
RdA
Linear
(*1)
TD-10 (TDW-1)
Trigger Type
Sensitivity
Threshold
Curve
Scan Time(*1) 1.8
Retrigger Cancel
Mask Time(*1) 8
Xtalk Cancel(*1) 40
Mount Type(*1)
*1: You need to set each trigger parameter after setting the trigger type.
*2: Notice Regarding TD-8 Upgrade
As of October 2001, “CY1” has been added as a trigger type selection. Selecting “CY1” automatically sets the other trigger
parameters to the recommended values, allowing you to make the settings for the CY-12R/C simply and easily.
You can use the CY-12R/C even with previous TD-8 versions by selecting “PD7,” then manually setting the other trigger
parameters to the recommended values (as shown in the above list).
For more information about the TD-8 upgrade, consult with your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information” page.
*3: Each trigger parameter can be set independently for the “head-side” and “rim-side.” Set to the same value for the head and
rim. Trigger parameters can be set individually for each patch.
*4: The TD-7 and the HPD-15 support the use of edge shots with the CY-12R/C, but they do not support choking techniques.
2
USING THE UNIT SAFELY
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
• Do not attempt to repair the unit, or replace
parts within it (except when this manual
provides specific instructions directing you
to do so). Refer all servicing to your retailer,
the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
006
• When using the unit with a rack or stand
recommended by Roland, the rack or stand
must be carefully placed so it is level and
sure to remain stable. If not using a rack or
stand, you still need to make sure that any
location you choose for placing the unit
provides a level surface that will properly
support the unit, and keep it from wobbling.
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for
the safe operation of the unit.
• Should you remove wing nut, washers, or
stopper bolt, make sure to put them in a safe
place out of children's reach, so there is no
chance of them being swallowed accidentally.
In addition to the items listed under “USING THE UNIT SAFELY” on page 3–4, please read and observe the
following:
Placement
354b
• Do not expose the unit to direct sunlight, place it
near devices that radiate heat, leave it inside an
enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices
that normally are used while their light source is
very close to the unit (such as a piano light), or
powerful spotlights to shine upon the same area of
the unit for extended periods of time. Excessive
heat can deform or discolor the unit.
355
• To avoid possible breakdown, do not use the unit in
a wet area, such as an area exposed to rain or other
moisture.
356
• Do not allow rubber, vinyl, or similar materials to
remain on the unit for long periods of time. Such
objects can discolor or otherwise harmfully affect
the finish.
357
• Do not put anything that contains water (e.g.,
flower vases) on the unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft cloth.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry
cloth or one that has been slightly dampened with
water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a
soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of
any kind, to avoid the possibility of discoloration
and/or deformation.
Additional Precautions
553
• Use a reasonable amount of care when using its
jacks and connectors. Rough handling can lead to
malfunctions.
556
• When connecting / disconnecting all cables, grasp
the connector itself—never pull on the cable. This
way you will avoid causing shorts, or damage to
the cable’s internal elements.
558d
• This instrument is designed to minimize the extra-
neous sounds produced when it’s played. However,
since sound vibrations can be transmitted through
floors and walls to a greater degree than expected,
take care not to allow these sounds to become a
nuisance to neighbors, especially when performing
at night and when using headphones.
559a
• When you need to transport the unit, package it in
the box (including padding) that it came in, if
possible. Otherwise, you will need to use equivalent
packaging materials.
562
• Use a provided cable or a cable from Roland to make
the connection. If using some other make of
connection cable, please note the following precautions.
• Some connection cables contain resistors. Do not
use cables that incorporate resistors for
connecting to this unit. The use of such cables can
cause the sound level to be extremely low, or
impossible to hear. For information on cable
specifications, contact the manufacturer of the
cable.
4
Attaching to a Stand
Attach the CY-12R/C with the optional cymbal mount (MDY
series), or drum stand cymbal mount (MDS series).
1. Use a commercially available drum key to
tighten the stopper bolt.
The stopper keeps the CY-12R/C from turning, and
prevents the cables from catching or getting tangled on the
stand.
fig.01.e
Stopper
(Be sure to
orient it correctly)
Tighten the bolt with
a commercially available
drum key
Output Jack Corresponding Play
Methods
BOW/BELLBow Shot (p. 6)Head
Bell Shot (p. 6)Rim
Choke (p. 7)–
BOW/EDGE Bow Shot (p. 6)Head
Edge Shot (p. 6)Rim
Choke (p. 7)–
If you are using the TD-10 + TDW-1 with V-Cymbal Control,
you can use both the BOW/BELL and BOW/EGDE output
jacks at the same time (Three Way Triggering). For more
details, refer to “If Using TD-10 + TDW-1 with V-Cymbal
Control” (p. 6).
Tones
Sounded
Making the Connections
2. Attach the CY-12R/C so the unit is oriented as
shown in the diagram (bolt should be opposite
the output jacks).
3. Tighten the wing nut to obtain the desired
movement.
Use the included felt washer and the wing nut.
fig.02.e
Wing Nut
Felt Washer
• Double sounding may occur if the wing nut is loose.
• Do not use the washer or felt included with the cymbal
mount (MDY series).
Connecting to
a Percussion Sound Module
(TD-6, TD-8, TD-10, etc.)
About the Output Jacks
The CY-12R/C features two different output jacks, BOW/BELL
and BOW/EDGE.
Use the BOW/BELL output jack when you want to play the
bow and the bell sounds; use the BOW/EDGE output jack
when you want to play the bow and the edge sounds.
Use either the BOW/BELL or BOW/EGDE output jack, but
not both at the same time (except for the TD-10 + TDW-1 with
V-Cymbal Control).
Connecting both jacks results in two separate trigger inputs
playing simultaneously.
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1.
Use the included cable to connect one of the CY12R/C’s output jacks (either one, but not both,
EXCEPT when using with the TD-10 + TDW-1
with V-Cymbal Control installed) to the drum
sound module’s trigger input jack.
Connect the L-shaped plug of the included cable to the
CY-12R/C. This will prevent strain from being applied to
the CY-12R/C.
To make use of edge shot and choking play techniques,
you'll need to connect to a trigger input jack on the
percussion sound module that accommodates rim shots.
The TD-8's “1/2 (KICK 1/2)” and “11/12 (AUX 1/2)” do
not support rim shots.
2. Secure the cable with cable ties.
Leave enough slack so that the cable is not pulled by any
shaking or vibration of the cymbal when it is struck.
fig.CY03.e
Wind the cable
tie twice
Leave some
slack in
the cable
Secure the cable in place
with the cable tie
Take care to ensure that the cable does not come into
contact with the cymbal or stand. Contact between the
cable and the cymbal or stand can result in problems,
Tighten it
not to slip
Turn back
to fix the
cable
5
Next
such as double sounding.
3. Make the trigger settings for the percussion
sound module. For the recommended values,
refer to p. 2.
The TDW-1 with V-Cymbal Control Owner's Manual contains
an explanation of how the CY-15R is used with Three Way
Triggering. Substitute “CY-12R/C” for “CY-15R” as you read
through the text.
Should you neglect to make the appropriate settings for the
percussion sound module.
• Sometimes it does not sound (uneven volume)
• The volume is too low (reduced sensitivity)
• Double sounding may occur
For information on how to change the parameters for a
percussion sound module, refer to its owner’s manual.
If Using TD-10 + TDW-1
with V-Cymbal Control
When you use the TD-10 + TDW-1 V-Cymbal Control, three
way triggering is possible.
* Three Way Triggering is not available with the TD-8.
About Three Way Triggering
By using two cables to connect the CY-12R/C and a TD-10, you
can then perform using three different tones: bow, bell, and edge.
TDW-1 specifications allow the Three Way Triggering
function to be used with only one V-Cymbal. For example, if
you use the Three Way Triggering function with one CY-15R,
you would not be able to use Three Way Triggering if you
added another CY-12R/C.
Playing Methods
Bow Shot
This is the most common playing method, playing the pad face
of the cymbal. It corresponds to the sound of the “head-side” of
the connected trigger input.
Bow
Edge Shot
This playing method involves striking the edge with the
shoulder of the stick. It corresponds to the sound of the “rimside” of the connected trigger input.
To make use of edge shot, you'll need to connect to a trigger
input jack on the percussion sound module that
accommodates rim shots.
Edge sensor
Connections/Examples of Settings
CY-12R/C
Output
BOW/BELL10/RIDERdA
BOW/EDGE11/AUX1CTR
If you connect a pad or a V-Cymbal ONLY to the trigger input
for which trigger type is set to the “CTR”(11/AUX 1), it will
not work.
TD-10 Trigger
Input
TD-10 Trigger
Type
Correspondences Between Playing
Methods and Trigger Input
Playing MethodsTD-10 Trigger Input
Bow Shot10/RIDE Head
Bell Shot10/RIDE Rim
Edge Shot11/AUX 1 Rim
* Head-side tones for the trigger input 11/AUX 1 cannot be sounded.
For more details on the settings for Three Way Triggering,
refer to the TDW-1 with V-Cymbal Control Owner's Manual.
Bell Shot
This playing method involves striking the bell. It corresponds
to the sound of the “rim-side” of the connected trigger input.
• To make use of bell shot, you'll need to connect to a
trigger input jack on the percussion sound module that
accommodates rim shots.
• Use the shoulder of the stick when playing bell shots.
Bell
6
Next
Choking
Choking (pinching) the cymbal’s edge with the hand
immediately after hitting the cymbal makes the sound stop.
To make use of choking play techniques, you’ll need to
connect to a trigger input jack on the percussion sound
module that accommodates rim shots.
fig.CY07.e
Edge sensor
Troubleshooting
Issues Affecting The Overall System
Check these first
• Is the trigger type set correctly?
Make the trigger parameter settings for your percussion
sound module (p. 2).
• Is a monaural cable being used?
When a monaural cable is used, the sound does not
change when an edge shot or a bell shot is made. Choke
play is not possible, either.
Use stereo cable.
The sound does not change when an edge
shot is made
• Is the cable connected to the BOW/EDGE output?
Make the connection to the BOW/EDGE output to enable
the CY-12R/C to support edge shots (p. 5).
• Are you striking the cymbal in the area with the edge
sensors?
Edge sensors are embedded only in the part of the CY12R/C directly in front (p. 6).
The sound does not change when a bell shot
is made
• Is the cable connected to the BOW/BELL output?
Make the connection to the BOW/BELL output to enable
the CY-12R/C to support bell shots (p. 5).
• Use the shoulder of the stick when playing bell shots
(p. 6).
• Adjust the “Scan Time.”
Choke play is not possible
• Are you choking the cymbal in the area with the edge
sensors?
Edge sensors are embedded only in the part of the CY12R/C directly in front (p. 7).
Ride cymbal sounds odd
(Other cymbal sound is heard simultaneously)
• If using a sound module other than the TD-10 furnished
with the TDW-1 with V-Cymbal Control, connect either
the CY-12R/C’s BOW/BELL output or the BOW/EDGE
output (p. 5).
Double sounding
• Are any cables touching the CY-12R/C?
Secure the cables in place with the cable ties so that they
do not touch the units. Also, be careful to make sure that
the cables are not pulled by the movement of a cymbal
when struck (p. 5).
• Are the stopper, felt washer, and wing nut attached
correctly?
Double triggering may occur if the stopper and/or wing
nut is loose. Use a tuning key (drum key) to tighten
properly.
* If double triggering still occurs, try adjusting trigger
parameters, such as Retrigger Cancel, on the sound module you
are using (TD-6, TD-8, TD-10, etc.)
The volume level is too low
• If the cymbal is struck while power to the drum module
(such as the TD-6, TD-8, or TD-10) is turned on, the
response to light hits will be poor. Do not strike pads or
cymbals while turning on the power.
When using the TD-10 + TDW-1 with VCymbal Control
No sound is heard
• Is the trigger type set to “CTR”?
Tones from inputs for which the trigger type is set to
“CTR” do not sound (p. 6).
The sound does not vary when the striking
position changes
• The CY-12R/C is capable of the positional detection
feature. Positional detection is possible when
plugged into the specified input on a Roland sound
module with this feature.
• For more on tones that can change according to the
part of the cymbal struck, refer to the tone list in the
Owner's Manual that came with your drum module.
• With trigger types “RdB” and “CrB,” positional
sensing is not possible. Use “RdA” or “CrA.”
Specifications
CY-12R/C:V-Cymbal Ride/Crash
Pad Size:12 inches
Trigger:3 (Bow/Bell/Edge)
Dimensions:300 (W) x 300 (D) x 51 (H)
11-13/16 (W) x 11-13/16 (W) x 2-1/16 (H)
Weight:1.1 kg
2 lbs 7 oz
Accessories:Owner’s Manual, Connection Cable,
Wing Nut, Felt Washer, Stopper, Cable Tie
Options:Cymbal Mount (MDY-10U)
Stand (MDS-6, MDS-8, MDS-10)
* In the interest of product improvement, the specifications and/or
appearance of this unit are subject to change without prior notice.
7
Information
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as