Roland C-180 User Manual
PORTABLE ORGAN
1
Thank you for purchasing a Roland C-180 Portable Organ. The C-180 is a new organ designed for religious congregations and all other occasions that call for high-quality organ or orchestral music in a portable instrument.
Two modes: Organ and Orchestra
The C-180 comes with the finest organ sounds
Roland, and its organ division, Rodgers, have to offer.
On top of that, it also features excellent instrument
sounds for orchestral music.
In Organ mode, you can use the C-180 as “full works”
instrument by switching on all ten Manual organ
sounds simultaneously.
Bass and Manual parts
Though a single-keyboard instrument, the C-180
allows you to play monophonic bass parts (polyphonic in Orchestra mode) and polyphonic instrument
sounds. The instrument sounds can be played via the
entire keyboard, while the bass notes can be triggered
via the left half of the keyboard. Whenever you play
two-hand parts (and perhaps even chords with your
left hand), the bass part will sound the lowest note of
every chord you play.
Record your own performances
The C-180 makes it easy to record your own performances.
Before using this instrument, carefully read the section on page 2. It provides important information concerning the
proper operation of the C-180.
To get the most out of the C-180 and to ensure many years of trouble-free service, we urge you to read through this
Owner’s Manual thoroughly.
To avoid confusion, let’s agree to use the word “button” for all keys on the front panel, and only use “key” when refer-
ring to the C-180’s keyboard.
Owner's Manual
No part of this publication may be reproduced in any form without the written permission of Roland Europe s.p.a.
Copyright © 2000 ROLAND EUROPE. All rights reserved.
Used for instructions intended to alert
2
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
• Before using this instrument, make sure to read the
instructions below, and the Owner’s Manual.
• Do not open (or modify in any way) the instrument, and
avoid damaging the supplied adapter.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
• This instrument may be capable of producing sound
levels that could cause permanent hearing loss. Do not
operate for a long period of time at a high volume level,
or at a level that is uncomfortable. If you experience any
hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
• Do not attempt to repair the instrument, or replace parts
within it (except when this manual provides specific
instructions directing you to do so). Refer all servicing to
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page.
• Never use or store the unit in places that are:
Subject to temperature extremes (e.g., direct sunlight in
an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
• Be sure to use only the adapter supplied with the
instrument. Also, make sure the line voltage at the
installation matches the input voltage specified on the
name plate.
• Avoid damaging the adapter’s cord. Do not bend it
excessively, step on it, place heavy objects on it, etc. A
damaged cord can easily become a shock or fire hazard.
Do not use the adapter when it shows clear signs of
damage.
• Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft drinks,
etc.) to penetrate the instrument.
• Immediately turn the power off, remove the adapter
from the outlet, and request servicing by your retailer,
the nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information” page
when:
• The the adapter has been damaged; or
• Objects have fallen into, or liquid has been spilled onto
the instrument; or
• The instrument has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
• In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe operation of
the unit.
• Protect the unit from strong impact. Do not drop it!
3
ENGLISH
• Do not force instrument to share an outlet with an
unreasonable number of other devices. Be especially
careful when using extension cords—the total power
used by all devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive loads
can cause the insulation on the cord to heat up and
eventually melt through.
..............................................................................................................
• Before using the unit in a foreign country, consult with
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page.
• The instrument and the adapter should be located so
their position does not interfere with their proper
ventilation.
..............................................................................................................
• Always grasp only the plug or the body of the adapter
when plugging into, or unplugging from, an outlet or
this instrument.
..............................................................................................................
• Whenever the unit is to remain unused for an extended
period of time, disconnect the adapter.
..............................................................................................................
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be placed so
they are out of the reach of children.
..............................................................................................................
• Never climb on top of, nor place heavy objects on the
unit.
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• Never handle the adapter with wet hands when plugging
into, or unplugging from, an outlet or this unit.
• Before cleaning the unit, turn off the power and unplug
the adapter from the outlet (see page 7).
..............................................................................................................
• Whenever you suspect the possibility of lightning in
your area, disconnect the adapter from the outlet.
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1. Panel descriptions . . . . . . . . . . . . . . . .5
1.1 Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
1.2 Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
1.3 Headphone connectors . . . . . . . . . . . . . . . . . . . . . . . .6
2. Getting started . . . . . . . . . . . . . . . . . . .7
2.1 Connecting the adapter . . . . . . . . . . . . . . . . . . . . . . .7
2.2 Turning the power on and off . . . . . . . . . . . . . . . . . .7
2.3 Adjusting the volume . . . . . . . . . . . . . . . . . . . . . . . . .7
2.4 Connecting headphones (sold separately) . . . . . . . . .7
2.5 Listening to the demo songs . . . . . . . . . . . . . . . . . . .8
Selecting a demo song . . . . . . . . . . . . . . . . . . . . . . .8
3. Playing organ music (Organ mode) . . .9
3.1 Setting registers in Organ mode . . . . . . . . . . . . . . . .9
Registering the Manual section . . . . . . . . . . . . . . . .9
Registering the Bass sound . . . . . . . . . . . . . . . . . . .9
Selecting various organ timbres . . . . . . . . . . . . . . .9
3.2 BASS functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Changing the split point . . . . . . . . . . . . . . . . . . . .10
Playing only bass notes to the left of the split point
10
Playing the bass notes with an optional PK-5 . . .10
3.3 Additional functions . . . . . . . . . . . . . . . . . . . . . . . . .11
Adding Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Selecting different tunings . . . . . . . . . . . . . . . . . .11
Using an expression pedal . . . . . . . . . . . . . . . . . . .11
Transposing (same fingering, different notes) . . .12
4. Playing other kinds of music
(Orchestra mode) . . . . . . . . . . . . . . . . .13
4.1 Selecting Manual sounds . . . . . . . . . . . . . . . . . . . . .13
Layering two Manual sounds . . . . . . . . . . . . . . . .13
Using a sustain pedal . . . . . . . . . . . . . . . . . . . . . . .13
4.2 Adding Bass sounds . . . . . . . . . . . . . . . . . . . . . . . . .14
4.3 Additional functions . . . . . . . . . . . . . . . . . . . . . . . . .14
5. Convenient functions . . . . . . . . . . . . .15
5.1 Recording your performance . . . . . . . . . . . . . . . . . .15
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Playing back a recorded song . . . . . . . . . . . . . . . .15
5.2 Using the C-180’s memories . . . . . . . . . . . . . . . . . . .15
Saving your settings as registrations . . . . . . . . . . .15
Loading the settings of a memory . . . . . . . . . . . .16
5.3 Using the audio outputs . . . . . . . . . . . . . . . . . . . . . .16
5.4 Inizializing your C-180 (Factory Setup) . . . . . . . . . . .16
6. Connecting the C-180 to MIDI devices 17
6.1 Making the connections . . . . . . . . . . . . . . . . . . . . . .17
6.2 MIDI functions supported by the C-180 . . . . . . . . . .18
7. Appendix . . . . . . . . . . . . . . . . . . . . . . .19
7.1 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
7.2 Suggested registrations . . . . . . . . . . . . . . . . . . . . . .20
7.3 Demo song list . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
7.4 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
4
Owner’s Manual
Contents
A
VOLUME slider
This slider allows you to increase or decrease the volume of all sound sections. For optimum sound quality, we recommend you set this slider to the 3/4 position.
B
BASS slider
This slider controls the volume of the bass sounds (in
Organ or Orchestra mode). (See page 7). It also allows
you to set the Reverb level (see page 11) and the volume of the Layer sounds in Orchestra mode
(see page 13).
C
BASS tilt tabs
These tabs allow you to switch on/off the corresponding Organ bass sound (SUB BASS or OCTAVE) or
Orchestra bass tone (STR. BASS or E. BASS).
D
MANUAL tilt tabs
In Organ mode (when the ORCHESTRA indicator
does
not light), these tabs allow you to switch on the
corresponding organ register. You can activate all registers if you like.
In Orchestra mode (when the indicator of the same
name lights), you can press one of these to select the
orchestral sound whose name is printed below the tab
you pressed. It is also possible to select two sounds
simultaneously.
E
DEMO button
Press this button to activate the C-180’s Demo mode.
See page 8.
F
TRANSPOSE button
Use this button to transpose the keyboard. This allows
you to play in your favorite key, while the notes you
play are sounded in another key. See page 12.
G
REVERB button
Press this button to switch the digital Reverb effect on
(indicator lights) or off. See page 11.
H
ORCHESTRA button
Press this button if you want to use the C-180’s
orchestral sounds rather than the organ sounds. See
page 13.
I
CANCEL, M1~M4 buttons
Your C-180 comes with four memories that can be
accessed via the [M1]~[M4] buttons. There are four
memories for either mode (Organ and Orchestra).
Press the [CANCEL] button to override the settings of
the currently selected memory.
J
SET button
Hold down this button while pressing an [M1]~[M4]
button to save the current panel settings to the corresponding memory.
K
REC button
Your C-180 also contains a digital recording function.
Press this button to select the record standby mode.
(Next, press [PLAY] to start recording.)
Note: There are four song memories. See page 15.
L
PLAY button
The function of this button depends on the REC indicator: if it flashes, pressing [PLAY] will start the
recording of a new song. If the REC indicator is off,
[PLAY] allows you to listen to a previously recorded
song.
M
ORGAN BRILLIANCE button
In Organ mode, this button allows you to make the
organ sound(s) brighter. In Orchestra mode, it is used
to select a second bank of orchestral sounds (see page
13).
5
C-180
1. Panel descriptions
1.1 Front panel
ENGLISH
A
B C D
E
F G H J K L MI
A
POWER button
Press this button once to switch the C-180. Press it
again to switch the C-180 off.
B
DC IN connector
This where you need to connect the supplied ACJ
adapter. If it is damaged or out of order, be sure to
replace it with the same ACJ model. Do not use other
adapters as these may damage your C-180 beyond
repair.
C
Cord hook
Allows you to anchor the adapter’s power cord. See
page 7.
D
SUSTAIN connector
This is where you can connect an optional DP-2, DP6, or BOSS FS-5U footswitch that allows you to hold
the notes you are playing on the keyboard.
E
EXPRESSION PEDAL connector
Connect an optional Roland EV-5, or FV-300L pedal
to this jack so as to be able to control the C-180’s out-
put level.
F
PITCH control
Allows you to tune the C-180 to acoustic instruments.
Turn it towards the “
” symbol to tune the C-180 flat-
ter (lower), and towards “#” to tune it higher.
G
OUTPUT STEREO R, L/MONO connectors
The C-180 boasts an excellent internal stereo amplifier
and speaker system that do away with the need for
external amplification. Yet there may be times, when
you prefer the C-180’s sound to be distributed via the
public address system of the hall or church where you
are performing – or you may want to record the
C-180’s sound without background noises.
H
MIDI OUT/IN connectors
Use these connectors for transmitting (OUT) and
receiving (IN) MIDI messages to/from other instruments.
6
Owner’s Manual
1.2 Rear panel
1.3 Headphone connectors
The C-180 features two headphone jacks. This allows
two people to listen through headphones simultaneously, making it very useful for lessons. Additionally,
this allows you to play without having to worry about
bothering others around you, even at night.
For optimum sound quality, be sure to use optional
Roland RH-25 or RH-50 headphones.
A B C D E F G H
2.1 Connecting the adapter
Note: To prevent malfunction and/or damage to speakers
or other devices, always turn down the volume, and turn
off the power of all devices before making any connections.
1.
Connect the supplied ACJ adapter to the DC IN
jack on the rear panel of the C-180.
2.
Connect the other end to an AC outlet.
2.2 Turning the power on and off
Your C-180 is fitted with an amplifier and speakers so
that you do not need additional devices.
1.
Turn the volume all the way down.
2.
Press the [POWER] switch on the rear panel to
turn on the power.
Press at least one tab, because all sounds will be off
immediately after switching on the C-180. Adjust the
volume to your liking.
Note: Your C-180 is equipped with a protection circuit. A
brief interval after power up is required before it will operate normally.
Turning off the power
1.
Set the [VOLUME] slider to the minimum posi-
tion.
2.
Press the [POWER] switch to turn off the power.
2.3 Adjusting the volume
The C-180 features two volume sliders. The [VOLUME] slider is used to change the global volume,
while the [BASS] slider allows you to set the level of
the bass sounds with respect to the organ or orchestral sounds.
2.4 Connecting headphones (sold
separately)
The C-180 features two headphone jacks. This allows
two people to listen through headphones simultaneously, making it very useful for lessons. Additionally,
this allows you to play without having to worry about
bothering others around you, even at night.
1.
Turn the volume all the way down.
2.
Plug a pair of headphones (Roland RH-25, RH-50)
into a PHONES jack on the lower-left panel of the
C-180.
3.
Adjust the volume.
By connecting headphones to the C-180, you switch
off its speakers, which is ideal for playing or practising
without disturbing others.
Note: Be sure to use stereo headphones.
Precautions to take when using headphones
To avoid damaging or severing the headphone cord,
be sure to handle the headphones by holding the
phones themselves, and grasping the plug rather than
the cord when pulling the headphone plug.
• Connecting the headphones when the volume of connected equipment is turned up may result in damage
to the headphones. Connect the headphones only
after turning the volume down completely.
7
C-180
2. Getting started
ENGLISH
Global volume (all
sections)
Volume of the
bass tone
VOLUME BASS
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