MIDI Implementation
Model: MUSIC ATELIER
AT-900/900C/800/500/300/100/75
Date: Sep. 19, 2008
Version: 1.00
This instrument contains two sound generators: one for SMF data playback (GM2/GS) and one for keyboard performance. Normally, data received at the MIDI In connector will control only the sound generator for SMF data playback. However by changing the MIDI IN Mode setting, you can also control the keyboard sound generator from MIDI In.
For instructions on changing the MIDI IN mode, refer to the Owner’s Manual. For instructions on controlling each sound generator, refer to the “Received data” section.
*In this document, the Music ATELIER AT-900/900C/800/500/300/100/75 models are collectively referred to as “the ATELIER.”
MIDI IN MODE
Mode |
Explanation |
MODE 1 |
Control the instrument as a GM2/GS sound generator. |
MODE 2 |
Channels 5 through 10 and Channels 12,14,15 are transmitted to the GM2/ |
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GS sound generator, and all other channels are transmitted to the |
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keyboard sound generator. When the Pedal part tone has been selected, |
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Channel 2 is transmitted to the sound generator used for the keyboard |
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performance; if no tone has been selected, it is transmitted to the GM2/GS |
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sound generator. |
The correspondence between channels and parts in each mode is described below.
Channel |
MODE1 |
MODE2 |
1 |
GM2/GS |
Solo |
2 |
GM2/GS |
Pedal |
3 |
GM2/GS |
Lower |
4 |
GM2/GS |
Upper |
5-10 |
GM2/GS |
GM2/GS |
11 |
GM2/GS |
Drums/SFX |
12 |
GM2/GS |
GM2/GS |
13 |
GM2/GS |
Manual Percussion* |
14-15 |
GM2/GS |
GM2/GS |
16 |
GM2/GS |
Control |
*The AT-300/100/75 do not have Manual Percussion.
You can control external MIDI devices using the ATELIER’s MIDI Out connector. Data describing what is played on the Upper keyboard, the Lower keyboard, and the pedalboard is transmitted over MIDI channels for the respective parts. Messages from the ATELIER’s expression pedal and PC Numbers set in the Registrations are transmitted on the Control channel. The channels used for transmission can be changed individually for each Registration. For instructions on how to change the transmission channels, refer to the Owner’s Manual.
Channel (default) |
Content |
Transmitted |
Upper |
(4) |
Key information from the Upper keyboard is transmitted. |
Lower |
(3) |
Key information from the Lower keyboard is transmitted. |
Pedal |
(2) |
Performance information from the pedalboard is |
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transmitted. |
Solo |
(1) |
When “Solo to Lower” is set to ON, Solo part key information |
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from the Lower keyboard is transmitted. |
Control |
(16) |
Expression pedal information and PC Numbers set in the |
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Registrations are transmitted. |
*The PC Number is transmitted when Send PC Switch is set to ON.
*For more details regarding the data that is transmitted, refer to “Transmit data” (p. 8).
[GM2] |
This indicates that the message will be received if the MIDI IN Mode is |
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MODE 1 and the unit is in GM2 mode. Use GM2 System On (p. 5) to select |
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GM2 mode. |
[GM1] |
This indicates that the message will be received if the MIDI IN Mode is |
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MODE 1 and the unit is in GM1 mode. Use GM1 System On (p. 5) to select |
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GM1 mode. |
[GS] |
This indicates that the message will be received if the MIDI IN Mode is |
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MODE 1 and the unit is in GS mode. Use GS Reset (p. 5) to select GS mode. |
[AT] |
This indicates that the message will be received on the keyboard part if the |
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MIDI IN Mode is MODE 2. For details on the keyboard part, refer to “Receive |
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channel” (p. 1). |
●Note off [GM2] [GM1] [GS] [AT]
This instrument contains two sound generators. Commercial SMF music data is played back using the GM2/GS sound generator. The correspondence between channels and tracks when the AT’s Track Mute function is used is described below.
Status |
2nd byte |
3rd byte |
8nH |
kkH |
vvH |
9nH |
kkH |
00H |
Track |
Channel |
RHYTHM |
10 |
ACCOMP |
5, 6, 7, 8, 9, 11, 12, 13, 14, 15, 16 |
BASS |
2 |
LOWER |
3 |
UPPER |
4 |
SOLO |
1 |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
kk = note number: |
00H-7FH (0-127) |
vv = note off velocity: |
00H-7FH (0-127) |
*For Drum Parts, these messages are received when Rx.NOTE OFF = ON for each Instrument [GS].
*The velocity values of Note Off messages are ignored.
When SMF music data created using the ATELIER is used, the parts of the performance played by hand are transmitted to the sound generator used for the keyboard performance, and the automatic accompaniment portions (rhythm performances, Arranger) are transmitted to the GM2/GS sound generator.
The correspondence between channels and parts for SMF music data created using the ATELIER is described below.
Ch |
Part |
1 |
Solo |
2 |
Pedal/Accomp (Bass) |
3 |
Lower |
4 |
Upper |
5-6 |
(blank) |
7-9 |
Accomp |
10 |
Accomp (Rhythm) |
11 |
Drums/SFX |
12 |
Accomp |
13 |
Manual Percussion |
14-15 |
Accomp |
16 |
Control |
*The AT-300/100/75 do not have Manual Percussion.
●Note on [GM2] [GM1] [GS] [AT]
Status |
2nd bytes |
3rd byte |
9nH |
kkH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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kk = note number: |
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00H-7FH (0-127) |
vv = note on velocity: |
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01H-7FH (1-127) |
*Not received when Rx.NOTE MESSAGE = OFF [GS]. (Initial value is ON)
*For Drum Parts, not received when Rx.NOTE ON = OFF for each Instrument [GS].
●Polyphonic Key Pressure [GS]
Status |
2nd bytes |
3rd byte |
AnH |
kkH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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kk = note number: |
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00H-7FH (0-127) |
vv = key pressure: |
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00H-7FH (0-127) |
*Not received when Rx.POLY PRESSURE (PAf) = OFF [GS]. (Initial value is ON)
*The resulting effect is determined by System Exclusive messages. With the initial settings, there will be no effect [GS].
*Not Received in Keyboard Part.
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Copyright © 2008 ROLAND CORPORATION |
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1PS |
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. |
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MIDI Implementation
●Control Change
*When Rx.CONTROL CHANGE = OFF, all control change messages except for Channel Mode messages will be ignored [GS].
*The value specified by a Control Change message will not be reset even by a Program Change, etc.
Bank Select (Controller number 0, 32) [GM2] [GS]
Status |
2nd bytes |
3rd byte |
BnH |
00H |
mmH |
BnH |
20H |
llH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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mm, ll = Bank number: |
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00 00H-7F 7FH (bank.1-bank.16384), |
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Initial Value = 00 00H (bank.1) |
*After receiving “GM1 System On,” Bank Select messages will be ignored. After receiving “GM2 System On” or “GS Reset,” Bank Select messages will be recognized.
*Bank Select processing will be suspended until a Program Change message is received.
*Specification of the tones used by keyboard parts is accomplished using System Exclusive messages (p. 9).
Modulation (Controller number 1) [GM2] [GM1] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
01H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Modulation depth: |
00H-7FH (0-127) |
*Not received when Rx.MODULATION = OFF [GS]. (Initial value is ON)
*The resulting effect is determined by System Exclusive messages. With the initial settings, this is Pitch Modulation Depth [GS].
Portamento Time (Controller number 5) [GM2] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
05H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Portamento Time: |
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00H-7FH (0-127), Initial value = 00H (0) |
*This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change.
Data Entry (Controller number 6, 38) [GM2] [GM1] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
06H |
mmH |
BnH |
26H |
llH |
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB
Volume (Controller number 7) [GM2] [GM1] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
07H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Volume: |
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00H-7FH (0-127), Initial Value = 64H (100) |
*Volume messages are used to adjust the volume balance of each Part.
*Not received when Rx.VOLUME = OFF [GS]. (Initial value is ON)
*Volume messages cannot independently control the layered (Organ, Symphonic, Orchestral) parts of the keyboard part. If you need to independently control the parts that are layered on the keyboard part, or to control Vintage Organ, you must use system exclusive messages for the keyboard part (p. 12) [AT].
Panpot (Controller number 10) [GM2] [GM1] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
0AH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = pan: |
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00H-40H-7FH (Left-Center-Right), |
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Initial Value = 40H (Center) |
*For Rhythm Parts, this is a relative adjustment of each Instrument’s pan setting [GS].
*Not received when Rx.PANPOT = OFF [GS]. (Initial value is ON)
*This does not affect effects such as reverb or rotary sound.
Expression (Controller number 11) [GM2] [GM1] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
0BH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Expression: |
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00H-7FH (0-127), Initial Value = 7FH (127) |
*It can be used independently from Volume messages. Expression messages are used for musical expression within a performance; e.g., expression pedal movements, crescendo and decrescendo.
*Not received when Rx.EXPRESSION = OFF [GS]. (Initial value is ON)
*If received on the Control Channel while MIDI IN Mode 2 is in effect, this changes the ATELIER’s overall volume in the same manner as the instrument’s expression pedal. The volume of individual keyboard parts cannot be controlled independently [AT].
Hold 1 (Controller number 64) [GM2] [GM1] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
40H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-7FH (0-127) |
*Not received when Rx.HOLD1 = OFF. [GS] (Initial value is ON)
Portamento (Controller number 65) [GM2] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
41H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-7FH (0-127) 0-63 = OFF, 64-127 = ON |
*Not received when Rx.PORTAMENTO = OFF [GS]. (Initial value is ON)
Sostenuto (Controller number 66) [GM2] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
42H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-7FH (0-127) 0-63 = OFF, 64-127 = ON |
*Not received when Rx.SOSTENUTO = OFF [GS]. (Initial value is ON)
Soft (Controller number 67) [GM2] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
43H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-7FH (0-127) 0-63 = OFF, 64-127 = ON |
*Not received when Rx.SOFT = OFF [GS]. (Initial value is ON)
*Effects may vary depending on the tone used.
Resonance (Controller number 71) [GM2] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
47H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-40H-7FH (-64-0-+63) |
*With certain tones, there may be no effect at all.
Release Time (Controller number 72) [GM2] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
48H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-40H-7FH (-64-0-+63) |
*With certain tones, there may be no effect at all.
Attack Time (Controller number 73) [GM2] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
49H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-40H-7FH (-64-0-+63) |
*With certain tones, there may be no effect at all.
2
MIDI Implementation
Effect 3 (Chorus Send Level) (Controller number 93) [GM2] [GS] [AT]
Status |
2nd bytes |
3rd byte |
BnH |
5DH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Control value: |
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00H-7FH (0-127), Initial Value = 00H (0) |
*This message adjusts the Chorus Send Level of each Part.
*This message cannot independently control the layered (Organ, Symphonic, Orchestral) parts of the keyboard part. If you need to control them independently, use system exclusive messages to make settings (p. 12).
NRPN MSB/LSB (Controller number 98, 99) [GS]
Status |
2nd bytes |
3rd byte |
BnH |
63H |
mmH |
BnH |
62H |
llH |
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm = upper byte of the parameter number specified by NRPN ll = lower byte of the parameter number specified by NRPN
*NRPN can be received when Rx.NRPN = ON. “Rx.NRPN” is set to OFF by power-on reset or by receiving “Turn General MIDI System On,” and it is set to ON by “GS Reset.”
*The value set by NRPN will not be reset even if Program Change or Reset All Controllers is received.
*Not Received in Keyboard Part.
**NRPN**
The NRPN (Non Registered Parameter Number) message allows an extended range of control changes to be used.
To use these messages, you must first use NRPN MSB and NRPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specified parameter. Once an NRPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished setting the value of the desired parameter. Refer to Section 6. Supplementary material “Examples of actual MIDI messages” <Example 4> (p. 18) On the GS devices, Data entry LSB (llH) of NRPN is ignored, so it is no problem to send Data entry MSB (mmH) only (without Data entry LSB).
On the ATELIER, NRPN can be used to modify the following parameters.
NRPN |
Data entry |
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MSB LSB |
MSB |
Description |
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01H |
08H |
mmH |
Vibrato rate (relative change on specified channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
01H |
09H |
mmH |
Vibrato depth (relative change on specified channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
01H |
0AH |
mmH |
Vibrato delay (relative change on specified channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
01H |
20H |
mmH |
TVF cutoff frequency (relative change on specified channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
01H |
21H |
mmH |
TVF resonance (relative change on specified channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
01H |
63H |
mmH |
TVF&TVA Env.Attack time (relative change on specified |
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channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
01H |
64H |
mmH |
TVF&TVA Env.Decay time (relative change on specified channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
01H |
66H |
mmH |
TVF&TVA Env.Release time (relative change on specified |
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channel) |
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mm: 0EH-40H-72H (-50 - 0 - +50) |
18H rrH |
mmH |
Pitch coarse of drum instrument (relative change on specified |
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drum instrument) |
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rr: key number of drum instrument |
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mm: 00H-40H-7FH (-63 - 0 - +63 semitone) |
1AH rrH |
mmH |
TVA level of drum instrument (absolute change on specified |
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drum instrument) |
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rr: key number of drum instrument |
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mm: 00H-7FH (zero-maximum) |
1CH rrH |
mmH |
Panpot of drum instrument (absolute change on specified |
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drum instrument) |
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rr: key number of drum instrument |
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mm: 00H, 01H-40H-7FH (Random, Left-Center-Right) |
1DH rrH |
mmH |
Reverb send level of drum instrument (absolute change on |
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specified drum instrument) |
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rr: key number of drum instrument |
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mm: 01H-7FH (zero-maximum) |
1EH rrH |
mmH |
Chorus send level of drum instrument (absolute change on |
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specified drum instrument) |
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rr: key number of drum instrument |
mm:01H-7FH (zero-maximum)
*Relative change parameters will adjust the value relative to the preset value as the center (40H). Even for GS compatible devices, a relative change parameter may have a different range of change or affect the sound in a different way depending on the model of device.
*Absolute change parameters will specify an absolute value regardless of the preset value.
RPN MSB/LSB (Controller number 100, 101)
Status |
2nd bytes |
3rd byte |
BnH |
65H |
mmH |
BnH |
64H |
llH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
mm = upper byte of parameter number specified by RPN ll = lower byte of parameter number specified by RPN
*Not received when Rx.RPN = OFF. (Initial value is ON)
*The value specified by RPN will not be reset even by messages such as Program Change or Reset All Controller.
**RPN**
The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard.
To use these messages, you must first use RPN MSB and RPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specified parameter. Once an RPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished setting the value of the desired parameter.Refer to Section 6. “Examples of actual MIDI messages” <Example 4> (p. 18).
On the ATELIER, RPN can be used to modify the following parameters.
RPN |
Data entry |
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MSB LSB |
MSB LSB |
Explanation |
00H 00H |
mmH --- |
Pitch Bend Sensitivity [GM2] [GM1] [GS] [AT] |
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mm: 00H-18H (0-24 semitones), Initial Value = 02H (2 semitones) |
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ll: ignored (processed as 00H) |
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specify up to 2 octaves in semitone steps |
00H 01H |
mmH llH |
Master Fine Tuning [GM2] [GM1] [GS] [AT] |
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mm, ll: 20 00H - 40 00H - 60 00H (-50 - 0 - +50 cents), Initial Value = |
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40 00H (0 cent) |
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ll: ignored (processed as 00h) |
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Refer to 6. Supplementary material, “About tuning” (p. 19) |
00H 02H |
mmH --- |
Master Coarse Tuning [GM2] [GM1] [GS] [AT] |
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mm: 10H - 40H - 70H (-48 - 0 - +48 semitones), Initial Value = 40H (0 |
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cent) |
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ll: ignored (processed as 00h) |
00H 05H |
mmH llH |
Modulation Depth Range [GM2] |
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mm, ll: 00 00H - 06 00H |
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(0 - 16384 * 600 / 16384 cent) |
7FH 7FH |
--- --- |
RPN null |
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Set condition where RPN and NRPN are unspecified. The data entry |
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messages after set RPN null will be ignored. (No Data entry |
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messages are required after RPN null). |
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Settings already made will not change. |
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mm, ll: ignored |
3
MIDI Implementation
●Program Change [GM2] [GM1] [GS]
Status |
2nd bytes |
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CnH |
ppH |
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n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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pp = Program number: |
00H-7FH (prog.1-prog.128) |
*Not received when Rx.PROGRAM CHANGE = OFF [GS]. (Initial value is ON)
*After a Program Change message is received, the sound will change beginning with the next Note-on. Voices already sounding when the Program Change message was received will not be affected.
*Not Received in Keyboard Part.
*When MIDI-IN Mode = Mode-2, it should be used System Exclusive messages to change the voice of keyboard part (p. 12).
●Channel Pressure [GM2] [GM1] [GS]
Status |
2nd bytes |
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DnH |
vvH |
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n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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vv = Channel Pressure: |
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00H-7FH (0-127) |
*Not received when Rx.CH PRESSURE (CAf) = OFF. [GS] (Initial value is ON)
*The resulting effect is determined by System Exclusive messages. With the initial settings there will be no effect [GS].
●Pitch Bend Change [GM2] [GM1] [GS] [AT]
Status |
2nd byte |
3rd bytes |
EnH |
llH |
mmH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
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mm, ll = Pitch Bend value: |
00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191) |
*Not received when Rx.PITCH BEND = OFF [GS]. (Initial value is ON)
*The resulting effect is determined by System Exclusive messages. With the initial settings the effect is Pitch Bend [GS].
●All Sounds Off (Controller number 120) [GM2] [GS] [AT]
Status |
2nd byte |
3rd bytes |
BnH |
78H |
00H |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
*When this message is received, all notes currently sounding on the corresponding channel will be turned off.
●Reset All Controllers (Controller number 121) [GM2] [GS]
Status |
2nd byte |
3rd byte |
BnH |
79H |
00H |
n = MIDI channel number: |
0H - FH (Ch.1 - 16) |
*When this message is received, the following controllers will be set to their reset values.
Controller |
Reset value |
Pitch Bend Change |
±0 (center) |
Polyphonic Key Pressure |
0 (off) |
Channel Pressure |
0 (off) |
Modulation |
0 (off) |
Expression |
127 (max) However, the controller will be at minimum. |
Hold 1 |
0 (off) |
Sostenuto |
0 (off) |
Soft |
0 (off) |
RPN |
unset; previously set data will not change |
NRPN |
unset; previously set data will not change |
●All Notes Off (Controller number 123)
[GM2] [GM1] [GS] [AT]
Status |
2nd byte |
3rd bytes |
BnH |
7BH |
00H |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
*When All Notes Off is received, all notes on the corresponding channel will be turned off. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off.
●OMNI OFF (Controller number 124) [GM2] [GS] [AT]
Status |
2nd byte |
3rd bytes |
BnH |
7CH |
00H |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
*The same processing will be carried out as when All Notes Off is received.
●OMNI ON (Controller number 125) [GM2] [GS] [AT]
Status |
2nd byte |
3rd bytes |
BnH |
7DH |
00H |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
*OMNI ON is only recognized as “All notes off”; the Mode doesn’t change (OMNI OFF remains).
●MONO (Controller number 126) [GM2] [GS] [AT]
Status |
2nd byte |
3rd bytes |
BnH |
7EH |
mmH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
mm = mono number: |
|
00H-10H (0-16) |
*The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 4 (M = 1) regardless of the value of “mono number.”
●POLY (Controller number 127) [GM2] [GS] [AT]
Status |
2nd byte |
3rd bytes |
BnH |
7FH |
00H |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
*The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 3.
●Active Sensing
Status
FEH
*Once an Active Sensing message is received, the unit will begin monitoring the interval between all subsequent messages. If there is an interval of 420 ms or longer between messages while monitoring is active, the same processing as when All Sound Off, All Notes Off, and Reset All Controllers messages are received will be carried out. The unit will then stop monitoring the message interval.
4
MIDI Implementation
Status |
Data byte |
Status |
F0H |
iiH, ddH, ......, eeH |
F7H |
F0H: |
System Exclusive Message status |
|
ii = ID number: |
ID number (manufacturer ID) to indicate the manufacturer whose Exclusive |
|
|
message this is. Roland’s manufacturer ID is 41H. |
|
|
ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal |
|
|
Non-realtime Messages (7EH) and Universal Realtime Messages (7FH). |
|
dd,...,ee = data: |
00H-7FH (0-127) |
|
F7H: |
EOX (End of Exclusive) |
|
The System Exclusive Messages received by the ATELIER are; messages related to mode settings, Universal Realtime System Exclusive messages and Data Set (DT1).
●System exclusive messages related to mode settings
These messages are used to initialize a device to GS or General MIDI mode, or change the operating mode.
When creating performance data, a “GM2 System On” or “GM1 System On” message should be inserted at the beginning of a General MIDI score, and a “GS Reset” message at the beginning of a GS music data. Each song should contain only one mode message as appropriate for the type of data. (Do not insert two or more mode setting messages in a single song.)
GM1 System On
Status |
Data byte |
Status |
F0H |
7EH, 7FH, 09H, 01H |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7EH |
ID number (Universal Non-realtime Message) |
|
7FH |
Device ID (Broadcast) |
|
09H |
Sub ID#1 (General MIDI Message) |
|
01H |
Sub ID#2 (General MIDI 1 On) |
|
F7H |
EOX (End of Exclusive) |
|
*When this messages is received, this instrument will turn to the GM mode.
*Not received in Keyboard Part.
GM2 System On
Status |
Data byte |
Status |
F0H |
7EH, 7FH, 09H, 03H |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7EH |
ID number (Universal Non-realtime Message) |
|
7FH |
Device ID (Broadcast) |
|
09H |
Sub ID#1 (General MIDI Message) |
|
03H |
Sub ID#2 (General MIDI 2 On) |
|
F7H |
EOX (End of Exclusive) |
|
*When this messages is received, this instrument will turn to the GM mode.
*Not received in Keyboard Part.
GM System Off
Status |
Data byte |
Status |
F0H |
7EH, 7F, 09H, 02H |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7EH |
ID number (Universal Non-realtime Message) |
|
7FH |
Device ID (Broadcast) |
|
09H |
Sub ID#1 (General MIDI Message) |
|
02H |
Sub ID#2 (General MIDI Off) |
|
F7H |
EOX (End of Exclusive) |
|
*Not Received in Keyboard Part.
*This message has no meaning for this unit.
GS reset
GS Reset is a command message that resets the internal settings of a device to the GS initial state. This message will appear at the beginning of GS music data, and a GS device that receives this message will automatically be set to the proper state to correctly playback GS music data.
Status |
Data byte |
Status |
F0H |
41H, 10H, 42H, 12H, 40H, 00H, 7FH, 00H, 41H |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
41H |
ID number (Roland) |
|
10H |
Device ID |
|
42H |
Model ID (GS) |
|
12H |
Command ID (DT1) |
|
40H |
Address MSB |
|
00H |
Address |
|
7FH |
Address LSB |
|
00H |
Data (GS reset) |
|
41H |
Checksum |
|
F7H |
EOX (End of Exclusive) |
|
*When this message is received, Rx.NRPN will be ON.
*There must be an interval of at least 50 ms between this message and the next.
*Not Received in Keyboard part.
Exit GS mode
Status |
Data byte |
Status |
F0H |
41H, 10H, 42H, 12H, 40H, 00H, 7FH, 7FH, 42H |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
41H |
ID number (Roland) |
|
10H |
Device ID |
|
42H |
Model ID (GS) |
|
12H |
Command ID (DT1) |
|
40H |
Address MSB |
|
00H |
Address |
|
7FH |
Address LSB |
|
7FH |
Data (Exit GS mode) |
|
42H |
Checksum |
|
F7H |
EOX (End of exclusive) |
|
*Not Received in Keyboard Part.
*This message has no meaning for this unit.
●Universal Non-realtime Message
Identity Reply Message
Status |
Data byte |
Status |
F0H |
7EH, dev, 06H, 01H |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7EH |
ID number (universal non-realtime message) |
|
dev |
Device ID (10H 1FH, 7FH) |
|
06H |
Sub ID#1 (General Information) |
|
01H |
Sub ID#2 (Identity Request) |
|
F7H |
EOX (End of Exclusive) |
|
*When this message is received, this unit will transmit the appropriate Identity Reply message (p. 9).
5
MIDI Implementation
●Universal Realtime System Exclusive Messages
Master volume [GM2] [GS]
Status |
Data byte |
Status |
F0H |
7FH, 7FH, 04H, 01H, llH, mmH |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7FH |
ID number (universal realtime message) |
|
7FH |
Device ID (Broadcast) |
|
04H |
Sub ID#1 (Device Control messages) |
|
01H |
Sub ID#2 (Master Volume) |
|
llH |
Master volume lower byte |
|
mmH |
Master volume upper byte |
|
F7H |
EOX (End of Exclusive) |
|
*The lower byte (llH) of Master Volume will be handled as 00H.
Master Fine Tuning [GM2]
Status |
Data byte |
Status |
F0H |
7FH, 7FH, 04H, 03H, llH, mmH |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7FH |
ID number (universal realtime message) |
|
7FH |
Device ID (Broadcast) |
|
04H |
Sub ID#1 (Device Control) |
|
03H |
Sub ID#2 (Master Fine Tuning) |
|
llH |
Master Fine Tuning LSB |
|
mmH |
Master Fine Tuning MSB |
|
F7H |
EOX (End of Exclusive) |
|
mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents]) |
|
|
Master Coarse Tuning [GM2] |
|
|
Status |
Data byte |
Status |
F0H |
7FH, 7FH, 04H, 04H, llH, mmH |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7FH |
ID number (universal realtime message) |
|
7FH |
Device ID (Broadcast) |
|
04H |
Sub ID#1 (Device Control messages) |
|
04H |
Sub ID#2 (Master Coarse Tuning) |
|
llH |
Master Coarse Tuning LSB |
|
mmH |
Master Coarse Tuning MSB |
|
F7H |
EOX (End of Exclusive) |
|
llH: |
ignored (processed as 00H) |
|
mmH: |
28H - 40H - 58H (-24 - 0 - +24 [semitones]) |
|
●Global Parameter Control |
|
|
Reverb Parameters [GM2] |
|
|
Status |
Data byte |
Status |
F0H |
7FH, 7FH, 04H, 05H, 01H, 01H, |
F7H |
|
01H, 01H, 01H, ppH, vvH |
|
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7FH |
ID number (universal realtime message) |
|
7FH |
Device ID (Broadcast) |
|
04H |
Sub ID#1 (Device Control) |
|
05H |
Sub ID#2 (Global Parameter Control) |
|
01H |
Slot path length |
|
01H |
Parameter ID width |
|
01H |
Value width |
|
01H |
Slot path MSB (Effect 0101: Reverb) |
|
01H |
Slot path LSB |
|
ppH |
Parameter to be controlled. |
|
vvH |
Value for the parameter. |
|
|
pp=0 Reverb Type |
|
|
vv = 00H Small Room |
|
|
vv = 01H Medium Room |
|
|
vv = 02H Large Room |
|
|
vv = 03H Medium Hall |
|
|
vv = 04H Large Hall |
|
|
vv = 08H Plate |
|
|
pp=1 Reverb Time |
|
|
vv = 00H - 7FH 0 - 127 |
|
F7H |
EOX (End of Exclusive) |
|
Chorus Parameters [GM2]
Status |
Data byte |
Status |
F0H |
7FH, 7FH, 04H, 05H, 01H, 01H, |
F7H |
|
01H, 01H, 02H, ppH, vvH |
|
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7FH |
ID number (universal realtime message) |
|
7FH |
Device ID (Broadcast) |
|
04H |
Sub ID#1 (Device Control) |
|
05H |
Sub ID#2 (Global Parameter Control) |
|
01H |
Slot path length |
|
01H |
Parameter width |
|
01H |
Value width |
|
01H |
Slot path MSB (Effect 0102: Chorus) |
|
02H |
Slot path LSB |
|
ppH |
Parameter to be controlled. |
|
vvH |
Value for the parameter. |
|
|
pp=0 Chorus Type |
|
|
vv=0 Chorus1 |
|
|
vv=1 Chorus2 |
|
|
vv=2 Chorus3 |
|
|
vv=3 Chorus4 |
|
|
vv=4 FB Chorus |
|
|
vv=5 Flanger |
|
|
pp=1 Mod Rate |
|
|
vv= 00H - 7FH 0 - 127 |
|
|
pp=2 Mod Depth |
|
|
vv = 00H - 7FH 0 - 127 |
|
|
pp=3 Feedback |
|
|
vv = 00H - 7FH 0 - 127 |
|
|
pp=4 Send To Reverb |
|
|
vv = 00H - 7FH 0 - 127 |
|
F7H |
EOX (End of Exclusive) |
|
Channel Pressure [GM2] |
|
|
Status |
Data byte |
Status |
F0H |
7FH, 7FH, 09H, 01H, 0nH, ppH, rrH |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
7FH |
ID number (universal realtime message) |
|
7FH |
Device ID (Broadcast) |
|
09H |
Sub ID#1 (Controller Destination Setting) |
|
01H |
Sub ID#2 (Channel Pressure) |
|
0nH |
MIDI Channel (00 - 0F) |
|
ppH |
Controlled parameter |
|
rrH |
Controlled range |
|
|
pp=0 Pitch Control |
|
|
rr = 28H - 58H -24 - +24 [semitones] |
|
|
pp=1 Filter Cutoff Control |
|
|
rr = 00H - 7FH -9600 - +9450 [cents] |
|
|
pp=2 Amplitude Control |
|
|
rr = 00H - 7FH 0 - 200% |
|
|
pp=3 LFO Pitch Depth |
|
|
rr = 00H - 7FH 0 - 600 [cents] |
|
|
pp=4 LFO Filter Depth |
|
|
rr = 00H - 7FH 0 - 2400 [cents] |
|
|
pp=5 LFO Amplitude Depth |
|
|
rr = 00H - 7FH 0 - 100% |
|
F7H |
EOX (End of Exclusive) |
|
6
MIDI Implementation
Controller [GM2]
Status |
Data byte |
|
Status |
F0H |
7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH |
F7H |
|
Byte |
Explanation |
|
|
F0H |
Exclusive status |
|
|
7FH |
ID number (universal realtime message) |
|
|
7FH |
Device ID (Broadcast) |
|
|
09H |
Sub ID#1 (Controller Destination Setting) |
|
|
03H |
Sub ID#2 (Control Change) |
|
|
0nH |
MIDI Channel (00 - 0F) |
|
|
ccH |
Controller number (01 - 1F, 40 - 5F) |
|
|
ppH |
Controlled parameter |
|
|
rrH |
Controlled range |
|
|
|
pp=0 Pitch Control |
|
|
|
rr = 28H - 58H -24 - +24 [semitones] |
|
|
|
pp=1 Filter Cutoff Control |
|
|
|
rr = 00H - 7FH -9600 - +9450 [cents] |
|
|
|
pp=2 Amplitude Control |
|
|
|
rr = 00H - 7FH 0 - 200% |
|
|
|
pp=3 LFO Pitch Depth |
|
|
|
rr = 00H - 7FH 0 - 600 [cents] |
|
|
|
pp=4 LFO Filter Depth |
|
|
|
rr = 00H - 7FH 0 - 2400 [cents] |
|
|
|
pp=5 LFO Amplitude Depth |
|
|
|
rr = 00H - 7FH 0 - 100% |
|
|
F7H |
EOX (End of Exclusive) |
|
|
Scale/Octave Tuning Adjust [GM2] |
|
|
|
Status |
Data byte |
|
Status |
F0H |
7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH... |
F7H |
|
Byte |
Explanation |
|
|
F0H |
Exclusive status |
|
|
7EH |
ID number (Universal Non-realtime Message) |
|
|
7FH |
Device ID (Broadcast) |
|
|
08H |
Sub ID#1 (MIDI Tuning Standard) |
|
|
08H |
Sub ID#2 (scale/octave tuning 1-byte form) |
|
|
ffH |
Channel/Option byte 1 |
|
|
|
bits 0 to 1 = channel 15 to 16 |
|
|
|
bit 2 to 6 = Undefined |
|
|
ggH |
Channel byte 2 |
|
|
|
bits 0 to 6 = channel 8 to 14 |
|
|
hhH |
Channel byte 3 |
|
|
|
bits 0 to 6 = channel 1 to 7 |
|
|
ssH |
12 byte tuning offset of 12 semitones from C to B |
|
|
|
00H = -64 [cents] |
|
|
|
40H = 0 [cents] (equal temperament) |
|
|
|
7FH = +63 [cents] |
|
|
F7H |
EOX (End of Exclusive) |
|
|
Key-based Instrument Controllers [GM2] |
|
||
Status |
Data byte |
|
Status |
F0H |
7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH |
F7H |
|
Byte |
Explanation |
|
|
F0H |
Exclusive status |
|
|
7FH |
ID number (universal realtime message) |
|
|
7FH |
Device ID (Broadcast) |
|
|
0AH |
Sub ID#1 (Key-Based Instrument Control) |
|
|
01H |
Sub ID#2 (Controller) |
|
|
0nH |
MIDI Channel (00 - 0F) |
|
|
kkH |
Key Number |
|
|
nnH |
Control Number |
|
|
vvH |
Value |
|
|
|
nn=07H Level |
|
|
|
vv = 00H - 7FH |
0 - 200% (Relative) |
|
|
nn=0AH |
Pan |
|
|
vv = 00H - 7FH |
Left - Right (Absolute) |
|
|
nn=5BH |
Reverb Send |
|
|
vv = 00H - 7FH |
0 - 127 (Absolute) |
|
|
nn=5D |
Chorus Send |
|
|
vv = 00H - 7FH |
0 - 127 (Absolute) |
|
: |
: |
|
|
F7 |
EOX (End of Exclusive) |
|
|
*This parameter affects drum instruments only.
●Data transmission
ATELIER can receive the various parameters using System Exclusive messages.
The exclusive message of GS format data has a model ID of 42H and a device ID of 10H (17), and it is common to all the GS devices.
When keyboard part in MIDI-IN Mode: Mode-2, the exclusive message has a model ID of 62H and a device ID of 10H (17).
Data set 1 DT1
This is the message that actually performs data transmission, and is used when you wish to transmit the data.
Status |
Data byte |
Status |
F0H |
41H, 10H, iiH, 12H, aaH, bbH, ccH, ddH, ... eeH, sum |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
41H |
ID number (Roland) |
|
10H |
Device ID |
|
iiH |
Model ID (GS part: 42H, Keyboard part: 62H) |
|
12H |
Command ID (DT1) |
|
aaH |
Address MSB: upper byte of the starting address of the transmitted data |
|
bbH |
Address: middle byte of the starting address of the transmitted data |
|
ccH |
Address LSB: lower byte of the starting address of the transmitted data |
|
ddH |
Data: the actual data to be transmitted. Multiple bytes of data are |
|
|
transmitted starting from the address. |
|
: |
: |
|
: |
: |
|
eeH |
Data |
|
sum |
Checksum |
|
F7H |
EOX (End of Exclusive) |
|
*The amount of data that can be transmitted at one time depends on the type of data, and data can be received only from the specified starting address and size. Refer to the Address and Size given in Section 5 (p. 11).
*Data larger than 128 bytes must be divided into packets of 128 bytes or less. If “Data Set 1” is transmitted successively, there must be an interval of at least 40 ms between packets.
*Regarding the checksum please refer to section 6 (p. 19).
7
MIDI Implementation
Arranger and composer data can not be transmitted.
●Note off
Upper Keyboard
Status |
2nd byte |
3rd byte |
|
8nH |
kkH |
40H |
|
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
||
|
|
Initial Value = 3H (ch.4) |
|
kk = note number: |
|
30H-67H |
(48-103) (AT-900/900C/800) |
|
|
30H-60H |
(48-96) (AT-500/300/100/75) |
|
|
* When the transpose is set to 0. |
*Note off message is sent out with the velocity of 40H.
Lower Keyboard
Status |
2nd byte |
3rd byte |
|
8nH |
kkH |
40H |
|
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
||
|
|
Initial Value = 3H (ch.4) |
|
kk = note number: |
|
1CH-67H (28-103) (AT-900/900C/800) |
|
|
|
21H-60H (33-96) (AT-500) |
|
|
|
24H-60H (36-96) |
(AT-300/100) |
|
|
24H-54H (36-84) |
(AT-75) |
|
|
* When the transpose is set to 0. |
Bass Pedalboard
Status |
2nd bytes |
3rd byte |
9nH |
kkH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
|
|
Initial Value = 1H (ch.2) |
kk = note number: |
|
24H-3C H (36-60) (AT-900/900C) |
|
|
24H-37H (36-55) (AT-800/500/300/100) |
|
|
24H-2BH (36-43) (AT-75) |
|
|
* When the transpose is set to 0. |
vv = note on velocity: |
|
64H (100) |
●Control Change
Bank Select (Controller number 0, 32)
Status |
2nd bytes |
3rd byte |
BnH |
00H |
mmH |
BnH |
20H |
llH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
|
|
Initial Value = FH (ch.16) |
mm, ll = Bank number: |
|
00 00H - 7F 7FH (bank.1-bank.16384) |
*The bank select number stored in the registration will be transmitted on the control channel.
Volume (Controller number 7)
Status |
2nd bytes |
3rd byte |
BnH |
07H |
vvH |
n = MIDI channel number: |
FH (ch.16) |
|
vv = Control value: |
|
00H-7FH (0-127) |
*Note off message is sent out with the velocity of 40H.
Bass Pedalboard
Status |
2nd byte |
3rd byte |
8nH |
kkH |
40H |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
|
|
Initial Value = 3H (ch.4) |
kk = note number: |
|
24H-3CH (36-60) (AT-900/900C) |
|
|
24H-37H (36-55) (AT-800/500/300/100) |
|
|
24H-2BH (36-43) (AT-75) |
|
|
* When the transpose is set to 0. |
*If V-LINK is set to MODE 1 or MODE 2 and the D Beam [Volume] button is lit red, this message will be transmitted on channel 16 when you operate the D Beam controller (AT-900/900C/800/ 500).
Expression (Controller number 11)
Status |
2nd bytes |
3rd byte |
BnH |
0BH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
vv = Expression: |
|
00H-7FH (0-127) |
*Note off message is sent out with the velocity of 40H.
●Note on
Upper Keyboard
Status |
2nd bytes |
3rd byte |
9nH |
kkH |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
|
|
Initial Value = 3H (ch.4) |
kk = note number: |
|
30H-67H (48-103) (AT-900/900C/800) |
|
|
30H-60H (48-96) (AT-500/300/100/75) |
|
|
* When the transpose is set to 0. |
Lower Keyboard |
|
|
Status |
2nd bytes |
3rd byte |
8nH |
kkH |
40H |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
|
|
Initial Value = 3H (ch.4) |
kk = note number: |
|
1CH-67H (28-103) (AT-900/900C/800) |
|
|
21H-60H (33-96) (AT-500) |
|
|
24H-60H (36-96) (AT-300/100) |
|
|
24H-54H (36-84) (AT-75) |
|
|
* When the transpose is set to 0. |
kk = note on velocity: |
|
05H-7FH (5-127) |
*These are transmitted via the Control Channel.
Hold 1 (Controller number 64)
Status |
2nd bytes |
3rd byte |
BnH |
40H |
vvH |
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
vv = Control value: |
|
00H-7FH (0-127) |
Cutoff (Controller number 74) |
|
|
Status |
2nd bytes |
3rd byte |
BnH |
4AH |
vvH |
n = MIDI channel number: |
FH (ch.16) |
|
vv = Control value: |
|
00H-7FH (0-127) |
*If V-LINK is set to MODE 1 or MODE 2 and the D Beam [Filter] button is lit red, this message will be transmitted on channel 16 when you operate the D Beam controller (AT-900/900C/800/ 500).
●Program Change
Status |
2nd bytes |
|
CnH |
ppH |
|
n = MIDI channel number: |
0H-FH (ch.1-ch.16) |
|
pp = Program number: |
00H-7FH (prog.1-prog.128) |
*Program Change numbers stored in the Registrations are transmitted via the Control Channel.
8
MIDI Implementation
●Pitch Bend Range
Status |
2nd bytes |
3rd bytes |
EnH |
IIH |
mmH |
n = MIDI channel number: |
FH (ch.16) |
|
pp = Program number: |
00 00H-40 00H |
|
|
|
F 7FH (-8192 -0- +8192) |
*If V-LINK is set to MODE 1 or MODE 2, this message will be transmitted on channel 16 when you operate the pitch bend lever (AT-900/900C/800/500).
*If V-LINK is set to MODE 1 or MODE 2 and the D Beam [Pitch] button is lit red, this message will be transmitted on channel 16 when you operate the D Beam controller (AT-900/900C/800/ 500).
●Realtime Clock
Status
F8H
●Start
Status
FAH
*Transmitted when a song is started in Composer.
●Continue
Status
FBH
*Transmitted when a song is started in Composer from a point other than the beginning of the song.
●Stop
Status
FCH
*Transmitted when Composer is stopped.
●Active Sensing
Status
FEH
*This will be transmitted constantly at intervals of approximately 250 ms.
●Universal Non-realtime System Exclusive Message
Identity Reply Message
Receiving Identity Request Message, the ATELIER send this message.
Reply messages vary according to the MIDI IN mode.
(When MIDI-In Mode is set to Mode-1) |
|
|
|
|
Status |
Data byte |
|
|
Status |
F0H |
7EH, 10H, 06H, 02H, 41H, 42H, 00H, |
F7H |
||
|
iiH, jjH, kkH, llH, mmH, nnH |
|
|
|
Byte |
Explanation |
|
|
|
F0H |
Exclusive status |
|
|
|
7EH |
ID number (universal non-realtime message) |
|
||
10H |
Device ID |
|
|
|
06H |
Sub ID#1 (General Information) |
|
||
02H |
Sub ID#2 (Identity Reply) |
|
|
|
41H |
ID number (Roland) |
|
|
|
42H 00H |
Device family code (GS) |
|
|
|
iiH jjH |
Device family number code |
|
||
kkH llH mmH nnH |
Software revision level |
|
|
|
F7H |
EOX (End of Exclusive) |
|
|
|
Model |
iiH jjH |
kkH llH mmH nnH |
|
|
AT-900 |
00H 17H |
01H |
01H 00H 00H |
|
AT-900C |
00H 17H |
02H |
01H 00H 00H |
|
AT-800 |
00H 17H |
00H |
01H 00H 00H |
|
AT-500 |
00H 18H |
02H |
01H 00H 00H |
|
AT-300 |
00H 18H |
01H |
01H 00H 00H |
|
AT-100 |
00H 18H |
00H |
01H 00H 00H |
|
AT-75 |
00H 18H |
03H |
01H 00H 00H |
|
(When MIDI-In Mode is set to Mode-2) |
|
|
|
|
Status |
Data byte |
|
|
Status |
F0H |
7EH, 10H, 06H, 02H, 41H, 62H, 00H, |
F7H |
||
|
iiH, jjH, kkH, llH, mmH, nnH |
|
|
|
Byte |
Explanation |
|
|
|
F0H |
Exclusive status |
|
|
|
7EH |
ID number (universal non-realtime message) |
|
||
10H |
Device ID |
|
|
|
06H |
Sub ID#1 (General Information) |
|
||
02H |
Sub ID#2 (Identity Reply) |
|
|
|
41H |
ID number (Roland) |
|
|
|
62H 00H |
Device family code (Atelier) |
|
||
iiH jjH |
Device family number code |
|
||
kkH llH mmH nnH |
Software revision level |
|
|
|
F7H |
EOX (End of Exclusive) |
|
|
|
Model |
iiH jjH |
kkH llH mmH nnH |
|
|
AT-900 |
00H 04H |
01H |
01H 00H 00H |
|
AT-900C |
00H 04H |
02H |
01H 00H 00H |
|
AT-800 |
00H 04H |
00H |
01H 00H 00H |
|
AT-500 |
00H 05H |
02H |
01H 00H 00H |
|
AT-300 |
00H 05H |
01H |
01H 00H 00H |
|
AT-100 |
00H 05H |
00H |
01H 00H 00H |
|
AT-75 |
00H 05H |
03H |
01H 00H 00H |
|
9
MIDI Implementation
●System exclusive messages related to V-LINK settings
V-LINK ON
Status |
Data byte |
Status |
F0H |
41H, dev, 00H, 51H, 12H, 10H, 00H, 00H, 01H, 0FH, 0FH, sum |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
41H |
ID number |
|
dev |
Device ID (fixed at 10H) |
|
00H |
Model ID#1 (DV-7PR) |
|
51H |
Model ID#2 (DV-7PR) |
|
12H |
Command ID (DT1) |
|
10H |
Address MSB |
|
00H |
Address |
|
00H |
Address LSB |
|
01H |
Data (V-LINK ON) |
|
0FH |
Data (Clip Ctrl Rx MIDI ch:16) |
|
0FH |
Data (ColorCtrl Rx MIDI ch:16) |
|
sum |
Checksum |
|
F7H |
EOX (End of Exclusive) |
|
V-LINK OFF |
|
|
Status |
Data byte |
Status |
F0H |
41H, dev, 00H, 51H, 12H, 10H, 00H, 00H, 00H, sum |
F7H |
Byte |
Explanation |
|
F0H |
Exclusive status |
|
41H |
ID number |
|
dev |
Device ID (fixed at 10H) |
|
00H |
Model ID#1 (DV-7PR) |
|
51H |
Model ID#2 (DV-7PR) |
|
12H |
Command ID (DT1) |
|
10H |
Address MSB |
|
00H |
Address |
|
00H |
Address LSB |
|
00H |
Data (V-LINK OFF) |
|
sum |
Checksum |
|
F7H |
EOX (End of Exclusive) |
|
SENDER MODEL NAME |
|
|
Status |
Data byte |
Status |
F0H |
41H, dev, 00H, 51H, 12H, 10H, 71H, 00H, 41H, |
F7H |
|
54H, 2DH, iiH, ..., sum |
|
Byte |
Explanation |
|
F0H |
Exclusive status |
|
41H |
ID number |
|
dev |
Device ID (fixed at 10H) |
|
00H |
Model ID#1 (DV-7PR) |
|
51H |
Model ID#2 (DV-7PR) |
|
12H |
Command ID (DT1) |
|
10H |
Address MSB |
|
71H |
Address |
|
00H |
Address LSB |
|
41H |
Data (A) |
|
54H |
Data (T) |
|
2DH |
Data (-) |
|
iiH |
Data |
|
|
: |
|
|
: |
|
00H |
Data (End of Name) |
|
sum |
Checksum |
|
F7H |
EOX (End of Exclusive) |
|
Model |
iiH .. |
|
AT-900 |
39H 30H 30H |
|
AT-900C |
39H 30H 30H 43H |
|
AT-800 |
38H 30H 30H |
|
AT-500 |
35H 30H 30H |
|
AT-300 |
33H 30H 30H |
|
AT-100 |
31H 30H 30H |
|
AT-75 |
37H 35H |
|
KEYBOARD RANGE
Status |
Data byte |
|
Status |
F0H |
41H, dev, 00H, 51H, 12H, 10H, 30H, 02H, 5CH, 67H, sum |
F7H |
|
Byte |
Explanation |
|
|
F0H |
Exclusive status |
|
|
41H |
ID number |
|
|
dev |
Device ID (fixed at 10H) |
|
|
00H |
Model ID#1 (DV-7PR) |
|
|
51H |
Model ID#2 (DV-7PR) |
|
|
12H |
Command ID (DT1) |
|
|
10H |
Address MSB |
|
|
30H |
Address |
|
|
02H |
Address LSB |
|
|
iiH |
Data (Keyboard Range Lower) |
|
|
jjH |
Data (Keyboard Range Upper) |
|
|
sum |
Checksum |
|
|
F7H |
EOX (End of Exclusive) |
|
|
Model |
iiH |
jjH |
|
AT-900 |
5CH |
67H |
|
AT-900C |
5CH |
67H |
|
AT-800 |
5CH |
67H |
|
AT-500 |
55H |
60H |
|
AT-300 |
55H |
60H |
|
AT-100 |
55H |
60H |
|
AT-75 |
49H |
54H |
|
NOTE MESSAGE ENABLED ASSIGNABLE |
|
||
Status |
Data byte |
|
Status |
F0H |
41H, dev, 00H, 51H, 12H, 10H, 00H, 03H, 02H, sum |
F7H |
|
Byte |
Explanation |
|
|
F0H |
Exclusive status |
|
|
41H |
ID number |
|
|
dev |
Device ID (fixed at 10H) |
|
|
00H |
Model ID#1 (DV-7PR) |
|
|
51H |
Model ID#2 (DV-7PR) |
|
|
12H |
Command ID (DT1) |
|
|
10H |
Address MSB |
|
|
00H |
Address |
|
|
03H |
Address LSB |
|
|
02H |
Data (assignable) |
|
|
sum |
Checksum |
|
|
F7H |
EOX (End of Exclusive) |
|
|
NOTE MESSAGE ENABLED OFF |
|
|
|
Status |
Data byte |
|
Status |
F0H |
41H, dev, 00H, 51H, 12H, 10H, 00H, 03H, 00H, sum |
F7H |
|
Byte |
Explanation |
|
|
F0H |
Exclusive status |
|
|
41H |
ID number |
|
|
dev |
Device ID (fixed at 10H) |
|
|
00H |
Model ID#1 (DV-7PR) |
|
|
51H |
Model ID#2 (DV-7PR) |
|
|
12H |
Command ID (DT1) |
|
|
10H |
Address MSB |
|
|
00H |
Address |
|
|
03H |
Address LSB |
|
|
00H |
Data (OFF) |
|
|
sum |
Checksum |
|
|
F7H |
EOX (End of Exclusive) |
|
|
10