Roland AT 80SL, AT 90SL Service Manual

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AT-90SL AT-80SL

1. Receive Channel

Performance Parts and Transmission Channels

This instrument contains two sound generators: one for SMF data playback (GM2/GS) and

one for keyboard performance. Normally, data received at the MIDI In connector will

control only the sound generator for SMF data playback. However by changing the MIDI IN

Mode setting, you can also control the keyboard sound generator from MIDI In. MIDI IN

For instructions on changing the MIDI IN mode, refer to the Owner’s Manual. For

instructions on controlling each sound generator, refer to the “Received data” section (p. 1).

MIDI IN MODE

Mode explanation

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MODE 1 Control the instrument as a GM2/GS sound generator.

MODE 2 Channels 5 through 10 and Channels 12,14,15 are transmitted to the

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The correspondence between channels and parts in each mode is described below.

channel MODE1 MODE2

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1 GM2/GS Solo

2 GM2/GS Pedal

3 GM2/GS Lower

4 GM2/GS Upper

5-10 GM2/GS GM2/GS

11 GM2/GS Drums/SFX

12 GM2/GS GM2/GS

13 GM2/GS Nothing

14-15 GM2/GS GM2/GS

16 GM2/GS Control

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MIDI Channels on SMF Music Data

This instrument contains two sound generators. Commercial SMF music data is played back

using the GM2/GS sound generator. The correspondence between channels and tracks

when the AT’s Track Mute function is used is described below.

Track Channel

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RHYTHM 10

ACCOMP 5, 6, 7, 8, 9, 11, 12, 13, 14, 15, 16

BASS 2

LOWER 3

UPPER 4

SOLO 1

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When SMF music data created using the AT-90SL/80SL is used, the parts of the

performance played by hand are transmitted to the sound generator used for the keyboard

performance, and the automatic accompaniment portions (rhythm performances, Arranger)

are transmitted to the GM2/GS sound generator.

The correspondence between channels and parts for SMF music data created using the AT-

90SL/80SL is described below.

ch part

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1 Solo

2 Pedal/Accomp (Bass)

3 Lower

4 Upper

5-6 (blank)

7-9 Accomp

10 Accomp (Rhythm)

11 Drums/SFX

12 Accomp

13 Manual Percussion

14-15 Accomp

16 Control

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MIDI IMPLEMENTATION

GM2/GS sound generator, and all other channels are transmitted to

the keyboard sound generator. When the Pedal part tone has been

selected, Channel 2 is transmitted to the sound generator used for the

keyboard performance; if no tone has been selected, it is transmitted to

the GM2/GS sound generator.

Date: March 1, 2004 Version:1.00

2. Transmit Channel

Keyboard and Transmit Channel

You can control external MIDI devices using the AT-90SL/80SL’s MIDI Out connector. Data

describing what is played on the Upper keyboard, the Lower keyboard, and the pedalboard

is transmitted over MIDI channels for the respective parts. Messages from the AT-90SL/

80SL’s expression pedal and PC Numbers set in the Registrations are transmitted on the

Control channel. The channels used for transmission can be changed individually for each

Registration. For instructions on how to change the transmission channels, refer to the

Owner’s Manual.

Channel (default) Content Transmitted

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Upper (4) Key information from the Upper keyboard is transmitted.

Lower (3) Key information from the Lower keyboard is transmitted.

Pedal (2) Performance information from the pedalboard is transmitted.

Solo (1) When “Solo to Lower” is set to ON, Solo part key information

Control (16) Expression pedal information and PC Numbers set in the

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* The PC Number is transmitted when Send PC Switch is set to ON.

* For more details regarding the data that is transmitted, refer to “Transmit data” (p. 7).

from the Upper keyboard is transmitted.

Registrations are transmitted.

3. Receive Data

[GM2] ... This indicates reception when GM2 Mode is enabled. To switch to GM2 Mode,

use GM2 System On (p. 5).

[GM1] ... This indicates reception when GM1 Mode is enabled. To switch to GM1 Mode,

use GM1 System On (p. 5).

[GS] ... This indicates reception when GS Mode is enabled. To switch to GS Mode, use

GS Reset (p. 5).

[AT] ... This indicates reception for the keyboard part when MIDI IN Mode is set to

MODE 2. For more information about the keyboard parts, refer to the section on

“Receive Channel” (p. 1).

Channel Voice Messages

Note off [GM2] [GM1] [GS] [AT]

Status

8nH kkH vvH

9nH kkH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 00H-7FH (0-127)

vv = note off velocity: 00H-7FH (0-127)

* For Drum Parts, these messages are received when Rx.NOTE OFF = ON for each

Instrument [GS].

* The velocity values of Note Off messages are ignored.

Note on [GM2] [GM1] [GS] [AT]

Status

9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 00H-7FH (0-127)

vv = note on velocity: 01H-7FH (1-127)

* Not received when Rx.NOTE MESSAGE = OFF [GS]. (Initial value is ON)

* For Drum Parts, not received when Rx.NOTE ON = OFF for each Instrument [GS].

Polyphonic Key Pressure [GS]

Status

AnH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 00H-7FH (0-127)

vv = key pressure: 00H-7FH (0-127)

* Not received when Rx.POLY PRESSURE (PAf) = OFF [GS]. (Initial value is ON)

* The resulting effect is determined by System Exclusive messages. With the initial

settings, there will be no effect [GS].

* Not Received in Keyboard Part.

2nd byte 3rd byte

2nd bytes 3rd byte

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Control Change

* When Rx.CONTROL CHANGE = OFF, all control change messages except for Channel

Mode messages will be ignored [GS].

* The value specified by a Control Change message will not be reset even by a Program

Change, etc.

Bank Select (Controller number 0, 32) [GM2] [GS]

Status 2nd bytes 3rd byte

BnH 00H mmH

BnH 20H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384),

Initial Value = 00 00H (bank.1)

* After receiving “GM1 System On,” Bank Select messages will be ignored. After receiving

“GM2 System On” or “GS Reset,” Bank Select messages will be recognized.

* Bank Select processing will be suspended until a Program Change message is received.

* Specification of the tones used by keyboard parts is accomplished using System

Exclusive messages (p. 5).

Modulation (Controller number 1) [GM2] [GM1] [GS] [AT]

Status 2nd bytes 3rd byte

BnH 01H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Modulation depth: 00H-7FH (0-127)

* Not received when Rx.MODULATION = OFF [GS]. (Initial value is ON)

* The resulting effect is determined by System Exclusive messages. With the initial

settings, this is Pitch Modulation Depth [GS].

Portamento Time (Controller number 5) [GM2] [GS] [AT]

Status 2nd bytes 3rd byte

BnH 05H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Portamento Time: 00H-7FH (0-127), Initial value = 00H (0)

* This adjusts the rate of pitch change when Portamento is ON or when using the

Portamento Control. A value of 0 results in the fastest change.

Data Entry (Controller number 6, 38) [GM2] [GM1] [GS] [AT]

Status 2nd bytes 3rd byte

BnH 06H mmH

BnH 26H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm, ll = the value of the parameter specified by RPN/NRPN

mm = MSB, ll = LSB

Expression (Controller number 11) [GM2] [GM1] [GS] [AT]

Status 2nd bytes 3rd byte

BnH 0BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Expression: 00H-7FH (0-127), Initial Value = 7FH (127)

* It can be used independently from Volume messages. Expression messages are used for

musical expression within a performance; e.g., expression pedal movements, crescendo

and decrescendo.

* Not received when Rx.EXPRESSION = OFF [GS]. (Initial value is ON)

* If received on the Control Channel while MIDI IN Mode 2 is in effect, this changes the

AT-90SL/80SL’s overall volume in the same manner as the instrument’s expression

pedal. The volume of individual keyboard parts cannot be controlled independently

[AT].

Hold 1 (Controller number 64) [GM2] [GM1] [GS] [AT]

Status

BnH 40H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127)

* Not received when Rx.HOLD1 = OFF. [GS] (Initial value is ON)

2nd bytes 3rd byte

Portamento (Controller number 65) [GM2] [GS] [AT]

Status

BnH 41H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

* Not received when Rx.PORTAMENTO = OFF [GS]. (Initial value is ON)

2nd bytes 3rd byte

Sostenuto (Controller number 66) [GM2] [GS] [AT]

Status

BnH 42H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

* Not received when Rx.SOSTENUTO = OFF [GS]. (Initial value is ON)

2nd bytes 3rd byte

Soft (Controller number 67) [GM2] [GS] [AT]

Status 2nd bytes 3rd byte

BnH 43H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

* Not received when Rx.SOFT = OFF [GS]. (Initial value is ON)

* Effects may vary depending on the tone used.

Volume (Controller number 7) [GM2] [GM1] [GS] [AT]

Status 2nd bytes 3rd byte

BnH 07H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Volume: 00H-7FH (0-127), Initial Value = 64H (100)

* Volume messages are used to adjust the volume balance of each Part.

* Not received when Rx.VOLUME = OFF [GS]. (Initial value is ON)

* Not Received in Keyboard Part.

Pan (Controller number 10) [GM2] [GM1] [GS] [AT]

Status 2nd bytes 3rd byte

BnH 0AH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = pan: 00H-40H-7FH (Left-Center-Right),

Initial Value = 40H (Center)

* For Rhythm Parts, this is a relative adjustment of each Instrument’s pan setting [GS]. Not

received when Rx.PANPOT = OFF [GS]. (Initial value is ON)

* Not Received in Keyboard Part.

Resonance (Controller number 71) [GM2] [AT]

Status

BnH 47H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

* With certain tones, there may be no effect at all.

2nd bytes 3rd byte

Release Time (Controller number 72) [GM2] [AT]

Status

BnH 48H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

* With certain tones, there may be no effect at all.

2nd bytes 3rd byte

Attack Time (Controller number 73) [GM2] [AT]

Status 2nd bytes 3rd byte

BnH 49H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

* With certain tones, there may be no effect at all.

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Cutoff (Controller number 74) [GM2] [AT]

Status 2nd bytes 3rd byte

BnH 4AH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

* With certain tones, there may be no effect at all.

Decay Time (Controller number 75) [GM2] [AT]

Status 2nd bytes 3rd byte

BnH 4BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

* With certain tones, there may be no effect at all.

Vibrato Rate (Controller number 76) [GM2] [AT]

Status 2nd bytes 3rd byte

BnH 4CH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

Vibrato Depth (Controller number 77) [GM2] [AT]

Status 2nd bytes 3rd byte

BnH 4DH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

Vibrato Delay (Controller number 78) [GM2] [AT]

Status 2nd bytes 3rd byte

BnH 4EH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-40H-7FH (-64-0-+63)

Portamento control (Controller number 84) [GS] [AT]

Status 2nd bytes 3rd byte

BnH 54H kkH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = source note number: 00H-7FH (0-127)

*A Note-on received immediately after a Portamento Control message will change

continuously in pitch, starting from the pitch of the Source Note Number.

* If a voice is already sounding for a note number identical to the Source Note Number,

this voice will continue sounding (i.e., legato) and will, when the next Note-on is

received, smoothly change to the pitch of that Note-on.

* The rate of the pitch change caused by Portamento Control is determined by the

Portamento Time value.

Example 1.

On MIDI (Description) Result

90 3C 40 (Note on C4) C4 on

B0 54 3C (Portamento Control from C4) no change

90 40 40 (Note on E4) glide from C4 to E4

80 3C 40 (Note off C4) no change

80 40 40 (Note off E4) E4 off

Example 2.

On MIDI (Description) Result

B0 54 3C (Portamento Control from C4) no change

90 40 40 (Note on E4) E4 is played with glide from C4 to E4

80 40 40 (Note off E4) E4 off

Effect 1 (Reverb Send Level) (Controller number 91) [GM2] [GS]

Status 2nd bytes 3rd byte

BnH 5BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127), Initial Value = 28H (40)

* This message adjusts the Reverb Send Level of each Part.

Effect 3 (Chorus Send Level) (Controller number 93) [GM2] [GS]

Status

BnH 5DH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127), Initial Value = 00H (0)

* This message adjusts the Chorus Send Level of each Part.

2nd bytes 3rd byte

NRPN MSB/LSB (Controller number 98, 99) [GS]

Status

BnH 63H mmH

BnH 62H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm = upper byte of the parameter number specified by NRPN

ll = lower byte of the parameter number specified by NRPN

* NRPN can be received when Rx.NRPN = ON. “Rx.NRPN” is set to OFF by power-on

reset or by receiving “Turn General MIDI System On,” and it is set to ON by “GS Reset.”

* The value set by NRPN will not be reset even if Program Change or Reset All Controllers

is received.

* Not Received in Keyboard Part.

2nd bytes 3rd byte

**NRPN**

The NRPN (Non Registered Parameter Number) message allows an extended range of

control changes to be used.

To use these messages, you must first use NRPN MSB and NRPN LSB messages to specify

the parameter to be controlled, and then use Data Entry messages to specify the value of the

specified parameter. Once an NRPN parameter has been specified, all Data Entry messages

received on that channel will modify the value of that parameter. To prevent accidents, it is

recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished

setting the value of the desired parameter. Refer to Section 6. Supplementary material

“Examples of actual MIDI messages” <Example 4> (p. 17) On the GS devices, Data entry

LSB (llH) of NRPN is ignored, so it is no problem to send Data entry MSB (mmH) only

(without Data entry LSB).

On the AT-90SL/80SL, NRPN can be used to modify the following parameters.

NRPN Data entry

MSB LSB

01H 08H mmH Vibrato rate (relative change on specified channel)

01H 09H mmH Vibrato depth (relative change on specified channel)

01H 0AH mmH Vibrato delay (relative change on specified channel)

01H 20H mmH TVF cutoff frequency (relative change on specified channel)

01H 21H mmH TVF resonance (relative change on specified channel)

01H 63H mmH TVF&TVA Env.Attack time (relative change on specified

01H 64H mmH TVF&TVA Env.Decay time (relative change on specified

01H 66H mmH TVF&TVA Env.Release time (relative change on specified

18H rrH mmH Pitch coarse of drum instrument (relative change on

1AH rrH mmH TVA level of drum instrument (absolute change on

1CH rrH mmH Panpot of drum instrument (absolute change on specified

1DH rrH mmH Reverb send level of drum instrument (absolute change on

1EH rrH mmH Chorus send level of drum instrument (absolute change on

MSB Description

mm: 0EH-40H-72H (-50 - 0 - +50)

channel)

mm: 0EH-40H-72H (-50 - 0 - +50)

channel)

mm: 0EH-40H-72H (-50 - 0 - +50)

channel)

mm: 0EH-40H-72H (-50 - 0 - +50)

specified drum instrument)

rr: key number of drum instrument

mm: 00H-40H-7FH (-63 - 0 - +63 semitone)

specified drum instrument)

rr: key number of drum instrument

mm: 00H-7FH (zero-maximum)

drum instrument)

rr: key number of drum instrument

mm: 00H, 01H-40H-7FH (Random, Left-Center-Right)

specified drum instrument)

rr: key number of drum instrument

mm: 01H-7FH (zero-maximum)

specified drum instrument)

rr: key number of drum instrument

mm: 01H-7FH (zero-maximum)

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* Parameters marked “relative change” will change relative to the preset value.

* Parameters marked “absolute change” will be set to the absolute value of the parameter,

regardless of the preset value.

RPN MSB/LSB (Controller number 100, 101)

Status 2nd bytes 3rd byte

BnH 65H mmH

BnH 64H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm = upper byte of parameter number specified by RPN

ll = lower byte of parameter number specified by RPN

* Not received when Rx.RPN = OFF. (Initial value is ON)

* The value specified by RPN will not be reset even by messages such as Program Change

or Reset All Controller.

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* Not received when Rx.CH PRESSURE (CAf) = OFF. [GS] (Initial value is ON)

* The resulting effect is determined by System Exclusive messages. With the initial

settings there will be no effect [GS].

Pitch Bend Change [GM2] [GM1] [GS] [AT]

Status 2nd byte 3rd bytes

EnH llH mmH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

* Not received when Rx.PITCH BEND = OFF [GS]. (Initial value is ON)

* The resulting effect is determined by System Exclusive messages. With the initial

settings the effect is Pitch Bend [GS].

**RPN**

The RPN (Registered Parameter Number) messages are expanded control changes, and each

function of an RPN is described by the MIDI Standard.

To use these messages, you must first use RPN MSB and RPN LSB messages to specify the

parameter to be controlled, and then use Data Entry messages to specify the value of the

specified parameter. Once an RPN parameter has been specified, all Data Entry messages

received on that channel will modify the value of that parameter. To prevent accidents, it is

recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished

setting the value of the desired parameter.Refer to Section 6. “Examples of actual MIDI

messages” <Example 4> (p. 17).

On the AT-90SL/80SL, RPN can be used to modify the following parameters.

RPN Data entry

MSB LSB MSB LSB Explanation

00H 00H mmH --- Pitch Bend Sensitivity [GM2] [GM1] [GS] [AT]

mm: 00H-18H (0-24 semitones), Initial Value = 02H (2

semitones)

ll: ignored (processed as 00h)

specify up to 2 octaves in semitone steps

00H 01H mmH llH Master Fine Tuning [GM2] [GM1] [GS] [AT]

mm, ll: 20 00H - 40 00H - 60 00H (-50 - 0 - +50 cents), Initial

Value = 40 00H (0 cent)

ll: ignored (processed as 00h)

Refer to 6. Supplementary material, “About tuning” (p. 18)

00H 02H mmH --- Master Coarse Tuning [GM2] [GM1] [GS] [AT]

mm: 10H - 40H - 70H (-48 - 0 - +48 semitones), Initial Value

= 40H (0 cent)

ll: ignored (processed as 00h)

00H 05H mmH llH Modulation Depth Range [GM2]

mm, ll: 00 00H - 06 00H

(0 - 16384 * 600 / 16384 cent)

7FH 7FH --- --- RPN null

Set condition where RPN and NRPN are unspecified. The

data entry messages after set RPN null will be ignored. (No

Data entry messages are required after RPN null).

Settings already made will not change.

mm, ll: ignored

Program Change [GM2] [GM1] [GS]

Status 2nd bytes

CnH ppH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

pp = Program number: 00H-7FH (prog.1-prog.128)

Channel Mode Messages

All Sounds Off (Controller number 120) [GM2] [GS] [AT]

Status

BnH 78H 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* When this message is received, all notes currently sounding on the corresponding

channel will be turned off.

Reset All Controllers (Controller number 121)

[GM2] [GS]

Status

BnH 79H 00H

n = MIDI channel number: 0H - FH (Ch.1 - 16)

* When this message is received, the following controllers will be set to their reset values.

Controller Reset value

Pitch Bend Change +/-0 (center)

Polyphonic Key Pressure 0 (off)

Channel Pressure 0 (off)

Modulation 0 (off)

Expression 127 (max)

Hold 1 0 (off)

Sostenuto 0 (off)

Soft 0 (off)

RPN unset; previously set data will not change

NRPN unset; previously set data will not change

All Notes Off (Controller number 123)

[GM2] [GM1] [GS] [AT]

Status

BnH 7BH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* When All Notes Off is received, all notes on the corresponding channel will be turned

off. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are

turned off.

OMNI OFF (Controller number 124) [GM2] [GS] [AT]

Status

BnH 7CH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

2nd byte 3rd bytes

2nd byte 3rd byte

2nd byte 3rd bytes

* Not received when Rx.PROGRAM CHANGE = OFF [GS]. (Initial value is ON)

* After a Program Change message is received, the sound will change beginning with the

next Note-on. Voices already sounding when the Program Change message was

received will not be affected.

* When MIDI-IN Mode = Mode-2, it should be used System Exclusive messages to change

the voice of keyboard part (p. 12).

* Not Received in Keyboard Part.

Channel Pressure [GM2] [GM1] [GS]

Status 2nd bytes

DnH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Channel Pressure: 00H-7FH (0-127)

* The same processing will be carried out as when All Notes Off is received.

OMNI ON (Controller number 125) [GM2] [GS] [AT]

Status

BnH 7DH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* OMNI ON is only recognized as “All notes off”; the Mode doesn’t change (OMNI OFF

remains).

2nd byte 3rd bytes

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MONO (Controller number 126) [GM2] [GS] [AT]

Status 2nd byte 3rd bytes

BnH 7EH mmH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm = mono number: 00H-10H (0-16)

* The same processing will be carried out as when All Sounds Off and All Notes Off is

received, and the corresponding channel will be set to Mode 4 (M = 1) regardless of the

value of “mono number.”

POLY (Controller number 127) [GM2] [GS] [AT]

Status 2nd byte 3rd bytes

BnH 7FH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* The same processing will be carried out as when All Sounds Off and All Notes Off is

received, and the corresponding channel will be set to Mode 3.

System Exclusive Message

Status

F0H iiH, ddH, ......, eeH F7H

F0H: System Exclusive Message status

ii = ID number: ID number (manufacturer ID) to indicate the manufacturer whose

dd,...,ee = data: 00H-7FH (0-127)

F7H: EOX (End Of Exclusive)

The System Exclusive Messages received by the AT-90SL/80SL are; messages related to

mode settings, Universal Realtime System Exclusive messages and Data Set (DT1).

System exclusive messages related to mode settings

These messages are used to initialize a device to GS or General MIDI mode, or change the

operating mode.

When creating performance data, a “GM2 System On” or “GM1 System On” message

should be inserted at the beginning of a General MIDI score, and a “GS Reset” message at

the beginning of a GS music data. Each song should contain only one mode message as

appropriate for the type of data. (Do not insert two or more mode setting messages in a

single song.)

GM1 System On

Status

F0H 7EH, 7FH, 09H, 01H F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

09H Sub ID#1 (General MIDI Message)

01H Sub ID#2 (General MIDI 1 On)

F7H EOX (End Of Exclusive)

Data byte Status

Exclusive message this is. Roland’s manufacturer ID is 41H.

ID numbers 7EH and 7FH are extensions of the MIDI standard;

Universal Non-realtime Messages (7EH) and Universal Realtime

Messages (7FH).

Data byte Status

GM System Off

Status Data byte Status

F0H 7EH, 7F, 09H, 02H F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

09H Sub ID#1 (General MIDI Message)

02H Sub ID#2 (General MIDI Off)

F7H EOX (End Of Exclusive)

* Not Received in Keyboard Part.

GS reset

GS Reset is a command message that resets the internal settings of a device to the GS initial

state. This message will appear at the beginning of GS music data, and a GS device that

receives this message will automatically be set to the proper state to correctly playback GS

music data.

Status Data byte Status

F0H 41H, 10H, 42H, 12H, 40H, 00H, 7FH, 00H, 41H F7H

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

10H Device ID (dev: 00H-1FH (1-32), Initial value is 10H (17))

42H Model ID (GS)

12H Command ID (DT1)

40H Address MSB

00H Address

7FH Address LSB

00H Data (GS reset)

41H Checksum

F7H EOX (End Of Exclusive)

* When this message is received, Rx.NRPN will be ON.

* There must be an interval of at least 50 ms between this message and the next.

* Not Received in Keyboard part.

Exit GS mode

Status Data byte Status

F0H 41H, 10H, 42H, 12H, 40H, 00H, 7FH, 7FH, 42H F7H

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

10H Device ID

42H Model ID (GS)

12H Command ID (DT1)

40H Address MSB

00H

7FH Address LSB

7FH Data (Exit GS mode)

42H Checksum

F7H EOX (End of exclusive)

* There must be an interval of at least 50 ms between this message and the next.

* Not Received in Keyboard Part.

* When this messages is received, this instrument will turn to the GM mode.

* Not received in Keyboard Part.

GM2 System On

Status

F0H 7EH 7FH 09H 03H F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

09H Sub ID#1 (General MIDI Message)

03H Sub ID#2 (General MIDI 2 On)

F7H EOX (End Of Exclusive)

* When this messages is received, this instrument will turn to the GM mode.

* Not received in Keyboard Part.

Data byte Status

Universal Realtime System Exclusive Messages

Master volume [GM2] [GS]

Status Data byte Status

F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control messages)

01H Sub ID#2 (Master Volume)

llH Master volume lower byte

mmH Master volume upper byte

F7H EOX (End Of Exclusive)

* The lower byte (llH) of Master Volume will be handled as 00H.

❍

●

❍

Master Fine Tuning [GM2]

Status Data byte Status

F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

03H Sub ID#2 (Master Fine Tuning)

llH Master Fine Tuning LSB

mmH Master Fine Tuning MSB

F7H EOX (End Of Exclusive)

mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])

Master Coarse Tuning [GM2]

Status Data byte Status

F0H 7FH, 7FH, 04H, 04H, llH, mmH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

04H Sub ID#2 (Master Coarse Tuning)

llH Master Coarse Tuning LSB

mmH Master Coarse Tuning MSB

F7H EOX (End Of Exclusive)

llH: ignored (processed as 00H)

mmH: 28H - 40H - 58H (-24 - 0 - +24 [semitones])

Global Parameter Control

Reverb Parameters [GM2]

Status Data byte Status

F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H

01H, 01H, 01H, ppH, vvH

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

05H Sub ID#2 (Global Parameter Control)

01H Slot path length

01H Parameter ID width

01H Value width

01H Slot path MSB

01H Slot path LSB (Effect 0101: Reverb)

ppH Parameter to be controlled.

vvH Value for the parameter.

pp=0 Reverb Type

vv = 00H Small Room

vv = 01H Medium Room

vv = 02H Large Room

vv = 03H Medium Hall

vv = 04H Large Hall

vv = 08H Plate

pp=1 Reverb Time

vv = 00H - 7FH 0 - 127

F7H EOX (End Of Exclusive)

Chorus Parameters [GM2]

Status Data byte Status

F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H

01H, 01H, 02H, ppH, vvH

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

05H Sub ID#2 (Global Parameter Control)

01H Slot path length

01H Parameter width

01H Value width

01H Slot path MSB

02H Slot path LSB (Effect 0102: Chorus)

ppH Parameter to be controlled.

vvH Value for the parameter.

pp=0 Chorus Type

vv=0 Chorus1

vv=1 Chorus2

vv=2 Chorus3

vv=3 Chorus4

vv=4 FB Chorus

vv=5 Flanger

pp=1 Mod Rate

vv= 00H - 7FH 0 - 127

pp=2 Mod Depth

vv = 00H - 7FH 0 - 127

pp=3 Feedback

vv = 00H - 7FH 0 - 127

pp=4 Send To Reverb

vv = 00H - 7FH 0 - 127

F7H EOX (End Of Exclusive)

Channel Pressure [GM2]

Status Data byte Status

F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

09H Sub ID#1 (Controller Destination Setting)

01H Sub ID#2 (Channel Pressure)

0nH MIDI Channel (00 - 0F)

ppH Controlled parameter

rrH Controlled range

pp=0 Pitch Control

rr = 28H - 58H -24 - +24 [semitones]

pp=1 Filter Cutoff Control

rr = 00H - 7FH -9600 - +9450 [cents]

pp=2 Amplitude Control

rr = 00H - 7FH 0 - 200%

pp=3 LFO Pitch Depth

rr = 00H - 7FH 0 - 600 [cents]

pp=4 LFO Filter Depth

rr = 00H - 7FH 0 - 2400 [cents]

pp=5 LFO Amplitude Depth

rr = 00H - 7FH 0 - 100%

F7H EOX (End Of Exclusive)

Controller [GM2]

Status Data byte Status

F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

09H Sub ID#1 (Controller Destination Setting)

03H Sub ID#2 (Control Change)

0nH MIDI Channel (00 - 0F)

ccH Controller number (01 - 1F, 40 - 5F)

ppH Controlled parameter

rrH Controlled range

pp=0 Pitch Control

rr = 28H - 58H -24 - +24 [semitones]

pp=1 Filter Cutoff Control

rr = 00H - 7FH -9600 - +9450 [cents]

pp=2 Amplitude Control

rr = 00H - 7FH 0 - 200%

pp=3 LFO Pitch Depth

rr = 00H - 7FH 0 - 600 [cents]

pp=4 LFO Filter Depth

rr = 00H - 7FH 0 - 2400 [cents]

pp=5 LFO Amplitude Depth

rr = 00H - 7FH 0 - 100%

F7H EOX (End Of Exclusive)

❍

■

●

❍

●

❍

Scale/Octave Tuning Adjust [GM2]

Status Data byte Status

F0H 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH... F7H

Byte

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

08H Sub ID#1 (MIDI Tuning Standard)

08H Sub ID#2 (scale/octave tuning 1-byte form)

ffH Channel/Option byte 1

ggH Channel byte 2

hhH Channel byte 3

ssH 12 byte tuning offset of 12 semitones from C to B

F7H EOX (End Of Exclusive)

Explanation

bits 0 to 1 = channel 15 to 16

bit 2 to 6 = Undefined

bits 0 to 6 = channel 8 to 14

bits 0 to 6 = channel 1 to 7

00H = -64 [cents]

40H = 0 [cents] (equal temperament)

7FH = +63 [cents]

Key-based Instrument Controllers [GM2]

Status

F0H 7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH F7H

Byte

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

0AH Sub ID#1 (Key-Based Instrument Control)

01H Sub ID#2 (Controller)

0nH MIDI Channel (00 - 0F)

kkH Key Number

nnH Control Number

vvH Value

F7 EOX (End Of Exclusive)

* This parameter affects drum instruments only.

Data byte Status

Explanation

nn=07H Level

vv = 00H - 7FH 0 - 200% (Relative)

nn=0AH Pan

vv = 00H - 7FH Left - Right (Absolute)

nn=5BH Reverb Send

vv = 00H - 7FH 0 - 127 (Absolute)

nn=5D Chorus Send

vv = 00H - 7FH 0 - 127 (Absolute)

Data transmission

AT-90SL/80SL can receive the various parameters using System Exclusive messages.

The exclusive message of GS format data has a model ID of 42H and a device ID of 10H (17),

and it is common to all the GS devices.

When keyboard part in MIDI-IN Mode: Mode-2, the exclusive message has a model ID of

62H and a device ID of 10H (17).

Data set 1 DT1

This is the message that actually performs data transmission, and is used when you wish to

transmit the data.

Status

F0H 41H, 10H, 42H, 12H, aaH, bbH, ccH, ddH, ... eeH, sum F7H

Byte

F0H Exclusive status

41H ID number (Roland)

10H Device ID

42H Model ID (GS part: 42H, Keyboard part: 62H)

12H Command ID (DT1)

aaH Address MSB: upper byte of the starting address of the transmitted

bbH Address: middle byte of the starting address of the transmitted data

ccH Address LSB: lower byte of the starting address of the transmitted

data

ddH Data: the actual data to be transmitted. Multiple bytes of data are

eeH Data

Data byte Status

Explanation

data

transmitted starting from the address.

sum Checksum

F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data can be received only from the specified starting address and size. Refer to the

Address and Size given in Section 3 (p. 1).

* Data larger than 128 bytes must be divided into packets of 128 bytes or less. If “Data Set

1” is transmitted successively, there must be an interval of at least 40 ms between

packets.

* Regarding the checksum please refer to section 4 (p. 7).

4. Transmit data

Arranger and composer data can not be transmitted.

Channel Voice Messages

Note off

Upper Keyboard

Status

8nH kkH 40H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 30H-67H (48-103) **

* Note off message is sent out with the velocity of 40H.

** When the transpose is set to 0.

Lower Keyboard

Status

8nH kkH 40H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 1CH-67H (28-103) **

* Note off message is sent out with the velocity of 40H.

** When the transpose is set to 0.

Bass Pedalboard

Status

8nH kkH 40H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 24H-37H (36-55) (AT-80SL) **

* Note off message is sent out with the velocity of 40H.

** When the transpose is set to 0.

Note on

Upper Keyboard

Status

9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 30H-67H (48-103) **

vv = note on velocity: 05H-7FH (5-127)

** When the transpose is set to 0.

Lower Keyboard

Status

9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 1CH-67H (28-103) **

vv = note on velocity: 05H-7FH (5-127)

** When the transpose is set to 0.

2nd byte 3rd byte

: Initial Value = 3H (ch.4)

2nd byte 3rd byte

: Initial Value = 2H (ch.3)

2nd byte 3rd byte

: Initial Value = 1H (ch.2)

24H-3CH (36-60) (AT-90SL) **

2nd bytes 3rd byte

: Initial Value = 3H (ch.4)

2nd bytes 3rd byte

: Initial Value = 2H (ch.3)

❍

●

❍

●

■

●

■

●

❍

Bass Pedalboard

Status 2nd bytes 3rd byte

9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 24H-37H (36-55) (AT-80SL) **

vv = note on velocity: 64H (100)

** When the transpose is set to 0.

: Initial Value = 1H (ch.2)

24H-3CH (36-60) (AT-90SL) **

Control Change

Bank Select (Controller number 0, 32)

Status

BnH 00H mmH

BnH 20H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384)

2nd bytes 3rd byte

Expression (Controller number 11)

Status 2nd bytes 3rd byte

BnH 0BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Expression: 00H-7FH (0-127)

* These are transmitted via the Control Channel.

Hold 1 (Controller number 64)

Status

BnH 40H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127)

2nd bytes 3rd byte

Program Change

Status 2nd bytes

CnH ppH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

pp = Program number: 00H-7FH (prog.1-prog.128)

* Program Change numbers stored in the Registrations are transmitted via the Control

Channel.

System Realtime Message

Realtime Clock

Status

F8H

Start

Status

FAH

* Transmitted when a song is started in Composer.

Continue

Status

FBH

* Transmitted when a song is started in Composer from a point other than the beginning

of the song.

Stop

Status

FCH

* Transmitted when Composer is stopped.

Active Sensing

Status

FEH

* This will be transmitted constantly at intervals of approximately 250 ms.

System Exclusive Messages

Universal Non-realtime System Exclusive Message

Identity Reply Message

Receiving Identity Request Message, the AT-90SL/80SL send this message.

Reply messages vary according to the MIDI IN mode.

(AT-90SL: When MIDI-In Mode is set to Mode-1)

Status

F0H 7EH, 10H, 06H, 02H, 41H, 42H, 00H F7H

Byte

F0H Exclusive status

7EH ID number (universal non-realtime message)

10H Device ID

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

42H 00H Device family code (GS)

00H 0BH Device family number code

06H 01H 00H 00H Software revision level

F7H EOX (End of Exclusive)

(AT-80SL: When MIDI-In Mode is set to Mode-1)

Status Data byte Status

F0H 7EH, 10H, 06H, 02H, 41H, 42H, 00H F7H

Byte

F0H Exclusive status

7EH ID number (universal non-realtime message)

10H Device ID

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

42H 00H Device family code (GS)

00H 0BH Device family number code

05H 01H 00H 00H Software revision level

F7H EOX (End of Exclusive)

(AT-90SL: When MIDI-In Mode is set to Mode-2)

Status Data byte Status

F0H 7EH, 10H, 06H, 02H, 41H, 62H, 00H, 04H, 03H F7H

Byte

F0H Exclusive status

7EH ID number (universal non-realtime message)

10H Device ID

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

62H 00H Device family code (Atelier)

04H 03H Device family number code

01H 01H 00H 00H Software revision level

F7H EOX (End of Exclusive)

(AT-80SL: When MIDI-In Mode is set to Mode-2)

Status Data byte Status

F0H 7EH, 10H, 06H, 02H, 41H, 62H, 00H, 04H, 03H F7H

Byte

F0H Exclusive status

7EH ID number (universal non-realtime message)

10H Device ID

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

62H 00H Device family code (Atelier)

04H 03H Device family number code

00H 01H 00H 00H Software revision level

F7H EOX (End of Exclusive)

Data byte Status

00H, 0BH, 06H, 01H, 00H, 00H

Explanation

00H, 0BH, 05H, 01H, 00H, 00H

Explanation

01H, 01H, 00H, 00H

Explanation

00H, 01H, 00H, 00H

Explanation

●

❍

System exclusive messages related to V-LINK settings

V-LINK ON

Status Data byte Status

F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 00H, 01H, 0FH, 0FH, sum F7H

Byte Explanation

F0H Exclusive status

41H ID number

7FH Device ID (universal)

00H Model ID#1 (DV-7PR)

51H Model ID#2 (DV-7PR)

12H Command ID (DT1)

10H Address MSB

00H Address

00H Address LSB

01H Data (V-LINK ON)

0FH Data (Clip Ctrl Rx MIDI ch:16)

0FH Data (ColorCtrl Rx MIDI ch:16)

sum Checksum

F7H EOX (End Of Exclusive)

V-LINK OFF

Status Data byte Status

F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 00H, 00H, sum F7H

Byte Explanation

F0H Exclusive status

41H ID number

7FH Device ID (universal)

00H Model ID#1 (DV-7PR)

51H Model ID#2 (DV-7PR)

12H Command ID (DT1)

10H Address MSB

00H Address

00H Address LSB

00H Data (V-LINK OFF)

sum Checksum

F7H EOX (End Of Exclusive)

❍

SENDER MODEL NAME (AT-90SL)

Status Data byte Status

F0H 41H, dev, 00H, 51H, 12H, 10H, 71H, 00H, 41H, F7H

Byte Explanation

F0H Exclusive status

41H ID number

7FH Device ID (universal)

00H Model ID#1 (DV-7PR)

51H Model ID#2 (DV-7PR)

12H Command ID (DT1)

10H Address MSB

71H Address

00H Address LSB

41H Data (A)

54H Data (T)

2DH Data (-)

39H Data (9)

30H Data (0)

53H Data (S)

00H Data (End of Name)

sum Checksum

F7H EOX (End Of Exclusive)

❍SENDER MODEL NAME (AT-80SL)

Status Data byte Status

F0H 41H, dev, 00H, 51H, 12H, 10H, 71H, 00H, 41H, F7H

54H, 2DH, 39H, 30, 53H, sum

54H, 2DH, 38H, 30, 53H, sum

00H Address LSB

41H Data (A)

54H Data (T)

2DH Data (-)

38H Data (8)

30H Data (0)

53H Data (S)

00H Data (End of Name)

sum Checksum

F7H EOX (End Of Exclusive)

❍KEYBOARD RANGE

Status Data byte Status

F0H 41H, dev, 00H, 51H, 12H, 10H, 30H, 02H, 5CH, 67H, sum F7H

Byte Explanation

F0H Exclusive status

41H ID number

7FH Device ID (universal)

00H Model ID#1 (DV-7PR)

51H Model ID#2 (DV-7PR)

12H Command ID (DT1)

10H Address MSB

30H Address

02H Address LSB

5CH Data (Keyboard Range Lower:G#6)

67H Data (Keyboard Range Upper:A7)

sum Checksum

F7H EOX (End Of Exclusive)

❍NOTE MESSAGE ENABLED ASSIGNABLE

Status Data byte Status

F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 03H, 02H, sum F7H

Byte Explanation

F0H Exclusive status

41H ID number

7FH Device ID (universal)

00H Model ID#1 (DV-7PR)

51H Model ID#2 (DV-7PR)

12H Command ID (DT1)

10H Address MSB

00H Address

03H Address LSB

02H Data (assignable)

sum Checksum

F7H EOX (End Of Exclusive)

❍NOTE MESSAGE ENABLED OFF

Status Data byte Status

F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 03H, 00H, sum F7H

Byte Explanation

F0H Exclusive status

41H ID number

7FH Device ID (universal)

00H Model ID#1 (DV-7PR)

51H Model ID#2 (DV-7PR)

12H Command ID (DT1)

10H Address MSB

00H Address

03H Address LSB

00H Data (OFF)

sum Checksum

F7H EOX (End Of Exclusive)

Byte Explanation

F0H Exclusive status

41H ID number

7FH Device ID (universal)

00H Model ID#1 (DV-7PR)

51H Model ID#2 (DV-7PR)

12H Command ID (DT1)

10H Address MSB

71H Address

5. Parameter Address Map

This map indicates address, size, Data (range), Parameter, Description, and Default Value of

parameters which can be transferred using and “Data set 1 (DT1).”

All the numbers of address, size, Data, and Default Value are indicated in 7-bit

Hexadecimal-form.

■Address Block map (GS Part: Model ID = 42H)

An outlined address map of the Exclusive Communication is as follows;

There are two ways in which GS data is transmitted: Individual Parameter Transmission in

which individual parameters are transmitted one by one, and Bulk Dump Transmission in

which a large amount of data is transmitted at once.

■Individual Parameters

Individual Parameter Transmission transmits data (or requests data) for one parameter as one exclusive message (one packet of “F0 ..... F7”).

In Individual Parameter Transmission, you must use the Address and Size listed in the following “Parameter Address Map.” Addresses marked at “#” cannot be used as starting addresses.

●System Parameters [Keyboard Part: Model ID = 62H]

Parameters related to the system of the device are called System Parameters.

00 00 00 00 00 01 00-07 REVERB MACRO (VARIATION = 00h) 04 Hall 2

00 00 01# 00 00 01 00-7F REVERB LEVEL 0-127 40 64

00 00 02 00 00 01 00-01 ROTARY ON/OFF 00: OFF/01: ON 01 ON

00 00 03 00 00 01 00-01 ROTARY SLOW/FAST 00: SLOW/01: FAST 01 FAST

00 00 20 00 00 01 00-01 CHORD INTELLIGENCE 00: OFF/01: ON 00 OFF

00 00 21 00 00 01 00-01 CHORD HOLD 00: OFF/01: ON 00 OFF

00 00 22 00 00 01 00-01 LEADING BASS 00: OFF/01: ON 00 OFF

00 00 23 00 00 01 00-7F ACCOMP VOLUME 0-127 64

00 00 24 00 00 01 00-7F ACCOMP REVERB DEPTH 0-127 40

00 00 25 00 00 01 00-7F ACCOMP RHYTHM VOLUME 0-127 64

00 00 26 00 00 01 00-7F ACCOMP RHYTHM REVERB 0-127 40

00 00 27 00 00 01 00-7F ACCOMP BASS VOLUME 0-127 64

00 00 28 00 00 01 00-7F ACCOMP BASS REVERB 0-127 40

00 00 29 00 00 01 00-07 WALL TYPE 00: Drapery 2

00 00 2A 00 00 01 00-01 REVERB VARIATION 0-1 0

00 00 2B 00 00 01 00-0B TRANSPOSE Ab-G 4 C

00 00 2C 00 00 01 00-01 SOLO TO LOWER 00: OFF/01: ON 00 OFF

00 00 2D 00 00 01 00-01 PEDAL TO LOWER 00: OFF/01: ON 00 OFF

00 00 2E 00 00 01 01-11 INITIAL TOUCH UPPER 01: OFF/02-11: 1-10 11 10

00 00 2F 00 00 01 01-11 INITIAL TOUCH LOWER 01: OFF/02-11: 1-10 11 10

00 00 30 00 00 01 00-01 BASS SPLIT 00: OFF/01: ON 00 OFF

00 00 31 00 00 01 1C-67 BASS SPLIT POINT 1C: E1-67: G7 52 C3

00 00 32 00 00 01 00-01 SOLO TO LOWER MODE 00: LAYER/01: SPLIT 01 SPLIT

00 00 33 00 00 01 21-60 SOLO SPLIT POINT 21: A1-60: C7 75 B4

00 00 34 00 00 01 00-01 HARMONY INTELLIGENCE SWITCH 00: OFF/01: ON 00 OFF

00 00 35 00 00 01 00-18 HARMONY INTELLIGENCE TYPE 00: DUET

00: Room 1

01: Room 2

02: Room 3

03: Hall 1

04: Hall 2

05: Plate

06: Delay

07: Panning Delay

(VARIATION = 01H)

00: Small Church

03: Cathedral

04: Large Church

01: Carpet

02: Acoustic Tile

03: Wood

04: Brick

05: Plaster

06: Concrete Block

07: Marble

01: TRADITIONAL

02: BROADWAY

03: OCTAVE 1

04: OCTAVE 2

05: 1 NOTE

06: DIXIELAND

07: ORGAN

08: 2 NOTES

09: SYNTH

0A: COMBO

0B: STRINGS

0C: 3 NOTES

0D: FLUTE

0E: HARP

0F: HYMN

10: HYMN 2

11: JAZZ SCAT

12: GOSPEL

13: BLOCK

14: 4 NOTES

15: BIG BAND

16: BRASS

17: COUNTRY

●Part Parameters [Keyboard Part: Model ID = 62H]

Upper Part Information

01 00 03 00 00 01 00-01 UPPER SUSTAIN SWITCH 00: OFF/01: ON 00 OFF

01 00 04 00 00 01 00-02 UPPER SUSTAIN LENGTH 00: SHORT 02 LONG

01 00 05 00 00 01 00-01 GLIDE 00: OFF/01: ON 00 OFF

p...PART NUMBER (1-3),

Organ Part p = 0

Symphonic Part p = 1

Orchestral Part p = 2

01 0p 00 00 00 01 00-01 MUTE 00: OFF/01: MUTE 00 OFF

01 0p 01 00 00 03 00-7F TONE NUMBER P.C. VALUE 00

01 0p 02# 00-7F BANK SELECT MSB CC#00 VALUE 00

01 0p 03# 00-7F BANK SELECT LSB CC#20 VALUE 00

01 0p 04 00 00 01 00-7F VOLUME 0-127 64

01 0p 05 00 00 01 00-7F REVERB DEPTH 0-127 40

01 0p 06 00 00 01 00-01 CHORUS SWITCH 00: 0FF/01: ON OFF

01 0p 07 00 00 01 28-58 KEY SHIFT -24 - +24 40

Lower Part Information

01 10 00 00 00 01 00-01 LOWER HOLD 00: OFF/01: ON 00 OFF

01 10 03 00 00 01 00-01 LOWER SUSTAIN SWITCH 00: OFF/01: ON 00 OFF

01 10 04 00 00 01 00-02 LOWER SUSTAIN LENGTH 00: SHORT 01 MIDDLE

01 10 05 00 00 01 00-01 GLIDE 00: OFF/01: ON 00 OFF

p...PART NUMBER (1-3),

Organ Part p = 0

Symphonic Part p = 1

Orchestral Part p = 2

01 1p 00 00 00 01 00-01 MUTE 00: OFF/01: MUTE 00 OFF

01 1p 01 00 00 03 00-7F TONE NUMBER P.C. VALUE 00

01 1p 02# 00-7F BANK SELECT MSB CC#00 VALUE 00

01 1p 03# 00-7F BANK SELECT LSB CC#20 VALUE 00

01 1p 04 00 00 01 00-7F VOLUME 0-127 64

01 1p 05 00 00 01 00-7F REVERB DEPTH 0-127 40

01 1p 06 00 00 01 00-01 CHORUS SWITCH 00: 0FF/01: ON OFF

01 1p 07 00 00 01 28-58 KEY SHIFT -24 - +24 40

Pedal Bass Part Information

01 20 00 00 00 01 00-01 PEDAL BASS HOLD 00: OFF/01: ON 00 OFF

01 20 01 00 00 01 00-01 PEDAL BASS MODE 00: MONO/01: POLY 00 MONO

01 20 03 00 00 01 00-01 PEDAL SUSTAIN SWITCH 00: OFF/01: ON 01 ON

01 20 04 00 00 01 00-02 PEDAL SUSTAIN LENGTH 00: SHORT 01 MIDDLE

01 20 05 00 00 01 00-01 GLIDE 00: OFF/01: ON 00 OFF

p...PART NUMBER (1-2),

Organ Part p = 0

Orchestral Part p = 2

01 2p 00 00 00 01 00-01 MUTE OFF/MUTE 00 OFF

01 2p 01 00 00 03 00-7F TONE NUMBER P.C. VALUE 00

01 2p 02# 00-7F BANK SELECT MSB CC#00 VALUE 00

01 2p 03# 00-7F BANK SELECT LSB CC#20 VALUE 00

01 2p 04 00 00 01 00-7F VOLUME 0-127 100

01 2p 05 00 00 01 00-7F REVERB DEPTH 0-127 64

01 2p 07 00 00 01 28-58 KEY SHIFT -24 - +24 00

Solo Part Information

01 30 01 00 00 01 00-01 SOLO MODE 00: MONO/01: POLY 00 MONO

01 30 02 00 00 01 00-01 SOLO TYPE 00: TOPNOTE/01: LASTNOTE 00 TOP NOTE

01 31 00 00 00 01 00-01 MUTE 00: OFF/01: MUTE 00 OFF

01 31 01 00 00 03 00-7F TONE NUMBER P.C. VALUE 00

01 31 02# 00-7F BANK SELECT MSB CC#20 VALUE 00

01 31 03# 00-7F BANK SELECT LSB CC#00 VALUE 00

01 31 04 00 00 01 00-7F VOLUME 0-127 100

01 31 05 00 00 01 00-7F REVERB DEPTH 0-127 64

01 31 07 00 00 01 28-58 KEY SHIFT -24 - +24 00

Manual Drum Part Information

01 41 00 00 00 01 00-01 MUTE OFF/MUTE 00 OFF

01: MIDDLE

02: LONG

01: MIDDLE

02: LONG

01: MIDDLE

02: LONG

01 41 01 00 00 03 00-7F RHYTHM SET NUMBER P.C. VALUE 00

01 41 02# 00-7F BANK SELECT MSB CC#00 VALUE 00

01 41 03# 00-7F BANK SELECT LSB CC#20 VALUE 00

01 41 04 00 00 01 00-7F VOLUME 0-127 100

01 41 05 00 00 01 00-7F REVERB DEPTH 0-127 64

Manual Percussion Part Information

01 51 00 00 00 01 00-01 MUTE OFF/MUTE 00 OFF

01 51 01 00 00 03 00-7F RHYTHM SET NUMBER P.C. VALUE 00

01 51 02# 00-7F BANK SELECT MSB CC#00 VALUE 00

01 51 03# 00-7F BANK SELECT LSB CC#20 VALUE 00

01 51 04 00 00 01 00-7F VOLUME 0-127 100

01 51 05 00 00 01 00-7F REVERB DEPTH 0-127 64

Footage Information

x...KEYBOARD NUMBER (0-1),

02 0k 00 00 00 01 00-7F FOOTAGE MUTE 00 (OFF), 7F(ON) 00 0FF

02 0k 01 00 00 01 00-7F FOOTAGE LEVEL 00 - 7F 00 OFF

02 0k 02 00 00 0B 00-7F FOOTAGE SET 00: Flute 00 Flute

02 0k 03# 00-7F FOOTAGELEVEL 16’ 00 (OFF), 0F (ON) 00 OFF

02 0k 04# 00-7F FOOTAGELEVEL 5+1/3’ 00 (OFF), 0F (ON) 00 OFF

02 0k 05# 00-7F FOOTAGELEVEL 8’ 00 (OFF), 0F (ON) 00 OFF

02 0k 06# 00-7F FOOTAGELEVEL 4’ 00 (OFF), 0F (ON) 00 OFF

02 0k 07# 00-7F FOOTAGELEVEL 2+2/3’ 00 (OFF), 0F (ON) 00 OFF

02 0k 08# 00-7F FOOTAGELEVEL 2’ 00 (OFF), 0F (ON) 00 OFF

02 0k 09# 00-7F FOOTAGELEVEL 1+3/5’ 00 (OFF), 0F (ON) 00 OFF

02 0k 0A# 00-7F FOOTAGELEVEL 1+1/3’ 00 (OFF), 0F (ON) 00 OFF

02 0k 0B# 00-7F FOOTAGELEVEL 1’ 00 (OFF), 0F (ON) 00 OFF

02 0k 0C# 00-7F EXTRAFOOTAGE 00 (OFF), 0F (ON) 00 OFF

02 0k 0D# 00-7F PERCUSSION 00 (OFF) 00 OFF

02 0k 0E# 00-7F REVERB SEND 00 - 7F 00 OFF

* Not received by the AT-80SL.

Upper Keyboardk = 0

Lower Keyboardk = 1

02: Pipe *

03: Theater *

01 (4, Short)

02 (2+2/3, Short)

41 (4, Long)

42 (2+2/3, Long)

●System Parameters [GS Part: Model ID = 42H]

Not Received in Keyboard Part.

Address (H)

40 00 00 00 00 04 0018-07E8 MASTER TUNE -100.0 - +100.0 [cent] 00 04 00 00 0 [cent]

40 00 01# Use nibblized data.

40 00 02#

40 00 03#

* Refer to section 6. Supplementary material, “About tuning” (p. 18).

40 00 04 00 00 01 00-7F MASTER VOLUME 0-127 7F 127

40 00 05 00 00 01 28-58 MASTER KEY-SHIFT -24 - +24 [semitones] 40 0 [semitones]

40 00 06 00 00 01 01-7F MASTER PAN -63 (LEFT) - +63 (RIGHT) 40 0 (CENTER)

40 00 7F 00 00 01 00 MODE SET 00 = GS Reset

* Refer to “System exclusive messages related to mode settings” (p. 5).

40 01 10 00 00 10 00-40 VOICE RESERVE Part 10 (Drum Part) 02 2

40 01 11# Part 1 06 6

40 01 12# Part 2 02 2

40 01 13# Part 3 02 2

40 01 14# Part 4 02 2

40 01 15# Part 5 02 2

40 01 16# Part 6 02 2

40 01 17# Part 7 02 2

40 01 18# Part 8 02 2

40 01 19# Part 9 02 2

40 01 1A# Part 11 00 0

40 01:# :

40 01 1F# Part 16 00 0

* The sum total of voices in the voice reserve function must be equal to or less than the number of the maximum polyphony. The maximum polyphony of the AT-90SL/80SL is 64. For

compatibility with other GS models, it is recommended that the maximum polyphony be equal or less than 24.

Size (H) Data (H) Parameter Description Default Value (H) Description

(= F0 7F 7F 04 01 00 vv F7)

(Rx. only) 127 = Exit GS

40 01 30 00 00 01 00-07 REVERB MACRO 00: Room 1 04 Hall 2

40 01 31 00 00 01 00-07 REVERB CHARACTER 0-7 04 4

40 01 32 00 00 01 00-07 REVERB PRE-LPF 0-7 00 0

40 01 33 00 00 01 00-7F REVERB LEVEL 0-127 40 64

40 01 34 00 00 01 00-7F REVERB TIME 0-127 40 64

40 01 35 00 00 01 00-7F REVERB DELAY FEEDBACK 0-127 00 0

REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to the most

suitable value.

REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number.

40 01 38 00 00 01 00-07 CHORUS MACRO 00: Chorus 1 02 Chorus 3

40 01 39 00 00 01 00-07 CHORUS PRE-LPF 0-7 00 0

40 01 3A 00 00 01 00-7F CHORUS LEVEL 0-127 40 64

40 01 3B 00 00 01 00-7F CHORUS FEEDBACK 0-127 08 8

40 01 3C 00 00 01 00-7F CHORUS DELAY 0-127 50 80

40 01 3D 00 00 01 00-7F CHORUS RATE 0-127 03 3

40 01 3E 00 00 01 00-7F CHORUS DEPTH 0-127 13 19

40 01 3F 00 00 01 00-7F CHORUS SEND LEVEL TO REVERB 0-127 00 0

CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be set to the most

suitable value.

01: Room 2

02: Room 3

03: Hall 1

04: Hall 2

05: Plate

06: Delay

07: Panning Delay

01: Chorus 2

02: Chorus 3

03: Chorus 4

04: Feedback Chorus

05: Flanger

06: Short Delay

07: Short Delay (FB)

●Part Parameters [GS Part: Model ID = 42H]

AT-90SL/80SL has 16 parts. Parameters that can be set individually for each Part are called Part parameters.

If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be

specified as one of 16 blocks, from 0 (H) to F (H).

The relation between Part number and Block number is as follows.

x...BLOCK NUMBER (0-F),Part 1 (MIDI ch = 1) x = 1

In the following map, the Control Change controller number is expressed by the CC#.

Address (H)

40 1x 00 00 00 02 00-7F TONE NUMBER CC#00 VALUE 0-127 00 0

40 1x 01# 00-7F P.C. VALUE 1-128 00 1

40 1x 02 00 00 01 00-10 Rx. CHANNEL 1-16, OFF Same as the Part Number

40 1x 03 00 00 01 00-01 Rx. PITCH BEND OFF/ON 01 ON

40 1x 04 00 00 01 00-01 Rx. CH PRESSURE (CAf) OFF/ON 01 ON

40 1x 05 00 00 01 00-01 Rx. PROGRAM CHANGE OFF/ON 01 ON

40 1x 06 00 00 01 00-01 Rx. CONTROL CHANGE OFF/ON 01 ON

40 1x 07 00 00 01 00-01 Rx. POLY PRESSURE (PAf) OFF/ON 01 ON

40 1x 08 00 00 01 00-01 Rx. NOTE MESSAGE OFF/ON 01 ON

40 1x 09 00 00 01 00-01 Rx. RPN OFF/ON 01 ON

40 1x 0A 00 00 01 00-01 Rx. NRPN OFF/ON 00 (01*) OFF (ON*)

Rx. NRPN is set to OFF by power-on or by receiving “Turn General MIDI System On,” and it will be set ON when “GS RESET” is received.

40 1x 0B 00 00 01 00-01 Rx. MODULATION OFF/ON 01 ON

40 1x 0C 00 00 01 00-01 Rx. VOLUME OFF/ON 01 ON

40 1x 0D 00 00 01 00-01 Rx. PANPOT OFF/ON 01 ON

40 1x 0E 00 00 01 00-01 Rx. EXPRESSION OFF/ON 01 ON

40 1x 0F 00 00 01 00-01 Rx. HOLD1 OFF/ON 01 ON

40 1x 10 00 00 01 00-01 Rx. PORTAMENTO OFF/ON 01 ON

40 1x 11 00 00 01 00-01 Rx. SOSTENUTO OFF/ON 01 ON

40 1x 12 00 00 01 00-01 Rx. SOFT OFF/ON 01 ON

Part 2 (MIDI ch = 2) x = 2

: : :

Part 9 (MIDI ch = 9) x = 9

Part10 (MIDI ch = 10) x = 0

Part11 (MIDI ch = 11) x = A

Part12 (MIDI ch = 12) x = B

: : :

Part16 (MIDI ch = 16) x = F

Size (H) Data (H) Parameter Description Default Value (H) Description

40 1x 13 00 00 01 00-01 MONO/POLY MODE Mono/Poly 01 Poly

40 1x 15 00 00 01 00-02 USE FOR RHYTHM PART 0 = OFF 00 at x ≠ 0 OFF at x ≠ 0

This parameter sets the Drum Map of the Part used as the Drum Part. AT-90SL/80SL can simultaneously (in different Parts) use up to two Drum Maps (MAP1, MAP2). With the initial settings,

Part10 (MIDI CH = 10, x = 0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF (0)).

40 1x 16 00 00 01 28-58 PITCH KEY SHIFT -24 - +24 [semitones] 40 0 [semitones]

40 1x 17 00 00 02 08-F8 PITCH OFFSET FINE -12.0 - +12.0 [Hz] 08 00 0 [Hz]

40 1x 18# Use nibblized data.

PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter in

that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for PITCH

OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect.

40 1x 19 00 00 01 00-7F PART LEVEL 0-127 64 100

40 1x 1A 00 00 01 00-7F VELOCITY SENSE DEPTH 0-127 40 64

40 1x 1B 00 00 01 00-7F VELOCITY SENSE OFFSET 0-127 40 64

40 1x 1C 00 00 01 00-7F PART PANPOT -64 (RANDOM), -63 (LEFT) - +63 (RIGHT)40 0 (CENTER)

40 1x 1D 00 00 01 00-7F KEY RANGE LOW (C-1)-(G9) 00 C-1

40 1x 1E 00 00 01 00-7F KEY RANGE HIGH (C-1)-(G9) 7F G 9

40 1x 1F 00 00 01 00-5F CC1 CONTROLLER NUMBER 0-95 10 16

40 1x 20 00 00 01 00-5F CC2 CONTROLLER NUMBER 0-95 11 17

40 1x 21 00 00 01 00-7F CHORUS SEND LEVEL 0-127 00 0

40 1x 22 00 00 01 00-7F REVERB SEND LEVEL 0-127 28 40

40 1x 30 00 00 01 0E-72 TONE MODIFY 1 -50 - +50 40 0

40 1x 31 00 00 01 0E-72 TONE MODIFY 2 -50 - +50 40 0

40 1x 32 00 00 01 0E-72 TONE MODIFY 3 -50 - +50 40 0

40 1x 33 00 00 01 0E-72 TONE MODIFY 4 -50 - +50 40 0

40 1x 34 00 00 01 0E-72 TONE MODIFY 5 -50 - +50 40 0

40 1x 35 00 00 01 0E-72 TONE MODIFY 6 -50 - +50 40 0

40 1x 36 00 00 01 0E-72 TONE MODIFY 7 -50 - +50 40 0

40 1x 37 00 00 01 0E-72 TONE MODIFY 8 -50 - +50 40 0

40 1x 40 00 00 0C 00-7F SCALE TUNING C -64 - +63 [cent] 40 0 [cent]

40 1x 41# 00-7F SCALE TUNING C# -64 - +63 [cent] 40 0 [cent]

40 1x 42# 00-7F SCALE TUNING D -64 - +63 [cent] 40 0 [cent]

40 1x 43# 00-7F SCALE TUNING D# -64 - +63 [cent] 40 0 [cent]

40 1x 44# 00-7F SCALE TUNING E -64 - +63 [cent] 40 0 [cent]

40 1x 45# 00-7F SCALE TUNING F -64 - +63 [cent] 40 0 [cent]

40 1x 46# 00-7F SCALE TUNING F# -64 - +63 [cent] 40 0 [cent]

40 1x 47# 00-7F SCALE TUNING G -64 - +63 [cent] 40 0 [cent]

40 1x 48# 00-7F SCALE TUNING G# -64 - +63 [cent] 40 0 [cent]

40 1x 49# 00-7F SCALE TUNING A -64 - +63 [cent] 40 0 [cent]

40 1x 4A# 00-7F SCALE TUNING A# -64 - +63 [cent] 40 0 [cent]

40 1x 4B# 00-7F SCALE TUNING B -64 - +63 [cent] 40 0 [cent]

SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will change simultaneously. A setting of ±

0 cent (40H) is equal temperament. Refer to section 6. Supplementary material, “About tuning” (p. 18).

40 2x 00 00 00 01 28-58 MOD PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones]

40 2x 01 00 00 01 00-7F MOD TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent]

40 2x 02 00 00 01 00-7F MOD AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%]

40 2x 03 00 00 01 00-7F MOD LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 04 00 00 01 00-7F MOD LFO1 PITCH DEPTH 0-600 [cent] 0A 47 [cent]

40 2x 05 00 00 01 00-7F MOD LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 06 00 00 01 00-7F MOD LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 07 00 00 01 00-7F MOD LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 08 00 00 01 00-7F MOD LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 09 00 00 01 00-7F MOD LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 0A 00 00 01 00-7F MOD LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 10 00 00 01 40-58 BEND PITCH CONTROL 0-24 [semitone] 42 2 [semitones]

40 2x 11 00 00 01 00-7F BEND TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent]

40 2x 12 00 00 01 00-7F BEND AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%]

40 2x 13 00 00 01 00-7F BEND LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

(= CC# 126 01 / CC# 127 00)

1 = MAP1 01 at x = 0 MAP1 at x = 0

2 = MAP2

(= CC# 7)

(= CC# 10, except RANDOM)

(= CC# 93)

(= CC# 91)

Vibrato rate (= NRPN# 8)

Vibrato depth (= NRPN# 9)

TVF cutoff frequency (= NRPN# 32)

TVF resonance (= NRPN# 33)

TVF&TVA Env.attack (= NRPN# 99)

TVF&TVA Env.decay (= NRPN# 100)

TVF&TVA Env.release (= NRPN# 102)

Vibrato delay (= NRPN# 10)

40 2x 14 00 00 01 00-7F BEND LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 15 00 00 01 00-7F BEND LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 16 00 00 01 00-7F BEND LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 17 00 00 01 00-7F BEND LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 18 00 00 01 00-7F BEND LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 19 00 00 01 00-7F BEND LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 1A 00 00 01 00-7F BEND LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 20 00 00 01 28-58 CAf PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones]

40 2x 21 00 00 01 00-7F CAf TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent]

40 2x 22 00 00 01 00-7F CAf AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%]

40 2x 23 00 00 01 00-7F CAf LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 24 00 00 01 00-7F CAf LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 25 00 00 01 00-7F CAf LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 26 00 00 01 00-7F CAf LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 27 00 00 01 00-7F CAf LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 28 00 00 01 00-7F CAf LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 29 00 00 01 00-7F CAf LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 2A 00 00 01 00-7F CAf LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 30 00 00 01 28-58 PAf PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones]

40 2x 31 00 00 01 00-7F PAf TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent]

40 2x 32 00 00 01 00-7F PAf AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%]

40 2x 33 00 00 01 00-7F PAf LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 34 00 00 01 00-7F PAf LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 35 00 00 01 00-7F PAf LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 36 00 00 01 00-7F PAf LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 37 00 00 01 00-7F PAf LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 38 00 00 01 00-7F PAf LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 39 00 00 01 00-7F PAf LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 3A 00 00 01 00-7F PAf LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 40 00 00 01 28-58 CC1 PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones]

40 2x 41 00 00 01 00-7F CC1 TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent]

40 2x 42 00 00 01 00-7F CC1 AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%]

40 2x 43 00 00 01 00-7F CC1 LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 44 00 00 01 00-7F CC1 LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 45 00 00 01 00-7F CC1 LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 46 00 00 01 00-7F CC1 LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 47 00 00 01 00-7F CC1 LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 48 00 00 01 00-7F CC1 LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 49 00 00 01 00-7F CC1 LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 4A 00 00 01 00-7F CC1 LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 50 00 00 01 28-58 CC2 PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones]

40 2x 51 00 00 01 00-7F CC2 TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent]

40 2x 52 00 00 01 00-7F CC2 AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%]

40 2x 53 00 00 01 00-7F CC2 LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 54 00 00 01 00-7F CC2 LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 55 00 00 01 00-7F CC2 LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 56 00 00 01 00-7F CC2 LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%]

40 2x 57 00 00 01 00-7F CC2 LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz]

40 2x 58 00 00 01 00-7F CC2 LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent]

40 2x 59 00 00 01 00-7F CC2 LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent]

40 2x 5A 00 00 01 00-7F CC2 LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%]

●Drum Setup Parameters [GS Part: Model ID = 42H]

m: Map number (0 = MAP1, 1 = MAP2)

rr: drum part note number (00H-7FH)

Address (H)

41 m1 rr 00 00 01 00-7F PLAY NOTE NUMBER Pitch coarse

41 m2 rr 00 00 01 00-7F LEVEL TVA level

41 m3 rr 00 00 01 00-7F ASSIGN GROUP NUMBER Non, 1-127

41 m4 rr 00 00 01 00-7F PANPOT -64 (RANDOM), -63 (LEFT) - +63 (RIGHT)

41 m5 rr 00 00 01 00-7F REVERB SEND LEVEL 0.0-1.0

41 m6 rr 00 00 01 00-7F CHORUS SEND LEVEL 0.0-1.0

41 m7 rr 00 00 01 00-01 Rx. NOTE OFF OFF/ON

41 m8 rr 00 00 01 00-01 Rx. NOTE ON OFF/ON

* When the Drum Set is changed, DRUM SETUP PARAMETER values will all be initialized.

Size (H) Data (H) Parameter Description

(= NRPN# 26)

(= NRPN# 28, except RANDOM)

(= NRPN# 29) Multiplicand of the part reverb depth

(= NRPN# 30) Multiplicand of the part chorus depth

6. Supplementary material

●Decimal and Hexadecimal table

(An `H’ is appended to the end of numbers in hexadecimal notation.)

In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are

expressed as hexadecimal values for each 7 bits. The following table shows how these

correspond to decimal numbers.

The following table shows how these correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | Dec. | Hex. || Dec. | Hex. || Dec. | Hex. || Dec. | Hex. | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 69 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

* Decimal values such as MIDI channel, bank select, and program change are listed as one

(1) greater than the values given in the above table.

*A 7-bit byte can express data in the range of 128 steps. For data where greater precision

is required, we must use two or more bytes. For example, two hexadecimal numbers aa

bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb.

* In the case of values which have a ± sign, 00H = -64, 40H = ± 0, and 7FH = +63, so that

the decimal expression would be 64 less than the value given in the above chart. In the

case of two types, 00 00H = -8192, 40 00H = ±0, and 7F 7FH = +8191. For example if aa

bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128 + bb - 64 x 128.

* Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed as a

2-byte nibble 0a 0bH has the value of a x 16 + b.

<Example1> What is the decimal expression of 5AH?

From the preceding table, 5AH = 90

<Example2> What is the decimal expression of the value 12 34H given as

hexadecimal for each 7 bits?

From the preceding table, since 12H = 18 and 34H = 52

18 x 128 + 52 = 2356

<Example3> What is the decimal expression of the nibbled value 0A 03

09 0D?

From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13

((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885

<Example4> What is the nibbled expression of the decimal value 1258?

16) 1258

16) 78 ... 10

16) 4 ... 14

0 ... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 00 04 0E

0AH.

●Examples of actual MIDI messages

<Example1> 95 3E 5F

9n is the Note-on status, and n is the MIDI channel number. Since 5H = 5, 3EH = 62, and

5FH = 95, this is a Note-on message with MIDI CH = 6, note number 62 (note name is D4),

and velocity 95.

<Example2> CE 49

CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and

49H = 73, this is a Program Change message with MIDI CH = 15, program number 74 (Flute

in GS).

<Example3> EB 00 28

EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H

= 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed

number in which 40 00H (= 64 x 128 + 0 = 8192) is 0, so this Pitch Bend Value is

28 00H - 40 00H = 40 x 128 + 0 - (64 x 128 + 0) = 5120 - 8192 = -3072

If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to

change -200 cents, so in this case -200 x (-3072) / (-8192) = -75 cents of Pitch Bend is being

applied to MIDI channel 12.

<Example4> B6 64 00 65 00 06 0C 26 00 64 7F 65 7F

BnH is the Control Change status, and n is the MIDI channel number. For Control Changes,

the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or

more messages consecutive messages have the same status, MIDI has a provision called

“running status” which allows the status byte of the second and following messages to be

omitted. Thus, the above messages have the following meaning.

B6 64 00 MIDI ch.7, lower byte of RPN parameter number: 00H

(B6) 65 00 (MIDI ch.7) upper byte of RPN parameter number: 00H

(B6) 06 0C (MIDI ch.7) upper byte of parameter value: 0CH

(B6) 26 00 (MIDI ch.7) lower byte of parameter value: 00H

(B6) 64 7F (MIDI ch.7) lower byte of RPN parameter number: 7FH

(B6) 65 7F (MIDI ch.7) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for RPN parameter number

00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates

semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to ±12 semitones

(1 octave). (On this instrument the LSB of Pitch Bend Sensitivity is ignored, but the LSB

should be transmitted anyway (with a value of 0) so that operation will be correct on any

device.)

Once the parameter number has been specified for RPN or NRPN, all Data Entry messages

transmitted on that same channel will be valid, so after the desired value has been

transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents.

This is the reason for the (B6) 64 7F (B6) 65 7F at the end.

It is not desirable for performance data (such as Standard MIDI File data) to contain many

events with running status as given in <Example 4>. This is because if playback is halted

during the song and then rewound or fast-forwarded, the sequencer may not be able to

transmit the correct status, and the sound source will then misinterpret the data. Take care

to give each event its own status.

It is also necessary that the RPN or NRPN parameter number setting and the value setting

be done in the proper order. On some sequencers, events occurring in the same (or

consecutive) clock may be transmitted in an order different than the order in which they

were received. For this reason it is a good idea to slightly skew the time of each event (about

1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).

TPQN: Ticks Per Quarter Note

Example of an Exclusive message and calculating a Checksum

Roland Exclusive messages are transmitted with a checksum at the end (before F7) to make

sure that the message was correctly received. The value of the checksum is determined by

the address and data (or size) of the transmitted exclusive message.

How to calculate the checksum (hexadecimal numbers are indicated by `H’)

The checksum is a value derived by adding the address, size and checksum itself and

inverting the lower 7 bits.

Here’s an example of how the checksum is calculated. We will assume that in the exclusive

message we are transmitting, the address is aa bb ccH and the data or size is dd ee ffH.

aa + bb + cc + dd + ee + ff = sum

sum / 128 = quotient ... remainder

128 - remainder = checksum

<Example1> Setting REVERB MACRO to ROOM 3 (GS Part)

According to the “Parameter Address Map,” the REVERB MACRO Address is 40 01 30H,

and ROOM 3 is a value of 02H. Thus,

F0 41 10 42 12 40 01 30 02 ?? F7

(1) (2) (3) (4) (5) Address data Checksum (6)

(1) Exclusive Status, (2) ID (Roland), (3) Device ID (17), (4) Model ID (GS),

(5) Command ID (DT1), (6) End of Exclusive

Next we calculate the checksum.

40H + 01H + 30H + 02H = 64 + 1 + 48 + 2 = 115 (sum)

115 (sum) / 128 = 0 (quotient) ... 115 (remainder)

checksum = 128 - 115 (remainder) = 13 = 0DH

This means that F0 41 10 42 12 40 01 30 02 0D F7 is the message we transmit.

With “Grand Piano” set as the tone for the Upper Orchestral part

* Keyboard part tone settings are enabled when MIDI IN Mode is set to MODE 2.

According to the “Parameter Address Map,” since the address for the tone number in the

upper part information for the part parameter [Keyboard Part] is 01 0p 01H and the

Orchestral Part Offset Value is p = 3, the address is then 01 03 01H. Since the tone map

(Keyboard part) (p. 18) gives TONE NUMBER = 38H, BANK SELECT MSB = 02H, BANK

SELECT LSB = 00H for the “Grand Piano” tone number, (we get the following):

FO 41 10 62 12 01 03 01 38 02 00 ?? F7

(1) (2) (3) (4) (5) Address data Checksum (6)

(1) Exclusive Status, (2) ID (Roland), (3) Device ID (17), (4) Model ID (Atelier), (5) Command

ID (DT1), (6) End of Exclusive

Next we calculate the checksum.

01H + 03H + 01H + 38H + 02 + 00H = 1 + 3 + 1 + 56 + 2 + 0 = 63 (sum)

63 (sum) / 128 = 0 (quotient) ... 63 (remainder)

checksum = 128 - 63 (remainder) = 65 = 41H

This means that F0 41 10 62 12 01 03 01 38 02 00 41 F7 is the message we transmit.

●About tuning

In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning) to the

appropriate MIDI channel.

In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI channels being

used, or by sending a System Exclusive MASTER TUNE (address 40 00 00H).

RPN #1 allows tuning to be specified in steps of approximately 0.012 cents (to be precise,

100/8192 cent), and System Exclusive MASTER TUNE allows tuning in steps of 0.1 cent.

One cent is 1/100th of a semitone.

The values of RPN #1 (Master Fine Tuning) and System Exclusive MASTER TUNE are

added together to determine the actual pitch sounded by each Part.

Frequently used tuning values are given in the following table for your reference. Values

are in hexadecimal (decimal in parentheses).

+————————+————————+——————————————+———————————————————————+ |Hz in A4| cent | RPN #1 | Sys. Ex. 40 00 00 | +————————+————————+——————————————+———————————————————————+ | 445.0 | +19.56 | 4C 43 (+1603)| 00 04 0C 04 (+196)| | 444.0 | +15.67 | 4A 03 (+1283)| 00 04 09 0D (+157)| | 443.0 | +11.76 | 47 44 (+ 964)| 00 04 07 06 (+118)| | 442.0 | + 7.85 | 45 03 (+ 643)| 00 04 04 0F (+ 79)| | 441.0 | + 3.93 | 42 42 (+ 322)| 00 04 02 07 (+ 39)| | 440.0 | 0.00 | 40 00 ( 0)| 00 04 00 00 ( 0)| | 439.0 | — 3.94 | 3D 3D (— 323)| 00 03 0D 09 (— 39)| | 438.0 | — 7.89 | 3A 7A (— 646)| 00 03 0B 01 (— 79)| +————————+————————+——————————————+———————————————————————+

<Example> Set the tuning of MIDI channel 3 to A4 = 442.0 Hz

Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.

B2 64 00 MIDI ch.3, lower byte of RPN parameter number: 00H

(B2) 65 01 (MIDI ch.3) upper byte of RPN parameter number: 01H

(B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H

(B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H

(B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH

(B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH

7. Tone List

●Tone List (Keyboard Part)

* Program Change messages cannot be used to make these changes. Make the settings

using the System Exclusive messages Individual Parameter and Part Parameter

[Keyboard Part: Model ID = 62H] (p. 11). Refer to the example of the Grand Piano tone in

the Upper Orchestral Part in 6. Reference “How to Calculate the Checksum” <Example

2>.

TONE NUMBER

00H 00H 00H Full Organ1

02H 00H 00H Full Organ2

04H 00H 00H Full Organ3

01H 00H 00H Full Organ4

03H 00H 00H Full Organ5

05H 00H 00H Full Organ6

20H 00H 00H Full Organ7

20H 01H 00H Full Organ8

20H 02H 00H Full Organ9

00H 01H 00H Ballad Organ

00H 02H 00H GoodOldOrgan

06H 00H 00H Jazz Organ1

08H 00H 00H Jazz Organ2

0AH 00H 00H Jazz Organ3

07H 00H 00H Jazz Organ4

09H 00H 00H Jazz Organ5

0BH 00H 00H Jazz Organ6

06H 01H 00H ComboJazzOrg

06H 02H 00H LightJazzOrg

0CH 00H 00H Rock Organ1

0DH 00H 00H Rock Organ2

0EH 00H 00H Lower Organ1

10H 00H 00H Lower Organ2

12H 00H 00H Lower Organ3

0FH 00H 00H Lower Organ4

11H 00H 00H Lower Organ5

13H 00H 00H Lower Organ6

0EH 01H 00H Manual Bass

14H 00H 00H Pipe Organ1

16H 00H 00H Pipe Organ2

18H 00H 00H Pipe Organ3

15H 00H 00H Pipe Organ4

17H 00H 00H Pipe Organ5

19H 00H 00H Pipe Organ6

21H 00H 00H Pipe Organ7

16H 01H 00H AEx Pipe Mix

15H 01H 00H AEx PipeOrg

14H 02H 00H Diapason 8'

14H 01H 00H FluteCeleste

21H 01H 00H Gemshorn 8'

21H 02H 00H Trompet 8'

21H 03H 00H Hautbois 8'

21H 04H 00H Viola 8'

21H 05H 00H ViolaCeleste

21H 06H 00H Bombarde16'

22H 0AH 00H T.ViolCelest

22H 01H 00H T.String 8'

22H 0BH 00H T.Vox Humana

22H 02H 00H VoxHumana 8'

22H 03H 00H T.Tuba 8'

22H 04H 00H T.Trumpet 8'

22H 05H 00H T.Sax 8'

22H 06H 00H T.Oboe 8'

22H 09H 00H T.Kinura 8'

BANK SELECT MSB

BANK SELECT LSB

VOICE NAME

TONE NUMBER

22H 07H 00H T.Krumet 8'

22H 08H 00H Eng.Horn 8'

1AH 02H 00H T.ConcertFlt

1AH 01H 00H Tibia 8'

1AH 00H 00H Theater Or.1

1CH 00H 00H Theater Or.2

1EH 00H 00H Theater Or.3

1BH 00H 00H Theater Or.4

1DH 00H 00H Theater Or.5

1FH 00H 00H Theater Or.6

22H 00H 00H Theater Or.7

1BH 01H 00H Theater Ens.

1CH 01H 00H LyricTheater

1DH 01H 00H TheaterQuint

1EH 02H 00H AEx T.Mix

1EH 01H 00H AEx Theater

23H 00H 00H Synth. Org.1

24H 00H 00H Synth. Org.2

23H 01H 00H Synth. Org.3

24H 01H 00H Synth. Org.4

23H 02H 00H Digi Church

24H 02H 00H Metallic Org

25H 00H 00H Pop. Organ1

26H 00H 00H Pop. Organ2

27H 00H 00H Pop. Organ3

4AH 00H 00H Org. Attack1

4BH 00H 00H Org. Attack2

4CH 00H 00H Org. Attack3

4DH 00H 00H Org. Attack4

4EH 00H 00H Org. Click

28H 0DH 00H Full Strings

29H 03H 00H Full Tremolo

28H 0EH 00H Str/Spiccato

28H 06H 00H Chamber Str

28H 07H 00H Chamber Str2

28H 08H 00H Orch.Str.Ens

28H 00H 00H Strings1

29H 00H 00H Strings2

28H 01H 00H Strings3

29H 01H 00H Strings4

28H 02H 00H Strings5

28H 03H 00H Strings6

28H 04H 00H Strings7

28H 05H 00H Strings8

37H 03H 00H Rich Pizz.

37H 00H 00H Pizzicato

37H 01H 00H Mellow Pizz.

28H 09H 00H AEx Strings

28H 0CH 00H AEx Str+Trml

28H 0AH 00H AEx Str+Brs

28H 0BH 00H AEx Str+Chr

2AH 02H 00H Slow FullStr

2AH 00H 00H Slow Str.1

2BH 00H 00H Slow Str.2

2AH 01H 00H Slow Str.3

2CH 00H 00H Synth. Str.1

2DH 00H 00H Synth. Str.2

35H 00H 00H Synth. Str.3

5CH 00H 00H Violin

5CH 01H 00H AEx Violin

66H 00H 00H Viola

5DH 00H 00H Cello

BANK SELECT MSB

BANK SELECT LSB

VOICE NAME

TONE NUMBER

5DH 01H 00H Cello 2

5CH 02H 00H Er Hu

31H 01H 00H Jazz Scat

31H 0BH 00H Jazz Scat 2

31H 0CH 00H Jazz Scat 3

30H 0AH 00H Dreamy Choir

30H 0CH 00H F.Chorus Luh

30H 0DH 00H F.Chorus Who

31H 02H 00H Jazz Doo

31H 03H 00H Jazz Doot

31H 04H 00H Jazz Dat

31H 05H 00H Jazz Bap

31H 06H 00H Jazz DowFall

31H 0DH 00H Jazz DoohDot

31H 0EH 00H Jazz DahDat

32H 01H 00H Jazz Vaaah

31H 0FH 00H Jazz Doea

31H 00H 00H Pop Voice

32H 02H 00H AEx M.Chorus

30H 0EH 00H AEx F.Chorus

31H 08H 00H Soprano

31H 09H 00H Soprano 2

31H 07H 00H Tenor

31H 0AH 00H Tenor&Sop.

30H 02H 00H Classical

30H 03H 00H Boys Choir

30H 08H 00H Boys Choir2

30H 09H 00H Kids Choir

30H 01H 00H Gregorian

30H 06H 00H Gospel

30H 00H 00H Choir

30H 04H 00H Female 1

30H 05H 00H Female 2

30H 0BH 00H AEx Choir

32H 00H 00H Synth. Choir

33H 00H 00H Synth. Voice

34H 00H 00H Space Voice

34H 02H 00H Choir Chord

34H 01H 00H Vocal Menu

34H 03H 00H Oriental Chr

38H 02H 00H Grand Piano

38H 04H 00H Bright Piano

38H 00H 00H Piano1

4FH 00H 00H Piano2

38H 01H 00H Piano3

38H 03H 00H AEx PianoStr

39H 00H 00H Honky-tonk

39H 01H 00H Honky-tonk2

3AH 02H 00H StageE.Piano

3AH 03H 00H Dyno E.Piano

3AH 05H 00H '60s E.Piano

3AH 00H 00H E.Piano1

3BH 00H 00H E.Piano2

3AH 01H 00H E.Piano3

3BH 01H 00H E.Piano4

3AH 04H 00H AEx EP+Str

42H 01H 00H HarpsiSingle

42H 02H 00H HarpsiDouble

42H 00H 00H Harpsichord

50H 00H 00H Clavi.

3CH 00H 00H Nylon-str.Gt

3CH 01H 00H Nylon Gt.2

BANK SELECT MSB

BANK SELECT LSB

VOICE NAME

TONE NUMBER

3CH 03H 00H Fl.Guitar

3CH 04H 00H Fl.Gtr.Roll

3CH 05H 00H Requinto Gtr

3DH 03H 00H Ac.Gtr Sld

3DH 02H 00H Ac.Gtr Hrm

3DH 00H 00H Steel-str.Gt

3DH 01H 00H 12str Guitar

3CH 02H 00H AEx Gtr+Str

3DH 04H 00H SemAc.Guitar

3EH 00H 00H Jazz Guitar

3EH 01H 00H Clean Guitar

3EH 02H 00H JC E.Guitar

3FH 05H 00H LP Overdrive

3FH 00H 00H Overdrive Gt

3FH 01H 00H DistortionGt

3FH 02H 00H Power Guitar

3FH 03H 00H Rock Rhythm

3FH 04H 00H Muted Guitar

3FH 06H 00H AEx OD Gtr.

56H 00H 00H Hawaiian Gt.

56H 01H 00H Pedal Steel

47H 00H 00H Banjo

47H 01H 00H Banjo Treml

46H 00H 00H Mandolin

43H 00H 00H Harp

43H 07H 00H Harp 2

43H 04H 00H Celtic Harp

43H 05H 00H Nylon Harp

43H 06H 00H Harpvox

43H 01H 00H Koto

43H 02H 00H Taisho Koto

43H 03H 00H Shamisen

43H 08H 00H Sanshin

3CH 07H 00H Chung Ruan

3CH 06H 00H Pi Pa

5AH 00H 00H Sitar

40H 06H 00H BrassSect.1

40H 05H 00H BrassSect.2

40H 01H 00H Brass 1

40H 02H 00H Brass 2

40H 03H 00H Brass 3

58H 06H 00H Orch.Tutti 1

58H 07H 00H Orch.Tutti 2

58H 08H 00H Orch.Tutti 3

58H 04H 00H Orch.Brs Ens

40H 07H 00H Quad Brass

40H 04H 00H Power Brass

40H 0AH 00H FatPop Brass

40H 09H 00H Brass Fall

40H 0CH 00H AEx Orch.Brs

40H 0BH 00H AEx Brass

40H 0DH 00H AEx Big Band

5EH 06H 00H Twin Tp.

40H 00H 00H Tp. Section

5EH 05H 00H Trumpet Fall

68H 02H 00H Twin Bones

40H 08H 00H Bones Sect.

58H 00H 00H Fr.Horn Sect

58H 01H 00H Fr.HornSect2

58H 02H 00H Fr.HornSect3

58H 03H 00H Fr.HornSect4

58H 05H 00H MutedFr.Horn

BANK SELECT MSB

BANK SELECT LSB

VOICE NAME

TONE NUMBER

58H 09H 00H AEx Fr.Horn

41H 00H 00H Sax.Section

41H 01H 00H Sax.Section2

41H 02H 00H Sax.Section3

41H 03H 00H Sax/Brass

41H 04H 00H Sax&Clarinet

59H 00H 00H Synth. Brass

5EH 08H 00H Trumpet Solo

5EH 00H 00H Trumpet

5EH 01H 00H Trumpet2

5EH 02H 00H Trumpet3

5EH 03H 00H Tp/Shake

5EH 04H 00H Mariachi Tp.

5FH 03H 00H HarmonMuteTp

5FH 02H 00H Cup Mute Tp.

5FH 00H 00H Mute Trumpet

5FH 01H 00H MuteTrumpet2

5EH 07H 00H AEx Trumpet

67H 00H 00H Flugel Horn

68H 03H 00H TromboneSolo

68H 00H 00H Trombone

68H 01H 00H Trombone2

67H 01H 00H F.Horn Solo1

67H 02H 00H F.Horn Solo2

69H 00H 00H Soprano Sax

69H 01H 00H Soprano Sax2

60H 03H 00H Alto Sax Ex

60H 00H 00H Alto Sax

60H 01H 00H Alto Sax2

60H 02H 00H Blow Sax

60H 04H 00H AEx AltoSax

61H 02H 00H Super Tenor

61H 00H 00H Tenor Sax

61H 01H 00H Tenor Sax2

61H 03H 00H Baritone Sax

6AH 02H 00H Wood Winds

6AH 03H 00H Wood Winds 2

62H 06H 00H AEx Woodwind

62H 00H 00H Flute

62H 01H 00H Flute2

62H 02H 00H Flute3

62H 05H 00H AEx Flute

62H 04H 00H Piccolo

36H 00H 00H Synth. Flute

64H 02H 00H Oboe Solo

64H 00H 00H Oboe

64H 01H 00H AEx Oboe

6AH 01H 00H English Horn

6AH 00H 00H Bassoon

6AH 04H 00H Bassoon 2

65H 05H 00H ClarinetSolo

65H 00H 00H Clarinet

65H 01H 00H Clarinet2

65H 02H 00H Clarinet3

65H 03H 00H Clarinet4

65H 04H 00H Bs Clarinet

6BH 00H 00H Shakuhachi

6BH 01H 00H Qu Di

63H 00H 00H Pan Flute

63H 01H 00H Pan Flute 2

62H 03H 00H Tin Whistle

6CH 02H 00H Uillean Pipe

BANK SELECT MSB

BANK SELECT LSB

VOICE NAME

TONE NUMBER

6CH 01H 00H Bagpipe

63H 02H 00H Bottle Blow

6CH 00H 00H HumanWhistle

6DH 00H 00H Synth. Lead1

6EH 00H 00H Synth. Lead2

6FH 00H 00H Synth. Lead3

70H 00H 00H Synth. Lead4

71H 00H 00H Synth. Lead5

6EH 01H 00H Retro Lead

6DH 01H 00H JP SuperSaw

71H 01H 00H CC Solo

6EH 02H 00H AEx Lead

2EH 00H 00H Synth. Pad1

2FH 00H 00H Synth. Pad2

2DH 01H 00H Synth. Pad3

2FH 01H 00H OB Pad

2DH 02H 00H Soft Pad

2DH 03H 00H Mystic Str.

2DH 04H 00H Crystal Pad

2DH 05H 00H Polar Night

2DH 06H 00H Space Pad

2EH 01H 00H Galactic

71H 02H 00H Sugar Key

6FH 01H 00H HollowReleas

2EH 02H 00H AEx GlassPad

48H 03H 00H Acco.Classic

48H 01H 00H Fr.Musette

48H 05H 00H German Acco.

48H 02H 00H Italian Folk

48H 00H 00H Accordion

48H 04H 00H AEx Acordion

55H 01H 00H BandoneonFul

55H 00H 00H Bandoneon

49H 01H 00H Blues Harp

49H 00H 00H Harmonica

72H 00H 00H Organ Bass1

73H 00H 00H Organ Bass2

0EH 02H 00H PedalOrg.16'

0EH 03H 00H Pedal Org.8'

74H 00H 00H Pipe Org. Bs

74H 02H 00H Bombarde

74H 01H 00H Theater Bass

75H 02H 00H Str.Bass Pdl

75H 00H 00H String Bass

75H 01H 00H String Bass2

75H 05H 00H Str.Bass Oct

75H 03H 00H Str.BassSolo

7DH 00H 00H Bass+Cymbal

75H 04H 00H Baby Bass

78H 00H 00H Contrabass1

79H 00H 00H Contrabass2

78H 01H 00H ContraBs Oct

78H 02H 00H ContraBs+SD

79H 01H 00H AEx Bs+Timp

79H 02H 00H AEx Bs+Tuba

7AH 00H 00H Tuba

7AH 01H 00H Tuba2

7AH 02H 00H Tuba3

76H 00H 00H E.Bass1

77H 00H 00H E.Bass2

76H 01H 00H E.Bass3

77H 01H 00H E.Bass4

BANK SELECT MSB

BANK SELECT LSB

VOICE NAME

TONE NUMBER

76H 02H 00H E.Bass5

76H 03H 00H E.Bass Oct

7BH 01H 00H Power Bass

7BH 00H 00H Synth. Bass1

7CH 00H 00H Synth. Bass2

7CH 01H 00H Voice Thum

7EH 01H 00H Timpani

7EH 02H 00H Timpani2

7EH 03H 00H Soft Timpani

7EH 0BH 00H AEx TimpRoll

7DH 0EH 00H Concert Cym.

7DH 0CH 00H Short Cymbal

7EH 08H 00H MalletCymRol

7DH 02H 00H Crash Cymbal

7DH 01H 00H Ride Cymbal

7EH 0AH 00H Snare & Roll

7DH 06H 00H Snare Drum

7DH 07H 00H Bass Drum

7DH 0DH 00H Triangle

7DH 03H 00H Tambourine

7EH 09H 00H TambourinRol

7DH 04H 00H Woodblock

7DH 0BH 00H Woodblock 2

7DH 0AH 00H Castanet

7DH 05H 00H Jingle Bell

7DH 08H 00H Church Bell

7EH 00H 00H Perc. Set1

7FH 00H 00H Perc. Set2

7FH 01H 00H Perc. Set3

7FH 02H 00H Orch.HitMenu

7FH 03H 00H DanceHitMenu

7FH 04H 00H AcGtrNzMenu

44H 01H 00H Jazz Vibes

44H 00H 00H Vibraphone

52H 00H 00H Glockenspiel

51H 00H 00H Celesta

57H 00H 00H Organ Harp

54H 01H 00H Organ Bell

54H 00H 00H Tubular-bell

7DH 09H 00H Hand Bell

45H 00H 00H Marimba

45H 01H 00H MarimbaTreml

53H 00H 00H Xylophone

53H 01H 00H Balafon

5BH 00H 00H Steel Drums

5BH 01H 00H Steel Drums2

5AH 03H 00H Yang Qin

5AH 02H 00H Santur

5AH 01H 00H Kalimba

51H 01H 00H Music Box

51H 02H 00H SoftMusicBox

54H 03H 00H Vibra Bells

54H 04H 00H Digi Bells

7EH 05H 00H Finger Snap

7EH 06H 00H Footsteps

7EH 07H 00H Key Typing

7EH 04H 00H Bird

BANK SELECT MSB

BANK SELECT LSB

VOICE NAME

●Tone List (Manual Drum Part)

RHYTHM SET NUMBER

03H 00H 40H POP

04H 00H 40H R&B

11H 00H 40H ROCK

2BH 00H 40H JAZZ BRUSH

09H 00H 40H HIPHOP

3FH 00H 40H VOX DRUM

00H 00H 00H STANDARD

00H 00H 40H STANDARD 2

08H 00H 00H ROOM

08H 00H 40H ROOM 2

10H 00H 00H POWER

18H 00H 00H ELECTRONIC

19H 00H 00H TR-808

19H 00H 40H DANCE

20H 00H 00H JAZZ

28H 00H 00H BRUSH

28H 00H 40H BRUSH 2

30H 00H 00H ORCHESTRA

38H 00H 00H SOUND EFFECT

BANK SELECT MSB

BANK SELECT LSB

NAME

●Tone List (Manual Percussion Part)

TONE NUMBER

00H 00H 00H PERC SET 1

01H 00H 00H PERC SET 2

04H 00H 00H PERC SET 3

05H 00H 00H ORCHESTRA SET

0BH 00H 00H ORCHESTRA SET 2

06H 00H 00H LATIN SET

0CH 00H 00H ASIAN SET

02H 00H 00H VOICE PHRASE

07H 00H 00H VOICE PHRASE 2

08H 00H 00H VOICE PHRASE 3

09H 00H 00H SFX SET

0DH 00H 00H SFX SET 2

03H 00H 00H JAPANESE SET

0AH 00H 00H JAPANESSE SET 2

BANK SELECT MSB

BANK SELECT LSB

NAME

●Tone List (GM2/GS Part)

GS tones may not be played back correctly on GM2 devices. To ensure GM2 compatibility,

use only GM2 tones.

❍GM2 Tone List

CC00 CC32 PC# ToneName

121 0 1 Grand Piano1

121 1 1 Grand Piano1

121 2 1 Piano1

121 0 2 Piano 2

121 1 2 Grand Piano2

121 0 3 Piano 3

121 1 3 Rock Piano

121 0 4 GS Honkytonk

121 1 4 Honky-tonk 1

121 0 5 E.Piano 1

121 1 5 Soft E.Piano

121 2 5 FM+SA EP

121 3 5 Wurly

121 0 6 E.Piano 2

CC00 CC32 PC# ToneName

121 1 6 Detuned EP 2

121 2 6 St.FM EP

121 3 6 EP Legend

121 4 6 EP Phase

121 0 7 Harpsi.Singl

121 1 7 Harpsi.Doubl

121 2 7 Harpsichord

121 3 7 Harpsi.o

121 0 8 Soft Clav.

121 1 8 Pulse Clav

121 0 9 Celesta

121 0 10 GS Glocken

121 0 11 GS Music Box

121 0 12 GS Vibe

121 1 12 Vibraphone

121 0 13 GS Marimba

121 1 13 Marimba

121 0 14 Xylophone

121 0 15 Tubular-bell

121 1 15 Church Bell

121 2 15 Carillon

121 0 16 Santur

121 0 17 Full Organ 4

121 1 17 Detuned Or.1

121 2 17 Pop Organ 1

121 3 17 Full Organ 2

121 0 18 Jazz Organ1

121 1 18 Detuned Or.2

121 2 18 Jazz Organ2

121 0 19 Rock Organ2

121 0 20 Church Org.1

121 1 20 Church Org.2

121 2 20 Church Org.3

121 0 21 Reed Organ

121 1 21 Puff Organ

121 0 22 Accordion

121 1 22 Accordion It

121 0 23 Harmonica

121 0 24 Bandoneon

121 0 25 Nylon Guitar

121 1 25 Ukulele

121 2 25 Nylon Gt.o

121 3 25 Nylon Guitar

121 0 26 Steel Guitar

121 1 26 12str Guitar

121 2 26 GS Mandolin

121 3 26 Steel+Body

121 0 27 Jazz Guitar

121 1 27 Hawaiian Gt.

121 0 28 Clean Gt.

121 1 28 Chorus Gt.

121 2 28 Mid Tone GTR

121 0 29 Muted Gt.

121 1 29 Funk Gt.

121 2 29 Funk Gt.2

121 3 29 Jazz Man

121 0 30 Overdrive Gt

121 1 30 Guitar Pinch

121 0 31 DistortionGt

121 1 31 Feedback Gt.

121 2 31 Dist Rtm GTR

121 0 32 Gt.Harmonics

121 1 32 Gt. Feedback

CC00 CC32 PC# ToneName

121 0 33 Acoustic Bs.

121 0 34 Fingered Bs.

121 1 34 Finger Slap

121 0 35 Picked Bs.

121 0 36 Fretless Bs.

121 0 37 Slap Bass

121 0 38 Slap Bass 2

121 0 39 Synth Bass 1

121 1 39 SynthBass101

121 2 39 Synth Bass 3

121 3 39 Clavi Bass

121 4 39 Hammer

121 0 40 Synth Bass 2

121 1 40 Synth Bass 4

121 2 40 Rubber Bass

121 3 40 Attack Pulse

121 0 41 GS Violin

121 1 41 Slow Violin

121 0 42 Viola

121 0 43 GS Cello

121 0 44 Contrabass

121 0 45 GS Trem.Str

121 0 46 PizzicatoStr

121 0 47 Harp

121 1 47 Yang Qin

121 0 48 Timpani

121 0 49 Strings

121 1 49 Orchestra

121 2 49 60’s Strings

121 0 50 Slow Strings

121 0 51 Syn.Strings1

121 1 51 Syn.Strings3

121 0 52 Syn.Strings2

121 0 53 Choir Aahs

121 1 53 Choir

121 0 54 Doos Voice

121 1 54 Humming

121 0 55 SynVox

121 1 55 Analog Voice

121 0 56 OrchestraHit

121 1 56 Euro Hit

121 2 56 6th Hit

121 3 56 Euro Hit

121 0 57 Trumpet

121 1 57 Dark Trumpet

121 0 58 TromboneSoft

121 1 58 GS Trombone

121 2 58 Bright Tb

121 0 59 Tuba

121 0 60 MutedTrumpet

121 1 60 MuteTrumpet2

121 0 61 French Horn

121 1 61 Fr.Horn Solo

121 0 62 Brass 1

121 1 62 Brass 2

121 0 63 Synth Brass1

121 1 63 Synth Brass3

121 2 63 AnalogBrass1

121 3 63 Jump Brass

121 0 64 Synth Brass2

121 1 64 Synth Brass4

121 2 64 AnalogBrass2

121 0 65 Soprano Sax

CC00 CC32 PC# ToneName

121 0 66 Blow Sax

121 0 67 Tenor Sax

121 0 68 Baritone Sax

121 0 69 Oboe

121 0 70 GS Eng.Horn

121 0 71 Bassoon

121 0 72 Clarinet

121 0 73 Piccolo

121 0 74 Flute

121 0 75 Recorder

121 0 76 Pan Flute

121 0 77 Bottle Blow

121 0 78 Shakuhachi

121 0 79 Whistle

121 0 80 Ocarina

121 0 81 Square Wave

121 1 81 Square

121 2 81 Sine Wave

121 0 82 Saw Wave

121 1 82 Saw

121 2 82 Doctor Solo

121 3 82 Natural Lead

121 4 82 SequencedSaw

121 0 83 Syn.Calliope

121 0 84 Chiffer Lead

121 0 85 Charang

121 1 85 Wire Lead

121 0 86 Solo Vox

121 0 87 5th Saw Wave

121 0 88 Bass & Lead

121 1 88 Delayed Lead

121 0 89 Fantasia

121 0 90 Warm Pad

121 1 90 Sine Pad

121 0 91 Polysynth

121 0 92 Space Voice

121 1 92 Itopia

121 0 93 Bowed Glass

121 0 94 Metal Pad

121 0 95 Halo Pad

121 0 96 Sweep Pad

121 0 97 Ice Rain

121 0 98 Soundtrack

121 0 99 Crystal

121 1 99 Syn Mallet

121 0 100 Atmosphere

121 0 101 Brightness

121 0 102 Goblin

121 0 103 Echo Drops

121 1 103 Echo Bell

121 2 103 Echo Pan

121 0 104 Star Theme

121 0 105 Sitar

121 1 105 Sitar 2

121 0 106 Banjo

121 0 107 Shamisen

121 0 108 Koto

121 1 108 Taisho Koto

121 0 109 Kalimba

121 0 110 Bagpipe

121 0 111 Fiddle

121 0 112 Shanai

121 0 113 Tinkle Bell

CC00 CC32 PC# ToneName

121 0 114 Agogo

121 0 115 Steel Drums

121 0 116 Woodblock

121 1 116 Castanets

121 0 117 Taiko

121 1 117 Concert BD

121 0 118 Melo. Tom 1

121 1 118 Melo. Tom 2

121 0 119 Synth Drum

121 1 119 808 Tom

121 2 119 Elec Perc.

121 0 120 Reverse Cym.

121 0 121 Gt.FretNoise

121 1 121 Gt.Cut Noise

121 2 121 String Slap

121 0 122 Breath Noise

121 1 122 Fl.Key Click

121 0 123 Seashore

121 1 123 Rain

121 2 123 Thunder

121 3 123 Wind

121 4 123 Stream

121 5 123 Bubble

121 0 124 Bird

121 1 124 Dog

121 2 124 Horse-Gallop

121 3 124 Bird 2

121 0 125 Telephone 1

121 1 125 Telephone 2

121 2 125 DoorCreaking

121 3 125 Door

121 4 125 Scratch

121 5 125 Windchime

121 0 126 Helicopter

121 1 126 Car-Engine

121 2 126 Car-Stop

121 3 126 Car-Pass

121 4 126 Car-Crash

121 5 126 Siren

121 6 126 Train

121 7 126 Jetplane

121 8 126 Starship

121 9 126 Burst Noise

121 0 127 Applause

121 1 127 Laughing

121 2 127 Screaming

121 3 127 Punch

121 4 127 Heart Beat

121 5 127 Footsteps

121 0 128 Gun Shot

121 1 128 Machine Gun

121 2 128 Lasergun

121 3 128 Explosion

❍GS Tone List

Voice without a “#” symbol appended to their name may not play back satisfactorily on

other GS sound generating devices.

CC0 CC32 PC# NAME

0 0 1 Grand Piano1 #

0 65 1 MIDI Piano1

0 71 1 RichChoirPno

0 72 1 Piano 1*

8 0 1 Piano 1w #

8 64 1 Grand Piano1

16 0 1 Piano 1d #

0 0 2 Piano 2 #

0 64 2 Grand Piano2

0 65 2 MIDI Piano2

0 72 2 Piano 2*

8 0 2 Piano 2w #

0 0 3 Piano 3 #

0 65 3 EG+Rhodes 1

0 66 3 EG+Rhodes 2

0 67 3 Piano_Bell

0 68 3 Piano_Choir

0 72 3 Piano 3*

8 0 3 Piano 3w #

8 64 3 Rock Piano

8 65 3 Piano_Vox

8 66 3 Piano_Str

0 0 4 GS Honkytonk #

0 72 4 Honky-tonk*

8 0 4 Honky-tonk 2 #

8 64 4 Honky-tonk 1

0 0 5 GS E.Piano1 #

0 65 5 Hard Rhodes

0 66 5 Stage Rhodes

0 72 5 E.Piano 1*

8 0 5 Detuned EP 1 #

8 64 5 Soft E.Piano

8 66 5 Chord EP1

8 68 5 PhaseRhods

16 0 5 E.Piano 1v #

16 64 5 E.Piano 1

16 65 5 Dyno Rhodes*

16 66 5 Suitcase

16 67 5 Dyno Rhodes

16 68 5 Tremolo Dyno

24 0 5 60’s E.Piano #

24 64 5 Sine Rhodes

24 65 5 Wurly

24 66 5 Dist E.Piano

24 72 5 60’sE.Piano*

0 0 6 GS E.Piano2 #

0 64 6 Hard E.Piano

0 65 6 E.Piano 3

0 66 6 E.Piano 2

0 67 6 EP Phase

0 72 6 E.Piano 2*

8 0 6 Detuned EP 2 #

8 64 6 St.FM EP

8 65 6 FM+SA EP

8 66 6 Hard FM EP

8 67 6 MellowRhodes

16 0 6 E.Piano 2v #

16 64 6 E.Piano 2

16 66 6 EP Legend

0 0 7 GS Harpsi. #

CC0 CC32 PC# NAME

0 64 7 Harpsi.Singl

0 65 7 Harpsichord

0 72 7 Harpsichord*

8 0 7 Coupled Hps. #

8 64 7 Harpsi.Doubl

8 65 7 Synth Harpsi

16 0 7 Harpsi.w #

24 0 7 Harpsi.o #

0 0 8 Soft Clav. #

0 64 8 Analog Clav.

0 65 8 5th Ana.Clav

0 66 8 Hard Clav.

0 67 8 Clav.

0 68 8 SynRingClav.

0 69 8 Reso Clav.

0 70 8 Phase Clav.

0 71 8 Pulse Clav

0 72 8 Clav.*

0 0 9 Celesta #

0 64 9 Pop Celesta

0 72 9 Celesta*

0 0 10 GS Glocken #

0 64 10 Glockenspiel

0 72 10 Glocken*

0 0 11 GS Music Box #

0 64 11 Music Box

0 72 11 Music Box*

0 0 12 GS Vibe #

0 64 12 Vibraphone

0 65 12 Pop Vibe.

0 72 12 Vibraphone*

8 0 12 Vibe.w #

8 64 12 Jazzy Vib+Gt

0 0 13 GS Marimba #

0 64 13 Soft Marimba

0 72 13 Marimba*

8 0 13 Marimba #

8 64 13 Balafon

0 0 14 Xylophone #

0 72 14 Xylophone*

0 0 15 Tubular-bell #

0 72 15 Tubularbell*

8 0 15 Church Bell #

9 0 15 Carillon #

9 72 15 Carillon*

0 0 16 GS Santur #

0 64 16 Santur

0 72 16 Santur*

0 0 17 Organ 1 #

0 66 17 Lower Organ1

0 67 17 Full Organ 5

0 68 17 Trem. Organ

0 72 17 Organ 1*

1 0 17 Full Organ 1

8 0 17 Detuned Or.1 #

8 66 17 Lower Organ2

8 67 17 Full Organ 6

9 0 17 Full Organ 2

16 0 17 Pop Organ 1 #

16 66 17 Lower Organ3

16 67 17 Full Organ 7

16 72 17 Pop Organ 1*

17 0 17 Pop Organ 2

CC0 CC32 PC# NAME

18 0 17 Pop Organ

32 0 17 Full Organ 4 #

32 1 17 Organ 4

32 64 17 VS Organ

32 66 17 Metalic Org.

32 67 17 Full Organ 8

33 0 17 Full Organ 3

0 0 18 Organ 2 #

0 65 18 Jazz Organ4

0 66 18 Jazz Organ 5

0 72 18 Organ 2*

1 0 18 Jazz Organ3

8 0 18 Detuned Or.2 #

8 65 18 Organ Bass

8 66 18 Jazz Organ 6

32 0 18 Jazz Organ1 #

32 1 18 Organ 5

32 64 18 Jazz Organ2

32 65 18 Pipe Org. Bs

32 66 18 Jazz Organ 7

0 0 19 Rock Organ2 #

0 64 19 Rock Organ1

0 65 19 Rotary Org.S

0 66 19 Rotary Org.F

0 67 19 L-Organ

0 68 19 Rock Organ1

0 72 19 Rock Organ2*

0 0 20 Church Org.1 #

0 64 20 Organ Flute

0 65 20 Church Organ

0 67 20 Diapason 8’

0 72 20 ChurchOrg.1*

8 0 20 Church Org.2 #

8 64 20 Trem.Flute

8 65 20 Church Organ

8 67 20 Puff Organ

16 0 20 Church Org.3 #

16 64 20 Theater Org.

16 66 20 Nason flt 8’

0 0 21 Reed Organ #

0 64 21 Digi Church

0 65 21 CheeseOrgan

0 72 21 Reed Organ*

0 0 22 Accordion Fr #

0 64 22 Accordion

0 65 22 Hard Accord

0 72 22 AccordionFr*

8 0 22 Accordion It #

0 0 23 GS Harmonica #

0 64 23 Harmonica

0 68 23 Blues Harp

0 72 23 Harmonica*

0 0 24 Bandoneon #

0 72 24 Bandoneon*

0 0 25 GS Nylon Gt. #

0 66 25 Chord Gt1

0 72 25 Nylon-strGt*

8 0 25 Ukulele #

8 64 25 Gut Guitar

16 0 25 Nylon Gt.o #

16 64 25 Nylon Gt.o

32 0 25 Nylon Guitar #

32 1 25 Nylon Gt.2

CC0 CC32 PC# NAME

32 64 25 Nylon Gt.2

32 65 25 Velo Harmnix

32 68 25 Requint Gtr

0 0 26 Steel-str.Gt #

0 64 26 Steel Guitar

0 65 26 EX A.Guitar*

0 66 26 Ac.GuitarSld

0 67 26 EX A.Guitar2

0 68 26 Steel+Body

0 69 26 Steel Vox

0 70 26 V Ac.Guitar3

0 72 26 Steel-strGt*

8 0 26 12-str.Gt #

8 64 26 12str Guitar

9 0 26 Nylon+Steel

16 0 26 GS Mandolin #

16 64 26 Mandolin

32 0 26 Steel Gt.2

0 0 27 Jazz Guitar #

0 68 27 Jazz Grt.

0 72 27 Jazz Guitar*

1 4 27 Mellow Gt.

8 0 27 GS Hawaiian #

8 64 27 Hawaiian Gt.

0 0 28 Clean Gt. #

0 64 28 JC E.Guitar

0 65 28 Open Hard

0 66 28 Mid Tone GTR

0 72 28 Clean Gt.*

8 0 28 Chorus Gt. #

8 64 28 Clean Half

0 0 29 Muted Gt. #

0 64 29 Muted Dis.Gt

0 65 29 Muted Gt.2

0 72 29 Muted Gt.*

8 0 29 Funk Gt. #

8 64 29 Jazz Man

8 72 29 Funk Gt.*

16 0 29 Funk Gt.2 #

0 0 30 Overdrive Gt #

0 65 30 Guitar Pinch

0 68 30 LP Chorus

0 72 30 OverdriveGt*

0 0 31 GS Dist.Gt #

0 64 31 DistortionGt

0 65 31 Dazed Guitar

0 66 31 Rock Rhythm2

0 72 31 Dist.Guitar*

8 0 31 Feedback Gt. #

8 64 31 Power Gt.2

8 65 31 Power Guitar

8 66 31 Rock Rhythm

8 67 31 Dist Rtm GTR

8 68 31 Feedback Gt2

8 69 31 5th Dist.

0 0 32 Gt.Harmonics #

0 64 32 Ac.Gt.Harmnx

0 72 32 Gt.Harmo*

8 0 32 Gt. Feedback #

0 0 33 GS Ac.Bass #

0 64 33 Acoustic Bs.

0 65 33 A.Bass+Cymbl

0 72 33 Acoustic Bs*

CC0 CC32 PC# NAME

0 0 34 GS Fing.Bass #

0 64 34 Fingered Bs.

0 65 34 Finger Slap

0 68 34 Baby Bass

0 72 34 Fingered Bs*

1 4 34 Fingered Bs2

0 0 35 GS Picked Bs #

0 64 35 Picked Bs.

0 65 35 Mute PickBs.

0 72 35 Picked Bs.*

0 0 36 Fretless Bs. #

0 64 36 Mr.Smooth

0 72 36 Fretless Bs*

0 0 37 Slap Bass #

0 72 37 Slap Bass 1*

0 0 38 Slap Bass 2 #

0 72 38 Slap Bass 2*

0 0 39 Synth Bass 1 #

0 64 39 Jungle Bass

0 65 39 Hammer

0 72 39 Synth Bass1*

1 0 39 SynthBass101 #

1 64 39 ResoSH Bass

8 0 39 Synth Bass 3 #

8 4 39 Acid Bass

8 64 39 Clavi Bass

0 0 40 Synth Bass 2 #

0 64 40 Synth Bass

0 72 40 Synth Bass2*

8 0 40 Synth Bass 4 #

8 4 40 Beef FM Bass

8 65 40 Modular Bass

8 66 40 Attack Pulse

16 0 40 Rubber Bass #

16 64 40 SH101 Bass

16 65 40 WireStr Bass

16 66 40 Sync Bass

16 72 40 Rubber Bass*

19 4 40 Smooth Bass

0 0 41 GS Violin #

0 64 41 Violin

0 72 41 Violin*

8 0 41 Slow Violin #

0 0 42 Viola #

0 72 42 Viola*

0 0 43 GS Cello #

0 64 43 Cello

0 72 43 Cello*

0 0 44 Contrabass #

0 72 44 Contrabass*

0 0 45 GS Trem.Str #

0 64 45 Tremolo Str

0 65 45 Suspense Str

0 72 45 Tremolo Str*

0 0 46 PizzicatoStr #

0 64 46 Mellow Pizz.

0 72 46 Pizzicato*

0 0 47 GS Harp #

0 64 47 Harp

0 65 47 Yang Qin

0 66 47 Harp Strings

0 72 47 Harp*

0 0 48 Timpani #

CC0 CC32 PC# NAME

0 72 48 Timpani*

0 0 49 GS Strings #

0 64 49 Strings

0 65 49 Velo Strings

0 66 49 Oct Strings

0 67 49 60’s Strings

0 68 49 Strings 2

0 71 49 Strings

0 72 49 Strings*

8 0 49 Orchestra #

8 64 49 OrchestraBrs

8 65 49 Choir Str

0 0 50 GS Sl.Str #

0 64 50 Slow Strings

0 65 50 SlowStrings2

0 66 50 Legato Str

0 67 50 Warm Strings

0 71 50 Slow Strings

0 72 50 SlowStrings*

0 0 51 Syn.Strings1 #

0 64 51 Syn.Slow Str

0 65 51 OB Strings

0 72 51 Syn.Str 1*

8 0 51 Syn.Strings3 #

0 0 52 Syn.Strings2 #

0 64 52 JP Saw Str

0 72 52 Syn.Str 2*

0 0 53 Choir Aahs #

0 64 53 Rich Choir

0 66 53 Dreamy Choir

0 72 53 Choir Aahs*

32 0 53 Choir #

32 64 53 Choir Str

32 65 53 Voice Oohs

32 69 53 Voice Dahs

0 0 54 Pop Voice #

0 64 54 Jazz Voices

0 65 54 Doos Voice

0 66 54 Thum Voice

0 67 54 Doot Accent

0 68 54 Dat Accent

0 69 54 Bop Accent

0 70 54 Doos & Doot

0 71 54 Dat & Bop

0 72 54 Pop Voice*

0 0 55 SynVox #

0 64 55 Choir Oohs

0 65 55 AT JazzScat

0 66 55 Humming

0 67 55 Humming

0 68 55 Tenor

0 69 55 Analog Voice

0 70 55 Jazz Scat

0 71 55 Dow Fall

0 72 55 SynVox*

0 0 56 OrchestraHit #

0 64 56 Philly Hit

0 65 56 6th Hit

0 66 56 Euro Hit

0 67 56 Bass Hit

0 68 56 Rave Hit

0 69 56 Stack Hit

0 72 56 Orche.Hit*

CC0 CC32 PC# NAME

0 0 57 GS Trumpet #

0 64 57 Trumpet

0 65 57 EX Trumpet

0 66 57 V Trumpet

0 67 57 Tp Shake

0 72 57 Trumpet*

1 64 57 EX Tp&Shake*

1 65 57 EX Tp&Shake

1 66 57 Dark Trumpet

1 67 57 Romantic

1 68 57 Romantic Tp

0 0 58 GS Trombone #

0 64 58 TromboneSoft

0 65 58 Bright Tb

0 68 58 Trombone 3

0 72 58 Trombone*

1 0 58 Trombone 2 #

1 64 58 Trombone

0 0 59 GS Tuba #

0 64 59 Tuba

0 72 59 Tuba*

0 0 60 MutedTrumpet #

0 64 60 MuteTrumpet2

0 68 60 Muted Tp 2

0 72 60 M.Trumpet*

0 0 61 French Horn #

0 64 61 Fr.Horn Solo

0 65 61 Flugel Horn

0 72 61 FrenchHorns*

1 0 61 Fr.Horn 2 #

1 64 61 SuperF.Horns

1 65 61 OrchestraBrs

0 0 62 Brass 1 #

0 65 62 Bright Brass

0 66 62 Brass ff

0 67 62 Brass sfz

0 72 62 Brass 1*

8 0 62 Brass 2 #

8 64 62 Power Brass

8 65 62 BrassSection

8 66 62 St. Brass ff

8 69 62 Brass Fall

8 70 62 Trumpet Fall

0 0 63 Synth Brass1 #

0 64 63 Jump Brass

0 72 63 SynthBrass1*

8 0 63 Synth Brass3 #

8 64 63 DeepSynBrass

8 65 63 Oct SynBrass

16 0 63 AnalogBrass1 #

16 72 63 A.Brass 1*

0 0 64 Synth Brass2 #

0 64 64 EX Orchestra

0 65 64 Soft Brass

0 72 64 SynthBrass2*

8 0 64 Synth Brass4 #

16 0 64 AnalogBrass2 #

0 0 65 GS Sop.Sax #

0 64 65 Soprano Sax

0 72 65 Soprano Sax*

0 0 66 Alto Sax #

0 64 66 AltoSax Soft

0 65 66 EX Alto Sax

CC0 CC32 PC# NAME

0 66 66 Sax Section

0 72 66 Alto Sax*

8 0 66 Blow Sax

8 64 66 Grow Sax

8 66 66 AltoSax + Tp

0 0 67 Tenor Sax #

0 65 67 Super Tenor

0 72 67 Tenor Sax*

8 64 67 Tenor Sax f

8 68 67 Super Tenor

0 0 68 GS Bari Sax #

0 64 68 Baritone Sax

0 65 68 Bari & Tenor

0 72 68 BaritoneSax*

0 0 69 GS Oboe #

0 64 69 Oboe

0 72 69 Oboe*

1 64 69 Tune Oboe

0 0 70 GS Eng.Horn #

0 64 70 English Horn

0 72 70 EnglishHorn*

0 0 71 Bassoon #

0 72 71 Bassoon*

0 0 72 Clarinet #

0 64 72 Bs Clarinet

0 72 72 Clarinet*

0 0 73 Piccolo #

0 72 73 Piccolo*

0 0 74 GS Flute #

0 64 74 Flute

0 72 74 Flute*

0 0 75 Recorder #

0 72 75 Recorder*

0 0 76 GS Pan Flute #

0 64 76 Blow Pipe

0 65 76 Pan Flute

0 72 76 Pan Flute*

0 0 77 Bottle Blow #

0 64 77 Bottle Blow

0 65 77 BottleBlow2

0 72 77 Bottle Blow*

0 0 78 Shakuhachi #

0 72 78 Shakuhachi*

0 0 79 Whistle #

0 72 79 Whistle*

0 0 80 Ocarina #

0 72 80 Ocarina*

0 0 81 Square Wave #

0 64 81 Syn.Square

0 65 81 CC Solo

0 66 81 Dual Sqr&Saw

0 67 81 SquareWave2

0 72 81 Square Wave*

1 0 81 Square #

1 64 81 FM Lead 1

1 66 81 LM Square

3 4 81 Mellow FM

5 4 81 Shmoog

8 0 81 Sine Wave #

8 64 81 JP8 Square

0 0 82 Saw Wave #

0 64 82 Mg Lead

0 65 82 JP SuperSaw

CC0 CC32 PC# NAME

0 66 82 Saw Wave

0 67 82 Waspy Synth

0 72 82 Saw Wave*

1 0 82 Saw #

1 64 82 P5 Saw Lead

1 65 82 Natural Lead

1 68 82 OB Saw 1

4 4 82 Big Lead

8 0 82 Doctor Solo #

8 64 82 Rhythmic Saw

8 65 82 SequencedSaw

8 72 82 Doctor Solo*

0 0 83 Syn.Calliope #

0 64 83 JP8 Pulse

0 65 83 LM PureLead

0 72 83 SynCalliope*

2 4 83 Pure PanLead

0 0 84 Chiffer Lead #

0 64 84 Cheese Saw

0 72 84 ChifferLead*

0 0 85 Charang #

0 64 85 Reso Saw

0 65 85 2600 SubOsc

0 66 85 Acid Guitar

0 72 85 Charang*

8 64 85 Wire Lead

0 0 86 Solo Vox #

0 64 86 RAVE Vox

0 72 86 Solo Vox*

0 0 87 5th Saw Wave #

0 64 87 5th Lead

0 72 87 5th SawWave*

0 0 88 Bass & Lead #

0 64 88 FM Lead 2

0 65 88 Delayed Lead

0 68 88 Fat & Perky

0 72 88 Bass & Lead*

1 4 88 Big & Raw

0 0 89 Fantasia #

0 64 89 Fantasia 2

0 65 89 New Age Pad

0 66 89 Chord Syn1

0 67 89 Sugar Key

0 68 89 BriteSawKey

0 72 89 Fantasia*

0 0 90 Warm Pad #

0 64 90 Soft Pad

0 65 90 Warm JP Str

0 66 90 Sine Pad

0 72 90 Warm Pad*

0 0 91 Polysynth #

0 64 91 P5 Poly

0 65 91 Poly King

0 66 91 Octave Stack

0 67 91 Happy Synth

0 72 91 Polysynth*

1 4 91 80’s PolySyn

0 0 92 Space Voice #

0 64 92 Heaven II

0 65 92 Holy Voices

0 66 92 Warm SquPad

0 67 92 Itopia

0 72 92 Space Voice*

CC0 CC32 PC# NAME

0 0 93 Bowed Glass #

0 72 93 Bowed Glass*

0 0 94 Metal Pad #

0 64 94 Tine Pad

0 65 94 Panner Pad

0 72 94 Metal Pad*

0 0 95 Halo Pad #

0 64 95 JP8 Sqr Pad

0 65 95 Vox Sweep

0 72 95 Halo Pad*

0 0 96 Sweep Pad #

0 64 96 Sweep Pad 2

0 65 96 Polar Pad

0 66 96 Converge

0 72 96 Sweep Pad*

10 4 96 Celestial Pd

0 0 97 Ice Rain #

0 64 97 LFO RAVE

0 72 97 Ice Rain*

2 4 97 African wood

0 0 98 Soundtrack #

0 64 98 Ancestral

0 65 98 Prologue

0 72 98 Soundtrack*

0 0 99 Crystal #

0 64 99 Vibra Bells

0 65 99 Clear Bells

0 66 99 ChristmasBel

0 67 99 Bell Strings

0 72 99 Crystal*

1 0 99 Syn Mallet #

1 72 99 Syn Mallet*

2 4 99 Soft Crystal

9 4 99 Digi Bells

17 4 99 Air Bells

0 0 100 Atmosphere #

0 64 100 Harpvox

0 65 100 Nylon Harp

0 66 100 Nylon+Rhodes

0 67 100 HollowReleas

0 72 100 Atmosphere*

1 4 100 Warm Atmos

6 4 100 Ambient Pad

0 0 101 Brightness #

0 64 101 Org Bells

0 72 101 Brightness*

0 0 102 Goblin #

0 64 102 Calculating

0 65 102 Goblinson

0 66 102 50’s Sci-Fi

0 72 102 Goblin*

0 0 103 Echo Drops #

0 64 103 Big Panner

0 72 103 Echo Drops*

1 0 103 Echo Bell #

1 64 103 Ai-yai-a

2 0 103 Echo Pan #

2 64 103 Echo Pan 2

2 65 103 Water Piano

0 0 104 Star Theme #

0 64 104 Rising Osc

0 72 104 Star Theme*

0 0 105 Sitar #

CC0 CC32 PC# NAME

0 72 105 Sitar*

1 0 105 Sitar 2 #

0 0 106 Banjo #

0 72 106 Banjo*

0 0 107 GS Shamisen #

0 64 107 Shamisen

0 72 107 Shamisen*

0 0 108 Koto #

0 72 108 Koto*

8 0 108 Taisho Koto #

8 72 108 Taisho Koto*

0 0 109 Kalimba #

0 72 109 Kalimba*

0 0 110 Bagpipe #

0 72 110 Bagpipe*

0 0 111 Fiddle #

0 72 111 Fiddle*

0 0 112 Shanai #

0 72 112 Shanai*

0 0 113 Tinkle Bell #

0 72 113 Tinkle Bell*

47 68 113 Cymbal Roll

0 0 114 Agogo #

0 72 114 Agogo*

0 0 115 Steel Drums #

0 72 115 Steel Drums*

0 0 116 Woodblock #

0 72 116 Woodblock*

8 0 116 Castanets #

0 0 117 Taiko #

0 72 117 Taiko*

8 0 117 Concert BD #

8 72 117 Concert BD*

0 0 118 Melo. Tom 1 #

0 64 118 Bodhran

0 72 118 Melo.Tom 1*

8 0 118 Melo. Tom 2 #

0 0 119 Synth Drum #

0 72 119 Synth Drum*

8 0 119 808 Tom #

9 0 119 Elec Perc. #

0 0 120 Reverse Cym. #

0 72 120 ReverseCym.*

0 0 121 Gt.FretNoise #

0 72 121 Fret Noise*

1 0 121 Gt.Cut Noise #

1 64 121 Wah Brush Gt

2 0 121 String Slap #

3 4 121 Gt.CutNoise2

4 4 121 Dist.CutNoiz

5 64 121 Bass Slide

6 64 121 Pick Scrape

20 4 121 G.StrokeMenu

21 4 121 G.SlideMenu

0 0 122 Breath Noise #

0 72 122 BreathNoise*

1 0 122 Fl.Key Click #

47 4 122 BrthNzMenu

0 0 123 Seashore #

0 72 123 Seashore*

1 0 123 Rain #

2 0 123 Thunder #

2 64 123 Thunder Bell

CC0 CC32 PC# NAME

3 0 123 Wind #

4 0 123 Stream #

5 0 123 Bubble #

0 0 124 Bird #

0 72 124 Bird*

1 0 124 Dog #

2 0 124 Horse-Gallop #

3 0 124 Bird 2 #

4 65 124 Cat

0 0 125 Telephone 1 #

0 72 125 Telephone 1*

1 0 125 Telephone 2 #

2 0 125 DoorCreaking #

3 0 125 Door #

4 0 125 Scratch #

5 0 125 Windchime #

5 64 125 Bar Chimes

8 4 125 ScratchKey

0 0 126 Helicopter #

0 72 126 Helicopter*

1 0 126 Car-Engine #

2 0 126 Car-Stop #

3 0 126 Car-Pass #

4 0 126 Car-Crash #

5 0 126 Siren #

6 0 126 Train #

7 0 126 Jetplane #

7 64 126 Falling Down

8 0 126 Starship #

9 0 126 Burst Noise #

25 4 126 Car Horn

27 64 126 R.Crossing

28 68 126 Compresser

0 0 127 Applause #

0 72 127 Applause*

1 0 127 Laughing #

2 0 127 Screaming #

3 0 127 Punch #

4 0 127 Heart Beat #

5 0 127 Footsteps #

7 64 127 Finger Snap

10 64 127 Small Club

22 4 127 Voice Kikit

23 68 127 Voice ComeOn

24 64 127 Voice Aou

25 68 127 Voice Oou

0 0 128 Gun Shot #

0 72 128 Gun Shot*

1 0 128 Machine Gun #

2 0 128 Lasergun #

3 0 128 Explosion #

6 68 128 Explosion 2

●Drum Set

GS Drum Sets may not play back properly on GM2 devices. To ensure compatibility with

GM2, use only GM2 tones.

❍GM2

CC0 CC3 PC# Drum Set Name

0 120 1 STANDARD 2

0 120 9 ROOM 2

0 120 17 POWER

0 120 25 ELECTRONIC

0 120 26

0 120 33 JAZZ

0 120 41 BRUSH 2

0 120 49 ORCHESTRA

0 120 57 SOUND EFFECT

❍GS

Voice with a “*” symbol appended to their name may not play back satisfactorily on other

GS sound generating devices.

CC0 CC32 PC# Drum Set Name

0 64 4 POP *

0 64 18 ROCK *

0 64 44 JAZZ BRUSH *

0 64 64 VOX DRUM *

0 0 1 STANDARD

0 64 1 STANDARD 2 *

0 0 9 ROOM

0 64 9 ROOM 2 *

0 0 17 POWER

0 0 25 ELECTRONIC

0 0 26 TR-808

0 64 26 DANCE *

0 0 33 JAZZ

0 0 41 BRUSH

0 64 41 BRUSH 2 *

0 0 49 ORCHESTRA

0 0 57 SOUND EFFECT

TR-808

Roland AT 80SL, AT 90SL Service Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

1. Receive Channel

Performance Parts and Transmission Channels

MIDI Channels on SMF Music Data

2. Transmit Channel

Keyboard and Transmit Channel

3. Receive Data

Channel Voice Messages

Channel Mode Messages

System Exclusive Message

4. Transmit data

Channel Voice Messages

System Realtime Message

System Exclusive Messages

5. Parameter Address Map

■Address Block map (GS Part: Model ID = 42H)

■Individual Parameters

6. Supplementary material

7. Tone List