Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (Owner’s manual p. 2), “USING THE UNIT SAFELY” (Owner’s manual
p. 3), and “IMPORTANT NOTES” (Owner’s manual p. 5). These sections provide
important information concerning the proper operation of the unit. Additionally, in
order to feel assured that you have gained a good grasp of every feature provided by
your new unit, Owner’s manual should be read in its entirety. The manual should be
saved and kept on hand as a convenient reference.
All rights reserved. No part of this publication may be reproduced in any
form without the written permission of ROLAND CORPORATION.
Page 2
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For EU Countries
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct theinterference by one or more of the following measures:
– Reorient or relocate the receiving antenna.– Increase the separation between the equipment and receiver.– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.This equipment requires shielded interface cables in order to meet FCC class B Limit.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. When the provided
plug does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Never use with a cart, stand, tripod, bracket,
or table except as specified by the
manufacturer, or sold with the apparatus.
When a cart is used, use caution when
moving the cart/apparatus combination to
avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
For the U.K.
Page 3
USING THE UNIT SAFELY
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
009
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
• Immediately turn the power off, remove the
power cord from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page when:
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
• Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
• Do not put anything that contains water (e.g.,
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft cloth.
• At regular intervals, you should unplug the power
plug and clean it by using a dry cloth to wipe all
dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug and
the power outlet can result in poor insulation and
lead to fire.
• If you need to move the instrument, take note of
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Make sure to have a firm grip, to protect
yourself from injury and the instrument from
damage.
• Check to make sure the knob bolt securing the
unit to the stand have not become loose. Fasten
them again securely whenever you notice any
loosening.
• Be careful when opening/closing the lid so you do
not get your fingers pinched (p. 16). Adult supervision is recommended whenever small children
use the unit.
• When removing the music rest’s attachment
screws and the screws, knob bolts and caps used
for assembling the stand, be sure to keep them
somewhere out of the reach of children to prevent
any child from accidentally swallowing these
parts.
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2
and 3, please read and observe the following:
Power Supply
301
• Do not connect this unit to same electrical outlet that is
being used by an electrical appliance that is controlled by
an inverter (such as a refrigerator, washing machine,
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit
to malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a
power supply noise filter between this unit and the
electrical outlet.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
308
• Although the LCD and LEDs are switched off when the
POWER switch is switched off, this does not mean that the
unit has been completely disconnected from the source of
power. If you need to turn off the power completely, first
turn off the POWER switch, then unplug the power cord
from the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug
should be one that is within easy reach.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of interference.
352a
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.
353
• Observe the following when using the unit’s floppy disk
drive. For further details, refer to “Before Using Floppy
Disks” (p. 6).
• Do not place the unit near devices that produce a
strong magnetic field (e.g., loudspeakers).
• Install the unit on a solid, level surface.
• Do not move the unit or subject it to vibration while
the drive is operating.
354b
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Also, do not allow lighting devices that normally are used
while their light source is very close to the unit (such as a
piano light), or powerful spotlights to shine upon the
same area of the unit for extended periods of time.
Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
356
• Do not allow rubber, vinyl, or similar materials to remain
on the unit for long periods of time. Such objects can
discolor or otherwise harmfully affect the finish.
358
• Do not allow objects to remain on top of the keyboard or
pedal board. This can be the cause of malfunction, such as
keys ceasing to produce sound.
359
• Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
Maintenance
401b
• To clean the unit, use a dry, soft cloth; or one that is
slightly dampened. Try to wipe the entire surface using an
equal amount of strength, moving the cloth along with the
grain of the wood. Rubbing too hard in the same area can
damage the finish.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up on a floppy
disk, or written down on paper (when possible). During
repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related
to memory itself is out of order), we regret that it may not
be possible to restore the data, and Roland assumes no
liability concerning such loss of data.
Additional Precautions
551
• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that
you periodically save a backup copy of important data
you have stored in the unit’s memory on a floppy disk.
552
• Unfortunately, it may be impossible to restore the contents
of data that was stored on a floppy disk once it has been
lost. Roland Corporation assumes no liability concerning
such loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
555
•A small amount of noise may be heard from the display
during normal operation.
5
Page 6
Important Notes
Rear side of the disk
Write
(can write new data onto disk)
Protect
(prevents writing to disk)
Write Protect Tab
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
557
•A small amount of heat will radiate from the unit during
normal operation.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
559b
• When you need to transport the unit, pack it in shockabsorbent material. Transporting the unit without doing
so can cause it to become scratched or damaged, and
could lead to malfunction.
560
• Do not apply undue force to the music rest while it is in
use.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
565
• Before opening or closing the keyboard lid, always make
sure that no pets or other small animals are located on top
of the instrument (in particular, they should be kept away
from the keyboard and its lid). Otherwise, due to the
structural design of this instrument, small pets or other
animals could end up getting trapped inside it. If such a
situation is encountered, you must immediately switch off
the power and disconnect the power cord from the outlet.
You should then consult with the retailer from whom the
instrument was purchased, or contact the nearest Roland
Service Center.
Before Using Floppy Disks
Handling the Floppy Disk Drive
602
• Install the unit on a solid, level surface in an area free from
vibration.
603
• Avoid using the unit immediately after it has been moved
to a location with a level of humidity that is greatly
different than its former location. Rapid changes in the
environment can cause condensation to form inside the
drive, which will adversely affect the operation of the
drive and/or damage floppy disks. When the unit has
been moved, allow it to become accustomed to the new
environment (allow a few hours) before operating it.
604
• To insert a disk, push it gently but firmly into the drive—
it will click into place. To remove a disk, press the EJECT
button firmly. Do not use excessive force to remove a disk
which is lodged in the drive.
605a
• Never eject a disk while reading or writing is in progress,
since that can damage the magnetic surface of the disk,
rendering it unusable. (The disk drive’s indicator will
light up at full brightness when the drive is busy reading
or writing data. Ordinarily, the indicator will be less
brightly lit, or be extinguished.)
606
• Remove any disk from the drive before powering up or
6
down.
607
• To prevent damage to the disk drive’s heads, always try to
hold the floppy disk in a level position (not tilted in any
direction) while inserting it into the drive. Push it in
firmly, but gently. Never use excessive force.
608
• To avoid the risk of malfunction and/or damage, insert
only floppy disks into the disk drive. Never insert any
other type of disk. Avoid getting paper clips, coins, or any
other foreign objects inside the drive.
Handling Floppy Disks
651
• Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is
required to enable storage of large amounts of data on
such a small surface area. To preserve their integrity,
please observe the following when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes
(e.g., direct sunlight in an enclosed vehicle). Recommended temperature range: 10 to 50° C (50 to 122° F).
• Do not expose floppy disks to strong magnetic fields,
such as those generated by loudspeakers.
652
• Floppy disks have a “write protect” tab which can protect
the disk from accidental erasure. It is recommended that
the tab be kept in the PROTECT position, and moved to
the WRITE position only when you wish to write new
data onto the disk.
653
• The identification label should be firmly affixed to the
disk. Should the label come loose while the disk is in the
drive, it may be difficult to remove the disk.
654
• Store all disks in a safe place to avoid damaging them, and
to protect them from dust, dirt, and other hazards. By
using a dirty or dust-ridden disk, you risk damaging the
disk, as well as causing the disk drive to malfunction.
655
• Disks containing performance data for this unit should
always be locked (have their write protect tab slid to the
“Protect” position) before you insert them into the drive
on some other unit (except the PR-300, or a product in the
HP-G, MT, KR, or Atelier families), or into a computer’s
drive. Otherwise (if the write protect tab remains in the
“Write” position), when you perform any disk operations
using the other device’s disk drive (such as checking the
contents of the disk, or loading data), you risk rendering
the disk unreadable by this unit’s disk drive.
* GS () is a registered trademark of Roland Corpo-
ration.
203
* XG lite () is a registered trademark of Yamaha Corpo-
ration.
220
* All product names mentioned in this document are trade-
marks or registered trademarks of their respective owners.
Page 7
Main Features
Basic concepts of the ATELIER series
A full complement of organ sounds
A wide range of basic organ sounds, ranging from jazz organ and pipe organ to theatre organ, are onboard so you are sure
to enjoy having access to all the sounds you expect from an organ.
Panel layout based on a tradition of emphasis on realtime operation
Based on the idea that you should be able to sit down and begin playing immediately, the operation buttons of the panel
are arranged by function as dictated by classic organ traditions, ensuring easy and intuitive operation. All models of the
ATELIER series feature the same operability, allowing you to start playing immediately even if you switch models.
High-quality sounds that you can use without editing
In addition to a full range of organ sounds, high-quality sounds such as strings and brass are also included onboard. You
can simply select sounds and enjoy playing the organ—no need to perform complicated editing operations.
Expansive lower keyboard with damper pedal for piano-like expressiveness
Piano is indispensable to the performance of contemporary music. On the ATELIER series, the lower keyboard features an
expanded range that gives you the expressive power of a piano. The keyboard also features half-damper pedal capability
and initial touch sensitivity, both indispensable for piano performance.
All models provide high-quality grand piano sounds.
Design utilizes your existing music data
The ATELIER series is designed so that even on new models, you will feel right at home and can begin playing
immediately. Data compatibility has also been carefully taken into account, and song data or registration data from earlier
models can be used without change.
Music styles from around the world
Many of the best-loved musical styles from around the world (rhythm and automatic accompaniment patterns) are built
in, allowing you to enjoy an international range of performances.
Utilizes SMF music files
Compatible with GM2, the world standard in SMF music files, and equipped with its own floppy disk drive, the AT-45
brings you access to the wealth of SMF music files available on the market. You can also mute parts, allowing you to
practice the part for each hand separately, and enjoy performing ensemble with the music files.
Features
Highly Realistic Rhythms and Automatic Accompaniment Functions
All rhythms use data from performances by professional drummers, featuring high-quality patterns with all the grooves
and subtle nuance of the real thing. In addition, you can use automatic accompaniments that are perfectly matched to each
rhythm to enjoy the feeling of playing with your own band in the background.
Newly developed Active Expression sounds
For some of the sounds, moving the expression pedal will vary not only the volume but also the tone, or add other sounds.
From pianissimo to fortissimo, the tonal character of the sound itself will change as you perform a crescendo, or strings
may appear behind the piano, creating dynamic changes in tonality.
7
Page 8
Main Features
Human voices
In addition to a full complement of organ tones, the AT-45 also features tones that express a wide range of human vocal
qualities, including “Jazz Scat,” which changes according to how firmly the keys are pressed, and “Classical” tones that
perfectly express that choir image.
“Music Assistant” functions
The “Music Assistant” function makes it easy to recall appropriate rhythm and sound settings simply by selecting a
desired atmosphere for your song.
Registration Buttons
The AT-45 features eight highly visible and intuitive buttons for calling up registrations, which allow you to switch among
tone and rhythm settings instantly. Furthermore, these are located between the upper and lower manuals for better access
when performing in real time.
Harmony Intelligence
The Harmony Intelligence function automatically adds harmony to the upper keyboard sound according to the chord you
play in the lower keyboard. This gives you greater tonal depth and a more powerful performance.
Rhythm Customize Function Lets You Arrange the Internal Rhythms
You can use the “Rhythm Customize” function to edit the internal rhythms, for example by adding a single cymbal at the
end or changing the drum tone in a pattern.
64-note lower keyboard for plenty of range
Features a full 64 keys in the Lower keyboard, starting from the A note just like a piano, making it easier to perform
corresponding piano pieces on this instrument.
You can split the keyboard and use it to play a solo voice. You can also use the Drum/SFX function to assign drum sounds
to the entire Lower keyboard.
Notation display in the LCD screen
The large LCD screen allows recorded data or loaded music data to be displayed as a musical notation. You can enjoy the
convenience of playing from a notation, or checking the notation of a song you recorded.
Furthermore, the instrument features a color LCD panel for great visibility and comfortable operation.
Robust Reproduction Capabilities—Even the Low Notes and Reverb
A powerful low end and rich, enveloping reverberation are major characteristics of the organ.
The instrument’s 25 cm speaker and speaker box brings out all the lows, and then some. And reverb featuring RSS
technology produces the profound ambience and full presence found in a cathedral.
8
Page 9
Contents
USING THE UNIT SAFELY...................................................................................................................... 3
Important Notes.......................................................................................................................................... 5
Main Features..........................................................................................7
Sustaining Notes Played on the Lower Keyboard (Lower Hold) ..................................................... 50
Chapter 2 Using Rhythm Performance ...............................................51
Selecting a Rhythm................................................................................................................................... 51
Using Rhythms Stored in User Memory ................................................................................... 52
Playing Rhythm ........................................................................................................................................ 55
Starting at the Press of a Button.................................................................................................. 55
Starting the Rhythm Automatically When You Play the Lower Keyboard or Pedalboard
Recalling a Registration ........................................................................................................................... 81
How to Recall a Registration (DELAYED) ................................................................................ 81
How to Recall a Registration (INSTANT) .................................................................................81
Changing the Timing of Recalling Registrations...................................................................... 82
Automatically Registering When You Switch Panel Settings............................................................ 83
Assigning a Name to a Registration Set................................................................................................ 84
Changing the Reverb Type ........................................................................................................ 119
Changing the Wall Type ............................................................................................................120
Changing the Depth of the Reverb........................................................................................... 121
Chapter 6 Using the Lower Keyboard Effectively............................123
Making Effective Use of the Lower Keyboard ................................................................................... 123
Playing the Solo Voice on the Lower Keyboard (Solo [To Lower] Button) ...................................124
Changing How the Solo Voice Responds................................................................................ 125
Layering the Solo Voice and Lower Voice .............................................................................. 125
Changing the Solo Split Point ................................................................................................... 126
Using the Lower Keyboard to Play the Bass Voice (Pedal [To Lower] Button) ............................ 127
Chapter 7 Recording/Playing Back What You Play .........................128
What is a Track Button? .............................................................................................................129
Displaying the Track Buttons.................................................................................................... 130
Playing Back SMF Music Files and Performance Data on Disks..................................................... 130
Silencing a Specific Track (Track Mute) .............................................................................................. 132
Muting Individual Tracks of Performance Data .................................................................... 133
Viewing a Notation ................................................................................................................................ 134
Changing the Notation Settings................................................................................................ 135
Recording a Performance ...................................................................................................................... 137
Playing Back a Performance Song........................................................................................................ 138
Add a Count Sound to Match the Timing (Count In Play) .............................................................. 138
Recording Each Part Separately ........................................................................................................... 139
Switching the Display of Lyrics On or Off .............................................................................. 175
Changing the Key When Playing Back Songs (Play Transpose).......................................... 175
Changing the Metronome Setting............................................................................................. 176
Adjusting the Metronome Volume........................................................................................... 176
Changing the Sound of the Metronome .................................................................................. 177
Setting the Beat ............................................................................................................................ 177
Other Settings.......................................................................................................................................... 178
Adjusting the Standard Pitch (Master Tune) .......................................................................... 178
Enabling Transmission of PC Numbers................................................................................... 178
Setting the PC Number............................................................................................................... 179
MIDI IN Mode ............................................................................................................................. 179
Selecting the MIDI Transmit Channel...................................................................................... 180
Repositioning the Touch Screen................................................................................................ 181
Switching the Background of the Main Screen....................................................................... 181
Eliminating the Bouncing Ball from the Main Screen............................................................ 182
Using the V-LINK function ....................................................................................................... 182
12
Page 13
Contents
Chapter 11 Connecting with External Device...................................184
Name and Functions of Jack and Connectors ....................................................................................184
Connecting to Audio Equipment ......................................................................................................... 185
Pedal Part
[Alternate] button
[To Lower] button → p. 127
Level [▲] [▼] buttons → p. 44
Lower Voice select buttons → p. 36
5.
Lower Organ Part
Lower Orchestral Part
[Alternate] button
Level [▲] [▼] buttons → p. 44
Transpose [-] [+] buttons → p. 102
6.
7.
Touch Screen → p. 22
8.
[Harmony Intelligence] button → p. 109
Upper Voice select buttons → p. 36
9.
Upper Organ Part
Upper Orchestral Part
[Alternate] button
Level [▲] [▼] buttons → p. 44
10.
Solo Voice select buttons → p. 38
Solo Part
[Alternate] button
[To Lower] button → p. 124
Level [▲] [▼] buttons → p. 44
Composer → p. 128
11.
[Reset] button
[Play/Stop] button
[Rec] buttons → p. 137
Track buttons → p. 128
[Song] button
[Registration] button → p. 91
[Demo] button → p. 26, p. 131
14
Page 15
Panel Descriptions
10111289
12345678
19
Floppy Disk Drive → p. 66, p. 86, p. 130
12.
Lower Voice [Hold] button → p. 50
13.
14.
Lower
[Drums/SFX] button → p. 48
Rhythm select buttons → p. 51
15.
Tempo [] [] buttons → p. 57
Fill In [To Variation] button → p. 59
Fill In [To Original] button → p. 59
Arranger [On/Off] button → p. 58
Style Orchestrator buttons → p. 59
[Intro/Ending] button → p. 55, p. 56–p. 57
[Count Down] button → p. 58
[One Touch Program] button → p. 64
[Sync Start] button → p. 56
[Start/Stop] button → p. 55, p. 57
16.
Sustain [Pedal] button → p. 116
[Bender/Vibrato] lever → p. 103
17.
Rotary Sound → p. 111
18.
[On/Off] button
[Fast/Slow] button
19.
Registration buttons
[Write] button → p. 80
[Manual] button → p. 83
Registration [1] - [8] buttons → p. 79
15
Page 16
Before You Start Playing
NOTE
Opening/Closing the Lid
fig.00-22
1.
To open the lid, hold it with both hands and slide
it to the rear.
To close the lid, slowly pull it forward until it
2.
stops.
NOTE
Be careful not to get your fingers caught when opening or
closing the lid. Adult supervision is recommended when
small children are going to be using the instrument.
NOTE
To prevent accidents, be sure to close the lid before moving
the organ.
Setting Up the Music Rest
1.
Insert the supplied screws for the music rest into
the screw holes located on the top of the
instrument, and lightly tighten them.
2.
Put the music rest between the screws and the
AT-45’s body.
Make sure you don’t have anything (such as sheet music) on
the keyboard when you close the lid.
While supporting the music rest with one hand,
3.
secure it in place by turning the screws.
When attaching the music rest, support it firmly with
one hand to make sure that you don’t drop it. Be careful,
so you don’t get your fingers pinched.
4.
To remove the music rest, support it with one
hand while loosening the screws.
After removing the music rest, don’t forget to retighten
the screws.
NOTE
Do not apply excessive force to the installed music rest.
NOTE
Be sure to use the supplied screws for attaching the music
rest.
16
Page 17
Connecting the Power Cord
1.
First, make sure that the [Power On] switch at the
panel’s left side is OFF (not pushed in).
fig. 00-27
Upper position
OFF
Connect the supplied power cord to the AC Inlet
2.
connector, then plug the other end into an AC
outlet.
NOTE
Only use the power cord supplied with this instrument.
NOTE
Before You Start Playing
Press the [Power On] button to turn on the power.
2.
fig. 00-27
Power On
The Power indicator lights in red.
fig.00-28
Power indicator
Lower position
ON
Whenever you do not intend to use the instrument for
extended periods of time, pull out the power cord from the
AC outlet.
Turning the Power On and
Off
NOTE
Once the connections have been completed, turn on or off
power to your various devices in the order specified. By
turning on or off devices in the wrong order, you risk
causing malfunction and/or damage to speakers and other
devices.
■
Turning On the Power
Make sure of the following before the power is
1.
turned on.
• Is the power cord correctly connected to the AC inlet?
• Is the power cord correctly connected to the AC outlet?
• Is the [Master Volume] knob set to the Min (minimum)
position?
fig.00-26
NOTE
This unit is equipped with a protection circuit. A brief
interval (a few seconds) after power up is required before the
unit will operate normally.
The [Master Volume] knob is an overall control
3.
for adjusting the volume of the entire instrument.
Now adjust the [Master Volume] knob to a suitable level.
The volume will be increased when the Expression Pedal
is pressed down, and decreased when the pedal is
returned.
fig.00-28
decrease
the volume
increase
the volume
■
Turning Off the Power
Before switching the power off, set the [Master
1.
Volume] knob to the Min (minimum) position.
Press the [Power On] button to turn off the power.
2.
fig. 00-27
Power On
Upper position
OFF
17
Page 18
Before You Start Playing
Using Headphones
The AT-45 features a Phones jacks. These allows you to play
without having to worry about bothering others around you,
even at night.
fig.00-29
1.
Connect your headphones to the Phones jack
underneath the left side of the keyboard.
The sound from the built-in speakers stops.
Now, sound is heard only through the headphones.
fig.00-30
Using a Microphone
The AT-45 is equipped with a Mic jack.
Since this instrument has a Mic In jack, you can use a
microphone to enjoy a variety of possibilities such as singing
along with your performance, or singing along with SMF
music files (sold separately).
fig.00-32
Connect your microphone to the Mic In jack
1.
underneath the left side of the keyboard.
2.
Use the [Mic Volume] knob to adjust the volume
level for the microphone.
Use the [Mic Echo] knob to adjust the echo level
3.
for the microphone.
2.
Adjust the headphones volume with the [Master
Volume] knob and Expression pedal.
Accepts connection of Stereo headphones.
Some Notes on Using Headphones
fifig.00-31
• To prevent damage to the cord, handle the headphones
only by the headset or the plug.
• Headphones may be damaged if the volume is too high
when they are plugged in. Lower the volume on the AT-
45 before plugging in headphones.
• To prevent possible auditory damage, loss of hearing, or
damage to the headphones, the headphones should not
be used at an excessively high volume. Use the
headphones at a moderate volume level.
The microphone must be purchased separately. When
purchasing a microphone, please consult the vender where
you bought the AT-45.
Some Notes on Using a Microphone
fig.00-31
• To avoid disturbing others, be careful of the volume
level when playing late at night or very early in the
morning.
• When connecting a microphone to the AT-45, be sure to
lower the volume. If the volume control is too high when
the microphone is plugged in, noise may be produced by
the speakers.
• Howling could be produced depending on the location
of microphones relative to speakers. This can be
remedied by:
• Changing the orientation of the microphone.
• Relocating the microphone so it is farther from the
speakers.
• Lowering volume levels.
18
Page 19
Before You Start Playing
Restoring All the Factory
Default Settings
You can restore all of the settings stored in the AT-45 to what
they were when the instrument shipped from the factory.
This function is called “Factory Reset.”
Make sure there is no floppy disk in the disk
1.
drive before carrying out the procedure.
Touch <System> on the Main screen.
2.
The System screen appears.
fig.00-37.eps
The confirmation message appears on screen.
fig.00-40.eps
If you touch <Cancel>, the Factory Reset will not be
performed, and you will return to the System screen.
5.
When you touch <OK>, the Factory Reset
operation will begin, and the settings will return
to the factory-set condition.
NOTE
Never switch off the power while this operation is in
progress!
fig.00-40.eps
3.
In the System screen, touch <Utility> to open the
Utility screen.
fig.00-38.eps
4.
In the Utility screen, touch <Factory Reset>.
fig.00-39.eps
NOTE
Loading factory default settings will erase any Registrations
currently in the memory of the AT-45. To save the
registrations you are currently using, refer to “Saving
Registration Sets to a Floppy Disk” (p. 88).
NOTE
To reset only the User memory (p. 52) to its original factory
settings, refer to p. 68.
To restore all settings other than the User memory (p. 52) to
their original factory settings, touch <Panel Reset>.
19
Page 20
Before You Start Playing
You can also use the following method to return to the
factory-set condition.
1.
Make sure there is no floppy disk in the disk
drive before carrying out the procedure.
2. Turn down the volume to the minimum level,
then turn off the power.
Restoring All Settings Other
Than the User Memory to the
Original Factory Settings
You can restore all of the settings other than the User
memory (p. 52) to their original factory settings.
This function is called “Panel Reset.”
3. While holding down the [One Touch
Program] button, press the [Power On] switch
to turn the power on.
fig.00-41
The following screen appears.
fig.00-40.eps
NOTE
What is the User Memory?
The User memory is the area within the instrument
where User rhythms you create as well as rhythms from
Music Style Disks are stored.
You can also copy rhythms (p. 158) saved on floppy
disks to the User memory.
1.
Make sure there is no floppy disk in the disk
drive before carrying out the procedure.
2.
Touch <System> on the Main screen.
The System screen appears.
fig.00-37.eps
Never switch off the power while this operation is in
progress!
20
In the System screen, touch <Utility> to open the
3.
Utility screen.
fig.00-38.eps
Page 21
In the Utility screen, touch <Panel Reset>.
4.
fig.00-39.eps
The confirmation message appears on screen.
fig.00-40.eps
Before You Start Playing
If you touch <Cancel>, the Panel Reset will not be
performed, and you will return to the System screen.
When you touch <OK>, the Panel Reset operation
5.
will begin, and the settings will return to the
factory-set condition.
NOTE
Never switch off the power while this operation is in
progress!
fig.00-40.eps
NOTE
To reset only the User memory (p. 52) to its original factory
settings, refer to p. 68.
21
Page 22
About the Display
The Touch Screen is
operated by touching it
lightly with your finger.
Pressing hard, or using a
hard object can damage the
Touch Screen. Be careful
not to press too hard, and
be sure to use only your
fingers to operate the
Touch Screen.
b
2
8
11
14
10
13
16
9
7
1
34
1512
65
The AT-45 makes use of a Touch Screen. This lets you carry out a wide
variety of actions just by touching the screen lightly.
■
Understanding the Main and Related Screens
Main Screen
fig.04-02
NOTE
The explanations in this
manual include
illustrations that depict
what should typically be
shown by the display.
Note, however, that your
unit may incorporate a
newer, enhanced version of
the system (e.g., includes
newer sounds), so what
you actually see in the
display may not always
match what appears in the
manual.
NOTE
Number
1Tempo
2Measure
3Beat
4
5
6
7
8
9
22
10
11
Explanations
Bouncing Ball
A ball will bounce in time with the rhythm or song.
Transpose
Displays the transpose setting.
Chord Name
Displays the name of the chord that is played in the lower keyboard.
Indication button
Pressed to choose which name to have indicated; either the Rhythm
Name, Song Name, or Registration Name.
Rhythm Name/Song Name/Registration Name
Voice Name
Displays the name of the upper keyboard voice.
MUSIC ASSIST
Press this when you want to use the Music Assistant function (p. 28).
Sound/Kbd
Select a voice (tone), or make settings for the effect depth, keyboard, etc.
NOTE
The positioning of the
Touch Screen may become
displaced due to changes in
the surrounding
environment and over
time. If this happens,
follow the steps in
“Repositioning the Touch
Screen” (p. 181) to correct
the pointer position.
NOTE
Do not place items on the
touch screen.
You can adjust the
rightness of the screen (p.
184).
You can set the Main screen
so that the bouncing ball
does not appear (p. 182).
Page 23
NumberExplanations
Rhythm
12
13
14
Play the internal rhythms, and play disk rhythms or store them in internal
memory. Rhythm-related settings can also be made here.
Registration
Load registrations from disk into internal memory, or save registrations to
disk. Registration-related settings can also be made here.
Rec/Play
Play back or record a song. You can also view a notation display while a
song plays.
About the Display
15
16
System
Make various settings.
Quick Guide
Displays the Quick Guide screen. While the Quick Guide screen is
displayed, you can press the keyboard, a button, or a foot switch to jump
to the related setting screen (p. 32).
This icon is displayed when the V-LINK function is on.
➝
V-LINK function (p. 182)
This icon is displayed when the instrument contains SMF music
files.
This icon is displayed when any portion of the recorded song has
been altered.
This icon appears in the display when an Active Expression voice is
selected.
➝
Active Expression Voice (p. 43)
This icon appears in the display when an EX voice is selected.
➝
Ex Voice (p. 39)
23
Page 24
About the Display
About the principal icons and the Utility screen
Button
Sub-windows
You can touch <Registration> in the Main screen or <Utility> in other
screens to access a screen like the following.
This type of screen is called a “sub-window.”
Meaning
Depending on the function, some screens are spread over
multiple pages.
You can touch <><> <><> to display
the next or previous page of the screen.
Touch this when you want to exit (close) the currently
displayed screen. Normally, touching <> several
times takes you back to the Main screen.
When you touch a menu in
the sub-window, the sub-
window will close, and the
selected menu screen will
appear.
24
In a sub-window, touch
<Exit> to exit the sub-
window.
Page 25
Sub-windows for setting values
When you are making settings in the System screen, the following type of
screen appears.
Return to the factory settings.
About the Display
Modify the value.
25
Page 26
Convenient Functions
Listening to the Demo Songs
The AT-45 provides demo songs. Here’s how to play the Demo songs, and
fully appreciate the sounds, Rhythms, and Automatic Accompaniment that
are available with the AT-45.
fig.01-01
For details on the composer
of each demo song and
their profiles, refer to
“Demo Song List” (p. 216).
1.
2.
Make sure that a floppy disk is not inserted in the disk drive.
If a floppy disk is in the disk drive, press the Eject button (p. 66) and remove
the floppy disk.
Press the [Demo] button to make the indicator light.
The Demo Screen appears.
26
Page 27
Convenient Functions
b
3.
4.
5.
6.
Touch <> or <> on screen to select the demo song.
Touch <> to start playback of the demo song.
When the selected demo song ends, the next demo song will begin playing.
Touch <> to stop playback of the demo song.
Press the [Demo] button to exit the demonstration screen.
You can start/stop the
demo songs by pressing the
panel [Play/Stop] button.
The performance data can
If the following screen appears
If the performance song in the unit has not been saved to floppy disk, the
following message appears, and it will not be possible to play the Demo
songs.
fig.E-62
1.
If you want to delete the performance data, touch <OK>.
If you do not want to delete the performance data, touch <Cancel>.
e saved on a floppy disk.
If you wish to save the
musical data to a floppy
disk, refer to “Saving
Performance Songs Onto
Floppy Disk” (p. 143).
NOTE
All rights reserved.
Unauthorized use of this
material for purposes other
than private, personal
enjoyment is a violation of
applicable laws.
NOTE
The data for the Demo song
that is being played is not
available at the MIDI Out
connector.
27
Page 28
Convenient Functions
Music Assistant Function
A collection of the world’s best, most well-known songs were carefully
selected, then the optimum panel settings for each of them were
determined, and the resulting data was stored inside the instrument.
Simply select the keyword that most closely suggests the character of the
song you have in mind, and a rhythm performance, a sound for the melody,
and other selections will be made for you. Once you’ve selected a keyword,
all you have to do is play the keyboard to start performing.
1.
2.
Display the Main screen.
Touch <MUSIC ASSIST> on the Main screen.
If some other screen is
displayed, touch <Exit> to
close the currently open
screen.
28
The Music Assistant screen appears.
Page 29
Convenient Functions
3.
4.
Touch <><> to switch screens, and touch a keyword
appropriate for the character of the song.
The Registration buttons [1]–[4] flash.
Panel settings appropriate for the keyword will automatically be called up
for the Registration [1]–[4] buttons.
On the Lower keyboard, play a chord.
At the moment you play the keyboard, the Intro will begin, and then the
Rhythm and Automatic Accompaniment will play.
5.
6.
Press a Registration button from [1] through [4] to switch the
panel settings.
To end the Music Assistant function, press the [One Touch
Program] button, extinguishing its indicator.
29
Page 30
Convenient Functions
■
Music Assistant Search
You can specify a song name and other search terms and use these for a
Music Assistant search.
1.
2.
Touch <MUSIC ASSIST> on the Main screen.
The Music Assistant screen appears.
Touch <Search> on the Music Assistant screen.
A sub-window appears.
If some other screen is
displayed, touch <Exit> to
close the currently open
screen.
Searching by Music Assistant name
3.
30
Touch <By Name>.
Page 31
Convenient Functions
4.
5.
6.
Searching by conditions
3.
Decide which character you will use for the search.
The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→“B”→“C”...).
Touch <ABC/123> to toggle between alphabets and numerals.
After setting the search terms, touch <Start> (Start Search).
The results of the search appear in the display.
To cancel the search, touch <Exit> in the Search Results screen.
Touch a Music Assistant name to select a Music Assistant.
Touch <Exit> to return to the Music Assistant screen.
Touch <By Conditions>.
You can use four different criteria in searches: “Tempo,” “Rhythm,”
“Genre,” and “Scene.”
4.
5.
6.
7.
Touch the value for the search term.
Touch <><> to adjust the settings.
After setting the search terms, touch <Start> (Start Search).
The results of the search appear in the display.
To cancel the search, touch <Exit> in the Search Results screen.
Touch a Music Assistant name to select a Music Assistant.
Touch <Exit> to return to the Music Assistant screen.
31
Page 32
Convenient Functions
For more on keys, buttons,
and controllers that can be
used with the Quick Guide
function, refer to “List of
Shortcuts” (p. 218).
About the Quick Guide function
The AT-45 offers a Quick Guide function, which makes it easy for you to
access various functions. While the Quick Guide screen is displayed, you
can press the keyboard, a button, or a foot switch to jump to the related
setting screen.
1.
Touch <Quick Guide> on the Main screen.
The following Quick Guide screen appears for several seconds.
If some other screen is
displayed, touch <Exit> to
close the currently open
screen.
2.
While the Quick Guide screen is displayed, press a button,
keyboard, pedal, or foot switch.
You will be taken to the screen that contains settings related to the button,
keyboard, pedal, or foot switch that you pressed.
3.
4.
Make settings in the screen to which you jumped.
When you are finished making settings, touch <Exit> to
close the screen.
The Main screen appears.
■
About the Index menu
In the Quick Guide screen, you can touch <index> to access the Index Menu.
In the Index Menu screen, you can touch a keyword to jump to the setting
screen for that keyword.
1.
Touch <Quick Guide> on the Main screen.
The following Quick Guide screen appears for several seconds.
32
Page 33
Convenient Functions
2.
3.
While the Quick Guide screen is displayed, touch <index>.
The following screen appears.
Touch a letter of the alphabet A–W to select the first letter of
the desired keyword.
4.
5.
6.
The Quick Guide Index screen appears, and the keywords will be displayed.
Touch the desired keyword.
The setting screen for the specified keyword appears.
Make settings in the setting screen that appeared.
Touch <Exit>.
The Main screen appears.
33
Page 34
Chapter 1 Selecting and Playing Sounds
Pedalboard
Lower Keyboard
Upper Keyboard
Selecting Voices
You can play the sounds of various instruments on the AT-45. These sounds
are called “Voices.”
■
About the Voices and Parts
The AT-45 has two manual keyboards and a pedalboard.
From top to bottom these are called the “Upper Keyboard,” “Lower
Keyboard,” and “Pedalboard.”
fig.01-05-2
Two parts, “Organ” and “Orchestral,” are assigned to the Upper and Lower
keyboards, respectively, and you can select one voice from each part. Plus,
with the addition of the “Solo” part voice, you can have up to three voices
playing simultaneously (the Solo voice can be played in either the Upper or
Lower keyboard).
The Pedalboard has “Pedal” part.
Keyboard
Upper Organ
Upper Orchestral
Upper Keyboard
Lower Keyboard
PedalboardPedal
Solo
(This voice is sounded only when the Solo [To Lower]
button be extinguished)
Lower Organ
Lower Orchestral
Solo
(This voice is sounded only when the Solo [To Lower]
button lights up)
Parts
To play a Solo voice on the
Lower keyboard, select the
Solo voice and press the
Solo [To Lower] button (p.
124).
34
Page 35
Chapter 1 Selecting and Playing Sounds
■
Functions of the Upper/Lower/Pedal Bass Sound
Select Buttons
fig.01-06
Each time you press a voice button, its indicator will switch between being
lit and being turned off. Voices that have their button indicator lit can be
played.
Two voices of the same family are assigned to each voice button. Buttons
with voices from two different families have the names of both voices
printed on them.
The [Alternate] button switches between these two voices.
The [Alternate] button
The [Alternate] button is not lit.
The [Alternate] button is lit.
Voice that will be selected
The voice indicated on the button is
selected.
Another voice of the same family or
the voice indicated on the bottom half
of the button is selected.
NOTE
If none of the voice buttons
are lit, playing the
keyboard will not produce
a sound.
35
Page 36
Chapter 1 Selecting and Playing Sounds
■
Selecting the Upper and Lower Voices
Press the “Organ,” or “Orchestral” buttons for each Keyboard (Upper/
Lower) to select the desired voice.
When the power is turned on, the Upper keyboard will play “Full Organ3”
and the Lower keyboard will play “Lower Organ1.”
Example: Selecting “ComboJazzOrg” for the Upper Organ, and
“Grand Piano” for the Upper Orchestral.
1.
Press the Upper Organ [Jazz] button (indicator lights).
The name of the selected voice appears in the display for several seconds.
fig.01-08
Now when you play the Upper keyboard, the “Jazz Organ2” will sound.
The lower voice can be
selected in the same way as
the upper voice.
2.
3.
Press the Upper Organ [Alternate] button (the indicator
lights).
When you play the Upper keyboard, the “ComboJazzOrg” will sound.
Each time you press the [Alternate] button you will switch between the two
voices which are assigned the button.
Press the Upper Orchestral [Piano] button (the indicator
lights).
When you play the Upper keyboard, “Grand Piano” will be added,
producing a mixture of two different voices.
36
Page 37
■
b
If you press the Pedal [To
Lower] button (indicator
lights), the Pedal Bass voice
can now be played by the
Lower keyboard, not by the
Pedalboard (p. 127).
Selecting Pedal Bass Voice
Chapter 1 Selecting and Playing Sounds
Press the Pedal part buttons to select the voice.
Immediately after the power is turned on, the Pedal Bass voice will sound
single notes using the “Organ Bass1” voice.
fig.01-09
1
Example: Select “E. Bass 1” for the Pedal part
1.
Press the Pedal [Electric] button (indicator lights).
Normally, playing the
pedalboard will sound one
note at a time. Settings can
e adjusted to allow
multiple notes to be played
on the Pedalboard (p. 169).
The name of the selected voice appears in the display for several seconds.
fig.01-10
Now when you play the Pedalboard, “E. Bass 1” (Electric Bass 1) will be
heard.
37
Page 38
Chapter 1 Selecting and Playing Sounds
It is possible to change how
a Solo voice will sound.
Normally, the Solo voice
will be sounded by the
highest note you play on
the Upper keyboard, but
you can make settings so
that the last-played note
will sound the Solo voice.
For details, refer to
“Changing How the Solo
Voice Responds” (p. 125).
■
Selecting Solo Voice
The Solo section of the Upper keyboard is monophonic, that is, the Solo
voice will only sound for the highest note played on the Upper keyboard.
This allows you to play full chords and have the selected Solo voice playing
the highest (solo) note.
fig.01-11
1
Example: Selecting “Trumpet” for the Solo part
By pressing the Solo [To
Lower] button, you can
play the Solo voice from
the Lower keyboard.
For details refer to “Playing
the Solo Voice on the
Lower Keyboard (Solo [To
Lower] Button)” (p. 124).
1.
38
Press the Solo [Trumpet] button (indicator lights).
The name of the selected voice appears in the display for several seconds.
fig.01-12
Play the Upper keyboard. The selected voice will sound by the highest note
played.
When you press the [Alternate] button, the two voices assigned to the
button will alternate.
Page 39
Chapter 1 Selecting and Playing Sounds
When you press the
[Others] button, the Others
Voice screen appears in the
display screen, but the
basic screen will reappear if
you wait several seconds
without touching the
screen.
If you want to change the
voice for the [Others]
button, press the [Others]
button once more, then
select the voice by quickly
touching the screen while
the name of the voice
appears in the display.
■
Selecting a Voice Using the [Others] Button
Notice that there is an [Others] button for each part. By using the [Others]
button, you can select all voices.
As with the other voice buttons, the [Others] button can be assigned two
voices. You can use the [Alternate] button to switch between these two
voices.
1.
2.
Press the [Alternate] button for the Part for which you wish
to specify a voice to select ON (lit) or OFF (dark).
The setting of the [Alternate] button: ON (lit) or OFF (dark), determines to
which of the two available locations a newly selected voice will be assigned.
NOTE
Press the [Others] button for the Part for which you wish to
specify a voice.
The Others Voice screen appears for several seconds.
fig.01-15
3.
Touch a button that shows a sound group.
fig.01-15
A voice indicated by
is called an “EX voice.”
These voices are especially
recommended.
39
Page 40
Chapter 1 Selecting and Playing Sounds
b
A sub-window appears, allowing you to select a sound group.
fig.01-16
4.
In the sub-window, touch a sound group name to select the
desired sound group.
The indicator of the selected [Others] button will blink.
The Others Voice screen appears, showing the sounds of the specified sound
group.
fig.01-17
You can touch <AEx
Voice> in the Voice Select
screen to have only the
Active Expression voices be
displayed.
“Active Expression voices”
can be assigned to the
[Others] buttons of the
Upper Orchestral part,
Lower Orchestral part, Solo
part, and Pedal part.
For more on the active
expression voices, refer to
“Performing with an Active
Expression Voice” (p. 43).
5.
6.
Touch <><> to switch screens, and touch a voice
name to select a voice.
Once again, press the blinking [Others] button to confirm
the voice.
The indicator of the [Others] button will change from blinking to lit.
You can also confirm the
voice by touching <Exit> in
the Others Voice (Other
Voice select) screen. You
can also press the key for
the part containing a
changed voice to confirm
the voice setting.
For more information
about the voices that can be
assigned to an [Others]
utton, please refer to
“Voice List” (p. 196).
40
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■
b
When you press the
[Others] button, the Others
Voice screen appears in the
display screen, but the
Main screen will reappear
if you wait several seconds
without touching the
screen.
If you want to change the
voice for the [Others]
button, press the [Others]
button once more, then
select the voice by quickly
touching the screen while
the name of the voice
appears in the display.
Performing with a Human Voice
Chapter 1 Selecting and Playing Sounds
1.
2.
In addition to sounds such as organ and piano, you can also play “human
voice,” which produces a vocal-like sound.
Press the [Alternate] button to select ON (lit) or OFF (dark).
The setting of the [Alternate] button: ON (lit) or OFF (dark), determines to
which of the two available locations a newly selected voice will be assigned.
Press the [Others] button for the Part for which you wish to
specify a voice.
The Others Voice screen appears for several seconds.
fig.01-15
For more information
about the voices that can be
assigned to an [Others]
utton, please refer to
“Voice List” (p. 196).
NOTE
3.
Touch a button that shows a sound group.
fig.01-15
A sub-window appears, allowing you to select a sound group.
fig.01-16
41
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Chapter 1 Selecting and Playing Sounds
For some human voices,
such as “Jazz Scat,” the
sound will change
depending on the strength
at which you play the
keyboard. If the Utility
menu setting “Initial
Touch” (p. 169) is “OFF,”
the sound will not change
in response to the
dynamics of your keyboard
playing.
4.
5.
In the sub-window, touch <Human Voice>.
The indicator of the selected [Others] button will blink.
The Others Voice screen appears, showing the sounds of the Human Voice
group.
The Others Voice screen will appear, and the sounds of the Human Voice
group will appear.
fig.01-
Touch <><> to switch the screen, and touch a voice
name to select the desired voice.
fig.01-
6.
Once again, press the [Others] button for the part whose
sound you wish to set to confirm the voice.
The indicator of the [Others] button will change from blinking to lit.
42
You can also confirm the
voice by touching <Exit> in
the Others Voice (Other
Voice select) screen. You
can also press the key for
the part containing a
changed voice to confirm
the voice setting.
Page 43
Chapter 1 Selecting and Playing Sounds
Although you can select an
Active Expression voice
with the [Others] button for
parts other than Lower
Orchestral, Upper
Orchestral, Solo, and Pedal,
no Active Expression effect
is applied. The
(Active Expression) icon
does not appear when an
Active Expression voice is
selected for a part for
which the Active
Expression effect is not
being used.
■
Performing with an Active Expression Voice
1.
2.
Some voices are “Active Expression voices,” for which advancing the
expression pedal will not only vary the volume, but will also add other
voices.
Touch the [Others] button of the Part to which you want to
assign an Active Expression voice.
“Active Expression voices” can be assigned to the [Others] buttons of the
Upper Orchestral part, Lower Orchestral part, Solo part, and Pedal part.
The Others Voice screens appears.
Touch a button that shows a sound group.
A sub-window appears, allowing you to select a sound group.
fig.01-17
For details on the active
expression voices that are
available, refer to “Voice
list” (p. 196).
NOTE
3.
In the sub-window, touch <AEx Voice> (Active Expression
Voice).
The indicator of the selected [Others] button will blink.
The Others Voice (Others Voice Select) screen appears, and only the Active
Expression Voices from the entire collection are displayed.
fig.01-17
4.
5.
Touch a voice name.
Once again, press the [Others] button for the part whose
sound you wish to set to confirm the voice.
The indicator of the [Others] button will change from blinking to lit.
An active expression voice will be selected.
Sounds marked by
“” support the
Active Expression function.
You can also confirm the
voice by touching <Exit> in
the Others Voice (Other
Voice select) screen. You
can also press the key for
the part containing a
changed voice to confirm
the voice setting.
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Chapter 1 Selecting and Playing Sounds
Adjust the Volume Balance
The AT-45 allows you to adjust the volume balance individually for each
Part.
fig.01-26
The following buttons are used to adjust the volume of a multiple number
of Parts.
Button
Accomp/SMF [▲] [▼] button
Rhythm [▲] [▼] button
Pedal [▲] [▼] button
Automatic Accompaniment (except Bass)
Playback of performance songs from
something other than the Atelier performance
songs (for example: SMF music files)
Rhythm performance
Drums/SFX
Pedal voice
Bass note of automatic accompaniment
Part
44
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Chapter 1 Selecting and Playing Sounds
The Part Balance Monitor
screen is displayed for
several seconds and then
closes automatically.
If you touch <Hold>, the
screen continues to be
displayed until you touch
<Exit>.
1.
The volume levels of each part are adjusted using the
corresponding [▲] and [▼] buttons.
Pressing the upper button ([▲] button) will increase the volume.
Pressing the lower button ([▼] button) will decrease the volume.
The volume can be set to any value from 0 to 12.
When the volume value shown in the display is 0, that part will produce no
sound.
You can also press the [▲] button and [▼] button of the part whose volume
you wish to adjust, so that the “Part Balance Monitor screen” is displayed
for several seconds, allowing you to check the volume balance.
fig.01-27
45
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Chapter 1 Selecting and Playing Sounds
Transpose the Pitch in Octave Units
(Octave Shift)
The pitch of the sound played by the keyboard can be adjusted in one-octave
steps. This function is called “Octave Shift.” You can apply an Octave shift
to all Parts.
1.
Touch <Sound/Kbd> on the Main screen.
fig.05-08
The Sound/Keyboard screen appears.
fig.01-29
2.
3.
46
Touch either <UPPER>, <LOWER>, or <PEDAL>.
Menu
UPPER
LOWER
PEDAL
To change the pitch of the Upper and Solo part
To change the pitch of the Lower part
To change the pitch of the Pedal part
Part whose pitch will change
Touch <><> to display the Octave Shift.
Page 47
Chapter 1 Selecting and Playing Sounds
Please note that when you
apply the Octave Shift
function to certain voices,
their pitch could be
stretched beyond their
recommended note ranges,
and they may not sound as
expected. Care should be
taken when using Octave
Shift.
4.
5.
Touch the part display of the part whose Octave Shift
settings you wish to change.
fig.01-30.eps
Touch <><> to adjust the settings.
The value can be set to a range of +/- 3 octaves.
fig.01-30.eps
You can open the
Pedalboard screen, Lower
Keyboard screen, or Upper
Keyboard screen with
touching <Pedal>,
<Lower>, and <Upper>.
NOTE
6.
Touch <Exit>.
You will return to the Upper Keyboard/Lower Keyboard/Pedalboard
screen.
47
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Chapter 1 Selecting and Playing Sounds
Playing Drum Sounds or Sound Effects
from the Entire Lower Keyboard
(Drums/SFX)
You can use the Lower keyboard to play various drum sounds (drum set).
In this case, the Lower voices will no longer sound.
fig.01-32
Refer to “Drum Set List” (p.
198) for details on which
drum sound or Sound
Effect will be played by
each note.
1.
2.
Press the [Drums/SFX] button, getting its indicator to light
up.
The [Drums/SFX] button indicator will alternate between on (lit) and off
(dark) each time it is pressed.
The Drums/SFX (drums/sound effects) screen will be displayed for several
seconds.
fig.01-33
NOTE
For some drum sets, there
will be keys that do not
sound.
Play the Lower keyboard and listen to the various drum
sounds on each key.
48
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■
After the Drums/SFX
(drums/sound effects)
screen is displayed, it will
close automatically after
several seconds unless you
touch the screen to select a
drums/sound effects set. If
you wish to switch drums/
sound effect sets, quickly
select the desired drums/
sound effect set while the
Drums/SFX (drums/
sound effects) screen is
displayed.
Changing Drums/SFX Sets
Chapter 1 Selecting and Playing Sounds
1.
Immediately after the power is turned on, the STANDARD set will sound.
As the drum set, you can choose from 12 types of drum set and one type of
sound effect. When you change the drum set, the sound produced by each
note will change.
Press the [Drums/SFX] button, getting its indicator to light
up.
The Drums/SFX screen will be displayed for several seconds.
fig.01-33
For the types of Drums/
SFS set and the drum
sounds played by each key,
refer to “Drums/SFX set
list” (p. 198).
NOTE
2.
While the Drums/SFX screen is displayed, touch a Drum/SFX
set name in the screen.
The [Drums/SFX] button indicator will begin to blink.
You can select from 12 different Drum Sets and one set of Sound Effects as
The [Drums/SFX] button indicator will be lit constantly, and the selected
Drum Set Type will be applied.
You can also confirm the
Drums/SFX set by
touching <Exit> in the
Drums/SFX screen.
You can also play the lower
manual to confirm the
drum set.
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Chapter 1 Selecting and Playing Sounds
Sustaining Notes Played on the Lower
Keyboard (Lower Hold)
When the Lower Voice [Hold] button is ON (Lower Voice [Hold] button’s
indicator is lit), the note(s) played on the Lower keyboard will continue to
sound until you play the next note(s)—even if you release the keys you have
played.
fig.02-14
1.
2.
Press the Lower Voice [Hold] button (confirm that the
indicator is lit).
The notes played on the lower keyboard will continue sounding.
While the Lower Voice [Hold] button is lit, pressing a key will cause the note
to continue sounding.
When you press the Lower Voice [Hold] button to make the
indicator go dark, the notes which had continued to sound
will stop.
50
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Chapter 2 Using Rhythm Performance
You can also open the
Rhythm screen by touching
<Rhythm> in the Main
screen.
The AT-45 lets you enjoy playing along with a rhythmic accompaniment.
For more on the internal
Selecting a Rhythm
The AT-45 provides various Rhythms and Automatic Accompaniments
(Music Styles).
These are organized into 10 groups.
fig.02-01
rhythms, refer to the
“Rhythm List” (p. 208).
1.
2.
Press a Rhythm button to select a Rhythm group.
The indicator of Rhythm button will light.
A Rhythm screen like the following appears.
fig.02-09_55
The rhythms in the selected rhythm group appears in the display.
Touch <><> to switch screens, and touch a rhythm
name to select the desired rhythm.
The indicator of Rhythm button will blink.
3.
Press the Rhythm button once again (indicator lights
constantly).
The Rhythm button’s indicator will change from blinking to light.
The Rhythm has now been applied.
You can also confirm the
rhythm by touching <Exit>
in the Rhythm screen.
51
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Chapter 2 Using Rhythm Performance
■
Using Rhythms Stored in User Memory
The AT-45 features a User memory.
What is the User Memory?
The User memory is the area within the instrument where User rhythms
you create as well as rhythms from Music Style Disks are stored.
You can also copy User rhythms (p. 158) saved on floppy disks to the
User memory.
The AT-45 is shipped from the factory with rhythms already stored in User
memory. You can replace these rhythms with rhythms loaded in from
Music Style Disks, or with User rhythms you’ve created and saved using the
Rhythm Customize function (p. 158).
The content of User memory is retained even while the AT-45’s power is
turned off.
You can call up rhythms in User memory by pressing the [Disk/User]
button.
Calling Up Rhythms Stored in User Memory
If you wish to store a disk
Rhythm in the User
memory, refer to “Copying
Rhythms on Disks into
User Memory” (p. 68).
If you want to restore the
original rhythms that User
memory contained at the
time the instrument was
shipped from the factory,
refer to “Restoring the
Rhythm Stored in the User
Memory to Their Original
Factory Settings” (p. 70).
1.
2.
3.
4.
Press the [Disk/User] button.
The Rhythm screen appears.
Touch <> on the Rhythm screen.
The rhythms stored in User Memory are displayed.
Touch a rhythm name to select the desired rhythm.
The indicator of [Disk/User] button will blink.
After selecting a rhythm, press the flashing [Disk/User]
button once more.
The [Disk/User] button stops flashing and remains lit, indicating that the
rhythm has been selected.
If a floppy disk containing
saved rhythms is in the
disk drive, then when you
touch <>, the
rhythms on the floppy disk
are displayed.
You can also confirm the
rhythm by touching <Exit>
in the Rhythm screen.
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■
b
Rhythm Search
You can search for Rhythm that match the tempo of the song, musical genre,
or other criteria you set.
You can also search Rhythm using the first character of the Rhythm names.
Chapter 2 Using Rhythm Performance
1.
Touch <Rhythm> on the Main screen.
fig.05-08
The following Rhythm screen appears.
If some other screen is
displayed, touch <Exit> to
close the currently open
screen.
You can also open the
Rhythm screen by pressing
Rhythm buttons.
2.
Touch <> on the Main screen.
A sub-window appears.
You can also search only
for rhythms other than the
internal rhythms accessed
with the [Disk/User]
utton. The icon does
not appear in the display
while [Disk/User] button
rhythms are displayed.
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Chapter 2 Using Rhythm Performance
Searching by Rhythm name
3.
4.
5.
6.
Searching by Conditions
Touch <By Name>.
Decide which character you will use for the search.
The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→“B”→“C”...).
Touch <ABC/123> to toggle between alphabets and numerals.
Touch <Start> (Start Search).
The search results appear in the display.
To cancel the search, touch <Exit> in the Search Results screen.
Touch a Rhythm name to select a Rhythm.
Touch <Exit> to return to the Rhythm screen.
3.
4.
5.
6.
7.
Touch <By Conditions>.
You can use four different criteria in searches: “Tempo,” “Beat,” “Groove,”
and “Genre.”
Touch the value for the search term.
Touch <><> to adjust the settings.
After setting the search terms, touch <Start> (Start Search).
The search results appear in the display.
To cancel the search, touch <Exit> in the Search Results screen.
Touch a Rhythm name to select a Rhythm.
Touch <Exit> to return to the Rhythm screen.
54
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Playing Rhythm
There are two ways to start the Rhythm:
Chapter 2 Using Rhythm Performance
• Manually by pressing the [Start] button,
• Automatically by playing a note on the Lower keyboard or Pedalboard
(Sync Start).
You can press (Sync Start) or the [Intro/Ending] button to start the rhythm
from the intro, or stop the rhythm at the ending.
fig.02-03
■
Starting at the Press of a Button
The functions of the [Intro/
Ending] button and [Start/
Stop] button can be
assigned to the foot
switches located on each
side of the Expression
Pedal (p. 105).
Starting with an Added Intro
1.
Press the [Intro/Ending] button.
The Intro is played and the Rhythm starts.
While the Intro is playing, the [Intro/Ending] button indicator will light,
until the Intro ends then the button indicator will go dark.
Making the Intro Short and Simple
1.
2.
Press the [To Variation] or [To Original] button.
[Start/Stop] button indicator will blink.
The indicator for the [To Variation] or [To Original] button will blink.
Press the [Start/Stop] button.
A short Intro is played and the Rhythm starts.
Starting Without an Intro
1.
Press the [Start/Stop] button.
For more on the [To
Variation] and [To
Original] buttons, refer to
“Adding Variety to the
Rhythm or Automatic
Accompaniment” (p. 59).
The Rhythm starts without an Intro being played.
55
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Chapter 2 Using Rhythm Performance
b
For more on the [To
Variation] and [To
Original] buttons, refer to
“Adding Variety to the
Rhythm or Automatic
Accompaniment” (p. 59).
■
Starting the Rhythm Automatically When You
Play the Lower Keyboard or Pedalboard
(Sync Start)
Starting with an Added Intro
1.
Press the [Sync Start] button to make the indicator light up.
NOTE
If the Arranger function is
ON (the Arranger [On/Off]
utton indicator is lit), it is
not be able to start the
Rhythm by playing the
Pedalboard (p. 58).
2.
3.
Press the [Intro/Ending] button.
The [Intro/Ending] button’s indicator will blink.
Play either the Lower keyboard or the Pedalboard.
The Intro is played and the Rhythm starts.
While the Intro is playing, the [Intro/Ending] button indicator will light,
until the Intro ends then the button indicator will go dark.
Making the Intro Short and Simple
1.
2.
3.
Press the [Sync Start] button to make the indicator light up.
Press the [To Variation] or [To Original] button.
[Start/Stop] button indicator will blink.
The indicator for the [To Variation] or [To Original] button will blink.
Play either the Lower keyboard or the Pedalboard.
A short Intro is played and the Rhythm starts.
Starting Without an Intro
1.
2.
56
Press the [Sync Start] button to make the indicator light up.
Play either the Lower keyboard or the pedalboard.
The Rhythm starts without an Intro being played.
Page 57
■
b
Stopping the Rhythm
Chapter 2 Using Rhythm Performance
Stopping with an Ending
1.
Press the [Intro/Ending] button.
An Ending is played, then the Rhythm stops.
While the Ending is playing, the [Intro/Ending] button indicator will light,
until the Ending finishes the button indicator will be turned off.
Making the Ending Short and Simple
1.
Press the [To Variation] or [To Original] button, and then
press the [Start/Stop] button.
A short Ending is played, then the Rhythm stops.
Stopping without an Ending
1.
Press the [Start/Stop] button.
The Rhythm stops without an Ending being played.
The functions of the [Intro/
Ending] button and [Start/
Stop] button can be
assigned to the foot
switches located on each
side of the Expression
Pedal (p. 105).
Changing a Rhythm’s Tempo
You can change the tempo of the Rhythm or Automatic Accompaniment (p.
58).
fig.02-04
1.
Press the Tempo [] and [] buttons to change the tempo
(speed) of the Rhythm or Automatic Accompaniment.
Tempo [] button
Tempo [] button
By pressing the Tempo [] and[] buttons simultaneously, the tempo is
returned to the standard (preset) tempo for the selected Rhythm.
The value of the tempo currently set (20–500 beats per minute) can be
checked in the Main screen and Rhythm screen.
The tempo becomes slower
The tempo becomes faster
If you switch rhythms
when “Auto Std Tempo
(Auto Standard Tempo)”
(p. 173) is on, the tempo
changes to match the
rhythm. If you switch
rhythms when “Auto Std
Tempo” is off, the tempo
remains unchanged even
when you switch the
rhythm.
The tempo and time
signature are also indicated
y the “bouncing ball” in
the Main screen (p. 22).
57
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Chapter 2 Using Rhythm Performance
Playing the Count Sound at the End of
the Intro
If an intro is played before your performance, you can have a countdown
played to the end of the intro, allowing you to understand easily where you
are to start playing.
fig.02-05
1.
2.
3.
Press the [Count Down] button, getting the indicator to light.
Press the [Intro/Ending] button.
The intro plays, and a countdown plays to the end of the intro.
When the [Sync Start] button is lit, specifying the chord on the Lower
keyboard starts the intro, and again, a countdown is given.
To stop the countdown, press the [Count Down] button,
turning off the indicator light.
Playing Rhythm and Automatic
Accompaniment
The Arranger function of the AT-45 can add an Automatic Accompaniment
to each Rhythm. Based on the selected Rhythm, the Arranger function
automatically adds an accompaniment that is suitable for the chord being
pressed on the Lower keyboard.
fig.02-06
You can change the
countdown sound (p. 173).
NOTE
When the Arranger [On/
Off] button is on, Sync Start
(p. 56) on the pedalboard
cannot be used.
1.
2.
58
Press the Arranger [On/Off] button (indicator lights.)
Arranger [On/Off] button
Indicator is lit (On)
Indicator is not lit (Off)Rhythm (Drums only)
Rhythm and Automatic Accompaniment
Function
Start the rhythm (p. 55).
The rhythm and the automatic accompaniment will play together.
If the Arranger [On/Off] button is ON and no Pedal Bass voice is selected,
the Automatic Accompaniment will play the bass sound.
NOTE
During the intro or ending,
playing the lower keyboard
will not produce sound.
Page 59
Chapter 2 Using Rhythm Performance
What’s a fill-in?
A Fill In is a short phrase that is inserted at a break in the melody or at a
point where the character of the song changes (between Chorus’s or Verses).
The functions of the Fill In
[To Variation] button and
Fill In [To Original] button
can be assigned to the foot
switches located on each
side of the Expression
Pedal. Please refer to
“Changing the Function of
the Foot Switch” (p. 105).
Adding Variety to the Rhythm or
Automatic Accompaniment
You can add variety to the rhythm or automatic accompaniment by
changing the rhythm pattern of the rhythm or the arrangement of the
automatic accompaniment.
fig.02-07
Button nameFunction
Fill In [To Variation] button
Fill In [To Original] button
After the Fill-In has played, play the
Variation Rhythm pattern.
After the Fill-In has played, play the
Original Rhythm pattern.
■
Changing the Arrangement of the
Accompaniment (Style Orchestrator)
You can change the arrangement of the accompaniment. This function is
called “Style Orchestrator.” For each rhythm, there are four types of
arrangement for the accompaniment.
The following buttons are called Style Orchestrator buttons.
fig.02-08
1.
Press the Style Orchestrator buttons to change the
arrangement of the accompaniment.
The indicator of the button you pressed will light.
The [Basic] button produces the simplest arrangement, and the [Full] button
produces the most florid.
59
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Chapter 2 Using Rhythm Performance
If you press the root note of
the chord (p. 212) in the
lower keyboard when the
Chord Intelligence function
is on, all notes in that chord
will sound.
For example, if you press
the root “C” of the C major
chord in the lower
keyboard, the notes of the
C major chord “C,” “E,”
and “G” will be sounded
by the voice selected for the
lower part.
Playing Chords with Simple Fingering
“Chord Intelligence” is a feature that intelligently plays the correct
accompaniment chords the moment you play a key specifying a chord on
the Lower keyboard during Automatic Accompaniment.
1.
For example, in order to make the instrument detect a “C Major” chord, you
must normally play the three keys “C,” “E,” and “G.” If you use the Chord
Intelligence function, you can simply press a single “C” key in the lower
keyboard to sound a C Major chord with the voice selected for the Lower
part.
Touch <Rhythm> on the Main screen.
The Rhythm screen appears.
fig.02-09_55
For more information
about chord fingering, refer
to the “Chord List” (p. 210).
You can also open the
rhythm screen by pressing
a Rhythm button.
2.
60
Touch <> (Utility) on the Rhythm screen.
The Utility screen appears.
fig.02-10_55
Page 61
Chapter 2 Using Rhythm Performance
3.
4.
5.
Touch <Options>.
The Rhythm Options screen appears.
fig.02-11_55
Touch the Chord Intelligence setting to turn it “ON.”
The Chord Intelligence function can now be used.
Each time you touch the Chord Intelligence setting, it will be switched ON/
OFF.
If you wish to turn off the Chord Intelligence function,
switch it “OFF.”
When the Leading Bass
function (p. 62) is on and
the Chord Intelligence
function is off, you can
specify chords with a
combination of the lower
keyboard and pedalboard.
When you touch the [One
Touch Program] button, the
Chord Intelligence setting
will automatically be
turned ON.
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Chapter 2 Using Rhythm Performance
When the Leading Bass
function is on and the
Chord Intelligence function
(p. 60) is off, you can
specify chords with a
combination of the lower
keyboard and pedalboard.
Leading Bass Function
When Automatic Accompaniment is used, and the Pedal [To Lower] button
is ON, the Pedal Bass voice will normally play the root note (p. 212) of the
chord you play on the Lower keyboard.
If the Leading Bass function is enabled, the lowest note of the chord you play
on the Lower keyboard will then be used as the bass note (the bottom note
of the chord). This allows the bass to be a note other than the root of the
chord you play and the bass note will change when inverted chords are
played (p. 212).
1.
2.
Touch <Rhythm> on the Main screen.
The Rhythm screen appears.
fig.02-09_55
Touch <> (Utility) on the Rhythm screen.
The Utility screen appears.
fig.02-10_55
You can also open the
Rhythm screen by pressing
the Rhythm buttons.
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Chapter 2 Using Rhythm Performance
3.
4.
5.
Touch <Options>.
The Rhythm Options screen appears.
fig.02-11_55
Touch the Leading Bass setting to turn it “ON.”
Each time you touch the Leading Bass setting, it will be switched ON/OFF.
To turn off the Leading Bass function, set the Leading Bass
setting to “OFF.”
You can assign the Leading
Bass functions to either of
the foot switches located on
each side of the Expression
Pedal. Please refer to
“Changing the Function of
the Foot Switch” (p. 105).
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Chapter 2 Using Rhythm Performance
What is Sync Start?
Sync Start is a function that starts the rhythm at the moment that you play
the lower keyboard.
A Simple Way to Make Automatic
Accompaniment Settings
(One Touch Program)
The AT-45 provides a very convenient [One Touch Program] button. By
simply pressing this button once, the Arranger function will be turned ON,
and keyboard voices that are most appropriate for playing with the
currently selected Rhythm/Automatic Accompaniment are selected.
By pressing the [One Touch Program] button, you can make the following
settings.
• Panel settings (e.g., voices and volume) suitable for the rhythm
“Chord Intelligence” is a feature that intelligently decides on
accompaniment chords the moment you play some keys specifying a chord
during automatic accompaniment.
The panel settings specified by the One Touch Program function are as
follows.
8 panel settings for each rhythm (4 panel settings x 2 groups)
1234
1234
2 Group
1 Group
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To redisplay the One Touch
Program Group screen,
while holding down the
Registration [Write] button,
press the [One Touch
Program] button.
Touch the One Touch
Program Group screen to
reselect the group.
1.
2.
Select a Rhythm (p. 55).
Press the [One Touch Program] button.
The [One Touch Program] button’s indicator will light.
fig.02-15
An One Touch Program Group (One Touch Program Group select) screen
like the one shown below will be displayed for several seconds.
f
3.
While the One Touch Program Group screen is displayed,
touch the screen to select a One Touch Program group.
If you fail to select a One Touch Program group while the One Touch
Program Group screen is displayed, “Group 1” will be selected
automatically.
Panel settings appropriate for the rhythm and automatic accompaniment
will automatically be called up for Registration [1]–[4] buttons.
4.
5.
6.
Press the Registration [1] – [4] button to select panel settings.
On the Lower keyboard, play a chord.
At the moment you play the lower keyboard, the Intro will begin, and then
the Rhythm and Automatic Accompaniment will play.
Press the [Intro/Ending] or [Start/Stop] button to stop the
Rhythm.
7.
Rhythm and Automatic Accompaniment stops.
Press the [One Touch Program] button, extinguishing its
indicator.
You will return to the panel settings that were in effect prior to pressing the
[One Touch Program] button.
When you press the [One
Touch Program] button, the
“Arranger Update” setting
will automatically change
to “INSTANT” (p. 174).
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Chapter 2 Using Rhythm Performance
b
Using a Rhythm from a Disk
The AT-45 contains built-in Rhythms (Music Styles). Additional Rhythms
(Music Styles) are available on the Music Style disk included are available.
Here’s how to select a Rhythm (Music Style) from a Music Style disk.
■
Inserting and Ejecting a Floppy Disk
1.
Hold the floppy disk face up, and push it into the disk drive
until it clicks into place.
The disk drive is on the right side of the unit, above the keyboard.
fig.02-18
Eject buttonIndicator
Floppy Disk
NOTE
If you’re using the disk
drive for the first time, be
sure to read the important
notes on p. 6.
NOTE
Never eject a disk while
reading or writing is in
progress, since that can
damage the magnetic
surface of the disk,
rendering it unusable. (The
disk drive’s indicator will
light up at full brightness
when the drive is busy
reading or writing data.
Ordinarily, the indicator
will be less brightly lit, or
e extinguished.)
2.
Press the Eject button.
The end of the floppy disk comes out of the slot. Gently grasp the end of the
floppy disk and pull it out.
fig.02-19
Eject Button
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Chapter 2 Using Rhythm Performance
■
Reviewing the Styles on a Music Style Disk
1.
2.
Press the Rhythm [Disk/User] button (confirm that its
indicator is lit).
The Rhythm screen appears.
fig.02-20_55
Insert the Music Style disk into the disk drive.
The Rhythm screen will show the Rhythms on the music style disk.
Rhythms from the music style disk are indicated by an “” icon.
fig.02-21_55
3.
4.
5.
Touch <>, causing it to light up; the rhythms on the
music style disk are displayed.
Touch the Rhythm screen to select a Rhythm on the Music
Style disk.
The [Start/Stop] button indicator will blink while the Rhythms are being
loaded into internal memory.
When loading is finished, you will be able to play the selected rhythm.
Press the [Start/Stop] button or the [Intro/Ending] button.
The selected Rhythm is played.
When <> is lit,
the rhythms stored in User
memory (p. 52) are
displayed.
If rhythms from a music
style disk are stored in
internal memory (p. 52),
you can recall the Rhythms
simply by pressing the
[Disk/User] button (p. 68).
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Chapter 2 Using Rhythm Performance
Copying Rhythms on Disks into User
Memory
While the AT-45 comes with rhythms already stored in its User memory (p.
52), you can replace these with Music Style Disk rhythms. Rhythms loaded
from the floppy disk into User memory will not be lost even if the power is
turned off. It is convenient to load frequently-used disk Rhythms into User
memory.
1.
2.
3.
Insert the Music Style disk into the disk drive.
Touch <Rhythm> on the Main screen.
The Rhythm screen appears.
fig.02-21_55
Touch <> (Utility) on the Rhythm screen.
The Utility screen appears.
fig.02-22_55
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Chapter 2 Using Rhythm Performance
4.
5.
6.
Touch <Copy to User>.
The Copy To User screen appears.
fig.02-23_55
Touch <><> to select the Music Style Disk rhythm
you want to copy to the User memory.
Rhythm [Disk/User] button indicator will blink.
After selecting the Music Style Disk Rhythm, touch <Next>.
The following screen appears.
fig.02-24_55
At this time, you can press
<> or the [Start/
Stop] button to play the
rhythm to make sure of
your choice.
7.
Touch <Back> to go back to the previous screen.
Touch the save-destination rhythm.
The following screen appears.
fig.02-25_55
To cancel operation, touch <Cancel>.
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Chapter 2 Using Rhythm Performance
To restore all of the factory
settings, use the Factory
Reset operation (p. 19).
You can restore the User
Memory to the factory
settings by using the
following method.
1. Press the [Power On]
button to turn off the
power.
2. Hold down the Rhythm
[Disk/User] button, and
press the [Power On]
button.
Never turn off the
power while the
following screen is
displayed.
fig.02-27_70
8.
To store the Rhythm in User memory, touch <OK>.
The saving of the rhythm to User memory begins.
Once the Rhythm has been accommodated in memory, the Rhythm screen
will reappear.
Restoring the Rhythm Stored in the
NOTE
Never remove the disk or
turn off the power while
the Rhythm data is being
loaded from disk into the
AT-45. If you do so, the
Rhythm data will not be
loaded into the AT-45,
and malfunctions could
result. After returning the
Rhythm stored in the
[Disk/User] button to the
factory settings (see
following section), reload the Rhythm from
disk.
User Memory to Their Original Factory
Settings
Use the following procedure to restore only the rhythm stored in the User
1.
2.
3.
Memory to their factory settings.
Touch <Rhythm> on the Main screen.
Touch <> (Utility) on the Rhythm screen.
fig.02-22_55
Touch <Reset User> on the Sub-window.
The confirmation message appears on the screen.
4.
70
Touch <OK>.
The Rhythm that had been stored in the User Memory button will return to
the factory settings.
The Rhythm that had
been stored in the User
Memory will return to
the factory settings.
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Chapter 2 Using Rhythm Performance
When <> is lit,
the rhythms stored on the
floppy disk are displayed.
Copying Rhythms Saved in User
Memory to Floppy Disks
You can take rhythms saved in User memory (p. 52) and copy them to
floppy disks.
1.
2.
3.
4.
Make sure that the disk drive contains a disk that was
formatted (p. 86) by the AT-45.
Press the Rhythm [Disk/User] button.
The Rhythm screen appears.
fig.02-09_55
Touch <>.
Touch the Rhythm name to select the rhythm you want to
copy to the floppy disk.
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Chapter 2 Using Rhythm Performance
5.
6.
7.
Touch <> (Utility) on the Rhythm screen.
The Utility screen appears.
fig.02-22_55
Touch <Copy to Disk>.
The Copy to Disk screen appears.
Touch <><> to select the copy-destination number.
Numbers which have not been used in the saving operation will be
displayed as “- - - - -.”
8.
72
To cancel the copy, touch the <Exit> button to close the Copy to Disk screen.
Touch <Copy> to copy the rhythm to the floppy disk.
Copying of the rhythm to the floppy disk begins.
When the rhythm is saved, the Rhythm screen returns to the display.
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Chapter 2 Using Rhythm Performance
Changing the Order of the Rhythms
Stored in User Memory
You can rearrange the order of the rhythms stored in User memory (p. 52).
1.
2.
Touch <Rhythm> on the Main screen.
The Rhythm screen appears.
fig.02-09_55
Touch <> (Utility) on the Rhythm screen.
The Utility screen appears.
fig.02-22_55
3.
Touch <Edit User>.
The Edit User screen appears.
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Chapter 2 Using Rhythm Performance
4.
5.
6.
Touch <><> in the screen to select a rhythm.
Touch <Up> or <Down> to move the rhythm.
Button
Rename
Up
Down
Delete
MeaningDescription
The Rename screen appears. You can
Modify the name
Change the order
(upward)
Change the order
(downward)
Delete the Rhythm
touch the screen and rename the
selected rhythm (p. 75).
The selected rhythm will be moved
earlier in the order.
The selected rhythm will be moved
later in the order.
The selected rhythm will be deleted
(p. 77).
Touch <Exit>.
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Chapter 2 Using Rhythm Performance
Changing the Names of Rhythms
Stored in User Memory
You can rename rhythms stored in User memory (p. 52).
1.
2.
3.
Touch <Rhythm> on the Main screen.
The Rhythm screen appears.
Touch <> (Utility) on the Rhythm screen.
The Utility screen appears.
fig.02-22_55
Touch <Edit User>.
The Edit User screen appears.
4.
Touch <><> to select the rhythm whose name you
want to change.
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Chapter 2 Using Rhythm Performance
5.
6.
7.
Touch <Rename>.
The Rename screen appears.
Touch <> to change among uppercase/
lowercase/symbols.
Each touch of the character switch button takes you to the next available
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Delete a character.
Insert a space.
Move the cursor (the symbol that indicates the location at
which characters will be input) to left or right.
When you’re done making the settings, touch <OK>.
The Rhythm has now been named. The Edit User screen reappears.
Touch <Exit>.
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Chapter 2 Using Rhythm Performance
Deleting Rhythms Stored in User
Memory
You can delete rhythms stored in User memory (p. 52).
1.
2.
3.
Touch <Rhythm> on the Main screen.
The Rhythm screen appears.
Touch <> (Utility) on the Rhythm screen.
The Utility screen appears.
fig.02-22_55
Touch <Edit User>.
The Edit User screen appears.
4.
In the screen, touch <><> to select the rhythm that
you wish to delete.
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Chapter 2 Using Rhythm Performance
5.
6.
Touch <Delete>.
The following display appears.
To cancel operation, touch <Cancel>.
If you are sure that you wish to delete the rhythm, touch
<OK>.
When a rhythm is deleted, the deleted rhythm name will change to “- - - - -.”
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Chapter 3 Using the Registration Buttons
b
b
The AT-45 allows you to store sound settings and panel settings in the
Registration buttons. The AT-45 has a total of eight registration buttons, and
one set of panel settings can be registered to each button, for a total of eight
types of panel settings. Each set of panel settings that has been stored in a
Registration button is called a “Registration.”
This provides a convenient way to change large numbers of panel settings
during a performance, or to recall a complex panel setting.
fig.03-02
Settings that have been
stored to Registration
uttons [1]–[8] are
remembered even if the
power is turned off. If you
wish to restore the settings
stored in the Registration
uttons to their factory
settings, use the “Factory
Reset” operation (p. 19).
Manual
Write
2345781
About the Registration Buttons
In addition to assigning voices and rhythms to the Registration buttons, you
can also store the following settings:
• Panel button settings (for example, settings for the Level [▲] [▼] buttons
and Solo [To Lower] button)
• Controller settings (functions assigned to foot switches, pitch bend
range, etc.)
• Other types of settings (reverb type, tempo settings, degree of initial
touch, etc.)
If you would like to know all of the settings that can be recorded to the
Registration buttons, refer to “Settings That Are Stored After the Power Is
Turned Off” (p. 214).
Furthermore, you can group the settings assigned to the Registration [1]–[8]
buttons as a single set, and then register and save up to a maximum of 99
sets onto a single floppy disk (p. 88).
In addition to the settings recorded to the Registration buttons, the
following data is also saved when Registration sets are saved to floppy
disks.
• Registration Name →p. 84
• Registration Shift →p. 106
• Arranger Update →p. 82
• Trans. Update (Transpose Update) →p. 174
• Exp. Curve (Expression Pedal Curve) →p. 108
6
Recorded performance data
and rhythms from User
memory are not stored in
Registration sets.
When a rhythm saved in
User memory is assigned to
a Registration set, that
rhythm is copied
beforehand to the User
memory.
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Chapter 3 Using the Registration Buttons
Procedure for Creating Registration Sets
You can change voice and other panel settings by pressing the Registration
buttons during performance of songs.
Prepare the Registrations
A convenient way to make the sequence of Registration buttons to be
pressed easy to understand is to store the panel settings starting from the
Registration [1] button, continuing with subsequent buttons in accordance
with the progression of the song.
Save the Registrations to the floppy disk
If you want to use more than eight Registrations in a song, save the settings
for Registration buttons [1] through [8] to a floppy disk as a set, then
continue to store further panel settings again, starting from Registration
button [1]. Save all of the Registration sets you have set to the floppy disk.
Arrange the Registrations in the sequence they are to be used
Save the Registration sets to the floppy disk in the order they are to be used
in the song.
You can use the Disk Edit function to alter the sequence and names of
rhythms contained on the floppy disk (p. 84, p. 98) as well as delete such
rhythms (p. 96).
Using Registration Sets
Call up the Registration sets saved on the floppy disk to the AT-45
Insert the floppy disk containing the saved Registration sets into the disk
drive, and load the Registration sets into the AT-45 (p. 91).
Switch the Registration sets as you perform
Press the Registration buttons to switch Registrations as you play the song.
You can assign the “Right + Load Next” to the foot switch and use it to call
up subsequent Registration sets (p. 106). When the Load Next function is
assigned to the foot switch, Registration sets are called up in the order they
are saved on the floppy disk.
Storing Registrations
fig.03-02
1.
2.
Write
Manual
Make all the panel settings that you wish to store.
While holding down the [Write] button, press one of the
Registration buttons [1]–[8].
The panel settings will be stored in the selected Registration button.
235641
For details on the settings
that are stored in a
Registration, refer to
“Settings That Are Stored
In the Registration
Buttons” (p. 214).
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Recalling a Registration
Chapter 3 Using the Registration Buttons
Settings that have been registered to Registration buttons [1]–[8] can be
recalled in two ways: “INSTANT” and “DELAYED.”
At the factory this is set to “DELAYED.”
■
How to Recall a Registration (DELAYED)
Recalling voices and other panel settings
1.
Recalling settings for Rhythm and Automatic Accompaniment in
addition to the panel settings
1.
Press and immediately release one of the Registration
buttons [1]–[8].
Press and hold a Registration button [1]–[8] for several
seconds.
The indicator of the rhythm select button will blink, and the panel settings
and settings related to rhythm performance and automatic accompaniment
will be recalled.
When changing the way
Registrations are called up,
refer to “Changing the
Timing of Recalling
Registrations” (p. 82).
■
How to Recall a Registration (INSTANT)
Recalling panel settings of a voice, or when recalling settings for
rhythm performance and Automatic Accompaniment in addition
to panel settings
1.
Press and immediately release one of the Registration
buttons from [1] through [8].
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Chapter 3 Using the Registration Buttons
j
You can also open the
Registration Load screen by
pressing the [Registration]
button on the panel.
■
Changing the Timing of Recalling Registrations
Settings for Rhythm play and Automatic Accompaniment are recalled when
you continue holding a Registration button [1]–[8] for several seconds, but
you can change this so that the settings are recalled the instant you press the
button.
1.
2.
Touch <Registration> on the Main screen.
The sub-window appears.
fig.03-04_55
Touch <Load>.
The Registration Load screen appears.
fig.03-05_55
3.
82
Touch <Utility>.
The Utility screen appears.
fig.03-06_55
When you touch <go to
Save>, the instrument
umps to the Registration
Save screen.
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Chapter 3 Using the Registration Buttons
You can change the timing
of recalling the transpose
setting when you press a
Registration button.
For details refer to
“Changing the Timing at
Which Transposition
Settings are Recalled” (p.
174).
4.
5.
Touch <Options>.
The Registration Options screen appears.
fig.03-07_55
Touch the Arranger Update setting to switch between
“DELAYED” and “INSTANT.”
Each time you touch the Arranger Update setting, it will alternate between
“DELAYED” and “INSTANT.”
Setting
Descriptions
DELAYED
INSTANT
6.
Touch <Exit>.
Automatically Registering When You
Switch Panel Settings
When the [Manual] button is ON (lit), all panel settings you make will be
stored automatically in the [Manual] button as they are made, thus updating
the Registration that had been previously saved.
fig.03-08
Write
Manual
When you press and hold a Registration button for several
seconds, the settings for Rhythm and Automatic
Accompaniment will be recalled in addition to the panel
settings.
If you press and immediately release a Registration
button, only the settings that are not related to Rhythm or
Automatic Accompaniment will be recalled.
Settings for Rhythm and Automatic Accompaniment will
be recalled the instant that you press a Registration button
[1]–[8].
235641
NOTE
The settings stored in the
[Manual] button will return
to their default values
when the power is turned
off.
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Chapter 3 Using the Registration Buttons
When you touch <go to
Load>, the instrument
jumps to the Registration
Load screen.
Assigning a Name to a Registration Set
When saving Registration sets, names like “Factory Reg.” will be assigned
by default, but you can assign a name that will help you later to identify the
contents of the Registration set.
1.
2.
Touch <Registration> on the Main screen.
The sub-window appears.
fig.03-04_55
Touch <Save>.
The Registration Save screen appears.
fig.03-09_55
3.
Touch <Utility> to open the Utility screen.
The Utility screen appears.
fig.03-10_55
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Chapter 3 Using the Registration Buttons
4.
5.
6.
Touch <Rename>.
The Rename screen appears.
fig.03-11_55
Touch <> to change among uppercase/
lowercase/symbols.
Each touch of the character switch button takes you to the next available