Rocktron Intellifex On-Line User Manual
USER'S MANUAL
May be covered by one or more of the following: U.S. Patents #4538297, 4647876, 4696044, 4745309, 4881047, 4893099, 5124657, 5263091,
5268527, 5319713, 5333201, 5402498, 5493617 and 5638452. Other patents pending. Foreign patents pending.
Y our Intellifex® Online has been tested and complies with the following Standards and
Directives as set forth by the European Union:
Council Directive(s): 89/336/EEC Electromagnetic Compatibility
Standard(s): EN55013, EN50082-1
This means that this product has been designed to meet stringent guidelines on how much
RF energy it can emit, and that it should be immune from other sources of interference
when properly used. Improper use of this equipment could result in increased RF emissions, which may or may not interfere with other electronic products.
T o insure against this possibility, always use good shielded cables for all audio input and
output connections. Also, bundle audio cables separately from the AC power cables. These
steps will help insure compliance with the Directive(s).
For more information about other Rocktron products, please see your local dealer or one of
our importers closest to you (listed on the enclosed warranty sheet).
Copyright ©1997 Rocktron Corporation.
All rights reserved.
Contents
1. Introduction................................................................................................................. 1
2. Quick Setup................................................................................................................. 2
3. Front Panel.................................................................................................................. 3
4. Rear Panel ................................................................................................................... 5
5. Connections ................................................................................................................ 7
6. Principle of Operation............................................................................................... 10
A. MIXER SECTION ........................................................................................................... 10
B. REVERB SECTION....................................................................................................... 12
C. DELA Y SECTION.......................................................................................................... 1 4
D. DUCKER SECTION ...................................................................................................... 16
E. PITCH CHANGE SECTION ........................................................................................... 17
PITCH SHIFT ..................................................................................................................... 18
F . HUSH® SECTION.......................................................................................................... 20
7. Configurations .......................................................................................................... 21
A. HUSH/CHORUS/DELA Y/REVERB Configuration ........................................................... 22
HUSH/CHORUS/DELA Y/REVERB Parameters ................................................................. 23
B . HUSH/REVERB Configuration ...................................................................................... 2 4
C. HUSH/DELA Y/DUCKER Configuration .......................................................................... 26
D. HUSH/8 VOICE CHORUS/DELAY Configuration ........................................................... 29
E. HUSH/PITCH SHIFT/DELAY Configuration .................................................................... 31
F . HUSH/PITCH SHIFT/DELA Y/REVERB Configuration...................................................... 33
8. Operating the Intellifex ............................................................................................. 35
A. Recalling a stored Intellifex Online preset ....................................................................... 35
B. Changing preset parameters ......................................................................................... 36
C. Storing modified parameter values ................................................................................ 37
D. Editing a preset title ....................................................................................................... 39
E. Selecting a "Power On" preset ...................................................................................... 40
9. MIDI Operation .......................................................................................................... 41
A. MIDI Controller Assignment............................................................................................ 4 1
B. MIDI Program Mapping .................................................................................................. 4 4
C. MIDI Channel ................................................................................................................. 46
D. MIDI Dump/Load............................................................................................................ 4 7
E. Factory Restore............................................................................................................. 53
10. MIDI Implementation Chart ..................................................................................... 54
11. Specifications .......................................................................................................... 55
1. Introduction
Congratulations on your purchase of the Rocktron Intellifex® Online!
The Intellifex Online features presets created and uploaded by Rocktron users from all
over the world to Rocktron's World Wide Web site. These presets can be easily updated from
the "Patch Bay" at Rocktron's web page. In addition, you can also upload your own custom
presets to share with other online users. For instructions on downloading and uploading
Intellifex presets, please visit our web site at "http://www.rocktron.com" and click "Patch
Bay".
The Intellifex Online is a 24-bit digital effects processor utilizing three individual 16-bit
converters and Sigma-Delta A/D conversion, achieving a 64x oversampling rate and better than
100dB dynamic range. It is totally programmable and allows for complete MIDI control. The
unit features pitch shifting, 8-voice stereo chorusing effects, digital delay effects (including 2tap, stereo and ping ponging effects), unsurpassed digital reverb quality and highly flexible
configuration programming—allowing for simultaneous operation of up to 5 effects plus complete mixing capabilities. The unit also offers a fully digital implementation of patented HUSH
noise reduction at the unit’s input, along with delay and reverb ducking capabilities.
®
This user's manual will detail the various features and functions of the Intellifex Online.
After reading it, please keep it for future reference.
What makes the Intellifex Online Unique?
Super quiet operation due to use of digital HUSH
High purity sound due to the use of a 64X oversampling A/D converter, which
samples the signal 64 times as often as a conventional converter, and also due to
the use of a separate dual D/A converter. Most "bargain" digital effects units use a
single converter multiplexed 3 ways, for decidedly higher distortion and lower
dynamic range.
24-Bit processing and memory circuits to maintain maximum dynamic range.
Ability to store up to 8 unique MIDI controller patches with each preset.
Very high quality effects algorithms.
Highly stereo effects with panning available on almost all signals.
8 voice chorusing with an enormous number of parameters for the richest sounding
chorus ever.
®
and high quality 16-bit converters.
High quality 4 voice pitch shifting over 3 full octaves.
2-voice pitch shifting or 4-voice chorusing offered simultaneously with HUSH,
delay and reverb.
Programming via knobs instead of push buttons.
Easy to read, wide viewing angle display.
1
2. Quick Setup
Rcalling a Stored Intellifex Online Preset
STEP 1 To recall a stored Intellifex Online preset, first turn the PRESET control
to the desired preset number you wish to recall. The display will alternate
between the preset number/title selected and:
PRESS RECALL FOR
STEP2 To call up the preset you have selected, press the RECALL button. The
display will now show only the new preset number/title.
14 PRESET TITLE
Changing Preset Parameters
STEP 1 The parameter menu for each effect can be called up via the FUNCTION
SELECT control. Turn this control to the effect to be changed.
**** REVERB ****
STEP 2 Turn the PARAMETER SELECT control to select which parameter select
the parameter to be modified.
REV DECAY 59
STEP 3 Use the PARAMETER ADJUST control to modify the parameter value.
The LED above the STORE button lights to indicate that a parameter
value has been modified from the stored preset.
Storing Modified Parameter Values
STEP 1 To store modified parameter values, press the STORE button while
viewing a parameter or effect title to begin the store procedure. The
Intellifex Online will alternate displaying the current preset number/title
and:
STORE TO PRESET
STEP 2 Turn the PRESET control to select the desired preset number to store
the new parameter values into (if the new values are to be stored into
the current preset location, this step is not necessary). User presets
may be stored in preset locations 1-80. Presets 81-160 are factory
presets and cannot be copied over. The Intellifex Online will now
alternate displaying the new preset number/title and:
STORE TO PRESET
STEP 3 Now press the STORE button a second time to store the modified
values into the selected preset location. The Intellifex Online will display
"STORED" briefly before displaying the new preset number/title.
STORED
STEP 4 After the modified parameters have been stored into a new preset
location, the Intellifex Online will display "COPY TITLE TOO?". This
occurs only when a new preset location is selected to store the modified
parameters into, and allows for the title from the original preset to be
copied to the new preset location as well. To copy the title, press the
STORE button a third time. The display will again flash "STORED".
REV DECAY 32
STEP 4 The COMPARE button may be used to compare the stored value to the
new one.
REV DECAY 59
2
NOTE 1 If it is not desired to copy the title from the original preset, turn either
the PRESET or FUNCTION SELECT control to exit the store procedure.
NOTE 2 If a modified preset is edited without completing the store procedure (i.e.
"STORED" displayed at least one time), all edited parameter values will
be lost and the preset will revert to its original condition the next time it is
recalled. When saving altered parameters, always make sure the
Intellifex Online flashes "STORED" at least once before exiting the
preset to ensure that the desired modifications were stored into
memory.
3. Front Panel
Some of the controls on the Intellifex Online front panel have more than one function,
dependent upon what mode the unit is currently operating in. Please read this section to become
better aquainted with these functions.
1 POWER switch
2 RECALL button:
This button is used to recall the displayed preset.
3 PRESET control:
The function of this control is dependent on the CONFIG button.
When the CONFIG LED is off, turning the PRESET control will cause the Intellifex Online to
exit its current function. The PRESET control may then be used to scroll through the
successive factory and user presets and titles stored in its memory.
When the CONFIG LED is on, the PRESET control is again used to scroll through the
successive presets, but instead of displaying preset titles the Intellifex Online will display the
effect configuration stored for each preset.
4 CONFIG button:
The CONFIG button is used to toggle between displaying either the preset title or the
configuration of the currently displayed preset. The configuration display indicates both
which effects the displayed preset executes and the order in which they are executed. The
LED above the CONFIG button is lit when the configuration is displayed.
5 DISPLAY panel:
The DISPLAY panel is a 16 character, vacuum fluorescent display type.
6 COMP ARE button:
The COMPARE button may be used to compare a modified parameter value to its stored
value. (If comparing an altered value to the stored value and the stored value is currently
being viewed, turning a knob or pressing a button that changes the parameter value
displayed will cancel the previous modified value.)
The COMP ARE button may also be used to simultaneously compare multiple modified
parameters under the same effect heading (i.e. Reverb, Mixer, etc.) to the stored values. To do
so, turn to the effect heading where the modified parameters are located and press the
COMP ARE button. When the STORE LED is of f, the stored parameter values are currently
active. When the STORE LED is lit, the modifed values are active.
If a knob is turned or a button is pressed which changes the effect heading when the stored
parameters are active (STORE LED off), any modified parameter values under that heading
will be lost. This is also true if a MIDI control change is received while the stored parameters
are active.
3
7 PARAMETER ADJUST control:
This control is used to adjust the displayed parameter value. When the parameter is changed
from its original value, the LED above the STORE button will light until either (a) the new
value is stored, (b) a new preset is selected or (c) the parameter is returned to its original
value.
8 STORE button:
This button is used to store values into the Intellifex Online memory when modified. See
Chapter 8, section C, "Storing Modified Parameters" for more information.
9 PARAMETER SELECT control:
When monitoring parameter values, this control will scroll through the available parameters
under the current effect heading.
In the "TITLE EDlT" function, this control will scroll through the available characters in the
title that may be edited.
10 FUNCTION SELECT control:
This control allows access to each function of the Intellifex Online. Depending on which
configuration the current preset is built upon, these functions may include:
Preset Select Reverb Parameters
Mixer Parameters Title Edit
HUSH Parameters MIDI Controller Mapping
Chorus Parameters MIDI Program Mapping
Pitch Shift Parameters MIDI Channel
Delay Parameters Ducker Parameters
Factory Restore MIDI Dump/Load
1 1 BYPASS button:
When pressed, the LED is lit and all effects are bypassed.
12 INPUT LEVEL meter:
These LEDs provide visual indication of the peak level of the input signal. For the optimal
signal-to-noise ratio, it is best to adjust the input level so that the last LED (0dB) is rarely lit.
This will guard against the possibility of overdriving the unit.
13 INPUT LEVEL control:
This control adjusts the unit's gain to match the signal level at the input of the Intellifex
Online. The gain can be adjusted from -12dB to +12dB. Use the INPUT LEVEL meter to
determine the setting of this control.
14 CLIP L.E.D.:
This L.E.D. is part of the output section and, when lit, indicates that the final analog output is
being overdriven because the Effects Level, Direct level, and Output Level control are set too
high. If this occurs, reduce these levels until this L.E.D. does not light.
15 OUTPUT LEVEL control:
This control is used to adjust the output level of the unit and may be adjusted from zero
signal to a small amount of gain.
16 REFERENCE LEVEL switch:
This switch determines the output range of the unit and may be set at either -10dB or +4dB.
When using professional studio equipment providing a nominal input level of +4dB, it is
recommended that the +4 setting on the Intellifex Online be used for best results. If
connecting the Intellifex Online to a high sensitivity input, such as the input to a guitar amp,
the -10 setting should be used.
4
4. Rear Panel
1 RIGHT CHANNEL INPUT jack:
This standard 1/4" mono jack provides input to the right channel of the Intellifex Online.
When using only one input (mono), this jack should be used.
2 LEFT CHANNEL INPUT jack:
This standard 1/4" mono jack provides input to the left channel of the Intellifex Online. When
using only one input, this jack should not be used.
3 RIGHT CHANNEL OUTPUT jack:
This standard 1/4" mono jack provides an output for the right channel of the Intellifex Online.
When using the unit in a mono application, either output jack may be used.
4 LEFT CHANNEL OUTPUT jack:
This standard 1/4" mono jack provides output for the left channel of the Intellifex Online.
When using the unit in a mono application, either output jack may be used.
Note: When using a mono input (Right Channel INPUT jack)
and a mono output (either the Left or Right Channel
OUTPUT jack), the left and right effected signals will be
summed at the single output.
5 PHANTOM POWER jack:
This jack offers the ability to power the Rocktron MIDI Mate™ Foot Controller from a seven
pin MIDI cable which connects from the MIDI Mate to the MIDI IN jack on the rear panel of
the Intellifex Online, eliminating the need to find an AC outlet near where the footpedal would
be placed during a performance—or the need to run an extension cord out to the MIDI Mate.
Instead of inserting the adaptor into the MIDI Mate POWER jack, plug it into the
PHANTOM POWER jack on the Intellifex Online. This will power the MIDI Mate through
pins 6 and 7 of the MIDI cable connecting the two units. A 7-pin MIDI cable must be used
and is available through your Rocktron dealer.
6 MIDI IN jack:
This 7-pin DIN connector receives MIDI information from the device which is transmitting
the MIDI commands for the Intellifex Online to execute.
5
7 MIDI OUT/THRU jack:
This standard 5-pin DIN connector passes on the MIDI information that is received at the
MIDI IN jack to other MlDI-compatible devices via a MIDI cable. It also outputs MIDI data
when performing a memory dump.
Note: Inherently in MIDI there is a limit to the number of devices which can be chained
together (series connected). With more than three devices, a slight distortion of
the MIDI signal can occur (due to signal degradation) which can cause an error
in MIDI signal transmission. Should this problem arise, a MIDI box can be used
which connects directly to the MIDI device which transmits MIDI information and
has multiple connectors for the multiple devices receiving MIDI. MIDI cables
should not exceed 50 feet (15 meters) in length.
8 POWER jack:
This jack accepts power from the 9VAC/1500mA adaptor supplied with the unit. For more
information on the power supply see the Power Requirements section on page 2.
6
5. Connections
Using the Intellifex Online with the auxiliary sends and returns of a mixer
7
Using the Intellifex Online with a keyboard and a mixer
8
Using the Intellifex Online with a guitar rack system
!! CAUTION !!
Note: For best results when using the Intellifex Online with high gain distortion, always put the Intellifex Online after
Never connect the outputs of a power amplifier or guitar amplifier to the inputs of the Intellifex Online. This
could damage the Intellifex Online.
the distortion in the signal chain, never before it.
9
6. Principle of Operation
A. MIXER SECTION
The first function accessible when turning the FUNCTION SELECT control in any preset is
the Mixer function. This digital mixer allows you to control the signal levels pertaining to each
preset’s configuration and stores these levels for each preset.
10
Caution: Digital Output overload
As the input signal enters at the unit’s input (A), the unaltered direct signal is fed to
the Direct Pre/Post Hush Selector (B). Here you may choose for the direct signal to
remain unaltered (Pre) or feed it through the digital Hush section (E) of the Intellifex
Online (Post). Before being fed to the Hush section, the signal must first be converted
from an analog signal to digital via the converter (D). When the direct signal is fed to
the Hush section, it will remain digital until it is summed together with the output of
the Effects Level control (G).
It is important to remember that it is possible to overload the Digital to Analog
Converter (H) if the effects levels and direct signal level are set too high when using
the Hush section with the direct signal. If this occurs, reduce these levels until the
front panel CLIP L.E.D. does not light.
Also note that when passing the direct signal through the digital HUSH (Post), a
stereo signal will be converted to mono.
MIXER PARAMETERS
Effects Level
(in
Hush; Chorus; Delay; Reverb
This controls the level of the entire effect signal. This control should be set
relative to the levels of the Left and Right Direct signals. In configurations
which do not include a master Effects Level, the single effect level parameter (Chorus Level, Delay Level, etc.) is considered the master Effect Level
control.
Left/Right Direct Levels
These controls allow for the left and right Direct signal levels to be set
individually, thereby allowing for panning of the Direct signal to the left or
right output. These controls are available in all configurations.
Direct Hush This determines whether the direct signal passes through the digital HUSH
section of the Intellifex Online or bypasses it. Selecting "Post" will pass the
Direct signal through the HUSH system while selecting "Pre" will bypass
this section. (Note: Selecting "Post" converts a stereo direct signal to
mono.)
Chorus Level, Delay Level, Reverb Level, etc.
In configurations which include a Master Effects Level control, these control
the level of each individual effect (Chorus, Reverb, etc.). These should be
set relative to each other when defining individual levels. In configurations
which do not include a Master Effects Level control, the individual effect
level acts as a Master effect level.
and
Hush; Pitch Shift; Delay; Reverb
configurations)
Left and Right Regeneration (in all configurations except
Configurations which include chorus or delay effects provide individual left
and right regeneration level controls to determine the number of times the
delayed signals are repeated. Regeneration is achieved by feeding the
delayed output back into the input. Higher levels of regeneration will result
in more repeats.
The Intellifex Online provides a
against the possibility of overloading the processor when using high
regeneration levels in configurations where a combination of multiple voices
is panned to the left or right. If the regeneration level is set too high, the
Intellifex Online triggers the Regeneration Limiting and a limit is internally
set for the regeneration. This limit can not be exceeded by increasing the
Regen L
If, for example, in the
is panned to the left and the
level, panning a second voice to the left regeneration loop will trigger the
Regeneration Limiter and reduce the regeneration to a level such that
runaway regeneration will not occur. The original regeneration level can be
reset only by recalling the preset, or, by accessing the
decreasing its value and setting it back to its original value after removing
the second Voice from the regeneration loop. This feature of the Intellifex
Online is particularly desirable in live situations where panning and regeneration levels may be controlled by continuous controllers.
or
Regen R
parameter values in the Mixer section.
Hush; Chorus; Delay; Reverb
Regeneration Limiting
Regen L
Hush; Reverb
parameter is set to its maximum
)
feature, which guards
configuration,
Regen L
Voice 1
parameter,
11
B. REVERB SECTION
Reverb, or reverberation, is the continuance of sound within a given room or enclosed chamber after the source of the
sound has stopped producing it. More specifically, it is a multitude of echoes so densely spaced that, to the human ear,
seem as a single continuous sound. These echoes gradually decrease in intensity until they are ultimately absorbed by the
boundaries and obstacles within the room or enclosure. As the sound waves from the signal source strike the walls or
boundaries of the room, a portion of the energy is reflected away from the obstacle and another portion is absorbed into it,
thereby causing both the continuance of sound and the decaying or "dying out" of the sound.
REVERB TYPES
The Intellifex Online
B, Room A, Room B, Hall A, Hall B, Stadium
The Plate reverb type simulates an artificial method of producing reverberation, popular in the
early years of recording, which involved using a fairly large, but very thin, metal plate suspended at its four corners by steel wires under tension. This metal plate becomes excited by
a driver unit (similar to a dynamic speaker without the diaphragm) and the resulting reverberation is picked up by contact microphones. The Intellifex Online offers two Plate reverb types
which reflect the most common plate characteristics. This type of reverb is often used on
drum and vocal tracks.
Room reverb effects simulate various rooms of different sizes and surfaces. For example, a
room which is made up of primarily hardened surfaces (such as tile or hard wood) will generate reflections containing much more high frequency information than one which is made up of
softer surfaces (such as thick carpeting). The Room reverb effects offered by the Intellifex
Online can generate virtually any imaginable room setting via highly efficient and adjustable
reverb parameters.
Hall reverb simulates the reverberation characteristics of a very large room with a high ceiling.
Reflections in a hall are much longer than a typical room, as the length of time it takes for the
sound waves to travel from one surface to the next is greatly increased.
Stadium reverb simulates the characteristics of a large stadium or arena and should be used
with large amounts of predelay and high frequency damping.
Hush; Reverb
configuration offers 8 different reverb types:
and
Dual
.
Plate A, Plate
12
Dual reverb is unique in that it allows for the left and right channels to be processed independently one another. For example, the Predelay for the left channel can be set at 100mS while
the Predelay for the right channel can be set at 200mS. This results in reverb output from the
left channel 100mS before reverb is output from the right channel.
REVERB PARAMETERS
Reverb Input This parameter determines whether the input to the Reverb section is
(passing a signal) or
Reverb Level This parameter determines the level of the reverb signal at the output
relative to the direct signal and any other effect signals. It is accessible
from both the Mixer function and Reverb function parameter lists.
muted
(not passing a signal).
active
Reverb Decay This parameter specifies the length of time that the reverb signal will sound
before it has completely faded out (or until its echoes have been ultimately
absorbed by the boundaries within the given "room"). The maximum length
of this decay will vary dependent upon which reverb type is active.
High Freq. Damping
High Frequency Damping
information in the reverb signal.
Low Freq This parameter determines the amount of low frequency information in the
reverb signal.
Reverb Type This parameter determines the current active reverb type (Room, Plate,
etc.).
Dir In Pan This parameter allows you to pan the direct input signal to the reverb
section to the left or right—allowing for only the left or right channel to be
reverberated when used with the Dual reverb type, or, for one channel to be
reverberated to a greater degree than the other. This parameter is adjustable from 0 to 100—where "0" is full left, "100" is full right and "50" is
center.
Predelay L This parameter determines the amount of time after a signal is input to the
Intellifex Online that the left channel signal will be input to the reverb.
Delaying the reverb signal provides greater separation of the input and
reverb signals and helps to increase the apparent size of the Room, Hall, or
Stadium.
is used to control the amount of high frequency
Predelay R This parameter determines the length of time after a signal is input to the
Intellifex Online that the right channel signal will be input to the reverb.
Gate
Gate Decay The
Gate Threshold The
Hold Time The
Gating
after a prescribed amount of time (most commonly a very short period of
time). This effect is often used on drums (particularly snare drums) to
produce the effect of a much fatter percussive sound. Note that gating on
the Intellifex Online acts on the reverb decay, not on the reverb output as on
many other units.
down the reverb decay after the reverb has sounded for the specified time.
place. When the signal is below this threshold point for a period of time, the
reverb will be gated. When the input signal peak rises above this threshold,
the gate will open and reverb will be heard.
gate begins to close.
the reverb signal closes down the decay of the reverb very quickly
Gate Decay
Gate Threshold
Hold Time
parameter determines how quickly the gate will close
determines the threshold point at which gating will take
determines how long the reverb signal will sound before the
13
C. DELAY SECTION
Delay is simply a reproduction of the input signal, originating at a prescribed time (usually expressed in milliseconds, or
mS) following the input signal.
DELAY TYPES
The Intellifex Online HUSH; Delay; Ducker configuration offers 3 delay types: Stereo,
Ping-Pong and 2-T ap.
The Stereo delay type provides two separate delays. This delay type is used for applica-
tions requiring two discrete delay lines with individual regeneration loops.
The Ping-Pong delay type regenerates each delay’s output into the opposite delay’s
input instead of its own. This causes the delayed signals to bounce back and forth from the
left channel to the right (provided the delay outputs are panned left and right).
The 2-T ap delay type provides a single long delay line with two outputs and of fers twice
the delay time of the Stereo delay type.
DELAY PARAMETERS
Delay This parameter determines whether the Delay section is active (passing a
signal) or muted (not passing a signal).
Mute Type This parameter allows for muting of the Delay section at its input (Pre), its
output (Post) or both.
Muting the input (Pre) of the delay restricts any signal from entering the
delay section until the delay is switched in. When using a moderate
amount of regeneration, switching out the delay with the input muted will
generate a non-delayed signal which will play over the decaying regenerated signal which continues on after the delay is switched out.
Muting the output (Post) of the delay results in the delayed signal being
immediately turned off when the delay is switched out. This means that
delays and regeneration will not continue once the delay is switched out. If
the output were
would be allowed to regenerate - even after switching out the delay .
It is also possible to mute both the input and output (Both) so that no
signal enters or exits the Delay section when it is not switched in.
Level 1/2 These are individual level controls for each of the two delays available in the
Delay section. These are not the same as the Delay Level parameter found
in the Mixer function (which adjusts the overall level of both delay signals).
not
muted, signals input before switching the delay out
14
Pan 1/2 This allows for the panning of each delay to the left or right output, if
desired. The Pan parameter is adjustable from 0 to 100—where 0 is full left,
100 is full right and 50 is center.
Dly Time 1/2 These parameters determine the amount of time after a signal is input that
the delayed signal will begin to reproduce the input signal.
Regen 1/2 This parameter is provided for each delay and determines the number of
times the delayed signal will repeat itself. This is achieved by feeding the
delayed output back into the input. Higher levels of regeneration will result
in more repeats.
D Ty p e The
T ap delay type is currently active.
Dl Hf Damp
Delay High Frequency Damping
content in the delayed and regenerated signals. Higher amounts of damping
will result in less high frequency information in the delayed signal.
Delay T ype
parameter determines whether the Stereo, Ping-Pong or 2-
determines the amount of high frequency
15
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