Quasimidi Technox User Manual

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Technox

OWNER’s manual

Important !

„Instructions pertaining to a risk of fire, electric shock, or injury to persons“

Warning-When using electric products, basic precautions should always followed, including the following:

1.) Read the instructions before using the product.

2.) To reduce the risk of injury, close supervision is necessary when a product is used near children.

3.) Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool, or the like.

4.) This product should be used only with a cart or stand that is recommended by the manufacturer.

5.) The product should be located so that its location or position does not interfere with its proper ventilation.

6.) The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat.

7.) The product should be connected to a power supply only of the type described in the operatinginstructions or as marked on the product.

8.) The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time.

9.) Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

10.) The product should be serviced by qualified service personnel when: a.) The power supply cord or the plug has been damaged; or b.) Objects have fallen, or liquid has been spilled into the product; or c.) The product has been exposed to rain; or d.) The product does not appear to operate normally or exhibits a marked change in performance; or e.) The product has been dropped, or the enclosure damaged. Do not attempt to sevice the product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

TABLE OF CONTENTS

1.) Introduction ...................................................................................................... 05

2.) Installation and Operation ................................................................................ 05

a.) Cabling ...................................................................................................... 05

b.) Basic Operations ......................................................................................... 06

3.) Playing the performances ................................................................................. 08

4.) Mode changement ............................................................................................ 08

5.) Playing the single-sounds ................................................................................. 09

6.) Playing the drums ............................................................................................. 09

7.) Editing of the Single-sounds ............................................................................ 09

8.) Editing the effects............................................................................................. 12

9.) Editing the drum-sets ....................................................................................... 19

Storing of drum-sets ......................................................................................... 20

10.) Editing the performance ................................................................................... 20

Storing the newly created performance............................................................ 21

11.) The "Common" menu....................................................................................... 22

12.) Editing the arpeggiator ..................................................................................... 25

13.) Storing, copying, MIDI dump - the "Write" menu ........................................... 26

14.) The "Edit System" menu .................................................................................. 27

15.) Playing of the demo song ................................................................................. 29

16.) Working with a sequencer ................................................................................ 29

Working with the sequencer-multi-setups ........................................................ 29

17.) MIDI and more ................................................................................................. 32

Listing of the MIDI controllers ........................................................................ 32

NRPN and RPN controllers ............................................................................. 32

18.) The SysEx data format of the TECHNOX ....................................................... 34

19.) MIDI implemenation chart ............................................................................... 39

20.) Listing of the performances.............................................................................. 40

21.) Listing of the single-single-sounds .................................................................. 41

22.) How to activate the drum-sets .......................................................................... 43

23.) Listing of the drum-sets.................................................................................... 44

24.) Warranty and registration ................................................................................. 49

25.) Registration card .............................................................................................. 50

26.) Technical specification...................................................................................... 51

1.) Introduction/ 2.) Installation

1.) Introduction Congratulations! The unique TECHNOX synthesizer lies just in front of you! The times of abstinence have gone. The times of envy have also gone, when somebody else just bought the ABSOLUTELY last 909 or 303 unit! And no more trouble with these ugly MIDI to CV interface boxes. The TECHNOX offers you all those fancy Techno sounds you need to fool around in the dance-floor business! And besides, it's much more affordable than any of the old 'museum pieces' which sometimes have their own little problems of incompatibility to the rest of your synth gear... You'll remark rapidly that the TECHNOX offers really EVERYTHING you ever wanted to create your own dance-trax! Dig this! You get 512 remarkable single sounds destinated for techno, ambient and EBM music. In the following chapter you'll learn everything about installing your TECHNOX, how to integrate it into your musical equipment, and finally, how to annoy your neighbours! The last point depends upon several different parameters: the thickness of your walls, the power of your amp and speakers and - last, but not least - the nerves of your neighbours. You'll get the best results by using a slightly distorted bass-drum sound, carefully hard-quantized to 4th notes... And then: pump up the volume! Try it - and see what happens! O.k. But now we'll start our delightful journey through the amazing world of TECHNOX:

2.) Installation

a.) Cabling and Setup

You'll need the following things for unrestricted pleasure with your new machine:

1. TECHNOX

2. 2 mono-jack 6,3 mm audio cables

3. 2 MIDI cables

4. 1 MIDI keyboard

5. 1 MIDI sequencer either in hard- or software-version, where the last mentioned needs mostly a computer for best results (...try reading a diskette with your eyes...!)

6. Any kind of listening gear, e.g. active monitor speakers, a keyboard amp or anything else - it only has to be LOUD! The most simple way is just a headphone which you plug into your TECHNOX. Unfortunately, in this case you have to renounce the stimulation of your belly...

The following diagram shows you how to set up all the components for your musical delightment:

2.) Installation

1 "POWER"-switch

2 Display

3 "PARAMETER/ SOUNDGROUP"-dial

4 "VALUE/ SOUND"-dial

5 "PART/ BANK"-button

6 "VOLUME"-Control

7 "HEADPHONE"-jack

8 "EDIT/ OK"-buttons

9 "EXIT"-button

b.) Basic operations

The TECHNOX offers two different operation modes:

1. Performance mode The first mode is called "Performance mode". This mode is normally used when playing the TECHNOX with your master-keyboard or synthesizer. A "Performance" combines different single-sounds and FXsettings which all may be stored into the memory of your TECHNOX. This mode gives you a first impression of the manifold sound capabilities of your new synth.

2. Sequencer multi-mode Within this mode the TECHNOX can be controlled on all 16 MIDI channels simultaneously. So - complete songs may be reproduced with a sequencers. In most cases this is the mode you normally work with. When switching on the TECHNOX for the first time, it's in "Performance mode". After turning on the machine, you'll get the following message on the display:

T_e_c_h_n_o__x Rom-01: ArpgBass

Now, when you press a key on your MIDI keyboard, you'll hear the TECHNOX playing the selected Performance sound. You can change the Performances by using the two "Alpha dials" (these big black knobs in the center of the TECHNOX!). With the "PART/BANK" keys you can switch between ROM and RAM performances. Each bank consists of 50 different performance sounds which are listed in the appendix of this manual. Don't care about the MIDI channel of your MIDI keyboard for the moment. Your "virginal" TECHNOX is set by default to MIDI Omni-mode where it receives MIDI data on all 16 channels. But, don't confuse it with the Sequencer-mode: it actually receives the SAME information on all 16 channels! If you want to use the performance sounds in your sequencing environment, you just have to switch off the MIDI Omnimode. The informations of how to switch-off the Omni-mode and how to change the MIDI-channels are described in chapter 14, pg. 27 ff. For the better understanding of the following chapters, and to get a short overview over the different functions of the TECHNOX, you should read this - and the following page of the manual. The illustration shows you the front panel of the TECHNOX:

The TECHNOX frontpanel

2.b.) BASIC OPERATIONS

|1> Page 22 ff

\Edit/Function |1>\Edit Common

Here you find the parameters concerning the modulation matrix. Also the performance-mode and the performance-overall-volume can be controlled within this menu.

<2> Page 09 ff

\Edit/Function <2>\Edit\Part

The part-parameters can be edited in this menu-level. Part parameters alter the sound characteristics of the selected single sound for this part. The changes can be memorized in performance memories or sequencer-multi-setups.

<3> Page 19 ff

\Edit/Function <3>\Edit\Drums

Here in this menu one of the 8 possible drum-sets can be edited. Each of the drum and percussion sounds can be edited individually by changing its volume, pan-position and the FX1 and FX2 sends.

<4> Page 12 ff

\Edit/Function <4>\Edit\FX1

In this menu you'll find the different parameters for effect processor FX1. To hear the parameter changes it is necessary that the FX1 send of the actual part is turned on.

<5> Page 15 ff

\Edit/Function <5>\Edit\FX2

Same as "Edit FX1" menu - but for FX2. Make sure that FX2 send is turned on for the selected part to hear the parameter changes.

<6> Page 25 ff

\Edit/Function <6>\Edit\Arpegg.

Here you'll find all the different parameters for the arpeggiator.

<7> Page 27 ff

\Edit/Function <7>\Edit\System

In this menu you get the global parameters for your TECHNOX, i.e. all parameter changes have effect on all parts and performances simultaneously. Global parameters are e.g. the global tuning, transpose and MIDI functions.

<8> Page 26 ff

\Edit/Function <8>\Write/Dump

Under this menu level you can store your edits, copy them or send SysEx bulks via MIDI in order to archive your individual setups in your computer or MIDI data recorder.

<9| Page 29

\Edit/Function <9|\Play\Demo...

Here you´ll find the TECHNOX demonstration song.

The "POWER" switch [1] is used to (guess!) turn your TECHNOX on. So, usually, you'll use it onceright in the beginning of your musical work. When using it for the second time, you'll obviously will hear

- nothing, because your TECHNOX is switched off. The "PARAMETER/SOUNDGROUP" Alpha-dial [3] has two functions. When in sequencer mode (main page), the soundgroups for the different parts may be selected with this dial; in the edit-mode you'll change the different sound-parameters and menus. The "VALUE/SOUND" Alpha-dial [4] is used for changing the single-sounds in the sequencer-mode, and during sound-editing it is used for altering the values of the selected sound parameters. You'll use the "EDIT/OK" key [8] to select the edit-mode, to change the edit level, and for the confirmation of some questions you will be asked by the TECHNOX from time to time. The "EXIT" [9] key is used to exit a selected menu in the edit-mode. The "PART/BANK" keys [5] are used to select the different parts within the "Multi-Sequencer-Mode" and for the selection of different performance banks in Performance-mode. Now you'll get an overview over the different edit-levels of your TECHNOX. After pressing the "EDIT/OK" key once, the different edit menus can be selected with the "PARAMETER/SOUNDGROUP" Alpha-dial. The selection of the edit level has to be confirmed by pressing the "EDITOK" key once. The following table gives you in the first row a reference to the page of this manual where the corresponding edit level will be explained in detail. The TECHNOX offers you the following edit-menus:

3.) PLAYING THE PERFORMANCES/4.) MODE CHANGEMENT

Performance-Sounds will be selected in the following way.

Both Alpha-Dials:

Select one performance between 0 - 50

"PART/BANK"-buttons:

Switch between Rom- and Ram-Bank.

3.) Playing the Performances

We'll stop all this theoretical rubbish now. You shurely didn't buy your TECHNOX because you like reading manuals so much, did you? You'd rather get some noise out of you new synth "boom box" like all the other guys with those baseball caps. We'll first listen to some of the performance-sounds. With the "VALUE/SOUND" dial you can select the different performances when you're in the main page. If you are not sure about this point, try pressing the "EXIT" key several times. The TECHNOX will return automatically to the main page. But you certainly won't hit this key during several hours (unlike you're an "EXIT" key fetichist...); so - you've reached the main page when you get the following message on the display:

T_e_c_h_n_o__x ROM-02: BanaBass

* where the second line depends upon the selected performance sound.

Some of the performance sounds make use of the arpeggiator. If - by the way - your TECHNOX doesn't play the stuff you play on your keyboard, there may be the slight possibility that the arpeggiator is turned on. If you're hearing some strange sequencer-like things in the background you can be sure: AH! That's the arpeggiator! And if these arpeggios give you a kind of 'lustful feeling', have a closer look at page 25; there you'll find everything you need to know of how to increase these feelings... (Don't bother - this manual is neither censored nor X-rated!) Also, some performances use the pitch-bend and/or modulation wheel for the control of sound-parameters. Therefore you should make heavy use of these wheels in order to hear those real-time sound-changes.

4.) Mode

4.) MODE

Changemant

CHANGEMENT

In the next chapters we want to learn everything about single- and drum-sounds. That's why we change now from performance-mode to sequencer-multi-mode. Starting at the main page, we do the following:

1. Press the "EDIT/OK" key. Now you're in edit-level mode.

2. By using one of the two Alpha-dials you select the following display message:

Edit/Function <7> Edit System

3. Confirm your selection with the "EDIT/OK" key.

4. If not already selected, use the "PARAMETER/SOUNDGROUP" dial to get to the first parameter page. Here you'll get the following display message:

Edit System |1> Mode:Perform

5. Use the "VALUE" dial to change to sequencer-multi-mode. MIDI-Omni-mode will be switched off automatically.

6. Press the "EXIT" key to leave the edit menu. Your TECHNOX memorizes all your changements, even after switching it off! Therefore, if you want to play the performance-sounds, you have to change to performance-mode.

5.) Playing the single-sounds/ 6.) playing the drums

Single-sounds will be selected in the following way:

"PARAMETER/SOUNDGROUP"Alpha-Dial:

The Single-sounds of the TECHNOX are divided into sound groups. This makes it easier to find a specific sound.

"VALUE/SOUND"-Alpha-Dial:

With the second dial you can select a single-sound.

"PART/ BANK"-keys:

By pressing this key you select the part for which you want to change the single-sound.

5.) Playing the

single-sounds

The mode-changement also caused a slight changement of the display message in the main page:

T_e_c_h_n_o__x 1:A001 _303Lead

As soon as the TECHNOX receives MIDI data, this will be displayed in the upper line of the LCD. The 16 MIDI channels on which the TECHNOX receives notes are represented by the 16 bars of the first display line. When the TECHNOX receives note-data, the display changes from "TECHNOX" to a level-meterlike bargraph display, where the deflection of the different bars depends upon the velocity of the MIDIevents. In this mode, TECHNOX receives MIDI data on all 16 MIDI channels. Please make sure that your MIDI keyboard is sending out MIDI data on the appropriate MIDI channel. If you're working with a MIDI sequencer, the MIDI channel has to be selected within the sequencer (either hard- or software sequencer). To select your single sounds you have to know the MIDI channel for the corresponding part, where part 1 corresponds to MIDI channel 1, part 2 to MIDI channel 2, and so on. You will see the actual part number on the lower line of the LCD display left beneath the sound number of this part. If your keyboard or your sequencer is sending out data on MIDI channel 6, you should also select part number 6 on the TECHNOX. You can select the part number with the "PART/BANK" keys. The MIDI monitor will show you a star symbol (*) for the selected part in one of the 16 possible positions. When the star symbol and the bargraph appear both on the same position on the display, thecorrect part has been selected.

An exception is part #10 ( MIDI channel 10 respectivly). This channel is the "home part" of the drum-sets of your TECHNOX. So you can't select single-sounds for this part. In the next section you'll learn how to select and play your drum-sets from your MIDI machinery.

6.) Playing the

drum-sounds

Switch your MIDI keyboard (or sequencer) to MIDI send channel 10; then you'll be able to play the drumsets of the TECHNOX. Now change to part #10 by using the "PART/BANK" keys. The LCD will display the name of the current drum-set instead of a single-sound. You can change the drum-set with the "VALUE/ SOUND" Alpha-dial. Even if it's possible to select a drum-set for any of the 16 parts, only on part 10 it is assured that the drums are correctly tuned and that you have FX sends, pan and volume settings for each of the drum instruments. User-defined drum-sets can be selectedonly on part #10. Each MIDI note on your keyboard corresponds to a different drum-sound. You’ll find the appropriate settings of the different drum-sets in chapter 22, pg. 44-48. So - now you already know a lot about the manifold sound-capabilities of the TECHNOX. Of course they may be edited in order to satisfy your musical needs. In the next sections you’ll get all the necessary informations about sound-editing.

7.) Editing the

single-sounds

As already mentioned before, the TECHNOX offers you a total of 16 different parts, where part #10 is the dedicated drum-set channel. But you can assign different instruments to all the other parts, and each „part-sound“ may be edited to your taste. TECHNOX has no memories for edited single-sounds, but combinations of part-edits may be stored in performance-memories or sequencer-multi-setups. This allows you to use the same single-sound in different performances with different sound settings. The editing of one single-sound in one performance has no effect on other performances; each performance is unique, even if it may use the same single-sounds.

7.) Editing of the single-sounds

<1>

Part\13\SndGroup |1>\SynthLead

To accelerate the search for a specific sound, all sounds are divided into groups. With the “VALUE”-dial the groups can be selected.

<2>

Part\13\Sound <2>\_303Lead

On the second parameter-page you can select the single-sounds directly. Reaching the last sound of a group and going on automatically swaps to the next group.

<3>

Part\13\_303Lead <3>\Mode:\\\\\On

With this parameter you decide how a sound is played. The both monophonic modes allow the use of portamento. They simulate the single-trigger playing like the old analog synth of former days. The envelopes are triggered only if the previous key is released. The following modes are available:

Mode: OFF- the part is disabled

Mode ON- the selected part can be played polyphonic.

Mode: MONO- the part can be played only monophonic. The highest note has priority when pressing more than one key.

Mode: LEAD- the part can be played only monophonic. The last note has priority when pressing more than one key.

<4>

Part\13\_303Lead <4>\Level:\\\127

With this parameter you can regulate the volume of the chosen part.

<5>

Part\13\_303Lead <5>\Panorama:___

With this parameter the part can be placed in panorama. The different types and effects of the panorama are shown later on this page.

<6>

Part\13\_303Lead <6>\FX1-Send:\\0

The send-level of the part-signal that is sent to the effect processor 1 (FX1) can be selected in this menu.

<7>

Part\13\_303Lead <7>\FX2-Send:\63

The send-level of the part-signal that is sent to the effect processor 2 (FX2) can be selected in this menu.

<8>

Part\13\_303Lead <8>\CoarseT:\-12

Each part can be tuned individually. Here you can change the coarse-tune in semi-tones.

<9>

Part\13\_303Lead <9>\FineTune:\+0

Each part can be tuned individually. Here you can change the fine-tune e.g. for detune-effects between two simultaneously playing parts to make a sound more fat. Warm and full sounds are the result.

Here you see the different panorama-positions and effects, which Technox offers in the part-edit menu.

Panorama:---

At this value, the signal can only pass the output through the FX-processors.

Panorama:L<7-R>7

Different absolute positions are selectable between left and right.

Panorama:RND

Random-Panorama - every new note has another pan-position

Panorama:key\or\yek

The pan-position is controlled by the keynumber of the played note.

Panorama:dyn\or\nyd

The pan-position is controlled by the dynamics (Key-velocity)

Coming from the main-page you have to press the “EDIT/OK” key to enter the edit menu. By Using the two alpha-dials you can reach the sub-menu to edit a part:

Edit/Function <2> Edit Part

Press "Edit/OK" once more and the display changes to:

Part 1 SndGroup |1> SynthLead

With the “Parameter/Soundgroup”-dial you may step through the following menu-pages. If you like to listen to the changes immediately you first have to select the part corresponding to the send-channel of your connected keyboard.

7.) Editing of the single-sounds

<10>

Part\13\_303Lead <10>\CutFreq:\+0

This parameter controls the cutoff-frequency of the lowpass filter. Above this point higher harmonics are cut off and below this frequency the harmonics can pass. Real-time changes of this parameter should be done with a MIDI-controller like the MOD-wheel of your keyboard because it is easier to handle than an alpha dial. At TECHNOX the MOD-wheel is routed through the modulation matrix to the tone-parameter by default. This controls the cut-off frequency directly.

<11>

Part\13\_303Lead <11>\Resonan:\+0

This parameter controls the resonance of the filter, which means that the output of the filter is fed back to the input of the filter. At high values the filter can reach self-oscillation.

The following three parameters change the sound in time and are called envelope parameters. Percussive sounds have short time periods, strings and pads have longer time periods. To change a time period like the attack-time to shorter values you have to decrease the time to negative values based on the default value.

<12>

Part\13\_303Lead <12>\EG\Att:\\+0

The rising-time of the envelope can be changed by this parameter.

<13>

Part\13\_303Lead <13>\EG\Dec:\\+0

This parameter is responsible for the speed how fast the level goes down from maximum amplitude to sustain-level.

<14>

Part\13\_303Lead <14>\EG\Rel:\\+0

This parameter controls the release time of the sound after lifting the fingers from the keys.

<15>

Part\13\_303Lead <15>\VibDpth:\+0

The intensity of the vibrato (frequency modulation)

<16>

Part\13\_303Lead <16>\VibRate:\+0

The speed of the Vibrato (frequency)

<17>

Part\13\_303Lead <17>\VibDely:\+0

Here the delay time between pressing a key and beginning of the vibrato can be selected.

Because in the modulation matrix itself only the destination-parameter can be selected and not the part, you can choose in the following menus the modulation intensity for each part. For further information have a look at chapter 11, "Common-menu", where the modulation-matrix is described.

<18>

Part\13\_303Lead <18>\LfoMod:\\76

This parameter controls how strong the LFO of the selected part will be modulated through the modulation matrix.

<19>

Part\13\_303Lead <19>\VolMod:\+63

The amount of volume-changes for this part through the modulation-matrix can be regulated with this parameter. The values can be negative or positive, so that sound blending through MIDI-controllers etc. between various parts are possible.

<20>

Part\13\_303Lead <20>\PtchSns:\+2

The amount of pitch-changes for this part by the modulation-matrix.

<21>

Part\13\_303Lead <21>\ToneMod:+63

Also the amount of filter-modulation can be controlled for each part individually. Most of the factory sounds are programmed with an almost open filter. So it makes sense to choose a negative value for closing the filter with any modulation source.

<22>

Part\13\_303Lead <22>\PorTime:\\0

Gliding in tune between two notes that are played after each other is called portamento. The tuning of the first note changes to the tuning of the next pressed note. The speed of this effect is controlled by this parameter.

<23>

Part\13\_303Lead <23>\HoldPed:OFF

Here you can enable the MIDI hold-pedal function. When disabled, a pressed hold-pedal of your connected keyboard causes no hold function on this part.

<24|

Part\13\_303Lead <24|\VelCv:\Fix

With this parameter you may select a special velocity-curve for each part separate. In the layer-performances with different curves on each used part it´s possible to create cross-fades between sounds by using negative and positive curves for the velocity.

8.) Editing the effects

Room-simulation FX-1 Special-effects FX-2

1.) Room 1.) Chorus 1

2.) Small Room 2.) Chorus 2

3.) Warm Room 3.) Chorus 3

4.) Chamber 1 4.) Flanger 1

5.) Chamber 2 5.) Flanger 2

6.) Plate 1 6.) Phaser 1

7.) Plate 2 7.) Phaser 2

8.) Hall 8.) Panning

9.) Large Hall 9.) Short-Delay

10.) Cathedral 10.) Long-Delay

11.) Gated Reverb 1 11) HQ-Delay

12.) Gated Reverb 2 12.) Ping-Pong

13.) Gated Reverb 3 13.) Gated-Delay

14.) Early Reflection 1 14.) Special FX

15.) Early Reflection 2 15.) Equalizer 1

16.) Early Reflection 3 16.) Equalizer 2

17.) Early Reflection 4 17.) Wah Wah + Overdrive

18.) Raindrops 18.) Auto Wah Wah

19.) HQ-Delay 19) Warm Overdrive

20.) LongDelay 20) Distortion

21.) no Effect 21) no Effect

8.) Editing the effects

TECHNOX offers two independent effect-processors with various algorithms. For each part the amount of FX1 and FX2 can be changed by the effect sends. For editing the effects there are two main-menus: One for all parameters of FX1 and the other for FX2. You can reach them by pressing the “EDIT/OK”-button and using the “PARAMETER/SOUNDGROUP”-dial. The first parameter in both of the main-menus is the type of effect. Each effect has different menu-pages depending on the algorithm you have chosen. The following table gives you an overview about all algorithms:

To understand how the two effect processors can influence each other, take a look at the following schematic:

The first 10 algorithms are for reverb-effects. They vary in attenuation, level and repetitions of harmonics and time delay times to simulate different room sizes. The parameter SFeed of this 10 reverbs are the same:

|1>

Edit\FX1\Typ |1>\01:Room

here you can choose the type of reverb

<2>

Edit\FX1\Paramtr <2>\InputLev:\+60

This parameter defines the input level. Take care that at least one part has the effect send open. Otherwise you will hear no effect-signal.

<3>

Edit\FX1\Paramtr <3>\SerFeed:\\38

This parameter controls the percentage of FX2 feed back to the input of FX1 (see graphic on page 12.). This makes it possible to chain the two effect processors.

<4|

Edit\FX1\Paramtr <4|\Decay:\\\\50

Here the decay-time of the reverb can be controlled

The gated reverb is a reverb that is cut off after an adjustable time.The time when this cut-off shall happen and the threshold-level at which this gate closes, can be adjusted. This effect is superb for drum- and percussion sounds to simulate grooving reverbs.

|1>

Edit\FX1\Typ |1>\11:GatedRev1

Algorithm 11 - 13 offer the gated-reverb effects.

<2>

Edit\FX1\Paramtr <2>\InputLev:\60

This parameter defines the input level. Take care that at least one part has the effect send open. Otherwise you will hear no effect-signal.

<3>

Edit\FX1\Paramtr <3>\SerFeed:\\\0

This parameter controls the percentage of FX2 feed back to the input of FX1 (see graphic on page 12). This makes it possible to chain the two effect processors.

<4>

Edit\FX1\Paramtr <4>\TrsHold:\\16

This parameter indicates at which incoming level the reverb will start. If the signal falls below this level the selected hold-time starts and will cut off the reverb-signal after the hold period has passed.

<5>

Edit\FX1\Paramtr <5>\HoldTime:\\2

This parameter is responsible for the duration of reverb after falling below the threshold-level.

<6>

Edit\FX1\Paramtr <6>\Attack:\\\16

With the attack-rate the rise-time between closed and opened gate can be selected.

<7>

Edit\FX1\Paramtr <7>\Release:\\30

Here you can select the closing time of the gate: from immediate to very slow fade out.

8.) Editing the effects

You can see that the output of FX2 may be fed back to the input for FX1. This Serial-Feed connection is located behind the input level adjustment of FX1. So the level of the FX1-input and the level of the serialfeed can be controlled independently from each other.

Now we start with explanation of FX1: Turn the “PARAMETER/SOUNDGROUP”-dial until you reach the following sub menu of the edit-menu.:

Confirm with the “EDIT/OK”-key and you are at the start menu of effect-editing. In the tables coming up you find in the first line an explanation of the algorithm and below the parameters that can be edited.

Reverb-Effekte

Edit/Function <4> Edit FX1

Gated-ReverbEffekt

These are reverb effects with an accent on early reflections.

|1>

Edit\FX1\Typ |1>\14:EarlyRfl1

The effect-types 14-17 offer 4 different early reflection-programs.

<2>

Edit\FX1\Paramtr <2>\InputLev:127

This parameter defines the input level. Take care that at least one part has the effect send open. Otherwise you will hear no effect-signal.

<3>

Edit\FX1\Paramtr <3>\SerFeed:\\\0

This parameter controls the percentage of FX2 feed-back to the input of FX1 (see graphic on page 12). This makes it possible to chain the two effect processors.

<4|

Edit\FX1\Paramtr <4|\Decay:\\\\50

Here the decay-time of the reverb can be controlled.

Creates an effect somewhere between Reverb and Echo

|1>

Edit\FX1\Typ |1>\18:Raindrops

The algorithm 18 offers the raindrop-effect.

<2>

Edit\FX1\Paramtr <2>\InputLev:\90

This parameter defines the input level. Take care that at least one part has the effect-send open. Otherwise you will hear no effect-signal.

<3>

Edit\FX1\Paramtr <3>\SerFeed:\\\0

This parameter controls the percentage of FX2 feed back to the input of FX1 (see graphic on page 12). This makes it possible to chain the two effect processors.

<4|

Edit\FX1\Paramtr <4|\Decay:\\\\50

This parameter controls how fast or slow the raindrop effect finishes.

The following effects represent Echo-effects. The HQ-Delay has a higher frequency bandwidth than the Long-delay, but the Long-delay can produce longer delay times.

|1>

Edit\FX1\Typ |1>\19:HQ-Delay

The algorithms 19 and 20 offer the echo-effects of FX1.

<2>

Edit\FX1\Paramtr <2>\InputLev:\90

Here you can control the input volume.

<3>

Edit\FX1\Paramtr <3>\SerFeed:\\\0

This parameter controls the percentage of FX2 feed-back to the input of FX1 (see graphic on page 12). This makes it possible to chain the two effect processors.

<4>

Edit\FX1\Paramtr <4>\Delay:\361ms

This parameter controls the delay time. The delay time is the time between single echoes.

<5|

Edit\FX1\Paramtr <5|\Feedback:\64

This parameter indicates how often an echo will be repeated.

The algorithm 21 is especially made for having no effect FX1 on the parts, without turning the effect sends to zero.

|1>

Edit\FX1\Typ |1>\21:noEffect

Effect 21 offers the "no effect"-algorithm

8.) Effekt-Editierung

Early-ReflectionEffekt

Raindrops

Delay-Effekte

No Effect

8.) Editing the effects

Chorus produces a short modulated delay. The sound becomes warmer and therefore it is superb for pad-sounds and brilliant percussive sounds. For better results, mute the original signal from the main output by setting the pan-position of the part to "pan:---".

|1>

Edit\FX2\Typ |1>\01:Chorus1

The algorithms 1-3 offer the chorus-effects of FX2.

<2>

Edit\FX2\Paramtr <2>\InputLev:\80

This parameter defines the input level. Take care that at least one part has the effect-send open. Otherwise you will hear no effect-signal.

<3>

Edit\FX2\Paramtr <3>\Depth:\\\100

This parameter controls the intensity of the chorus effect

<4>

Edit\FX2\Paramtr <4>\Rate:\\\\\\8

This parameter controls the speed of the chorus effect.

<5>

Edit\FX2\Paramtr <5>\Center:\\\16

Sets the average delay time.

<7|

Edit\FX2\Paramtr <7|\OutputLv:\64

This parameter controls the output-level of the chorus effect.

Flanger-effects produce a similar modulation. In addition, a feedback gives more possibilities and extreme sounds. Like the chorus effect it is mostly useful to avoid the original signal in the sum. (Pan:---)

|1>

Edit\FX2\Typ |1>\04:Flanger1

The algorithms 4-5 offer the flanger-effects of FX2.

<2>

Edit\FX2\Paramtr <2>\InputLev:\80

This parameter defines the input level. Take care that at least one part has the effect-send open. Otherwise you will hear no effect-signal.

<3>

Edit\FX2\Paramtr <3>\Depth:\\\100

This parameter controls the intensity of the flanger effect.

<4>

Edit\FX2\Paramtr <4>\Rate:\\\\\\8

This parameter controls the speed of the flanger effect.

<5>

Edit\FX2\Paramtr <5>\Center:\\\16

Sets the average delay time.

<6>

Edit\FX2\Paramtr <6>\Feedback:\90

The amount of signal, which is fed back from FX2 output to the FX2 input. At high amounts the typical Jet-flanger sounds occur.

<7|

Edit\FX2\Paramtr <7|\OutputLv:\64

This parameter controls the output-level of the flanger effect.

Phaser effects produce level changes for different frequencies at once by phase shifting. The amount of phase shift can be modulated, so a moving multi notch filter is generated. When setting the rate to zero, the phase shift can be adjusted manually with “Centr.”-parameter.

|1>

Edit\FX2\Typ |1>\06:Phaser1

The algorithms 6-7 offer the phaser-effects of FX2.

<2>

Edit\FX2\Paramtr <2>\InputLev:\\90

This parameter defines the input level. Take care that at least one part has the effect-send open. Otherwise you will hear no effect-signal.

<3>

Edit\FX2\Paramtr <3>\Depth:\\\\127

This parameter controls the intensity of the phaser effect.

<4>

Edit\FX2\Paramtr <4>\Rate:\\\\\\4

This parameter controls the speed of the phaser effect.

<5>

Edit\FX2\Paramtr <5>\Center:\\\\34

When setting the rate to zero, the phase-shift can be adjusted manually with "center".

<6>

Edit\FX2\Paramtr <6|\OutputLev:\64

Adjust here the output-level.

Next are the effects of processor FX2. You will find them in the “EDIT FX2”-menu.

Chorus-Effekte

Flanger-Effekte

Phaser-Effekte

The following effect lets the signal position move in the stereo panorama. This Effect is useful for background sequences. For this effect, it is most important that the instrument is not fed directly into the stereo-sum (Pan:—)

|1>

Edit\FX2\Typ |1>\08:Panning

Effect algorithm 8 offers the panning effect.

<2>

Edit\FX2\Paramtr <2>\InputLev:\80

This parameter controls the input volume of the panning effect.

<3>

Edit\FX2\Paramtr <3>\Depth:\\\127

With this parameter you set the amount of movement in the stereo panorama.

<4>

Edit\FX2\Paramtr <4>\Rate:\\\\\40

This parameter controls the speed of movement in panorama.

<5>

Edit\FX2\Paramtr <5>\Phase:\\\\80

Changes the phase offset between left and right. With value 127, right is loud when left is soft and vice versa. Phase 0 means synchronously volume changing (=Tremolo).

<6>

Edit\FX2\Paramtr <6>\ManPan:\\\64

Here you can change the panorama position manually.

<7|

Edit\FX2\Paramtr <7|\OutputLv:\64

This is the output volume of the effect.

The following 3 effect types offer echo effects. The HQ-delay has a better bandwidth than the Long-delay. On the other hand, you can use Long-delay for longer echo times.

|1>

Edit\FX2\Typ |1>\09:ShortDely

Effects 9 to 11 are the echo effects of FX-2 processor.

<2>

Edit\FX2\Paramtr <2>\InputLev:\90

Here you can control the input volume.

<3>

Edit\FX2\Paramtr <3>\Delay:\229ms

This parameter controls the delay time. The delay time is the time between single echoes.

<4>

Edit\FX2\Paramtr <4>\Feedback:\64

The intensity of echo repetitions.

<5|

Edit\FX2\Paramtr <5|\OutputLv:\64

Output level of the effect.

The following effect type produces a so-called ping-pong echo. This means that the echo jumps from the right output to the left and so on.

|1>

Edit\FX2\Typ |1>\12:Ping-Pong

Ping-Pong echo is algorithm number 12.

<2>

Edit\FX2\Paramtr <2>\InputLev:\90

Here you set the input volume.

<3>

Edit\FX2\Paramtr <3>\Delay:\229ms

This parameter controls the delay time. The delay time is the time between single echoes.

<4>

Edit\FX2\Paramtr <4>\Feedback:\64

The intensity of echo repetitions.

<5|

Edit\FX2\Paramtr <5|\OutputLv:\64

Output level of the effect.

8.) Editing the effects

Auto-PanningEffect

Delay-Effects

Ping-Pong-Echo

Gated Delay is only audible when fed with sufficient input level because the gate is closed during silent passages. The attack time for opening and closing the gate can be changed individually (see above in FX-1 gated reverb).

|1>

Edit\FX2\Typ |1>\13:GatedDely

Effect No. 13 offers a Gated-Delay-Effect.

<2>

Edit\FX2\Paramtr <2>\InputLev:\50

This Parameter controls the Input-Level of the Effect-Processor.

<3>

Edit\FX2\Paramtr <3>\Delay:\691ms

The Delay-Time of the Effect can be controlled here (in milliseconds).

<4>

Edit\FX2\Paramtr <4>\Feedback:\50

The Feedback-Parameter controls the repetition of the Echoes. At extreme adjustments of the feedback-parameter the Delay gets into self-oscillation, because the Echo-Signal is repeated infinitely and the level does not fall down.

<5>

Edit\FX2\Paramtr <5>\TrsHold:\\\5

This controls the minimum input level that opens the gate.

<6>

Edit\FX2\Paramtr <6>\HoldTime:\10

Sets the minimum time after reaching the Threshold level before the gate reacts.

<7>

Edit\FX2\Paramtr <7>\Attack:\\\16

Adjusts the opening speed of the gate.

<8>

Edit\FX2\Paramtr <8>\Release:\\10

Adjusts the closing speed of the gate.

<9>

Edit\FX2\Paramtr <9|\OutputLv:\64

Output level of the effect.

This effect is especially for experimental FX-Users. It offers a wide range of modulated stereo delays. You can create a wide range of different flanging-, chorus- and special-effects.

|1>

Edit\FX2\Typ |1>\14:SpecialFx\

Effect No. 14 offers the special-effect

<2>

Edit\FX2\Paramtr <2>\InputLev:\64\

This Parameter controls the Input-Level of the Effect-Processor.

<3>

Edit\FX2\Paramtr <3>\Depth:\\\120

Controls the intensity of the delay-time modulation.

<4>

Edit\FX2\Paramtr <4>\Rate:\\\\\30

Adjusts the speed of the delay-time modulation.

<5>

Edit\FX2\Paramtr <5>\Delay:\\\2ms

Sets the average delay-time (in milliseconds).

<6>

Edit\FX2\Paramtr <6>\Feedback:120

Controls the amount of echo repetitions. This can lead up to self oscillation.

<7|

Edit\FX2\Paramtr <7|\OutputLv:127

Output level of the effect.

8.) Editing the effects

Gated-Delay

Special-FX

8.) Editing the effects

The equalizer is an effective tool for sound enhancement, because you can change the sound spectrum for different frequenzies individually.

|1>

Edit\FX2\Typ |1>\15:Equalizer

The Effects No. 15 and 16 are two different Equalizers.

<2>

Edit\FX2\Paramtr <2>\InputLev:\64

This Parameter controls the Input-Level of the Effect-Processor.

The equalizer algorithms of the technox offer graphical EQ´s. With this kind of EQ´s you can adjust different frequency bands of the audio signal. The first equalizer offers the frequencies of 100 Hz, 500 Hz and 3kHz. The second equalizer offers the frequencies of 70 Hz, 300 Hz and 3kHz. To hear only the post EQ-Signal of an instrument, you have to switch the pan-position of the selected part to "---".

<3>

Edit\FX2\Paramtr <3>\100\Hz:\\\+0

Rises or lowers the spectrum of the first frequency.

<4>

Edit\FX2\Paramtr <4>\500\Hz:\\\+0

Rises or lowers the spectrum of the second frequency.

<5>

Edit\FX2\Paramtr <5>\3000\Hz:\\+0

Rises or lowers the frequency of the third frequency

<6|

Edit\FX2\Paramtr <6|\OutputLv:127

Output level of the effect.

Although the Wah-Wah effect had a strong influence on contemporary music for a couple of years, it is seldomly used nowadays. It combines a resonant sweepable filter with overdrive.

|1>

Edit\FX2\Typ |1>\17:WahWah+Ov

Effect No. 17 is a Wah-Wah-Effect combined with Overdrive

<2>

Edit\FX2\Paramtr <2>\InputLev:\80

This Parameter controls the Input-Level of the Effect-Processor. The strength of the overdrive parameter is also influenced by these input-level.

<3>

Edit\FX2\Paramtr <3>\Freqncy:\\64

Controls the Cutoff frequency of the filter. This is most useful for MIDI control of the effect.

<4>

Edit\FX2\Paramtr <4>\Drive:\\\100

Adjusts the Overdrive effect.

<5>

Edit\FX2\Paramtr <5>\ClipLev:\100

Sets the clip-level for the overdrive.

<6>

Edit\FX2\Paramtr <6|\OutputLv:127

Adjusts the overall level. It is recommended to use relatively high input level and low output level, in order to make the overdrive respond properly.

Similar to the preceding effect, but the cutoff frequency can not be adjusted manually. It is controlled through the input level, in other words: from the sound’s volume envelope. Mainly percussive sounds should be used with it, therefore. The parameters are the same as in WahWah+Overdrive. Only Freq is not available.

|1>

Edit\FX2\Typ |1>\18:AutoWahWa

Effect No.18 offers a wahwah-Effect.

These effects produce distortion and overdrive. Distortion has an additional gain switch for hard&heavy sounds.

|1>

Edit\FX2\Typ |1>\20:Distortn

The Effects 19 and 20 offer Distortion-Algorithms.

<2>

Edit\FX2\Paramtr <2>\InputLev:\64\

As nearly everybody knows, the input level/gain of an overdrive adjusts the amount of distortion effect.

<3>

Edit\FX2\Paramtr <3>\Drive:\\\\\4

This parameter (only available for distortion) sets the pre-gain.

<4|

Edit\FX2\Paramtr <4|\OutputLv:\64

For adjusting the volume in comparison to “dry” sounds, you should adjust this parameter.

Equalizer

Wah-Wah-Effect

Auto-Wah-Wah

Distortion/ Overdrive

The following effect doesn’t produce its own effect-sound, it only mutes FX-2. You can use this for modulating the Input-Level of FX-1. So you can, for example, modulate the intensity of a Reverb-Sound. To use this feature, make sure that the SFeed parameter of FX-1 has a value greater than 0.

|1>

Edit\FX2\Typ |1|\21:no\Effect

Effect No. 21 gives “No Effect”.

8.) editing the effects/ Editing the drumsets

Function User action/

(Keys/ Dials)

Display-Message

Select the drumpart. Select Part 10 with the “PART/

BANK” keys.

\T_e_c_h_n_o__x 10:DS25\AnlogSet

Select the drumset. Select the drumset you want with

one of the two Alpha-Dials

\T_e_c_h_n_o__x 10:DS22\Vintage2

Select the Edit-Menu Press "EDIT/OK" key.

\Edit/Function

Select the "Edit-drums" menu. You can reach this menu with one of

the two Alpha-Dials.

\Edit/Function <3>\Edit\Drums

Confirm selection Press "EDIT/OK" key.

D#0:\AnlgCymb |1>\Level:\\\110

You have 5 different pages to edit the drumsets. The drum-instrument you want to change can be selected with the “PART/BANK” key. On the right top of the display you will see the note-number of the selected drum-instrument.

|1>

D#0:\ResoHard |1>\Level:\\110

The Volume of the selected instrument (0-127) is adjusted here

<2>

D#0:\ResoHard <2>\Pitch:\\\+0

This parameter controls the pitch of the drum-instrument (-24 - +24)

<3>

D#0:\ResoHard <3>\Panorama:>c<\

Here you can adjust the position in the Stereo-Panorama. By chosing the "RND" value, you create drums, flying around you.

<4>

D#0:\ResoHard <4>\FX1-Send:\63

This parameter controls the FX-1 send.

<5|

D#0:\ResoHard <5|\FX-Send:\\\0

This parameter controls the FX-2 send.

No Effect

The Parameters of FX-1 and FX-2 can be stored in a Performance or in a Multi-Setup

9.) Editing the

Drumsets:

Technox has got 24 preprogrammed ROM-Drumsets and 8 User-Drumsets. In this 8 Sets you can store the changes you made to a ROM-Drumset. To make this you first have to edit one of the ROM-Drumsets.

9.) Editing the drums/ 10.) Editing the performances

Function User action

(Dials/ keys)

Display-Message

Leave the Edit-Drums-Menu Press the “EXIT”-key

\Edit/Function <3>\Edit\Drums

Select the Write/Dump-Menu You can select it with one of the

both Alpha-Dials

\Edit/Function <8>\Write/Dump..

Confirm this menu. Press the “EDIT/OK”- key.

|1>\Write\Setup? Yes<OK>\No<EXIT>

Select the “Write Drums”-Menu It’s selectable with the Alpha-Dials.

<3>\Write\Drums? Yes<OK>\No<EXIT>

Confirm this menu. Press the “EDIT/OK”- key.

Name:\Vintage2 Yes<OK>\No<EXIT>

Name the new drumset. You can move to the single letters

with the “PARAMETER/ SOUNDGROUP” - or the “PART/BANK”-Keys. The letter can be changed with the “VALUE/ SOUND”-Dial.

Name:\NewSet1 Yes<OK>\No<EXIT>

Confirm the new drumset. Press the “EDIT/OK”-key.

\to\25\<UserSet1> Yes<OK>\No<EXIT>

Select one of the 8 User-Drumsets where you want to store yours.

It can be selected with the “VALUE/ SOUND”-Dial

\to\26\<UserSet2> Yes<OK>\No<EXIT>

Start the saving procedure. Press the “EDIT/OK”-key.

Overwr\AnalogSet? Yes<OK>\No<EXIT>

Save the Drumset. Press the “EDIT/OK”-key again.

<3>\Write\Drums? \\\\\\\\\\\ok!

Leave the Edit-Menus. Press the “EXIT”-key twice.

\T_e_c_h_n_o__x 10:DS25\NewSet1

9.a.) Storing of drumsets

The edited drumset can be stored as follow:

10.) Editing the performances

At the beginning of this manual you learned about how to use the performances. You can easily create your own Performances. To do this you first have to switch the TECHNOX to Performance-Mode.

1. ) At first, press the “EDIT/OK”-key to get to the selection of the different Edit-Menus

2.) With one of both Alpha-Dials you can select the following Display-Message:

3.) Confirm this menu with the “EDIT/OK”-key.

4.) Select the following page with one Alpha-Dial

Edit/Function <7> Edit System

Edit System |1> Mode:Sequenc

PERFORMANCE-EDITING/STORING A PERFORMANCE

Because the TECHNOX is capable of storing several different parameter changes from different edit-menus, it’s useful to list all parameters here for a second time. We also give you a reference to the corresponding sections in the manual where you can find a detailed description of these parameters. For each performance the following parameters can be memorized:

The total amount of single-sounds to be used by a performance (Single, Layer 1 to Layer 4) and the main volume of this performance. (see „Common Menu“, pg. 22 ff.)

All effect parameters of the performance (see „Effect editing“, pg. 12 ff.)

All part-parameters for part #13 to #16. These parts are used by a performance. (see „Single-Sound-Editing“, pg. 9 ff.)

Arpeggiator parameters. (see „Editing the arpeggiator“, pg. 25 ff.)

Settings within the „Common Menu“. In this menu it is possible to route the different MIDI controllers such as Modulation, Pitch bend, Aftertouch as well as a user-defined MIDI controller to the different sound parameters. (see „Common Parameters“, pg. 22 ff.)

Function User action /

(Keys/Dials)

Display-Message

Select „Write/Dump“ menu. 1.) Press „EDIT/OK“ key.

2.) Use one of the two Alpha-dials to select the „Write/Dump“ menu.

\Edit/Function <8>\Write/Dump..

Activate sub-menu „Write performance“.

1.) Press „EDIT/OK“ key.

2.) Use „PARAMETER/ SOUNDGROUP“ dial to select the „Write performance“ sub-menu.

|1>\Write\Perf.? Yes<OK>\No<EXIT>

Start saving performance. Press „EDIT/OK“ key.

Name:\Slidox Yes<OK>\No<EXIT>

Enter new name. Move cursor with

„PARAMETER/SOUNDGROUP“ dial; select letter with „VALUE/SOUND“ dial.

Name:\My_Perf Yes<OK>\No<EXIT>

Confirm new name and select memory position where the performance shall be stored.

Press „EDIT/OK“ key and select memory position with „VALUE/SOUND“ dial.

to\22\<Soloist•> Yes<OK>\No<EXIT>

Complete storage of the performance.

Press „EDIT/OK“ key

Overwr\Soloist•? Yes<OK>\No<EXIT>

Overwrite old performance. Press „EDIT/OK“ key

|1>\Write\Perf.? \\\\\\\\\\ok!

Quit „Write/Dump“ menu. Press „EXIT“ key until the main

page is displayed

\T_e_c_h_n_o__x RAM-22:\MyPerf

5.) Use the „VALUE/SOUND“ dial to select performance-mode.

Edit System |1> Mode:Perform

6.) After the termination of steps 1 to 5, the Edit-System-Menu can be quitted. (Texte Tabelle 1/21)

10.a.) Storing a

After finishing performance editing, the performance will be saved like follows:

performance

11.) The Common-menu

Function User action/

(Keys/Dials)

Display-Message

Selection of edit level. Press "EDIT/OK"-key.

\Edit/Function

Selection of "Edit-Common" menu. Use one of the two Alpha-dials for

the selection.

\Edit/Function |1>\Edit\Common

Confirm selection. Press "EDIT/OK"-key.

\Edit\Common |1>\FootCtrl:\67

|1>

\\Edit\Common |1>\FootCtrl:\50

The footswitch, which may be connected to your TECHNOX, can be routed to a MIDI controller. Here you can select the controller number, which shall be controlled by the footswitch. If this controller number is identical to the MIDI controller that you have defined as a free controller (see below), it’s possible to route the footswitch to several TECHNOX parameters by using its modulation matrix.

<2>

\\Edit\Common <2>\FootOn:\\\\2

It’s only possible to connect real ‘switches’ to TECHNOX, and no other pedals like volume controls. In this menu you determine which value will be sent when the footswitch is pressed.

<3>

\\Edit\Common <3>\FootOff:\\\0

Here in this menu the appropriate value for „footswitch depressed“ may be entered.

<4>

\\Edit\Common <4>\FootTog:\\On

In this menu you can decide if the connected footswitch behaves like a regular „switch“ or not (Toggle mode). If the value is set to „On“, the TECHNOX will toggle between the values for „FootOn“ and „FootOff“ each time the footswitch is pressed; if set to „Off“, the footswitch behaves like a regular „pedal“.

<5>

\\Edit\Common <5>\FreeCtrl:\50

Your TECHNOX already makes use of the most common MIDI controllers for its modulation matrix. In this menu you can enter a „free“ MIDI controller number for controlling a sound parameter. Many MIDI keyboards offer the possibility of sending out different MIDI controllers other than just modulation or volume. You’d best have a look at the manual of your MIDI keyboard to find out if it is capable of generating such MIDI data (for example with a joystick).

11.) The CommonMenu

The Common-Menu is important for the Sequencer-Multi-Mode as well as for the Performance-Mode. Whenever you want to make sound changes in real-time, you first have to go through the different functions of this menu. But don’t bother - you won’t have to step through hundreds of different pages just to change one little parameter. It’s as easy as this: You will find the following parameters in the Common-Menu:

1.) Assignment of the footswitch-control function

2.) Assignment of the MIDI controllers such as Modulation, Pitch bend, etc. to the different sound parameters, so that you can control your sounds directly from your MIDI keyboard by using its wheels (or the joystick

- depending on which model you currently use).

3.) Assign of the „Free MIDI controller“ to one sound parameter.

4.) Selection of a performance play mode and adjustment of the performance volume. The Common-Menu will be activated as follows:

footpedal-control

free-controllerselection

The Common-Menu offers you the following parameters:

On the following menu pages you find the parameters of the controller matrix.Here you can select if, e.g. the filter cutoff of one of TECHNOX’ instruments can be controlled by your mod wheel. But there are some things to take care about when modulating part parameters: Each part may be controlled individually by the modulation matrix. Some parameters offer even a positive or negative control of this parameter. So, by using the same MIDI controller, a change of the controller value may affect different parts in different ways. Take for example a Layer-2-performance that uses two parts simultaneously. If you set the volume control for the first part to a positive value and the volume control for the second part to a negative value, a cross-fade effect between the two sounds can be achieved when you route your MIDI controller to volume control of both parts. So you see that it’s worth having a closer look at the functions of the modulation matrix.

11.) The Common-menu

<6>

\\Edit\Common <6>\Mod>Lfo:\\26

Intensity of influence on the LFO by mod wheel.

<7>

\\Edit\Common <7>\Mod>Vol:\\\0

Intensity of influence on the part volume by mod wheel.

<8>

\\Edit\Common <8>\Mod>Pit:\\\0

Intensity of influence on pitch change by mod wheel.

<9>

\\Edit\Common <9>\Mod>Cut:\\63

Intensity of influence on the cutoff frequency by mod wheel.

<10>

\\Edit\Common <10>\Mod>Fx2:\+0

Intensity of influence on the real-time adjustable parameter of FX-2 by mod wheel.

<11>

\\Edit\Common <11>\Mod>Arp:\+0

Intensity of influence of the gate time of the arpeggiator by mod wheel.

<12>

\\Edit\Common <12>\Tch>Lfo:\\0

Intensity of influence on the LFO by aftertouch.

<13>

\\Edit\Common <13>\Tch>Vol:\\0

Intensity of influence on the part volume by aftertouch.

<14>

\\Edit\Common <14>\Tch>Pit:\\0

Intensity of influence on pitch change by aftertouch.

<15>

\\Edit\Common <15>\Tch>Cut:\\0

Intensity of influence on the cutoff frequency by aftertouch.

<16>

\\Edit\Common <16>\Tch>Fx2:\+0

Intensity of influence on the real-time adjustable parameter of FX-2 by aftertouch.

<17>

\\Edit\Common <17>\Tch>Arp:\+0

Intensity of influence of the gate time of the arpeggiator by aftertouch.

<18>

\\Edit\Common <18>\Bnd>Lfo:\0

Intensity of influence on the LFO by pitch-bend wheel.

<19>

\\Edit\Common <19>\Bnd>Vol:\\0

Intensity of influence on the part volume by pitch-bend wheel.

<20>

\\Edit\Common <20>\Bnd>Pit:\\0

Intensity of influence on pitch change by pitch-bend wheel.

<21>

\\Edit\Common <21>\Bnd>Cut:\\0

Intensity of influence on the cutoff frequency by pitch-bend wheel.

<22>

\\Edit\Common <22>\Bnd>Fx2:\+0

Intensity of influence on the real-time adjustable parameter of FX-2 by pitch-bend wheel.

<23>

\\Edit\Common <23>\Bnd>Arp:\+0

Intensity of influence of the gate time of the arpeggiator by pitch-bend wheel.

<24>

\\Edit\Common <24>\FrC>Lfo:\\0

Intensity of influence on the LFO by free controller.

<25>

\Edit\Common <25>\FrC>Vol:\\0

Intensity of influence on the part volume by free controller.

<26>

\\Edit\Common <26>\FrC>Pit:\\0

Intensity of influence on pitch change by free controller.

<27>

\\Edit\Common <27>\FrC>Cut:\\0

Intensity of influence on the cutoff frequency by free controller.

<28>

\\Edit\Common <28>\FrC>Fx2:\+0

Intensity of influence on the real-time adjustable parameter of FX-2 by free controller.

<29>

\\Edit\Common <29>\FrC>Arp:\+0

Intensity of influence of the gate time of the arpeggiator by free controller.

For all assignable MIDI controllers the menu sequence is the same. Here’s now a list of all pages in order of their appearance:

modulation source: modulation wheel

modulation source: aftertouch

modulation source: pitch-bend wheel

modulation source: free-controller

11.) The common-menu

<30>

\\Edit\Common <30>\Mode:Single

Up to four different sounds can be stacked to build up a performance. In this menu you can select one of the following modes for your performance: Single - 1 sound ( part 13) Layer2 - 2 sound ( part 13-14) Layer3 - 3 sound ( part 13-15) Layer4 - 4 sound (part 14-16)

<31|

\\Edit\Common <31|\Volume:\110

Here the general volume for the performance will be adjusted.

At every algorithm of FX-2 you have one parameter, which allows realtime control by the modulation matrix. Here you see, which parameter is influenced in which algorithm, when you increase the FX-2 depth in the modulation matrix.

|1>\01:Chorus1

Depth

|1>\02:Chorus2

Rate

|1>\03:Chorus3

Center

|1>\04:Flanger1

Rate

|1>\05:Flanger2

Center

|1>\06:Phaser1

Rate

|1>\07:Phaser

Center

|1>\08:Panning

Manual Pan

|1>\ShortDely

Feedback

|1>\LongDelay

Feedback

|1>\HQ-Delay

Feedback

|1>\Ping-Pong

Feedback

|1>\GatedDely

Feedback

|1>\SpecialFX

Center

|1>\Equalizr1

Output Level

|1>\Equalizr2

Output Level

|1>\WahWah+Ov

Fequenz

|1>\AutoWhaWa

Drive

|1>\WarmOvdrv

Input Level

|1>\Distortn

Input Level

|1>\no\Effect

Serial-Feed-Level => FX-1

performanceparameter

realtime-control of FX-2 parameters

The last two parameters are only available in performance-mode. They affect the performance-type and the general volume of the performance.

Perhaps you may have recognized „FX-2“ as a modulation target in the controller matrix. The following table shows you which parameter of FX-2 can be changed with this controller:

12.) Editing the Arpeggiator

Function User Action/

(Keys/Dials)

Display-Message

Selection of edit level Press „EDIT/OK“ key

\Edit/Function

Selection of „Edit Arpeggiator“ menu.

Use one of the two Alpha-dials to select.

\Edit/Function <6>\Edit\Arpegg.

Confirm selection Press „EDIT/OK“ key.

Arpeggiator\Edit |1>\Arpegg.:\\On

|1>

Arpeggiator\Edit |1>\Arpegg.:\OFF

Use this parameter to switch the arpeggiator on and off.

<2>

Arpeggiator\Edit <2>\Sync:\Intern

Here you can decide if the arpeggiator will be clocked internally or externally. When switched to external clock, the arpeggiator uses a MIDI clock signal if this signal is active on MIDI In of the TECHNOX. If MIDI clock is available, the arpeggiator will be synchronized to your sequencer.

<3>

Arpeggiator\Edit <3>\Part:\\\\\13

Here you can select one of the 16 available parts to be controlled by the arpeggiator.

<4>

Arpeggiator\Edit <4>\Resolutn:\16

With this parameter the resolution of the arpeggiator will be set. You have the choice between 4th, 8th, 16th and 32nd notes.

<5>

Arpeggiator\Edit <5>\Speed:\\\\86

When using the internal clock (Sync: Intern), the arpeggiator speed is set with this parameter.

<6>

Arpeggiator\Edit <6>\Gate:\\\\\64

Use this parameter to control the gate time (note length) of the arpeggio notes. This parameter can also be controlled via the modulation matrix.

<7>

Arpeggiator\Edit <7>\Directn:\\Up

This parameter controls the direction of the arpeggios. Look at the table below for the different directions.

<8>

Arpeggiator\Edit <8>\Hold:\\\\OFF

When set to „ON“, the arpeggiator chord will be held even if the chord on the keyboard is depressed. (Sometimes this parameter is also called „LATCH“) If set to „OFF“, the arpeggiator will stop as soon as it receives Note-Off-informations.

<9>

Arpeggiator\Edit <9|\MidiOut:\OFF

The arpeggiator notes can be sent out via MIDI Out of the TECHNOX when this parameter is set to „ON“. This offers you the possibility that other MIDI synthesizers can also use the TECHNOX’ arpeggiator.

The following table shows you the different arpeggiator directions (Sub menu page 7):

Direction:\\UP

Arpeggios start with the lowest note first, the others follow in ascending order.

Direction:Down

Arpeggios start with the highest note first, the others follow in descending order.

Direction:UPDW

Ascending and descending notes consecutively.

Direction:\RND

The notes are played in random (no) order.

12.) Editing the

arpeggiator

In this section you will learn about TECHNOX’ built-in arpeggiator. This arpeggiator splits a chord into single notes, which then can be played back automatically in different ways. The arpeggiator menu will be reached by executing the following steps:

Following these steps, the following sub-menus are now available:

13.) STORING, COPYING, MIDI-DUMP - THE „WRITE“ MENU

Function User action

(Keys/Dials)

Display-Message

Selection of edit level Press „EDIT/OK“ key.

\Edit/Function

Selection of „Write“ menu Use one of the two Alpha-dials to

select.

\Edit/Function <8>\Write/Dump..

Confirm selection Press „EDIT/OK“ key.

|1>\Write\Setup Yes<OK>\No<EXIT>

|1>

|1>\Write\Perf.? Yes<Ok>\No<EXIT>

|1>\Write\Setup? Yes<Ok>\No<EXIT>

Depending upon which mode your TECHNOX currently uses (Performance or Sequencer-Multi-Mode), the displayed message of this sub-menu differs. Refer to sections about Performance-editing and sequencer setups for complete descriptions.

<2>

<2>\Load\Setup? Yes<OK>\No<EXIT>

Here you can restore a sequencer-multi-setup that has been created before. After pressing the „EDIT/OK“ key a menu will be displayed where you can select the selected setup by using the „VALUE/SOUND“ dial. But it’s easier to do the setup recall by letting the TECHNOX receive a program change information via MIDI. This function will be enabled by selecting „[RxSetupC: On]“ in page <7> of the „Edit System“ menu. Program changes between 1 and 14 select one of the 14 possible setups.

<3>

<3>\Write\Drums? Yes<OK>\No<EXIT>

This sub-menu allows you to store your User-drum-set. Refer to section „Drumset-Editing“ for complete instructions.

<4>

<4>\Init\Setup? Yes<OK>\No<EXIT>

Use this function to initialize the actual sequencer-setup. After initializing, all parts of the setup are set to Single-sound #1, FX-1 is set to „Room“ and FX-2 to „Chorus“.

<5>

<5>\Init\Part\1? Yes<OK>\No<EXIT>

The „VALUE/SOUND“ Alpha-dial is used to select the part which has to be initialized. After completing this functions, all part-parameters of this part are re-set to their default values.

<6>

<6>\Copy\Part\1? Yes<OK>\No<EXIT>

By using the „VALUE/SOUND“ dial it’s possible to select a part which has to be copied to another part. Use the „EDIT/OK“ key to confirm your selection. and then the „VALUE/SOUND“ dial to select the copy target. After pressing „EDIT/OK“ all part parameters from the destination will be copied to the target.

THE WRITE-MENU

13.) The WriteMenu

In the following section you will learn everything about storing, copying and MIDI dumping of your sound creations and how the TECHNOX parameters are initialized. There are two possible ways to archive your sounds: You can save the performances and multi-setups either internally to the built-in RAM or you can send these via MIDI to an external MIDI recording device such as a sequencer or MIDI data recorder. The advantage of using internal memories is that you have direct access to all configurations without using an external MIDI device. But on the other hand it might also be useful to archive a complete system setup externally together with your MIDI songfile. So it will be assured that each song will be played back correctly, even if you have changed all internal RAM configurations. Most sequencers handle the system-exclusive data (that’s the data format used for external storage...) exactly like any other MIDI data; so the easiest way is to record the „TECHNOX configuration block“ straight into your sequencer and put this block in front of the song.

The „Write-Menu“ will be activated as follows:

The „Write-Menu“ offers you the following sub-menus:

Function User Aktion

(Keys/Dials)

Display-Message

Selection of edit level. Press "EDIT/OK“ key.

\Edit/Function

Selection of "Edit System“ menu. Use one of the two Alpha-dials to

select.

\Edit/Function <7>\Edit\System

Confirm selection Press "Edit/OK" key.

\Edit\System |1>\Mode:Sequenc

|1>

\\Edit\System |1>\Mode:Perform

Here the play mode of the TECHNOX can be altered between the performancemode and the Sequencer-Multi-mode. Usually the performance-mode is mainly used for live performances whereas the Multi-mode will be used when working with a MIDI sequencer. Use the „VALUE/SOUND“ dial to toggle the play-mode.

<2>

\Edit\System <2>\Channel:\\\\1

Use this function to select the basic MIDI channel for your TECHNOX. The setting of the basic channel is only important when using the TECHNOX in performance-mode. It then receives its MIDI informations on the selected channel. Note that this channel is also identical to the ID-number of your TECHNOX (see above: MIDI dump).

<3>

\\Edit\System <3>\Transpose:\C

This function is used to transpose the TECHNOX in semi-tones (6 steps up or down from C).

<4>

\\Edit\System <4>\Tune:\\\\\\\+0

Fine-tuning is possible with this function (+63 steps [-1 semi-tone], -64 steps [+1 semi-tone]).

14.) The Edit-System-Menu

The following 4 sub-menus are reserved for the transmission of system-exclusive data via MIDI. System-exclusive informations are unique to each manufacturer of MIDI equipment; each manufacturer uses its own data format for describing sound-data and machine-dependent informations. TECHNOX uses system-exclusive data for transferring its RAM informations to a MIDI sequencer (and vice versa). So you can use your sequencer as an external storage device for your TECHNOX. The TECHNOX can send and receive SysEx data on 16 different ID-numbers. These ID-numbers are important because it allows you to use more than only one single TECHNOX in your MIDI setup. The ID-number will be selected in the „System-Edit“ menu. Changing the basic MIDI channel also affects this.

<7>

<7>\Send\Temp? Yes<OK>\No<EXIT>

After pressing the „EDIT/OK“ key, the TECHNOX sends out all actual settings via MIDI. This includes all part parameters, the effect settings, the common parameters and the arpeggiator settings.

<8>

<8>\Send\Setups? Yes<OK>\No<EXIT>

After pressing the „EDIT/OK“ key, the TECHNOX sends out all Sequenzer-multi-setups.

<9>

<9>\Send\Drums? Yes<OK>\No<EXIT>

From here the User-defined drum-sets are sent after pressing the „EDIT/OK“ key.

<10>

<10|\Send\Perfs? Yes<OK>\No<Exit>

From here the User-defined drum-sets are sent after pressing the „EDIT/OK“ key.

14.) The Edit-

System-Menu

The System menu is used for the settings of all global parameters. These include the filtering of incoming and outgoing MIDI data, the global tuning of the TECHNOX and the velocity response characteristics. You will reach this menu from the main page by doing the following:

Now you have access to the following sub-menus:

14.) The Edit-System-Menu

<5>

\\Edit\System <5>\VelCrv:\Exp+

Here you can select the velocity curve; i.e. the response characteristics of your TECHNOX in reference to the incoming MIDI note-on velocities. Refer to the table below for detailed description of the different velocity curves.

<6>

\\Edit\System <6>\RxPrgChg:\ON

This parameter sets the reception of program change information to on or off.

<7>

\\Edit\System <7>\RxSetupC:OFF

If set to „ON“, incoming program change messages will be interpreted as „Setup“ changes. The setup change information has to be sent on the basic channel (see above); the part that lies on this channel won’t respond to program change informations.

<8>

\\Edit\System <8>\RxTouch:\\ON

This parameter sets the reception of Aftertouch information to on or off. Notice that any Aftertouch informations will be omitted, even if enabled within the modulation matrix.

<9>

\\Edit\System <9>\RxModul:\\ON

Here the reception of MIDI controller data will be enabled or disabled. Notice that any controller informations will be omitted, even if enabled within the modulation matrix.

<10>

\\Edit\System <10>\RxParam:\\On

Enable or disables the reception of system-exclusive data.

<11>

\\Edit\System <11>\TxParam:OFF

If set to „ON“, ‘real time’ parameter changes (via the „VALUE/SOUND“ Alpha dial) will be sent via MIDI Out of your TECHNOX. This enables a sequencer to record these parameter changes (for example Filter cutoff, envelope offsets, etc.)

<12>

\\Edit\System <12>\TxFoot:\OFF

If this function is enabled, control change information (of footswitch controller) will be sent out via MIDI.

<13>

\\Edit\System <13>\TxClock:OFF

This enables or disables the sending of MIDI clock data if the arpeggiator is in use. This allows the TECHNOX to control the tempo of other slave devices (such as sequencers, drum-machines, etc.)

<14>

\\Edit\System <14>\OmniMod:\On

If Omni-mode is set to „ON“, the TECHNOX will receive MIDI data on all 16 channels; but it’ll work only in performance mode. Usually you won’t need to use the Omni mode anyway... When in sequencer mode, this parameter won’t appear because the TECHNOX will then work only in MIDI Multi mode.

Lin When set to this value, the TECHNOX responds in a linear way, i.e. incoming velocity

values remain unchanged.

Lin- Here you get a compressed velocity curve - but with a constant factor, so that the

velocity response remains linear.

Lin+ Linear velocity expansion with a constant factor.

Exp- Exponential compression of the incoming velocity values.

Ex-- Even stronger exponential compression of the incoming velocity values.

Exp+ Exponential expansion of the incoming velocity values.

Ex++ STRONG exponential expansion of the incoming velocity values.

Fix NO velocity at all! All notes will have the same velocity value.

Function User Action

(Keys/Dials)

Display-Message

Selection of edit level. Press „EDIT/OK“ key

\Edit/Function

Selection of „Play Demo“ menu. Use one of the two Alpha-dials to

select.

\Edit/Function <9|\Play\Demo...

Confirm selection. Press „EDIT/OK“ key

________________ <Exit>\for\stop

Stop demo. Press „EXIT“ key

\Edit/Function <9|\Play\Demo...\

...and go back to the main page. Press "EXIT"-Taste again

\T_e_c_h_n_o__x \1:B021\Moogy

14.) Edit-System-Menu/ Working with a sequenzer

15.) Playing the

demo-song

16.) Working with

a sequenzer

We’re quite sure that you’d like to do your own musical stuff with your TECHNOX. We’ve included a diskette with some Techno, Rave and Ambient grooves which you may use to your own „gusto“. The files on the disk were saved in Standard MIDI file format, so that most software sequencers won’t have any difficulties in reading them. These programs mostly offer you the selection of importing a Standard MIDI file within the „Files“ menu. But - take care! There are some nasty programs (mostly „light“ or shareware versions) which may have difficulties with SysEx data. We’ve put SysEx informations at the very beginning of each song file in order to assure the correct setting of the TECHNOX. If your sequencer doesn’t play the SysEx data (you’ll remark this if e.g. the FX settings seem to be a little bit ... strange [???]), try setting the part parameters manually by comparing the track names in the song file to the part names of your TECHNOX and ...dial... But - in most cases - you won’t have any problems with the SysEx data. And we think that storing the setup data for each song at the beginning of a song file is the most comfortable way to work with your TECHNOX. You now may ask: WHY? There are a couple of reasons:

1. A song file which includes a SysEx dump at the beginning will sound the same on all of the millions of TECHNOXXES sold worldwide. And it doesn’t overwrite any internal memories because it uses only the temporary memory.

Function User Action

(Keys/Dials)

Display-Message

Selection of „Write/Dump“ menu 1. Press "EDIT/OK“ key.

2.) Use one of the dials to select the menu.

\Edit/Function <8>\Write/Dump..

Selection of „Load Setup“ menu. If not already in sequencer mode, this mode will be activated when a setup is loaded.

1. Press „EDIT/OK“ key

2. Use the "PARAMETER/ SOUNDGROUP“ dial to get to "Load Setup“ menu.

|1>\Write\Setup? Yes<OK>\No<EXIT>

Confirm selection. Press "EDIT/OK"-key.

Name:\Untitled Yes<OK>\No<EXIT>

Enter a new name. Move cursor with "PARAMETER/

SOUNDGROUP“ dial; select letter with "VALUE/SOUND“ dial.

Name:\My_Setup Yes<OK>\No<EXIT>

Confirm new name and select memory position where the setup shall be stored.

Press "EDIT/OK“ key and select memory position with „VALUE/ SOUND“ dial.

to\\1\<Untitled> Yes<OK>\No<EXIT>

Complete storage of the performance.

Press "EDIT/OK“ key.

Overwr\Untitled? Yes<OK>\No<EXIT>

Overwrite memory. Press "Edit/OK" key.

|1>\Write\Setup? \\\\\\\\\\\ok!

Exit „Write/Dump“ menu. Press „EXIT“ key until you reach the

main page.

\T_e_c_h_n_o__x 13:A127:\Hardcast

16.) Working with a sequenzer

2. We didn’t supply the TECHNOX with an infinite number of sound memories. Otherwise it would have cost a horrible amount of money. And the day will come when all RAM memories are used by your sound creations. Then the problem arises, how to save your valuable data externally. As already mentioned before, the best way to do this is to use your MIDI sequencer as an external storage device. But if you create a file that only holds your setup and RAM data there’s still the other problem that you mostly don’t know which SysEx file belongs to which song...? So, the easiest way of archiving your material is to save it together with your song. That’s it! But for all those guys who don’t want to mess around with SysEx, the TECHNOX offers a total amount of 14 memory locations where you can save your sequencer setups. One of these can hold all part, effect, arpeggiator and common settings.

16.a.) Working with sequenzermulti-setups

The storage of sequencer setups will be done as follows:

16.) Working with the sequenzer

Function User action

(Dials/Keys)

Display-Message

Selection of „Write/Dump“ menu. 1.) Press „EDIT/OK“ key.

2.) Use one of the dials to select the menu.

\Edit/Function <8>\Write/Dump..

Selection of „Load Setup“ menu. If not already in sequencer mode, this mode will be activated when a setup is loaded.

1. Press „EDIT/OK“ key.

2. Use the „PARAMETER/ SOUNDGROUP“ dial to get to „Load Setup“ menu.

<2>\Load\Setup? Yes<OK>\No<EXIT>

Confirm Selection. Press "EDIT/OK" Key

Load\14\Untitled Yes<OK>\No<EXIT>

Select one of the 14 setups. 1.) Use "VALUE/SOUND"-Dial to

select one setup.

2.) Confirm selection with "EDIT/OK" key.

<2>\Load\Setup? \\\\\\\\\\\ok!

Exit the "WRITE"-Menu. Press „EXIT“ key until you reach the

main page.

\T_e_c_h_n_o__x 13:A001:\_303Lead

Function User action

(Keys/Dials)

Display-Message

Selection of „Edit System“ menu. 1.) Press "EDIT/OK" key.

2.) Use the „PARAMETER/ SOUNDGROUP“ dial to select "Edit-system“ menu.

\Edit/Function <7>\Edit\System

Select menu page „<7> RxSetupC“ 1. Press „EDIT/OK“ key

2. Use the „PARAMETER /SOUNDGROUP“ dial to get to to „RxSetupC“ sub-menu.

\Edit\System <7>\RxSetupC:OFF

Enable MIDI switching. Use „VALUE/SOUND“ dial to set

the function to „ON“

\Edit\System <7>\RxSetupC:\ON

Exit the "Edit System" menu. Press „EXIT“ key until you reach the

main page.

\T_e_c_h_n_o__x 13:A001:\_303Lead

A sequencer-multi-setup will be activated as follows:

Enabling the setup-loading by using program change informations received via MIDI is simply done by going into the „Edit System“ menu and setting the „RxSetupC“ (Receive Setup Change) parameter to „ON“. Please note that it further won’t be possible to receive any program change informations for the part that is identical to the selected MIDI system channel when RxSetupC is set to „ON“. Program changes can be received on all other 15 parts. Setup loading via MIDI will be enabled by doing the following:

17.) MIDI and MORE/ Listing of the MIDI-Controllers

11.) Midi and more a) MidiController

Technox can process the following MIDI-Controllers

Controller Nummer Function

Dez. Hex. 0 (BnH 00H) Bank-Select 1 (BnH 01H) Modulation 5 (BnH 05H) Porta-Time 6 (BnH 06H) Data Entry 7 (BnH 07H) Volume 10 (BnH 0AH) Panorama-position 64 (BnH 40H) Hold-Pedal 65 (BnH 41H) Porta on/off 67 (BnH 43H) Soft Pedal 80 (BnH 50H) FX1-Type 81 (BnH 51H) FX2-Type 82 (BnH 52H) Arp. Reso 83 (BnH 53H) Arp. Speed 91 (BnH 5BH) FX1-Send 93 (BnH 5DH) FX2-Send 98 (BnH 62H) NRPN LSB 99 (BnH 63H) NRPN MSB 100 (BnH 64H) RPN LSB 101 (BnH 65H) RPN MSB 120 (BnH 78H) all sounds off 121 (BnH 79H) Controller Reset 123 (BnH 7BH) all notes off 124 (BnH 7CH) omni off 125 (BnH 7DH) omni on 126 (BnH 7EH) mono on 127 (BnH 7FH) poly mode

17.b.) NRPN- und RPN- Controller

A particularity are the NRPN and the RPN- controllers. To make it possible to edit sounds just by MIDIControllers independent from manufacturers and system exclusive data, some agreements were made by the manufacturers. The change of a NRPN-parameters needs a lot more data than a standard-controller because there aren´t enough standard-controllers to control all the possible parameters. The following controllable parameters have been defined in the GS-Standard. But at first we want to give an example for the use of the NRPNControllers to show you the principle.

Example: NRPN Controller are tuning a drum instrument:

Status Second Third Comment

HEX BnH 63H 18H Controller 99 (63H) with value 24 (18H) Drumtuning

BnH 62H xxH Controller 98 (62H) with value xx for the keynumber BnH 06H yyH Controller 6 (Data Entry) with value yy for the tuning

17.) MIDI and more/ NRPN & RPN-Controller

Sending these three lines one after another will have the following result: The drum instrument on the key xx (00H - 7FH) on the MIDI-Channel with the Channel-No. n (0h - FH) will be transposed by the value yy (lowest value 00H - Standard 40H- highest value 7F). As you can see the tuning of one drum instrument needs 9 bytes. So if you want to tune more drum instruments you should make this at the beginning of a song in order to avoid timing problems.

The input of the MIDI-data is made in the HEX-Code. See the following listing:

Decimal Hexadecimal Binary 00 00 0000 0000 01 01 0000 0001 02 02 0000 0010 03 03 0000 0011 04 04 0000 0100 05 05 0000 0101 06 06 0000 0110 07 07 0000 0111 08 08 0000 1000 09 09 0000 1001 10 0A 0000 1010

11 0B 0000 1011 12 0C 0000 1100 13 0D 0000 1101 14 0E 0000 1110 15 0F 0000 1111

16 10 0001 0000 17 11 0001 0001 etc.

List of NRPNand RPNControllers

Now a list of all NRPN- and RPN- Controllers that the Technox uses:

NRPN-Controller

Pitch-modulation-speed

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 08 n = Channel, XX =Value

Pitch-modulation-depth

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 09 n = Channel, XX =Value

Pitch-modulation-delay

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 10 n = Channel, XX = Value

Cutoff-frequency

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 20 n = Channel, XX = Value

Resonance

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 21 n = Channel, XX =Value

EG-Attack

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 63 n = Channel, XX = Value

EG-Decay

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 64 n = Channel, XX = Value

17.) MIDI and more/ Nrpn & Rpn Controller/ Sysex-Data

EG-Release

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 01 n = Channel, xx = 66 n = Channel, XX = Value

Drum-Pitch

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 18 n = Channel, xx = key-number n = Channel, XX = Value

Drum-Level

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 1A n = Channel, xx = key-number n = Channel, X = Value

Drum-Panning Position

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 1C n = Channel, xx = key-number n = Channel, XX = Value

Drum-Instrument FX1-Send

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 1D n = Channel, xx = key-number n = Channel, XX = Value •

Drum-Instrument FX2-Send

NRPN MSB Contr.99 (BnH 63H xxH) NRPN LSB Contr. 98 (BnH 62H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 1E n = Channel, xx = key-number n = Channel,XX = Value

RPN-Controller

18.) The SysExDataformat

Pitch-Bend range

RPN MSB Contr.101 (BnH 65H xxH) RPN LSB Contr. 100 (BnH 64H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 00 n = Channel, xx = 00 n = Channel, xx = Value

Fine-Tune

RPN MSB Contr.101 (BnH 65H xxH) RPN LSB Contr. 100 (BnH 64H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 00 n = Channel, xx = 01 n = Channel, xx = Value

Coarse-Tune

RPN MSB Contr.101 (BnH 65H xxH) RPN LSB Contr. 100 (BnH 64H xxH) Data-Entry Contr 6 (BnH 6H xxH) n = Channel, xx = 00 n = Channel, xx = 02 n = Channel, xx = Value

18.) The System-Exclusive-Format of the TECHNOX The next page shows a listing of the System-Exclusive-Format of the Technox. This listing is interesting especially for Software-Developers who want to create their own Editor-Programs or Dump-Utilities for TECHNOX.. This Listing is also for an adaptation to well-known Sound-Edititng-Software like e.g. Emagic Soundsurfer. TECHNOX sends (if you want) all changes, done with the „VALUE/SOUND“- Dial, via its Midi-Output. If you want to record these changes with your sequencer , think about it before, because the Midi-DataFlow is much more loaded by System-Exclusive- Data than usual controller-messages. So it is much better to use regular controllers if possible. Make sure that your sequencer is capable of recording/playing SysEX-Data.

18.) MIDI-Sysex-Data format

TECHNOX-System-Exclusive Format (Version 1.0)

Identity Request

Byte No. Value Remarks

0 F0 System Exclusive start command 1 7E Common Non-Real-Time message 2 cc channel number = TECHNOX system channel * 3 06 general information 4 01 identity request 5 F7 end of System Exclusive

Identity Reply

Byte No. Value Remarks

0 F0 System Exclusive start command 1 7E Common Non-Real-Time message 2 cc channel number = TECHNOX system channel * 3 06 general information 4 02 identity reply 5 3F QUASIMIDI ID 6 22 TECHNOX id

... ... ...

10..13 vv vv vv vv Version no. (4 ascii characters, i.e ‘2.00’) 10 F7 end of System Exclusive

* note that if cc = 7Fh the TECHNOX respond regardless of what master channel it is on

Request Data from device:

Byte No. Value Remarks

0 F0 System Exclusive start command 1 3F Quasimidi id number 2 dv device number = TECHNOX System channel 3 22 TECHNOX id number 4 52 (R)equest data 5 ah adress high 6 am adress mid 7 al adress low 8 dh data count high 9 dl data count low 10 F7 end of System Exclusive

Dump Data to device:

Byte No. Value Remarks

0 F0 System Exclusive start command 1 3F Quasimidi id number 2 dv device number = TECHNOX System channel 3 22 TECHNOX id number 4 44 (D)ump data 5 ah adress high 6 am adress mid 7 al adress low

8... dt data (7 bit) ... F7 end of System Exclusive

18.) MIDI-SysEx-Data format

TECHNOX Address Map:

(third byte is Adress-Offset) 00 00 00 system parameter 01 00 00 temporary common parameter 01 01 00 temporary part parameter (part 1) 01 02 00 -“- (part 2)

... ...

01 10 00 -“- (part 16) 01 11 00 temporary performance name

02 00 00 temporary drum parameter (drum instr 1) 02 01 00 -“- (drum instr 2)

... ...

02 3D 00 -“- (drum instr 61) 02 7E 00 drumset nb (0..15) 02 7F 00 drumset name

03 00 00 reserved ... 04 7F 00 -“-

05 00 00 performance 1 common parameter 05 01 00 -“- part parameter (part 13) 05 02 00 -“- (part 14) 05 03 00 -“- ... 05 04 00 -“- (part 16) 05 05 00 -“- name 06 00 00 performance 2 common parameter

... ...

36 05 00 performance 50 name

37 00 00 multisetup 1 common parameter 37 01 00 -“- part parameter (part 1) 37 02 00 -“- (part 2)

... ...

37 10 00 -“- (part 16) 37 11 00 -“- name 38 00 00 multisetup 2 common parameter

... ...

44 11 00 multisetup 14 name

45 00 00 userdrumset 1 drum parameter (drum instr 1) 45 01 00 -“- (drum instr 2)

... ...

45 3B 00 -“- (drum instr 59) 45 7E 00 drumset nb (0..15) 45 7F 00 drumset name 46 00 00 userdrumset 2 drum parameter (drum instr 1)

... ...

4C 7F 00 userdrumset 8 name

4D 00 00 reserved ... 68 7F 00 -“-

69 00 00 sound name bank 0, sound 0 (only request!) 69 01 00 -“- sound 1 -“-

... ...

69 7F 00 -“- sound 127 -“6A 00 00 sound name bank 1, sound 0 -“-

... ...

6C 7F 00 sound name bank 3, sound 127 -“-

6D 00 00 reserved ... 7F 7F 00 -“-

18.) MIDI-SysEx-Data format

Address Offsets:

SYSTEM-Parameter

00 transpose /* 0..12 (-6..+6) */ 01 tune /* 0..127 (-64..+63) */ 02 system channel /* 0..15 (1..16) */ 03 multi mode /* 0..1 (off,on) */ 04 reserved 05 program change input filter /* 0..1 (off,on) */ 06 channel pressure -“- /* 0..1 (off,on) */ 07 modulation -“- /* 0..1 (off,on) */ 08 parameter control -“- /* 0..1 (off,on) */ 09 reserved 0A omni mode /* 0..1 (off,on) */ 0B master velocity curve no. /* 0..7 (lin, lin-,lin+,...) */ 0C program change out filter /* 0..1 (off,on) */ 0D parameter control -“- /* 0..1 (off,on) */ 0E foot control -“- /* 0..1 (off,on) */ 0F midi clock -“- /* 0..1 (off,on) */

COMMON-Parameter

00 performance level /* 0..127 */ 01 performance mode /* 0..3 (single,double...) */ 02 reserved 03 reserved 04 free controller no. /* 0..97 */ 05 foot controller no. /* 0..127 */ 06 foot control on value /* 0..127 */ 07 foot control off value /* 0..127 */ 08 foot control toggle mode /* 0..1 (off,on) */

Moulation-Matrix...

09 mod.depth[SOURCE1][DEST1] /* 0..127 (-64..63) */ 09 mod.depth[SOURCE1][DEST2] /* 0..127 (-64..63) */

... ...

28 mod.depth[SOURCE4][DEST8] -“-

FX Parameter...

29 fx1 activity /* 0..1 (off,on) */ 2A fx1 typ /* 0..21, (FX1-Effect#) */ 2B fx1 parameter[PAGE1] /* 0..127 (FX1-Parameter1) */ 2C fx1 parameter[PAGE2] /* 0..63 (FX1-Parameter2) */

... ... ...

30 fx1 parameter[PAGE6] /* 0..127 (FX1-Parameter6) */ 31 fx2 activity /* 0..1 (off,on) */ 32 fx2 typ /* 0..21, (FX2-Effect#) */ 33 fx2 parameter[PAGE1] /* 0..127 (FX2-Parameter1) */ 34 fx2 parameter[PAGE2] /* 0..127 (FX2-Parameter2) */

... ...

3B fx2 parameter[PAGE9] /* 0..127 (FX2-Parameter9) */

Arpeggiator Parameter...

3C arp pak1 /* bit 2 arp_on 0..1 (off,on) */

3D speed /* 0..127 */ 3E gate /* 0..127 */ 3F arp pak2 /* bit 5 arp_sync 0..2 (int,ext1,ext2) */

40 arp pak3 /* bit 3..6 arp_track 0..15 (1..16) */

/* bit 0..1 arp_resolution 0..3 (4,8,16,32) */

/* bit 3..4 arp_dir 0..2 (up,down,up/down) */ /* bit 2 reserved */ /* bit 1 arp_hold 0..1 (off,on) */ /* bit 0 reserved */

/* bit 2 reserved */ /* bit 1 arp_out 0..1 (off,on) */ /* bit 0 reserved */

18.) MIDI-SysEx-Data format

PART-Parameter

00 bank no. /* 0..3 */ 01 sound no. /* 0..127 */ 02 trackmode /* 0..3 (0=muted, 1=poly, 2=mono, 3=lead) */ 03 level /* 0..127 */ 04 panorama /* 0..20 (off,7L..7R,rnd,key,yek,dyn,nyd)*/ 05 fx1 send /* 0..63 */ 06 fx2 send /* 0..63 */ 07 transpose /* 0..48 (-24..+24) */ 08 tune /* 0..127 (-64..+63) */ 09 cutoff frequency /* 0..127 (-64..+63) */ 0A resonance freq. /* 0..127 (-64..+63) */ 0B eg attack /* 0..127 (-64..+63) */ 0C eg decay /* 0..127 (-64..+63) */ 0D eg release /* 0..127 (-64..+63) */ 0E vibrato rate /* 0..127 (-64..+63) */ 0F vibrato depth /* 0..127 (-64..+63) */ 10 vibrato delay /* 0..127 (-64..+63) */ 11 velocity curve no. /* 0..14 (lin,lin-,lin+,exp-,...) */ 12 holdpedal /* 0..1 (off,on) */ 13 modulation depth /* 0..127 */ 14 pitch sensitivity /* 0..24 (-12..12) */ 15 volume mod. sens. /* 0..127 (-64..+63) */ 16 tone mod. sens. /* 0..127 (-64..63) */ 17 portamento time /* 0..127 */

DRUM-Parameter

00 level /* 0..127 */ 01 pan /* 0..19 (off,7L..7R,rnd) */ 02 fx1 send /* 0..63 */ 03 fx2 send /* 0..63 */ 04 pitch /* 0..48 (-24..+24) */

Funktion... Transmitted Recogniced

Basic Channel

Default Changed

1 1-16

Mode

Default Messages Altered

x x x

3b*** 0 x

Note Number True Voice

x x 1-127

Velocity Note On

Note Off

x x

0 x

After Touch

Keys Channel

x x

x 0

Pitch Bend MSB (7 bit)

LSB (14 bit)

x x

0 0

Controller Free Controller 0-97

Continous MSB 0-31 Continous LSB 32-63 Control Change 64-95 124 Omni off 125 Omni on 120 all sounds off 121 reset all controller 123 all notes off

Footpedal Control x* x* x* x x x x x

Routable Cont. Matrix 0 0 0 0 0 0 0 0

Program Change x 0

System Exclusive 0**** 0

System

Common

Song Position Song Select Tune Request

x x x

System Real Time

Clock Commands

0** x

0** 0**

Aux Messages

Local On/ Off All Notes Off Active Sens. System Reset

x x x x

x 0 x x

x = No 0 = Yes * = One Controller selectable for Footpedal Control ** = Arpeggiator Sync-Clock *** = Multimode 3b at Sequenzer Multimode = Polymode at Performance-Mode **** = Parameter Realtime Transmit and Dump-Functions

19.) MIDI-Implementation

19.) MIDI-

Implementation

20.) Listing of the Performances

20.) Listing of the performances T

Ram Performances Technox:

01 ArpPad 02 Fantasy 03 FatTekno 04 Obi_Pad 05 Passport 06 Killer 07 Saege 08 Spectize 09 Snowbird 10 Crunch 11 Taurin 12 RedBull 13 Natural 14 Koffein 15 SyntVoic 16 AnaStrng 17 OverPads 18 Padding 19 Piano ! 20 Hardcore 21 Strictly 22 FatSolo 23 Computer 24 ArpOdyx 25 Arounder

26 D_Mode 27 Blubber 28 BodyMoog 29 Sequenz 30 Syncers 31 Beltram 32 DeepSea 33 Aliens 34 Dionysos 35 DarkSide 36 Sweepoid 37 Foggy 38 OverDriv 39 Texture 40 Frusty 41 Arktis 42 Sirena 43 VeryDeep 44 ResoArp 45 Floating 46 ChillOut 47 Bonita 48 BanaBrss 49 Happy 50 Friday13

Ram Performances Technox:

01 ArpgBass 02 BadDream 03 BanaBass 04 BassSolo 05 Bassox 06 Beauty 07 Britepad 08 Chicago 09 Clocky 10 DeadEnd 11 Deepbass 12 Echomoog 13 EchoSpac 14 Ephedrin 15 FastVoic 16 FatStrng 17 Feedback 18 GateCore 19 Gliding 20 GoodLife 21 HouseOrg 22 ItalPian 23 Klicker 24 Knatsch 25 LovePowr

26 Louis 27 MiniMoog 28 MKS50Bs 29 ModuBass 30 Moogbass 31 Move_it 32 Oasis 33 Okzident 34 Oxygen 35 ParisCon 36 Polaroid 37 Quasar 38 Raveress 39 Slidox 40 Soloist 41 Spacrace 42 Styx 43 Subway 44 SuperSft 45 Tranced 46 Upndown 47 VeryWarm 48 Voicesed 49 Wobbler 50 X_Massss

21.) Listing of the single-sounds

The 512 sounds are divided into 4 banks. To reach the different banks via MIDI you need a Bank-Change-Command (Midi-Controller 0, Value 0 - 3).Value 0 corresponds to Bank A, Value 1 to Bank B, ... The Bank-Change-Message is followed by a Program change from 0 - 127. Most sequencers start with a program change-number of 1 (- 128). Also Technox starts at Number 1 (-128).

A001 _303lead A002 Adventur A003 Arp_2600 A004 Attsweep A005 Axxe A006 B_Blank A007 BanaBrss A008 Bananas A009 Bantal A010 Beltram A011 Bic_Bac1 A012 Bic_Bac2 A013 Bic_Bac3 A014 Brassing A015 Briting A016 Buchla A017 Casiotek A018 Cpt_Iglu A019 Discobrs A020 Dominate A021 Dramatic A022 El_Paso A023 Electron A024 Executer A025 Fanfare A026 Fastpads A027 Flummi A028 Fotokina A029 Fucksyn A030 Futschi A031 Gabriel A032 Gipsy A033 Hilbert A034 Leader A035 Longswep A036 Luckerei A037 Lucky A038 Luckysch A039 M_Mann2 A040 Mixbrass A041 Mksbrass A042 Move_it A043 Mover A044 Ms20 A045 Ms20po2 A046 NeoDisco A047 Obx_Synt A048 Obx2Synt A049 Obx3Synt A050 Obx4Synt A051 Old_Bras A052 Pcp_Down A053 Pcp_Up

A054 Perc_Sol A055 PercSwep A056 Photon A057 Pitchy_x A058 Polysix A059 Popcorn A060 Pump_up A061 Resobras A062 Resobrss A063 Resomix A064 Sagapoly A065 Seidabei A066 Sequ_fun A067 Sequent1 A068 Sequent2 A069 Sequent3 A070 Sequent4 A071 Sequenz A072 Seufz A073 Simp_Sng A074 Softsequ A075 Solfrust A076 Starpads A077 Str_Rev A078 Supermax A079 Suprmax2 A080 Sweeplng A081 Syn_maze A082 Syncbana A083 Synhorns A084 Synpac A085 Synpizz A086 Tangram A087 Techno1 A088 Techno2 A089 Techno3 A090 Tecnoxx2 A091 Tecnoxxy A092 Tekno9mm A093 Uk_sequz A094 Uk2sequz A095 VX_Dom_1

Basses

A096 Acidbass A097 Acidharp A098 Acousynt A099 Active A100 Arpfunk A101 Basslin2 A102 Basslin3 A103 Basslin4

A104 Basslin5 A105 Basslin6 A106 Bassline A107 Bassocon A108 BassoNat A109 Bassstat A110 Birdland A111 Blubb A112 Clearbas A113 CryLine A114 DeepBass A115 DeepMini A116 Detroit A117 DjaxPad A118 Djaxup A119 Eurobass A120 Fat_Line A121 Fatbass A122 Filtbass A123 Filtmoog A124 Filtopen A125 FM_Acbas A126 Fretless A127 Hardcast A128 Hardms20

B001 Jukebass B002 Killer B003 La_Bass B004 LandBird B005 Lo_Bass B006 LowBass1 B007 LowBass2 B008 MC_202_1 B009 MC_202_2 B010 Micromg2 B011 Micromg3 B012 Micromog B013 Mixfrmt B014 Mksbass1 B015 Mksbass2 B016 Mksbass3 B017 Moog1 B018 Moog2 B019 Moogbas2 B020 Moogmel B021 Moogy B022 Moogy2 B023 Morph B024 MS20bass B025 MS20bs2 B026 Norlin_x B027 Pitch303

B028 Pitchbas B029 Pulsbass B030 Ravebass B031 Reefbass B032 Resobass B033 RiseBass B034 SH101_Bs B035 Sinebass B036 Slapbas1 B037 Slide B038 Slowbass B039 Taurus B040 TB_303_1 B041 TB_303_2 B042 TB_303_3 B043 TB_303_4 B044 TB_303_p B045 ToraTora B046 V_Moogy B047 V1_Moogy B048 Vebsline B049 Velo303 B050 Voxbass B051 VX_bass B052 Warmbass B053 Wet_synt

Natural

B054 Acousgtr B055 Bambus B056 Bottle B057 Choir B058 Chor B059 Clavinet B060 Clean_gt B061 Clean_g2 B062 Cuuh B063 E_Piano B064 FM_Jazz B065 ItaloPia B066 Melloch B067 Panflute B068 Piano1 B069 Piano2 B070 Piano3 B071 Piccolo B072 Steelgtr B073 Wurlitz1 B074 Farfisa1

21.) Listing of the Single-Sounds

Organs

B075 Farfisa2 B076 Hammond B077 Helge_S B078 Hot_Keys B079 HouseMks B080 HouseOrg B081 MksOrgan B082 Raveorg1 B083 Raveorg2 B084 Raveorg3 B085 Raveorg4 B086 Raveorg5 B087 SlwLesli

SynthPads

B088 Aliens1 B089 Aliens2 B090 AnaBrass B091 Angels B092 Atlas B093 Bambum B094 Banana B095 Banavox B096 Bellbana B097 Bentcold B098 Blas_mit B099 Childpad B100 Clearobx B101 Cloud_9 B102 Cmi_vox1 B103 Cnoxswep B104 Daydream B105 Fastbamb B106 Fastfohn B107 Fastflng B108 Fast_cmi B109 Fastchor B110 Fatstrgs B111 Fettfett B112 Flang_ch B113 Foehn B114 Fourvoic B115 Glider B116 Halopad B117 Hohnerst B118 Ironstgs B119 Japanese B120 Jewelry B121 JP_Long B122 JPLongst B123 JPString B124 JunoStrg B125 Liquid_X B126 LuckySwp B127 Matrix

B128 Mellotrn

SynthPads2

C001 Mixstrng C002 MksStrng C003 Moony C004 MS20swep C005 ObiPercs C006 Obx_Brss C007 Oct_Swep C008 Omni C009 Omniswep C010 Overhome C011 PadPercs C012 Pitchswp C013 Polymix C014 Polypad C015 Softtech C016 Spacerei C017 Spaceswp C018 Spcsweep C019 Spring C020 Sunrise C021 Sweep C022 Sweepy1 C023 Sweepy2 C024 Swellvox C025 Swlljuno C026 Synthstr C027 Truespac C028 Vitalize C029 Voc_Cloc C030 Voiccord C031 Voice C032 Voicerel C033 Vox_filt C034 Vs_chor C035 Vs_clock C036 Vx600 C037 Vx600pad C038 Warmbrss C039 Warmobx C040 Wetstrng C041 XPressme C042 Yuppie C043 Dreieck

Waves

C044 P_50 C045 P_60 C046 Pulse30 C047 Pulse75 C048 Resonan1 C049 Resonan2 C050 Resonan3 C051 Resonan4

C052 Resonan5 C053 Resonan6 C054 Resonan7 C055 Sawzahn C056 Sinus C057 Softsine C058 Spacesaw C059 VeloReso C060 FM_Glas

FM_Percussiv

C061 FM_Vibe C062 Glospiel C063 Mallet C064 Musicbox C065 Plingy C066 Tinkbell C067 Tinkle1 C068 Tinkle2 C069 Vibetre2 C070 Vibetre3 C071 Vibetrem C072 Alpdream

SynthFX

C073 Analglfo C074 Berlin71 C075 Crossosz C076 Dirty_fm C077 Door C078 Dreaming C079 Duester C080 Echo_vox C081 Echosx C082 Efector2 C083 Effector C084 FM_Race C085 Metall C086 Spacepad C087 Spacevib C088 Splatter C089 Squarlfo C090 Step C091 Sweller C092 Vocoder1 C093 Vocoder2 C094 Vocoder3

Effects

C095 Alienhb C096 Avilyn C097 Bublegum C098 Comic C099 Critters C100 Crumble

C101 Deepest C102 Defekt C103 Ducktale C104 Faldown2 C105 Falldown C106 Fraggles C107 Freshair C108 Higher C109 Industry C110 LngBerta C111 MoogZap C112 Nine2ten C113 Nintendo C114 Noiser C115 Noisshot C116 Noisy_fx C117 Ring_Fun C118 ScratMet C119 SF_a1 C120 SF_a2 C121 SF_a3 C122 SF_a4 C123 SF_a5 C124 SF_a6 C125 SF_a7 C126 Spacfrog C127 Storm C128 Strike D001 Take_Off D002 Terminat D003 U_96 D004 Worldwar D005 Expermt1 D006 Expermt2 D007 Expermt3 D008 Expermt4 D009 Expermt5 D010 Expermt6 D011 Expermt7 D012 Expermt8 D013 A_Cymb_T

Tuned Drums

D014 A_Elec_T D015 A_Gui1_T D016 A_Klok_T D017 A_Perc_T D018 A_Sfx_T D019 Agogo_T D020 Ankick1T D021 Ankick2T D022 Ankick3T D023 Ankick4T D024 Ankick5T D025 AnatomT D026 BassdrmT D027 BelltreT

21.) Listing of the Single-Sounds/selecting the Drumsets

D028 BongohiT D029 CabasaT D030 CastanT D031 China_T D032 Clave_T D033 Clsdhh_T D034 CowbellT D035 Conga_T2 D036 Conga_T1 D037 CR78CymT D038 CR78Cn_T D039 CR78Bd_T D040 CR78Gu_T D041 CR78Ta_T D042 CR78SnrT D043 CR78rimT D044 CR78hh_T D045 Crash2T D046 Crash1T D047 Cuica_T D048 DrumFX1T D049 DrumFX2T D050 EffShakT D051 Gated_T D052 Guiro_T D053 GuiroT2

D054 LinnSn_T D055 LinnTomT D056 LongWh_T D057 MaracasT D058 MS20P_T D059 Openhh_T D060 Reso_T D061 Ride_T D062 Scrtch1T D063 Scrtch2T D064 SineKick D065 Slap_T D066 Snare_T D067 Snare2T D068 Stick_T D069 Sticks_T D070 Syntom1 D071 Syntom2 D072 syntom3 D073 Trian_t D074 Tamb_t D075 Timbalt D076 Tom_T D077 TR606bsT D078 TR606cyT D079 TR606hhT

D080 TR606ohT D081 TR606snT D082 TR606tmT D083 TR808bsT D084 TR808hhT D085 TR808c_T D086 TR808c1T D087 TR808c2T D088 TR808cwT D089 TR808crT D090 TR808ohT D091 TR808rmT D092 TR808snT D093 TR808tm D094 TR909bsT D095 TR909hhT D096 TR909c_T D097 TR909ohT D098 TR909snT D099 TR909stT D100 TR909tmT D101 Vibra_T D102 Vochit_T D103 VocoKikT D104 VocoPopT D105 Vocozist

D106 Yeti D107 Zap_T D108 ZappngT D109 Zilp_T D110 Zip_T D111 Zipup_T

Drumsets

D112 Standard D113 TR808Set D114 TR909Set D115 Analog D116 TR606Set D117 CR78_Set D118 Linn_Set D119 Rock_Set D120 Modular1 D121 Modular2 D122 Kick&Snare D123 VntgeSet D124 Dry_Set D125 DanceSet D126 NoisySFX D127 Old-Box D128 No_Sound

22.) selecting the

drumsets

In the following section you find a listing of the Drumsets of the TECHNOX. The Drumsets can be reached on every Midi-Channel, but only on Channel 10 they have their correct parameter-values.On Channel 10 only Drumsets can be played. You need only Program-Changes (no Bank-Changes) on Channel

10. The following list shows which Program-Change you need to select the different Drumsets.

01 Standard 02 TR808Set 03 TR909Set 04 Analog 05 TR606Set 06 CR78_Set 07 Linn_Set 08 Rock_Set 09 Modular1 10 Modular2 11 Kick&Snare 12 VntgeSet 13 Dry_Set 14 DanceSet 15 Noisy SFX 16 Old-Box

17 TR909St2 18 TR808St2 19 Effects 20 Pan_FX 21 Beatbox 22 Vintage2 23 Modular3 24 Standrd2 25 UserSet1 26 UserSet2 27 UserSet3 28 UserSet4 29 UserSet5 30 UserSet6 31 UserSet7 32 UserSet8

23.) Listing of the drumsets

d#0 27 e0 28 f0 29 f#0 30 g0 31 g#0 32 a0 33 a#0 34 h0 35

c1 36 c#1 37 d1 38 d#1 39 e1 40 f1 41 f#1 42 g1 43 g#1 44 a1 45 a#1 46 h1 47

c2 48 c#2 49 d2 50 d#2 51 e2 52 f2 53 f#2 54 g2 55 g#2 56 a2 57 a#2 58 h2 59

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 Solid

Bassdrum Stick Snare TR808clp SnreDrum Tom_2 Clsdhhat Tom_2 Foothhat Tom_2 OpenHhat Tom_1

Tom_1 Crash1 Tom_1 Ride Chinacrs Ridebell Tamburin Splash Cowbell Crash2 VibraSlp Ride

TR808 DrumsetStandard Set

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 An_Kick2

TR808Bs TR808Rim TR808sn TR808clp TR909sn TR808tom TR808chh TR808tom Ravehat TR808tom TR808ohh TR808tom

TR808tom TR808crs TR808tom Ride ChinaCrs Ridebell Tamburin Splash TR808Cow Crash2 Vibraslp Ride

TR909 Drumset

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 An_Kick1

TR909bs TR909stk TR909sn TR909clp TR808sn TR909tom TR909chh TR909tom Ravehat TR909tom TR909ohh TR909tom

TR909tom Crash2 TR909tom Ride ChinaCrs RideBell Tamburin Splash TR808Cow Crash1 VibraSlp Ride

Analog Drumset

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 TR909bs

Resohard CR78Rim CR78Snre TR909Clp Noisesnr Anatoms1 TR606HH Anatoms3 Ravehat Anatoms1 TR606ohh Anatoms3

Anatoms1 Anlgcymb Anatoms3 Ride Chinacrs Zipup Tamburin Zapping TR808Cow Crash1 Anlgelec Ride

TR606 Drumset:

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 TR808bs

TR606bs CR78rim TR606snr TR808clp CR78snre TR606tom TR606hh TR606tom Ravehat TR606Tom TR606Ohh TR606Tom

TR606Tom TR606Cym TR606Tom Ride Chinacrs Ridebell Tamburin Splash TR808Cow Crash2 Vibraslp Ride

c3 60 c#3 61 d3 62 d#3 63 e3 64 f3 65 f#3 66 g3 67 g#3 68 a3 69 a#3 70 h3 71

c4 72 c#4 73 d4 74 d#4 75 e4 76 f4 77 f#4 78 g4 79 g#4 80 a4 81 a#4 82 h4 83

c5 84 c#5 85

BongoHi BongoLo CongaSlp CongaHi CongaLo Timbale Timbale HiAgogo LoAgogo Cabasa Maracas ShrtWhis

LongWhis GuiroSht Guiro Clave Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

BellTree Castanet

Bongohi Bongolo TR808clo TR808cmi TR808chi Timbale Timbale HiAgogo LoAgogo Cabasa TR808mrs ShrtWhis

LongWhis Guirosht Guiro TR808cla Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

BongoHi BongoLo TR808Clo TR808Cmi TR808Chi Timbale Timbale HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis GuiroSht Guiro TR808Cla WoodBlok WoodBlok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

BellTree Castanet

Casiodr2 Casiodr3 TR808clo TR808cmi TR808chi Anlklock Anlklock HiAgogo LoAgogo Anlperc1 Anlperc2 Shrtwhis

Longwhis Zilp Anlguir1 TR808cla Anlperc3 Anlperc4 Pudding1 Pudding2 DrumSfx1 DrumSfx2 Vocokick Vocopop

Vocozish Moogtom

BongoHi BongoLo CongaSlp CongaHi CongaLo Timbale Timbale HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis GuiroSht CR78Guir TR808Cla Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

23.) Listing of the drumsets

d#0 27 e0 28 f0 29 f#0 30 g0 31 g#0 32 a0 33 a#0 34 h0 35

c1 36 c#1 37 d1 38 d#1 39 e1 40 f1 41 f#1 42 g1 43 g#1 44 a1 45 a#1 46 h1 47

c2 48 c#2 49 d2 50 d#2 51 e2 52 f2 53 f#2 54 g2 55 g#2 56 a2 57 a#2 58 h2 59

CR78 Drumset

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 TR808bs

CR78Bass CR78Rim CR78Snre TR909clp TR808sn TR808tom CR78hhat TR808tom Ravehat TR808tom CR78hhat TR808tom

TR808tom CR78cymb TR808tom Ride ChinaCrs RideBell CR78Tamb Splash TR808Cow Crash1 VibraSlp Ride

Linn Drumset

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 Solid

Linnkick Stick Linnsnre TR808clp Linnsnre Linntom ClsdHhat Linntom Foothhat Linntom Openhhat Linntom

Linntom Crash1 Linntom Ride Chinacrs Ridebell Tamburin Splash Cowbell Crash2 Vibraslp Ride

RockSet

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 BassDrum

Kickdrum Stick Gated_Sd TR808Clp Snare Tom_2 ClsdHhat Tom_2 FootHhat Tom_2 OpenHhat Tom_1

Tom_1 Crash1 Tom_1 Ride Chinacrs Ridebell Tamburin Splash Cowbell Crash2 Vibraslp Ride

Modular1 Drumset Modular2 Drumset

Zip Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 An_kick3

An_kick4 Anlgrim Anlperc2 TR808clp TR909sn Anatoms2 Anlghhat Anatoms2 Ravehat Anatoms2 Anlghhat Anatoms2

Anatoms2 Anlgcymb Anatoms2 TR606cym Chinacrs Ridebell CR78Tamb Splash TR808cow Anlgsfx Vibraslp Ride

Zipup Zap Zilp Zip Zapping Moogtom Moogtom Moogtom F909_kik

An_kick5 Anlperc1 TR909sn FiltClap FiltSnre Anatoms3 TR909chh Anatoms3 Anlghhat Anatoms3 TR909ohh Anatoms3

Anatoms3 CR78cymb Anatoms3 TR606cym MS20perc Anlgsfx CR78tamb Anlgcymb TR808cow Crash2 Anlgelec Ride

c3 60 c#3 61 d3 62 d#3 63 e3 64 f3 65 f#3 66 g3 67 g#3 68 a3 69 a#3 70 h3 71

c4 72 c#4 73 d4 74 d#4 75 e4 76 f4 77 f#4 78 g4 79 g#4 80 a4 81 a#4 82 h4 83

c5 84 c#5 85

BongoHi BongoLo CR78cnga CR78cnga CR78cnga Timbale Timbale HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis GuiroSht CR78Guir CR78Clav Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

Bongohi Bongolo Congaslp Congahi Congalo Timbale Timbale HiAgogo LoAgogo Cabasa Maracas ShrtWhis

LongWhis Guirosht Guiro Clave Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

Bongohi Bongolo Congaslp Congahi Congalo Timbale Timbale HiAgogo LoAgogo Cabasa Maracas ShrtWhis

LongWhis Guirosht Guiro Clave Woodblok Woodblok CuicaLo CuicaHi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

BongoHi BongoLo TR808clo TR808cmi TR808chi Anlperc3 Anlperc4 HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis Anlguir1 Anlguir2 TR808cla Anlperc5 Woodblok Cuicalo Cuicahi Mt_Trngl Triangle El_Shako Moogtom

Ms20Perc Castanet

Bongohi Bongolo TR808clo TR808cmi TR808chi Anlklock Anlklock Anlperc4 Anlperc5 Cabasa TR808Mrs ShrtWhis

LongWhis Guirosht Guiro TR808cla Woodblok Woodblok CuicaLo CuicaHi Mt_Trngl Triangle Shaker MS20perc

Belltree Castanet

23.) Listing of the drumsets

d#0 27 e0 28 f0 29 f#0 30 g0 31 g#0 32 a0 33 a#0 34 h0 35

c1 36 c#1 37 d1 38 d#1 39 e1 40 f1 41 f#1 42 g1 43 g#1 44 a1 45 a#1 46 h1 47

c2 48 c#2 49 d2 50 d#2 51 e2 52 f2 53 f#2 54 g2 55 g#2 56 a2 57 a#2 58 h2 59

Zipup Zap Zilp Zip Zapping TR909tom TR909tom TR909tom Anlklock

DanceKik An_kick1 An_kick2 An_kick3 An_kick4 An_kick5 Bassdrum CR78bass Kickdrum Linnkick TR606bs TR808bs

TR909bs F909_kik CR78snre Snare Gated_Sd Linnsnre TR909sn Snredrum TR606snr TR808sn TR808clp Filtclap

Vintage DrumsetKicks&Snares Drumset

Anlgcymb Anlgcymb Anlgcymb Anlgcymb Anlgelec Anlgelec Anlgelec Anlklock TR606bs

CR78bass CR78rim CR78snre CR78snre TR606snr TR909Tom CR78hhat TR606Tom TR606hh TR909Tom TR606ohh TR606Tom

TR909Tom TR606cym TR606Tom TR606cym CR78cymb Anlgcymb CR78tamb MS20Perc AnlgSfx Anlgrim Anlperc5 Anlperc4

Dry Set

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 Linnkick

Solid Stick Linnsnre TR808clp SnreDrum Tom_2 ClsdHhat Tom_2 FootHhat Tom_2 OpenHhat Tom_1

Tom_1 Crash1 Tom_1 Ride Chinacrs RideBell Tamburin Splash Cowbell Crash2 Vibraslp Ride

DanceSet

Resohard Slap Bongolo Bongohi Sticks Zip Zilp MS20Perc TR808bs

DanceKik TR808rim TR909sn TR808clp SnreDrum TR909tom TR909chh TR808tom Ravehat TR909tom TR909ohh TR808tom

TR909tom Crash1 TR808tom Ride VocHit Ridebell Tamburin Splash TR808cow Crash2 Vibraslp Ride

Noisy SFX

Anatoms1 Anatoms2 Anatoms3 Anatoms1 Anatoms2 Anatoms3 Anatoms1 Anatoms2 Anatoms3

DanceKik Anlperc1 Anlperc2 Anlperc3 Anlperc4 Anlperc5 Anlgcymb Anlgcymb Anlgcymb Anlgrim Anlgrim Anlgrim

Anlgsfx Anlgsfx Anlgsfx Anlklock Anlklock Anlklock Anlgelec Anlgelec Anlgelec Anlghhat Anlghhat Anlghhat

c3 60 c#3 61 d3 62 d#3 63 e3 64 f3 65 f#3 66 g3 67 g#3 68 a3 69 a#3 70 h3 71

c4 72 c#4 73 d4 74 d#4 75 e4 76 f4 77 f#4 78 g4 79 g#4 80 a4 81 a#4 82 h4 83

c5 84 c#5 85

TR909clp Stick TR808rim TR909stk CR78rim Sticks TR909chh TR909ohh TR808chh TR808ohh ClsdHhat OpenHhat

Crash1 Crash2 TR606cym CR78cymb Tamburin Maracas Cabasa Congaslp Congahi Congalo Bongohi Bongolo

Cowbell TR808Cow

Anlperc3 Anlperc2 CR78cnga CR78cnga CR78cnga Anlperc1 Anlklock Anlghhat Anlguir1 Anlguir2 Anlgelec Anlgcymb

Anlgcymb CR78guir TR909bs TR909stk TR909sn TR909chh TR909ohh TR808bs TR808rim TR808sn TR808clp TR909clp

Crash1 Crash2

Bongohi Bongolo Congaslp Congahi Congalo Timbale Timbale HiAgogo LoAgogo Cabasa Maracas ShrtWhis

LongWhis Guirosht Guiro Clave Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

Scratch1 Scratch2 Congaslp Congahi Congalo Timbale Timbale HiAgogo LoAgogo Cabasa Maracas ShrtWhis

LongWhis GuiroSht Guiro Clave Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Vocokick Vocopop

Vocozish Castanet

DrumsFX1 DrumsFX2 Eff_Shak Moogtom Moogtom Moogtom Pudding1 Pudding2 VocoKick VocoPop VocoZish Zap

Zapping Resohard Zip Zilp Zipup MS20Perc MS20Perc MS20Perc El_Shako Crash1 Crash2 TR909sn

TR808clp TR808sn

23.) Listing of the drumsets

d#0 27 e0 28 f0 29 f#0 30 g0 31 g#0 32 a0 33 a#0 34 h0 35

c1 36 c#1 37 d1 38 d#1 39 e1 40 f1 41 f#1 42 g1 43 g#1 44 a1 45 a#1 46 h1 47

c2 48 c#2 49 d2 50 d#2 51 e2 52 f2 53 f#2 54 g2 55 g#2 56 a2 57 a#2 58 h2 59

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 TR606bs

CR78Bass CR78Rim CR78Snre TR808Clp TR606Snr TR606Tom TR606Hh TR808Tom CR78Hhat TR606Tom TR606Ohh TR808Tom

TR606Tom CR78Cymb TR808Tom Ride TR808Crs Ridebell CR78tamb Splash TR808Cow TR606Cym VibraSlp Ride

TR909St2

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 An_Kick1

TR909bs TR909stk TR909sn TR909clp TR808sn TR909tom TR909chh TR909tom Ravehat TR909tom TR909ohh TR909tom

TR909tom Crash2 TR909tom Ride ChinaCrs RideBell Tamburin Splash TR808Cow Crash1 VibraSlp Ride

TR808St2Old_Box Drumset

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 An_Kick2

TR808Bs TR808Rim TR808sn TR808clp TR909sn TR808tom TR808chh TR808tom Ravehat TR808tom TR808ohh TR808tom

TR808tom TR808crs TR808tom Ride ChinaCrs Ridebell Tamburin Splash TR808Cow Crash2 Vibraslp Ride

Effects

Anatoms1 Anatoms2 Anatoms3 Anatoms1 Anatoms2 Anatoms3 Anatoms1 Anatoms2 Anatoms3

DanceKik Anlperc1 Anlperc2 Anlperc3 Anlperc4 Anlperc5 Anlgcymb Anlgcymb Anlgcymb Anlgrim Anlgrim Anlgrim

Anlgsfx Anlgsfx Anlgsfx Anlklock Anlklock Anlklock Anlgelec Anlgelec Anlgelec Anlghhat Anlghhat Anlghhat

Pan_FX

Anatoms1 Anatoms2 Anatoms3 Anatoms1 Anatoms2 Anatoms3 Anatoms1 Anatoms2 Anatoms3

DanceKik Anlperc1 Anlperc2 Anlperc3 Anlperc4 Anlperc5 Anlgcymb Anlgcymb Anlgcymb Anlgrim Anlgrim Anlgrim

Anlgsfx Anlgsfx Anlgsfx Anlklock Anlklock Anlklock Anlgelec Anlgelec Anlgelec Anlghhat Anlghhat Anlghhat

c3 60 c#3 61 d3 62 d#3 63 e3 64 f3 65 f#3 66 g3 67 g#3 68 a3 69 a#3 70 h3 71

c4 72 c#4 73 d4 74 d#4 75 e4 76 f4 77 f#4 78 g4 79 g#4 80 a4 81 a#4 82 h4 83

c5 84 c#5 85

CR78Cnga CR78Cnga TR808Cmi TR808Chi TR808Clo Timbale Timbale HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis GuiroSht CR78Guir CR78Clav Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Congaslp

Congahi Congalo

BongoHi BongoLo TR808Clo TR808Cmi TR808Chi Timbale Timbale HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis GuiroSht Guiro TR808Cla WoodBlok WoodBlok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

BellTree Castanet

Bongohi Bongolo TR808clo TR808cmi TR808chi Timbale Timbale HiAgogo LoAgogo Cabasa TR808mrs ShrtWhis

LongWhis Guirosht Guiro TR808cla Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

DrumsFX1 DrumsFX2 Eff_Shak Moogtom Moogtom Moogtom Pudding1 Pudding2 VocoKick VocoPop VocoZish Zap

Zapping Resohard Zip Zilp Zipup MS20Perc MS20Perc MS20Perc El_Shako Crash1 Crash2 TR909sn

TR808clp TR808sn

DrumsFX1 DrumsFX2 Eff_Shak Moogtom Moogtom Moogtom Pudding1 Pudding2 VocoKick VocoPop VocoZish Zap

Zapping Resohard Zip Zilp Zipup MS20Perc MS20Perc MS20Perc El_Shako Crash1 Crash2 TR909sn

TR808clp TR808sn

23.) Listing of the drumsets

d#0 27 e0 28 f0 29 f#0 30 g0 31 g#0 32 a0 33 a#0 34 h0 35

c1 36 c#1 37 d1 38 d#1 39 e1 40 f1 41 f#1 42 g1 43 g#1 44 a1 45 a#1 46 h1 47

c2 48 c#2 49 d2 50 d#2 51 e2 52 f2 53 f#2 54 g2 55 g#2 56 a2 57 a#2 58 h2 59

BeatBox

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 TR808bs

CR78Bass CR78Rim CR78Snre TR909clp TR808sn TR808tom CR78hhat TR808tom Ravehat TR808tom CR78hhat TR808tom

TR808tom CR78cymb TR808tom Ride ChinaCrs RideBell CR78Tamb Splash TR808Cow Crash1 VibraSlp Ride

Vintage2

Anlgcymb Anlgcymb Anlgcymb Anlgcymb Anlgelec Anlgelec Anlgelec Anlklock TR606bs

CR78bass CR78rim CR78snre CR78snre TR606snr TR909Tom CR78hhat TR606Tom TR606hh TR909Tom TR606ohh TR606Tom

TR909Tom TR606cym TR606Tom TR606cym CR78cymb Anlgcymb CR78tamb MS20Perc AnlgSfx Anlgrim Anlperc5 Anlperc4

Modular3

Zip Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 An_kick3

An_kick4 Anlgrim Anlperc2 TR808clp TR909sn Anatoms2 Anlghhat Anatoms2 Ravehat Anatoms2 Anlghhat Anatoms2

Anatoms2 Anlgcymb Anatoms2 TR606cym Chinacrs Ridebell CR78Tamb Splash TR808cow Anlgsfx Vibraslp Ride

Standrd2

Resohard Slap Scratch1 Scratch2 Sticks Casiodr3 Casiodr1 Casiodr2 Solid

Bassdrum Stick Snare TR808clp SnreDrum Tom_2 Clsdhhat Tom_2 Foothhat Tom_2 OpenHhat Tom_1

Tom_1 Crash1 Tom_1 Ride Chinacrs Ridebell Tamburin Splash Cowbell Crash2 VibraSlp Ride

c3 60 c#3 61 d3 62 d#3 63 e3 64 f3 65 f#3 66 g3 67 g#3 68 a3 69 a#3 70 h3 71

c4 72 c#4 73 d4 74 d#4 75 e4 76 f4 77 f#4 78 g4 79 g#4 80 a4 81 a#4 82 h4 83

c5 84 c#5 85

BongoHi BongoLo CR78cnga CR78cnga CR78cnga Timbale Timbale HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis GuiroSht CR78Guir CR78Clav Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

Belltree Castanet

Anlperc3 Anlperc2 CR78cnga CR78cnga CR78cnga Anlperc1 Anlklock Anlghhat Anlguir1 Anlguir2 Anlgelec Anlgcymb

Anlgcymb CR78guir TR909bs TR909stk TR909sn TR909chh TR909ohh TR808bs TR808rim TR808sn TR808clp TR909clp

Crash1 Crash2

BongoHi BongoLo TR808clo TR808cmi TR808chi Anlperc3 Anlperc4 HiAgogo LoAgogo Cabasa TR808Mrs ShrtWhis

LongWhis Anlguir1 Anlguir2 TR808cla Anlperc5 Woodblok Cuicalo Cuicahi Mt_Trngl Triangle El_Shako Moogtom

Ms20Perc Castanet

BongoHi BongoLo CongaSlp CongaHi CongaLo Timbale Timbale HiAgogo LoAgogo Cabasa Maracas ShrtWhis

LongWhis GuiroSht Guiro Clave Woodblok Woodblok Cuicalo Cuicahi Mt_Trngl Triangle Shaker Tamburin

BellTree Castanet

25.) Warranty-Agreement

Please fill out the card on the following page and send it back to:

QUASIMIDI GmbH Bahnhofstr. 44 35282 Rauschenberg Germany

How to validate the warranty

To validate your warranty, fill out the enclosed warranty card and return it to QUASIMIDI within ten days of the purchase date. Without returning the warranty card we only grant for 6 months of full warranty instead of 12 months.

What is covered and what is not covered ?

This warranty covers all defects in material and workmanship for six (twelve) months from the date of original purchase. This warranty does not cover damage to or deterioration of the external cabinet or internal circuitry resulting from accident, misuse, neglect, attempted unauthorized repair or failure to follow instructions in the owners manual.

This warranty does not cover units that have been modified or altered (The only exception is an Authorized QUASIMIDI modification which includes its own warranty coverages). This warranty does not cover damage that may occur during shipping. Software/Firmware are sold as is and are not covered by warranty. QUASIMIDI accessory items are covered under a separate limited warranty.

How to obtain warranty performance

Return your unit to an Authorized QUASIMIDI Repair Station. If you are unable to locate one, write or call the QUASIMIDI Factory Service Department. We will either refer you to an Authorized Repair Staion or issue you a return authorization number for factory service. Units returned to QUASIMIDI for factory service must prominently display the authorization number on the outside of the shipping carton and on all related documents or units will be returned freight collect. You must pay all shipping costs to and from the factory. Shipment of the product to QUASIMIDI is the responsibility of the owner, and should be insured by the owner for the full value of the product.

NO CLAIM FOR WARRANTY WILL BE HONORED WITHOUT PROOF OF PURCHASE

Limitations of implied warranties and exclusion of certain damages

Any implied warranties, including warranties of merchantability and fitness for a particular purpose are limited in duration to the lenght of the warranty. QUASIMIDI´s liability, for any defective product, is limited to repair or replacement of the product.

QUASIMIDI shall not be liable under any circumstances for:

1. Damages based upon inconvenience, loss of use of the unit, loss of time, interrupted operation or commercial loss.

2. Any other damages, whether incidental, consequential or otherwise, except damages which may not be excluded under applicable law

26.) Warranty and registration

Please answer the following questions, this will be a big help for our development of new products. We will take your wishes and suggestions very seriously.

Serial-Number of your Technox: Name: Birthday: Address: Postcode:

What kind of music do you make ?

Which other keyboards and expanders do you use in addition to the Technox ?

Are you a Live- or a Studio-Musician ?

Do you use a computer (Which one?) for making music ?

Which sounds of the Technox do you like the best ?

Which sounds of the Technox don´t you like ?

Do you use the ARPEGGIATOR ?

General wishes and suggestions:

Whitch other products of QUASIMIDI do you know ?

Do you use pre-programmed Songs (Standard-Midi-Files) ?

Technische Daten

Technical Specifications

Sound Synthesis: MASS (Multi Algorithm Sound Synthesis)

Front Panel

Knob: PARAMETER/SOUNDGROUP,

Key: Power, EDIT/OK, PART/BANK (x2),

Display: 2x16 character LCD Connector: Headphones (6,3 mm stereo jack)

Rear Panel

Connector: Output L, R (6,3 mm mono jack)

Power

Power Requirement: AC220V, 50 Hz Power Consumption:11 watts maximum

Physical

Dimensions: 484 mm (width) x 48 mm (height) x 257 mm (depth),

Weight: 3,5 kg

21 voice polyphonic, 16 part multi-timbral

VALUE/SOUND, Volume

EXIT

Footswitch (6,3 mm mono jack) MIDI In, Out, Thru (DIN 5p x 3) Power Inlet (3 pin, IEC-320 standard)

(width 429 mm w/o front panel) EIA 1 rack unit size

Quasimidi Technox User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual