You do not need to read the QuarkCopyDesk® documentation from beginning to end.
Instead, use this guide to quickly look up information, find out what you need to know,
and get on with your work.
What we're assuming about you
In writing this guide, we assume that you are familiar with your computer and know how
to:
ABOUT THIS GUIDE
• Launch an application
• Open, save, and close files
• Use menus, dialog boxes, and palettes
• Work within a networked computing environment
• Use the mouse, keyboard commands, and modifier keys
Consult the documentation provided with your computer or other resources if you need
more information in any of these areas.
Where to go for help
If you're new to QuarkCopyDesk, or if you want to explore one of its other longstanding
features, consult the following resources:
• A Guide to QuarkCopyDesk
• QuarkCopyDesk Help
• Third-party books
• General books about desktop publishing
If your issues are at the system level — saving files, moving files, activating fonts, for
example — consult the documentation resources provided with your computer.
A GUIDE TO QUARKCOPYDESK 8.5 | 9
ABOUT THIS GUIDE
Conventions
Formatting conventions highlight information to help you quickly find what you need.
• Bold type style: The names of all dialog boxes, fields, and other controls are set in bold
type. For example: "Click OK."
• References: In descriptions of features, parenthetical references guide you in accessing
those features. For example: "The Find/Change dialog box (Edit menu) lets you find and
replace text."
• Arrows: You will often see arrows (>), which map out the menu path to a feature. For
example: "Choose Edit > Style Sheets to display the Style Sheets dialog box."
• Icons: Although many tools and buttons are referenced by name, which you can see by
displaying ToolTips, in some cases icons are shown for easy identification. For example,
"Click the button on the Measurements palette to center text."
• Cross-platform issues: This application is quite consistent across operating systems. However,
some labels, buttons, key combinations, and other aspects of the application must differ
between Mac OS® and Windows® because of user interface conventions or other factors.
In such cases, both the Mac OS and Windows versions are presented, separated by a slash,
with the Mac OS version presented first. For example, if the Mac OS version of a button
is labeled Select, and the Windows version is labeled Browse, you are directed to "Click
Select/Browse." More complex cross-platform differences are mentioned in notes or
parenthetical statements.
Technology note
Quark developed QuarkCopyDesk for Mac OS and Windows to give publishers control
over typography, color, and collaboration, particularly with content in QuarkXPress®
projects. In addition to unique typographic controls, QuarkCopyDesk offers comprehensive
font management with TrueType®, OpenType®, and Unicode® support. Designers can
use PANTONE® (the PANTONE MATCHING SYSTEM®), Trumatch®, Focoltone®, DIC®,
and Toyo to add color to articles.
You can import files from applications such as Microsoft® Word, WordPerfect®, Adobe®
Illustrator®, and Adobe Photoshop®. You can output content as PostScript® or in PDF
format for Adobe Acrobat® Reader®. Using features such as Composition Zones®, you can
be sure that multiple people share specifications to produce consistent publications, even
while working on a single publication simultaneously.
The QuarkCopyDesk software architecture lets you and software developers expand
publishing capability. Through XTensions® software technology, third-party developers
can create custom modules for QuarkCopyDesk. QuarkXTensions® (Quark® XTensions
software) also provide a modular approach for meeting your particular publishing needs.
And if you can write AppleScript® scripts, you can use this scripting language from Apple®
to automate many QuarkCopyDesk activities.
10 | A GUIDE TO QUARKCOPYDESK 8.5
The user interface
Skimming through the QuarkCopyDesk user interface, you will find that many commands
are familiar or self-explanatory. Once you become familiar with QuarkCopyDesk menus
and dialog boxes, you will discover that keyboard commands and palettes offer convenient
access to features that you can also access through menus.
THE USER INTERFACE
Menus
The topics below describe the menus and menu items available in QuarkCopyDesk.
QuarkCopyDesk menu (Mac OS only)
The QuarkCopyDesk menu is a part of QuarkCopyDesk for Mac OS X. This menu contains
the same commands as in the application menu for other Mac OS X applications — to
hide or show QuarkCopyDesk and other applications, to access preferences, and to quit
QuarkCopyDesk. This menu includes the following commands:
• About QuarkCopyDesk: Use this command to display information about QuarkCopyDesk
such as the version number.
• Edit License Code: Use this command to change the validation code of an installed copy
of QuarkCopyDesk. By changing this code, you can change a Test Drive version (formerly
called "evaluation copy") of QuarkCopyDesk into a fully functional version, change the
languages supported by the user interface, or change QuarkCopyDesk into a Plus edition.
• Transfer QuarkCopyDesk License: Use this command to deactivate QuarkCopyDesk on
one computer so that you can activate it on a different computer. Available only when
QuarkCopyDesk has been activated. This option displays only if you have installed with
a validation code that requires activation.
• Activate QuarkCopyDesk: Use this command to activate QuarkCopyDesk on your
computer. Available only when QuarkCopyDesk is running in demo mode. This option
displays only if you have installed with a validation code that requires activation.
• Preferences: Lets you modify default values and settings. For more information, see
"Preferences."
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THE USER INTERFACE
• Quit QuarkCopyDesk: Exits the application.
File menu
The File menu enables you to manipulate electronic files in many ways, including the
ability to create, open, print, and save. This menu includes the following commands:
• New: Use the submenu to create an article.
• Open: Use this option to open article files.
• Close: Closes the active article.
• Save: Use this option to save the active article.
• Save As: Use this option to save a copy of the active article.
• Revert to Saved: Returns the active article to the state it was in when it was last saved.
• Import: Use this option to import text or a picture into a component. If you import text
into a picture component, the picture component changes to a text component. If you
import a picture into a text component, the component changes into a picture component.
• Save Text: Use this option to save the text of a text component in a text-based format
(such as Microsoft Word).
• Append: Use this option to append style sheets, colors, and a variety of other types of
resources from another file.
• PDF: Use this option to create a PDF from the active article (see "Exporting an article in PDF
format").
• Print: Use this option to print the active file (see "Printing an article").
• Output Profile Jobs: Use the options on this submenu to execute Output Profiles and
Output Profile Groups. For more information, see "Output Enhancements."
• Article Setup: Displays the Article Setup dialog box, which lets you set the page size and
orientation, control whether the article uses facing pages, and create and configure the
article's master components.
• Exit (Windows only) : Use this option to exit the application.
Edit menu
The Edit menu includes the following commands:
• Undo: Undoes the last action.
• Redo: Redoes an undone action.
• Cut: Cuts the selected content.
• Copy: Copies the selected content to the clipboard.
• Paste: Pastes the clipboard contents on the active page.
• Paste Without Formatting: Pastes the clipboard contents as plain text.
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THE USER INTERFACE
• Clear/Delete: Deletes the active content.
• Select All: Selects all content in the active box or text path.
• Show Clipboard: Displays the contents of the clipboard.
• Find/Change: Displays the Find/Change palette, which you can use to find and change
text based on content, formatting, or both.
• Preferences (Windows only): Lets you modify default values and settings. For more
information, see "Preferences."
• Style Sheets: Lets you add, edit, and delete style sheet definitions. For more information,
see "Working with style sheets."
• Colors: Lets you add, edit, and delete color definitions. For more information, see "Working
with colors."
• H&Js: Lets you add, edit, and delete H&J (hyphenation and justification) definitions. H&Js
let you control how text breaks. For more information, see "Controlling hyphenation and
justification."
• Lists: Lets you add, edit, and delete list definitions. The Lists feature is a tool for
automatically generating tables of contents and other types of listed content. For more
information, see "Working with lists."
• Dashes and Stripes: Lets you add, edit, and delete custom line patterns.
• Hanging Characters: Lets you add, edit, and delete custom hanging character definitions.
For more information, see "Working with hanging characters."
• Output Styles: Lets you add, edit, and delete output style definitions. Output styles let
you easily switch between different sets of output options. For more information, see "
Working with output styles."
• Program Language (multi-language editions only): Lets you change the language of the user
interface.
• Note: Lets you insert, delete, and navigate between notes. For more information, see
"Notes."
• Output Profiles: Lets you add, edit, and delete Output Profiles. For more information, see
"Output Enhancements."
• Output Profile Groups: Lets you add, edit, and delete Output Profile Groups. For more
information, see "Output Enhancements."
• Underline Styles: Lets you access and modify underline styles.
Style menu
The Style menu changes depending on whether a text component or a picture component
is active.
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THE USER INTERFACE
Style menu for text
The Style menu for text includes commands for specifying character attributes and
paragraph formats. This menu includes the following commands:
• Font: Lets you change the font of selected text.
• Size: Lets you change the size of selected text.
• Type Style: Lets you apply type styles such as bold, italic, and underline to selected text.
• Change Case: Lets you change case of selected text to uppercase, lower case, or title case.
• Color: Lets you change the color of selected text.
• Shade: Lets you set the tint of an applied color.
• Opacity: Lets you control the transparency of selected text.
• Horizontal/Vertical Scale: Lets you stretch selected text horizontally or vertically.
• Kern/Track: When the text insertion point is between two characters, Kern lets you control
the spacing between those characters. When text is selected, Track lets you control the
spacing between all selected characters.
• Baseline Shift: Lets you move selected text up or down in relation to the baseline without
changing line spacing.
• Character: Displays the Character Attributes dialog box, which lets you control every
aspect of character formatting for selected text.
• Character Style Sheets: Lets you apply character style sheets to selected text.
• Alignment: Lets you align active paragraphs to the left, right, or center. Also lets you
justify or force-justify selected paragraphs.
• Leading: Lets you change the line spacing of selected paragraphs.
• Formats: Displays the Paragraph Attributes dialog box, which lets you control every
aspect of paragraph formatting for selected text.
• Tabs: Lets you set tab stops for selected paragraphs.
• Rules: Lets you create automatic lines above and below selected paragraphs.
• Paragraph Style Sheets: Lets you apply paragraph style sheets to selected text.
• Update Style Sheet: Lets you update a character or paragraph style sheet definition based
on local changes to the applied style sheet.
• Flip Horizontal: Lets you flip selected text horizontally.
• Flip Vertical: Lets you flip selected text vertically.
• Underline Styles: Lets you modify and apply an underline style to selected text.
Style menu for pictures
The Style menu for pictures includes commands for formatting and editing pictures. This
menu includes the following commands:
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THE USER INTERFACE
• Picture: Displays the Modify dialog box, which lets you control a variety of picture
attributes. For more information, see "Working with pictures."
• Invert/Negative: Applies a negative or inverse effect to a selected picture. The command
name is Negative when you select a CMYK picture.
• Scale Picture: Lets you change the scale of a picture within a picture component.
• Rotate Picture: Lets you rotate a picture within a picture component.
• Flip Horizontal: Flips the selected picture horizontally.
• Flip Vertical: Flips the selected picture vertically.
• Center Picture: Centers the selected picture in its picture box.
• Stretch Picture To Fill Box: Reduces or enlarges the selected picture horizontally and
vertically to fill its picture box.
• Scale Picture To Box: Reduces or enlarges the selected picture proportionately to fill its
picture box.
• Reset Picture: Resets the picture in the active picture component to its default scale, skew,
and rotation.
• Picture Effects: Displays a submenu that lets you apply picture adjustments and filters to
the selected picture.
• Halftone: Lets you apply a halftone screen pattern to a selected grayscale picture.
Component menu
The Component menu includes commands for adding, deleting, and modifying article
components. This menu includes the following commands:
• New: Lets you add a component to the active article.
• Properties: Lets you control the properties of the active component, including the
component's name.
• Delete: Lets you delete the active component from the active article.
• Expand All: In Galley view and Full Screen view, expands all components in the active
article.
• Collapse All: In Galley view and Full Screen view, collapses all components in the active
article.
In addition, this menu includes an item for every component in the active article. You
can use these menu items to easily switch between components when in WYSIWYG view.
View menu
The View menu gives you options for viewing articles. This menu includes the following
commands:
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THE USER INTERFACE
• WYSIWYG: Lets you switch to the WYSIWYG view mode. This view mode is useful for
viewing the page as it will appear at output. Options on this submenu let you choose a
magnification at which to view the article.
• Galley View: Lets you switch to the Galley view mode. This view mode is useful for editing
text and checking line breaks.
• Full Screen View: Lets you switch to the Full Screen view mode. This view mode is
optimized for editing text.
• Page: The options on this submenu let you navigate between pages in the active article.
• Guides: Displays or hides page guides.
• Page Grids: Displays nonprinting gridlines applied to pages.
• Text Box Grids: Displays nonprinting gridlines applied to text boxes.
• Invisibles: Displays or hides invisible characters.
• Show Notes/Hide Notes: Displays and hides notes.
• Spread Picture: Displays or hides page elements (such as pictures or lines) for an active
article in WYSIWYG view when the article includes page pictures.
• Full Res Previews: Displays full-resolution pictures on screen using the picture files' full
resolution. You can scale or magnify image without pixilation.
Utilities menu
The Utilities menu includes the following commands:
• Check Spelling: Use the submenu to display the Check Spelling palette to check the
spelling of a word, a selection of text, a component, or an article.
• Auxiliary Dictionary: Lets you specify an auxiliary dictionary for use in spell checking.
• Edit Auxiliary: Lets you edit the auxiliary dictionary associated with the active layout.
• Word And Character Count: Displays the Word and Character Count dialog box.
• Insert Character: Lets you easily insert special characters, including special breaking and
nonbreaking spaces.
• Suggested Hyphenation: Displays the suggested hyphenation for the word containing
the text insertion point.
• Hyphenation Exceptions: Lets you specify whether and how particular words should be
hyphenated in the active article.
• Usage: Lets you view and update the usage of fonts, pictures, QuarkVista effects, and
Composition Zones that are linked to external data sources.
• XTensions Manager: Lets you control which XTensions modules are loaded when the
application is launched.
• Font Mapping: Lets you create and edit rules for substituting a new font for a font that is
requested by a project but which is not installed on your computer.
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THE USER INTERFACE
• Component Status: Lets you view the status of required software components.
• PPD Manager: Lets you control which PostScript Printer Description files (PPDs) are loaded
in the Print dialog box.
• Convert Project Language: Lets you convert all of the characters in the active article that
use a particular character language to a different character language.
• Redline: Use the submenu to turn automatic tracking and highlighting on and off. You
can also use this submenu to display the Redline palette.
• Remove Manual Kerning: Lets you remove all manual kerning applied between characters,
or remove kerning from a kerning pair.
• Line Check: Displays a submenu that lets you find widows, orphans, loosely justified
lines, lines that end with a hyphen, and overflow situations.
• Convert Old Underlines: Converts all underlines in the active text chain from
QuarkXPress 3.x (Stars & Stripes) format to Type Tricks format.
• Check Out License/Check In License: Displays only if you have installed the application
for use with Quark License Administrator (QLA). Lets you check licenses in and out.
Window menu
The Window menu enables you to control the on-screen display of open windows and
palettes. This menu includes the following commands:
• New Window: Displays the active project in a new window. You can then view different
parts of the project in each window.
• Split Window: Splits the project window into two parts. You can then view different parts
of the project in each part of the window.
• Bring All to Front (Mac OS only): Positions and displays all open windows.
• Tile (Mac OS only): Tiles all open windows horizontally to fit on the screen.
• Tile Horizontally (Windows only): Tiles all open windows horizontally to fit on the screen.
• Stack (Mac OS only): Layers multiple open projects so just a portion of each project's menu
bar displays.
• Tile Vertically (Windows only): Tiles all open windows vertically to fit on the screen.
• Measurements: Displays and hides the Measurements palette.
• Style Sheets: Displays and hides the Style Sheets palette.
• Colors: Displays and hides the Colors palette.
• Lists: Displays and hides the Lists palette.
• Redline: Displays and hides the Redline palette.
• Glyphs: Displays and hides the Glyphs palette.
• Picture Effects: Displays and hides the Picture Effects palette.
• PSD Import: Displays and hides the PSD Import palette.
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THE USER INTERFACE
Context menus
Palettes
• Palette Sets: Use the submenu to store and recall arrangements of palettes.
In addition, this menu includes an item for every open window. You can use these menu
items to easily switch between windows.
QuarkCopyDesk offers a wide variety of functionality through context menus. To display
a context menu, Control+click (Mac OS) or right-click in text, on a picture, or on a palette.
To open or display a palette, check the palette name in the Window menu.
To close an open palette, click the close box in the upper-left corner of the palette, uncheck
the palette name in the Window menu, or use the appropriate keyboard equivalent.
Measurements palette
You can use the Measurements palette to access many of the commands available through
dialog boxes.
The controls available on this palette change depending on what kind of item is selected
in the layout. When a text component with corresponding geometry is selected, the
Measurements palette lets you format text and see whether the text in the component is
overset, is underset, or fits.
This version of the Measurements palette displays when a text component is active.
When a picture component is selected, the Measurements palette lets you view and control
the quality of the picture; flip, rotate, and scale the picture; show or hide an alpha mask
stored in the picture file; and tweak the picture's clipping path.
This version of the Measurements palette displays when a picture component is active.
Both versions of the palette let you switch among Full Screen, Galley, and WYSIWYG view
using the buttons on the left end.
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THE USER INTERFACE
Style Sheets palette
The Style Sheets palette (Window > Show Style Sheets) enables you to apply character
and paragraph style sheets by clicking style sheet names. The buttons at the top of each
section of this palette let you create, edit, duplicate, update, and delete style sheets.
A plus sign next to a style sheet indicates that local formatting has been applied.
The Style Sheets palette lets you view and apply paragraph and character style sheets.
Colors palette
The Colors palette lets you view and apply colors defined in the active article. The buttons
at the top of this palette let you create, edit, and delete colors.
Users create colors through the Colors dialog box (Edit > Colors). For more information,
see "Working with colors."
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THE USER INTERFACE
The Colors palette lets you view and apply colors.
Lists palette
The Lists palette helps you view and generate lists. This feature is useful for creating things
like tables of contents. You can create lists in the Lists dialog box (Edit > Lists).
The List Name drop-down menu lets you choose from among the lists defined in the
active project and the Update button lets you refresh the list currently displayed in the
palette.
The Find button enables you to locate items in the Lists palette. You can also navigate to
a word or heading by simply double-clicking it in the palette.
The Build button lets you insert the active list into the active text chain. If the list already
exists in the story, you can update it rather than inserting another copy. The Format As
style sheets for the list are applied automatically.
20 | A GUIDE TO QUARKCOPYDESK 8.5
The Lists palette lets you create things like tables of contents
THE USER INTERFACE
Glyphs palette
The Glyphs palette gives you easy access to every character in each font on your computer.
You can display all characters in the selected font or narrow down the selection by choosing
an option from the second drop-down menu. You can add characters to a story by
double-clicking them. Using the Favorite Glyphs area at the bottom of the palette, you
can store often-used characters for easy access.
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THE USER INTERFACE
The Glyphs palette gives you easy access to every character in every font.
Picture Effects palette
The Picture Effects palette lets you apply effects such as sharpening and contrast
adjustment to pictures. This palette displays only when QuarkVista XTensions software is
installed. For more information, see "Using picture effects."
The Picture Effects palette lets you apply various visual effects to pictures in the layout.
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THE USER INTERFACE
Palette groups and palette sets
QuarkCopyDesk offers two features that help you to manage palettes: palette groups and
palette sets.
Using palette groups
The Palette Groups feature lets you combine several palettes into one.
This palette group shows the Style Sheets, Colors, and Lists palettes attached as one, which
economizes space while providing easy access to functions.
To attach a palette to a palette group, Control+click/right-click the title bar of a palette
group and choose an unchecked palette name. When you attach a palette that is already
displayed, the palette moves to become part of the palette group. To detach a palette from
a palette group, Control+click/right-click the palette name and choose Detach [palette
name].
Using palette sets
The Palette Sets feature lets you store and recall the position and status of all open palettes
and libraries, so that you can easily switch between different palette configurations.
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THE USER INTERFACE
Splitting a window
To create a palette set, first display all of the palettes you will need for a particular task
and hide all other palettes. Then choose Window > Palette Sets > Save Palette Set As to
display the Save Palette Set As dialog box, enter a name, and optionally assign a key
command.
To retrieve a palette set, choose Window > Palette Sets > [name of palette set] or press
the keyboard combination for that palette set.
By splitting a window into two or more panes, you can display multiple views of one article
at the same time, and you can see changes in all panes simultaneously. You can even use
different view modes in each pane, and see your edits in one pane and update in the other
pane in real time. You can split multiple views horizontally or vertically within a window.
By splitting a window, you can view your work at different magnifications at the same time.
Hanging character sets are preceded by a icon. Hanging character classes are preceded
by a icon.
If you select a hanging character set in the center pane of the dialog box, the lower pane
displays the hanging character classes that belong to that set. If you select a class in the
center pane of the dialog box, the lower pane displays the sets to which the selected class
belongs and the attributes of the selected class.
To compare hanging character sets or classes, select two classes or sets in the Hanging
Characters dialog box and press Option/Alt. The Append button changes to Compare.
Creating hanging character classes
Use the Edit Hanging Character Class dialog box (Edit > Hanging Characters > New >
Class) to specify the characters to be included in a hanging character class, the hang
percentage of the class, and whether the class is leading or trailing.
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TEXT AND TYPOGRAPHY
The Edit Hanging Character Class dialog box
Enter characters in the Characters pane. Then choose a percentage from the Hang
drop-down menu. The hang percentage specifies what percentage of the glyph width should
always hang over the margin or what percentage of the glyph width should always indent.
For example, if you choose –50%, the characters in the character class indent inside of the
margin by half of their glyph width. If you choose 100%, the characters in the character
class hang outside of the margin by their full glyph width.
Next, choose whether the character class is Leading or Trailing. Characters in a Leading
class hang over the beginning margin. Characters in a Trailing class hang over the end
margin.
After you have saved a hanging character class in a hanging character set, you can check
Preview to view changes to the hanging character class as you edit.
Creating hanging character sets
Use the Edit Hanging Character Set dialog box (Edit > Hanging Characters > New >
Set) to specify the hanging character classes to be included in a hanging character set.
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The Edit Hanging Character Set dialog box
TEXT AND TYPOGRAPHY
The center pane of the dialog box displays all of the available hanging character classes
that can be added to a hanging character set. Check the boxes next to the classes you want
to add, give the hanging character set a name, and then click OK.
To edit a hanging character class before saving the new hanging character set, select the
class and click Edit Class.
You cannot specify different leading or trailing values for a single character within a
hanging character set.
Applying hanging character sets
To apply a hanging character set to text, choose an option from the Hanging Character
Set drop-down menu in the Paragraph Attributes dialog box (Edit > Formats).
To apply a hanging character set to a paragraph style sheet, choose an option from the
Hanging Character Sets drop-down menu in the Formats tab of the Edit Paragraph Style
Sheet dialog box (Edit > Style Sheets > New > Paragraph or Edit > Style Sheets > Edit).
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COLOR, OPACITY, AND DROP SHADOWS
Color, opacity, and drop shadows
QuarkCopyDesk lets you create custom colors, choose colors from several standardized
color matching systems, and edit colors. You can apply both color and shade to text and
pictures. You can also control the opacity of text in the same way you control its color.
You can apply drop shadows to both items and text.
Working with colors
Some colors are automatically included in the Colors palette. To use other colors, you'll
need to create colors or edit existing colors using the Colors dialog box, which allows you
to create colors using color wheels, numeric fields, or color matching systems.
The Colors palette
When you create an article, its Colors palette (View > Show Colors) contains all the colors
in the application's Colors dialog box (Edit > Colors).
The Colors palette lets you create, edit, and delete colors.
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COLOR, OPACITY, AND DROP SHADOWS
The Colors dialog box
You can use the Colors dialog box (Edit > Colors) to create, edit, duplicate, delete, and
append colors. You can also use the Colors dialog box to edit trapping rules for colors.
The Colors dialog box lets you create, edit, and delete color definitions.
Creating a color
You can choose from several color models and from a number of color matching systems
when you create colors. If you have colors you use frequently, you can create colors for
the default color list in the application when no files are open. You can create up to 1,000
default or article-specific colors. To create a color, choose Edit > Colors to display the
Colors dialog box, and click New to display the Edit Color dialog box. Then, enter a name
in the Name field and specify the color model for your new color.
• RGB: This additive color system is most often used with slide recorders or color video
monitors, and also works well for Web pages. Red, green, and blue light is mixed to
represent colors on a video screen.
• HSB: This color model is often used by artists because it resembles the manner in which
they mix colors. Hue describes color pigment; saturation measures the amount of color
pigment; and brightness measures the amount of black in a color.
• LAB: This color space is designed to be independent of differing interpretations imposed
by monitor or printer manufacturers. The LAB color model, also referred to as LAB color
space, is a standard three-dimensional model for representing colors. Colors are specified
by a luminance coordinate (L) and two chrominance coordinates (A for green-red), and
(B for blue-yellow).
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COLOR, OPACITY, AND DROP SHADOWS
• Multi-Ink: This color model is color based on tint percentages of existing process or spot
inks.
• CMYK: CMYK is a subtractive color model used by professional printers to reproduce colors
by combining cyan, magenta, yellow, and black inks on a press.
• Web Safe or Web Named Colors: Web-safe colors are used for color consistency in Web
layouts.
• To select a color from a color matching system and add it to your color list, choose one
of the standardized color matching systems from the Model drop-down menu.
Editing a color
To edit an existing color, choose Edit > Colors, select the color you want to edit in the
Colors list, then click Edit to display the Edit Color dialog box. You can also double-click
the color you want to edit in the Colors list to display the Edit Color dialog box.
Edit Color dialog box
Duplicating a color
To duplicate an existing color, choose Edit > Colors, select the color you want to duplicate
from the Colors list, then click Duplicate to display the Edit Color dialog box for the
duplicate color.
Deleting a color
While you cannot delete some of the default colors, you can delete any new or duplicate
colors you have created. To remove a color from the color list, choose Edit > Colors, select
the color you want to remove from the Colors list, and then click Delete.
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COLOR, OPACITY, AND DROP SHADOWS
Importing colors from another article or project
You can append colors from another article or project using the Colors dialog box (Edit >
Colors) or the Append command (File > Append).
Changing all instances of one color to another color
To globally change all items of one color to another color, either edit the color you want
to change to the desired color or choose Edit > Colors to display the Colors dialog box,
and select the name of a color to delete; then click Delete.
When you are globally changing all items and text from one color to another, remember
to save your work before you do so. That way, if you accidentally change everything to
the wrong color, you can simply choose File > Revert to Saved to undo the error without
losing any of your other work.
Applying color and shade to text
You can apply color and shade to text in four ways:
• You can apply color and shade using the Style > Color and Style > Shade commands.
• You can use the Colors palette (View > Show Colors).
• You can use the Character Style Sheet command (Style > Character Style Sheet) to apply
color and shade to selected text using character style sheets you have created.
• You can use the Character Attributes dialog box (Style > Character).
Working with opacity
Specifying opacity is as easy as specifying the shade of a color. In fact, wherever you can
pick a color — in the Colors palette, the Style menu, the Character Attributes dialog
box (Style > Character), and more — you can enter an opacity value from 0% (transparent)
to 100% (opaque) in 0.1% increments.
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Pictures
You can import and paste pictures from image-editing or other graphic applications into
QuarkCopyDesk. Once a picture is in a picture component, you can perform a number of
operations on it, such as altering its position, changing its size, or skewing or flipping it.
Understanding pictures
Picture files come in two fundamental varieties: Raster and object-oriented.
Bitmap pictures
Bitmap pictures (sometimes called raster pictures) are made up of individual pixels (tiny
dots). The pixels align on a grid, which your eye blends into a single image.
Color mode describes the way colors are represented in a file; bit depth is the number of bits
used to represent each pixel. The simplest color mode is 1-bit (also known as "line art" or
"black-and-white"). More complex images, such as photographs, have depth because they
contain multiple-bit pixels that can describe many levels of gray or color.
Dimensions describe the physical size of a picture (for example, 3" x 5"). The dimensions
of a picture file are determined by the application that creates it, and dimensions are stored
in the picture file.
Resolution is the number of pixels (dots) per inch in a picture. Resolution is dependent on
dimension. In other words, if you change a picture's dimensions, you change its resolution
too. For example, consider a 72 dpi picture that's 1" x 1". If you scale that picture to 200%
after importing it, its effective resolution drops to 36 dpi, because the pixels are enlarged.
Object-oriented pictures
Object-oriented pictures contain information that describes how to draw the position and
attributes of geometric objects. You can then reduce, enlarge, stretch, and rotate these
pictures without worrying about how they will look — object-oriented pictures look
smooth, no matter what their scaled size may be, because the are not made up of pixels.
Object-oriented pictures are sometimes referred to as vector file format because they use
vector (distance and direction) information to describe a shape.
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Supported picture file types
File type refers to how picture information is formatted. Is it formatted as an EPS
(Encapsulated PostScript) file? A TIFF (Tagged Image File Format) file? Dozens of graphic
file formats exist, and each offers variations on how bitmap or object-oriented images are
saved and can be manipulated. The following is a list of common file formats, including
their main features:
DCS 2.0 (Desktop Color Separations): An EPS saved as a single file that can include process
1
plates (cyan, magenta, yellow, black) as well as spot plates and a master image. A DCS 2.0
file is preseparated, so it prints faster than a standard EPS. The master image is used for
composite printing. A DCS 2.0 file can contain bitmap and object-oriented information.
The DCS 2.0 format supports bitmap, spot, and CMYK color models. DCS 1.0 — also known
as "five-file format" — contains five separate files: cyan, magenta, yellow, and black plate
files, as well as a master file.
Some EPS files don't have a preview. After you import an EPS file that does not have a
preview, "PostScript Picture" and the file's name display in the picture box. However, if
you send the picture to a PostScript output device, the image outputs. To make the preview
visible, edit the EPS file in the original application and save it with a preview.
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Lossy compression is a method that can introduce data loss and possibly quality
degradation. Lossy compression often produces smaller file sizes and faster rendering than
lossless compression.
PhotoCD:Proprietary Kodak format, designed for storage on CD-ROMs. This format contains
2
only bitmap information and supports grayscale, RGB, and LAB color models.
PICT: A Mac OS format based on the original QuickDraw® drawing routines. PICTs contain
3
bitmap and object-oriented information. Their bit depth is limited to one bit per pixel,
but each pixel can be one of eight colors (using QuickDraw commands).
PNG (Portable Network Graphics): A bitmap file format that supports both indexed color
4
and continuous tone color, with lossless or lossy compression.
TIFF (Tagged Image File Format): Allows lossless compression if the source application
5
supports it. TIFFs can also allow JPEG compression. TIFFs can contain bitmap and
object-oriented information and support bitmap, grayscale, RGB, CMYK, and indexed
color models. This format allows inclusion of embedded paths and alpha channels, as well
as inclusion of OPI comments.
WMF (Windows Metafile): A Windows file format that can contain both bitmap and
6
object-oriented information. When a Windows Metafile picture is imported into
QuarkXPress or QuarkCopyDesk on Mac OS, it is converted to a PICT.
PDF (Portable Document Format): A proprietary format developed by Adobe Systems, Inc.,
7
to facilitate file transfer. You can import PDF file versions 1.6 and 1.7.
Adobe Illustrator 9: A file format for Adobe Illustrator files that conforms to PDF standards.
8
When you import Adobe Illustrator files in native format (version 9 and later), the imported
picture is subject to the same restrictions that apply to imported PDF files. When you
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import Adobe Illustrator files in native format (version 8), the EPS data in the file is
included. You cannot import Adobe Illustrator files saved in version 7 or earlier.
Working with pictures
If an article contains pictures, you can view and manipulate pictures in QuarkCopyDesk.
You can also create picture components.
Importing a picture
To import a picture, do one of the following:
• Choose File > Import.
• Drag a picture file from the file system onto a picture component. If the component
contains a picture, press Command/Ctrl to replace it.
• Drag a picture from another application onto a picture component. If the component
contains a picture, press Command/Ctrl to replace it.
• Drag a picture file from the file system onto a text component and press Command/Ctrl
to make the component accept the picture.
• Drag a picture from another application onto a text component and press Command/Ctrl
to make the component accept the picture.
Moving pictures
You can move pictures inside their picture components by clicking and dragging or by
pressing the arrow keys.
Resizing pictures
You can scale pictures to make them larger or smaller by clicking and dragging the round
picture handles on the corners and sides of the picture. Press the Shift key while resizing
a picture to resize the picture proportionately. Press Shift+Option/Shift+Alt while dragging
a corner handle to resize the picture proportionately from the center. You can also scale
pictures using the Item menu (Item > Modify), the Style menu, the Measurements palette,
or the context menu.
To scale a picture proportionally so that its largest dimension fits inside the picture
component, choose Scale Picture to Box from the context menu or Style menu. To scale
a picture proportionally so that it completely fills the picture component, choose Scale
Picture to Fill Box from the context menu or Style menu.
Cropping pictures
If you only want a portion of your image to display, you can manually crop it by adjusting
the size of the picture with the picture handles.
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Rotating and skewing pictures
Rotating a picture sets it at a different angle within the box, while skewing a picture applies
a slanted look to it.
To rotate a picture, move the mouse over one of the picture's corner handles. A Rotation
pointer displays according to the selected corner. Drag the pointer to rotate the picture.
You can also enter rotate values for a picture in the Picture Angle field of the Modify
dialog box (Style > Picture).
To skew a picture, enter a value in the Picture Skew field of the Modify dialog box (Style >
Picture).
Coloring and shading pictures
You can apply color and shade values to the shadows and middle tones of black-and-white
and grayscale pictures using the Colors palette (Window > Colors), the Modify dialog
box , or the Style menu. You can also apply color to the picture background and the box
background.
•
To apply color to a black-and-white or grayscale picture, select the Picture Color icon
in the Colors palette and click a color name.
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• To apply color to the background of a black-and-white or grayscale picture, select the
Picture Background Color icon in the Colors palette and click a color name.
Flipping pictures
You can flip the contents of a picture component from left to right and from top to bottom
using the Style menu (Style > Flip Horizontal or Style > Flip Vertical) or the
Measurements palette (click the flip horizontal icon or the flip vertical icon ).
Listing, verifying status of, and updating pictures
QuarkCopyDesk automatically displays a low-resolution 72 dpi preview of each imported
picture file while maintaining a path to picture files and retrieving the high-resolution
information required for output.
The Usage feature (Utilities menu) lets you keep track of all your imported pictures. To
use this feature, choose Utilities > Usage, then click Pictures to display the Pictures pane.
The Show button displays the selected picture in the layout.
The Update button lets you update missing and modified pictures. To update modified
pictures without a confirmation alert, Option+click/Alt+click the Update button.
To suppress the output of a picture, uncheck the Print column for that picture.
Specifying background colors for pictures
To increase your design options with pictures, you can modify box color, picture color,
and picture background color. See "Coloring and shading pictures" for more information.
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• For gray pixels, the picture color and picture background color are mixed.
• If you specify different opacities for the picture color or picture background color, the
colors will interact with each other and the box color.
Maintaining picture attributes
When you import a picture into a picture component — whether or not the picture
component already contains a picture — you can retain all picture attributes. For example,
if an empty picture compopnent specifies that the picture should be scaled 50% and rotated
90 degrees, you can import a new picture and those attributes are automatically applied.
To import a picture and retain the attributes specified for the component and/or the
existing picture, check Maintain Picture Attributes in the Import dialog box (File menu).
Working with clipping paths
A clipping path is a closed Bézier shape that indicates which parts of a picture should be
displayed and which parts should be treated as transparent. Clipping paths are especially
useful when you are attempting to isolate the picture's subject from its surrounding
background in the original picture file.
You can create clipping paths from scratch in QuarkXPress or QuarkCopyDesk, or you can
use embedded path or alpha channel information to create clipping paths. Clipping paths
created by QuarkXPress or QuarkCopyDesk are based on the high-resolution picture file,
and are stored with the layout.
A clipping path lets you control which parts of a picture show and which parts are hidden.
Clipping path basics
A clipping path is any closed Bézier shape that defines a region (or regions) that should
be treated as visible, and a region (or regions) that should be treated as invisible.
Clipping paths tell QuarkXPress and QuarkCopyDesk which parts of a picture should be
considered visible, and runaround paths tell QuarkXPress and QuarkCopyDesk where to
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wrap text. You are not limited to using the same settings for your runaround and clipping
paths. You can even use different clipping paths or alpha channels for your clipping and
runaround settings.
Clipping paths created by QuarkCopyDesk are based on the high-resolution picture file,
and are stored with the article.
Creating clipping paths
To create or assign a clipping path for the active picture component, choose Style > Picture,
click the Clipping tab, and then choose an option from the Type drop-down menu:
• Choose Item to crop an image to the picture component boundaries. Choosing Item does
not create a clipping path; it simply crops the picture to its picture component.
• Choose Embedded Path to clip a picture around a path already embedded in the picture
file. Choose a path from the Path drop-down menu if the picture file contains more than
one embedded path.
• Choose Alpha Channel to clip a picture around an alpha channel already embedded in
a picture file. Choose an alpha channel from the Alpha drop-down menu if the picture
file contains more than one embedded alpha channel. Note that using a clipping path
around an alpha channel will create a hard edge rather than a blended effect. If you want
a semi-opaque blend, use an alpha mask. (See "Working with alpha masks.")
PICTURES
• Choose Non-White Areas to create a clipping path based on the picture's subject.
Depending on the image and the value in the Threshold field, the clipping path will
outline a non-white figure within a larger white or near-white image (or vice versa). The
Non-White Areas option works best when the unwanted parts of the image are much
lighter than the subject itself (or vice versa).
• Choose Picture Bounds to clip a picture around the rectangular "canvas area" of the
imported picture file. This includes any white background areas saved with the original
picture file. Enter values in the Top, Left, Bottom, and Right fields to determine the outset
of the clipping path from the picture's boundaries. Positive values increase the outset, and
negative values decrease the outset.
Using embedded clipping paths
You can use image-editing applications to embed paths and alpha channels in an image.
If a picture storing this information is imported into QuarkCopyDesk, you can access the
path and channel information using the Clipping tab in the Modify dialog box or the
Measurements palette.
TIFFs and PSDs can have embedded paths and alpha channels. EPS, BMP, JPEG, PCX, and
PICT files can only have embedded paths.
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Working with alpha masks
Unlike clipping paths, which produce a hard edge primarily used for separating a foreground
image from a background image, alpha masks can include transparency information to
subtly blend a foreground image into a new background. To work with alpha masks in
QuarkCopyDesk, you must first create an alpha mask in an image-editing application such
as Adobe Photoshop. You can then use the alpha mask in QuarkCopyDesk.
The alpha mask on the flames allows the text in the background to show through.
To work with alpha masks in QuarkCopyDesk, you'll need to save them with the picture
in a format that supports alpha channels.
To apply an alpha mask to the selected picture, choose an alpha channel from the
Measurements palette's Mask drop-down menu.
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Working with PSD pictures
You can import native, unflattened picture files from Adobe Photoshop directly into
QuarkCopyDesk with PSD Import XTensions software. Once files are imported, you can
manipulate any layers, channels, and paths saved with the Photoshop (PSD) files. This
integration between Photoshop and QuarkCopyDesk streamlines your workflow by allowing
you to skip flattening; saves hard disk space by enabling you to work with native files; and
enhances your creative possibilities by providing access to layers, channels, and paths.
When the PSD Import XTensions software is running, you can use File > Import to import
a PSD file into a selected QuarkCopyDesk picture box.
To work with layers, channels, and paths in the image, choose Window > PSD Import.
You can use the PSD Import palette to blend layers, work with color channels, and select
paths.
To work with PSD files in QuarkCopyDesk, you must have PSD Import XTensions software
loaded.
Preparing PSD files
When you're preparing pictures in Photoshop for use with PSD Import, you need to keep
a few things in mind:
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• You do not need to save the image in another file format, which means that you don't
have to flatten the layers.
• Create alpha channels or clipping paths for any contours that you might want to wrap
text around.
• Create channels for areas where you might want to apply a different spot color or varnish.
• PSD Import cannot read layer information for certain images — including those that use
layer effects. The composite image is used instead.
Picture effects are not available for Photoshop pictures.
PSD Import supports PSD files in grayscale, RGB, CMYK, index, and multichannel modes.
Working with PSD layers
Experimenting with layers allows you to see different images within the context of the
entire layout. In addition, you can modify the opacity of a layer and try different blend
modes — such as dissolve, lighten, and difference — to see how these effects work with
the rest of a design.
You can use the Layers pane of the PSD Import palette to show, hide, blend, and change
the opacity of layers within PSD pictures. The PSD Import palette displays information
about how the picture file was created, but does not allow you to make fundamental
changes to the picture file:
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• You cannot create, name, copy, duplicate, align, reposition, delete, or merge layers using
the Layers pane.
• If there are no layers in the PSD file, the PSD Import palette shows only the background
layer.
Blending PSD layers
The Blend Mode drop-down menu in the Layers pane lets you control how pixels in a
selected layer interact with pixels in all the layers below the selected layer. The blend
modes are similar to those in image-editing applications: They include Multiply, Color
Dodge, Exclusion, and Saturation.
Showing and hiding Photoshop layers
You can view and print layers that are showing; hidden layers do not display on-screen
or in print. PSD Import allows you to hide any layer, including the background layer.
• To show a layer, click the empty box icon to the left of the layer.
• To show all layers, Option+Shift+click/Alt+Shift+click the empty box icon.
• To hide a layer, click the eye icon .
• To hide all but one layer, Option+click/Alt+click the eye icon .
If changing the blending and opacity of layers produces undesirable results, you can revert
the layers to their original state in the imported PSD file with the Revert Layer or Revert
All Layers options in the PSD Import palette menu.
Modifying PSD layer opacity
A menu and a field on the Layers pane let you control the transparency of pixels on a
selected layer. You can specify a transparency from 0% (transparent) to 100% (opaque) in
increments of 1%.
Working with layer masks
If layer masks are saved with PSD files, you can enable and disable the masks in the Layers
pane of the PSD Import palette by Shift-clicking the thumbnail preview of the layer mask.
Working with PSD channels
Photoshop channels store color information about images. By default, grayscale and
indexed color images have one channel, RGB images have three channels, and CMYK
images have four channels. These are referred to collectively as the default channels. You
can use the Channels pane of the PSD Import palette to show and hide all channels, to
change the color and ink solidity of a selected spot-color channel or alpha channel, and
to assign spot colors to selected indexed colors. For example, you might assign special
effects such as varnishes, embossing, and die cuts to channels.
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Showing and hiding channels
Visible channels in imported PSD files display on screen and can be printed; channels that
are hidden do not display on screen and cannot be printed. The process to show and hide
channels is the same as for layers.
Clicking the composite channel displays all the default channels, such as CMYK or RGB.
Modifying channel color and solidity
You can use PSD Import to change the color, shade, and ink solidity of any spot color,
mask, or alpha channel you created in Photoshop. You can assign spot colors to channels
that overprint composite images, and you can specify solidity for displaying channels
on-screen and printing color composites. (The solidity value is not relevant when you are
printing color separations.)
Channels specified as mask channels in Photoshop are imported differently than channels
specified as spot colors. In Photoshop, mask channels are assigned an opacity setting, while
spot channels are assigned a solidity setting. Since PSD Import supports ink solidity, mask
channels are imported with a 0% ink solidity. To see mask channels in imported PSDs,
you need to manually turn on the mask channels in the Channels tab of the PSD Import
palette. Spot-color channels, on the other hand, retain the solidity setting saved in the
PSD file and are mapped to QuarkCopyDesk colors by default.
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Use the Channel Options dialog box to modify the color, shade, or ink solidity of pixels
in a spot-color or alpha channel. To display the Channel Options dialog box, simply
double-click a channel in the Channels pane of the PSD Import palette (Window menu).
Working with indexed color channels
By default, when you print color separations from QuarkXPress using PSD Import, the
colors in indexed color images separate to CMYK. You can override this by creating a spot
color or multi-ink color (Edit > Colors) and assigning that color to the selected indexed
colors in the image. PSD Import also allows you to create spot colors from colors in the
indexed color image. Indexed colors that you do not modify will still separate to CMYK.
Working with PSD paths
You can also use PSD Import to choose among embedded paths for specifying clipping
and runaround. The Paths pane in the PSD Import palette provides convenient access to
the clipping-path and text-runaround functions in QuarkCopyDesk
Using the Paths pane, you can select different clipping paths to use for text runaround
contours. To select a text runaround contour, click the empty box in the first column. The
Text Runaround icon displays and the text wraps around the contours of the clipping
path.
You also can use the Paths pane to control the display of an image by selecting a clipping
path you created in Photoshop. To select a clipping path, click in the empty box in the
second column. The Clipping Path icon displays and the area of the picture within the
selected clipping path displays.
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You can reverse any changes you make to paths in PSD Import. The paths will revert to
their original state as they were created in the imported PSD file. To do this, choose Revert
Path or Revert All Paths from the PSD Import palette or context menu.
Printing with PSD Import
When you print an article using PSD Import, you can specify the layers, channels, and
paths within each PSD picture to print. Since the eye icon in the PSD Import palette
controls both display and printing, pictures print as they display.
If you print an article without PSD Import XTensions software running, the PSD files print
as low-resolution composite previews. The layers, channels, and path information are not
available, and the pictures will not separate.
Using picture effects
The Picture Effects feature adds several commonly used image-editing features to
QuarkCopyDesk. This allows you to apply sophisticated image manipulations within the
context of the surrounding layout rather than having to work in another application and
switch back and forth. Picture effects are described in detail in "Picture Effects: Adjustments"
and "Picture Effects: Filters."
Changes made with the Picture Effects feature are nondestructive, meaning that they do
not affect the source image file. Rather, adjustments and filters are saved with layouts, can
display on screen in full resolution, and are applied at output.
You can apply multiple effects and multiple instances of the same effect but with different
parameters.
To work with picture effects, you must have Vista XTensions software loaded.
When you synchronize a picture, you can include picture effects so that if you add, delete,
or change an effect, that change is made to all instances of the synchronized picture. When
you add a picture box to the Shared Content palette (Window menu), check Synchronize
Content in the Shared Item Properties dialog box. Then, be sure to click Content and
Attributes. This applies the same effects to the same picture file throughout the layout.
Working with picture effects
You can use the Picture Effects palette (Window menu) to experiment with different
effects. Simply select an imported picture in any supported file format: TIFF (.tif), PNG
(.png), JPEG (.jpg), Scitex CT (.sct), GIF (.gif), PICT (.pct or .pict), BMP (.bmp), or
raster/Photoshop EPS (.eps).
You can use the Picture Effects palette to apply effects to the selected picture. You can
also use the Style > Picture Effects > Adjustments submenu and the Style > Picture
Effects > Filters submenu to apply effects.
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Effects are applied to pictures as listed in the Picture Effects palette from top to bottom.
To reorder effects, simply drag them up and down in the list.
Applying and editing effects
An effect is an adjustment or filter applied through QuarkVista; the effects are described
in detail in "Picture Effects: Adjustments" and "Picture Effects: Filters." You can use the Picture
Effects palette to apply effects to the selected picture. You can also use the Style > Picture
Effects > Adjustments submenu and the Style > Picture Effects > Filters submenu to
apply effects.
You can apply multiple effects and multiple instances of the same effect but with different
parameters.
When judging colors on screen — even in a calibrated and color-managed environment
— be sure to consider all the variables involved. To display actual color values for pixels,
use the Info area of the Picture Effects palette.
Removing and deleting picture effects
The Picture Effects palette lets you temporarily remove an effect for experimentation
purposes, or delete effects from the list entirely.
PICTURES
• To remove an effect (without deleting it), uncheck it. You can check and uncheck effects
to experiment with different combinations.
•
To delete an effect, select it and click Delete Effect or press Backspace/Delete.
Displaying effects at full resolution
The Picture Effects feature displays pictures according to the current preview resolution.
You can change the resolution for a selected picture by choosing an option from the
Preview Resolution submenu (Item menu).
Picture Effects: Adjustments
Adjustments analyze pixels throughout a picture and map them to different values. If
you're familiar with an adjustment or effect from another application, you'll be comfortable
with adjustment controls in QuarkCopyDesk as well.
• To make simple changes to the tonal range of a picture, you can use the
Brightness/Contrast effect to adjust the tonality of every pixel instead of individual
channels.
• The Invert effect inverts the gray values of each channel in a picture. This effect is
recommended for 1-bit, grayscale, and RGB pictures. Because CMYK pictures contain a
black channel, this effect is not recommended for CMYK pictures. The inversion of the
black channel usually results in images that are mostly black or mostly white.
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Picture Effects: Filters
Filters provide options that evaluate an entire picture or clusters of pixels and then modify
pixels based on context. If you're familiar with a filter or effect from another application,
you'll be comfortable with filter controls in QuarkCopyDesk as well.
• The Despeckle filter detects the edges in a picture and blurs all of the picture except those
edges. It removes noise while preserving detail, and can be useful for removing dust from
a scanned image.
• The Gaussian Blur filter smoothes transitions by averaging pixels next to hard edges of
defined lines and shaded areas in a picture. By checking Blur Picture and/or Blur Mask,
you can apply this filter separately to pictures and their alpha masks.
• The Unsharp Mask filter compares pixel values in a defined area to the specified threshold
value. If a pixel has a lower contrast value than the threshold value, its contrast is increased.
Saving and loading Picture Effects presets
To quickly and consistently apply the same adjustments and filters to multiple pictures,
you can export settings as presets. Presets are saved as separate files with a .vpf extension.
To save a preset, apply effects to a picture, verify all the settings and with the picture
selected, click Save Preset on the Picture Effects palette.
To apply a preset, select a picture and then click Load Preset on the Picture Effects palette.
You cannot edit presets. If you need to make changes to settings in a preset file, delete the
existing preset file and create a new one.
By default, when you save presets, they are saved in the "Picture Effects Presets" folder in
the application folder. While you're working on pictures with the Picture Effects palette,
image data is saved in the cache. To customize the locations for saving presets, use the
Picture Effects pane of the Preferences dialog box (QuarkCopyDesk/Edit > Preferences).
Reviewing Picture Effects usage
To make it easy to see where the Picture Effects features are used, display the Vista pane
of the Usage dialog box (Utilities menu). Similar to the Pictures pane, the Vista pane lists
the file name, location, page number (a dagger symbol or PB indicates pasteboard), file
type, and number of effects for each picture in the layout.
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Document construction
The Lists feature lets you create tables of contents and other lists.
Working with lists
The Lists feature lets you collect the text of paragraphs that have specific character or
paragraph style sheets applied to them. Although the Lists feature is most often used for
creating a table of contents, you can also use it to create a list of figures or pictures used
in a publication.
DOCUMENT CONSTRUCTION
Preparing for lists
Before you create a list, you must create and apply style sheets in your document. Begin
by creating style sheets to be used in a table of contents, such as "Chapter Name," "Section
Name," and "Body Text." Then create another paragraph style sheet for the formatted table
of contents.
Including style sheets in a list
The first step in creating a list is to decide what style sheets you want to include in the
list. To create a table of contents, you might include chapter and section style sheets in
your list, since a table of contents generally lists chapter titles and their respective page
numbers. You can include paragraph and character style sheets in lists.
Specifying levels in a list
You will also need to decide how the different levels in the paragraph style sheets will be
defined before generating a list. You might want chapter headings to be at the first level
and subjects within a chapter to be at the second level. For example, if you are writing a
manual about an application, and a chapter in the manual is titled "File Menu," you might
want the chapter heading "File Menu" to be the first level on your list. The "New," "Open,"
"Close," and "Save" items (subheadings in the "File Menu" chapter) could be at the second
level. Making decisions such as these beforehand will simplify the process of generating
a list.
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DOCUMENT CONSTRUCTION
Creating a list
Once you have created and applied the style sheets in your document and have decided
which ones will be included in your list, you are ready to start creating your list. Choose
Edit > Lists and click New to display the Edit List dialog box and enter a name in the
Name field.
The Available Styles list displays all of the style sheets in the active article. Select each
style sheet you want to use in the list and click Add to add it to the Styles in List list. For
example, if you want to include all headings that use the "Heading 1" and "Heading 2"
style sheets in a TOC, add these two style sheets to the Styles in List list.
Once you've indicated which style sheets should determine what goes into the TOC, you
can specify how the TOC should be formatted. For each style in the Styles in List list,
choose a Level, a Numbering option, and a Format As style sheet:
• Level determines how the contents of the list are indented on the Lists palette (higher
levels are indented further).
• Numbering lets you control if and where the list includes the page number for each
occurrence of a style sheet.
• Format As lets you specify the style sheet to be applied to each level of the automatically
generated TOC.
You can use the Edit List dialog box to create lists for things like automatic tables of contents.
Importing lists from another document
QuarkCopyDesk lets you append lists from another document or from the Lists dialog
box (Edit > Lists), or by using the Append command (File > Append).
Navigating with lists
To view a list, display the Lists palette (Window menu), select the list in the List Name
drop-down menu, and then click Update. The selected list displays in the Lists palette.
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You can use the Lists palette to navigate in a layout.
DOCUMENT CONSTRUCTION
If your article contains multiple layouts, you can choose a different layout from the Show
List For drop-down list.
To locate a particular line in the active list, enter a word from that line in the palette's
Find field. The list in the palette scrolls to the first appearance of that word in the list.
To jump to a particular paragraph, double-click it in the Lists palette. The window scrolls
to that paragraph's location in the layout.
Building lists
To create a TOC (or other type of list) in the layout, place the text insertion point where
you want the list to go, then click Build in the Lists palette. The list is built automatically.
The style sheets you selected for the list in the Format As drop-down menu (New List
dialog box) are applied automatically.
If the text in the document is on the pasteboard, then a dagger character (Mac OS) or the
characters "PB " (Windows) displays next to the text in the built list instead of a page
number.
Updating lists
The Lists palette is not automatically updated as you work. When you make changes to
text, you must update the list to be sure it is current. Clicking the Update button in the
Lists palette scans the document for list items, and rebuilds a list in the Lists palette.
To update a list that you have already flowed into the active text component, click Update
to make sure the list is up-to-date, and then click Build. The application detects that there
is already a copy of the list in the text component and displays an alert asking if you want
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DOCUMENT CONSTRUCTION
to Insert a new copy of the list or Replace the existing version. To update the existing list,
click Replace.
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Output
Whether you want to print proof copies for review on a laser printer, or you need final
film or plate output on a high-resolution imagesetter, QuarkCopyDesk will help you get
satisfying results every time.
Printing an article
OUTPUT
To print the active article, first choose File > Print (Command+P/Ctrl+P). The Print dialog
box displays. Use the controls in this dialog box to specify the way you want your output
to look, and then click Print.
Updating picture paths
QuarkCopyDesk uses two types of information for imported pictures: low-resolution and
high-resolution. Low-resolution information is used to display picture previews. When
you print, high-resolution information contained in the original picture files is accessed
using paths to the pictures.
A path to a picture is established when you import a picture. The application keeps
information about each picture's path as well as when the picture was last modified.
If a picture is moved or changed after it is imported, the application warns you when you
execute the Print command or the Collect for Output command (File menu).
The application can always "find" pictures that are in the same folder as the document,
whether or not the picture was in that folder at the time it was imported.
Setting Print dialog box controls
To print an article:
Choose File > Print (Command+P/Ctrl+P). The Print dialog box displays.
1
To select a printer driver, choose an option from the Printer drop-down menu.
2
• Windows only: Clicking the Properties button opens a dialog box with controls specific to
the selected printer driver. For more information about the options in this dialog box or
A GUIDE TO QUARKCOPYDESK 8.5 | 93
OUTPUT
how to install printers, consult the documentation provided with Microsoft Windows
software.
Specify output options in one of the following ways:
3
• To use an existing print output style, choose an option from the Print Style drop-down
menu.
• To manually configure print options, use the controls in the bottom half of the dialog
box. This part of the Print dialog box is divided into panes. To display a pane, click its
name in the list on the bottom left. For information, see "Print dialog box."
• To capture the selected print options as a new output style, choose New Print Output
Style from the Print Style drop-down menu.
To specify the number of copies you want to print, enter a value in the Copies field.
4
To specify which pages you want to print, enter a value in the Pages field. You can enter
5
ranges of pages, nonsequential pages, or a combination of ranges and nonsequential pages
for printing. Use commas and hyphens to define a sequential or nonsequential range of
pages. For example, if you have a 20-page layout and you want to print pages 3 through
9, pages 12 through 15, and page 19, then enter 3–9, 12–15, 19 in the Pages field.
To specify whether only odd, only even, or all pages should be printed, choose an option
6
from the Page Sequence drop-down menu. All (the default setting) prints all of the related
pages. When you choose Odd, only odd-numbered pages print. When you choose Even,
only even-numbered pages print.
To make your document print smaller or larger, enter a percentage in the Scale field. The
7
default is 100%.
If you are printing two or more copies of the layout, and you want each copy to emerge
8
from the printer in sequential order, check Collate. If Collate is unchecked, the application
prints multiple copies of each page at a time.
To print spreads (horizontally adjoining pages) side by side on the film or paper, check
9
Spreads.
To print a multipage layout in reverse order, check Back to Front. The last page in the
10
layout will print first.
Check Fit in Print Area to reduce or enlarge the size of a page in your document to fit the
11
imageable area of the selected media.
Mac OS only: Click the Printer button to open the Printer Driver dialog box. Consult the
12
documentation supplied with your computer for more information.
Click Print to print the layout.
13
Click Cancel to close the Print dialog box without saving settings or printing the layout.
14
The area at the upper right of the Print dialog box is the page preview area. You can use
this image to preview how the pages will appear on the output device.
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Print dialog box
The panes in the Print dialog box are described in the topics below.
Device pane
Use the Device pane to control device-specific settings, including PPD selection and page
positioning:
• When you specify a PPD, the Paper Size, Width, and Height fields are automatically filled
with default information supplied by the PPD. If you choose a PPD for an imagesetter, the
Page Gap and Paper Offset fields also will be available. You can customize the list of PPDs
available in the PPD drop-down menu using the PPD Manager dialog box (Utilities menu).
If you do not have the right PPD, choose a similar built-in, generic PPD.
• To specify the media size used by your printer, choose a size from the Paper Size drop-down
menu.
• To specify the width and height of custom media supported by your printer, choose Custom
from the Paper Size drop-down menu and enter values in the Width and Height fields.
When sending output to a continuous-feed or nondrum imagesetter, use the Automatic
setting in the Height field.
OUTPUT
• To position your document on the selected output media, choose an option from the
Position drop-down menu.
• For imagesetters only: Enter a value in the Paper Offset field to specify the distance that
the left edge of the page will be offset (or inset) from the left edge of the roll media.
• For imagesetters only: Enter a value in the Page Gap field to specify the amount of space
between pages of the layout as the pages print on the roll.
• To print negative page images, check Negative Print.
• To receive printed PostScript error reporting during output, check PostScript Error Handler.
Pages pane
Use the Pages pane to specify page orientation, tiling, page flipping, and related options:
• To specify whether to print in portrait or landscape mode, click an Orientation radio
button (Portrait or Landscape).
• To include blank pages in the output, check Include Blank Pages.
• To flip the output vertically or horizontally, choose an option from the Page Flip
drop-down menu.
To print a large layout in sections (tiles), choose an option from the Page Tiling drop-down
menu. The application prints tickmarks and location information on each tile to aid you
in reassembling them.
• To control the way in which a page is tiled by positioning the ruler origin, choose Manual.
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OUTPUT
• To have the application determine the number of tiles needed to print each document
page based on the layout size, the media size, whether or not Absolute Overlap is checked,
and the value in the Overlap field, choose Automatic. The value entered in the Overlap
field is the amount the application will use to extend the page as needed to create the tile.
When Absolute Overlap is checked, the application will use only the value in the Overlap
field when extending the page to create the tile. If Absolute Overlap is unchecked, the
application will use at least the amount in the Overlap field when creating the tile, but
may use a larger amount if necessary. Do not check Absolute Overlap if you want your
layout centered on the final assembled tiles.
Color pane
The Color pane lets you choose whether to create a color PDF or a grayscale PDF.
Pictures pane
Use the Pictures pane to control the way pictures are printed:
• To specify how pictures are printed, choose an option from the Output drop-down menu.
Normal provides high-resolution output of pictures using the data from the pictures'
source files. Low Resolution prints pictures at screen preview resolution. Rough suppresses
printout of pictures and blends and prints a box with the frame and an "x" in it, much
like an empty picture box on screen.
• To select a format for print data, choose an option from the Data drop-down menu.
Although documents print more quickly in Binary format, the ASCII option is more
portable because it is a standard format readable by a wider range of printers and print
spoolers. The Clean 8-bit option combines ASCII and binary in a versatile and portable
file format.
Marks pane
Use the Marks pane to include crop marks, registration marks, and bleed marks in the
output. Crop marks are short vertical and horizontal lines printed outside the page's final
trim size, indicating where to cut the page. Registration marks are symbols that are used to
align overlaying plates. Bleed marks indicate where page bleeds end.
• To include crop marks and registration marks on every page, choose Centered or Off
Center from the Marks drop-down menu.
Article pane
The Article pane lets you choose whether to output an article in WYSIWYG mode, Galley
mode, or Full Screen mode. You can choose to output all components, only the active
components, or only those components that are expanded in the article window. You can
also choose whether or not to include pictures and page pictures (if you are using WYSIWYG
view).
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Notes pane
Use the Notes pane to output notes along with an article. You can output all notes or only
open notes. You can also output footnotes, either inline or on a separate page.
Summary pane
The Summary pane displays a summary of the settings in the other panes.
Exporting an article in PDF format
To export the active article in PDF format:
Choose File > PDF. The Export as PDF dialog box displays.
1
Enter a page range in the Pages field.
2
To use an existing output style, choose an option from the PDF Style drop-down menu.
3
To modify output settings, click Options. Use the panes in the resulting dialog box to
4
control the format of the exported file.
OUTPUT
• To use a PDF output style, choose an option from the PDF Style drop-down menu. To
create a PDF output style using the current settings, choose New PDF Output Style.
• Use the Pages pane to specify whether to export spreads, whether to export each page as
a separate PDF file, whether to include blank pages, and whether to embed a thumbnail
of the PDF file.
• Use the Meta Data pane to provide the details that display in the Description tab of the
Document Properties dialog box in Adobe Acrobat Reader.
• Use the Hyperlink pane to specify how links and lists from the layout export and how
hyperlinks should appear in the PDF. You can also use this pane to specify the default
zoom of the PDF file.
• Use the Compression pane to choose from three compression options. Optimum creates
a PDF file that is suitable for printing to a personal printer. Files created with this setting
may be relatively large, and may take a while to generate.High creates a PDF file that is
reasonably small in size and reasonably high in quality. Images are compressed, but should
be suitable for on-screen viewing. Files created with this setting should be small enough
to send by e-mail.Low creates a PDF file that is quite small in size. Images in PDFs created
with this setting should have acceptable quality, but text in raster images may not be
readable. This setting lets you generate PDFs more quickly than the other settings.
• Use the Color pane to specify whether to create composite output or separations, to choose
an output setup for the PDF file, and to select which plates should be included in the
output.
• Use the Marks pane to specify the positioning, width, and length of registration marks in
the PDF file.
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OUTPUT
• Use the Article pane to choose whether to output an article in WYSIWYG mode, Galley
mode, or Full Screen mode. You can choose to output all components, only the active
components, or only those components that are expanded in the article window. You can
also choose whether or not to include pictures and page pictures (if you are using WYSIWYG
view).
• Use the Notes pane to output notes along with an article.
• Use the Summary pane to view a summary of the settings in the other panes.
Click OK. (To capture the current settings without creating a PDF file, click Capture
5
Settings.)
Click Save.
6
Working with output styles
Output styles enable you to store a particular configuration of settings under a name, and
then recall those settings by simply choosing the name from the Output Styles drop-down
menu in the Print dialog box.
There are two ways to create an output style:
• Choose Edit > Output Styles, click New, choose Print or PDF, and then configure the
controls in the Edit Print Style or Edit PDF Style dialog box.
• For print output styles only: Choose Edit > Print, configure the controls in the Print dialog
box, and then choose New Print Output Style from the Output Style drop-down menu.
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OUTPUT
The Edit Print Style dialog box lets you configure an output style for printing. A similar dialog
box lets you configure an output style for PDF export.
To use an output style when printing, select it from the Print Styles drop-down menu in
the Print dialog box before you click Print. To use an output style when saving a PDF,
select it from the PDF Styles drop-down menu in the Export as PDF dialog box before
you click Save.
The Default output style is applied to every new article unless you select another option
from the Print Style or PDF Style drop-down menu. The Default output style associates
the current output settings with the article rather than a particular output style. You can
customize the initial Default output style settings to suit your printing needs using the
Edit Print Style dialog box (Edit menu).
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VIEWS
Views
QuarkCopyDesk provides three different views for editing articles: WYSIWYG, Full Screen,
and Galley. WYSIWYG view reveals the page geometry, as well as other page elements that
may surround the QuarkCopyDesk article in the QuarkXPress layout that contains it. Full
Screen and Galley views are designed for efficient editing. Using the Application
Preferences dialog box (Edit menu), you can specify the font, font size, and leading in
Full Screen and Galley views, as well as the display of color and type styles.
Switching between views
There are three ways to switch among views:
• Choose an option from the View menu. To switch to WYSIWYG view, choose an option
from the View > WYSIWYG submenu. To switch to Galley view, choose View > Galley.
To switch to Full Screen view, choose View > Full Screen.
• Choose an option from the View menu at the bottom of the article window.
•
Click one of the three buttons on the Measurements palette: WYSIWYG, Galley,
or Full Screen.
Working in WYSIWYG view
WYSIWYG (What You See Is What You Get) displays QuarkCopyDesk article components
as they were defined in the QuarkXPress layout to which they are attached or according
to the article setup determined in the New Article dialog box.
100 | A GUIDE TO QUARKCOPYDESK 8.5
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