PS Engineering PMA9000EX Pilot’s Guide

9800 Martel Road
Lenoir City, TN 37772
www.ps-engineering.com
PMA9000EX
Audio Selector Panel
Marker Beacon Receiver
High-fidelity Stereo Intercom System
with Bluetooth Phone interface & MP3 player
Pilot’s Guide
Pilot’s Guide
and
and
Operation Manual
Operation Manual
202-920-0100 Revision 5 October 2010
This product is intended for Experimental Aircraft only.
Covered under one or more of the following Patent No.
4,941,187, 5,903,227, 6,160,496, 6,493,450
202-920-0100 Page 1 OCT. 2010
This pilot guide provides detailed operating instructions for the PS Engineering PMA9000EX, Audio Selector Panel/Intercom Systems. Please read it carefully before using the equipment so that you can take full advantage of its capabilities.
This publication covers the basic operating areas of the PMA9000EX systems. They are: Com Transceiver Selection, Receive Audio Selec­tor, Intercom, Marker Beacon Receiver, Music, Front Panel Utility Jack and Telephone.
PMA9000EX Controls
1.1 Power and Fail-Safe (1)
Unit power is turned on and off by pushing the volume knob. In the
OFF or "EMG" fail-safe position, the pilot headset is connected di-
rectly to Com 1 (will be heard in one ear, with stereo headset) as well as unswitched input #1. This allows communication capability regard­less of unit condition. Any time power is removed or turned
OFF, the
audio selector will revert to fail-safe mode. The power switch controls all audio selector panel functions, inter-
com and marker beacon receiver. All pushbutton selections and menu modes will be remembered and return to the last state when turned on.
1.1 Communications Transmit (XMT) Selection (2)
The two buttons C1 and C2, (# 2) in the XMT section control which communications radio is selected for transmitting. Push the lower but­ton to select the desired COM transmitter. A green LED above the
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button illuminates to indicate that the audio is selected. The top row of RCV pushbuttons (#
3) allows selection of the receiver audio. The PMA9000EX-Series has an automatic
com receiver selector system. Audio from the selected transceiver is automatically heard in the headsets and speaker (if selected). You can check this function by switching from C the C
OM 2 transmitter selector pushbutton. See that the associated
OM 1 transmitter to Com 2 transmitter by pressing
Com 2 receive pushbutton indicator light that is located immediately above the Com 2 transmitter pushbutton turns green. This guarantees that the pilot will always hear the audio from the transceiver selected for transmit.
The PMA9000EX “remembers” the receiver selection, so that when switching transmitters from C previously selected, C
OM 1 audio will continue to be heard. This
OM 1 to COM 2, if COM 2 audio was
eliminates the pilot having to switch Com 1 audio back on, after changing transmitters.
When switching from C ously selected, C
OM 1 audio will be switched off. In essence, switch-
OM 1 to COM 2 while Com 2 was not previ-
ing the mic selector will not override prior selection of COM receiver audio.
In normal (not split) modes, the PMA9000EX gives priority to the pilot’s radio Push-To-Talk (PTT). If the copilot it transmitting, and the pilot presses his PTT, the pilot’s microphone will be heard over the selected com transmitter.
1.1.1.1 Split Mode
The split mode can be activated at any time by pressing the C1 and C2 XMT
and the Copilot on C
buttons at the same time. This places the pilot on COM 1
OM 2. All four COM indicators will illuminate to
indicate that the panel is in split mode. In split mode, the intercom will remain active in the selected mode,
however, and music will be muted in the crew positions. Pilot on C
OM 2 and Copilot on COM 1 is not possible.
Split Mode does not turn off Nav, ADF, or Aux selected audio to pilot. However, the copilot will only hear the copilot-selected com receiver and unswitched inputs
202-920-0100 Page 3 OCT. 2010
NOTE
Due to the nature of VHF communications signals, and the size constraints in general aviation aircraft, it is probable that there will be some bleed-over in the Split mode, particularly on adjacent frequencies. PS Engineering makes no warranty about the suitability of Split Mode in all aircraft conditions.
1.1.1.2 Swap Mode (Switch from Com 1 to Com 2 remotely)
With a yoke mounted, normally open momentary switch, the pilot can change from the current Com transceiver to the other by depressing this switch. To cancel "Swap Mode," the pilot may either press the yoke mounted switch again, or select a different Com with the XMT buttons.
1.1.1.3 Internal Recorder
The PMA9000EX comes equipped with an in­ternal recorder. This digital system stores the last incoming audio from the radio you have selected for transmit. It can store up to 60 seconds of au­dio. The pilot and copilot hear the playback. Because of the continuous nature of AWOS re­cordings, these will not trigger the recorder cir­cuits.
1.1.1.3.1 Playback
Recording is automatic. To play back the message, press and hold the XMT button for the communications radio that is selected for trans­mit for about 1 second or until the message plays back.
To stop the playback, hold the same button until the playback stops, about 2 seconds. Then the next 1-second press will play the next ear­lier message stored.
The playback will stop automatically when the selected com audio becomes active again. Press the button again to start the message again. The audio received during playback is NOT stored.
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1.2 COM Audio Receive Selector (3)
Communication audio from the other radio, not selected for transmit, can be heard by pressing the associated RCV button. You will always audio from the selected transceiver.
hear the
1.3 NAV Audio selection (4)
VHF Navigation receiver audio is selected through two momentary, push-button, backlit switches. VHF Navigation aid au­dio push buttons are labeled N1, N2.
The users can identify which receivers are selected by noting which green LEDs are lit above the button.
2.0 Marker Beacon Receiver (5)
2.1 Marker Beacon Operation (5)
The Marker Beacon Receiver uses visual and audio indicators to alert you when the aircraft passes over a 75 MHz transmitter.
The Blue lamp, labeled “O”, is the Outer Marker lamp and has an associated 400-Hertz 'dash' tone. The lamp and tone will be keyed at a rate of two tones/flashes per second when the aircraft is in the range of the Outer Marker Beacon.
The Amber lamp, labeled “M”, is the Middle Marker lamp and is coupled with a 1300 Hertz tone. It is keyed alternately with short 'dot' and long 'dash' bursts at 95 combinations per minute.
The White lamp, labeled “I”, is the Inner marker and has a 3000 Hertz 'dot' tone. The lamp and tone will be keyed at a rate of six times per second.
The MKR button controls audio selection, marker sensitivity, and audio muting, and lamp test.
MKR button press of < 1 second: toggles between high and low receiver sense
202-920-0100 Page 5 OCT. 2010
MKR button press between 1 and 2 seconds: Activates audio mute, and marker lamp test activated. The next bea­con received will re-activate the audio.
MKR button press > 2 seconds: toggle marker audio on/ off. When the audio is selected, MKR will appear in the display. Marker audio can also be controlled using the same manner as Secondary Navaid Selection
Use "HI" sensitivity initially. This allows you to hear the outer marker beacon about a mile out. Then touch the smaller MKR button to switch into Low Sensitivity mode. “LO” sensitivity gives you a more accurate location of the Outer Marker.
Holding the MKR button for two seconds activates marker test lamp, which illuminates all three lamps simultaneously to assure the lamps (internal and external) are in working order. Releasing the button re­turns to the last sensitivity. The marker audio level is preset at the factory, and a service adjustment is available if necessary.
3.0 Intercom (6)
3.1 IntelliVox® VOX-Squelch
No adjustment of the IntelliVox® squelch control is necessary. There is no field adjustment. Through three individual signal processors, the ambient noise appearing in all six microphones is constantly being sampled. Non-voice signals are blocked. When someone speaks, only their microphone circuit opens, placing their voice on the intercom.
The system is designed to block continuous tones, therefore people humming or whistling in monotone may be blocked after a few mo­ments.
For consistent performance, any headset microphone must be placed within ¼-inch of your lips, preferably against them. (ref: RTCA/DO- 214, 1.3.1.1 (a)). It is important to have the microphone element par­allel to your mouth, and not twisted inside the cover.
It is also a good idea to keep the microphone out of a direct wind path. Moving your head through a vent air stream may cause the In- telliVox® to open momentarily. This is normal.
The IntelliVox® is designed to work with normal aircraft cabin noise levels (70 dB and above). Therefore, it may not always recognize speech and clip syllables in a quiet cabin, such as in the hangar, or without the engine running. This is also normal.
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Oregon Aero MicMuff Part Numbers
Note: For optimum microphone performance, we recommend use of a Microphone Muff Kit from Oregon Aero (1-800-888-6910). This will not only optimize VOX performance, but will improve the overall clarity of all your communications.
Headset
Manufacturer
Bose Dynamic
Electret M87
David Clark H10-30
H10-20, H10-40 H10-13.4, 13X
H20-10X Lightspeed All 90015 Peltor 7003
ANR Pro, 7000 Pilot 11-20, 11-90, 1776, DXL 90015 Sennheiser All 90015
Telex Airman 750, AIR4000
AIR3000, Echelon 100
Model Part Number
90010 90015 90020
90010 90015 90015 90015
90010 90015
90010 90015
3.2 Intercom Modes
The “ICS” pushbutton switch on the left side of the PMA9000EX provides the selection of the three intercom modes.
This button cycles through the intercom modes, from left to right and then back, ISO, ALL, CRW (Crew), ALL, and ISO. The illuminated text shows the active mode .
I
SO: The pilot is isolated from the intercom and is
connected only to the aircraft radio system. He will hear the aircraft radio reception (and sidetone during radio transmissions). The copilot and passengers will hear the music sources as configured by the audio panel.
A
LL: All parties will hear the aircraft radio and intercom. Crew will
hear Entertainment 1, passengers can hear Entertainment 1 or 2. Dur­ing any radio or intercom communications, the music volume auto­matically decreases. The music volume increases gradually back to
202-920-0100 Page 7 OCT. 2010
the original level after communications have been completed. An Alternate Intercom Function is available that prevents the passengers from hearing aircraft radios in ALL mode. See Section 4.2 for details.
C
REW: Pilot and copilot are connected on one intercom channel and
have exclusive access to the aircraft radios. Again, the music that the crew and passengers will hear is controlled in the music distribution setup.
3.3 Intercom Volume Control (7)
The small volume control knob adjusts the loudness of the intercom for the pilot and copilot. It has no effect on selected radio levels, music input levels or passengers' volume level.
The larger, outer volume control knob con­trols intercom volume for the passengers. It has no effect on radio or music levels.
Adjust the radios and intercom volume for a comfortable listening level. Most general aviation headsets today have built-in volume controls; therefore, volume also can be fur­ther adjusted at the individual headset.
3.3.1 Mono Headsets in Stereo Installation
The pilot and copilot positions work with stereo or mono headsets. All passenger headsets are connected in parallel. Therefore, if a mon­aural headset is plugged in to a PMA9000EX Stereo installation, one channel will be shorted. Although no damage to the unit will occur, all passengers will lose one channel, unless they switch to the “MONO” mode on the headset.
4.0 EnCoder And Push Switch interface (ECAPS) (8)
ECAPS is a system that consists of two encoding data knobs and a push-push switched integral into the small data knob. These control the menu, submenus, and selection of items for control.
The primary menu contains frequently accessed items: SPR (cockpit Speaker), TEL (telephone) MKR (Marker audio), and MUTE (music mute control).
Pressing the small knob for two (2) seconds will activate the sub menus. Submenus contain: ADF, DME and AUX audio, MP3 and
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