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AM125FX |
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English |
Deutsch |
Español |
Français |
Português |
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AM55/AM85/
AM105/AM105FX/
AM125/AM125FX
User's Manual
Benutzerhandbuch
Manual del Usuario
Mode d'emploi
Manual do Usuário
<![endif]>Português Français Español Deutsch English
AM55/AM85/
AM105/AM105FX/
AM125/AM125FX
COMPACT MIXERS MEZCLADORA COMPACTAS
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ENGLISH |
I |
ESPAÑOL |
II |
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III |
V2.2 08/24/2011
USER´S MANUAL
CONTENTS
I N T R O D U C C I O N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 F E A T U R E S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 I N S T A N T S E T U P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 M A K I N G C O N N E C T I O N S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 C O N T R O L S A N D S E T T I N G S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 S P E C I F I C AT I O N S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
APPENDIX
A PPLI CACTIO N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 D I M E N S I O N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 B L O C K D I A G R A M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Phonic preserves the right to improve or alter any information within this document without prior notice.
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English Deutsch Español Français Português
INTRODUCTION
Congratulations on purchasing one of Phonic’s many quality compact mixers. The entire AM series of mixers – designed by the ingenious engineers that have created a variety of mixers fantastic in style and performance in the past – displays similar proficiency that previous Phonic products have shown; with more than a few refinements, of course. The AM series features full gain ranges, amazingly low distortion levels, +22 dBu line signal handling, and incredibly wide dynamic ranges, just showing the dominance these small machines will have in the studio or live venues.
We know how eager you are to get started – wanting to get the mixer out and hook it all up is probably your number one priority right now – but before you do, we strongly urge you to take a look through this manual. Inside, you will find important facts and figures on the set up, use and applications of your brand new mixer. If you do happen to be one of the many people who flatly refuse to read user manuals, then we just urge you to at least glance at the Instant Setup section. After glancing at or reading through the manual (we applaud you if you do read the entire manual), please store it in a place that is easy for you to find, because chances are there’s something you missed the first time around.
FEATURES
AM55
zAudiophile-quality mic preamps & ultra low noise
z1 mic/line and 2 stereo channels
z2-Band EQ on mono input channel
z2T RTN & 2T REC for CD or tape recorder
zDual 4-segment master level meter
zHeadphones output with volume control
zPeak LED on mono input channel
zBalanced master output
AM85
zAudiophile-quality & ultra low noise
zTwo balanced Mic/Line inputs with 3-band EQ
zTwo stereo inputs with 3-band EQ
zOne stereo aux return
zPost-fader EFX send on every input
zGlobal +48V phantom power
zPeak and VU Metering
zPeak indicators on each mono input channel
z2T RTN assignable individually to Main or Control room
zBalanced master output
AM105
zAudiophile-quality & ultra low noise
zTwo balanced Mic/Line inputs with 3-band EQ and low cut
zFour stereo inputs with +4/-10 select button
zPost-fader AUX send on every input
zGlobal +48V Phantom Power
zCTRL RM and headphones outputs
zPeak indicators on each mono input channel
zConvenient RCA stereo I/O
zBalanced master output
AM105FX
zAudiophile-quality & ultra low noise circuitry
zTwo balanced Mic/Line inputs with 3-band EQ and low cut
zFour stereo inputs with +4/-10 select button
zPost-fader AUX send on every input
zGlobal +48V Phantom Power
zCTRL RM and headphones outputs
zPeak indicators on each mono input channel
zConvenient RCA stereo I/O
zVariable delay effect with variation control
zBalanced master output
AM125
zAudiophile-Quality & ultra low noise
z4 mono mic/line channels
z4 stereo channels
zAUX sends on each channel
z75Hz low-cut filter on mono channel
z3-band EQ on each mono channel
z+48V phantom power on mic channels
zControl room/Phones source matrix for maximum monitor flexibility
zAUX send cue for monitoring individual channel
zBalanced TRS output
AM125FX
zAudiophile-Quality & ultra low noise
z4 mono mic/line channels
z4 stereo channels
zAUX sends on each channel
z75Hz low-cut filter on mono channel
z3-band EQ on each mono channel
z+48V phantom power on mic channels
zControl room/Phones source matrix for maximum monitor flexibility
zAUX send cue for monitoring individual channel
zVariable delay effect with variation control
zBalanced TRS output
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AM55/AM85/AM105/AM105FX/AM125/AM125FX |
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INSTANT SETUP
Getting Started
1.Ensure all power is turned off on your mixer. To totally ensure this, the AC cable should not be connected to the unit.
2.All faders and level controls should be set at the lowest level and all channels switched off to ensure no sound is inadvertently sent through the outputs when the device is switched on. All levels can be altered to acceptable degrees after the device is turned on.
3.Plug all necessary instruments and equipment into the device’s various inputs as required. This may include line signal devices, such as keyboards and drum machines, as well as microphones and/or guitars, keyboards, etc.
4.Plug any necessary equipment into the device’s various outputs. This could include amplifiers and speakers, monitors, signal processors, and/or recording devices.
5.Plug the supplied AC power supply into the inlet on the rear of the device and then into a power outlet of a suitable voltage.
6.Turn the power switch on and follow the channel setup instructions to get the most out of your equipment.
Channel Setup
1.To ensure the correct audio level of the input channel is selected, each of the level input controls of the Mixer should be turned counterclockwise as far as they will turn (which should be the -∞ mark).
2.No input other than the one being set should have any device plugged in. This will ensure the purest signal is used when setting channels.
3.Ensure the channel has a signal sent to it similar to the signal that will be sent when in common use. For example, if the channel is using a microphone, then you should speak or sing at the same level the performer normally would during a performance; if a guitar is plugged into the channel, then the guitar should also be strummed as it normally would be (and so on). This ensures levels are completely accurate and avoids having to reset them later.
4.Set the gain so the level meter indicates the audio level is around 0 dB.
5.This channel is now ready to be used; you can stop making the audio signal.
6.You can repeat the same process for other channels.
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AM55/AM85/AM105/AM105FX/AM125/AM125FX |
MAKING CONNECTIONS
Inputs and Outputs
1.XLR Microphone Jacks
These jacks accept typical 3-pin XLR inputs |
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for balanced and unbalanced signals. They |
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can be used in conjunction with microphones |
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– such as professional condenser, dynamic |
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or ribbon microphones – with standard XLR |
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male connectors, and feature low noise |
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preamplifiers, serving for crystal clear sound |
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replication. With exception to the AM55, each |
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of the AM series mixers features two standard XLR microphone inputs for your convenience.
NB. When these inputs are used with condenser microphones, the Phantom Power should be activated. However, when Phantom Power button is engaged, single ended (unbalanced) microphones and instruments should not be used on the Mic inputs unless specifically approved by the microphone manufacturer.
2.Line Inputs
This input accepts typical 1/4” TRS or TS inputs for balanced or unbalanced signals. There are various numbers of these inputs depending which mixer you are using. They can be used in conjunction with various line level devices, such as keyboards, drum machines, electric guitars, and a variety of other electric instruments.
3.Stereo Channels
Each of the AM Mixers feature a few stereo channels, thrown in for maximum flexibility. Each of these stereo channels features two 1/4” phone jacks, for the addition of various line level input devices, such as electronic keyboards, guitars and external signal processors or mixers. These stereo channels can also be used as mono channels, where the signal from any 1/4” phone jack plugged into the left stereo input will cause the signal to duplicate to the right input also. This does not work in reverse, however.
4.Main L and R Output
These two ports will output the final stereo line level signal sent from the main mixing bus. The primary purpose of these jacks is to send the main output to external devices, which may include power amplifiers (and in-turn, a pair of speakers), other mixers, as well as a wide range of other possible signal processors (equalizers, crossovers, etcetera).
5. Stereo AUX Return (AM85 only) |
AM85 |
These 1/4” TS inputs are for the return of audio to |
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the AM85 mixer, processed by an external signal |
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processor. If really needed, they can also be used |
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as additional inputs, with a level control located on |
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the face of the mixer. The Stereo AUX Return can |
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also accept mono signals. Like with the stereo input channels, these inputs can be used as mono channels by plugging the 1/4” phone plug of any mono device into the Stereo AUX return’s left input.
6.AUX/EFX Send (AM85, AM105, AM105FX, AM125
and AM125FX only)
These 1/4” TS outputs may be used to connect to an external digital effect processor, or even to an amplifier and speakers
(depending on your desired settings) to the mixer. The signal is taken from the AUX control on each input channel. On the AM105FX and AM125FX, the signal sent from this output is taken from the built-in effect engine. This output is only featured on the AM85, AM105, AM105FX, AM125 and AM125FX mixers; therefore you shouldn’t go looking for it on the AM55.
7.Phones
This stereo output port is suited for use with headphones, allowing monitoring of the mix. The audio level of this output is controlled
using the Phones or Phones/Control Room control.
8.2T Record / Record Out
These outputs will accommodate RCA cables, able to be fed to a variety of recording devices.
9.2T Return
These RCA inputs are used to connect the |
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mixer with parallel external devices, such |
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as sub mixers or external effect processors, |
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receiving the processed signal from another |
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source and feeding it to either the Main L |
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and R or the Phones mixing bus. |
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10. Control Room Outputs (AM85, AM105, AM105FX,
AM125 and AM125FX only)
These two 1/4” phone jack outputs feed the signal altered by the Control Room/Phones level control on the face of the mixer. This output has extensive use, as it can be used to feed the signal from the mixer to an active monitor, for the monitoring of the audio signal from within a booth, or, alternatively, for the addition of external signal processing devices or mixers, as well as acting as a “side fill” output, supplying audio to indoor areas that the main speakers do not reach. This output is featured on the AM85, AM105, AM105FX, AM125 and AM125FX mixers only.
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AM55/AM85/AM105/AM105FX/AM125/AM125FX |
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Rear Panel
11. Power Connector
This port is for the addition of the external power |
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supply, allowing power to be supplied to the mixer. |
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Please use the power supply unit that is included |
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with the mixer only. |
CONTROLS AND SETTINGS
Channel Controls
12. Line/Mic Gain Control
This controls the sensitivity of the inputsignal
of the Line/Microphone input. The gain |
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should be adjusted to a level that allows |
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the maximum use of the audio, while still |
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maintaining the quality of the feed. This can |
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be accomplished by adjusting it to a level |
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that will allow the peak indicator occasionally |
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illuminate. The AM55 features a single gain |
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control for channel 1, located on the face of
the mixer, whereas the AM85, AM105 and AM105FX all feature gain controls on both channels 1 and 2, located directly below the Line inputs. The AM125 and AM125FX feature gain controls on channels 1 through 4.
13. High Frequency Control
This control is used to give a shelving boost or cut of ±15 dB to high frequency (12 kHz) sounds. This will adjust the amount of treble included in the audio of the channel, adding strength and crispness to sounds such as guitars, cymbals, and synthesizers.
14. Low Cut Filter (75 Hz) (AM85, AM105, AM105FX,
AM125 and AM125FX only)
This button will activate a high pass filter that reduces all frequencies below 75 Hz at 18 dB per octave, helping to remove any unwanted ground noise or stage rumble. This button can be found on mono channels of the AM85, AM105, AM105FX,
AM125 and AM125FX only.
15. Middle Frequency Control (AM85, AM105 and
AM105FX only)
This control is used to provide a peaking style of boost and cut to the level of middle frequency sounds at a range of ±15 dB.
Changing middle frequencies of an audio feed can be rather difficult when used in a professional audio mix, as it is usually more desirable to cut middle frequency sounds rather than boost them – soothing overly harsh vocal and instrument sounds in the audio.
16. Low Frequency Control
This control is used to give a shelving boost or cut of ±15 dB to low frequency (80 Hz) sounds. This will adjust the amount of bass included in the audio of the channel, and bring more warmth and punch to drums and bass guitars.
17. AUX/EFX Control (AM85, AM105, |
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AM105FX, AM125 and AM125FX |
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only) |
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These controls alter the signal level that is |
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sent to the AUX or EFX Sends, which can |
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be used in conjunction with external signal |
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processors, or simply as an auxiliary output |
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for any means required. On the AM105FX |
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and AM125FX, the EFX control is used |
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to alter the signal level that is sent to the |
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internal effects mix. |
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18. +4 / -10 Switch (AM85, AM105, AM105FX, AM125 and AM125FX only)
Thisswitchisusedadjusttheinputsensitivity |
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of the corresponding channels, which will |
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adapt the mixer to external devices which |
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may use different operating levels. If the |
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inputsource is -10 dBV, it is best to engage |
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the switch, allowing the signal to be heard. |
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The +4 dBu mode is suitable for use with professional audio level signals, which are considerably higher than the consumer level.
If you are unsure of the source’s operating level, we suggest leaving the switch disengaged until you test the source’s signal. You can then engage if necessary (if the level of input is obviously too low).
19. Pan / Balance Controls
This alternates the degree or level of audio that the left and right side of the main mix should receive. On mono channels, this control will adjust the level that the left and right should receive
(pan), where as on a stereo channel, adjusting the BAL control will attenuate the left or right audio signals accordingly (balance). Each model features a PAN or BAL control on every one of their channel strips.
20. Peak Indicator
This LED indicator will illuminate when the device hits high peaks,
6 dB before overload occurs. It is best to adjust the gain of the channel so that the PEAK indicator lights up on intervals. This will ensure a greater dynamic range of audio. The Peak indicator is featured on the mono channels of every model.
21. Level Control
This control will alter the signal level that is sent from the corresponding channel to the main mixing bus.
Effects Section
22. Effects On Button (AM105FX and AM125FX only)
Pushing this button will turn the built-in effect processor on and off.
23. Variation Control (AM105FX and AM125FX only)
This LED indicator will illuminate when the EFX signal hits high peaks, just before overload occurs. It is best to adjust the EFX to Main control so as to ensure the Peak indicator does not light up.
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AM55/AM85/AM105/AM105FX/AM125/AM125FX |
Master Section
24. 2T Return Controls
Pushing either one of the buttons in the 2T Return Control
Section selects the destination of the 2T Return signal. The uppermost button (“to L/R”) sends the signal to the Main L-R mixing bus, whereas the lower button (either “to Phones” or
“to Ctrl Rm”) sends the signal to the Phones or Control Room/
Phones mixing bus, respectively. These buttons can, of course, be used simultaneously, feeding the signal to both the Control
Room/Phones and Main L/R mixing bus. If the “to Phones” or “to Ctrl Rm” buttons are not engaged, the Phones and Control Room outputs will receive the Main L-R signal.
25. AUX / EFX Send Control (AM125 and |
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AM125FX only)
This control adjusts the level of signal, taken from each individual channel’s AUX controls, will be sent to the AUX send output. In the case of the AM125FX,
the EFX control will adjust the level of signal taken AM85 from the built in effect processor to the EFX send
output.
26. Phantom Power Switch
When this switch is in the on position it activates +48V of phantom power for both microphone inputs, allowing condenser
microphones to be used on these channels.
NB. Phantom Power should be used in conjunction with condenser microphones only. This switch is not featured on the AM 55.However many modern microphones are
unaffected by Phantom Power, so it’s best to consult your mic’s user’s manual for details.
27. Phones (Control Room/Phones) Control
On the AM55, this control is used to adjust the audio level of the phones feed, to be sent to the Phones output. It can be used in conjunction with headphones or, if required, as an auxiliary output. On the AM85, AM105, AM105FX, AM125 and AM125FX, however, this control adjusts not only the phones level, but the signal level sent to the Control Room output also. The Control
Room output is commonly used in monitoring, as a side fill, or for the addition of other, external devices.
28. AUX/EFX to CTRL Button (AM125 and AM125FX
only)
Pushing this button will send the signal from the AUX or EFX mix to the Control Room mix. This is useful for monitoring of the EFX mix or for the tracking of individual instruments.
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AM125 AM125FX
29. Main L/R Control
This control is final level control for the main left and right audio feed, sent to the Main L and R output.
30. Level Meter
The AM series’ 4-segment level meters give an accurate indication of when audio levels of the MAIN L/R output reach certain levels. It is suggested for the maximum use of audio to set the various levels controls so that the peak light flashes only on occasionally (and perhaps it is better if to leave it a pinch below this level).
31. Power Indicator
The Power Indicator will light up when the power of the mixer is on.
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SPECIFICATIONS
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AM55 |
AM85 |
AM105 |
AM105FX |
AM125 |
AM125FX |
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Inputs |
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Total Channels |
3 |
4 |
6 |
6 |
8 |
8 |
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Balanced Mono Mic / Line |
1 |
2 |
2 |
2 |
4 |
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Balanced Stereo Line Channel |
2 |
4 |
4 |
4 |
4 |
4 |
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Aux Return |
- |
1 stereo |
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2 stereo |
2 stereo |
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2T Input |
Stereo RCA |
Stereo RCA |
Stereo RCA |
Stereo RCA |
Stereo RCA |
Stereo RCA |
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Outputs |
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Main L/R Stereo |
2 x 1/4" TRS, |
2 x 1/4" TRS, |
2 x 1/4" TRS, |
2 x 1/4" TRS, Bal. |
2 x 1/4" TRS, |
2 x 1/4" TRS, Bal. |
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Bal. |
Bal. |
Bal. |
Bal. |
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Rec Out |
Stereo RCA |
Stereo RCA |
Stereo RCA |
Stereo RCA |
Stereo RCA |
Stereo RCA |
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CTRL RM L/R |
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2 x 1/4" TS |
2 x 1/4" TS |
2 x 1/4" TS |
2 x 1/4" TS |
2 x 1/4" TS |
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Phones |
1 |
1 |
1 |
1 |
1 |
1 |
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Channel Strips |
3 |
4 |
6 |
6 |
6 |
6 |
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Aux Sends |
- |
1 |
1 |
1 |
2 |
2 |
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Pan/Balance Control |
Yes |
Yes |
Yes |
Yes |
Yes |
Yes |
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Channel insert |
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4 |
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Volume Controls |
Rotary |
Rotary |
Rotary |
Rotary |
Rotary |
Rotary |
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Master Section |
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Aux Send Masters |
- |
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Yes |
Yes |
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Phones Level Control |
Yes |
Yes |
Yes |
Yes |
Yes |
Yes |
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Faders |
Main L & R |
Main L & R |
Main L & R |
Main L & R |
Main L & R |
Main L & R |
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Metering |
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Number of Channels |
2 |
2 |
2 |
2 |
2 |
2 |
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Segments |
4 |
4 |
4 |
4 |
4 |
4 |
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Switches |
Master |
Master |
Master |
Master |
Master |
Master |
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Digital Effect Processor |
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1Digital EFX with |
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1Digital EFX with |
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one Variation |
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one Variation |
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control |
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control |
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20Hz ~ 60KHz |
+0/-1 dB |
+0/-1 dB |
+0/-1 dB |
+0/-1 dB |
+0/-1 dB |
+0/-1 dB |
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20Hz ~ 100KHz |
+0/-3 dB |
+0/-3 dB |
+0/-3 dB |
+0/-3 dB |
+0/-3 dB |
+0/-3 dB |
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Crosstalk(1KHz @ 0dBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs) |
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Channel fader down, other |
<-90 dB |
<-90 dB |
<-90 dB |
<-90 dB |
<-90 dB |
<-90 dB |
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channels at unity |
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Noise (20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu)
Master @ unity, channel fader |
-86.5 dBu |
-86.5 dBu |
-86.5 dBu |
-86.5 dBu |
-86.5 dBu |
-86.5 dBu |
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Master @ unity, channel fader @ |
-84 dBu |
-84 dBu |
-84 dBu |
-84 dBu |
-84 dBu |
-84 dBu |
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unity |
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S/N ratio, ref to +4 |
>90 dB |
>90 dB |
>90 dB |
>90 dB |
>90 dB |
>90 dB |
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Microphone Preamp E.I.N. (150 |
<-129.5 dBm |
<-129.5 dBm |
<-129.5 dBm |
<-129.5 dBm |
<-129.5 dBm |
<-129.5 dBm |
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ohms terminated, max gain) |
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6 |
AM55/AM85/AM105/AM105FX/AM125/AM125FX |
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THD (Any output, |
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1KHz @ +14dBu, |
<0.005% |
<0.005% |
<0.005% |
<0.005% |
<0.005% |
<0.005% |
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20Hz to 20KHz, |
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channel inputs) |
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CMRR (1 KHz @ |
80dB |
80dB |
80dB |
80dB |
80dB |
80dB |
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-60dBu, Gain at |
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maximum) |
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Maximum Level |
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Mic Preamp Input |
+10dBu |
+10dBu |
+10dBu |
+10dBu |
+10dBu |
+10dBu |
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All Other Input |
+21dBu |
+21dBu |
+21dBu |
+21dBu |
+21dBu |
+21dBu |
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Balanced Output |
+28dBu |
+28dBu |
+28dBu |
+28dBu |
+28dBu |
+28dBu |
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Impedance |
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Mic Preamp Input |
2 K ohms |
2 K ohms |
2 K ohms |
2 K ohms |
2 K ohms |
2 K ohms |
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All Other Input |
10 K ohms |
10 K ohms |
10 K ohms |
10 K ohms |
10 K ohms |
10 K ohms |
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(except insert) |
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RCA 2T Output |
1.1 K ohms |
1.1 K ohms |
1.1 K ohms |
1.1 K ohms |
1.1 K ohms |
1.1 K ohms |
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Ch Equalization |
2-band, +/-15 dB |
3-band, +/-15 dB |
3-band, +/-15 dB |
3-band, +/-15 dB |
3-band, +/-15 dB |
3-band, +/-15 dB |
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Low EQ |
80 Hz |
80 Hz |
80 Hz |
80 Hz |
80 Hz |
80 Hz |
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Mid EQ (mono |
- |
2.5 KHz |
2.5 KHz |
2.5 KHz |
2.5 KHz |
2.5 KHz |
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channel) |
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Hi EQ |
12 KHz |
12 KHz |
12 KHz |
12 KHz |
12 KHz |
12 KHz |
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Low cut filter |
75Hz |
- |
75Hz |
75Hz |
75Hz (-18dB/oct) |
75Hz (-18dB/oct) |
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(-18 dB/oct) |
(-18 dB/oct) |
(-18 dB/oct) |
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Built-in Power |
100 VAC, 120 VAC, |
100VAC, 120VAC, |
100VAC, 120VAC, |
100VAC, 120VAC, |
100VAC, 120VAC, |
100VAC, 120VAC, |
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220 ~ 240 VAC, |
220 ~ 240VAC, |
220 ~ 240VAC, |
220 ~ 240VAC, |
220~240VAC, |
220~240VAC, |
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Supply |
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50/60 Hz |
50/60Hz |
50/60Hz |
50/60Hz |
50/60Hz |
50/60Hz |
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Weight |
0.63 kg |
0.95 kg |
1.50 kg |
1.50 kg |
1.77kg |
1.77 kg |
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(1.40 lbs) |
(2.10 lbs) |
(3.3 lbs) |
(3.3 lbs) |
(3.90 lbs) |
(3.90lbs) |
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Dimensions |
120x54.3x175mm |
145x56.9x234mm |
175x62.8x236mm |
175x62.8x236mm |
216x62.8x236mm |
216x62.8x236mm |
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(WxHxD) |
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(4.72"x2.13"x6.88") |
(5.70"x2.24"x9.21") |
(6.88"x2.47"x9.29") |
(6.88"x2.47"x9.29") |
(8.5"x2.47"x9.29") |
(8.5"x2.47"x9.29") |
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<![endif]>Português Français Español Deutsch English
AM55/AM85/AM105/AM105FX/AM125/AM125FX |
7 |
Manual del Usuario
CONTENIDO |
|
I N T R O D U C C I Ó N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
1 |
C A R AC T E R Í S T I C A S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
1 |
C O N FI G U R AC I Ó N I N S TA N T E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
2 |
H AC I E N D O C O N E X I O N ES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
3 |
CONTROLES Y CONFIGURACIONES........................................................................ |
4 |
ES P EC I F I C AC I O N ES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
6 |
APÊNDICE |
|
A P L I C AC I Ó M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
1 |
DIMENSIONES ...................................................................... |
5 |
D I G R A M A D E B L O Q U E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
9 |
Phonic se reserva el derecho de mejorar o alterar cualquier información provista dentro de este documento sin previo aviso.
<![endif]>Português Français Español Deutsch English
English Deutsch Español Français Português