Panasonic AJ-HDX400E User Manual

Operating Instructions

Camera/VTR

Model No. AJ- E

Before operating this product, please read the instructions carefully and save this manual for future use.

F0205T0 -F Printed in Japan

ENGLISH

VQT0P57

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD AND ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY.

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, REFER MOUNTING OF OPTIONAL INTERFACE BOARDS TO AUTHORIZED SERVICE PERSONNEL.

DO NOT REMOVE PANEL COVERS BY

UNSCREWING THEM.

To reduce the risk of electric shock, do not remove the covers. No user serviceable parts inside. Refer servicing to qualified service personnel.

WARNING:

OTO REDUCE THE RISK OF FIRE OR SHOCK

HAZARD, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.

OTO REDUCE THE RISK OF FIRE OR SHOCK

HAZARD, KEEP THIS EQUIPMENT AWAY FROM ALL LIQUIDS. USE AND STORE ONLY IN LOCATIONS WHICH ARE NOT EXPOSED TO THE RISK OF DRIPPING OR SPLASHING LIQUIDS, AND DO NOT PLACE ANY LIQUID CONTAINERS ON TOP OF THE EQUIPMENT.

Lithium Battery

Warning

The lithium battery in this equipment must only be replaced by qualified personnel. When necessary, contact your local Panasonic supplier.

“The lithium battery is a critical component (type number CR2032 or BR2032 manufactured by Panasonic.)

It must never be subjected to excessive heat or discharge. It must therefore only be fitted in equipment designed specifically for its use.

Replacement batteries must be of the same type and manufacturer. They must be fitted in the same manner and location as the original battery, with the correct polarity connections observed.

Do not attempt to re-charge the old battery or re-use it for any other purpose. It should be disposed of in waste products destined for burial rather than incineration.”

CAUTION

Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type recommended by the equipment manufacturer. Discard used batteries according to manufacturer’s instructions.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion.

ADVARSEL!

Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandøren.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyypiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

indicates safety information.

Attention/Attentie

Batteries are used for the main power source and memory back-up in the product.

At the end of their useful life, you should not throw them away. Instead, hand them in as small chemical waste. Voor de primaire voeding en het reservegeheugen van het apparaat wordt gebruikgemaakt van een

batterij. Wanneer de batterij is uitgeput, mag u deze niet gewoon weggooien, maar dient u deze als klein chemisch afval weg te doen.

To remove the battery/Verwijderen van de batterij

Main Power Battery (Ni-Cd Battery) Batterij Voor Primaire Voeding (Nikkelcadmiumbatterij)

Anton Bauer Battery Anton Bauer-Batterij

If a battery made by any other manufacturer is to be used,

check the Operating Instructions accompanying the battery. In geval u een batterij van een anden fabrikant zou

gebruiken, gelieve dan eerst zorgvuldig de gebruiksaanwijzing van deze batterij te lezen.

Unlock Ontgrendelingshefboom

Back-up Battery (Lithium Battery) Batterij Voor Reservegeheugen (Lithiumbatterij)

For the removal of the battery for disposal at the end

of its service life, please consult your dealer. Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat bij einde levensduur afdankt.

Back-up Battery (Lithium Battery) Batterij Voor Reservegeheugen (Lithiumbatterij)

Chapter 1 General .................................... 6

1-1 Features of the camera unit ...................... 6

1-2 Features of the VTR unit ........................... 7

1-3 System configuration ................................ 8

Chapter 2 Parts and their functions ....... 9

2-1 Power supply and accessory

mounting section ....................................... 9

2-2 Audio function section ............................ 10

2-3 Shooting and recording/playback

function section ....................................... 12

2-4 Menu operation section ........................... 15

2-5 Time code related section ....................... 16

2-6 Warning/status display section .............. 17

2-7 Display window and its displays ............ 17

2-8 Viewfinder section ................................... 19

Chapter 3 Recording and playback ...... 20

3-1 Cassette tapes .......................................... 20

3-2 Basic procedures ..................................... 21

3-3 Scene-to-scene continuity ...................... 23

3-4 PRE-RECORDING function ...................... 23

3-5 INTERVAL REC function .......................... 24

3-6 RETAKE function ..................................... 25

3-7 Rec-review function ................................. 26

3-8 Normal playback and playback

at different speeds ................................... 26

Chapter 4 Adjustments and settings for

recording ............................... 27

4-1 Adjusting the white balance and

black balance ........................................... 27

4-1-1 Adjusting the white balance ......................... 27

4-1-2 Adjusting the black balance ......................... 29

4-2 Setting the electronic shutter ................. 30

4-2-1 Shutter modes ............................................. 30

4-2-2 Setting the shutter mode and speed ........... 30

4-2-3 Setting the synchro scan mode ................... 31

4-3 Selecting the recording signals and

recording system ..................................... 31

4-3-1 Selecting the record signals ........................ 31

4-4 Selecting the audio input signals and

adjusting their recording levels .............. 31

4-4-1 Selecting the audio input signals ................. 31

4-4-2 Adjusting the audio signal recording levels . 32

4-4-3 CH3 and CH4 recording levels .................... 32

4-5 Setting the time data ................................ 33

4-5-1 Setting the user bits ..................................... 33

4-5-2 Setting the internal clock’s date and time .... 34

4-5-3 Setting the time code ................................... 35

4-5-4 Externally locking the time code .................. 35

4-5-5 Setting the UMID information ...................... 36

4-6

Menu displays on the viewfinder screen

4-6-1 Menu configuration ...................................... 37

4-6-2 Basic menu operations ................................ 37

4-6-3 Selecting the user menus ............................ 38

....... 37

4-7 Viewfinder screen status displays ......... 39

4-7-1 Viewfinder lamp displays.............................. 39

4-7-2 Viewfinder screen status display

configuration..................................................39

4-7-3 Selecting the viewfinder screen display

items ............................................................ 39

4-7-4 Display modes and setting

changes/adjustment result messages ......... 45

4-7-5 Setting the marker displays ......................... 45

4-7-6 Setting the camera ID .................................. 45

4-7-7 Mode check screen displays

(MODE CHECK button function) ................. 46

4-7-8 Marker check screen displays

(MARKER SELECT button function) ........... 46

4-8 Menu-driven function setup .................... 47

4-8-1 Setting the USER SW GAIN switching ........ 47

4-8-2 Selecting the video output signals ............... 47

4-8-3 Selecting the F.AUDIO LEVEL

control function ............................................ 48

4-8-4 Allocating functions to the USER MAIN,

USER1 and USER2 buttons ........................ 48

4-8-5 Setting the color temperature manually ....... 49

4-9 Data handling ........................................... 49

4-9-1 Handling the setup card .............................. 49

4-9-2 Setup card operations ................................. 50

4-9-3 How to use the user data ............................ 53

4-9-4 How to use the scene file data .................... 54

4-9-5 How to return the menus settings to the

user standard settings ................................. 57

4-9-6 How to return the menus settings to the

factory standard settings ............................. 57

4-9-7 How to use the lens file data ....................... 57

Chapter 5 Preparation ........................... 58

5-1 Supplying the power ................................ 58

5-1-1 Attaching the battery and setting the

battery type .................................................. 58

5-1-2 Using an AC power supply .......................... 60

5-2 Attaching the lens and performing the

flange back and white shading

adjustments .............................................. 60

Contents

5-3 Audio input signal preparations ............. 65

5-3-1 When using the front microphone ............... 65

5-3-2 When using a wireless receiver ................... 65

5-3-3 When using an audio component ................ 66

5-4 Mounting the unit on a tripod ................. 66

5-5 Attaching the shoulder belt .................... 67

5-6 Adjusting the position

of the shoulder pad .................................. 67

5-7 Attaching the rain cover .......................... 67

5-8 Connecting the extension control unit

(AJ-EC3E) ................................................. 67

5-9 Attacching the FRONT AUDIO LEVEL

control knob ............................................. 68

Chapter 6 Maintenance and

inspections ........................... 69

6-1 Inspections prior to shooting ................. 69

6-1-1 Preparation for inspections .......................... 69

6-1-2 Inspecting the camera unit .......................... 69

6-1-3 Inspecting the VTR unit ............................... 70

6-1-4 Self-diagnosis function ................................ 71

6-2 Maintenance ............................................. 72

6-2-1 Condensation ............................................... 72

6-2-2 Head cleaning .............................................. 72

6-2-3 Cleaning inside the viewfinder ..................... 72

6-2-4 Phenomena inherent to CCD cameras ....... 72

6-2-5 Replacing the backup battery ...................... 72

6-2-6 Connectors and signals ............................... 73

6-3 Warning system ....................................... 74

6-3-1 Warning description tables .......................... 74

6-3-2 Error codes .................................................. 76

6-3-3 Emergency eject .......................................... 76

Chapter 7 Menu description tables ...... 77

7-1 Menu configfation .................................... 77

7-2 SYSTEM SETTING .................................... 78

7-2-1 SYSTEM SETTING ..................................... 78

7-2-2 REC FUNCTION ......................................... 78

7-2-3 OUTPUT SEL .............................................. 78

7-2-4 GENLOCK ................................................... 79

7-2-5 OPTION MODE ........................................... 79

7-3 PAINT ........................................................ 79

7-3-1 ROP ............................................................. 79

7-3-2 MATRIX ....................................................... 80

7-3-3 COLOR CORRECTION .............................. 80

7-3-4 LOW SETTING ............................................ 81

7-3-5 MID SETTING ............................................. 81

7-3-6 HIGH SETTING ........................................... 82

7-3-7 ADDTIONAL DTL ........................................ 82

7-3-8 SKIN TONE DTL ......................................... 83

7-3-9 KNEE/LEVEL .............................................. 83

7-3-10 GAMMA ....................................................... 84

7-3-11 FLARE ......................................................... 84

7-3-12 CAMERA SETTING .................................... 84

7-4 VF .............................................................. 85

7-4-1 VF DISPLAYS ............................................. 85

7-4-2 VF MARKER ............................................... 85

7-4-3 USER BOX .................................................. 86

7-4-4 VF INDICATOR1 ......................................... 86

7-4-5 VF INDICATOR2 ......................................... 86

7-4-6 MODE CHECK IND ..................................... 87

7-4-7 !LED ............................................................ 87

7-5 OPERATION .............................................. 87

7-5-1 CAMERA ID ................................................ 87

7-5-2 SHUTTER SPEED ...................................... 87

7-5-3 SHUTTER SELECT .................................... 88

7-5-4 USER SW .................................................... 88

7-5-5 SW MODE ................................................... 89

7-5-6 WHITE BALANCE MODE ........................... 90

7-5-7 USER SW GAIN .......................................... 90

7-5-8 IRIS ............................................................. 91

7-6 FILE ........................................................... 91

7-6-1 CARD READ/WRITE ................................... 91

7-6-2 CARD R/W SELECT ................................... 91

7-6-3 LENS FILE .................................................. 92

7-6-4 SCENE ........................................................ 92

7-6-5 INITIALIZE ................................................... 92

7-7 MAINTENANCE ........................................ 92

7-7-1 SYSTEM CHECK ........................................ 92

7-7-2 DIAGNOSTIC .............................................. 92

7-7-3 LENS ADJ ................................................... 92

7-7-4 BLACK SHADING ....................................... 93

7-7-5 WHITE SHADING ....................................... 93

7-8 VTR MENU ................................................ 93

7-8-1 VTR FUNCTION .......................................... 93

7-8-2 BATTERY/TYPE ......................................... 93

7-8-3 BATTERY SETTING1 ................................. 94

7-8-4 BATTERY SETTING2 ................................. 96

7-8-5 MIC/AUDIO1 ............................................... 97

7-8-6 MIC/AUDIO2 ............................................... 97

7-8-7 TC/UB .......................................................... 98

7-8-8 UMID SET/INFO .......................................... 98

7-8-9 VTR DIAG ................................................... 99

7-9 OPTION MENU........................................... 99

7-9-1 OPTION ....................................................... 99

7-9-2 DOWNCON SETTING ................................ 99

Chapter 8 Specifications ..................... 100

UniSlot is a trademark of Ikegami Tsusinki co., Ltd.

Chapter 1 General

The AJ-HDX400E is a video camera recorder that integrates a 3-CCD camera unit featuring a 2/3-inch on-chip lens that supports progressive drive with a VTR unit that in turn supports the DVCPRO HD EX format. One special feature of the camera unit is its ability to consistently express images with a high quality and high sensitivity since it employs progressive drive. The unit is both compact and lightweight, and it has a minimal power consumption. It features a high picture quality and sensitivity, it has excellent mobility, and it effectively withstands dust, humidity and moisture. With all these features incorporated, it can be used even for electronic news gathering activities. Both the camera and VTR units employ digital signal processing technology to achieve even higher levels of picture quality and stability and also to produce a system that enables the data to be controlled on the setup card.

1-1 Features of the camera unit

≥

E-cinema camera unit featured

This video camera recorder features the Varicam (AJHDC27F) camera unit that was developed for E-cinema uses. This camera maximally exploits the excellence of progressive scanning and, in delivering signals to the VTR unit, it cross-converts the signals into the 1080i system using a newly developed LSI chip.

≥ Progressive drive

The unit is a switchable progressive and interlaced standards (1080/25P and 1080/50i) enable reader. While progressive drive is used, the signals transferred to and from the unit ae converted into interlace signais (25PsF).

≥ Data control function

When the unit is used on its own, one set of user data and four sets of scene file data can be registered. Further, by using an SD card or a Multimedia Card (optional accessory) as the setup card, up to eight sets of setup data can be stored.

<Note>

SD card and MultiMedia card used in this unit do not comply with the SD standard. Do not use cards formatted using this unit with other camera-recorders. Further, NTFS and FAT32 formatted cards cannot be used with this unit. The recommended size for SD cards is 8 MB or more and 4 MB or more for MultiMedia cards.

≥ Storage type high-sensitivity function

The unit comes with a storage type gain increase function. This is a function that makes it possible to achieve a higher sensitivity of up to 20 dB above the regular gain increase.

≥ Digital zoom function

The unit is equipped with a digital zoom employing function. This function is particularly useful when zooming further in on a subject.

≥ 12-bit A/D conversion digital signal processing

circuitry

The analog images are processed into digital data by a 12bit A/D converter with sampling frequencies of 74 MHz, and by operating the signal processor using the 74 MHz frequency, it is possible to reproduce images which are more finely detailed and achieve improvements in stability and reliability.

≥

12-axis independent color correction function

Serving as a paint function, this facility enables the colors for 12 axes to be compensated for independently and is very useful for creating finely detailed images.

≥ MARKER SELECT button

At the front of the unit is a button for checking the information concerning the markers on the viewfinder screen. This is useful for checking the picture angle, for instance, during shooting.

≥ ECU supported

The unit supports the AJ-EC3E extension control unit.

≥ Single-action shoulder pad slide function

It is now possible to adjust the position where the unit is optimally balanced for operation using a single-touch action. This means that the operator can easily optimize the unit’s balance when the lens, battery and other peripheral camera devices have been installed on the unit.

Chapter 1 General

1-2 Features of the VTR unit

≥

DVCPRO HD EX format system supported

The VTR unit employs the DVCPRO HD EX recording format that supports the 1080i/25PsF,50i HD system. Using the latest compression technology, it achieves two times the economy of conventional DVCPRO HD format.

≥ Power-saving management function

In order to reduce its power consumption efficiently, the unit has a function that shuts down circuitry that is not required for the particular VTR mode established at the time. This enables the user to perform operations while conserving power.

≥ Pre-recording function featured

This function makes it possible to record the pictures and sound up to 10 seconds ahead of the point in time when recording is commenced by pressing the REC START button or VTR button on the lens. It is effective in preventing shots from being missed.

≥ Interval REC function provided

This unit is capable of interval shooting. This unit makes it possible to conduct recording in intervals with a minimum recording time in increments of one frame. This is particularly useful for shooting science and nature programs. Furthermore, when the unit is used for one-shot recording, frame-by-frame shooting is easily accomplished.

≥ RETAKE function

This function is for not leaving behind superfluous cuts when a cut turns out to be no good during the shooting of news, reports or art programmes. By cutting down on the time taken for copying onto the work tape, for instance, this function is very effective in achieving economical operation. Users should remember to handle this function very carefully.

≥ UniSlot wireless receiver

The unit’s construction supports a slot-in wireless receiver which is available as an optional accessory.

≥ Built-in DOLBY NR system

The CUE audio recording circuitry contains a Dolby B noise reduction circuit.

≥

Dolby noise reduction manufactured under license from Dolby Laboratories Licensing Corporation.

≥

“DOLBY” and the double-D symbol Îare trademarks of Dolby Laboratories Licensing Corporation.

≥ Frame-to-frame continuity

Simply by pressing the REC START button or VTR button on the lens, the continuity from one frame to the next is assured with a precision of +1 frame or less.

≥ Rec-review function

This automatically rewinds the tape for the last 2 to 10 seconds recorded and plays back the recording. This enables the recording to be monitored easily.

≥ Built-in time code generator/reader

This enables the time code information to be recorded on the dedicated sub-code track and played back.

≥ Metadata supported

The unit allows information from the AJ-GPS900G GPS unit to be recorded on tape as the metadata UMID information. This is useful when it comes to managing on-tape information.

≥

SD down-converter output supported

This unit makes it possible to output SD down-converter signals from its VIDEO OUT connector.

≥ Input signals of 4 separate audio channels

supported

The unit enables the audio input signals in four channels to be selected separately. Further, the level of the signal in each channel can be monitored on the LCD display window.

≥ Front audio level control

The unit’s front panel is equipped with a control for adjusting the audio recording level. This is useful when the user is filming on his or her own and the audio level needs to be adjusted. It also is possible to cancel the effect of this control.

Chapter 1 General

1-3 System configuration

Microphone kit: AJ-MC900G

Viewfinders: AJ-HVF20B (Mic holder provided)

Microphone holder: AJ-MH800G

Lens (Bayonet type): Fujinon, Canon

GPS unit: AJ-GPS900G

UniSlot wireless microphone receiver: Sennheiser EK3041

Video camera-recorder: AJ-HDX400

Extension control unit: AJ-EC3E

V-mount type battery plate

NP-1 type battery holder

BP-90 type battery holder

AC adapter: AJ-B75

Battery

PRO14, TRIM14, HYTRON50/100/120, DIONIC90/160

ENDURA50/80, BP-L60/90

NP-L50

BP-H120, HP-90L

Rain cover: SHAN-RC700

Soft carrying case: AJ-SC900

(not available in some area.)

Hard carrying case: AJ-HT901G

Tripod adapter: SHAN-TM700

SD memory cards Multimedia cards

Cleaning tape: AJ-CL12MP

M Cassette tapes: AJ-HP33EMG

Chapter 2 Parts and their functions

;

2-1 Power supply and accessory mounting section

1 POWER switch

This switch turns the power ON and OFF.

2 Battery mount

This is for attaching the Anton Bauer battery pack.

3 DC IN (external power input) socket (XLR, 4-pin)

When operating this unit using an AC power source, this socket is connected to the model AJ-B75 AC adapter (optional accessory).

4 BREAKER switch

If an excessively high current flows inside the unit due to some problem or other, the circuit breaker is tripped and the power is automatically turned off to protect the unit. Push this button in after an inspection has been conducted or repairs performed inside the unit by a qualified service person. If there are no problems, the power will come back on.

5 GPS connector

The connector from AJ-GPS900G, a GPS unit available as an optional accessory, is connected here.

6 Shoulder belt fittings

The shoulder belt is attached here.

: Lens mount cap

To remove the cap, push the lens lever 9 up. Keep the cap in place while the lens is not attached.

; Lens cable/microphone cable clamp

This clamp is for anchoring the lens cable or microphone cable.

< Tripod mount

Mount the tripod adapter (SHAN-TM700), available as an optional accessory, when the unit is to be anchored to a tripod.

= LENS jack (12-pin)

The connecting cord of the lens is connected to this jack. For further details on the lenses that can be used, refer to the operating instructions of the lenses concerned.

> Easy-to-adjust shoulder pad

The position of the shoulder pad can be adjusted backward or forward so that the unit is balanced when it is carried on the user’s shoulder.

7 Light shoe

Use this to attach the video light, etc.

8 Lens mount (bayonet type)

The lens is attached to this mount.

9 Lens lever

This lever is tightened to secure the lens after it has been attached to the lens mount.

Chapter 2 Parts and their functions

;

2-2 Audio function section (input system)

1 MIC IN (microphone input) jack (XLR, 5-pin)

Connect the microphone (optional accessory) here. The power for the microphone is supplied from this jack.

2 AUDIO LEVEL CH1/CH2 (audio channel 1 & 2 recording

level adjustment) controls

When the AUDIO SELECT CH1/CH2 switch 3 is set to MAN, the recording level of audio channels 1 and 2 can be adjusted using these controls. The controls come with a locking mechanism. Therefore, to adjust the recording level, simultaneously push in and turn the controls.

3 AUDIO SELECT CH1/CH2 (audio channel 1 & 2

automatic/manual level adjustment selector) switch

This is used to select the method for adjusting the recording levels of audio channels 1 and 2.

AUTO : Set here for automatic adjustment. MAN : Set here for manual adjustment.

4 AUDIO IN (audio input selector) switch

These are used to select the input signals to be recorded on audio channels 1 and 2.

FRONT :

The input signals supplied from the microphone which has been connected to the MIC IN jack 1 are recorded.

W.L. (wireless) :

The input signals from the slot-in wireless microphone receiver are recorded.

REAR :

The audio input signals supplied from the audio component which has been connected to the AUDIO IN CH1/CH2 connectors 5 are recorded.

5 AUDIO IN CH1/CH2 (audio input channel 1 & 2)

connectors (XLR, 3-pin)

An audio component or microphones are connected here.

6 LINE/MIC/+48V (line input/mic input/mic input + 48V)

selector switch

This is used to switch the audio input signals from the audio component which has been connected to the AUDIO IN CH1/CH2 connectors 5. LINE : The audio input signals from the audio component

serving as the line input are selected.

MIC : The audio input signals from the internal power

supply type of microphone are selected. (The phantom mic power is not supplied from the unit.)

+48V : The audio input signals from the external power

supply type of microphone are selected. (The phantom mic power is supplied from the unit.)

7 Wireless receiver slot

The UniSlot wireless receiver (optional accessory) can be attached here.

8 FRONT AUDIO LEVEL (audio recording level

adjustment) control

This enables the recording level of audio channels 1 and 2 to be adjusted. This level can be adjusted regardless of the setting position of the AUDIO SELECT switch. When the <MIC/AUDIO1> screen is opened from the VTR MENU page by performing a menu operation, whether to enable or disable the operation of this level control can be set using the FRONT VR CH1 and FRONT VR CH2 setting items.

Chapter 2 Parts and their functions

2-2 Audio function section (output system)

9 AUDIO OUT connector (XLR, 5-pin)

The audio signals recorded on audio channels 1 and 2 or audio channels 3 and 4 are output from this connector. The signals to be output can be selected using the MONITOR SELECT CH1/2OCH3/4 selector switch :.

: MONITOR SELECT (audio channel) CH1/2OCH3/4

selector switch

This is used to select the audio channels whose signals are to be output to the speaker, earphone and AUDIO OUT connector.

CH1/2 : The signals of audio channels 1 and 2 are output. CH3/4 : The signals of audio channels 3 and 4 are output.

In addition, the channel indications for the audio level meters appearing in the display window and viewfinder change when this switch is operated.

; MONITOR SELECT (audio selection)

CH1/3OSTOCH2/4 selector switch

This is linked with the MONITOR SELECT CH1/2OCH3/4 selector switch : and used to select the sound which is to be output from the speaker, earphone and AUDIO OUT connector.

CH1/3 : The signals of audio channel 1 or 3 are output. ST : The stereo audio signals of either audio channels

1 and 2 or audio channels 3 and 4 are output. Using a menu setting, the stereo signals can be changed to MIX signals.

CH2/4 : The signals of audio channel 2 or 4 are output.

> Speaker

The EE sound during recording or the playback sound during playback can be monitored through this speaker. The warning alarms are output in synchronization with the flashing or lighting of the warning lamps and warning displays. The sound heard from the speaker is automatically cut off when earphones are connected to the PHONES jack ?.

? PHONES (earphones) jack (mini jack)

This is the earphone (stereo) jack which is used to monitor the audio signals. When earphones are connected, the sound from the speaker is automatically cut off. The sound which is output from the two jacks (front and rear) is the same.

<Note>

When listening to sound being recorded through speakers or an earphone, there may be a slight time lag in the sound: this is normal and not indicative of malfunctioning.

@ DC OUT (DC power supply) output socket

This normally serves as the DC 12 V output socket. A current of approximately 1 A can be supplied.

MONITOR SELECT CH1/2OCH3/4 selector switch

CH1/2 CH3/4

CH1/3 Audio channel 1 Audio channel 3

CH2/4 Audio channel 2 Audio channel 4

2 Either STEREO or MIX can be selected as the setting for the MONITOR

SELECT item by opening the <MIC/AUDIO2> screen from the VTR MENU page by performing a menu operation.

< MONITOR (volume) control

This is used to adjust the volume of the monitor speaker or earphone.

= ALARM (warning alarm volume adjustment)

This is used to adjust the volume of the warning alarms from the earphones which have been connected to the speaker > or PHONES jack ?. The warning alarms are not audible when this control is at its lowest setting.

Stereo2signals of audio channels 1 and 2

Stereo2signals of audio channels 3 and 4

Chapter 2 Parts and their functions

1/;

EJECT

REW FF

STOP PLAY/PAUSE

;

2-3 Shooting and recording/

playback

function section

Shooting and recording (camera unit)

1 CC FILTER/ND FILTER (filter switching) controls

These are used to select the filter in accordance with the subject’s brightness and color temperature.

CC FILTER knob (outside, large diameter) A: Cross filter B: 3200 K C: 4300 K D: 6300 K

ND FILTER knob (inside, small diameter) 1: CLEAR (transparent) 2: 1/4 ND 3: 1/16 ND 4: 1/64 ND

∫ Examples of filter selection

Shooting conditions

Sunrise, sunset, inside a studio B (3200 K) Outdoors under a clear sky C (4300 K) or

Outdoors under cloudy or rainy skies

Snowscapes, high mountains, seashores or other perfectly clear scenery

2 AUTO W/B (white/black) BAL switch

AWB : The white balance is automatically adjusted. When

the AWB memory selector switch on the side panel is set to A or B and then the AUTO W/B BAL switch is operated, the adjustment value is recorded in the memory. When VAR has been selected as the setting for AWB A and/or AWB B menus, the value will be the one set in the menu and this switch will not function. Note that this switch will also not function at the PRST position.

ABB : The black balance is automatically adjusted.

If the AUTO W/B BAL switch is held down at the ABB position for 5 or more seconds, the black shading is compensated automatically.

CC filter

D (6300 K)

C (4300 K) or D (6300 K)

1 (CLEAR) 2 (1/4 ND) or 3 (1/16 ND)

1 (CLEAR) or 2 (1/4 ND)

3 (1/16 ND) or 4 (1/64 ND)

ND filter

<Note>

When white balance or black balance are being automatically adjusted and the switch is pressed again to either the AWB side or to the ABB side, the automatic adjustment for the side pressed will be stopped. The adjusted value in this case is the value before automatic adjustment was performed.

3 SHUTTER switch

This is the ON/OFF selector switch of the electronic shutter.

OFF : The electronic shutter does not operate. ON : The electronic shutter operates. SEL : This is used when the electronic shutter speed is to

be changed. The switch is a non-locking type. The shutter speed changes each time it is operated. For further details, refer to “4-2 Setting the electronic shutter.”

4 Synchro scan adjustment switches

These switches become effective when the shutter switch 3 is set to ON and SYNCHRO SCAN is selected. They are used to adjust the synchro scan speed. When the “–” switch is pressed, the shutter speed is reduced; conversely, when the “+” switch is pressed, it is increased. During personal computer monitor shooting, etc. adjust these switches to the positions where the horizontal bar noise inside the viewfinder is decreased.

5 GAIN selector switch

This is used to select the gain of the video amplifier in accordance with the lighting conditions prevailing at the time of the shooting. The gain values for the L, M and H settings are set ahead of time on the setting menu. Their factory settings are 0 dB, 6 dB and 12 dB, respectively.

Chapter 2 Parts and their functions

6 OUTPUT/AUTO KNEE selector switch

This switch selects the video signals which are to be output from the camera unit to the VTR unit, viewfinder and/or video monitor.

CAM. AUTO KNEE ON:

The images shot by the camera are output. The AUTO KNEE circuit operates.

CAM. AUTO KNEE OFF:

The images shot by the camera are output. The MANUAL KNEE circuit operates.

BARS:

Color bar signals are output. The AUTO KNEE circuit does not operate.

AUTO KNEE function

When shooting with the level set to people or scenes against a highbrightness background, the background will be whitened out, and the buildings and scene in the background will be blurred. If the AUTO KNEE function is activated at times like this, the background will be reproduced clearly. This function is effective for shooting in the following situations:

≥ When shooting people in the shade under a clear sky ≥ When simultaneously shooting people in a car or indoors and the

outside scenery through a window

≥ When shooting scenes with a strong contrast

7 WHITE BAL (white balance memory selector) switch

This is used to select the method used to adjust the white balance.

PRST:

Set the switch to this position at times when, for instance, there is no time to adjust the white balance. The factory setting for the white balance is 3200K, but this can be changed to any other value by a menu setting. For details, refer to “4-8-5 Setting the color temperature manually.”

A or B:

When the AUTO W/B BAL switch 2 is set to AWB, the white balance is automatically adjusted, and the adjusted value is stored in memory A or memory B. For details, refer to “4-1-1 Ajusting the white balance.”

As the factory setting, the settings are to be allocated to the memory. Using a menu setting, it is also possible to allocate the color temperatures of the user's choice to memory A and memory B. For details, refer to “4-8-5 Setting the color temperature manually.”

8 MODE CHECK button

Each time this button is pressed, one of the four screen pages (STATUS screen display, !LED screen display, FUNCTION screen display and AUDIO screen display) is selected and displayed on the viewfinder to indicate the camera’s settings. This does not affect the output signals of the camera.

9 MARKER SELECT button

This is used to select the marker information displays on the viewfinder screen. Each time it is pressed, the two marker information display screens set by the menu are switched in the following sequence: A (A marker display) 5 B (B marker display) 5 OFF (no marker display) 5 A, and so on repeatedly. Note that when the power is switched ON, the display on the viewfinder screen immediately before the power was switched OFF will appear. For details, refer to “4-7-8 Marker check screen displays.”

: USER MAIN, USER 1 and USER 2 buttons

A user setting can be allocated to each of these buttons using the setting menu. When a button is pressed, the user setting mode allocated to it is selected. When the button is pressed again, the selected mode is released. For details, refer to “4-8-4 Allocating functions to the USER MAIN, USER1 and USER2 buttons.”

Shooting and recording (VTR unit)

; REC START/STOP button

When this is pressed, recording starts; when it is pressed again, recording stops. This button functions in the same way as the lens VTR button.

< VTR SAVE/STBY (tape protection) switch

This is used to select the power supply mode when the VTR has temporarily stopped recording (REC PAUSE mode). SAVE: This is the tape protection mode. The cylinder is

stopped in the half-loading status. Less power is consumed than at the STBY position, and the operating time provided by the battery is prolonged. Compared with the STBY position, it takes longer for recording to commence after the REC START button ; has been pressed. When the switch is set to this position, the VTR SAVE lamp inside the viewfinder lights.

STBY : At this position, recording is commenced as soon

as the REC START button is pressed.

<Note>

When the prescribed amount of time has elapsed in the STBY mode, the unit is automatically set to the SAVE mode. To return the unit to the STBY mode, set the VTR SAVE/STBY switch to SAVE, and then again to the STBY position.

Chapter 2 Parts and their functions

= OUTPUT SEL (output signal selection) switch

This is used to select the signals output from the VIDEO OUT connector and HD SDI connector. VTR : In the recording or other EE mode, the camera

images are output from the connectors; in the playback or other VV mode, it is the VTR’s playback signals which are output.

CAM : The camera images are output at all times. OFF : The video output is stopped and the power

reduction mode is established. Furthermore, the audio output signals are synchronized with the video signals as well. For details on the video output, refer to “4-8-2 Selecting the video output signals.”

<Note>

During recording, the output signals are not switched even when the position of this switch is changed. They are switched when the recording operation is stopped.

> CHARACTER switch

This is used to control the superimposing of the characters onto the images which are output from the VIDEO OUT connector and HD SDI connector.

ON : The characters are superimposed onto the images. OFF : The characters are not superimposed onto the

images. For details on the character types, refer to “4-8-2 Selecting the video output signals.”

? DOWNCON switch

This is used to switch the mode of the SD down-converted signals which are output from the VIDEO OUT connector.

LT BOX : Letter-box images are output. SCROP : Images with their sides cropped are output. SQUEEZE : Squeezed images are output.

@ VIDEO OUT (SD DOWNCON signal output) connector

This is the SD DOWNCON signal output connector. The SD DOWNCON signals linked to the setting of the OUTPUT SEL switch are output from here.

<Note>

Since this unit is an HD camera recorder, the color bars which are output from the SD down-conversion output connector are different from the SD standard color bars.

A ECU REMOTE (remote control) connector

The AJ-EC3E extension control unit (optional accessory) is connected here.

C GENLOCK IN connector

The HD Y reference signal is supplied to this connector when the camera unit is to be gen-locked or the time code is to be externally locked. PAL composite video signals may be input as the reference signal instead but, in this case, the H phase cannot be adjusted. Also, it is not possible to externally lock the sub carrier of the unit’s down-converter output (composite video signal).

D EJECT button

This is pressed to insert or eject the cassette.

E STOP button

This is pressed to stop the tape travel.

F PLAY/PAUSE button

This is pressed to view the playback picture on the viewfinder screen or using a color video monitor. The button’s lamp comes on during playback. When it is pressed during playback, the unit is set to pause in the playback mode (PLAY PAUSE), and the button’s lamp flashes. If the unit is left in the pause mode for two minutes, it automatically changes to the stop (STOP) mode.

G REW (rewind) button and lamp

When this button is pressed during stop, the tape is reviewed at high speed. Its lamp lights at this time. When it is pressed during playback or pause, the tape is reviewed at approximately 4 times the normal tape speed. Both the PLAY lamp and REW lamp light at this time.

H FF (fast forward) button and lamp

When this button is pressed during stop, the tape is cued at high speed. Its lamp lights at this time. When it is pressed during playback or pause, the tape is cued at approximately 4 times the normal tape speed. Both the PLAY lamp and FF lamp light at this time.

I EMERGENCY screw (inside rubber cap)

If the cassette does not eject even when the EJECT button is pressed, use a screwdriver or similar implement to push and turn the EMERGENCY screw at the same time: this will cause the cassette to be ejected. For details, refer to “6-3-3 Emergency eject.”

B HD SDI (video and audio) connector

This is the connector for outputting the video signal which is used for monitoring. The video signals linked to the setting of the OUTPUT SEL switch are output from here. Whether characters are to be superimposed onto the images output from the VIDEO OUT connector can be selected separately using the internal menu. For details, refer to “4-8-2 Selecting the video output signals.”

Chapter 2 Parts and their functions

4 3

2-4 Menu operation section

1 MENU button

This is used to switch the menu ON and OFF.

2 JOG dial button

This is used to select the menu items and perform settings when the MENU button 1 is at the ON position.

3 Setup card insertion slot

This is where the SD card (optional accessory) or Multimedia card (optional accessory) is inserted into the unit.

4 BUSY (operation mode display) lamp

This lamp shows the operation mode of the setup card. It lights during operation.

<Note>

When this lamp is lighted, refrain from inserting or removing the card.

Chapter 2 Parts and their functions

2-5 Time code related section

1 GENLOCK IN connector (BNC)

The HD Y reference signal is supplied to this connector when the camera unit is to be gen-locked or the time code is to be externally locked. It is also possible to supply PAL composite video signals instead as the reference signal.

2 TC IN connector (BNC)

Supply the time code which will serve as the reference to this connector when externally locking the time code.

3 TC OUT connector (BNC)

To lock the time code of an external VTR to the unit’s time code, connect this connector to the time code input (TC IN) connector on the external VTR.

4 HOLD button

The time data display of the counter display section which was on the screen at the moment when this button is pressed is held. (However, the time code generator keeps running.) When the button is pressed again, the hold status is released. It is used, for instance, to find out the time code or CTL counter value at which a particular scene was shot.

5 RESET button

This is used to reset the time data on the counter display section to “00:00:00:00.” If it is pressed while the TCG switch 9 is at the SET position, the time code data and user bits data are respectively reset to “00:00:00:00.”

7 “+” button, “–” button

These are used to increment or decrement by 1 the figure in the digit which was made to flash by the SHIFT button 8 when the time code or user bits are to be set.

8 SHIFT button

This causes the digit to be set to flash when the time code or user bits are to be set.

9 TCG (time code selector) switch

This is used to set the running mode of the built-in time code generator. F-RUN : Set here to have the time code run all the time

regardless of the VTR’s operation. This position is used to align the time code with the time or externally lock the time code.

SET : Set here when the time code or user bits are to be

set.

R-RUN : Set here to have the time code run only during

recording. The time code on the tape with sceneto-scene continuity is recorded continuously.

6 DISPLAY switch

This is used to display the time code, CTL or user bits on the counter display section depending on the setting positions of this switch and the TCG switch 9.

UB : The user bits are displayed. TC : The time code is displayed. CTL : CTL is displayed.

Chapter 2 Parts and their functions

CTL

SE RVO

HUMID

SLACK

TAPE

Y minM

frm

13 24

VTCG

TIME DATE

P-iREC

SLAVE HOLD GPS

BATT

OVER OVER

-dB

CTL

SE RVO

HUMID

SLACK

TAPE

Y minM

frm

13 24

VTCG

TIME DATE

P-iREC

SLAVE HOLD GPS

BATT

OVER OVER

-dB

2-6 Warning/status display section 2-7 Display window and its displays

Remaining tape and remaining battery charge and audio channel level displays

Remaining tape display

The remaining tape time is displayed using 7 segments. The remaining tape time indicated by each segment is set to 3 minutes or 5 minutes using TAPE REMAIN/∫ on the VTR MENU “BATTERY/TAPE” screen. Each time the number of minutes set for the segments elapses, one segment is cleared.

1 Back tally lamp

When the back tally switch 2 is set to ON, this lamp serves the same function as the front tally lamp in the viewfinder.

2 Back tally switch

This is used to control the unit’s back tally lamp 1 and rear tally lamp 6.

ON : The back tally lamp and rear tally lamp operate. OFF : The back tally lamp and rear tally lamp do not

operate.

3 WARNING lamp

When a problem of some form or other occurs within the VTR unit, this lamp flashes or lights.

4 LIGHT switch

This controls the lighting of the display window. Each time it is pressed, the lighting of the display window

5 is set in turn from on to off or vice versa.

5 Display window

This displays the alarms, remaining battery charge, audio levels, time data, etc. relating to the VTR unit.

Remaining battery charge display

If a battery with a digital display (% display) is used, all 7 segments up to the “F” position light when the 70% or more of the battery charge remains. When there is less than 70% of the battery charge remaining, the segments go out one by one in sequence every time the remaining charge drops by 10%. It is also possible to set all 7 segments to light at a 100% battery charge by selecting 100% as the setting for BATT REMAIN FULL on the <BATTERY/TAPE> screen of the VTR menu.

Audio channel level meter

When the MONITOR SELECT CH1/2OCH3/4 switch is set to CH1/2, numbers 1 and 2 indicating the audio channels appear, and the CH1 and CH2 audio levels are displayed. Conversely, when it is set to CH3/4, numbers 3 and 4 indicating the audio channels appear, and the CH3 and CH4 audio levels are displayed.

Displays relating to the VTR unit’s operations and modes

Error code display

(for details, refer to “6-3 Warning system”)

6 Rear TALLY lamp

When the back tally switch 2 is set to ON, this lamp operates in exactly the same way as the back tally lamp.

Warning displays

RF: Clogged video head SERVO: Servo disturbance HUMID: Formation of condensation on the head drum SLACK: Problem in tape take-up

For details, refer to “6-3 Warning system.”

Chapter 2 Parts and their functions

CTL

SE RVO

HUMID

SLACK

TAPE

Y minM

frm

13 24

VTCG

TIME DATE

P-iREC

SLAVE HOLD GPS

BATT

OVER OVER

-dB

Mode displays

GPS: Lights when signals cannot be received during GPS operation. GPS : Lights when signals are being received during GPS operation. P-REC: Lights in pre-recording mode and flashes during the time set for

pre-recording after the tally lamp for recording has turned off.

iREC: Lights during recording when the interval recording mode is

established; flashes during recording standby.

i: Flashes when the interval recording mode has been selected.

Displays relating to the time code

SLAVE: Lights when the time code is locked externally. HOLD: Lights when the time generator/reader value is being held. CTL: Lights when CTL is selected by the DISPLAY switch and the

CTL count value is displayed.

TCG: Lights when TC (or UB) is selected by the DISPLAY switch and

the TC (or UB) generator value is displayed.

TC: Lights when TC (or UB) is selected by the DISPLAY switch and

the TC (or UB) reader value is displayed.

VTCG: Lights when UB is selected by the DISPLAY switch and the

VIUB generator value is displayed.

VTC: Lights when UB is selected by the DISPLAY switch and the

VIUB reader value is displayed.

TIME: Lights when UB is selected by the DISPLAY switch and the

values of the hour, minutes and seconds in real time are displayed.

DATE: Lights when UB is selected by the DISPLAY switch and the

values of the year, month and day are displayed in real time.

No display: Remains off when UB is selected by the DISPLAY switch and

the real-time values of the hour and minutes in the time zone are displayed.

Time counter display:

The time code, CTL, user bits and real time are displayed.

Time code-related switch settings and display items

TCG switch position

SET

F-RUN or R-RUN

DISPLAY switch

position

TC or CTL Time code

UB User bits

CTL CTL

TC Time code

UB User bits

Display item

<Note>

When UB has been selected by the DISPLAY switch, each time the HOLD button is pressed, the setting is switched in the following sequence: VTCG (VTC) 5 DATE 5 TIME 5 no display (time zone) 5 TCG (TC) and so on repeatedly.

Chapter 2 Parts and their functions

OFF

7;=

3645

2-8 Viewfinder section

1 Viewfinder (optional accessory)

While recording or playback is underway, pictures can be viewed through the viewfinder in black and white. The warning displays concerning the unit’s operation statuses and settings, messages, zebra patterns and markers (safety zone markers and center marker) can also be seen in the viewfinder.

2 ZEBRA (zebra pattern) switch

This is used to display the zebra pattern in the viewfinder.

ON : The zebra pattern is displayed. OFF : The zebra pattern is not displayed.

8 Back tally lamp

This lamp lights while the VTR unit is recording. It also flashes to provide a warning display like the REC lamp inside the viewfinder. When the lever is set to OFF, the back tally lamp is hidden.

9 Eyepiece

: Diopter adjustment ring

This is adjusted in line with the camera operator’s diopter in such a way that the user can see the image on the viewfinder screen most clearly.

; Connecting plug

< Locking ring

= Microphone holder

> Viewfinder stopper

This is used to attach and remove the viewfinder.

3 TALLY switch

This is used to control the front tally lamp 7.

HIGH: The brightness of the front tally lamp is increased. OFF : The front tally lamp is turned off. LOW : The brightness of the front tally lamp is reduced.

4 PEAKING control

This is used to adjust the outlines of the images seen inside the viewfinder to make focusing easier. Its adjustment does not affect the output signals of the camera.

5 CONTRAST control

This is used to adjust the contrast of the picture seen inside the viewfinder. Its adjustment does not affect the output signals of the camera.

6 BRIGHT control

This is used to adjust the brightness of the picture seen inside the viewfinder. Its adjustment does not affect the output signals of the camera.

7 Front tally lamp

This lamp is activated when the TALLY switch 3 is set to the HIGH or LOW position, and it lights while the VTR unit is recording. It also flashes to provide a warning display like the REC lamp inside the viewfinder. The lamp’s brightness (HIGH or LOW) when it is lighted can be selected using the TALLY switch.

? Viewfinder left-right position anchoring ring

This is used to adjust the left-right position of the viewfinder.

@ Viewfinder front-back position anchoring ring

This is used to adjust the front-back position of the viewfinder.

<Note>

For details, refer to “5-2 Attaching the viewfinder and adjusting its position.”

Chapter 3 Recording and playback

REC

SAVE

3-1 Cassette tapes

Loading a cassette tape

Set the POWER switch to ON.

<Note>

When condensation has formed inside the unit, the HUMID display lights. Wait until this display is cleared before proceeding with the intended operation.

HUMID display

POWER: ON

Press the EJECT button.

The cassette holder opens.

EJECT button

Checking for tape slack

Gently push in the reel using your finger and turn the reel in the direction of the arrow. If the reel fails to turn, it means there is no tape slack.

Ejecting the cassette tape

While the power is still on, press the EJECT button to open the cassette holder, and take out the cassette tape. If another cassette is not going to be loaded immediately after this tape is ejected, close the cassette holder.

Ejecting the cassette when the battery has no charge

First, set the POWER switch to OFF to turn off the unit’s power. Then turn the power back on, and immediately hold down the EJECT button. The cassette can be removed when there is still some power left in the battery. However, do not repeat this operation.

Cassette holder

Insert the cassette tape and press the part marked with

the arrow to close the cassette holder securely.

<Note>

Check that there is no slack in the tape of the cassette.

To prevent accidental erasure

Set the cassette’s tab to SAVE to prevent the recordings on the tape from being erased accidentally.

Chapter 3 Recording and playback

3-2 Basic procedures

This section describes the basic steps for shooting and recording. Before actually departing to shoot scenes, carry out inspections to ensure that the system is functioning properly.

* For details on how to perform these inspections, refer to “6-1

Inspections prior to shooting.”

From providing the power supply to loading the cassette

Attach a fully charged battery pack.

Set the POWER switch to ON. Now check that the

HUMID display is not showing and that at least 5 segments of the remaining battery charge display are lighted.

≥If the HUMID display is showing, wait until it goes off. ≥When five or more segments of the remaining battery

charge display have not lighted, first check the battery setting. If there is nothing wrong with the battery setting, replace the existing battery pack with a fully charged battery pack.

Check that there are no cables around the cassette

holder or top panel, and then press the EJECT button to open the cassette holder.

Up to performing the switch settings

Provide the power supply, and load the cassette. Next, set each switch as shown in the figure below, and then proceed to operate.

Switch settings for shooting and recording

AUDIO SELECT CH 1/CH 2:

AUTO

TCG:

F-RUN or R-RUN

Aperture:

Automatic

OUTPUT:

CAM/AUTO KNEE ON

GAIN:

Normally set to 0 dB; change to a more suitable value if the picture is too dark.

After checking the following points, insert the cassette

tape and close the cassette holder.

≥Position of the accidental erasure prevent tab ≥Tape slack

Chapter 3 Recording and playback

132-1, 2, 32-34 5, 6

Procedure for shooting

From adjusting the white balance and black balance to stopping the recording

Select the filter to match the lighting conditions.

If the white balance has been stored in the memory

2-1

ahead of time:

Set the WHITE BAL switch to “A” or “B.”

If the white balance and/or black balance have not

2-2

been stored in the memory and there is no time to adjust the white balance:

Set the WHITE BAL switch to PRST. The white balance for the filter is achieved in accordance with the setting position of the FILTER control (outer).

When adjusting the white balance on the spot:

2-3

Select the filter to match the lighting conditions, set the WHITE BAL switch to “A” or “B” and adjust the white balance as follows:

1 Press the AUTO W/B BAL switch to the AWB

position and adjust the white balance.

2 Press the AUTO W/B BAL switch to the ABB

position and adjust the black balance.

3 Press the AUTO W/B BAL switch to the AWB

position and adjust the white balance again.

* For details on how to perform the adjustments, refer to “4-1-1

Adjusting the white balance” and “4-1-2 Adjusting the black balance.”

From adjusting the white balance and black balance to stopping the recording

Point the camera at the subject, and adjust the focus and

zoom.

When the electronic shutter is to be used, set the shutter

speed and operating mode.

* For further details, refer to “4-2 Setting the electronic shutter.”

Press the REC START button or lens VTR button to start

recording. During recording, the REC lamp inside the viewfinder lights.

To stop the recording, press the REC START button

again. The REC lamp inside the viewfinder goes off.

Tape function buttons

During recording, the tape function buttons (EJECT, REW, FF, PLAY/PAUSE and STOP) will not work.

Chapter 3 Recording and playback

3-3

Scene-to-scene continuity

3-4

PRE-RECORDING function

Maintaining continuity from one scene to the next at an accuracy of +1 frame or less can be assured simply by pressing the REC START button or VTR button on the lens while the unit is in the rec-pause mode. If the unit is in a mode other than rec-pause, the point at which the scene-to-scene continuity is to be maintained must be located before recording is started.

Scene-to-scene continuity during rec-pause

The scene-to-scene continuity timing is located automatically. However, the time taken until the start of recording differs depending on the setting of the VTR SAVE/STBY switch. ≥ When the VTR SAVE/STBY switch is set to SAVE,

recording commences about two seconds after the REC START button is pressed.

≥ When the VTR SAVE/STBY switch is set to STBY,

recording commences as soon as the REC START button is pressed.

Ensuring scene-to-scene continuity after the power was turned off while the unit was in the rec-pause mode

Switch the power back on.

By always storing a few seconds’ worth (maximum of 10 seconds) of audio and video data shot by the camera, it is possible to record video and audio signals a number of seconds before recording is actually started by pressing the REC START button or the VTR button on the lens. In order for this function to be used, it is necessary to open the <REC FUNCTION> screen from the SYSTEM SETTING page and set the data storage time in the memory using the PRE REC MODE item by performing menu operations. The PRE REC MODE item settings are described below.

OFF: The PRE-RECORDING function is not activated. 0-10SEC: A value from 0 to 10 seconds is set as the length

of time for which the video and audio signals can be recorded before the REC START button or VTR button on the lens is pressed.

Real-time video signals Real-time audio signals

PRE-REC time set

What is recorded on the tape

REC start

(recording start)

Previous cut

REC pause

Press the REC START button or lens VTR button to start

the recording.

<Notes>

≥ The data contained in the storage memory becomes

unstable immediately after the power is turned on, immediately after the PRE REC MODE item setting is selected or its set time has been changed, and immediately after playback or rec-review has been performed. Immediately after any of these operations, therefore, the video and audio signals will not be pre-recorded for the duration set when recording is started by pressing the REC START button or VTR button on the lens.

≥ The video data and audio data are not stored in the storage

memory while playback or rec-review is being performed. This means that the pre-recording will not include the video and audio signals supplied during a playback or rec-review operation.

≥ Bear in mind that when the ZOOM UP function is activated

during the time set for pre-recording as a focus assist function in the progressive mode, the zoomed-in image will remain in the memory and end up being recorded on the tape.

≥ When recording has been started, the time code (TCG)

display may remain in the hold status until it is possible for the time code (TCR) on the tape to be read.

Chapter 3 Recording and playback

122

N-1

3-5 INTERVAL REC function

This unit enables recording in intervals with a minimum recording time in increments of one frame to be conducted. In order for this function to be used, it is necessary by performing menu operations to open the <REC FUNCTION> screen from the SYSTEM SETTING page, select the interval recording mode using the INTERVAL REC MODE item, and set the recording time (REC TIME), interval pause time (PAUSE TIME) and time required for shooting (TOTAL TAKE TIME). Upon completion of the settings, the total shooting time (TOTAL REC TIME) is automatically calculated and displayed. The INTERVAL REC MODE item settings are described below.

OFF: Interval recording is not performed. ON: Interval recording is performed. ONE SHOT:

One-shot interval recording is performed for the time which was selected by the REC TIME setting.

Procedure for shooting in the ON modes of INTERVAL REC

After performing the basic operations for shooting and

recording as set forth in “3-2 Basic procedures,” secure the unit in such a way that it will not move.

Press the unit’s REC START button or the VTR button on

the lens. Interval recording now starts. When the set TOTAL TAKE TIME has elapsed, recording is ended automatically. As mentioned in “2-7 Display window and its displays,” “i” flashes when the INTERVAL REC mode is selected. As soon as recording starts, “iREC” lights. During rec-pause, “iREC” flashes. Exactly what mode is established in the unit can be ascertained by observing these displays. The same displays as the ones in the display window also appear inside the viewfinder, and the TALLY lamp lights while recording is underway. Further, when the pause time has been set to 2 minutes or more, the tally lamp blinks at 5 second intervals to inform the operator. Further, when pause time has been set to 2 minutes or more, the tally lamp blinks at 5 second intervals to indicate when recording is paused. Under these conditions, the tally lamp will also flash 3 seconds before recording starts.

When recording is to be suspended at any time

Press the STOP button. Recording is now suspended. O The tape may continue to run since the unit will record the

images stored in the memory until the moment when the button is pressed.

When the recording is to be continued

Press the unit’s REC START button or VTR button on the lens once more. Interval recording is now started again.

When the INTERVAL REC mode is to be exited

There are two ways to do this.

1) Set the unit’s POWER switch to OFF.

2) Perform a menu operation and select OFF as the INTERVAL REC MODE item setting.

Procedure for shooting in the ONE SHOT mode

Follow the procedure below for shooting after the settings for the interval recording mode have been completed.

After performing the basic operations for shooting and

recording as set forth in “3-2 Basic procedures,” secure the unit in such a way that it will not move.

Press the unit’s REC START button or the VTR button on

the lens. When the set REC TIME has elapsed, the recording is ended automatically. As mentioned in “2-7 Display window and its displays,” “i” flashes when the INTERVAL REC mode is selected. As soon as recording starts, “iREC” lights. When the recording ends, “iREC” flashes. The same displays as the ones in the display window also appear inside the viewfinder, and the TALLY lamp lights while recording is underway.

iREC

start

Real-time video signals Real-time audio signals

Time base

REC TIME

(recording time = t1)

iREC start Time base

Real-time video signals Real-time audio signals

TOTAL TAKE TIME

(time required for shooting)

What is recorded on the tape

(time during which signals are recorded on tape)

TOTAL REC TIME

REC TIME (recording

time = t1)

PAUSE TIME

(pause time

= t2)

What is recorded on the tape Previous cut

Chapter 3 Recording and playback

When the recording is to be continued

Press the unit’s REC START button or VTR button on the lens once more. One-shot recording is now started again.

When the ONE SHOT mode of INTERVAL REC is to be exited

There are two ways to do this.

1) Set the unit’s POWER switch to OFF.

2) Perform a menu operation and select OFF as the INTERVAL REC MODE item setting.

Checkpoints common to all INTERVAL REC modes

≥ Sound-related

Whether the sound is to be recorded or not during interval recording is set by setting ON or OFF for the AUDIO REC item on the <REC FUNCTION> screen.

≥ Tape function button-related

During interval recording, all the tape function buttons (EJECT, REW, FF and PLAY/STILL) except STOP do not work.

≥ The PRE RECORDING function does not work in the

INTERVAL REC mode.

≥ Starting recording quickly when unit is in pause mode

Selecting REC as the setting for one of either USER MAIN or USER1/USER2 buttons in advance enables quick start recording during pause mode when the set button is pressed. Measurement of pause mode time is continued even after quick start recording.

≥ When the unit’s power was turned off during recording

If the unit’s POWER switch was set to the OFF position during interval recording with the use of the memory, the tape will continue to run in order to record the video signals which were stored in the memory until the moment when the POWER switch was set to OFF, and then the power will automatically go off. If the battery was removed, the DC cable was disconnected or the power supplied through the AC adapter was cut off during recording, those shots (up to 5 seconds) taken prior to the moment concerned may not be recorded. Bear this in mind when the battery is to be replaced.

≥ When the tape has run out during recording

Bear in mind that if the tape has run out and stops during interval recording with the use of the memory, those shots (up to 5 seconds) taken prior to the moment when the tape stopped may not be recorded.

≥ If a PLAY, FF or REW operation is performed after one-shot

recording, the operation will be performed after the images remaining in the memory are written on the tape. While the images are being recorded, the LED of the button pressed (for play, FF or REW operation) will flash.

≥ Concerning the time code display

When recording has been started, the time code (TCG) display may remain in the hold status until it is possible for the time code (TCR) on the tape to be read.

≥ After turning the power ON, inserting a tape, or pressing

PLAY/FF/REW, the first recording made with INTERVAL REC (including ONE SHOT mode) will be about 1 second longer than the time set in the REC TIME menu option. This is to guarantee the quality of consecutive recordings and is not a defect.

3-6 RETAKE function

The RETAKE function ensures continuity with the previous cut on the tape when shooting is resumed. It is set by opening the <REC FUNCTION> screen from the SYSTEM SETTING page and selecting ON as the setting for the RETAKE MODE item by performing menu operations.

The RETAKE MODE item settings are described below. ON: The retake operation is performed when the RET button

on the lens is pressed while the MODE CHECK button is held down.

OFF: The RETAKE function does not operate.

If, when the rec-pause mode is established upon completion of the recording or the stop mode is established afterwards, the RET button on the lens is pressed while the MODE CHECK button is held down, the tape will be rewound to the approximate start point (a position advanced by 10 or so frames from the recording start) of the final image that was last recorded, and the rec-pause mode will be established. If there is some leeway in the shooting time and a “NG” condition has been clearly identified, recording can be started from this point, and the cut in the NG area will be deleted. This function is particularly useful for cutting the amount of time taken for copying onto work tapes and other such economical operations.

Direction of tape travel

Cut 1 Cut 2

When the RETAKE function is to be exited

There are two ways to do this.

1) Set the unit’s POWER switch to OFF.

2) Perform a menu operation and select OFF as the RETAKE MODE item setting.

Cut 3

Approx. 10 frames

Cut 4

Cut 3

Chapter 3 Recording and playback

3-7 Rec-review function

When recording is temporarily stopped and the lens RET button is pressed, the last two seconds of the tape are automatically rewound, and the playback pictures on this part of the tape appear on the viewfinder screen. This makes it possible to check whether recording was performed properly. After the two seconds of the tape have been played back, the unit is again set to the recording start standby mode. If the RET button is held down, a maximum of 10 seconds of the tape is rewound and played back. The RET button function can be allocated by opening the <USER SW> screen from the OPERATION page and selecting settings for the USER MAIN SW, USER1 SW and USER2 SW items by performing menu operations.

<Notes>

≥The rec-review function cannot be used unless recording

lasts for one or more seconds.

≥If the OUTPUT SEL switch on the side panel is at the VTR

position during the rec-review operation, the rec-review images are output not only to the viewfinder but to the video output connectors (VIDEO OUT connector and HD SDI connector) as well. Bear in mind that if back-up images are being recorded by a backup VTR that has been connected, these rec-review images will end up being recorded.

Direction of tape travel

Recording section

2 to 10 sec.

Rec-review operation

Playback of recorded section

Rec-pause

No recorded or already recorded section

Rec-pause

3-8 Normal playback and playback at

different speeds

Black-and-white playback images can be viewed in the viewfinder by pressing the PLAY button. When a color monitor is connected to the unit’s VIDEO OUT connector and an HD color video monitor is connected to its HD SDI connector at the same time, the down-converted color playback images from the VIDEO OUT connector can be viewed on the color monitor while the HD high-quality images from the HD SDI connector can be viewed on the HD color video monitor.

≥In order to view these images, the OUTPUT SEL switch on

the side panel must be set to the VTR position.

In addition, when the FF and REW buttons are used, the images can be played back at different speeds by establishing the cue mode (PLAY + FF), review mode (PLAY + REW), high-speed fast forward playback mode (FF) or high-speed rewind playback mode (REW).

Chapter 4

Adjustments and settings for recording

In order to achieve images with a consistently high picture quality with this unit, it is necessary to adjust the black balance and white balance as the individual conditions demand. To achieve a higher picture quality, it is recommended that the adjustments be performed in the following sequence: AWB (white balance adjustment) > ABB (black balance adjustment) > AWB (white balance adjustment).

4-1

Adjusting the white balance and black balance

4-1-1 Adjusting the white balance

The white balance must always be re-adjusted when the lighting conditions have changed. The white balance is adjusted automatically by following the steps below.

Set the switches as shown in the figure.

CC FILTER/ND FILTER controls

Adjust the lens aperture.

Set the AUTO W/B BAL switch to AWB, and then release

it. The switch returns to the center, and the white balance is automatically adjusted.

<Note>

When the AUTO W/B BAL switch is pressed again to the AWB side when the white balance is being adjusted automatically (AWB ACTIVE), the adjustment operation will stop. The adjusted value in this case is the value before automatic adjustment was performed.

While the adjustment is in progress, the following

message appears on the viewfinder screen.

AWB ACTIVE

Adjustment is completed in several seconds. (A message

similar to the one shown in the figure below now appears.) The adjustment value is automatically saved in the memory (A or B) which was set in step 1.

WHITE BAL: A or B

OUTPUT: CAM

AUTO W/B BAL switch:

Use this to execute AWB.

Select the CC FILTER/ND FILTER controls setting in

accordance with the lighting conditions.

<Note>

For examples of the FILTER controls settings, refer to “23 Shooting and recording/playback function section.”

Erect a white pattern at a place with the same conditions

as the source of light illuminating the subject, zoom in, and shoot the white of the pattern on the screen. A white object (such as a white cloth or white wall) near the subject may be used as a substitute for the white pattern. The size of the white object required is shown in the figure below.

<Notes>

≥Take care to keep high-brightness spots off the screen. ≥Shoot white objects in the center of the screen.

At least one-fourth of the screen width

GAIN: Normally 0 dB

Set to a more suitable gain level if it is too dark.

AWB A OK 3.2K

The message shown in the figure below appears when

the color temperature of the subject falls below 2300 K or rises above 5600 K. The downward pointing arrow indicates that the color temperature is lower than the display temperature; conversely, an upward pointing arrow indicates that the it is higher than the display temperature.

AWB A OK 2.3K

White balance detection area

The white balance detection area setting can be changed to 90%, 50% or 25% by opening the <WHITE BALANCE MODE> screen from the OPERATION page and selecting the desired setting for the AWB AREA item by performing menu operations. The factory setting is 25%.

90%

50%

25%

At least one-fourth of the screen height

Chapter 4

Adjustments and settings for recording

When there is no time to adjust the white balance

Set the WHITE BAL switch to PRST. The white balance for the filter is achieved in accordance with the setting position of the FILTER control (outer).

When the white balance cannot be adjusted automatically

When the white balance adjustment was not completed correctly, one of the following error messages will appear on the viewfinder screen. When an error message is displayed, take the recommended action, and try adjusting the white balance again. If the error message persists even after repeated attempts, the inside of the unit must be inspected. For details, contact your nearest service center or your dealer.

Messages relating to white balance adjustment

Error

message

COLOR TEMP. HIGH

LOW

LOW LIGHT There is not enough light.

LEVEL OVER There is too much light.

CHECK FILTER The setting position of the

TIME OVER AWB was not completed

Color temperature is too high.

Color temperature is too low.

filter selector control is not correct.

within the allotted time.

Meaning Recommended action

Select a suitable filter.

Select a suitable filter.COLOR TEMP.

Increase the amount of light or increase the gain.

Reduce the amount of light or reduce the gain.

Check the filter selector control.

The shooting conditions may be unstable. If flicker occurs, engage the shutter and shoot again under stable conditions.

Viewfinder screen displays relating to the white balance

For details, refer to “4-7 Viewfinder screen status displays.”

White balance memories

The values stored in the memories are retained even after the unit’s power has been turned off until the white balance is next adjusted. There are two sets of white balance memories, A and B. When ON has been selected (initial setting) as the setting for the FILTER INH item on the <WHITE BALANCE MODE> screen opened from the OPERATION page by performing menu operations, the number of memories is limited to one in A and one in B. In this case, the memory contents are not coupled with the CC filter. When FILTER INH is set to OFF, the adjustment values for each CC filter can be automatically saved in the memories corresponding to the WHITE BAL switch settings (A or B). This unit contains four filters so that a total of 8 (4a2) adjustment values are saved. Note that when VAR has been selected for AWB A and AWB B items of the <WHITE BALANCE MODE> screen, the values will be the fixed color temperature settings established with the COLOR TEMP A and COLOR TEMP B settings and they cannot be adjusted using the AWB switch.

Chapter 4

Adjustments and settings for recording

4-1-2 Adjusting the black balance

The black balance needs to be adjusted in the following cases:

≥When the unit is used for the first time ≥When the unit is used after it has not been used for a

prolonged period of time

≥When the unit is used in an ambient temperature which has

fluctuated significantly

≥When the value selected for the gain switch has been

changed

≥When the super gain setting has been performed using the

USER MAIN, USER1 or USER2 button

≥When the gamma ON/OFF setting has been changed

Set the switches as shown in the figure.

<Notes>

≥Check that the lens connector has been connected and

that the lens aperture is set to CLOSE.

≥While the black balance is being adjusted, the aperture

is automatically set to the light-shielding status.

≥While the black balance is being adjusted, the gain

selector circuit is switched automatically. Flicker or noise may appear on the viewfinder screen, but this is not indicative of malfunctioning.

≥If the black shading is still unsatisfactory although the

“ABB OK” message is displayed, perform menu operations to open the <BLACK SHADING> screen from the MAINTENANCE page, move the arrow mark (>) to the DETECTION item, press the JOG dial button, and proceed with the black shading adjustment. If the ABB switch is held down for 5 or more seconds, the black shading can be automatically adjusted after the ABB operation. (See the SHD.ABB SW CTL item under “7-5-5 SW MODE.”)

≥If the AUTO W/B BAL switch is pushed down to the

ABB position again while the black balance is being automatically adjusted (ABB ACTIVE), the adjustment will be aborted. The adjusted value in this case is the value before automatic adjustment was performed.

AUTO W/B BAL switch:

Use this to execute ABB.

Set the AUTO W/B BAL switch to the ABB position, and

then release it. The switch returns to the center, and the adjustment is performed.

While the adjustment is in progress, the following

message appears on the viewfinder screen.

ABB ACTIVE

<Note>

While the adjustment is in progress, the lens aperture is automatically set to CLOSE.

Adjustment is completed in several seconds. (A message

similar to the one shown in the figure below now appears.) The adjustment value is automatically saved in the memory.

OUTPUT: CAM

Black balance memory

The values stored in the memory are retained even after the unit’s power has been turned off.

ABB OK

Chapter 4

POSITION

POSITION2POSITION3POSITION4POSITION5POSITION

Adjustments and settings for recording

4-2 Setting the electronic shutter

This section describes the unit’s electronic shutter, its settings and operations.

4-2-1 Shutter modes

The table below lists the shutter modes in which the unit’s electronic shutter can be used as well as the shutter speeds which can be selected.

Mode Shutter speed Applications

Standard POSITION1 - 6

SYNCHRO SCAN

When the camera modo is 50i

Within the

209.4

Hz range When the camera modo is 25P

Within the

209.4

Hz range

50.2

25.2

For shooting fast-moving subjects clearly.

For shooting monitor screens in a way that minimizes the pattern of horizontal lines.

Hz to

<Notes>

O No matter in which mode the electronic shutter is used, the

higher the shutter speed, the lower the camera’s sensitivity.

O When the aperture is in the automatic mode, it will

increasingly open and the depth of focus will become shallower as the shutter speed is increased.

4-2-2 Setting the shutter mode and speed

The shutter speeds used in the shutter mode are set by switching the SHUTTER switch. The shutter speeds in the SYNCHRO SCAN mode can easily be changed using the SYNCHRO SCAN (+ and –) buttons on the side panel. Open the <SHUTTER SPEED> screen and <SHUTTER SELECT> screen from the OPERATION page by performing menu operations. It is now possible to restrict the shutter speed selection range to the required range beforehand and/or select whether to use the SYNCHRO SCAN mode and SUPER V mode beforehand. Once selected, the shutter speed is retained even after the unit’s power has been turned off.

< SHUTTER SELECT >

POSITION1 SEL :1/60 POSITION2 SEL :1/120 POSITION3 SEL :1/250 POSITION4 SEL :1/500 POSITION5 SEL :1/1000 POSITION6 SEL :1/2000

Press the SHUTTER switch from ON to SEL.

SHUTTER switch

Press the SHUTTER switch to the SEL position again,

and repeat this until the desired mode or speed is displayed. When all the modes and speeds are displayed, the display will change in the sequence shown below.

Standard mode

SYNCHRO SCAN

mode

Viewfinder screen displays relating to the shutter

For details, refer to “4-7 Viewfinder screen status displays.”

< SHUTTER SPEED >

SYNCHRO SCAN :ON POSITION1 :ON POSITION2 :ON POSITION3 :ON POSITION4 :ON POSITION5 :ON POSITION6 :ON

+ 72 hidden pages

Panasonic AJ-HDX400E User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

Chapter 1 General

1-1 Features of the camera unit

1-2 Features of the VTR unit

1-3 System configuration

Chapter 2 Parts and their functions

2-1 Power supply and accessory mounting section

2-4 Menu operation section

2-5 Time code related section

2-6 Warning/status display section 2-7 Display window and its displays

2-8 Viewfinder section

Chapter 3 Recording and playback

3-1 Cassette tapes

3-2 Basic procedures

Scene-to-scene continuity

PRE-RECORDING function

3-5 INTERVAL REC function

3-6 RETAKE function

3-7 Rec-review function

Adjusting the white balance and black balance

4-1-1 Adjusting the white balance

4-1-2 Adjusting the black balance

4-2 Setting the electronic shutter

4-2-1 Shutter modes

4-2-2 Setting the shutter mode and speed