Panasonic AJ-HDC27HE User Manual

AJ-HDC27H

Variable Frame-Rate HD Camera-Recorder

2

Panasonic continues to expand the boundaries of video
production with breakthrough digital image technologies that
put more expressive power in the hands of movie, TV
commercial, and episodic TV programme cinematographers.

Introducing the AJ-HDC27H, the second-generation variable
frame rate HD camera-recorder that's suitable for producing
all types of image content.

The AJ-HDC27H combines variable frame rates that emulate
the speed effects of a film camera with cine gamma image
quality that offers the sufficient latitude to take full advantage
of the full dynamic range of film theater projection.
No wonder more and more production companies have turned
to variable frame rate as their HD camera with film sensitivity
and a system capable of dramatically reducing movie
production costs.

The AJ-HDC27H inherits the basic design and features of its
predecessors while adding enhancements geared to today's
latest production needs. Everything from image quality to
functions and operating ease has been fine-tuned. Capturing
smooth, beautiful images, the new variable frame rate debuts
as a low-cost, high-quality solution to production of content
from movies and TV programmes to commercials and
music clips.

New AJ-HDC27H Functions and Specifications

•Newly developed 3CCD system

•12-bit A/D converter

•New high-resolution emulation mode

•Lens files can be written to an SD Memory Card

•Two individual HD-SDI outputs

•Frame rate switching can be assigned to a user button

Panasonic Keeps Evolving
Digital Video with the Sensitivity of Film

3

Variable Frame Rate

The Panasonic AJ-HDC27H is the video camera able to
emulate the "undercranking" and "overcranking" technique
of film cameras to slow down or speed up images. By
varying the frame rate from 4 to 60 fps and adjusting the
shutter speed from 3.0º to 350.0º (0.8% to 97.2%) of the
frame rate, you can create a wide range of cinematic
effects. And since the VTR section records at a constant
60 fps, you can edit offline with a conventional DVCPRO
HD VTR.

VARIABLE FRAME RATE

Offers Advanced Speed Effects and
Produces All Types of Content – Only the Panasonic

4

4-fps 12-fps 24-fps 36-fps 48-fps 60-fps

6X 2X 1X 0.67X 0.5X 0.4X

NormalUndercranking Overcranking

Normal Speed

Recording

Playback

Quick Motion Slow Motion

Normal Shooting at 24 fps (for Film) or 25 fps

(for TV programme)

Normal cinematic shooting is done at true 24 fps, the same

rate as in film cameras, or at the 25 fps used for TV

programmes and commercials. Discrete

720p images and a specially

developed film gamma curve create

images with the same tonal

characteristics as film.

Lower-speed Shooting at 4 to 23* fps

For example, shooting at 12 fps lets you attain a 2x fast­motion effect with playback at the cinema speed of 24 fps.
This technique can be combined with zooming to create a
warp-speed effect, such as for giving special emphasis to
flowing water, fast-moving clouds, or a person standing still
amid a bustling crowd. Decrease the shutter speed for a strobe
effect, or increase it for a ghost effect. The expressive
possibilities are endless.

*When the standard speed is 24 fps. For a standard speed of 25 fps, anything under 24 fps
will be undercranked.

Higher-speed Shooting at 25* to 60 fps

For example, shoot at 48 fps to attain a 1/2x slow-motion
effect with playback at the cinema speed of 24 fps. This is
especially effective for high-action scenes such as car chases
or spectacular crashes, or for scenes with great dramatic
impact. Unlike the slow motion captured at playback speed by
ordinary video cameras, the AJ-HDC27H captures highly dense
frames to provide a smooth, naturally flowing slow-motion
effect with vivid picture quality.

*When the standard speed is 24 fps. For a standard speed of 25 fps, anything over 26 fps
will be overcranked.

5

6

Film Gamma Selection

The extremely wide reproductive range of film is the key to
its lush expression. Panasonic's new gamma curves —
developed specifically to allow a CCD camera to produce
the tonal qualities of film — now bring film's natural
shading and rich coloration to the video camera.
The AJ-HDC27H also lets you switch between video and
film gamma modes. Film modes include "Cine Gamma" for
film using ARRI laser recorder, High End TV Production, for
monitoring and CRT base film recorders. Select the mode
that suits your production. The ISO640-equivalent
sensitivity — which surpasses even film cameras —
combines with the brightness and superior picture quality
to produce an essentially "grainless, high-sensitivity film"
effect.

CINE GAMMA

Video with the Same Latitude as Film – Only Panasonic

7

Video Ganmma Image Film Ganmma Image

Film User Menu Screen

Three Gamma Curves

•Video gamma: The conventional gamma curve
used for broadcast video cameras. Includes a
low setting for clipping.

•Cine gamma (V.REC): Designed for creating
film-like TV programmes or videos, with
virtually the same recording style that you
currently use.

•Cine gamma (F.REC): Designed for movie-
making or creating film-like commercial or
episodic TV programmes. Takes full advantage
of cine gamma capabilities to let you shoot in
the same way as when using a film camera.

Film User Menu

The AJ-HDC27H is like a film camera not only in
functions and performance, but in operation as
well. The settings you need are conveniently
grouped in a single-page menu. Use this menu
to select or adjust gamma, scan reverse
ON/OFF, hardness/softness, shadow gradation,
Y-Get , and latitude. Just as with a film camera,
you can also select tungsten or daylight type
lighting.

0%

0% 100% 200% 300% 400% 500% 600%

20%

40%

60%

80%

100%

Input

Output

Video

Cine (V. Rec)

Cine (F. Rec)

Ganmma Curve

8

The optional HD gamma corrector and frame rate converter
give you total operating ease with the AJ-HDC27H two key
features – the cine gamma curves and variable frame rate.
Add a DVCPRO HD VTR with the HD/SD multi-format
function and IEEE 1394 and HD-SDI digital interfaces, and a
nonlinear editing system that supports DVCPRO HD, and
you're fully equipped to use AJ-HDC27H-recorded content in
a wide variety of productions – movies, HD theater, HD/SD
TV broadcasts and more.

HD PRODUCTION TOTAL SYSTEM

A Total HD Production System – For Producing All Types of Image Content

AJ-FRC27
Frame Rate Converter

9

Speed Effects Achieved with Frame Rate Conversion

You can create a variety of speed effects by running sources recorded with the variable
frame rate function through the frame rate converter. The AJ-FRC27 Frame Rate Converter
extracts the effective frames from the input source, then outputs the data at the desired
frame rate. It also includes a built-in line conversion function for converting to 1080/24p
images.

Gamma Corrector for Easier Recording and Editing

Images recorded in cine gamma (F.REC) mode are flat and low in contrast, similar to a
direct negative-to-positive reversal. This produces an excellent film-like quality, but it's
difficult to check the images on a TV monitor. The AJ-GBX27 HD Gamma Corrector
greatly improves acquisition and editing ease by giving F.REC images a telecine look for
monitor use. The AJ-GBX27 also makes it easier to produce TV broadcast clips from
movie content.

Variable Frame Rate Content for a Host of Uses

By freely combining the variable frame rates 24/25-fps frame rate, gamma curves, and
variable frame rate functions, you can create virtually any type of image content.

•Movie film use: Post-edited images can be printed onto film for cinema viewing. The
resulting images have almost the same tonal quality and undercranking or overcranking
speed effects as footage from a film camera, but with higher sensitivity and lower cost.

•HD theater use: variable frame rate sources are ideal for use in HD theaters that use a
high-brightness, high-resolution HD projector. Because it does not use film, variable
frame rates footage offers greater flexibility in programme changes and inserts. It also
offers low-cost production and use.

•Commercial and music clip use: The combination of variable frame rate and a nonlinear
editing system offers many advantages, including film-like images, easy content
changes, and low overall costs.

•TV programme use: The 25-fps frame rate and conventional video gamma curve also let
you create video-based TV programmes.

NLE HD Theater

Film Theater

HD TV

AJ-HD1200AE

DVCPRO HD VTR

AJ-FRC27

Frame rate Converter

AJ-GBX27

HD Gamma

Corrector

HD Production System

AJ-HDC27H

HD Camera-Recorder

AJ-GBX27
HD Gamma Corrector

BT-LH1700W
BT-LH900
HD/SD LCD Video Monitor

PT-D7700
PT-DW7000
Large-Venue DLP Projector

AJ-HD3700B
HD-D5 VTR

AJ-HD1700
AJ-HD1200A
DVCPRO HD VTR

10

Camera section: Captures a wide range of
images for use in cinematic or broadcast
productions.

•Newly developed 3CCD system provide F12 (2,000-lux)
sensitivity, minimum illumination of 0.7 lux

•12-bit A/D converter improves gradation

•Selectable frame frequency (60.0 Hz for PAL area/59.94 Hz
for NTSC area)

•Same tungsten/daylight selection as in film cameras. Also
comes standard with two ND and CC optical filter wheels

•Picture-enhancing circuits: Auto knee, detailing, shading
compensation, 12-pole colour correction, matrix

•New high-resolution emulation mode (switchable with
normal mode)

•Up to 10 gain values ranging from –3 dB (–6 dB in video
menu) to +30 dB; 3 values can be saved as presets. Super
Gain instantly increases gain to +36 dB.

•7 shutter speeds (1/60, 1/100, 1/120, 1/250, 1/500, 1/1000,
1/2000 sec), plus 3˚-350˚ (0.8%-97.2%) variable

•Auto Black Balance (ABB) and Auto White Balance (AWB).
AWB stores two values for each set of four CC filter
positions.

•“Y Get” makes spot meter function realized on EVF

•Digital setup for numeric image control. Easy jog dial and
menu-driven operation.

•Simple cinematic settings via the Film User Menu

AJ-HDC27H CAMERA-RECORDER

Side view

Side view

Front view

Rear view

DVCPRO HD Cassette tape

Extension control unit

Combining Advanced Digital Recording
and Cinema Know-How — Only Panasonic

11

•Variable frame rate from 4 to 60 fps, including the
traditional "film look" rate of 24 fps

•Up to 8 setup data files can be stored on an SD Memory
Card (Panasonic)

•Up to 64 lens files can be written to an SD Memory Card
(Panasonic)

•The following functions can be assigned to the
USER1/USER2 buttons: Rec SW, Y-GET, Frame Rate,
Super Iris, Super Gain, Super Black, Black Stretch, and
Front/Rear Mic input

•ECU menu On/Off selectable on EVF

•2-level zebra pattern and spot zebra

•State, alert display on EVF screen

VTR section: High-quality recording
of progressive scan images.

•Records up to 32 minutes on a compact DVCPRO HD
cassette

•Recorded results can be checked on location via the
viewfinder (black & white) or monitored in colour through
the HD SDI out terminal

•Two channels of 16-bit/48-kHz digital audio

•Two audio A/V timing modes (select conventional timing or
just-before timing)

•Audio input selectable from the front mic or rear panel
line input

•NEWS REC function prevents start/stop mistakes

•RETAKE function simplifies retakes of NG cuts

•REC REVIEW allows instant checking of recorded end

•Interval recording, with intervals from 2 seconds to 24
hours

•One-Shot recording for making animation

•Users Bit Data for post-process

*The videotape recorded in DVCPRO HD EX format cannot be played back on this
camera-recorder .

The functions that professionals need, in a
compact, lightweight unit with low power
consumption.

•Scan Reverse function for cinematic lens adapter

•Two isolated HD-SDI outputs. For monitor (super,status
display switch) and for camera output (fixation).

•Handheld control of camera settings and VTR section
remote control using the AJ-EC3E Extension Control Unit

•High-resolution 2-inch HD viewfinder
(optional AJ-HVF27BP). New, sturdier 2-point locking
viewfinder mount.

•Built-in colour bar, reference audio signal generator

•Accommodates super-directional mic with phantom
power supply

•Compact size, light weight – approx. 4.7 kg (7.6 kg in
operating condition)

•Consumes only 36 W to minimize battery drain

•Built-in monitor speaker

•Reinforced lens hood

Specifications

General

Power Supply DC 11V to 17V
Power Consumption 36 W

conditions

Operating Temperature 0˚ C to 40˚ C
Operating Humidity Less than 85%
Weight About 4.7 kg, About 7.6 kg in operation
Dimensions (W x H x D)

132 x 204 x 313mm

Camera Section

CCD Elements 2/3" IT 3-CCD (RGB)
Picture Elements 1,019,280 pixels (total, 1,370 x 744)

921,600 pixels (effective, 1,280 x 720)

Optical Filters CC: Cross, 3200K, 4300K, 6300K

ND: CLEAR, 1/4ND, 1/16ND, 1/64ND
Quantization 12 bits
Processing 74.25MHz (60Hz), 74.1758MHz (59.94Hz)
Programmable Gain –6/–3/0/+3/+6/+9/+12/+18/+24/+30 dB (–6dB in video menu)
Super Gain +18/+24/+30/+36dB
Shutter Speed 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000 and 1/2000sec.
Syncro Scan Shutter 0.8 % to 97.2 % (3°to 350°)
Frame Rate 4 fps to 60 fps (in single increments)
Sensitivity 2000 Lux at F12 (89.9% reflection, 23.98 p, 50% shutter)
Minimum Illumination 0.7 lux (F1.4, +36 dB gain 59.94 p)
Video S/N 54 dB (typical)
Horizontal Resolution 700 TV lines at center
Registration Error Less than 0.03 % (whole zone, without lens distortion)
Geometric Distortion Below measurable limit
Lens Mount 2/3" Bayonet type
Viewfinder AJ-HVF27BP (Option)

VTR Section

Recording Format DVCPRO HD (720p, 60Hz/720 p, 59.94Hz)
Tape 1/4" DVCPRO HD cassette tape
Tape Speed 135.42 mm/s (60Hz), 135.28 mm/s (59.94Hz)
Recording Time Max. 32 minutes using AJ-HP64ELG
FF/REW Time About 2.5 minutes using AJ-HP64ELG

VTR Section-Video

Sampling Frequency Y: 74.25MHz, Pb/Pr: 37.125MHz (60Hz)

Y: 74.1758MHz, Pb/Pr: 37.088MHz (59.94Hz)
Quantization 8 bits
Error Correction Reed-Solomon product code
Compression Ratio 6.7:1
Bit Rate 100Mbps
Video Band Y: 20MHz, Pb/Pr: 10MHz

Audio

Sampling Frequency 48.048kHz (60Hz) /48kHz (59.94Hz)
Quantization 16 bits/sample
Frequency response* 20Hz to 20kHz, ±1.0dB (reference level)
Dynamic range* More than 85dB (1 kHz, AWTD)
Distortion* Within 0.1% (1 kHz, reference level)
Wow & Flutter* Below measurable limit
Headroom* 18 dB

Input

Audio IN XLR x 2 (CH1/CH2), MIC/LINE/MIC+48V switchable

LINE: 0 dBu, MIC: –60 dBu
MIC IN XLR x 1, balanced, –40 dBu)

Phantom +48V (On/Off)
Genlock IN BNC x 1, 1.0Vp-p 75Ω
TC IN BNC x 1, 0.5 to 7Vp-p, High-impedance

Output

HD SDI OUT BNC x 2, 0.8Vp-p 75Ω
Audio OUT XLR-5pin x 1, 0dBu
TC OUT BNC x 1, 2.0Vp-p low-impedance
Phones Stereo mini-jack x 1

Others

DC IN XLR-4pin x 1 DC11V to 17V
DC OUT 4P x 1, DC11V to 17V, 1.5 A
Lens 12P x 1
ECU 6P x 1
EVF 20P x 1

12

AJ-FRC27

Frame Rate Converter

Check Variable Frame Rate Effects
On-Site, Line-Convert from 720p to
1080p, and Down-Convert to SD

The AJ-FRC27 converts the frame rates of images recorded using
the AJ-HDC27H. It extracts the frames you designate, records them to an
internal HDD, and plays them back. This lets you play fast-motion or
slow-motion effects in their actual, intended timeframes.

You can select the playback frame rate from 24-, 25- or 60-fps, up­convert to 1080/24psF or 1080/50i, down-convert to SDTV (576/50i),
working either on-line or off. If frame rate conversion is not required, you
can also directly convert the input signal into EE-through for output.

Playback Image Signal

PAL (60p) sauce: 720xp over 60p(ｘ= 24, 25, 30, 60)

1080/24psF, 1080/25psF, 1080/50i,
1080/60i (24p), 576/50i

NTSC (59.94p) sauce: 720xp over 59.94p(ｘ= 24, 25, 30, 60)

1080/23.98psF, 1080/59.94i (23.98p), 480/59.94i

Data can be automatically recorded by connecting to the AJ-HDC27H via
HD-SDI, and clip files of cuts that you designate by linking to the
camera's REC/STOP control can be stored to an HDD for backup. These
functions are also supported during studio editing, and the resulting tapes
can be played on a DVCPRO HD VTR, making it possible to automatically
create a clip of each cut by simple frame rate converter recording.
Management of OK/NG cuts is fast and easy.

During playback, a pre-roll image of up to 10 seconds in length can be
automatically inserted and output with a continuous time code. This helps
to speed up shooting by letting you use the leading/trailing parts of each
cut as editing material, something that was difficult to do in conventional
HD cinema production.

The AJ-FRC27's compact, half-rack size and 5U profile makes it good fit
for applications ranging from studio use to EFP or relay use.

AJ-FRC27 Specifications

Power Source: AC 220-230V, 50-60Hz
Power Consumption: 0.5A
Operating Temperature/Humidity: 5°C to 35°C/10% to 80%
Dimensions: 210 (W) x 222 (H) x 492 (D)mm
Weight: 15.0 kg
Recording Format: DVCPRO HD (720/60p)
HDD: 36GB, 68-pin connector
Recording Time: 40 min (at 720/60p), 100 min (at 720/24p)
HD-SDI Input: BNC x 1 (throughout x 1)
HD-SDI Output: BNC x 1, with Enbeded Audio in EE mode
Monitor Output: BNC x 1
Remote Input: RS-422A (D-sub 9P)
Option Board: AJ-YA27G SD Output Interface Board

AJ-YA27G

SD Output Interface Board

Plugging this board into the AJ-FRC27 lets
you convert playback or input HD signals
into SD signals and output them (see table below). Select from five aspect
ratio conversion modes: Crop, Letterbox, Squeeze, 14:9, and 13:9. You
can also choose either wide or standard frequency characteristics
settings. The AJ-FRC27 includes an edge emphasis function for
outputting SD images, with settings of 0, +1, +1.5, and +2 dB.

Playback or Input HD Images SD Converted Output Images

720/60p, 1080/24p, 1080/60i 480/60i
1080/25p, 1080/50i 576/50i

SUPPORTING CAST

Auto REC Function (in Recording)

Pre-Roll Image Insertion (in Playback)

Camera
Action

Recording
Action

FRC Recording
(to HDD)

FRC Playback
(from HDD)

Cut 1 Cut 2 Cut 3 Cut 4

Clip1 Clip 2 Clip 3 Clip 4

Clip1 Clip 2 Clip 3 Clip 4

Cut 1 Cut 2 Cut 3 Cut 4

STRAT MARK END MARK

Pre-Roll Image (0 to 10 sec, by 2 sec step）

Seamless Time Code

13

AJ-GBX27

HD Gamma Corrector

Use Monitor and Movie Content for TV
Production by Giving F.REC Mode
Images a Telecine Look

The AJ-GBX27 corrects images recorded in cine gamma (F.REC mode) for
converting monitor and content data, and for a variety of other uses.
The AJ-GBX27 is extremely easy to use -- simply choose the desired
correction mode.

Field mode corrects underexposed and low-contrast F.REC gamma
images, and outputs monitor images with full film texture that can be
used to check the lighting. There's a setting for ordinary daylight and one
for nighttime shooting.

Telecine mode is a post-processing mode that uses movie footage to
produce TV content with a film-like texture (a telecine look). This mode
preserves the high image quality by correcting intermediate gradation
while maintaining highlights and shadows.

The Video Rec and Video modes convert images with F.REC gamma
characteristics to V.REC gamma or video gamma characteristics.

CG mode is a film production mode that reverse-converts images into
F.REC images after they were previously converted to telecine mode and
CG-processed for production ease. Also provided is a user mode that lets
you install any desired conversion table from a PC.

In addition to 720p (59.94/60 Hz), the AJ-GBX27 is compatible with 1080i
(59.94/60/50 Hz) and 1080p (23.97/24/25 Hz) HD formats.* This makes it
ideal for AJ-HDC27H recording and for editing, package production, and
a host of other applications. The 12-VDC power supply (XLR 4-pin
terminal) lets you take the AJ-GBX27 into the field. One HD-SDI input,
two HD-SDI outputs, and an analogue HD (Y/Pb/Pr) output are provided
for convenient monitor connection. Make contacts let you control
conversion ON/OFF from a switcher.

*This is not a format conversion function. It allows input/output of the same format only.

Specifications

Power Source: DC11 to 17V (EXT DC Input)
Power Consumption: 25W
Dimensions: 213 (W) x 43.5 (H) x 330 (D)mm
Weight: Approx. 3 kg
Video Format: 720/59.94p, 720/60p, 1080/24psF, 1080/23.97psF,

1080/59.94i, 1080/60i, 1080/50i, 1080/25psF
Gamma Table: R.G.B. each x 16 set (preset:12/user:4)
Input: HD SDI Input (BNC x 1)
Output: HD SDI Input (BNC x 2)
Analogue HD Output: Y/Pb/Pr (BNC x 3)
Data Input: RS-232C (D-sub 9P)
Remote: Control (make-connector)

0%

0% 100% 200% 300% 400% 500% 600%

20%

40%

60%

80%

100%

Input

Output

Video

Tele (V. Rec)

Cine (F. Rec)

Telecine

AJ-HDC27H

AJ-GBX27

HD Gammma Corrector

HD Monitor

BT-LH1700W

BT-LH900

HD/SD LCD Monitor

Gamma Correction built-in

Field Mode

F.REC Gamma

Telecine Look



STEP 1

STEP 2



AJ-GBX27

(CG Mode)

AJ-GBX27

（Telecine Mode）

Work Station

AJ-HD1700

RAW Data

Mix

Mix

AJ-HD1700

RAW Data

CG Mode

Work with

Telecine Look

Reverse-Convert

Film Recording

BT-LH1700W

HD/SD LCDMonitor

Telecine Mode

AJ-GBX27

HD Gamma Corrector



TV Broadcast
Footage

HD-D5 VTR
(DVCPRO HD)

Film Recording

package

F.REC Gamma

Telecine Look

14

SUPPORTING CAST

AJ-HD1700

Full-Featured Studio VTR

The AJ-HD1700 is a DVCPRO HD high-end studio master VTR that answers
today’s most advanced needs in high-definition production and broadcasting.

Featuring the new DVCPRO HD-LP format, the AJ-HD1700 records and plays
up to 126 minutes with an XL cassette. It can record three types of HD images
— 1080/60i, 720/60p, and 1080/50i — and is equipped with eight digital audio
channels for 5.1-channel surround sound.

The AJ-HD1700 plays all DVCPRO HD, DVCPRO50, DVCPRO P, DVCPRO, DV,
and DVCAM tapes. It has an advanced HD-SD conversion function that
provides simultaneous output of HD/SD signals from a wide variety of sources.

The AJ-HD1700 can even output a 1080/24p signal from a 720/24p over 60
source tape for convenient editing in 1080/24p such as mastering to D-5 HD on
the AJ-HD3700B VTR.

The AJ-HD1700 can also output a 1080/25p signal directly from a 720/25p
over 60p source tape.

The compact, AC/DC-powered AJ-HD1200A is ready for a host of active
uses. This versatile HD VTR plays all DVCPRO formats (both PAL and
NTSC), including DVCPRO HD-LP, and can down-convert HD signals for
output as SD signals, allowing its use as both an HD and SD viewer. With
its 1080/24p (25p) conversion and output function for variable frame rate
sources, the AJ-HD1200A also meets needs in HD cinema production.

Mount an optional board, and the AJ-HD1200A can serve as a recorder in
a space-saving, low-cost HD production system. Choose either an SDI
type optional board (HD-SDI in/out, SDI out) or an IEEE 1394 type board.
With the IEEE 1394 board, the AJ-HD1200A HD becomes the world's first
VTR to offer HD input and output via an IEEE 1394 digital interface. This
allows the AJ-HD1200A to connect to next generation NLE (Non-Linear
Editing) systems, or IEEE 1394 equipped Video Servers.

AJ-HD1200A

Full-Featured Studio VTR

AJ-HD3700B

Multi-Format/Multi-Standard Mastering VTR

The AJ-HD3700B VTR meets all high quality HD and SD production
requirements in one VTR. HD studio quality is assured by full band width
(1920 x 1080) in 1080i, and 4:2:2 digital 10-bit component recording, plus
1080/24p, 1080/25p, as well as standard definition non-compressed 480i.
Metadata recording and playback is built in without sacrificing audio
channels and conversion between formats is as simple as an optional
converter card set. With an easy-to-use front panel operation and full
editing capability, the AJ-HD3700B is designed for integration into today's
modern post and production facilities.

The AJ-HD3700B provides the flexibility of having a single machine
function in both HD and SD, plus the popular 1080/24p and 1080/24psF.
With the optional built-in format converter card, SD to HD and HD to SD
conversions are handled internally - without the need for outboard gear.

INFO

AJ-HD3700B HD-D5

Plays/Records A TSC formats
Supports multiple frame rates 10-bit recording
Format Conversion Metadata 8-Ch audio

INFO

AJ-HD1200A

Plays/Records 720p and 1080i

Playback all DV-based f ormats IEEE 1394 I/F

1080/25p output from 720/25p over 60

Compact Size

INFO

AJ-HD1700

Plays/Records 720p and 1080i

Playback all DV-based f ormats 2-hour rec.time

1080/25p output from 720/25p over 60

8-ch audio

15

Equipped with an F.REC gamma corrector, these 16:9, HD-ready monitors
convert images recorded with AJ-HDC27H in F.REC mode into the
appropriate gamma curves for viewing. This simplifies F.REC acquisition,
eliminating the need for a separate HD gamma corrector.

The BT-LH1700W offers the superior image quality and advanced
functions needed for HD production. It features the industry's first non­delay IP circuit to assure natural viewing, plus a diagonal line processing
circuit that smoothes out jaggies. Its fast response with intermediate
gradations helps provide clear, blur-free images. The BT-LH1700W also
offers a 176° viewing angle both vertically and horizontally – one of the
best in the industry among LCDs. It features SDI input with automatic
HD/SD switching, component input, and composite input. The BT­LH1700W body is designed for rack mounting using the optional adapter.

The BT-LH900P takes full advantage of the LCD panel's space-saving
design to offer a slim 65-mm profile and light weight of only 4.4 pounds
(2.0kg). With DC drive, low 22.8-watt power consumption and a separate
control panel that can be mounted on the monitor's top, side or bottom,
the BT-LH900P can serve as a camera-top EVF. The BT-LH900P also has
among the industry's widest viewing angles, 170° both vertically and
horizontally. It offers SDI input with automatic HD/SD switching,
component input and composite input, and it's designed for side-by-side
rack mounting using the optional adapter.

BT-LH1700W

17" HD/SD LCD Video Monitor

BT-LH900

8.4" HD/SD LCD Video Monitor

PT-D7700
PT-DW7000

Large-Venue DLP™ Projector

Each of these projectors features a 3-chip DLP™ (Digital Light
Processing) system for superior brightness, image quality and reliability.
An original Panasonic optical system with dual-lamp technology
combines with Dynamic Iris to deliver brightness of 7,000 ANSI lumens
(6,000 for the
PT-DW7000) and outstanding 4,000:1 contrast. A number of unique
picture-enhancing circuits also helps assure superior image reproduction.

Each model has a 2:2 pulldown mode for reproducing high-quality 25p
(480i) images. Each is equipped with video, S-Video and RGB inputs, and
an HD/SD SDI input is available as an option. Remote control via a PC is
possible over a LAN network. Several projectors can be combined for use
in a multi-screen system.

The PT-D7700 has native SXGA+ (1400 x 1050) resolution for projecting
sharp, detailed images onto a 4:3 screen. The PT-DW7000 has native
WXGA (1366 x 768) resolution for projecting bright, high-quality wide
images onto a 16:9 screen.

INFO

PT-D7700

1,400 x 1,050 SXGA+ display
7,000 ANSI lumens 70" to 600" of screen size
4,000:1 contlast ratio HD/SD multi-format

INFO

PT-DW7000

1,366 x 768 WXGA display
6,000 ANSI lumens 70" to 600" of screen size
4,000:1 contlast ratio HD/SD multi-format

INFO

BT-LH1700W

1,280 x 768 WXGA display
AC100V/DC12V operation Light weight 6.6 kg
430 (W) x 309 (H) x 79 (D) mm compact size

INFO

BT-LH900

1,024 x 768 XGA display
DC12V (11-17 V) operation Light weight 2.0 kg
218 (W) x 176 (H) x 65 (D) mm compact size

16

24P/25P SYSTEM FLOW

24P System Flow

25P System Flow

1. Shooting and On-Site Previewing

Frame-Rate Conversion

On-Line Editing

2. Variable Frema Rate-Compatible
Non-Linear Editing

3.Film Recording

4.TV Broadcast Footage

5. 24 fps Non-linear Editing

Off-Line Editing (Standard Definition)

Variable Frame
Rate Materials

24p Materials

720/24p over 60p Materials

All Materials

AJ-FRC27 AJ-GBX27 HD Monitor

AJ-FRC27

HD-D5 VTR

Non Linear Editor

Non Linear Editor

DVCPRO

DVCPRO HD VTR

AJ-HD1700

DVCPRO HD VTRDVCPRO HD VTR

HD-D5 VTR

LASER
Film Printer

Variable Frema Rate-Compatible

Non Linear Editor

AJ-HD1700

HD-D5 VTR

AJ-GBX27

AJ-FRC27 BT-LH1700W

BT-LH900

HD-SD LCD Monitor

Active Frame Record 24p over 60p

Downconvert

EDL (24fps)

1080/24p 1080/24p

Package

Upconvert to 1080/24p

Gamma Correction

720/60p 1080/24p

LAN (FTP)

Package

6.25 fps Non-linear Editing

AJ-HDC27H

AJ-FRC27

Frame Rate Converter

AJ-HD1200A

DVCPRO HD VTR

+Option Board
AJ-YAD120AG

AJ-HD1200A

DVCPRO HD VTR

AJ-HD3700B

1080/25p Editing

Down Convert

Cross Convert

Field Slow Check

720/25p over 60p



1080/25psf

PA

EDL 25fps

HD SDI

HD SDI

1080/25psf

HD SDI

Shooting

On-Line Editing

Off-Line Editing

Frame Rate Conversion

Off Speed Materials

720/xp

25P Materials

AJ-FRC27

Frame Rate Converter

AJ-HD1200A

DVCPRO HD VTR

+Option Board
AJ-YAD120AG

17

1.On-site Previewing

Use the AJ-FRC27 Frame Rate Converter to check the
results of fast-motion or slow-motion effects right after
recording. Combine it with the BT-LH900 HD LCD Monitor
(which features gamma correction) or the AJ-GBX27 HD
Gamma Corrector, and you can view images with gradation
that closely approximates that of the finished
images.

2.Variable Frame Rate Compatible

Non-linear Editing

The AJ-FRC27 lets you play the tapes recorded at 60 fps
directly on a DVCPRO HD VTR. Using a variable frame rate
compatible nonlinear editing system with an effective frame
extraction function, you can directly upload undercranked or
overcranked footage for use in 1080/24p or 720/60p (24p
over 60p).

*Applicable nonlinear editing systems (as of July 2005 ):
Apple Final Cut Pro 5, Interactivefx Piranha HD, Quantel iQ/eQ

3.Film recording

By printing onto film using the conversion table, you can
produce a gradation that's appropriate for screen projection.
The gradation characteristics of F.REC gamma materials are
equivalent to digital scanning. Those of V.REC are equivalent
to telecine.

4.Conversion to TV Broadcast Footage

Compared with telecine systems, the AJ-GBX27 HD Gamma
Corrector offers a cheaper and easier way to convert movie
content into high-quality TV content with a film-like texture.

5. 24 fps Non-linear Editing

First, use off-line editing to convert the frame rate of
undercranked or overcranked footage, then down-convert to
the Standard Definition (576/50i) format through AJ-FRC27.
Next, use the EDL from the off-line editing for 1080/24p
online editing. The AJ-HD1700 or AJ-HD1200A DVCPRO HD
VTR lets you play back a 720/24p over 60p source and
directly convert it to 1080/24p output.

6. 25 fps Non-linear Editing

First, convert ‘off-speed’ material to 25p material by using
Frame rate converter. Second, down convert to PAL signal
and make EDL by off line edit. Third, cross convert from
720/25p to 1080/25psf and online edit by using EDL. Fourth,
Mastering finished piece to D5-HD or DVCPROHD. In case
of F.Rec mode, it would be better to use GBX27 when
capture into NLE.

7. Multi-Format Output

The down-converter integrated into the AJ-HD1200A lets
you down-convert and output SD footage from an HD
package. Plugging in the optional AJ-YA120AG board also
enables 720/1080 line converting as well as conversion and
output of 1080/25psf footage from a 720/25p over 60p
source. This function allows multi-format output for HD
broadcasting, cinema, and SD broadcasting.

DVCPROHD and IEEE1394
Supported Non-Linear Editing system.

AJ-HDC27F
Camera-Recorder

1223445667889

AJ-FRC27
(HDD Recording)

123456789

HD-D5

（1080/24p）

123456

Frame Rate Conversion (Ex. 40-fps)

★＝Active Frame Frag

DVCPRO HD
(720/60p)

1122233444556

Canopus EDIUS HD/SD/SP/NX

AvidMediaComposerAdrenalineHD

Apple Final Cut Pro 5 (Power Mac G5)

18

OPTIONS

Cinema Accessories

• Optical Filter and Mat Box

• Lens Control System

• Follow Focus System

• EVF Extender

• Bridge Plate and Adaptor Plate

• CIne Style Tripod System

Microphone

AJ-MC700P
Microphone Kit

AJ-HVF27BP

2.0" HD VF

ABUL2S
Anton/Bauer
Ultra light

Anton/Bauer
Gold Mount Plate

Anton/Bauer
Batteries

Anton/Bauer
Battery Charger

AJ-MH800G
Microphone
Holder

DC Cable (XLR)

BT-LH1700W
HD LCD Monitor

BT-LH900P
HD LCD Monitor

6-Pin Remote Cable

SHAN-TM700
Tripod Adaptor

Shoulder Strap

AJ-HT901G
Hard Carrying Case

SHAN-RC700
Rain Cover

AJ-SC900
Soft Carrying Case

Tripod

AJ-B75E
AC Adaptor

AJ-EC3E
Extension
Control Unit

2/3" HDTV Lens
HD Cine Lens

CLA35HD
Cine Lens Adaptor

35mm Cinema Lens

Multi Media Card
SD Memory Card

AJ-HDC27H
Camera/Recorder

Standard Accessories

AJ-MC700P

Microphone Kit

AJ-MH800G

Microphone Holder

ABUL2S

AntonBauer Ultra Light

AJ-B95/AJ-B75

AC Adapter

Anton Bauer Battery

AJ-HVF27BP

2.0" HD EVF

AJ-EC3E

Extension Control Unit

AJ-HP64ELG

DVCPRO HD Cassette Tape

DVC-822 (Miranda Technologies Inc.)

Full Quality Downconverter and DV Encoder
for HD Cameras

For more information, please vist at

<www.miranda.com>

19

SP-HDC27HE1

16K507ZM-1 Printed in Japan

Matsushita Electric Industrial Co., Ltd.
Systems Business Group

2-15 Matsuba-cho, Kadoma, Osaka 571-8503
Japan
Phone [phone] Fax [phone]

https://eww.pavc.panasonic.co.jp/pro-av/

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