Olympus UltraZoom SP-500 User Manual

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What Digital Camera
OLYMPUS CAMEDIA SP-500 UZ
quick view
PRICE £300
SENSOR 1/2.5inch CCD (Total 6.37MP, Effective 6.0MP)
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LENS 38-380mm f/2.8-3.7
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SHUTTER SPEEDS 15-1/1000sec
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EXPOSURE MODES M, A, AP, SP, P, 21 Scene
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FLASH 0.3m - 4.5m (W) 1.2m-3.4 T, GN9
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ISO Auto, 80, 100, 200, 400
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MONITOR EVF 201,600 pixel/ 2.5inch 115,000 pixel TFT
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OTHER 320x240 30fps Video,10Mb int, xD
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POWER 4x AA
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DIMENSIONS/ WEIGHT 105.5x74.5x71mm/285g
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top
Adjacent to the pop-up flash on the top plate of the camera sit the mode dial, AEL, shutter and Power On buttons
front
Investing in an TCON-17 adaptor enables conversion lens to be used with the SP-500 UZ
side
The USB and A/V point is protected by a rubber cover, adjacent to the strap eyelet
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mega pixels
6
O
Olympus
Camedia SP-500 UZ
Jamie Harrison tests a Superzoom camera that looks like it’s a compact
ost Superzoom cameras are quite bulky
M
albeit including a 10x or 12x zoom lens. Olympus, though, has taken a slightly different, although predictably Olympian, route. The new SP-500UZ is small, yet still manages to squeeze an awful lot into its diminutive stature.
company has always made a point of producing small but perfectly formed cameras. Look at the original mju cameras, the OM series, the Pen EE half frames. Olympus has always been slightly odd, too. Cameras such as the O product and Ecru displayed a forward­thinking design ethos, while in 1991 Olympus in­troduced the idea of the bridge camera, halfway between compact and SLR, which has defi ned the design ethos for most of the modern digital Super­zoom. So what does Olympus do now? It designs a superzoom camera that looks more like a traditional compact.
compared to compact cameras. Some are even approaching the size of an SLR,
Why is this predictably Olympian though? The
SPECIFICATIONS
The SP-500 is well specifi ed for such a small camera, with an impressive 38-380mm lens and large 2.5in LCD on the back. Like other cameras in the genre, the camera offers much for the enthusiast, including RAW recording and the full set of exposure controls, Program, Aperture priority, Shutter priority, and full Manual. For less experienced photographers or those who prefer the easy life, the SP-500 still allows au­tomatic mode, as well as 21 scene modes.
Technology has also fi ltered down from the recent C-7070 model, including that camera’s impressive Predictive AF system for tracking moving subjects, not to mention the company’s IESP metering system, and 143 individual focus points, which can be linked to the spot metering function.
Many cameras of this size have forgone the view­fi nder altogether, but Olympus has still managed to maintain an electronic version, with 201,600 pixels that manages to be sharp and detailed, with the added benefi t of electronic readouts such as live his-
EVF
The SP-500 uses an electronic viewfi nder which is reasonably clear and bright and shows all of the scene via a video feed from the CCD
image quality
Exposure is one area I’ve never been able to criticise Olympus for: the company knows how to meter. Time after time despite the varying September condi­tions, the SP-500 produced perfectly exposed pictures. Image sharpness is a good point too, and despite worries that the lens could be overstretching itself, I was impressed with the results. At times, images look a tad over sharpened, espe­cially JPEGs, though not with RAW. There’s also the odd case of purple fringing, es­pecially in high contrast conditions. Like pretty much every camera we test with small sensors, image noise is a problem, though lower ISO settings prove to be well controlled. Colour is good, though a little too saturated for my taste, and an Adobe RGB option would have been nice.
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togram and AF/metering frames.
In many respects this is a camera that people have been crying out for. The price is good, at £300; the resolution at 6MP allows for reasonable A4 prints;
‘In many respects this is a camera
that people have been crying out for’
it’s got plenty of photographic control and it easily fi ts into a pocket. Plus it’s got that long lens. But it’s not perfect.
There has to be compromises to fi t the price and the plastic body isn’t as tough as I’d like. It’s not bad, but it isn’t the same as last year’s metal-bodied C-770 and C­765 cameras. It’s also just a little bit bland to look at, and lacks the style of some other cameras at that price.
LCD
The 2.5inch LCD monitor is a very useful size, and is bright and clear. The menu follows Olympus’ usual rotary style front page, with nested sub menus
However the traditional looks may well work as an ad­vantage, particularly in appealing to fi rst-time digital buyers transferring from fi lm, or for those who don’t want a style statement but a good, functional camera… and there are plenty of those people about.
VERDICT
The SP-500 is competent and a truly useful camera. It acts like a compact, with the features of a superzoom, and is the ideal camera to chuck in your bag when you don’t want to carry an SLR or other bigger camera. You won’t be able to use it as a complete alternative to an SLR, but it’s not a bad back up. Similarly at the price, if you want to try out digital and all it has to offer then you could do worse, while students could benefi t from its budget price and traditional controls. I really like it.
WDC
specifi cations
MANUFACTURER: Olympus
MODEL: SP-500 Ultra Zoom
PRICE: £300
CCD: 1/2.5-inch 6.0MP eff/6.37MP total
MAX PRINT SIZE: 14.08 x 10.56-inch at 200dpi
LENS: 6.3 - 63mm f2.8-3.7
(35mm equ 38-380mm)
SHUTTER SPEEDS: 15-1/1000sec
ISO: Auto, 80, 100, 200, 400
EXP MODES: Auto, AP, M, P, SP, 21 scene modes
FLASH: GN9
DRIVE MODES: Single, burst, high-speed burst
METER: Digital ESP , spot, centre-weighted
WHITE BALANCE: A, 7preset, custom
FOCUS: Spot, iESP autofocus, Predictive AF, AF
selectable from 143 points, Manual
VIEWFINDER: Electronic 201,600 pixels
MONITOR: 2.5-inch TFT LCD, 115,000 pixels
CONNECTION: USB 2.0, DC
REC FORMAT: Jpeg, RAW, QuickTime Motion Jpeg
FILE TYPE: Pictbridge, Pictbridge EasyPrint, Print
Image Matching III, Exif 2.21, DPS and
DPOF support
VIDEO OUTPUT: Pal
POWER: 4xAA
STORAGE: xD
OTHER: 320 x 240 at 30fps movie mode,
panorama function, 3cm super macro
DIMENSIONS: 105.5 x 74.5 x 71mm
WEIGHT: 285g
scores
PROS: Good functionality, RAW,
LCD and EVF
CONS: Bland looks, some
fringing, some oversharpening and image noise
features
ease of use
image quality
design
value
17 16 18 17 18
86%
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December 2005 December 2005
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