Thank you for purchasing an O lympus digital camer a. Before you star t to use your new camera,
please read these instructions carefully to enj oy optimum performance and a longer ser vice life.
Keep this manual in a safe place for future reference.
We recommend that you take test shots to get accustomed to your camera befo re taking important
photographs.
The screen and camera illustrat ions shown in this manual were produced dur ing the developme nt
stages and may dif fer fro m the actual product.
If there are additions an d/or modific ations of functions due to firmware update for the camera, the
contents will differ. For the l atest information, please visit the Olympus website.
Indications used in this manual
The following symbols are used throughout this manual.
$
%
g
Notes
Tips
Points to note when using the camera.
Useful information and hints that will help you get the most out of
your camera.
Reference pages describing details or related information.
If anything is missing or damaged, contact the dealer from whom you purchased the
camera.
CameraBody capStrapUSB cable
Lithium-ion battery
BLS-50
Attaching the strap
1
Lithium-ion charger
BCS-5
2
3
• Attach the strap on the other side in the same way.
• Lastly, pull the strap fi rmly, making sure that it is fastened securely.
CB-USB12
• Basic Manual
• Warranty card
12
EN
Charging and inserting the battery
Charging the battery.
1
Charging indicator
Charging in
progress
Charging
complete
Charging error Blinks orange
(Charging time: Up to
approximately 3 hours 30 minutes)
• Unplug the charger when charging is complete.
Opening the battery/card
2
compartment cover.
Loading the battery.
3
• Use only BLS-50 batteries
(P. 12, 154).
Lights orange
Off
Charging
indicator
3
Lithium ion
charger
Direction indicating
mark (C)
Lithium ion battery
1
AC cable
Battery/card compartment cover
AC wall outlet
Battery/card
compartment lock
2
1
2
1
Preparation
Direction indicating
mark
EN
13
Removing the battery
Turn off the camera before opening or closing the
battery/card compartment cover. To remove the
battery, fi rst push the battery lock knob in the direction
1
Preparation
of the arrow and then remove.
• Do not remove the battery while the card write
indicator is displayed (P. 20).
• Contact an authorized distributor or service center
if you are unable to remove the battery. Do not use
force.
$ Notes
• It is recommended to set aside a backup battery for prolonged shooting in case the
battery in use drains.
• The camera is not equipped with a built-in charger and cannot be recharged via a USB
connection.
• Also read “Battery and charger” (P. 132).
14
EN
Inserting the card
In this manual, all storage devices are referred to as “cards.”
The following types of SD memory card (commercially available) can be used with this
camera: SD, SDHC, SDXC, and Eye-Fi.
Eye-Fi cards
Read “Usable cards” (P. 133) before use.
Loading the card.
1
• Open the battery/card compartment cover.
• Slide the card in until it is locked into place.
g “Usable cards” (P. 133)
1
Preparation
2
1
• Turn off the camera before loading or removing the battery or card.
• Do not forcibly insert a damaged or deformed card. Doing so may damage the card
slot.
Closing the battery/card
2
compartment cover.
• Be sure the battery/card compartment
cover is closed before using the camera.
1
3
Removing the card
Press the inserted card lightly and it will be
ejected. Pull out the card.
• Do not remove the card while the card
write indicator is displayed (P. 20).
Terminal
area
2
EN
15
Attaching a lens to the camera
Remove the rear cap of the lens
1
and the body cap of the camera.
1
Preparation
1
Align the lens attachment mark (red) on
2
the camera with the alignment mark (red)
on the lens, then insert the lens into the
camera’s body.
Rotate the lens clockwise until you hear it
3
click (direction indicated by arrow 3).
• Make sure the camera is turned off when attaching or removing the lens.
• Do not press the lens release button.
• Do not touch internal portions of the camera.
Removing the lens cap
Rear cap
2
1
2
Lens attachment mark
3
1
2
1
16
EN
1
1
2
Removing the lens from the camera
Make sure the camera is turned off when removing the
lens. While pressing the lens release button, rotate the
lens in the direction of the arrow.
Interchangeable lenses
Read “Interchangeable lenses” (P. 135).
2
1
Preparation
1
Lens release button
EN
17
Turning the camera on
Set the ON/OFF lever to the ON position.
1
1
Preparation
ON/OFF lever
• When the camera is turned on, the monitor will turn on.
• To turn the camera off, return the lever to the OFF position.
Monitor
Battery level
The battery level icon will be displayed.
j
(green): The camera is ready to shoot.
k
(green): The battery is not full.
l
(green): The battery is low.
m
(blinks red): Charge the battery.
Wi-Fi
ISO-A
200
250250 F5.6
Using the monitor
1
You can adjust the angle of the monitor.
Camera sleep operation
If no operations are performed for a minute, the camera enters “sleep” (stand-by) mode to
turn off the monitor and to cancel all actions. The camera activates again when you touch
any button (the shutter button, q button, etc.). The camera will turn off automatically if
left in sleep mode for 4 hours. Turn the camera on again before use. You can choose how
long the camera remains idle before entering sleep mode. g [Sleep] (P. 114)
18
EN
1:02:03
1023
2
Setting the date/time
Date and time information is recorded on the card together with the images. The fi le
name is also included with the date and time information. Be sure to set the correct
date and time before using the camera. Some functions cannot be used if the date and
time have not been set.
Display the menus.
1
• Press the MENU button to display the menus.
• A guide is displayed in 2 seconds after you select an option.
• Press the INFO button to view or hide guides.
Shooting Menu 1
1
1
Reset
Picture Mode
2
MENU button
Select [X] in the [d] (setup) tab.
2
• Use FG on the arrow pad to select [d]
and press I.
• Select [X] and press I.
[d] tab
Digital Tele-converter
Metering
BackSet
Setup Menu
1
Card Setup
X
2
W
s
Rec View
Wi-Fi Settings
Firmware
BackSet
’--.--.-- --:--:--
English
j±0 k±0
0.5 sec
Off
p
1
Preparation
Set the date, time, and date format.
3
• Use HI to select items.
• Use FG to change the selected item.
• Press the Q button to set the camera
YMD Time
2017
X
Y/M/D
clock.
Select [W] (changing the display
4
language) in the [d] (setup) tab.
• You can change the language used for
the on-screen display and error messages
Cancel
The time is displayed using
a 24-hour clock.
from English to another language.
• Use FGHI to highlight a language and press the Q button to select the
highlighted language.
Press the MENU button to exit the menus.
5
• If the battery is removed from the camera and the camera is left for a while, the date and
time may be reset to the factory default setting.
y Flash intensity control .....................P. 77
z Flash mode .....................................P. 64
A Image stabilizer...............................P. 78
B Battery level ....................................P. 18
C Live guide recall ..............................P. 27
Monitor display during movie mode
D
LRL
Wi-Fi
R
1
M-ISM-IS
n
D Recording level meter ...................P. 102
E Silent shooting tab ..........................P. 59
28
mm
ISO
AUTO
WB
E
AUTO
C-AF
P
F
L
N
FHD
F
30p
1:02:03
G
F Movie (exposure) mode ..................P. 76
G Movie effect ....................................P. 54
2
Shooting
EN
21
Switching between displays
The camera is equipped with an eye sensor, which turns the viewfi nder on when you
put your eye to the viewfi nder. When you take your eye away, the sensor turns the
viewfi nder off and turns the monitor on.
2
Shooting
Put your
eye to the
viewfi nder
Monitor
S-IS ONS-IS ON
P
Wi-Fi
250250 F5.6
ISO-A
200
L
N
FHD
F
30p
0.0
1:02:03
1023
Viewfi nder
S-IS ONS-IS ON
P
250250 F5.6
0.0
View through lens shown in monitorView through lens shown in viewfi nder
• If the viewfi nder is not in focus, put your eye to the
viewfi nder and focus the display by rotating the
diopter adjustment dial.
Diopter adjustment dial
• You can display the EVF Auto Switch setting menu
if you press and hold the u button. g [EVF
Auto Switch] (P. 114)
• When [OFF] is selected for [EVF Auto Switch], you
can switch displays by pressing the u button.
u button
$ Notes
• Tilting the monitor disables the eye sensor.
1:02:03
1023
ISO-A
200
L
N
FHD
F
30p
22
EN
Switching the information display
INFO
INFO
INFO
INFO
You can switch the information displayed in
the monitor during shooting using the INFO
button.
Wi-Fi
INFO
S-IS ONS-IS ON
P
250250 F5.6
Basic Information*
Wi-Fi
S-IS ONS-IS ON
ISO-A
INFO
200
L
N
FHD
F
30p
1:02:03
0.0
1023
ISO-A
200
INFO
Image Only
Wi-Fi
S-IS ONS-IS ON
INFO button
ISO-A
200
INFO
2
Shooting
1:02:03
0.0
P
250250 F5.6
Level Gauge display
(Custom2)
P
1023
250250 F5.6
Histogram display
(Custom1)
1:02:03
0.0
1023
* Not displayed in n mode (movie mode) unless recording is in progress.
• You can change Custom1 and Custom2 settings. g [G/Info Settings] > [LV-Info]
(P. 110)
• The information display screens can be switched in either direction by rotating the dial
while pressing the INFO button.
Histogram display
A histogram showing the distribution of brightness
in the image is displayed. The horizontal axis
More
gives the brightness, the vertical axis the number
of pixels of each brightness in the image. During
shooting, overexposure is indicated in red,
underexposure in blue, and the range metered
Less
DarkBright
using spot metering in green.
Level gauge display
The orientation of the camera is indicated. The “tilt” direction is indicated on the vertical bar
and the “horizon” direction on the horizontal bar. The camera is level and plumb when the
bars turn green.
• Use the indicators on the level gauge as a guide.
• Error in the display can be corrected via calibration (P. 114).
EN
23
Shooting still pictures
Use the mode dial to select the shooting mode,
and then shoot the image.
2
Shooting
Types of shooting modes
For how to use the various shooting modes, see the following.
Shooting modeDescription
B
SCN
Z
ARTYou can shoot with the effect of artistic expression added.42
P
A
S
M
n
Functions that cannot be selected from menus
Some items may not be selectable from the menus when using the arrow pad.
• Items that cannot be set with the current shooting mode.
• Items that cannot be set because of an item that has already been set:
Settings such as picture mode are unavailable when the mode dial is rotated to B.
The camera automatically selects the most appropriate shooting
mode.
The camera automatically optimizes settings for the subject or
scene.
Use for quick access to advanced shooting settings.32
The camera meters subject brightness and automatically adjusts
shutter speed and aperture for optimal results.
You choose the aperture and the camera automatically adjusts
shutter speed for optimal results.
You choose the shutter speed and the camera automatically
adjusts aperture for optimal results.
You choose both the aperture and shutter speed.48
Shoot movies of various types.53
IndicatorMode icon
g
27
29
45
46
47
24
EN
Rotate the mode dial to choose a mode.
1
Frame the shot.
2
• Be careful that your fi ngers
or the camera strap do
not obstruct the lens or AF
illuminator.
Landscape positionPortrait position
Adjust the focus.
3
• Display the subject in the center of the monitor, and lightly press the shutter button
down to the fi rst position (press the shutter button halfway).
The AF confi rmation mark (() will be displayed, and a green frame (AF target) will
be displayed in the focus location.
AF confi rmation mark
Wi-Fi
S-IS ONS-IS ON
Press the shutter
button halfway.
250250 F5.6
AF target
• If the AF confi rmation mark blinks, the subject is not in focus. (P. 142)
Release the shutter.
4
• Press the shutter button all the way
(fully).
• The camera will release the shutter
and take a picture.
• The shot image will be displayed on
the monitor.
Press the shutter
button all the way.
2
Shooting
28
mm
ISO-A
200
L
N
FHD
F
30p
1:02:03
1023
$ Notes
• You can focus and take pictures using touch controls. g “Shooting with touch screen
operations” (P. 51)
• To exit to shooting mode from menus or playback, press the shutter button halfway.
EN
25
Switching Displays with the u (Shortcut) Button
Press the u button to switch to each screen of the selected shooting mode between
shots.
2
Shooting
u (Shortcut) button
Mode dial
B
Live guide (P. 27)
Change Color Saturation
Z
Advanced photo mode (P. 32)
Live Composite
P/A/S/M
LV super control panel (P. 68)
Recommended ISO
ISO
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
Auto
WB
Natural
A ±
0
S
±
0±
G
±
S-AF
N
0
0
Normal
±
±
0
0
sRGB
FHD
60p
1:02:03
1023
SCN
Scene mode (P. 29)
People
MotionScenery
IndoorsClose-ups
Nightscapes
ART
Art fi lter mode (P. 42)
Pop Art
n
Movie mode (P. 53)
Standard
ART 1ART
1
Effect
Off
26
EN
Letting the camera choose the settings ( AUTO mode)
The camera adjusts settings to suit the scene; all you have to do is press the shutter
button. Set the mode dial to B.
Using live guides
Use live guides to easily adjust such parameters as color, brightness, and background
blurring.
Press the u button to display live guides.
1
• Use FG to highlight an item in the live guide and
press Q to display a slider.
Use FG to position the slider and choose a
2
level.
• Press the Q button to save changes.
• To exit, press the MENU button.
• When [Shooting Tips] is selected, use FG to
highlight the item and press the Q button to display
the detail.
• The effect of the selected level is visible in the
display.
If [Blur Background] or [Express Motions] is selected,
the display will return to normal, but the selected
effect will be visible in the fi nal photograph.
To set multiple live guides, repeat Steps 1 and 2.
3
• A check is displayed on the guide item for live guides
that are already set.
• [Blur Background] and [Express Motions] cannot be
set at the same time.
Change Color Saturation
Guide item
Clear & Vivid
0
Flat & Muted
Slider
Change Color Saturation
2
Shooting
Shoot.
4
• To clear the live guides from the display, press the MENU button.
EN
27
• If [RAW] is currently selected for image quality, image quality will automatically be set to
[YN+RAW].
• Live guide settings are not applied to the RAW copy.
• Pictures may appear grainy at some live guide setting levels.
• Changes to live guide setting levels may not be visible in the monitor.
• Frame rates drop when [Blurred Motion] is selected.
• The fl ash cannot be used when a live guide is set.
• Choosing live guide settings that exceed the limits of the camera exposure meters may
2
Shooting
result in pictures that are overexposed or underexposed.
$ Notes
• Touch controls can also be used.
28
EN
Shooting in scene mode (SCN mode)
The camera automatically optimizes settings for the subject or scene.
Rotate the mode dial to SCN.
1
Use FGHI to highlight a scene and press the
2
Q button.
Use HI to highlight a scene mode and press the
3
Q button.
• Press the u button to choose a different scene.
Shoot.
4
People
MotionScenery
IndoorsClose-ups
$ Notes
• Touch controls can also be used.
Types of scene modes
Subject typeScene modeDescription
Suitable for portrait shooting.
Brings out skin texture.
Smooths out skin tones and texture. This mode is
suitable when viewing images on a high-defi nition TV.
The camera records two pictures: one with the effect
applied and one without.
Suitable for portraits featuring a landscape in the
background.
Blues, greens, and skin tones are captured beautifully.
Suitable for portrait shooting against a background of
night view.
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
Suitable for photographs of children and other active
subjects.
People
B
e
D
U
m
Portrait
e-Portrait
Portrait +
Landscape
Portrait +
Nightscape
Children
2
Shooting
Nightscapes
Portrait
EN
29
Subject typeScene modeDescription
2
Shooting
Nightscapes
Motion
Scenery
Nightscape
G
Portrait +
U
Nightscape
Handheld
H
Starlight
Fireworks
X
Light Trails
d
Sport
C
Children
m
Panning
J
LandscapeSuitable for landscape shooting.
F
SunsetSuitable for shooting the sunset.
`
Beach & Snow
g
Backlight HDR
E
Suitable for tripod shooting of night scenes.
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
Suitable for portrait shooting against a background of
night view.
Raise the fl ash (P. 64).
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
Suitable for shooting night scenes without a tripod.
Reduces blur when shooting low light/illuminated
scenes.
The camera makes eight exposures and combines
them into a single photograph.
Suitable for shooting fi reworks at night.
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
The camera automatically shoots multiple images,
takes newly bright areas only, and composites them
into a single image.
With normal long exposure, an image of light trace such
as star trails with bright buildings tends to get too bright.
You can capture them without over exposure while
checking the progress.
Press the shutter button to start shooting, then view the
changing result in the monitor and press the shutter
button again to end shooting once the desired result is
achieved (maximum 3 hours).
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
• Advanced settings can be accessed via live
composite photography (dark and light fi eld
composite) in M mode (P. 50).
Suitable for fast action shooting.
The camera will take photos while the shutter button is
pressed.
Suitable for photographs of children and other active
subjects.
Choose to blur the background behind moving objects.
The camera chooses the optimal shutter speed for
panning shots based on camera motion.
Suitable for shooting at snow-capped mountains,
seascapes in the sun, and other whitish scenes.
Suitable for contrasting scenes. This mode captures
multiple images and merges them into one, properly
exposed image (P. 36).
30
EN
Subject typeScene modeDescription
Candlelight
W
Silent [♥]
k
Portrait
B
Indoors
Close-ups
• To maximize the benefi ts of the scene modes, some of the shooting function settings are
disabled.
• Some time may be needed to record pictures taken using [e-Portrait]. In addition, when
the image quality mode is [RAW], the image is recorded in RAW+JPEG.
• Movies cannot be recorded using [e-Portrait], [Handheld Starlight], or [Backlight HDR].
• [Handheld Starlight] pictures taken with [RAW] selected for image quality will be recorded
in RAW+JPEG format, with the fi rst frame recorded as a RAW image and the fi nal
composite as a JPEG image.
• [Backlight HDR] records HDR-processed images in JPEG format. When the image quality
mode is set to [RAW], the image is recorded in RAW+JPEG.
• In [Panning], J is displayed during panning detection, and I is displayed when nothing
is detected.
• When using a lens with an image stabilizer switch in [Panning], turn the image stabilizer
switch off.
Suffi cient panning effects may not be obtained in bright conditions. Use a commercially
available ND fi lter to obtain effects more easily.
e-Portrait
e
Children
m
Backlight HDR
E
MacroSuitable for close-ups.
i
Nature Macro Suitable for vivid close-ups of fl owers or insects.
j
Documents
d
Multi Focus
t
Shot
Suitable for shots of candlelit scenes. Warm colors are
preserved.
Disable camera sounds and lights in situations in which
they may be unwelcome (P. 37).
Suitable for portrait shooting.
Brings out skin texture.
Smooths out skin tones and texture. This mode is
suitable when viewing images on a high-defi nition TV.
The camera records two pictures: one with the effect
applied and one without.
Suitable for photographs of children and other active
subjects.
Suitable for contrasting scenes. This mode captures
multiple images and merges them into one, properly
exposed image (P. 36).
Suitable for photos of timetables or other documents.
The camera heightens the contrast between the text
and background.
The camera takes eight photos, varying the focus
distance with each shot (P. 41).
2
Shooting
EN
31
Shooting in advanced photo mode ( Z mode)
Use for quick access to advanced shooting settings.
Rotate the mode dial to Z.
1
2
Shooting
Use HI to highlight an AP mode.
2
• Some modes offer additional options that can be
accessed using G.
Press the Q button to select the highlighted mode.
3
• Press the u button to choose a different mode. If additional options are displayed,
press F.
$ Notes
• In some modes, the front dial can be used for exposure compensation (P. 60) and the
rear dial for program shift (P. 45).
• Touch controls can also be used.
AP Mode Options
AP modeDescription
Live Composite
Live Time
Multiple Exposure Combine two different images on top of one another.35
HDRCapture details in both highlights and shadows.36
Silent [♥]
Panorama
Keystone
Compensation
AE Bracketing
Focus Bracketing
Record light trails from stars and other objects while
keeping exposure constant overall.
Choose for photos of fi reworks and night scenery. Make
long time exposures at selected shutter speeds.
Disable camera sounds and lights in situations in which
they may be unwelcome.
Take photos that can afterwards be joined on a computer
to create a panorama.
Correct the effects of perspective in photos of buildings or
landscapes.
Each time the shutter button is pressed, the camera takes
a series of photos, varying exposure with each shot.
Each time the shutter button is pressed, the camera takes
a series of eight photos, varying the focus distance with
each shot.
Live Composite
g
33
34
37
38
39
40
41
32
EN
[Live Composite]: Live Composite Photography
Create photos that record light trails from stars and other objects without changing the
brightness of the background; during shooting, the changing results can be viewed
in the monitor. You can adjust white balance or picture mode and other settings not
available with the SCN mode “Light Trails” option.
Highlight [Live Composite] in the AP mode menu (P. 32) and press the Q
1
button.
Press the shutter button halfway down to focus.
2
• To reduce blur caused by camera shake, fi x the camera securely to a tripod and use
a remote shutter release controlled via OI.Share (P. 122) in wireless remote mode.
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down to shoot.
3
• The camera confi gures the proper settings automatically and starts shooting.
• After pressing the shutter button, there is a time lag until shooting starts.
• The composite image will be displayed at regular intervals.
Press the shutter button again to stop shooting.
4
• View the changing result in the monitor and press the shutter button to end shooting
once the desired result is achieved.
• The recording length in one shooting is up to 3 hours.
$ Notes
• Advanced settings can be accessed via live composite photography (dark and light fi eld
composite) in M mode (P. 50).
2
Shooting
EN
33
[ Live Time]: Live Time Photography
You can make long exposures without having to keep the shutter button pressed. The
changing result can be viewed in the monitor during shooting.
Highlight [Live Time] in the AP mode menu (P. 32).
1
Press G, use HI to choose the maximum
2
2
Shooting
exposure time, and press the Q button.
• The display refresh rate may change automatically
depending on the maximum exposure time selected.
• The shorter the maximum exposure time, the faster the
display refresh rate.
Press the shutter button halfway down to focus.
3
• To reduce blur caused by camera shake, fi x the camera securely to a tripod and use
a remote shutter release controlled via OI.Share (P. 122) in wireless remote mode.
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down to start live time photography.
4
• The camera adjusts settings automatically and begins shooting.
• The changing result can be viewed in the monitor.
Press the shutter button again to stop shooting.
5
• View the changing result in the monitor and press the shutter button to end shooting
once the desired result is achieved.
• Shooting ends automatically when the selected exposure time is reached.
$ Notes
• The long exposure (bulb/time) options in M mode offer more advanced settings (P. 49).
Combine two different images on top of one another.
Highlight [Multiple Exposure] in the AP mode menu (P. 32) and press the
1
Q button.
Press the shutter button halfway down to focus.
2
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down for the fi rst shot.
3
• a is displayed in green if shooting starts.
• The image is shown superimposed on the monitor.
• Press to delete the last shot.
Take the second shot.
4
• Use the fi rst image as a guide to compose the second shot.
• The camera will not go to sleep while multiple exposure is in effect.
• Performing any of the following actions automatically deletes the second shot:
The camera is turned off, the q button is pressed, the MENU button is pressed,
pressing the u button, rotating the mode dial, the battery power runs out, or any cable
is connected to the camera.
% Tips
• For more information on creating image overlays: g “Image overlay” (P. 105)
2
Shooting
EN
35
[ HDR]: Taking Composite Photos with HDR
Capture details in both highlights and shadows. The camera varies exposure over a
series of four shots and combines them into a single image.
Highlight [HDR] in the AP mode menu (P. 32).
1
Press G, use HI to choose [HDR1] or [HDR2],
2
2
Shooting
and press the Q button.
Four shots are taken, each with a different
HDR1
exposure, and the shots are combined into one
HDR image inside the camera. HDR2 provides a
more impressive image than HDR1. ISO sensitivity
HDR2
is fi xed to 200.
Press the shutter button halfway down to focus.
3
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down to start HDR photography.
4
• The camera automatically takes four shots when the shutter button is pressed.
• Noise may be more noticeable in photos taken in conditions associated with slow shutter
speeds.
• For best results, secure the camera by, for example, mounting it on a tripod.
• The image displayed on the monitor or in the viewfi nder while shooting will differ from the
HDR-processed image.
• The HDR-processed image will be saved as a JPEG fi le. When the image quality mode is
set to [RAW], the image is recorded in RAW+JPEG.
• The picture mode is fi xed to [Natural] and the color space is fi xed to [sRGB].
HDR
HDR1HDR
1
HDR
2
36
EN
[ Silent [♥]] Mode
Disable camera sounds and lights in situations in which they may be unwelcome.
Highlight [Silent [♥]] in the AP mode menu (P. 32) and press the Q button.
1
Press the shutter button halfway down to focus.
2
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down to shoot.
3
• When the shutter is released, the monitor screen will go dark for a moment. No
shutter sound will be emitted.
• The desired results may not be achieved under fl ickering light sources such as fl uorescent
or LED lamps or if the subject moves abruptly during shooting.
• In [Silent [♥]] mode, the following measures are undertaken to reduce the sound and light
produced by the camera.
- Electronic shutter: Enabled
- 8: Off
- AF Illuminator: Off
- Flash mode: Off
• Note that due to the electronic shutter, the subject may appear to be distorted in
photographs if camera moves quickly during shooting or when shooting fast-moving
subjects.
• Long exposure noise reduction is not available in [Silent [♥]] mode.
$ Notes
• Press G for sequential/self-timer photography (P. 66).
2
Shooting
EN
37
[ Panorama]: Taking Pictures for a Panorama
Pictures taken using this option can be joined together to form a panorama. You will
need to install the latest version of OLYMPUS Viewer 3 on your computer to join
pictures together to form a panorama.
printer” (P. 125)
Highlight [Panorama] in the AP mode menu (P. 32) and press the Q
1
2
Shooting
button.
Use FGHI to choose a pan direction.
2
Take a picture, using the guides to frame the shot.
3
• Focus, exposure, and other settings are fi xed at the
values for the fi rst shot.
Take the remaining images, framing each shot so that the guides overlap with
4
the previous picture.
g “Connecting the camera to a computer and a
250250 F5.638
250250 F5.638
• A panorama may include up to 10 images. A warning indicator (g) is displayed after
the tenth shot.
• During panorama shooting, the image previously taken for position alignment will not
be displayed. With the frames or other markers for display in the images as a guide,
set the composition such that the edges of the overlapping images overlap within the
frames.
After taking the last shot, press Q to end the series.
5
38
EN
[ 2 ]
ExitExit
[ 3 ]
[ Keystone Compensation]
Correct the effects of perspective in photos of buildings or landscapes.
Highlight [Keystone Compensation] in the AP mode menu (P. 32) and press
1
the Q button.
Adjust the effect in the display and frame the shot.
2
• Use the front dial and rear dial for keystone correction.
• Use FGHI to choose the area to be recorded. The
area cannot be changed depending on the amount of
correction.
• Press and hold the Q button to cancel any changes.
• To adjust exposure compensation and other shooting
options while keystone compensation is in effect, press
the INFO button to view a display other than keystone
compensation adjustment. To resume keystone
compensation, press the INFO button until keystone
compensation adjustment is displayed.
• The following may occur as the correction amount increases.
- The image will be coarse.
- The magnifi cation ratio for image cropping will be large.
- The crop position will not be able to move.
Press the shutter button halfway down to focus.
3
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down to shoot.
4
• Photos are recorded in RAW+JPEG format when [RAW] is selected for image quality.
• The desired results may not be obtained with converter lenses.
• Depending on the amount of correction, some AF targets may be outside the display area.
An icon (g, h, i or j) is displayed when the camera focuses on an AF target outside
the display area.
• If a focus distance is selected for [Image Stabilizer], the correction will be adjusted for
the selected focus distance. Except when using a Micro Four Thirds or Four Thirds lens,
choose a focal length using the [Image Stabilizer] option (P. 78).
Wi-Fi
250250 F5.6
2
Shooting
EN
39
[ AE Bracketing]: Varying Exposure over a Series of Shots
Take a series of photos, varying exposure with each shot.
Highlight [AE Bracketing] in the AP mode menu (P. 32).
1
Press G, use HI to choose the number of shots,
2
and press the Q button.
2
Shooting
Take 3 shots, the fi rst at optimal exposure (±0.0 EV),
3f
the second at −1.0 EV, and the third at +1.0 EV.
Take 5 shots, the fi rst at optimal exposure (±0.0 EV),
5f
the second at −1.3 EV, the third at −0.7 EV, the fourth
at +0.7 EV, and the fi fth at +1.3 EV.
Press the shutter button halfway down to focus.
3
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down to shoot.
4
• Take the set number of shots.
• The t indicator turns green during bracketing.
• The camera brackets the value currently selected for exposure compensation.
AE Bracketing
f
3f5
5
f
40
EN
[ Focus Bracketing]: Varying Focus Distance over a Series of Shots
Each time the shutter button is pressed, the camera takes a series of eight photos,
varying the focus distance with each shot.
Highlight [Focus Bracketing] in the AP mode menu (P. 32).
1
Press G, use HI to choose the amount focus
2
distance changes with each shot, and press the Q
Focus Bracketing
button.
The focus distance changes by a small amount with
each shot.
The focus distance changes by a large amount with
each shot.
Press the shutter button halfway down to focus.
3
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all the way down to shoot.
4
• The camera takes eight photos, varying the focus distance with each shot. The camera
will take pictures at, and at distances in front of and behind, the focus distance chosen
when the shutter button is pressed halfway.
• The t indicator turns green during bracketing.
• Focus bracketing ends if zoom is adjusted during shooting.
• Shooting ends when focus reaches infi nity.
• Focus bracketing uses the electronic shutter.
• Focus bracketing is not available with lenses that have mounts conforming to the FourThirds or some Micro Four-Thirds standards.
2
Shooting
EN
41
Using art fi lters (ART mode)
Using art fi lters, you can easily have fun with artistic effects.
Rotate the mode dial to ART.
1
2
Shooting
Use HI to highlight a fi lter.
2
Press G, highlight an effect using HI, and press
3
the Q button.
• Press the u button to choose a different art fi lter. If
effects are displayed, press F.
• The effects available vary with the selected fi lter (Soft
Focus Effect, Pin Hole Effect, Frame Effect, White Edge
Effect, Star Light Effect, Color Filter, Monochrome Color,
Blur Effect, or Shade Effect).
Shoot.
4
$ Notes
• [Color Filter] (P. 82) and [Monochrome Color] (P. 83) options are available with some
art fi lters.
• The front dial can be used for exposure compensation (P. 60).
• The rear dial can be used for program shift (P. 45).
• Touch controls can also be used.
ART 1ART
1
Effect
Pop Art
Frame Effect
O
ff
Off
ART 1ART
1
42
EN
Types of art fi lters
Pop Art I/IICreates an image that emphasizes the beauty of color.
Soft FocusCreates an image that expresses a soft tone atmosphere.
Pale&Light Color I/II
Light Tone
Grainy Film I/II
Pin Hole I/II/III
Diorama I/II
Cross Process I/II
Gentle Sepia
Dramatic Tone I/II
Key Line I/II
Watercolor I/II
Vintage I/II/III
Partial Color I/II/III
Bleach Bypass I/II
II and III are altered versions of the original (I).
Creates an image that expresses warm light by scattering overall
light and slightly overexposing the image.
Creates a high-quality image by softening both shadows and
highlights.
Creates an image that expresses the roughness of black and
white images.
Creates an image that looks as if it was taken using an old or toy
camera by dimming the image perimeter.
Creates a miniature-like image by emphasizing saturation and
contrast, and blurring unfocused areas.
Creates an image that expresses a surreal atmosphere. Cross
Process II creates an image that emphasizes magenta.
Creates a high-quality image by drawing out shadows and
softening the overall image.
Creates an image that emphasizes the difference between
brightness and darkness by partially increasing contrast.
Creates an image that emphasizes edges and adds an illustrative
style.
Creates a soft, bright image by removing dark areas, blending
pale colors on a white canvas, and further softening contours.
Expresses an everyday shot in a nostalgic, vintage tone using
printed fi lm discoloration and fading.
Impressively expresses a subject by extracting colors you want to
emphasize and keeping everything else monotone.
The “bleach bypass” effect, which you may recognize from motion
pictures and the like, can be used to great effect in shots of
streetscapes or metal objects.
2
Shooting
EN
43
• To maximize the benefi ts of the art fi lters, some of the shooting function settings are
disabled.
• If [RAW] is currently selected for image quality (P. 73), image quality will automatically
be set to [YN+RAW]. The art fi lter will be applied to the JPEG copy only.
• Depending on the subject, tone transitions may be ragged, the effect may be less
noticeable, or the image may become more “grainy.”
• Some effects may not be visible in live view or during movie recording.
• Your choice of fi lters, effects, and movie quality when recording movies may affect
2
playback speed and smoothness.
Shooting
Using [ Partial Color]
Record only selected hues in color.
Select [Partial Color I/II/III] in the art fi lter menu
1
(P. 42).
Highlight an effect and press the Q button.
2
• A color ring appears in the display.
Rotate the front dial or rear dial to select a color.
3
• The effect is visible in the display.
Shoot.
4
• If you want to change the extracted color after shooting, rotate the front dial (r) or rear
dial (o) to display the color ring.
ColorColor
44
EN
Letting the camera choose aperture and shutter speed
60"
F2.8
F22
4000
( Program mode)
P mode is a shooting mode where the camera automatically sets the optimal aperture
and shutter speed according to subject brightness. Set the mode dial to P.
Wi-Fi
S-IS ONS-IS ON
250250 F5.6
0.0
P
Shutter speed
Shooting mode
• The shutter speed and aperture selected by the camera are displayed.
• You can use the front dial to select exposure compensation.
• You can use the rear dial to select program shift.
• The shutter speed and aperture value displays will blink if the camera is unable to achieve
correct exposure.
The aperture value at the moment when its indication blinks varies with the lens type and
focal length of the lens.
When using a fi xed [ISO] setting, change the setting. g “Changing ISO sensitivity
(ISO)” (P. 63)
Warning display
example (blinking)
StatusAction
ISO-A
200
L
N
FHD
F
30p
1:02:03
1023
Aperture value
2
Shooting
60"
F2.8
The subject is too
dark.
• Use the fl ash.
• The metered range of the camera is
4000
F22
The subject is too
bright.
exceeded. A commercially available ND
fi lter (for adjusting the amount of light) is
required.
Program shift (%)
In P mode, ART mode, and some Z modes, you can
choose other combinations of aperture and shutter speed
that will produce the same exposure. Turn the rear dial to
program shift so that “s” appears next to the shooting mode.
To cancel program shift, turn the rear dial until “s” is no
longer displayed.
• Program shift is not available in other modes or when the
fl ash is used.
Wi-Fi
S-IS ONS-IS ON
P
s
250250 F5.6
Program shift
ISO-A
200
L
N
FHD
F
30p
0.0
1:02:03
1023
EN
45
Choosing aperture ( Aperture Priority mode)
60"
F5.6
4000
F5.6
A mode is a shooting mode where you choose the aperture and let the camera
automatically adjust to the appropriate shutter speed. Rotate the mode dial to A and
then use the rear dial to select an aperture value.
Larger apertures (lower F-numbers) decrease depth of fi eld (the area in front of or
behind the focus point that appears to be in focus), softening background details.
Smaller apertures (higher F-numbers) increase depth of fi eld.
2
Shooting
• You can use the front dial to select exposure compensation.
Setting the aperture value
Decreasing aperture value Increasing aperture value
F2.8 F4.0F5.6F8.0 F11
(Decreasing depth of fi eld) (Increasing depth of fi eld)
• The shutter speed display will blink if the camera is unable to achieve correct exposure.
• When using a fi xed [ISO] setting, change the setting. g “Changing ISO sensitivity
(ISO)” (P. 63)
Warning display
example (blinking)
StatusAction
Wi-Fi
S-IS ONS-IS ON
A
250250 F5.6
Aperture value
0.0
1:02:03
1023
ISO-A
200
L
N
FHD
F
30p
60"
F5.6
The subject is
underexposed.
• Decrease the aperture value.
• Increase the aperture value.
• If the warning display does not disappear,
4000
F5.6
The subject is
overexposed.
the metered range of the camera is
exceeded. A commercially available ND
fi lter (for adjusting the amount of light) is
required.
46
EN
Choosing shutter speed ( Shutter Priority mode)
2000
F2.8
125
F22
S mode is a shooting mode where you choose the shutter speed and let the camera
automatically adjust to the appropriate aperture value. Rotate the mode dial to S and
then use the rear dial to select shutter speed.
Fast shutter speeds freeze motion of fast-moving subjects. Slow shutter speeds add
motion by blurring moving subjects.
Wi-Fi
S-IS ONS-IS ON
250250 F5.6
0.0
S
Shutter speed
• You can use the front dial to select exposure compensation.
Setting the shutter speed
Slower shutter speed Faster shutter speed
60" 15 3060125 250 4000
(Add motion) (Freeze motion)
• The aperture value display will blink if the camera is unable to achieve correct exposure.
• The aperture value at the moment when its indication blinks varies with the lens type and
focal length of the lens.
• When using a fi xed [ISO] setting, change the setting. g “Changing ISO sensitivity
(ISO)” (P. 63)
Warning display
example (blinking)
StatusAction
1:02:03
1023
ISO-A
200
L
N
FHD
F
30p
2
Shooting
2000
125
F2.8
F22
The subject is
underexposed.
The subject is
overexposed.
• Set the shutter speed slower.
• Set the shutter speed faster.
• If the warning display does not disappear,
the metered range of the camera is
exceeded. A commercially available ND
fi lter (for adjusting the amount of light) is
required.
EN
47
Choosing aperture and shutter speed ( Manual mode)
M mode is a shooting mode where you choose both the aperture value and shutter
speed. Bulb, time, and live composite photography are also available. Rotate the mode
dial to M, and then use the front dial to select aperture value and the rear dial to select
shutter speed.
Wi-Fi
2
S-IS ONS-IS ON
ISO-A
200
Shooting
L
FHD
+
250250 F5.6
2.0+2.0
M
Difference from correct exposure
• The exposure determined by the aperture value and shutter speed you have set and
the difference from the suitable exposure measured by the camera are displayed on the
monitor.
• Shutter speed can be set to values between 1/4000 and 60 seconds or to [BULB], [LIVE
TIME], or [LIVECOMP].
• The brightness of the image displayed in the monitor (or viewfi nder) will change with
changes in aperture and shutter speed. You can fi x the brightness of the display so that
you can keep the subject in view while shooting. g [Live View Boost] (P. 110)
• Even when you have set [Noise Reduct.], noise and/or light spots may still be noticeable
in the image displayed on the monitor and shot images under certain environmental
conditions (temperature etc.) and camera settings.
Noise in images
While shooting at slow shutter speeds, noise may appear on screen. These phenomena
occur when the temperature rises in the image pickup device or image pickup device
internal drive circuit, causing current to be generated in those sections of the image pickup
device that are not normally exposed to light. This can also occur when shooting with a
high ISO setting in a high-temperature environment. To reduce this noise, the camera
activates the noise reduction function. g [Noise Reduct.] (P. 111)
1:02:03
1023
N
F
30p
48
EN
Shooting with long exposure time ( BULB/ LIVE TIME)
Use for photos such as fi reworks or night scenery. In M
mode, rotate the rear dial in the direction shown until
[BULB] or [LIVE TIME] is displayed in the monitor.
Bulb photography
(BULB):
Time photography
(LIVE TIME):
• To display the view through the lens in the monitor during bulb photography, select an
option other than [Off] for [Live Bulb].
• Press the MENU button to choose the display interval for [Live Bulb] or [Live Time]
photography. Select [Off] to disable the display while exposure is in progress.
• To refresh the display while exposure is in progress, tap the monitor or press the shutter
button halfway.
• [BULB] and [LIVE TIME] are not available at some ISO sensitivity settings.
• To reduce blur caused by camera shake, fi x the camera securely to a tripod and use a
remote shutter release controlled via OI.Share (P. 122).
• During shooting, there are limits on the settings for the following functions.
Sequential shooting, self-timer shooting, time lapse shooting, image stabilizer, etc.
The shutter remains open while the shutter button is pressed.
The exposure ends when the shutter button is released. The view
through the lens is not displayed while exposure is in progress.
The exposure begins when the shutter button is pressed all the
way down. To end the exposure, press the shutter button all the
way down again. The view through the lens is displayed while
exposure is in progress.
2
Shooting
EN
49
Live composite photography (dark and light fi eld composite)
Combine several exposures to create a photo that records light trails from stars or
fi reworks and other objects without changing the brightness of the background.
In M mode, set the shutter speed to [LIVECOMP].
1
• In M mode, rotate the rear dial in the direction shown
until [LIVECOMP] is displayed in the monitor.
2
Shooting
Press the MENU button to display [Composite Settings] and press FG to
2
choose the exposure time for the individual exposures.
Press the shutter button to ready the camera.
3
• The camera will shoot a frame as a reference for noise reduction.
• The camera is ready when [Ready for composite shooting] is displayed in the monitor.
Press the shutter button halfway down to focus.
4
• If the focus indicator blinks, the camera is not in focus.
Press the shutter button all with way down to start live composite
5
photography.
• The combined image will be displayed in the monitor with each exposure.
Press the shutter button again to stop shooting.
6
• View the changing result in the monitor and press the shutter button to end shooting
once the desired result is achieved.
• The maximum length of composite shooting is 3 hours. However, the available
shooting time will vary depending on shooting conditions, and charging state of the
camera.
• There are limits on the available ISO sensitivity settings.
• To reduce blur caused by camera shake, fi x the camera securely to a tripod and use a
remote shutter release controlled via OI.Share (P. 122).
• During shooting, there are limits on the settings for the following functions.
Sequential shooting, self-timer shooting, time lapse shooting, image stabilizer, etc.
50
EN
Shooting with touch screen operations
Tap T to cycle through touch screen settings.
Wi-Fi
ISO-A
200
250250 F5.6
1:02:03
1023
Tap a subject to focus and automatically release the shutter.
T
U
V
This feature is not available in movie mode and during bulb, time, or
composite photography.
Touch screen operations are disabled.
Tap to display an AF target and focus on the subject in the selected area.
Photographs can be taken by pressing the shutter button.
Previewing the subject (V)
Tap the subject in the display.
1
• An AF target will be displayed.
• Use the slider to choose the size of the frame.
• Tap S to turn off the display of the AF target.
Tap Y to zoom in at the frame position.
2
Off
250250 F5.6
• Use your fi nger to scroll the display when the
picture is zoomed in.
• Tap Z to cancel the zoom display.
• You cannot resize or zoom in on the target in movie
mode.
• The situations in which touch screen operations are not available include the following.
Panorama, one touch WB, while buttons or dials are in use, etc.
• Do not touch the display with your fi ngernails or other sharp objects.
• Gloves or monitor covers may interfere with touch screen operation.
• You can disable the touch screen operation. g [Touchscreen Settings] (P. 114)
2
Shooting
1414
1010
7
7
5
5
3x
3x
EN
51
Recording movies
Recording movies in photo shooting modes
Use the R button to record movies.
Press the R button to begin recording.
1
2
Shooting
• Movie you are recording will be displayed on the monitor.
• If you put your eye to the viewfi nder, movie you are recording will be displayed in the
viewfi nder.
• You can change the focus location by tapping the screen while recording.
R button
Press the R button again to end recording.
2
• When using a camera with a CMOS image sensor, moving objects may appear distorted
due to the rolling shutter phenomenon. This is a physical phenomenon whereby distortion
occurs in the fi lmed image when shooting a fast-moving subject or due to camera shaking.
In particular, this phenomenon becomes more noticeable when using a long focal length.
• If the size of the movie fi le being recorded exceeds 4 GB, the fi le will be split
automatically. (Depending on shooting conditions, movies under 4 GB in size may be split
into multiple fi les.)
• When recording movies, use an SD card that supports an SD speed class of 10 or higher.
• If the camera is used for extended periods, the temperature of the image pickup device
will rise and noise and colored fog may appear in images. Turn off the camera for a short
time. Noise and colored fog may also appear in images recorded at high ISO sensitivity
settings. If the temperature rises further, the camera will turn off automatically.
• When using a Four Thirds system lens, the AF will not operate while recording movies.
• The R button cannot be used to record movies in the following instances:
While shutter the button is pressed halfway; during bulb, time, composite, sequential
or time lapse photography; or when e-portrait, handheld starlight, or backlight HDR
is selected in SCN mode or keystone compensation, panorama, live time, multiple
exposure, or HDR is selected in Z mode
52
EN
Recording movies in movie mode
Movie mode can be used to create movies that take advantage of the effects available
in photo shooting modes.
Rotate the mode dial to n.
1
2
Shooting
Use HI to highlight movie mode.
2
• Some modes offer additional options that can be
accessed using G.
Press the Q button to select the highlighted mode.
3
• Press the u button to choose a different movie mode.
If additional options are displayed, press F.
Press the R button to begin recording.
4
• Press the R button again to end recording.
Standard
$ Notes
• Touch controls can also be used.
Movie Mode Options
Movie modeDescription
StandardShoot standard movies, or shoot movies with selected effects.54
n
4KShoot 4K movies.―
o
ClipsCreate a single movie fi le including multiple short movies.56
q
High-speedRecord slow-motion movies. Sound will not be recorded.59
p
• The picture mode art fi lter options are not available in [4K] mode.
• Use UHS-I or UHS-II memory card with a UHS Speed Class of 3 or better when shooting
in [4K] mode.
g
EN
53
Movie Effects
Highlight [Standard] in the movie mode option (P. 53) and press the Q
1
button.
Press the R button to begin recording.
2
3
2
Shooting
Tap the on-screen icon of the effect you wish to use.
• Tap the display to add effects during shooting.
• Some effects can be added by tapping the display
before starting recording.
LRL
R
1
M-ISM-IS
n
Movie effectDescription
Art Fade
W
Old Film
M
Multi Echo
U
One Shot Echo
T
Movie
X
Tele-converter
Press the R button again to end recording.
4
Films with the selected picture mode effect. The fade effect is
applied to the transition between scenes.
Randomly applies damage and dust-like noise similar to old
movies.
Applies an after-image effect. After-images will appear behind
moving objects.
Applies an after-image for a short time after you tap the icon. The
after-image will disappear automatically after a while.
Zooms in on an area of the image without using the lens zoom.
The selected position of the image can be zoomed in even while
the camera is kept fi xed.
• The INFO button also controls the display of shooting information during movie recording.
Note, however, that pressing the INFO button during recording cancels all movie effects
except movie tele-converter.
Movie effect
28
mm
●
REC 00:12
1:02:03
ISO
AUTO
C-AF
FHD
F
30p
54
EN
Art Fade
Tap the icon. The effect will be applied gradually when you tap the icon of a picture mode.
• Movies shot in partial color use the color selected in ART mode.
Old Film
Tap the icon for the effect to be applied. Tap again to cancel the effect.
Multi Echo
Tap the icon for the effect to be applied. Tap again to cancel the effect.
One Shot Echo
Each tap of the icon adds the effect.
Movie Tele-converter
LRL
Tap the icon to display the zoom frame.
1
• You can change the position of the zoom frame by
R
1
M-ISM-IS
tapping the screen or using FGHI.
• Press and hold the Q button to return the zoom frame
to a central position.
n
Tap M to zoom in on the area in the zoom frame.
2
• Tap N to return to the zoom frame display.
Tap O or press the Q button to cancel the zoom frame and exit Movie
3
Tele-converter mode.
• The 2 effects cannot be applied simultaneously.
• Some effects may not be available depending on the picture mode.
• The sound of touch operations and button operations may be recorded.
• The frame rate may drop if an art fi lter or a movie effect is used.
28
mm
●
REC 00:12
1:02:03
ISO
AUTO
C-AF
FHD
F
30p
2
Shooting
EN
55
Creating Movies from Clips
You can create a single movie fi le including multiple short movies (clips). Clips can be
split into multiple groups (“My Clips”). You can also add still pictures to the My Clips
movie.
Recording Clips
Highlight [Clips] in the movie mode option (P. 53).
1
2
Shooting
Press G, use HI to choose the clip length, and press the Q button.
2
• Three movie quality (frame size and rate) options are available via live controls
(P. 75).
Press the R button to start shooting.
3
• Shooting ends automatically when the selected recording time is reached.
• If you press the R button during shooting, movie recording will continue for the
length of time the button was pressed (maximum 16 seconds).
• The new clip is added to My Clips.
Plays back My Clips from the beginning.
F
Changes My Clips to save the clip to and the
G
position to add the clip to. Use HI to change
the position to add the clip to in the My Clips.
Prepare to record the next clip.
Q
Deletes the shot clip.
Press the R button to shoot the next clip.
4
• The confi rmation screen will disappear and shooting of the next clip will start.
• The new clip is added to the same My Clips group as the previous clip.
• Movies recorded at different frame sizes or rates are saved to different My Clips
groups.
Creating new My Clips
Press G in Step 3.
Move a clip within a My Clips folder.
Use FG to move the clip to v and press the Q button.
Removing a clip from My Clips
1
Press G in Step 3.
Move a clip to n using FGHI, and press the Q
button.
• The clip removed from My Clips will be a normal movie fi le.
BackSet
Added to My Clips.
MOV00:04F HD 30p
1
MOV11:24FHD 30p
Set
56
EN
Playback
You can play back the fi les in My Clips consecutively.
Press the q button and select an image marked
1
c.
Press the Q button and select [Play My Clips]
2
using FG. Then press the Q button again.
• The fi les in My Clips will play back consecutively.
• Press the Q button to end the consecutive playback.
Wi-Fi
12:30:002017.10.0120
1
P
AUTO
AUTOAUTOAUTOWBAUTO
FHD
N
100-0020
30p
Editing “My Clips”
You can create a single movie fi le from My Clips.
The shot clips are stored in My Clips. You can add movie clips and still pictures to My
Clips (P. 95). You can also add screen transition effects and art fi lter effects.
Press the q button and then rotate the rear dial to play back My Clips.
1
Wi-Fi
12:30:002017.10.01
playback
q
4:3
100-0020
L
N
20
p
Index displayCalendar displaySingle-frame
q
202017.10.0112:30:00
p
My Clips playback*
1
My Clips
MOV11:24FHD 30p
12:30:002017.10.01
q
p
2017.10
Sun Mon Tue Wed Thu Fri Sat
1 2 3 4 5
2 1 31 30 29
Q
* After pressing the q button, you can also view the My Clips playback display by
highlighting an item marked with c, pressing the Q button, and selecting [See all My
Clips] from the menu that appears.
Use FG to select My Clips and HI to select a clip, and press the Q
2
button.
• The clip menu will be displayed.
Play My ClipsPlays back the fi les in My Clips in order, starting from the
Play MoviePlays back the selected clips as movie.
Export My ClipsExports the fi les in My Clips as a movie fi le.
Rearrange OrderMoves or adds fi les in My Clips.
Preset DestinationFrom the next time you shoot, movies shot in the same
Delete My ClipsDeletes all unprotected fi les from My Clips.
Erase
beginning.
settings will be added to this c My Clips.
Select [Yes] and press the Q button to delete the clip.
WB
WBWBWB
2
Shooting
30292827262524
7
6
14131211109 8
21201918 171615
28272625242322
EN
57
With the My Clips you want for the movie selected, highlight [Export My Clips]
3
and press the Q button.
Select an item using FG and press the Q button.
4
Clip EffectsYou can apply 6 types of art effects.
Transition EffectYou can apply fade effects.
BGMYou can set [Happy Days] or [Off].
2
Recorded Clip VolumeWhen [BGM] is set to [Happy Days], you can set a volume for
Shooting
Recorded Clip SoundBy setting to [On], you can create a movie with the recorded
PreviewYou can preview the fi les of the edited My Clips in order,
When you have fi nished the editing, select [Begin Export] and press the Q
5
button.
• The combined album is saved as a single movie.
• Exporting a movie may take some time.
• The maximum length for My Clips is 15 minutes and the maximum fi le size is 4 GB.
• It may take a while for My Clips to display after taking out, inserting, erasing, or protecting
the card.
• You can record a maximum of 99 My Clips and a maximum of 99 cuts per clip. The
maximum values may vary depending on the fi le size and length of My Clips.
• You cannot add movies other than clips to My Clips.
BGM other than [Happy Days]
To use BGM other than [Happy Days], record data that you have downloaded from the
Olympus website onto the card and select it as [ BGM] in Step 4. Visit the following website
for the download.
http://support.olympus-imaging.com/bgmdownload/
sounds recorded in the movie.
sound. This setting is only available when [BGM] is set to
[Off].
starting from the fi rst fi le.
58
EN
[Hi-Speed]: Recording Slow Motion Movies
Record slow-motion movies. Footage shot at 120 fps plays back at 30 fps; quality is
equivalent to [HD].
Highlight [Hi-Speed] in the movie mode option (P. 53) and press the Q
1
button.
Press the R button to start shooting.
2
• Press the R button again to end shooting.
• Focus and exposure are fi xed at the start of recording.
• Recording can continue for up to 20 seconds.
• Sound will not be recorded.
Using the silencing function when shooting a movie
You can prevent the camera from recording operating sounds that occur due to camera
operations while shooting.
Tap the silent shooting tab to display the function items.
After tapping an item, tap the displayed arrows to select
the settings.
• The options available vary with the shooting mode.
1
M-ISM-IS
n
LRL
R
Silent shooting tab
28
mm
ISO
AUTO
C-AF
FHD
F
30p
●
REC 00:12
1:02:03
2
Shooting
EN
59
Using various settings
Controlling exposure ( Exposure F)
Rotate the front dial to choose exposure compensation. Choose positive (“+”) values to
make pictures brighter, negative (“–”) values to make pictures darker. Exposure can be
adjusted by ±5.0 EV.
2
Shooting
Negative (–)No compensation (0)Positive (+)
• Exposure compensation is not available in B, M, or SCN mode or when Live Time or
panorama is selected in Z mode.
• Only values of up to ±3 EV are refl ected in the live view display in the monitor or
viewfi nder. If the exposure exceeds ±3.0 EV, the exposure bar will begin fl ashing.
• Movies can be corrected in a range up to ±3.0 EV.
Locking the exposure ( AE Lock)
You can lock the exposure by pressing the AEL/AFL button. Use this when you want
to adjust the focus and exposure separately or when you want to shoot several images
at the same exposure.
• If you press the AEL/AFL button once, the exposure is locked and u is displayed.
g “AEL/AFL” (P. 115)
• Press the AEL/AFL button once again to release the AE Lock.
• The lock will be released if you operate the mode dial, MENU button, or Q button.
• If another role is assigned to the Fn1 button, choose [t] (P. 85).
Digital Zoom ( Digital Tele-converter)
Press the b button to zoom in beyond the current zoom ratio. The display zoom ratio
will double and any photographs taken will show the area visible in the monitor.
• H is displayed on the monitor.
• To exit digital zoom, press the b button again.
• Digital zoom is not available when multiple exposure, panorama, or keystone
compensation is selected in Z mode or when [Standard] is selected in movie mode.
• When a RAW image is displayed, the area visible in the monitor is indicated by a frame.
• AF target drops.
• If another role is assigned to the Fn2 button, choose [b] (P. 85).
60
EN
Selecting the AF target mode ( AF target settings)
You can choose the position and size of the focus area for autofocus. You can also
select Face priority AF (P. 62).
Press H.
1
Select [I (Single Target)] or [J (9-Target Group)] using the front dial.
2
ii
o
ii
ii
2
Shooting
All Targets
o
Single Target
I
9-Target Group
J
• The single target mode is automatically applied in movie shooting if the group target mode
is set.
• When using a Four Thirds system lens, the camera automatically switches to single target
mode.
The camera automatically chooses from the full set of focus
targets.
You can choose a single AF target.
The camera automatically chooses from the targets in the selected
nine-target group.
Setting the AF target
Select the single target or group target position.
Press H.
1
• If [o (All Targets)] is selected, select [I (Single Target)] or [J (9-Target Group)]
using the front dial.
Use FGHI to choose a focus area.
2
• The size and number of the AF targets changes with the aspect ratio (P. 73) and the
option selected for [Digital Tele-converter] (P. 99).
$ Notes
• Touch controls can also be used.
EN
61
Face priority AF/ Eye priority AF
The camera detects faces and adjusts focus and digital ESP.
Press H.
1
Select an option using the rear dial.
2
2
ii
o
Shooting
Face Priority OnFace priority is on.
I
Face Priority Off
N
Face & Eye Priority On
K
Point the camera at your subject.
3
• If a face is detected, it will be indicated by a white
Face priority is off.
The autofocus system selects the eye closest to the
camera for face-priority AF.
Wi-Fi
S-IS ONS-IS ON
frame.
Press the shutter button halfway to focus.
4
• When the camera focuses on the face in the white
frame, the frame will turn green.
• If the camera is able to detect the subject’s eyes, it will
display a green frame over the selected eye.
P
S-IS ONS-IS ON
250250 F5.6
Wi-Fi
(eye priority AF)
Press the shutter button the rest of the way down
5
to shoot.
P
250250 F5.6
• During sequential shooting, face priority applies only to the fi rst shot in each sequence.
• Depending on the subject and the art fi lter setting, the camera may not be able to correctly
detect the face.
• When set to [p (Digital ESP metering)] (P. 80), metering is performed with priority
given to faces.
$ Notes
• Face priority is also available in [MF] (P. 72). Faces detected by the camera are
indicated by white frames.
ISO-A
200
L
N
FHD
F
30p
0.0
0.0
1:02:03
1023
28
mm
ISO-A
200
L
N
FHD
F
30p
1:02:03
1023
62
EN
Changing ISO sensitivity (ISO)
Increasing ISO sensitivity increases noise (graininess) but allows photographs to be
taken when lighting is poor. The setting recommended in most situations is [AUTO],
which starts at ISO 200—a value that balances noise and dynamic range—and then
adjusts ISO sensitivity according to shooting conditions.
Press F.
1
Rotate the front dial to choose an option.
2
The sensitivity is set automatically according to the shooting
AUTO
LOW, 200–25600 The sensitivity is set to the selected value.
conditions. The maximum ISO sensitivity value and other auto ISO
settings can be adjusted using the [ISO-Auto Set] option in custom
menus (P. 111).
2
Shooting
EN
63
Using a fl ash ( Flash photography)
The fl ash can be set manually as required. The fl ash can be used for fl ash
photography in a variety of shooting conditions.
Rotate the ON/OFF lever to #UP to raise the fl ash.
1
ON/OFF lever
2
Shooting
Press I.
2
Select an item using the front dial and press the Q button.
3
• The options available and the order in which they are displayed vary depending on
the shooting mode. g “Flash modes that can be set by shooting mode” (P. 65)
FlashThe fl ash fi res regardless of the light conditions.
#
Red-eye reduction fl ash
0
Flash offThe fl ash does not fi re.
$
Slow synchronization
(1st curtain)/Red-eye
1
reduction fl ash
Slow synchronization
2
(1st curtain)
The fl ash fi res so that the red-eye phenomenon is
reduced.
The slow synchronization is combined with the redeye reduction fl ash.
The fl ash fi res with slow shutter speeds to brighten
dimly-lit backgrounds.
Slow synchronization
M
(2nd curtain)
3, 4
• In [0 (Red-eye reduction fl ash)], after the pre-fl ashes, it takes about 1 second before the
• [0 (Red-eye reduction fl ash)] may not work effectively under some shooting conditions.
• When the fl ash fi res, the shutter speed is set to 1/250 seconds or slower. When shooting a
64
EN
Manual fl ash
etc.
shutter is released. Do not move the camera until shooting is complete.
subject against a bright background with the fl ash, the background may be overexposed.
The fl ash fi res immediately before
the shutter closes to create trails of
light behind moving light sources.
For users who prefer manual operation. Press the
INFO button and use FG to adjust fl ash output.
Flash modes that can be set by shooting mode
Shooting
mode
• Only # and $ can be set in B mode.
* The shutter speed is 1/200 seconds when using a separately sold external fl ash.
Minimum range
The lens may cast shadows over
objects close to the camera,
causing vignetting, or the fl ash
may be too bright even at
minimum output.
• External fl ash units can be used to prevent vignetting. To prevent photographs from being
overexposed, select A or M mode, and choose a high aperture value or reduce ISO
sensitivity.
MonitorFlash mode
#
0
$
P/A
1
2
M
#
0
S/M
$
M
Flash
Red-eye
reduction
Flash off———
Slow
synchronization
(red-eye reduction
fl ash)
Slow
Synchronization
(1st curtain)
Slow
synchronization
(2nd curtain)
Flash
Red-eye
reduction fl ash
Flash off———
Slow
synchronization
(2nd curtain)
Flash
Conditions for
timing
fi ring the fl ash
1st
curtain
curtain
2nd
curtain
curtain
2nd
curtain
14-42mm F3.5-5.6 II R1 m
ED 14-42mm F3.5-5.6 EZ0.5 m
ED 40-150mm F4.0-5.6 R0.9 m
ED 14-150mm F4.0-5.6 II0.5 m
Always fi res
1st
Always fi res60 sec. – 1/250 sec.*
1st
Always fi res60 sec. – 1/250 sec.*
Always fi res60 sec. – 1/250 sec.*
Lens
Shutter speed limit
30 sec. – 1/250 sec.*
1/30 sec. –
1/250 sec.*
Approximate distance at
which vignetting occurs
2
Shooting
EN
65
Performing the sequential/ self-timer shooting
You can take a series of pictures by keeping the shutter button pressed all the way
down. Alternatively, you can take pictures using the self-timer.
Press G.
1
Highlight one of the following options using HI.
2
2
Shooting
o/
Single1 frame is taken at a time when the shutter button is pressed.
o
Pictures are taken at up to about 8.6 frames per second (fps)
Sequential High
T
S/
Sequential Low
S
Y12s/
Y 12 sec
Y12s
Y2s/
Y 2 sec
Y2s
YC/
Custom
Self-timer
YC
* Items marked with use the electronic shutter to control the small amount of camera blur
caused by operation of the shutter.
Press the Q button.
3
• Fix the camera securely on a tripod for self-timer shooting.
• If you stand in front of the camera to press the shutter button when using the self-timer,
the picture may be out of focus.
• When you are using S or S, live view is displayed. In T, the display shows the last
photograph taken during the sequential shooting.
• The speed of sequential shooting varies depending on the lens you are using and the
focus of the zoom lens.
• During sequential shooting, if the battery level icon blinks due to low battery, the camera
stops shooting and starts saving the pictures you have taken on the card. The camera
may not save all of the pictures depending on how much battery power remains.
while the shutter button is pressed all the way down. Focus,
exposure, and white balance are fi xed at the values for the fi rst
shot in each series.
Pictures are taken at up to about 4.8 frames per second (fps)
while the shutter button is pressed all the way down. Focus
and exposure are fi xed according to the options selected for
[AF Mode] (P. 72) and [AEL/AFL] (P. 115).
Press the shutter button halfway to focus, the rest of the way
down to start the timer. First, the self-timer lamp lights up for
approximately 10 seconds, then it blinks for approximately
2 seconds and the picture is taken.
Press the shutter button halfway to focus, the rest of the
way down to start the timer. The self-timer lamp blinks for
approximately 2 seconds, and then the picture is taken.
Press the INFO button to set [Y Timer], [Number of Frames],
and [Interval Length].
Use HI to highlight items and FG to choose a value.
$ Notes
• To cancel the activated self-timer, press G.
• Sequential/self-timer shooting is available in silent mode (P. 37).
66
EN
Calling shooting options
Live control
You can use live control to select the shooting function while checking the effect on the
screen.
0 Face priority ....................................P. 62
a nK..............................................P. 74
d Picture mode...................................P. 69
e Sharpness
Contrast u*
Saturation t*
Gradation z*
Color fi lter
Monochrome color
Effect
Color
Color/Vivid
*1 ................................P. 80
1
...................................P. 81
1
................................P. 81
1
................................P. 82
*1 ................................P. 82
*1 ........................................P. 83
*1*2 ......................................P. 44
*1*3 .............................P. 69
f Color space.....................................P. 84
g Highlight & shadow control .............P. 84
h Button function assignment ............P. 85
b Aspect ratio .....................................P. 73
c White balance .................................P. 70
White balance compensation..........P. 79
*1 The display may differ when Art Filter is selected for picture mode.
*2 Displayed when Partial Color is set.
*3 Displayed when Color Creator is set.
Press the u button in P/A/S/M modes.
1
• The LV super control panel will be displayed.
• In B, ART, SCN, and Z modes, the
display of the LV super control panel is
controlled via [K Control Settings] (P. 110).
• The LV super control panel is not displayed in
movie mode.
Highlight an item using FGHI and press the Q button.
2
Use HI to highlight an option.
3
Cursor
Recommended ISO
ISO
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
$ Notes
• Settings can also be adjusted using the dials or touch controls.
• For the default settings of each option, refer to “Defaults” (P. 148).
*1 ...................P. 83
Natural
A ±
0
WB
Auto
S
±
0±
G
±
0
S-AF
N
Normal
±
±
0
0
sRGB
FHD
60p
1:02:03
0
1023
68
EN
Processing options ( Picture Mode)
You can select a picture mode and make individual adjustments to contrast, sharpness,
and other parameters (P. 80–83). Changes to each picture mode are stored
separately.
Press the Q button and use FG to highlight
1
Picture Mode.
Highlight an option using HI and press the Q
2
button.
P
Natural
AUTOAUTO
Picture mode options
i-EnhanceProduces more impressive-looking results suited to the scene.
A
VividProduces vivid colors.
B
NaturalProduces natural colors.
C
MutedProduces fl at tones.
D
PortraitProduces beautiful skin tones.
E
MonochromeProduces black and white tone.
J
Custom
K
e-Portrait
v
Color Creator*
c
Pop Art
e
Soft Focus
f
Pale&Light Color
g
Light Tone
h
Grainy Film
i
Pin Hole
j
Diorama
k
Cross Process
l
Gentle Sepia
m
Dramatic Tone
n
Key Line
o
Watercolor
p
Vintage
q
Partial Color*
r
Bleach Bypass
v
Use to select one picture mode, set the parameters, and
register the setting.
Produces smooth skin textures. This mode cannot be used with
bracket photography or when shooting movies.
1
Provides a color fi nish set in Color Creator.
Uses Art Filter settings. Art effects can also be used.
2
*1 After choosing Color Creator using the HI buttons, press the INFO button and use the
front dial to adjust hue and the rear dial to adjust saturation.
*2 After choosing Partial Color using HI, press the INFO button to display the color ring
(P. 44).
ISO
AUTO
WB
AUTOWBAUTO
S-AFS-AF
4:3
L
F
JJ KK
Picture Mode
2
Shooting
EN
69
Adjusting color ( WB (white balance))
White balance (WB) ensures that white objects in images recorded by the camera
appear white. [AUTO] is suitable in most circumstances, but other values can be
selected according to the light source when [AUTO] fails to produce the desired results
or you wish to introduce a deliberate color cast into your images.
Press the Q button and use FG to highlight
1
2
Shooting
White Balance.
Highlight an option using HI and press the Q
2
button.
WB modeColor temperatureLight conditions
Auto white
balance
Preset white
balance
One-touch
white balance
Custom white
balance
AUTO—
5
N
O
1
>
n
P/
Q/
W/
X
5300 K
7500 K
6000 KFor shooting outdoors on a cloudy day
3000 KFor shooting under a tungsten light
4000 KFor shooting under a fl uorescent light
5500 KFor fl ash shooting
Color temperature
set by one-touch
WB
CWB2000 K – 14000 K
For most light conditions (when there is a
white portion framed on the monitor). Use
this mode for general use.
For shooting outdoors on a clear day, or to
capture the reds in a sunset or the colors in
a fi reworks display
For shooting outdoors in the shadows on a
clear day
Press the INFO button to measure white
balance using a white or gray target when
using a fl ash or other light source of an
unknown type or when shooting under
mixed lighting. g “One-touch white
balance” (P. 71)
After pressing the INFO button, use
FGHI to select a color temperature and
then press the Q button.
AUTOAUTO
AUTOAUTO
P
WB Auto
White Balance
ISO
AUTO
WB
AUTOWBAUTO
S-AFS-AF
4:3
L
F
70
EN
One-touch white balance
Measure white balance by framing a piece of paper or other white object under the lighting
that will be used in the fi nal photograph. This is useful when shooting a subject under natural
light, as well as under various light sources with different color temperatures.
Select [P], [Q], [W], or [X] (one-touch white balance 1, 2, 3, or 4) and
1
press the INFO button.
Photograph a piece of colorless (white or gray) paper.
2
• Frame the paper so that it fi lls the display and no shadows fall it.
• The one-touch white balance screen appears.
Select [Yes] and press the Q button.
3
• The new value is saved as a preset white balance option.
• The new value is stored until one-touch white balance is measured again. Turning the
power off does not erase the data.
2
Shooting
EN
71
Choosing a focus mode (AF Mode)
P
You can select a focusing method (focus mode). You can choose separate focusing
methods for still photography mode and movie mode.
Press the Q button and use FG to highlight
1
AF Mode.
2
Shooting
2
S-AF
(Single AF)
C-AF
(Continuous AF)
MF
(Manual focus)
Highlight an option using HI and press the Q button.
The camera focuses once when the shutter button is pressed
halfway. When the focus is locked, a beep sounds, and the AF
conrmation mark and the AF target mark light up. This mode
is suitable for taking pictures of still subjects or subjects with
limited movement.
The camera repeats focusing while the shutter button remains
pressed halfway. When the subject is in focus, the AF
conrmation mark lights up on the monitor and the beep sounds
when the focus is locked at the rst time.
Even if the subject moves or you change the composition of the
picture, the camera continues trying to focus.
• When using a Four Thirds system lens, this setting will change
to [S-AF].
This function allows you
to manually focus on any
position by operating the
focus ring on the lens.
S-AFS-AF
Near
C-AFC-AF
Single AF
MFMF
)
S-AFS-AFMFC-AFC-AF
TR
Focus ring
ISO
AUTO
WB
AUTOWBAUTO
S-AFS-AF
4:3
L
F
AF Mode
S-AF+MF
(Simultaneous use of
S-AF mode and MF
After pressing the shutter button halfway to focus in [S-AF]
mode, you can turn the focus ring to ne-adjust focus manually.
mode)
Press the shutter button halfway to focus; the camera then
tracks and maintains focus on the current subject while the
C-AF+TR
(AF tracking)
shutter button is held in this position.
• The AF target is displayed in red if the camera can no longer
track the subject. Release the shutter button and then frame
the subject again and press the shutter button halfway.
• When using a Four Thirds system lens, this setting will change
to [S-AF].
• The camera may be unable to focus if the subject is poorly lit, obscured by mist or smoke,
or lacks contrast.
• When using a Four Thirds system lens, AF will not be available during movie recording.
• AF mode is unavailable when the lens MF focus clutch is set to MF.
72
EN
Setting the image aspect
You can change the aspect ratio (horizontal-to-vertical ratio) when taking pictures.
Depending on your preference, you can set the aspect ratio to [4:3] (standard), [16:9],
[3:2], [1:1], or [3:4].
Press the Q button and use FG to highlight
1
Image Aspect.
Use HI to choose a value and press the Q
2
button.
4608x3456
16:93:2 1:1 3:4
4:3
P
ISO
AUTO
WB
AUTOWBAUTO
S-AFS-AF
4:3
L
F
Image Aspect
• Image aspect can only be set for still images.
• JPEG images cropped to the selected aspect ratio are saved. RAW images are not
cropped and are saved with the selected aspect ratio information.
• When RAW images are played back, the selected aspect ratio is shown by a frame.
Selecting image quality (Still image quality, KK)
You can set an image quality mode for still images. Select a quality suitable for the
application (such as for processing on PC, use on website etc.).
Press the Q button and use FG to highlight
1
(Still image quality, KK).
4608x3456
RAWNLNMN
L
F
P
Still Image Quality
Highlight an option using HI and press the Q button.
2
• Choose from JPEG (YF, YN, XN, and WN) and RAW modes. Choose a JPEG+RAW
option to record both a JPEG and a RAW image with each shot. JPEG modes
combine image size (Y, X, and W) and compression ratio (SF, F, N, and B).
• When you want to select a combination other than YF, YN, XN, and WN, change the
[K Set] (P. 112) settings in Custom Menu.
ISO
AUTO
WB
AUTOWBAUTO
S-AFS-AF
4:3
L
F
1:02:03
FF
L
S
+RAW+RAW
1023
2
Shooting
RAW image data
This format (extension “.ORF”) stores unprocessed image data for later processing. RAW
image data cannot be viewed using other cameras or software, and RAW images cannot
be selected for printing. JPEG copies of RAW images can be created using this camera.
g “Editing still images (Edit)” (P. 103)
EN
73
Selecting image quality (Movie quality, nK)
You can set a movie record mode suitable for the desired use.
Press the Q button and use FG to highlight
1
(Movie quality, nK).
Use HI to choose a value and press the Q
2
2
Shooting
button.
P
Available Movie Quality Options
The options available for movie quality vary with the movie mode (P. 53) and the
options selected for [Video Frame Rate] and [Video Bit Rate] in the video menu
(P. 102).
The following options are available when [Standard] is selected for movie mode
or the mode dial is rotated to a position other than n:
Video Frame Rate Video Bit RateMovie quality
30pSuper Fine
1920×1080 Super Fine 60p
1920×1080 Super Fine 30p
1280×720 Super Fine 30p
Fine
1920×1080 Fine 60p
1920×1080 Fine 30p
1280×720 Fine 30p
Normal
1920×1080 Normal 60p
1920×1080 Normal 30p
1280×720 Normal 30p
25pSuper Fine
1920×1080 Super Fine 50p
1920×1080 Super Fine 25p
1280×720 Super Fine 25p
Fine
1920×1080 Fine 50p
1920×1080 Fine 25p
1280×720 Fine 25p
Normal
1920×1080 Normal 50p
1920×1080 Normal 25p
1280×720 Normal 25p
1920×1080 Fine 30p
ISO
AUTO
WB
AUTOWBAUTO
S-AFS-AF
4:3
L
F
1:02:03
1023
Movie Quality
74
EN
Video Frame Rate Video Bit RateMovie quality
24pSuper Fine
Fine
Normal
1920×1080 Super Fine 24p
1280×720 Super Fine 24p
1920×1080 Fine 24p
1280×720 Fine 24p
1920×1080 Normal 24p
1280×720 Normal 24p
The following options are available when [4K] is selected for movie mode:
Video Frame RateVideo Bit RateMovie quality
30p
25p
24p
Not selectable
3840×2160 30p
3840×2160 25p
3840×2160 24p
The following options are available when [Clips] is selected for movie mode:
Video Frame RateVideo Bit RateMovie quality
30p
25p
24p
Not selectable
1920×1080 Normal 60p
1920×1080 Normal 30p
1280×720 Normal 30p
1920×1080 Normal 50p
1920×1080 Normal 25p
1280×720 Normal 25p
1920×1080 Normal 24p
1280×720 Normal 24p
The following option is available when [High-speed] is selected for movie mode:
Video Frame RateVideo Bit RateMovie quality
Not selectable
1280×720 HighSpeed 120fps
2
Shooting
• Movies are stored in MPEG-4 AVC/H.264 format. The maximum size of individual fi le is
limited to 4 GB. The maximum recording time of individual movie is limited to 29 minutes.
• Depending on the type of card used, recording may end before the maximum length is
reached.
EN
75
Adding effects to a movie
You can create movies that take advantage of the effects available in still photography
mode.
Rotate the mode dial to n.
1
Press the Q button and use FG to highlight
2
2
Shooting
movie (exposure) mode.
Use HI to choose a value and press the Q
3
button.
Optimal aperture is set automatically according to the brightness of the subject.
P
Use the front dial (r) or rear dial (o) to adjust exposure compensation.
Depiction of background is changed by setting the aperture.
A
Use the front dial (r) to adjust exposure compensation and rear dial (o) to adjust
aperture.
Shutter speed affects how the subject appears. Use the front dial (r) to adjust
S
exposure compensation and rear dial (o) to adjust shutter speed.
Shutter speed can be set to values between 1/24 s and 1/4000 s.
Aperture and shutter speed can be manually set.
Use the front dial (r) to select aperture value and the rear dial (o) to select
M
shutter speed.
Shutter speed can be set to values between 1/24 s and 1/4000 s.
ISO sensitivity can only be set manually to values between 200 and 6400.
• Blurred frames caused by such factors as the subject moving while the shutter is open
can be reduced by selecting the fastest available shutter speed.
• The low end of the shutter speed changes according to the frame rate of the movie record
mode.
• Excessive camera shake may not be compensated enough.
• When the inside of the camera becomes hot, shooting is automatically stopped to protect
the camera.
• With some art fi lters, [C-AF] function is limited.
nP A S M
Movie (exposure) mode
Program Auto
AUTO
AUTOWBAUTO
C-AFC-AF
1:02:03
1023
ISO
WB
P
L
F
76
EN
Adjusting fl ash output ( Flash intensity control)
Flash output can be adjusted if you fi nd that your subject to appears overexposed, or is
underexposed even though the exposure in the rest of the frame is just right.
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [x], then press the Q
2
button.
Use HI to choose a value and press the Q
3
button.
Flash intensity control
WB
ISO
Auto
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
• This setting has no effect when the fl ash control mode for the external fl ash unit is set to
MANUAL.
• Changes to fl ash intensity made with the external fl ash unit are added to those made with
the camera.
Natural
A ±
0
S
±
0±
G
±
0
S-AF
N
0
Normal
±
0
±
0
sRGB
FHD
60p
1:02:03
1023
2
Shooting
EN
77
Reducing camera shake ( Image Stabilizer)
You can reduce the amount of camera shake that can occur when shooting in low light
situations or shooting with high magnifi cation.
The image stabilizer starts when you press the shutter button halfway.
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
2
Shooting
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Image Stabilizer], then
2
press the Q button.
Highlight an option using HI and press the Q
3
button.
Still picture
(S-IS)
S-IS Off Image stabilizer is off.
S-IS On
The camera detects the panning direction and applies the
appropriate image stabilization.
M-IS Off Image stabilizer is off.
Movie
(M-IS)
M-IS
M-IS
The camera uses both sensor shift (VCM) and electronic
correction.
The camera uses sensor shift (VCM) correction only.
Electronic correction is not used.
• The image stabilizer cannot correct excessive camera shake or camera shake that occurs
when the shutter speed is set to the slowest speed. In these cases, it is recommended
that you use a tripod.
• When using a tripod, set [Image Stabilizer] to [S-IS Off]/[M-IS Off].
• When using a lens with an image stabilization function switch, priority is given to the lens
side setting.
• You may notice an operating sound or vibration when the image stabilizer is activated.
Using lenses other than Micro Four Thirds/Four Thirds System lenses
You can use focal length information to reduce camera shake when shooting with lenses that
are not Micro Four Thirds or Four Thirds system lenses.
• Press the INFO button while [Image Stabilizer] is selected, use FGHI to highlight a
focal length, and press the Q button.
• Choose a focal length between 0.1 mm and 1000.0 mm.
• Choose the value that matches the one printed on the lens.
• Selecting [Reset] (basic) in Shooting Menu 1 does not reset the focal length.
K
Image Stabilizer
ISO
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
n
Image
Stabilizer
Auto
Natural
A ±
0
WB
S
±
0±
±
±
0
0
sRGB
FHD
60p
K
Image
Stabilizer
Normal
0
1:02:03
1023
G
±
0
S-AF
N
78
EN
Making fi ne adjustments to white balance ( WB Compensation)
You can set and fi nely adjust the compensation values for both auto white balance and
preset white balance.
Before proceeding, choose a white balance option to which to make fi ne adjustments. g “Adjusting color (WB (white balance))” (P. 70)
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Highlight white balance compensation using
2
FGHI and press the Q button.
Use HI to choose an axis.
3
Choose a value using FG and press the Q
4
button.
For compensation on the A axis (Red-Blue)
Move the bar in the + direction to emphasize red tones and in the – direction to
emphasize blue tones.
For compensation on the G axis (Green-Magenta)
Move the bar in the + direction to emphasize green tones and in the – direction to
emphasize magenta tones.
• Selecting [Reset] (basic) in Shooting Menu 1 does not reset the values selected.
WB
Auto x
P
ISO
Auto
± 0.0
S-IS On
M-IS
WB
Auto
250250 F5.6
Natural
A ±
0
S
±
0±
G
±
0
S-AF
N
Normal
±
±
0
0
sRGB
FHD
60p
White balance compensation
0
1:02:03
1023
2
Shooting
EN
79
Choosing how the camera measures brightness ( Metering)
You can choose how the camera meters subject brightness.
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
2
Shooting
Use FGHI to select [Metering], then press the
2
Q button.
Highlight an option using HI and press the Q
3
button.
P
Meters exposure in 324 areas of the frame and optimizes
p
Digital ESP
metering
exposure for the current scene or portrait subject (if an
option other than [OFF] is selected for [I Face Priority]).
This mode is recommended for general use.
Center weighted
H
averaging metering
Provides the average metering between the
subject and the background lighting, placing
more weight on the subject at the center.
Meters a small area (about 2% of the frame)
with the camera pointed at the object you
I
Spot metering
wish to meter. Exposure will be adjusted
according to the brightness at the metered
point.
Lowers spot metering exposure. Ensures dark subjects
appear dark.
Making fi ne adjustments to sharpness ( Sharpness)
In the picture mode (P. 69) settings, you can make fi ne adjustments to sharpness
and store the changes.
• Adjustments may not be available depending on the shooting mode (P. 24).
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Sharpness], then press
2
the Q button.
Adjust sharpness using HI and press the Q
3
button.
P
Metering
ISO
Auto
± 0.0
S-IS On
M-IS
Sharpness
ISO
Auto
± 0.0
S-IS On
M-IS
WB
Auto
250250 F5.6
Metering
WB
Auto
250250 F5.6
A ±
0
S
G
±
0
S-AF
FHD
N
Sharpness
A ±
0
S
G
±
0
S-AF
FHD
N
±
±
60p
±
±
60p
Natural
0±
0
Natural
0±
0
Normal
sRGB
Normal
sRGB
0
1:02:03
1023
0
1:02:03
1023
80
EN
Making fi ne adjustments to contrast ( Contrast)
In the picture mode (P. 69) settings, you can make fi ne adjustments to contrast and
store the changes.
• Adjustments may not be available depending on the shooting mode (P. 24).
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Contrast], then press the
2
Q button.
Adjust contrast using HI and press the Q button.
3
P
Contrast
ISO
Auto
± 0.0
S-IS On
M-IS
WB
Auto
250250 F5.6
Contrast
Natural
A ±
0
S
±
0±
G
±
0
S-AF
±
0
FHD
N
60p
Making fi ne adjustments to saturation ( Saturation)
In the picture mode (P. 69) settings, you can make fi ne adjustments to saturation
and store the changes.
• Adjustments may not be available depending on the shooting mode (P. 24).
WB
Auto
250250 F5.6
Saturation
A ±
0
G
±
0
S-AF
N
Natural
S
±
0±
±
0
FHD
60p
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Saturation], then press the
2
Q button.
Adjust saturation using HI and press the Q
3
button.
Saturation
Auto
S-IS On
M-IS
P
ISO
± 0.0
sRGB
sRGB
Normal
1:02:03
Normal
1:02:03
0
1023
0
1023
2
Shooting
EN
81
Making fi ne adjustments to tone ( Gradation)
In the picture mode (P. 69) settings, you can make fi ne adjustments to tone and
store the changes.
• Adjustments may not be available depending on the shooting mode (P. 24).
Press the u button in P/A/S/M modes.
1
2
Shooting
2
3
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Gradation], then press the
Q button.
Adjust tone using HI and press the Q button.
Gradation
S-IS On
M-IS
P
Auto
ISO
± 0.0
250250 F5.6
Divides the image into detailed regions and adjusts the brightness
AUTO: Auto
separately for each region. This is effective for images with areas
of large contrast in which the whites appear too bright or the blacks
appear too dark.
NORM: NormalUse the normal mode for general uses.
HIGH: High KeyUses a tone suitable for a bright subject.
LOW: Low KeyUses a tone suitable for a dark subject.
Applying fi lter effects to monochrome pictures ( Color Filter)
In the monochrome setting of picture mode (P. 69) settings, you can add and store a
fi lter effect in advance. This creates a monochrome image in which the color matching
the fi lter color is brightened and the complementary color is darkened.
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Color Filter], then press
2
the Q button.
Highlight an option using HI and press the Q
3
button.
N:NoneCreates a normal black and white image.
Ye:YellowReproduces clearly defi ned white cloud with natural blue sky.
Or:OrangeSlightly emphasizes colors in blue skies and sunsets.
R:Red
Strongly emphasizes colors in blue skies and brightness of crimson
foliage.
G:GreenStrongly emphasizes colors in red lips and green leaves.
Color Filter
ISO
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
Auto
Auto
WB
WB
A ±
0
S
G
±
0
S-AF
FHD
N
Picture Mode
A ±
0
S
G
±
0
S-AF
F
FHD
N
Color Filter
Gradation
Natural
±
0±
0
Normal
±
0
sRGB
60p
1:02:03
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Monochrome
±
0±
0
Normal
T
N
N
sRGB
60p
1:02:03
1023
82
EN
Adjusting the tone of a monochrome image ( Monochrome Color)
In the monochrome setting of picture mode (P. 69) settings, you can add and store a
color tint in advance.
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Monochrome Color], then
2
press the Q button.
Use HI to choose a value and press the Q
3
button.
Monochrome Color
ISO
Auto
± 0.0
S-IS On
M-IS
P
Picture Mode
Monochrome
A ±
0
WB
Auto
S
G
±
0
S-AF
F
FHD
N
250250 F5.6
Monochrome Color
60p
±
0±
N
sRGB
N:NoneCreates a normal black and white image.
S:SepiaCreates a sepia image.
B:BlueCreates a bluish image.
P:PurpleCreates a purplish image.
G:GreenCreates a greenish image.
Adjusting i-Enhance effects ( Effect)
You can set the i-Enhance effect strength in picture mode (P. 69).
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Effect], then press the Q
2
button.
Adjust the effect using HI and press the Q
3
button.
r (Effect: Low)
s (Effect: Standard)
t (Effect: High)
Adds a low i-Enhance effect to images.
Adds an i-Enhance effect between “low” and “high” to images.
Adds a high i-Enhance effect to images.
P
Effect
ISO
Auto
S-IS On
M-IS
± 0.0
WB
Auto
250250 F5.6
Picture Mode
A ±
0
S
G
±
0
S-AF
Standard
FHD
N
Effect
i-Enhance
±
0±
±
0
60p
sRGB
T
Normal
N
1:02:03
Normal
1:02:03
0
1023
0
1023
2
Shooting
EN
83
Setting the color reproduction format ( Color Space)
You can select a format to ensure that colors are correctly reproduced when shot
images are regenerated on a monitor or using a printer. This option is equivalent to the
[Color Space] (P. 112) in Custom Menu.
Press the u button in P/A/S/M modes.
1
2
Shooting
2
3
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Color Space], then press
the Q button.
Select a color format using HI and press the Q
button.
Color Space
ISO
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
This is the RGB color space standard stipulated by the International
sRGB
Electrotechnical Commission (IEC).
Normally, use [sRGB] as the standard setting.
This is a standard provided by Adobe Systems.
AdobeRGB
Compatible software and hardware such as a display, printer etc.
are required for a correct output of images.
• [Adobe RGB] is not available in ART (P. 42) or movie mode (P. 53) or when
Backlight HDR is selected in SCN mode (P. 29) or HDR is selected in Z mode
(P. 36).
Changing the brightness of highlights and shadows
( Highlight&Shadow Control)
Use [Highlight&Shadow Control] to adjust the brightness of highlights and shadows.
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Highlight&Shadow
2
Control], then press the Q button.
Adjust brightness in shadows with HI and in
3
highlights with FG.
• Settings can be reset by pressing and holding the Q
button.
• Press the
display.
Press the Q button to save settings.
4
INFO button to view the mid-tone adjustment
Highlight&Shadow Control
ISO
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
Highlight&Shadow Control
Midtone
Auto
Auto
WB
WB
A ±
0
G
±
0
S-AF
N
Color Space
A ±
0
G
±
0
S-AF
N
Shadow-5
Natural
S
±
0±
0
Normal
±
0
sRGB
FHD
60p
1:02:03
1023
Natural
S
±
0±
0
Normal
±
0
sRGB
FHD
60p
1:02:03
1023
HighLight+5
RESETRESET
84
EN
Assigning functions to buttons ( Button Function)
At default settings, the following functions are assigned to the buttons:
ButtonDefault
U Function
V Function
t (AEL/AFL)
b (Digital Tele-converter)
To change the function assigned to a button, follow the steps below.
Press the u button in P/A/S/M modes.
1
• In B, ART, SCN, and Z modes, the display of the
LV super control panel is controlled via [K Control
Settings] (P. 110).
Use FGHI to select [Button Function], then
2
press the Q button.
Button Function
ISO
Auto
± 0.0
S-IS On
M-IS
P
250250 F5.6
• The custom menu [Button Function] item will be
displayed.
Use FG to highlight the desired button and press I.
3
Use FG to highlight the desired function and press the Q button.
4
Press the Q button again to exit.
5
$ Notes
• The functions assigned to the buttons may be unavailable in some modes.
• The options available vary with the current mode.
A ±
0
WB
Auto
G
±
0
S-AF
N
Button Function
2
0
1:02:03
1023
Shooting
Natural
S
±
0±
Normal
±
0
sRGB
FHD
60p
EN
85
t (AEL/AFL)
z (Preview)
k (One-touch white
2
balance)
Shooting
N (AF Area Select)
MFPress the button to select [MF] mode. Press the button
F (Exposure
compensation)
b (Digital Tele-converter)
U (Magnify)
PeakingPress the button to turn on and off the peaking display.
G (Switch G Lock)
Press the button to use AE lock or AF lock. The function
changes according to the [AEL/AFL] (P. 115) setting.
When AEL is selected, press the button once to lock the
exposure and display u on the monitor. Press the button
again to cancel the lock.
Aperture is stopped down to the selected value while the
button is pressed.
Press the shutter button while the button is pressed to
acquire a white balance value (P. 71). Highlight the
desired number and press the Q button to save the value.
Press the button to choose the AF target (P. 61).
again to restore the previously selected AF mode. Hold the
button and rotate the front or rear dial to choose a focus
mode.
Press the button to adjust exposure compensation.
In P, A, S, ART, Z, and movie modes, you can adjust
exposure compensation by pressing the button and using
HI or the front or rear dial to choose the desired value.
In M mode, you can adjust shutter speed or aperture by
pressing the button and using FGHI or the front or rear
dial to choose the desired values.
Press the button to turn digital zoom [On] or [Off] (P. 99).
Press the button to display the magnifi cation frame and
press it again to magnify the image. Press and hold the
button to cancel magnifi ed display.
When peaking is displayed, histogram and highlight/
shadow display are not available (P. 115).
Press and hold the button to enable and disable touch
screen operation.
86
EN
Zoom frame AF/Zoom AF ( Super Spot AF)
You can zoom in on a portion of the frame when adjusting focus. Choosing a high
zoom ratio allows you to use autofocus to focus on a smaller area than is normally
covered by the AF target. You can also position the focus target more precisely.
Press and hold the button to which [U] has been assigned to cycle through the
displays as follows:
Wi-Fi
S-IS ONS-IS ON
P
250250 F5.6
ISO-A
200
L
N
FHD
F
30p
1:02:03
0.0
1023
Shooting display
Assign [U] to the Fn1 or Fn2 button.
1
Wi-Fi
S-IS ONS-IS ON
P
Off
250250 F5.6
ISO-A
200
L
N
FHD
F
30p
1:02:03
0.0
1023
Zoom frame AF displayZoom AF display
Press and hold / Q
• To use Super Spot AF, you must fi rst assign [U] to the Fn1 or Fn2 button (P. 85).
Press the button to which [U] has been assigned to display the zoom frame.
2
• If the subject has been focused using autofocus immediately before the button is
pressed, the zoom frame will be displayed at the current focus position.
• Use FGHI to position the zoom frame.
• Press the INFO button and use FG to choose the zoom ratio. (×3, ×5, ×7, ×10,
×14)
Press the assigned button again to zoom in on the zoom frame.
3
• Use FGHI to position the zoom frame.
• You can change the zoom ratio by rotating the front dial (r) or rear dial (o).
Press the shutter button halfway to initiate autofocus.
4
• The camera will focus using the subject in the frame at the center of the screen. Use
FGHI to choose a different focus position.
• Zoom is visible only in the monitor and has no effect on the resulting photographs.
• Press and hold the assigned button or press the Q button to end zoom and exit the zoom
frame AF display.
• When you are using a Four Thirds system lens, the AF will not operate with during zoom
display.
• While zoomed in, a sound is made by the IS (Image Stabilizer).
r Pixel count ....................................P. 119
s ISO sensitivity .................................P. 63
t White balance .................................P. 70
u Metering mode ................................P. 80
v Histogram .......................................P. 23
f Aspect border .................................P. 73
Switching the information display
You can switch the information displayed during playback
by pressing the INFO button.
3
Playback
INFO button
INFO
Wi-Fi
2017.10.01
12:30:00
×10×10
4:3
100-0015
INFO
15
Simplifi ed display
INFO
Wi-Fi
2017.10.0112:30:00
P
WB
AUTO
ISO 400ISO 400
4608×3456
×10×10
F5.6F5.6
250
45mm45mm
+2.0
+1.0+1.0
G+4G+4A+4A+4
sRGB
NaturalNatural
1/8
4:3
100-0015
15
Image onlyOverall display
• You can add histogram, highlight & shadow, and Light Box to the information displayed
during playback. g [q Info] (P. 116)
EN
89
Viewing photographs and movies
Press the q button.
1
• A photograph or movie will be displayed.
• Select the desired photograph or movie using the front dial (r) or arrow pad.
• To return to shooting mode, press the shutter button halfway or press the q button.
Front dial
3
Playback
Arrow pad (FGHI)
Displays
the previous
frame
Displays
the next
frame
q button
Rear dial (o)Zoom in (p)/Index (q)
Front dial (r)
Previous (t)/Next (s)
Operation also available during close-up playback.
Single-frame playback: display the next frame (I)/display the
previous frame (H)/jump ahead 10 frames (G)/jump back
10 frames (F)
Close-up playback: Changing the close-up position
You can display the next frame (I) or the previous frame (H)
during close-up playback by pressing the INFO button.
Press the INFO button again to display a zoom frame and use
FGHI to change its position.
Index/My Clips/calendar playback: Highlight image
INFO button
Hbutton
Fn2 button
button
Qbutton
View image info
Select picture (P. 94)
Protect picture (P. 93)
Delete picture (P. 94)
View menus (in calendar playback, press this button to exit to singleframe playback)
Wi-Fi
Wi-Fi
12:30:002017.10.01
Still image
Movie
4:3
100-0020
L
N
20
WB
WBWBWB
P
AUTO
AUTOAUTOAUTO
FHD
F
100-0004
60p
42017.10.01 12:30:00
90
EN
Index display/ Calendar display
• In single-frame playback, rotate the rear dial to G for index playback. Rotate further for
My Clips playback and further still for calendar playback.
• Turn the rear dial to U to return to single-frame playback.
Wi-Fi
12:30:002017.10.01
playback
q
4:3
100-0020
L
N
20
p
Index displayCalendar displaySingle-frame
q
202017.10.0112:30:00
p
My Clips playback*
1
My Clips
MOV11:24FHD 30p
12:30:002017.10.01
q
p
1
2017.10
Sun Mon Tue Wed Thu Fri Sat
1 2 3 4 5
2 1 31 30 29
Q
*1 If one or more My Clips have been created, it will be displayed here (P. 56).
• You can change the number of frames for index display. g [G Settings] (P. 117)
Viewing still images
Close-up playback
In single-frame playback, turn the rear dial to U to zoom in. Turn to G to return to singleframe playback.
30292827262524
7
6
14131211109 8
21201918 171615
28272625242322
3
Playback
Wi-Fi
12:30:002017.10.01
Single-frame
playback
p
4:3
100-0020
L
N
20
q
2x
2× zoom
p
q
14x
14× zoom
Close-up playback
Rotate
Choose whether to rotate photographs.
Play the photograph back and press the Q button.
1
Select [Rotate] and press the Q button.
2
Press F to rotate the image counterclockwise, G to rotate it clockwise; the
3
image rotates each time the button is pressed.
• Press the Q button to save settings and exit.
• The rotated image is saved in its current orientation.
• Movies and protected images cannot be rotated.
EN
91
Slideshow
This function displays images stored on the card one after another.
Press the Q button in the playback display.
1
Select [L] and press the Q button.
2
3
Playback
Adjust settings.
3
Start
BGM
Slide
Slide Interval
Movie Interval
Select [Start] and press the Q button.
4
• The slideshow will start.
• Press FG during the slideshow to adjust the overall volume of the camera speaker.
Press HI while the volume adjustment indicator is displayed to adjust the balance
between the sound recorded with the image or movie and background music.
• Press the Q button to stop the slideshow.
Start the slideshow. Images are displayed in order, starting with the
current picture.
Set [Happy Days] or [Off].
Set the type of data to be played back.
Choose the length of time each slide is displayed from 2 to 10 seconds.
Select [Full] to play back full length of each movie clip in the slideshow or
[Short] to play back only the opening portion of each movie clip.
BGM other than [Happy Days]
To use BGM other than [Happy Days], record data that you have downloaded from the
Olympus website onto the card and select it as [ BGM] in Step 3. Visit the following website
for the download.
http://support.olympus-imaging.com/bgmdownload/
JPEG
L
<
Erase
BackSet
92
EN
Watching movies
Select a movie and press the Q button to display the
playback menu. Select [Play Movie] and press the Q
button to begin playback. Fast-forward and rewind using
H/I. Press the Q button again to pause playback. While
playback is paused, use F to view the fi rst frame and G
to view the last frame. Use HI or the front dial (r) to
view previous or next frame. Press the MENU button to
BackSet
end playback.
• Use FG to adjust the volume during movie playback.
For movies of 4 GB or larger
If the movie was automatically split into multiple fi les, pressing Q will display a menu
containing the following options:
[Play from Beginning]: Plays back a split movie all the way through
[Play Movie]: Plays back fi les separately
[Delete entire n]: Deletes all parts of a split movie
[Erase]: Deletes fi les separately
• We recommend using the latest version of OLYMPUS Viewer 3 to play back movies on
a computer. Before launching the software for the fi rst time, connect the camera to the
computer.
Movie
Play Movie
Movie Edit
Share Order
0
L
Erase
Protecting images
Wi-Fi
12:30:002017.10.01
0 (protect) icon
4:3
L
N
Protect images from accidental deletion. Display an image
you wish to protect and press Q to display the playback
menu. Select [0] and press Q, and then press F or G
to protect the image. Protected images are shown by a 0
(protect) icon. Press F or G to remove protection.
You can also protect multiple selected images.
g “Selecting images (0, Erase Selected, Share Order
Selected)” (P. 94)
• Formatting the card erases all data including protected images.
$ Notes
• You can also protect the current picture by pressing the Fn2 button. The Fn2 button
cannot be used to protect pictures when assigned the [U] role. Choose a role other than
[U] before attempting to protect pictures (P. 85).
100-0020
3
Playback
20
EN
93
Erasing an image
Display an image you want to delete and press
the button. Select [Yes] and press the Q
button.
BackSet
button
3
Selecting images (0, Erase Selected, Share Order Selected)
Playback
You can select multiple images for [0], [Erase Selected]
or [Share Order Selected].
Press the R (H) button on the index display screen
(P. 91) to select an image; a v icon will appear on
the image. Press the R (H) button again to cancel the
selection.
Press the Q button to display the menu, and then select
from [0], [Erase Selected] or [Share Order Selected].
Setting a transfer order on images ( Share Order)
You can select images you want to transfer to a smartphone in advance. You can also
browse the images included in the share order. When playing back images you want
to transfer, press the Q button to display the playback menu. After selecting [Share
Order] and pressing the Q button, press F or G to set a share order on an image
and display h. To cancel a share order, press F or G.
You can select images you want to transfer in advance and set a share order all at
once. g “Selecting images (0, Erase Selected, Share Order Selected)” (P. 94),
“Transferring images to a smartphone” (P. 122)
• You can set a share order on 200 frames.
• Share orders cannot include RAW images.
2017.10.01 12:30:00
Erase
Yes
No
21
94
EN
Audio recording
Audio can be added to still images (up to 30 sec. long).
Display the image to which you want to add audio and press the Q button.
1
• Audio recording is not available with protected images.
• Audio recording is also available in the playback menu.
Select [R] and press the Q button.
2
• To exit without adding audio, select [No].
Select [R Start] and press the Q button to begin
3
recording.
Press the Q button to end recording.
4
• Images recorded with audio are indicated by a H icon.
• To delete recorded audio, select [Erase] in Step 3.
BackSet
BackSet
JPEG
R
JPEG Edit
Add to My Clips
Share Order
0
R
Rotate
No
R Start
Erase
Audio Playback
If an audio recording is available for the current picture, pressing the Q button will
display audio playback options. Highlight [Play ] and press the Q button to begin
playback. To end playback, press the Q or MENU button. During playback, you can
press FG to raise or lower the volume.
Adding still pictures to My Clips (Add to My Clips)
You can also select still pictures and add them to My Clips.
Display the still picture you wish to add and press the Q button to display the menu.
Select [Add to My Clips] and press the Q button. Using FGHI, select My Clips
and the order in which you wish to add the pictures, then press the Q button.
• RAW pictures are added to My Clips as low-resolution preview images.
3
Playback
EN
95
Using the touch screen
You can use the touch screen to manipulate images.
Full-frame playback
Displaying the previous or next image
• Slide your fi nger to the left to view the next image, and
right to view the previous image.
Wi-Fi
3
Playback
Magnify
• Lightly tap the screen to display the slider and P.
• Slide the bar up or down to zoom in or out.
• Slide your fi nger to scroll the display when the picture is
zoomed in.
• Tap P to display index playback.
Tap Q for calendar playback and My Clips playback.
Index/My Clips/Calendar playback
Displaying the previous or next page
• Slide your fi nger up to view the next page, and down to
view the previous page.
• Tap Q or R to switch the number of images
displayed. g [G Settings] (P. 110)
• Tap R several times to return to single-frame
playback.
Viewing images
• Tap an image to view it full frame.
Selecting and protecting images
In single-frame playback, lightly tap the screen to display the touch menu. You can
then perform the desired operation by tapping the icons in the touch menu.
H
h
0
• Do not tap the display with your fi ngernails or other sharp objects.
• Gloves or monitor covers may interfere with touch screen operation.
Select an image. You can select multiple images and delete them collectively.
Images you want to share with a smartphone can be set. g “Setting a
transfer order on images (Share Order)” (P. 94)
Protects an image.
Wi-Fi
S
96
EN
4
Menu functions
Basic menu operations
The menus can be used to customize the camera for ease of use and include shooting
and playback options not accessible via the live control, LV super control panel, or the
like.
W
Shooting setup and shooting settings (P. 98)
X
Movie mode settings (P. 102)
n
Playback and retouch options (P. 103)
q
Customizing camera settings (P. 109)
G
Camera setup (e.g., date and language) (P. 107)
d
Functions that cannot be selected from menus
Some items may not be selectable from the menus when using the arrow pad.
• Items that cannot be set with the current shooting mode.
• Items that cannot be set because of an item that has already been set:
Settings such as picture mode are unavailable when the mode dial is rotated to B.
Press the MENU button to display the menus.
1
Ta b
Operation guide
Press the MENU button
to go back one screen
• A guide is displayed in 2 seconds after you select an option.
• Press the INFO button to view or hide guides.
Use FG to select a tab and press the Q button.
2
• The menu group tab appears when the G Custom
Menu is selected. Use FG to select the menu group
and press the Q button.
Shooting Menu 1
1
1
Reset
Picture Mode
2
Digital Tele-converter
Metering
BackSet
Off
p
Press the Q button to confi rm
the setting
A
A
1
AEL/AFL
B
AF Targeting PadOff
2
C1
Face Priority
C2
MF Assist
D1
Reset Lens
D2
E
F
Back
Menu group
A. AF/MF
S1/C2/M1
4
Menu functions (Basic operations)
On
Set
EN
97
Select an item using FG and press the Q button to display options for the
3
selected item.
Function
1
K
Image Stabilizer
AF Illuminator
2
K
Elec. Zoom SpeedNormal
Intrvl. Sh./Time LapseOff
Shooting Menu 2
The current
setting is
displayed
S-IS On
On
±0.0
Q
Shooting Menu 2
1
K
Image Stabilizer
AF Illuminator
2
K
Elec. Zoom Speed
Intrvl. Sh./Time Lapse
S-IS On
Off
On
Normal
±0.0
On
Off
BackSet
4
Menu functions (Shooting menu)
Use FG to highlight an option and press the Q button to select.
4
• Press the MENU button repeatedly to exit the menu.
$ Notes
• For the default settings of each option, refer to “Defaults” (P. 148).
Camera settings can be easily restored to default settings.
Select [Reset] in W Shooting Menu 1 and press the Q button.
1
Highlight a reset option ([Full] or [Basic]) and press the Q button.
2
• To reset all settings except the time, date, and a few others, highlight [Full] and press
the Q button.
Select [Yes] and press the Q button.
3
g “Defaults” (P. 148)
X K Image Stabilizer (P. 78)
BackSet
Off
p
AF Illuminator (P. 99)
K Elec. Zoom Speed (P. 100)
x (P. 77)
Intrvl. Sh./Time Lapse (P. 100)
98
EN
Processing options ( Picture Mode)
You can make individual adjustments to contrast, sharpness and other parameters in
[Picture Mode] (P. 69) settings. Changes to parameters are stored for each picture
mode separately.
Select [Picture Mode] in W Shooting Menu 1 and
1
press the Q button.
• The camera will display the picture mode available in the
current shooting mode.
Select an option with FG and press the Q button.
2
• Press I to set the detailed options for the selected picture mode. Detailed options are not
available for some picture modes.
• Changes to contrast have no effect at settings other than [Normal].
Shooting Menu 1
1
Reset
Picture Mode
2
Digital Tele-converter
Metering
BackSet
Digital Zoom ( Digital Tele-converter)
Digital Tele-converter is used to zoom in beyond the current zoom ratio. The camera
saves the center crop. The subject is nearly doubled in size.
Select [On] for [Digital Tele-converter] in W Shooting Menu 1.
1
The view in the monitor will be enlarged by a factor of two.
2
• The subject will be recorded as it appears in the monitor.
• Digital zoom is not available when multiple exposure, panorama, or keystone
compensation is selected in Z mode or when [Standard] is selected in movie mode.
• When a RAW image is displayed, the area visible in the monitor is indicated by a frame.
• AF target drops.
• H is displayed on the monitor.
Improving Focus in Dark Surroundings ( AF Illuminator)
The AF illuminator (AF assist lamp) lights to assist the focus operation in dark
environments. Select [Off] to disable AF illuminator.
Off
p
4
Menu functions (Shooting menu)
EN
99
Choosing a Zoom Speed ( K Elec. Zoom Speed)
Choose the speed at which electronic zoom lenses can be zoomed in or out using the
zoom ring during still photography.
Highlight [K Elec. Zoom Speed] in X Shooting Menu 2 and press the Q
1
button.
Select an option with FG and press the Q button.
2
Shooting automatically with a fi xed interval ( Intrvl. Sh./Time Lapse)
You can set the camera to shoot automatically with a set time lapse. The shot frames
can also be recorded as into a single movie. This setting is only available in P/A/S/M
4
modes.
Menu functions (Shooting menu)
Highlight [Intrvl. Sh./Time Lapse] in X Shooting
1
Menu 2 and press the Q button.
Select [On] and press the I.
2
Adjust the following settings and press the Q button.
3
Number of Frames Sets the number of frames to be shot.
Start Waiting Time Sets waiting time before starting to shoot.
Interval LengthSets interval between shots after shooting starts.
Sets recording format of frame sequence.
Time Lapse Movie
Movie Settings
• The starting and ending times shown in the display are intended as a guide only. The
actual times may vary with shooting conditions.
The [Off]/[On] options will be displayed once more; confi rm that [On] is
4
highlighted and press the Q button again.
Shoot.
5
[Off]: Records each frame as a still picture.
[On]: Records each frame as a still picture and generates a single
movie from the frame sequence.
[Movie Resolution]: Choose a size for time lapse movies.
[Frame Rate]: Choose a frame rate for time lapse movies.
1
K
Image Stabilizer
AF Illuminator
2
K
Elec. Zoom Speed
Intrvl. Sh./Time LapseOff
BackSet
Shooting Menu 2
S-IS On
Normal
±0.0
On
100
EN
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