For spot metering, position the subject
within the spot frame.
Flash
Autofocus frame
Position your subject within
the autofocus frame.
6
Lights when the subject
Autofocus
is in focus.
Overexposure/
Underexposure
(p. 35)
Page 7
LCD PANEL
Exposure counter (p. 17)
Flash modes (p. 23)
Self-timer/remote control
(p. 29/39)
Mode status indicator
(p. 30)
Displays the engaged
exposure mode by showing
the corresponding area.
Battery check (p. 13)
Aperture setting (p. 35)
Spot mode (p. 37)
Full-Auto mode (p. 36)
The camera does everything
automatically in this mode.
7
Page 8
DIOPTER ADJUSTMENT
To Adjust the Viewfinder to Compensate for Near and Farsighted Vision.
Turn the diopter adjustment dial until
the viewfinder display becomes
clear.
Turn up if you are
nearsighted or down
if you are farsighted.
8
Page 9
USING THE STRAP/OPTIONAL SOFT CASE
The optional remote
control's case can be
attached to the strap.
The soft case can be attached to
a belt with the belt lo o p .
9
Page 10
OUTLINE OF OPERATIONS
Basic Shooting Procedures
Load the batteries (p. 12).
Press the zoom buttons to
determine the composition
(p. 18).
10
Open the back cover (p. 16).
Place the a ut ofo cu s frame on
the subject you want to focus on
(p. 19).
Load the film (p. 16).
Depress the shutter release
button halfway, making sure the
autofocus indicator in the
viewfinder lights and the
autofocus beep is heard (p. 20).
Page 11
Close the back cover (p. 17).
Turn the power switch ON
(p.
17).
Make sure the exposure counter
on the LCD panel read s
(p.
17).
Depress the shutter release
button fully to take a picture
(p.
20).
When the film reaches the end, it
will automatically rewind (p. 21) .
Open the back cover to remove
the rewound film (p. 21).
11
Page 12
LOADING THE BATTERIES
Use two 3V lithium batteries (CR123A or DL123A).
Turn the lock screw to OPEN
with a coin. Place your
fingertip in the notch. And
open th e battery cover.
When replacing the batteries, make
sure to turn the power switch OFF
before unloading the batteries.
12
Insert the batteries. And
close the cover.
Turn the
lock screw to CLOSE.
Align the (+) and (-) directions of the
batteries correctly as shown.
Read "Battery Handling" on page 49.
Page 13
CHECKING THE BATTERIES
Turn the power switch
ON. Be sure to check
the batteries as well.
Display
lights (turns off
after 12 sec.).
blinks and other
indicators on the
LCD panel are
displayed normally.
blinks and other
indicators on the
LCD panel go out.
Meaning
Batteries are OK.
You can shoot.
Batteries are low
and should be
replaced.
Batteries are dead
and should be
replaced
immediately.
Keep spare batteries on han d when
going on a long trip or when using the
camera in cold weather.
13
Page 14
POINTS TO REMEMBER
Hold the Camera Correctly.
Correct.
Note: As the focal length becomes larger, shaking the camera
becomes more noticeable. Hold the camera firmly with both hands
while keeping elbows at sides to prevent the camera from shaking.
Cautions:
14
Correct.
Try not to hold the lens barrel.
Keep your fingers away from the lens and flash.
Incorrect.
Page 15
Proper Shutter Release.
Keep the shutter
release button
depressed halfway.
The shutter release button has two clicks. Practice before loading the film.
Depress the
shutter release
button fully.
Cautions:
Press the shutter r elease
•
button gently.
Avoid shaking the
•
camera when pressing
the shutter release button
to prevent blurry pictures.
To loc k the focus.
Make sure
The image is clear, the
autofocus beep is heard,
and the autofocus indicator
lights in the viewfinder.
To release the
shutter and t ake
the picture.
Note: When the autofocus
indicator is blinking, the
shutter won't release.
(See
p.
43.)
15
Page 16
LOADING THE FILM
Slide the back cover
release upward to open
the back cover.
BASIC OPERATIONS
Shutter curtains
Caution: Do not touch the shutter
curtain, and do not press it with the
edge of film.
16
Load the film.
Note: Make sure the film is lying flat.
Page 17
Align the tip of the film leader
with the mark as shown, and
close the back cover.
The film automatically
advances to the first frame.
Make sure
The film does not overlap any of the
positioning guides shown above.
Turn the power switch
ON.
Make sure
The exposure counter on the LCD
panel reads .
Note:
If blinks in the exposure counter, as
shown above, reload the film.
17
Page 18
TAKING PICTURES
Follow this procedure fo r normal photography. When the power
switch is turned ON, the camera is in the Full-Auto mode. (See p. 36.)
Remove the lens cap,
and tu rn the power
switch ON.
While looking through the
viewfinder, press the zoom
button to determine the
composition.
Make sure
LCD panel lights.
Note: If no operation is made for approx. 30
seconds, the LCD panel goe s out and will co m e on
again when the operation is resumed.
18
The lens advances, and the
Page 19
How to Use the Zoom
Buttons
Position th e autofocus
frame on your subject.
Telephoto: Press the button to zoom in.
Wide-angle: Press the button to zoom out.
Max. telephoto focal
length: 110 mm
Max. wide-angle focal
length: 28 mm
Autofocus frame
Working distance: 75 cm (2.5 ft) ~
19
Page 20
Depress the shutter
release button halfway.
Without removing y ou r finger
from the shutter release
button, depress fully to take
the picture.
Make sure
autofocus indicator lights when the subject is in focus.
It will blink if the subject is difficult for the autofocus to
lock on, and when the subject is too close.
Note: When the autofocus indicator blinks, the shutter
won't release. (See p. 43.)
20
The autofocus beep is heard and the
The shutter releases and the film
automatically advances to the next
frame.
Page 21
UNLOADING THE FILM
The camera automatically rewinds the film when you
reach the end of a roll.
Make sure the motor has stopped
and the is blinking on the LCD
panel, before opening the back
cover and removing the film.
Rewinding the film before
the end of the roll
The final number of exposures may
sometimes exceed the number of exposures
specified on the film.
To rewind the fi lm before the end of the
roll, press the mid-roll rewind button wit h
your fingernail. Do not use an instrument
with a sharp tip.
21
Page 22
USING THE FOCUS LOCK
When the main subject is not in the center of the autofocus
frame,
ADDITIONAL FUNCTIONS
follow
the
procedure
Position the autofocus
frame on you r subject and
press the shutter release
button halfway.
below.
This
is
called
Reposition your subjects in the
picture frame while keeping
the shutter release button
depressed halfway. Then press
the shutter release button fully.
focus
lock.
Make sure
The autofocus beep is heard, and the
autofocus indicator lights in the
viewfinder.
22
Autofocus frame
Note:
When the focu s is locked, the
exposure is also locked (AE lock).
Page 23
FLASH PHOTOGRAPHY
Three flash modes are available to suit different requirements.
How to Select the Flash Mod e
Set the power switch to
to flip up the flash.
The camera will recharge the flash, and
the flash will be ready to use.
Note: Recharging takes 0.2~3.5 seconds.
Press
the
FLASH
button
to select the flash mode.
Make sure
displayed on the LCD panel.
The selected mode is
23
Page 24
Flash Modes
Mode
Note: Use of t he flash is recommended if blinks
in the viewfinder when the flash isn't flipped up.
Otherwise the camera will select a long exposure
and pictures may be blurred due to camera shake.
24
Function
Automatically fires in
low-light conditions.
(p. 25)
Significantly reduces
the phenomenon of
"red-eye" (when a subject's
eyes appear red). (p. 27)
Fires regardless of
available light. (p. 28)
In the dark, the flash also functions as
an autofocus illuminator. When the
shutter release button is pressed
halfway, the flash emits several brief
pre-flashes. When the shutter release
button is pressed fully, the flash fires
to take the picture. Hold the camera
firmly until then.
Page 25
Auto Flash
AUTO
The flash fires automatically when there is insufficient light or
when there is backlighting.
Set th e flash mode to
AUTO.
Press the shutter release
button halfway to make
sure lights in the
viewfinder.
Note: If you press the shutter release button
with blinking in the viewfinder, the shutter
won't release. This is because the flash is
being recharged. Remove your finger from
the shutter release button, a nd wait until
recharging finishes.
25
Page 26
Press the shutter release
button fully.
Auto Flash Range
(with color negative film)
Focal length
ISO 100
ISO 200
ISO 400
Note: The shutter speed is automatically set at 1/100-sec. when the flash fires. If the subject requires a faste r
shutter speed, the f la sh won't fire.
26
28mm
4.3m (14.1
6.1m
(20 ft)
8.6m (28.2
ft)
ft)
110mm
3.5m ( 11.
4.9m (16.1ft)
7.0 m (23 ft)
5 ft)
Page 27
Red-Eye Reducing Flash
AUTO-S
Approximately 20 pre-flashes are emitted before the main flash fires,
significantly reducing the phenomenon of "red-eye" (when a subject's eyes
appear
red).
This
mode
is the
same
as
Auto
Flash
except
for the
pre-flashes.
Flip up the flash, and select
the Auto-S mode. Press the
shutter release button.
Red-eye reduction may not be effective when the
subject:
1. Wasn't looking at the flash from right front.
2. Wasn't watching the pre-flashes.
3. Was too far from the camera.
4. Did not respond to the pre-flashes due to
particular characteristics of the individual.
Notes:
Pre-flashes are not emitted in the Stop Action mode.
After pressing the shutter release button, hold the camera securely until the shutter has been released.
To cancel the Auto-S mode, select another mode following the procedure on page 23.
27
Page 28
Forced Activation
In this mode, the flash always fires. Even in backlighting, both the subject and background
can be shot clearly. And portraits look lively by reflecting light into the subject's eyes.
FILL-IN
Make sure the exposure
mode
is set to
FULL
AUTO.
Note: In exposure modes
other than Full Auto and
Aperture-Preferred Auto,
the Fill-in Flash mode
cannot be engaged.
28
Select the Fill-In Flash
mode, and press the
shutter release button.
Note: The shutter speed is automatically
set at 1/100-sec.
Page 29
SELFTIMER
Press the /REMOTE
button until is
displayed on the LCD
Aim at your subject, and
press the shutter release
button.
panel.
Fix the camera firmly on a tripod or other support.
Notes: The focus and exposure will be locked when the shutter release button is depressed halfway. The Selftimer
mode is cancelled after the shutter releases. To cancel the selftimer in the middle of operation, press the /REMOTE
button again. Do not remove your eye from the viewfinder until after the shutter release button has been fully
depressed. This prevents light from entering through the viewfinder.
The shutter will be released 12 seconds later.
29
Page 30
USING THE EXPOSURE MODES
There are four preset settings for easy shooting in various common
situations, as well as an Aperture-Preferred Auto mode that allows
you to select your own setting.
Exposure Modes
Fo r easy, effective shooting in various common
situations:
Stop Action (p. 31)
To freeze moving subjects.
Portrait (p. 32)
For pictures with blurred background for "portrait"
effect.
Landscape (p. 33)
For pictures with extended in-focus background.
Night Scene (p. 34 )
For night scenes or night scenes with subjects in the
foreground.
How to Select the
Exposure Mode
Press one of the icons.
For more creative lighting effects:
F.No.
30
Aperture-Preferred Auto (p. 35)
Set the aperture manually. The camera will
automatically select the correct shutter speed.
Press the F.No. button.
Page 31
STOP ACTION
To freeze moving subjects.
In this mode, the camera automatically selects a faster shutter
speed to reduce blurring of moving subjects. (Max. shutter speed:
1/2000-sec.)
Press
the
button.
Note: In the Sto p Action mode, fo r faster
flash response, Auto-S pre-flashes will
not be emitted.
Aim the camera at th e
subject, and press the
shutter release button.
31
Page 32
PORTRAIT
To take pictures with blurred backgrounds for a "portrait" effect.
Portrait
mode
lets
you
take
beautiful
effective when the len s is at th e telephoto setting and/or when there is a great
distance between the subject and the background.
Press
the
button.
Note: The aperture is wide open.
32
portrait
photographs.
This
is
especially
Aim the camera at t he
subject, and press th e
shutter release button.
Page 33
LANDSCAPE
To take pictures with extended in-focus backgrounds.
When shooting landscapes or landscapes with subjects in the foreground, all
objects near and fa r ar e sharply in focus.
Press
the
button.
Note: Set the lens at wide angle for
optimal results.
Press the shutter
release button.
33
Page 34
NIGHT SCENE
To shoot properly-lit night scenes
In this mode, the camera automatically selects the ideal exposure
for shooting night scenes free of subjects, and for shooting night
scenes with subjects in the foreground.
When subjects are in the foreground, flip up the flash.
Press
the
button
.
When there are no foreground subjects, do not flip up the flash.
Notes: When the flash is flipped up, flash power is automatically adjusted according to the subject. Since
the camera may select a shutter speed as slow as 2-sec maximum, use of a tripod is recommended to prevent
camera shake.
34
Press the shutter release
button.
Page 35
APERTURE-PREFERRED
AUTO
F.No.
The background blur can be controlled by adjusting t he aperture
setting. The shutter speed will be selected automatically.
Press
the
F.No.
button
to
enter the AperturePreferred Auto mode.
Larger aperture (smaller value) for a
blurred background
Notes: Additional pressing of the F.No. button stops
down the aperture. Once the camera ha s passed the
smallest available aperture setting, it will return to the
largest available aperture setting. Blinking in the
viewfinder indicates the subject is under- or overexposed.
Change the aperture setting until it stops blinking.
Smaller aperture (larger value) for a
sharper background
35
Page 36
FULL
RESTORING THE STANDARD SHOOTING MODE
AUTO
Restore the standard shooting mode for easy, worry-free
photography.
Press the FULL AUTO
button.
The camera will also return to the
standard shooting mode if the power is
switched off and on again.
36
Standard Shooting Mode
Settings for the standard shooting
mode are as follows:
Exposure mode — Program Auto
Flash mode — Auto or Auto-S
Self-timer/remote control — Cancelled
Spot metering — Cancelled
Page 37
SPOT METERING
In this mode, the camera limits light metering to a particular area, such
as a subject's face, an d sets the correct expo sure.
Position the subject for
spot metering within the
spot frame, and press
the
Spot frame
SPOT
button.
In situations like the one illustrated
above, the subject will be dark because
of backlighting.
Make sure
panel and the exposure is locked.
is displayed on the LCD
37
Page 38
Recompose the shot,
then press the shutter
release button to take
the picture.
Notes:
When the flash is flipped up, or the Night Scene
mode is engaged, the camera does not perform
spot metering.
After the shot, the Spot Metering mode is
canceled. To cancel the mode without taking a
shot, press the SPOT button again.
38
Use t h e Spot mode in t he following
situations:
When there is a big difference
between subject and background
brightness (e.g., backlighting).
Whe n the m ai n subject is not in the
center of the autofocus frame.
Focus lock should also be used in
this case (see p. 22).
Page 39
REMOTE CONTROL
The optional RC-100 Remote Control is required.
(OPTIONAL)
Press the /REMO TE button
to engage the Remote Control
mode.
Position the autofocus frame
on the subject.
39
Page 40
Aim the remote control
at the camera, and
press the button.
The shutter will be released about 3
seconds after the beep.
Notes: Use selftimer outside the above range.
The remote control may not work when the subject
is backlit or when it is difficult for autofocus to loc k
onto (see p. 43).
Important: After the shot(s), be sure to press the
self-timer/remote control button again to cancel
the Self-Timer/Remote Control mode.
40
Notes on the Remote Control:
The remote control may not work wh en
there is backli ghting and when
autofocusing is difficult (see p. 43).
Continuous shooting cannot be performed
when the remote control is used.
The shutter will not release using the
remote control when the remote control's
battery is exhausted.
The battery of the remote control cannot
be replaced. The remote control un it is
expendable. Order a new one from your
nearby camera store or Olympus service
center when it no longer transmits signals
to the camera.
CAUTIONS:
Keep the remote control out of the reach
of children. In case it is swallowed,
immediately consult a physician.
Keep the remote control away from fire
and extreme heat. Never try to
disassemble it.
Page 41
EFFECTS OF ZOOM AND ITS ADVANTAGES
Zoom lens focal length is changed by moving part
of the lens. With this camera, you can select any
focal length between 28 mm and 110 mm.
28 mm wide-angle
Because the angle of view is wide and the depth of
field is large, you can take sharp photographs with
enhanced perspective and contrast. This is ideal for
shooting landscapes, skylines, crowds at a party,
etc.
50 mm (approx.)
This range is the standard angle of view and has
moderate background blurring. It is suitable for
most types of shot including portraits.
28mm
75°
50mm
110 mm
At its maximum focal length, the built-in lens offers
a telephoto effect. The depth of field is shallower,
and the effects of aperture settings are more
apparent. In telephoto shooting, use a tripod or hold
the camera firmly to prevent the camera from
shaking.
180 mm additional telephoto power
When t he optional teleconverter IS/L LENS C-180
H.Q. CONVERTER 1.7X is used, you can extend
the telephoto range up to 180 mm.
46°
110mm
22°
TAKING BETTER PICTURES
41
Page 42
Angle of view and depth of field
Angle of view is directly related to the focal depth o f
field (the distance in front o f and behind the subj ect
that the camera is able to bring into focus). The
greater the angle of view (wide angle), t he greater
the depth of field. When the angle of view is
narrow (telephoto), the depth of field decreases.
28mm
F. No. 5.6
IS/L LENS C-180 H.Q. CONVERTER 1.7X
180mm
42
50mm
14°
110mm
F. No. 5.6
F. No. 5.6
Page 43
AUTOFOCUS (AF)
Although this camera's autofocus can lock on virtually any subject,
there are certain conditions, such as shown below, where it ma y
not be possible to obtain the correct focus. In the situations shown
below in , autofocus may not lock on the correct subject even
though the autofocus indicator lights and the shutter releases.
Subjects with low contrast
Use the focus lock by first
•
focusing on something at the
same distance as the subject you
wish to take a picture of, and then
aim at the subject.
Subjects that do not contain
vertical lines
Use the focus lock first while
•
holding the camera vertically.
Then switch the camera to the
horizontal position to take the
photograph.
Subjects in excessively bright
light
Use the focus lock by first
•
focusing on something at the
same distance as the subject yo u
wish to ta k e a picture of, and then
aim at the subject.
43
Page 44
Two subjects at different
distances
Subjects with repetitive
patterns
High-speed subjects at close
range
• When the subject locks out-offocus although the autofocus
lamp lights, focus on another
subject at the desired camera-to-
subject distance first. T he n
recompose the frame to take the
picture.
44
• When the subject locks out-offocus although the autofocus
lamp lights, focus on another
subject at the desired camera-tosubject distance first. Then
recompose the frame to tak e the
picture.
• Focus on another subject at the
desired camera-to-subject
distance first. Then recompose
the frame to take the picture.
Page 45
EXPOSURE
Automatic Exposure Mode
Exposure refers to the amount of light which strikes
the film, and is controlled by a combination of
aperture size and shutter speed. The correct
amount of light, called correct exposure, depends
on the film speed (indicated on the film package,
e.g.
ISO 100 or ISO
The automatic exposure function automatically sets
the correct exposure. This camera employs two
types of automatic exposure modes: programmed
auto-exposure and aperture-preferred autoexposure.
With programmed auto exposure, the camera
automatically selects the most suitable combination
of F stop and shutter speed for the existing lighting
conditions. This lets you concentrate on composing
your shot and releasing the shutter at just the right
time.
With aperture-preferred auto, you select the desired
F stop, and the camera automatically selects the
correct shutter speed. Aperture-preferred auto
gives more artistic freedom of expression and
creativity by selecting a desired F stop to control
the blur of the background.
200).
Program Chart (FULL AUTO)
The following program chart is for 28mm wide-
angle and 110mm telephoto focal lengths.
According to the focal length, the camera's program
i
tself changes. When the subject is brightly lit, the F
stop and shutter speed change simultaneously.
When the lighting is darker, the aperture opens fully
and the shutter speed changes to match it.
In the standard shooting mode (refer to p.36), if the
built-in flash has been flipped up, it will
automatically fire in dark lighting conditions. The
shutter speed will be fixed at 1/100-sec.
Portrait Mode
In this mode, the camera chooses a wide aperture
for a shallow depth of field. This results in a softly
blurred subject background, against which your
subject stands out in sharp focus. This mode also
prevents camera-shake from happening because a
faster shutter speed is selected.
45
Page 46
FILM SPEED
Nigh t Scene Mode
When shooting nigh t scenes you may sometimes be disappointed with the result, usually because the camera's
automatic exposure function works on a standard
exposure ratio. In such situations a professional photographer would adjust for exposure compensation based
on personal experience, or select the manual shooting
mode.
In the night scene mode, exposure compensation is auto-
matically adjusted for attractive night scene photography.
For example, when shooting a subject with a night scene
as its background, the use of the flash is often desirable.
Should that be the case, the camera performs the most
suitable exposure compensation for both the subject and
the background. Since the selected shutter speed may be
very slow, the camera should be held firmly in position
(with a tripod for example) to prevent blurring.
Stop Action Mode
This mode is ideal for capturing high-speed photo
opportunities such as sports scenes and children at play.
A fast shutter speed is automatically selected to "freeze"
the action on film.
Landscape Mode
This mode is ideal when you want to focus on both the
subject and the background or when you want to shoot
natural scenery with low contrast. The camera automati-
cally stops down the aperture to make the range of focus
as large as possible. In shooting conditions for this mode,
the subjects are likely be at a distance of (infinity), so
the autofocus function in this mode starts from the
position.
46
Film Speed
Film speed is indicated on the back of film
packages. ISO 100, ISO 200, and ISO 400 are the
most common. High-speed film (ISO 400), as
implied by its name, is for taking photos of fastmoving subjects in action shots, for example.
However, there are also other advantages. With
high-speed film, such as ISO 400, it is possible to
take pictures in lower light. And t he distance
covered by the flash will be greater. Generally, the
higher the film speed, the grainier the picture.
With this camera, we recommend the use of "DX "
film cartridges: ISO 2 5 ~ 3200. In the case of non-
DX-coded film, the camera will automatically be set
to film speed ISO 32.
Page 47
METERING THE AMOUNT OF LIGHT
Light Metering
Light metering can measure the brightness of the
framed subject in various ways. This camera
employs three metering systems: (1) ESP light
metering, (2) center-weighted average light
metering, and (3 ) spot metering. Yo u ca n select
the light metering system most suitable to the
conditions. The camera also uses TTL (throughthe-lens) light metering to automatically measure
the light that enters the lens. This le t s you get very
accurate light readings that are unaffected by
changes in the distance between the subject and
the camera.
ESP light metering measures the brightness of the
central portion and peripheral portion of the frame
separately in order to determine the proper
exposure. The calculation program used is based
on programmed data to properly compensate for
backlighting. ESP light metering is used
automatically when in the Full-Auto mode.
Center-Weighted Average Light Metering
Center-weighted average light metering is the most
widely used light metering
system (Fig. A) . This
system measures the light
available throughout the
frame with special
emphasis on the center of
the frame. When in the
Aperture-Preferred mode, this light metering
system is automatically activated. When the
contrast between bright and dark areas is not too
extreme outside the center of the frame, this
system offe rs excellent results.
Spot Metering
Spot metering (Fig. B) measures the brightness at
the center of the frame only. Because th is metering
system calculates the correct exposure for onl y o ne
point, it is convenient when th e subject is backlit or
the picture contains strong contrasts. When
shooting a subject in front of an extremely bright
background, you should
use spot-metering on the
subject's face.
47
Page 48
ACCESSORIES
(OPTIONAL)
IS/L LENS C-180 H.Q.
CONVERTER 1.7X
48
REMOTE CONTROL RC-100
ACTION CASE C
Page 49
CARE AND STORAGE
BATTERY HANDLING
CAUTIONS
Do not expose the camera to extreme heat (over
40°C/104°F) or to extreme cold (below -10°C/14°F).
Low temperature, even within this range, may
sometimes cause deterioration in battery performance, thereby temporarily disabling the camera.
Avoid sudden temperature changes and humidity.
Do not expose the camera to strong magnetic
fields.
Do not apply excessive force to the camera or its
controls.
Do not touch the contact points inside the camera.
Do not use organic solments, thinners, or benzine
to clean the camera.
Avoid strong impacts caused by bumping or
dropping the camera.
Do not expose the camera to water, such as from
rain.
Do not expose the camera to dust and sand.
WARNING
NEVER ATTEMPT TO DISASSEMBLE
THE CAMERA; IT CONTAINS A HIGH-
VOLTAGE CIRCUIT.
In case of malfunction, consult your nearest
Olympus dealer or Olympus service center.
NOTES
Do not mix different types of batteries or
new and old batteries.
When the camera is not used for an
extended period of time, remove the
batteries.
Keep spare batteries on hand when going
on a long trip or to a cold area.
Sweat, oil, and so on can prevent a
battery's terminals from making electrical
contact. To avoid this, wipe both terminals
before loading batteries.
WARNINGS
NEVER TRY TO DISASSEMBLE,
RECHARGE, OR SHORT CIRCUIT
BATTERIES. NEVER EXPOSE
BATTERIES TO EXCESSIVE HEAT OR
OPEN FLAMES.
KEEP THE BATTERIES OUT OF THE
REACH OF CHILDREN. IF A CHILD
SWALLOWS A BATTERY, CONTACT A
DOCTOR IMMEDIATELY.
USE TWO 3V LITHIUM BATTERIES
(CR123A OR DL123A). NEVER TRY TO
DISASSEMBLE OR MODIFY ANY
BATTERY OR BATTERY PACK FOR
USE IN THIS CAMERA.
CAMERA MAINTENANCE
49
Page 50
Operating Problems
Symptom
The camera does
not work.
The LCD panel
turns off suddenly
blinks and the
shutter cannot be
released.
blinks even
when the flash is
not flipped up.
The AF lamp blinks
and the shutter
cannot be released.
50
TROUBLESHOOTING
The power is OFF.
The batteries are loaded incorrectly.
The batteries are exhausted.
The batteries are temporarily unable
to function.
The loaded film has been rewound.
The film is incorrectly loaded.
The LCD panel turns off automatically
if none of the camera's functions have
been used for about 30 seconds.
The flash has not finished recharging.
blinks to warn you that camera-
shake is likely to occur due to
insufficient light.
The autofocus system may not work
when the subject is moving too fast,
when t he camera is shaking, o r when
the subject is difficult for autofocus
to lock onto (refer to p. 43).
The subject is closer than the camera's
minimum working distance (75cm/2.5ft).
Cause
Remedy
Set the power switch to ON.
Reload the batteries correctly.
Replace batteries wit h new ones.
Keep the camera warm while
using it.
Load new film.
Reload the film.
Press the FULL AUTO button, or
press the shutter release button
halfway.
Remove your finger from the
shutter release button and w a i t
for several seconds until
recharging is completed.
Flip up the flash.
First focus on something at the
same distance as the subject, then
recompose the frame to take the
picture.
Move 75cm/2.5ft or more away
from the subject.
p.
See
p.18
p.12
p.13
p.49
p.21
p.17
18/36
p.25
p.24
p.43
p.22
p.19
Page 51
Symptom
The camera doesn't
focus on the subject
even though the
auxiliary flash lights.
The shutter doesn't
release even wh en
the shutter release
button is pressed.
The flash doesn't fire
blinks in the
viewfinder.
The shutter cannot
be released by
remote control.
The autofocus may not work when the
subject is out of the auxiliary flash's
working distance (approx. 75cm~5m/
2.5ft ~16.4ft).
The autofocus may not be effective with
this subject.
The subject is not in focus.
The rewound film is still loaded.
The shutter speed is set at faster than
1/100-sec.
High-speed film is used.
Exposure is incorrect in the AperturePreferred Auto mode.
If no operations have been carried out
in the Self-Timer/Remote Control mode
for about 20 minutes, the LCD panel
turns off and the shutter can't be
released with the remote control.
Cause
Remedy
Move the camera closer to the
subject.
First focus on another subject at
the same distance, then recompose
the frame to ta ke the picture.
Make sure the subject is in focus
and the autofocus indicator in the
viewfinder lights.
Remove the film.
Set the flash mode to Fill-in.
Set the flash mode to Fill-in.
Change the aperture until
stops blinking. Use the flash when
available light is insufficient.
Press the FULL AUTO button to
turn on the LCD panel, and
engage the Self-Timer/Remote
Control mode again.
See
p.43
p.20
p.21
p.28
p.28
p.35
51
Page 52
Problems with Printed Pictures
Symptom
The subjects' eyes
appear red in
printed pictures.
The subject was
within the frame of
the viewfinder, but
its edges are
missing on the print.
The picture is
out of focus.
The picture is too
dark.
The colors of
pictures taken
indoors look
unnatural.
52
This "red-eye phenomenon" occurs with
Cause
all cameras when a flash is used. It is
caused by light from the flash reflecting
off the retina at the back of the eye. Redeye varies depending on the individual
and the shooting conditions such as
ambient lighting. It is also more likely to
occur when using 110mm telephoto than
when using wide-angle focal lengths.
When a negative is enlarged, sometimes
the edge of the frame is not printed.
The camera moved when the shutter
release button was pressed.
The viewfinder's autofocus frame was
not positione d on the subject.
The shutter release button was pressed
from right in front of the camera in the
Self-Timer mode.
The subject was out of the working
range of the flash.
The subject was backlit.
The lighting fixture(s) affected the
picture.
Remedy
Use the Auto-S Flash mode to
significantly reduce red-eye
phenomenon.
Leave some room on the edges of
the fram e w hen you compose
your shots.
Hold the camera correctly, and
press the shutter release button
gently.
Position the autofocus frame on
the subject, or use the focus lock.
Press the shutter release button
while looking into the viewfinder,
not while standing in front of the
camera.
Shoot with i n the working range
of the flash.
Set the flash t o Fill-in mode.
Set the flash mode to Fill-in.
See
p.27
p.14
p.22
p.29
p.26
p.28
p.28
Page 53
QUESTIONS AND ANSWERS
Q: How long will the batteries last?
A: Two new 3V lithium batteries will
last for roughly 20 rolls of 24-
exposure film on which the flash
was used on half of all the shots
(determined under Olympus test
conditions). If you do not use the
flash and zoom very often, the
batteries will last much longer.
Q: How should I store the camera?
A: Cameras are susceptible to
damage caused by dust, moisture,
and salt. Wipe and dry the camera
thoroughly before storing it. After
using it at the beach, wipe it with a
cloth that has bee n moisten ed
with fresh water and then wrung
out. Do not use mothballs.
Q: When does the camera measure
and set the exposure?
A: When the shutter release button is
pressed halfway, the camera
measures both the exposure and
the focus and then locks them as
long as the shutter release button
remains halfway depressed. In the
Spot Metering mode, the exposure
is locked when the spot button is
pressed.
Q: How should I clean the lens?
A: Wipe the lens gently with lens
cleaning tissue that has been
moistened with a small amount of
lens cleaning fluid.
Q: Can I use a filter?
A: Yes, you can. Use one with a
diameter of 52 mm. When you use
a thick one, like a C-POL ( circul arpolarizing) filter, the edges of the
picture plane sometimes become
dark. Make sure to turn off the
power before mounting or
removing a filter. When doi ng so,
even with the power off,
sometimes the lens rotates and the
motor operates. This is not a
malfunction.
53
Page 54
SPECIFICATIONS
Type: Fully automatic 35mm autofocus
single-lens reflex camera with built-in
28mm ~ 110mm zoom lens.
Film format: 35mm standard DX-coded film
(24 x 36mm).
Lens: Olympus lens (filter available, 52mm filter
diameter) 28mm ~ 110mm F4.5 ~ 5.6, 11
elements in 9 groups (5-group zoom
construction).