Numark NS6 Quick Start Manual

 QUICKSTART GUIDE

ENGLISH ( 3 – 8 )

 GUÍA DE INICIO RÁPIDO

ESPAÑOL ( 9 – 14 )

 GUIDE D’UTILISATION RAPIDE

FRANÇAIS ( 15 – 20 )

 GUIDA RAPIDA

ITALIANO ( 21 – 26 )

 KURZANLEITUNG DEUTSCH ( 27 – 32 )

BOX CONTENTS

NS6 Software/driver CD Power adapter Quickstart Guide USB cable Safety & Warranty Information Booklet

Please go to http://www.numark.com keep you up-to-date with any new product developments and provide you with world-class technical support, should you run into any problems.

to register your NS6. Registering your product ensures that we can

GETTING STARTED WITH SERATO ITCH

To get started using your new NS6 with Serato ITCH:

1. Visit www.serato.com/itch

2. Double-click the ITCH installer file.

3. Follow the instructions on the screen to begin the installation process. During this process, you will be prompted to connect the NS6 to your computer.

Windows users: throughout the installation:

and download the latest version of Serato ITCH with built-in effects!

y if Windows warns you that any of the drivers' certificates cannot be verified, approve them

anyway.

y if Windows warns you that the hardware installation was not successful or may not work

properly, ignore it.

y if you see any dialog boxes flash briefly on the screen before disappearing, ignore them.

These warnings are normal and are simply Windows' reaction to the cancellation of its own hardware installer. (NS6 and Serato ITCH use their own installation processes.)

If you selected the default location during the installation process, you can find the program in the following location:

 XP: Start Menu  Programs  ITCH  Vista: Windows Menu  All Programs  Serato  ITCH

4. Open the latest version of Serato ITCH!

Please refer to the Serato ITCH Reference Manual for more information.

IMPORTANT!!!

• Before connecting the NS6 to your computer, insert the included CD to install the latest drivers as well Serato ITCH. (Visit www.serato.com/itch

• Remove the blue film from the PLATTERS before using NS6.

• Touch the PLATTERS to calibrate the touch-sensitive circuit before using NS6.

• When reconnecting the NS6 to your computer, the NS6 will recall the previous positions of the software

(e.g., Pitch, effects parameters, etc.). Be mindful of this before playing a track.

to check for available software updates.)

CONNECTION DIAGRAM

COMPUTER

TURNTABLE CD PLAYER

MICROPHONE

POWER

POWER/USB CABLE SETUP

1 2 3

4 5

6 7

HOUSE AMP BOOTH AMP

REAR & FRONT PANEL FEATURES

REAR:

34 4

1. POWER IN – Use the included power cable to connect NS6 to a power outlet. While the power is switched off, plug the cable into NS6 first, then plug the cable into a power outlet.

2. POWER SWITCH – Turns NS6 on and off. Turn on NS6 after all input devices have been connected and before you turn on amplifiers. Turn off amplifiers before you turn off NS6.

3. USB – This USB connection sends and receives audio and control information from a connected computer.

4. MASTER OUTPUT (XLR) – Connect this low-impedance XLR output to a PA system or powered monitors. The level of this output is controlled with the MASTER knob on the top panel.

5. MASTER OUTPUT (RCA) – Use standard RCA cables to connect this output to a speaker or amplifier system. The level of this output is controlled by the MASTER knob on the top panel.

6. BOOTH/ZONE OUTPUT (RCA) – Use standard RCA cables to connect this output to a booth monitoring system. The level of this output is controlled by the BOOTH/ZONE knob on the top panel.

7. LINE INPUTS (RCA) – Connect line-level devices, such as CD players, samplers or audio interfaces, to these inputs.

8. MIC INPUT (1/4") – Connect a 1/4" microphone to this input. Microphone controls are located on the top panel.

9. LINE | PHONO INPUTS (RCA) – Connect your audio sources to these inputs. These inputs can accept both line and phono-level signals.

10. LINE | MIC SWITCH – Flip this switch to the appropriate position, depending on the device connected to the LINE | PHONO INPUTS. If you are using a microphone, set this switch to "MIC." If using a line-level device, such as a CD player or sampler, set this switch to "LINE."

11. LINE | PHONO SWITCH – Flip this switch to the appropriate position, depending on the device connected to the LINE | PHONO INPUTS. If you are using phono-level turntables, set this switch to "PHONO" to provide the additional amplification needed for phono-level signals. If using a line-level device, such as a CD player or sampler, set this switch to "LINE."

12. GROUNDING TERMINAL – If using phono-level turntables with a grounding wire, connect the grounding wire to these terminals. If you experience a low “hum” or “buzz”, this could mean that your turntables are not grounded.

Note: Some turntables have a grounding wire built into the RCA connection and, therefore, nothing needs to be connected to the grounding terminal.

13. HEADPHONES (1/4" or 1/8") – Connect your 1/4" or 1/8" headphones to this output for cueing and mix monitoring.

14. HEADPHONE VOLUME – Adjusts the volume level of the headphone output.

15. SPLIT CUE – When this switch is in the ON position, the headphone audio will be "split" such that all channels sent to CUE are mixed to mono and applied to the left headphone channel and the Program mix is mixed to mono and applied to the right channel. When the switch is in the OFF position, Cue and Program audio will be "blended" together.

16. CUE BLEND – Turn to mix between Cue and Program in the Headphone channel. When all the way to the left, only channels routed to CUE will be heard. When all the way right, only the Program mix will be heard.

17. CROSSFADER ASSIGN – Routes the audio playing on the corresponding channel to either side of the crossfader (L or R), or bypasses the crossfader and sends the audio directly to the Program Mix (center, "|").

18. CROSSFADER SLOPE – Adjusts the slope of the crossfader curve. Turn the knob to the left for a smooth fade (mixing) or to the right for a sharp cut (scratching).

19. FADER START – Enables or disables “fader start” on the corresponding side of the crossfader. When fader start is enabled on one side, moving the crossfader toward that side will cause the Deck to start playing.

17 17

FRONT:

16 15 14 13 13

TOP PANEL FEATURES

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24 25 2627 23

18 18

38 38

41 41

35 35

52 5253

51 51

30 31

50 50

54 54 54 54

13 13

43 43

44 46

47 47

910

30 3128 29

24 25 2627 23

19 19

21 21 21 21 21 20 21 21 21 21 21

39 39

33 34 33 34

141516 141516

USEFUL TERMS:

 Audio Pointer: The current position in a track from where audio will play. When you select a track and begin

playing, the Audio Pointer will usually start from the beginning and stop at the end.

 Cue Point: A marked position in a track, which will be permanently stored by the software. You can set, return to,

or delete Cue Points with the CUE CONTROLS.

 Temporary Cue Point: A marked position in a track, which will only remain while that track is still loaded in the

Deck. You can set and return to the Temporary Cue Point with the CUE button.

MIXER CONTROLS

1. GAIN TRIM – Adjusts the pre-fader, pre-EQ audio level of the corresponding channel in the software.

2. CHANNEL TREBLE – Adjusts the high (treble) frequencies.

3. CHANNEL MID – Adjusts the mid-range frequencies.

4. CHANNEL BASS – Adjusts the low (bass) frequencies.

5. CHANNEL FADER – Adjusts the audio level on the corresponding channel in the software.

6. PFL – Press this button to send this channel's pre-fader signal to the Cue Channel for monitoring. When engaged, the button will be lit. By pressing one PFL button at a time, you will cue that channel alone (and deactivate PFL monitoring for the other channels). To cue to multiple channels simultaneously, press the PFL buttons for those channels at the same time.

7. INPUT SELECTOR – Set this switch to the desired audio source from this channel – "PC" (a track playing on that layer in the software) or "LINE/MIC" or "LINE/PHONO" (a device connected to the LINE/PHONO or MIC input on NS6's rear panel). Please note that the LINE/MIC and LINE/PHONO selector switches on NS6's rear panel must also be set properly. Also, a channel's controls will only send MIDI information when its INPUT SELECTOR is set to "PC."

8. CROSSFADER – Blends audio between the channels assigned to the left and right side of the crossfader.

Note: The crossfader is user-replaceable if it should ever wear out. Simply remove the facepanel, then remove the screws holding it in position. Replace the fader with a quality authorized replacement from your local Numark retailer only.

9. MASTER VOLUME – Adjusts the output volume of the Program Mix.

10. BOOTH/ZONE VOLUME – Adjusts the output volume of the BOOTH/ZONE OUTPUT mix.

11. LED METERS – Monitors the audio levels of the Program Mix.

PLAYBACK CONTROLS

12. LAYER – Selects which Layer in the software is controlled by that hardware Deck. Deck A can control Layer 1 or 3; Deck B can control Layer 2 or 4.

13. PLATTER – This motorized platter controls the Audio Pointer in the software.

14. PLAY / PAUSE – Starts or resumes playback if the Deck is paused. Pauses playback if the Deck is playing. (The rate at which the playback shifts from “play” to “pause” and from “pause” to “play” is controlled by the START TIME and STOP TIME knobs.)

15. CUE – If no Temporary Cue Point is assigned, or if the Deck is paused, press CUE to set a Temporary Cue Point. While the track is playing, press it again to return to the Temporary Cue Point and pause playback.

You can hold down CUE to start playback from the Temporary Cue Point. Release it to return to the Temporary Cue Point and pause playback.

You can hold down CUE and PLAY / PAUSE simultaneously to start playback from the Temporary Cue Point. Release both buttons to allow playback to continue.

16. SYNC – Automatically matches the corresponding Deck’s tempo with the MASTER BPM. Please refer to the Serato ITCH Reference Manual for more information.

17. BLEEP / REVERSE – Reverses audio playback of the track on the corresponding deck.

• When using the button as a REVERSE button, the playback of the track will be reversed. Returning the switch to

its center (deactivated) position will resume normal playback from wherever the Audio Pointer stops.

• When using the button as a BLEEP button (while holding SHIFT and pressing this button), the playback of the

track will be reversed. Returning the switch to its center (deactivated) position will resume normal playback from where it would have been if you had never engaged the BLEEP function (i.e., as if the track had been playing

18. SCRATCH – Press this to turn Scratch Mode on/off. When in Scratch Mode, the button will be lit, and moving the

19. SKIP – Press and hold this button then turn the PLATTER to skip forward or backward through the track by beat.

CUE CONTROLS

20. DELETE CUE / SHIFT – Press or hold this to enable Delete Cue Mode, so you can erase assigned Cue Points from the

21. HOT CUE BUTTONS (1-5) – Assigns a Cue Point or returns the track to that Cue Point. When a HOT CUE BUTTON is

LOOP CONTROLS

22. ON / OFF – Press this to turn a loop on or off. If the Deck is already

23. IN – Press this to set a “Loop In” point where your loop will begin. If

24. OUT – Press this to set a “Loop Out” point where your loop will end.

25. SELECT – Press this to rotate through the loops set in the track. From here, you can edit, reloop, or enable the loop you

26. RELOOP – Press this to jump to the start of the loop and enable it. If the Deck is already looping when you press it, the

27. MODE – Press this to switch between Manual Mode and Autoloop Mode, which changes the functions of the bottom four

28. 1/2 X – Press this to halve the length of the selected loop.

29. 2 X – Press this to double the length of the selected loop.

30. SHIFT LEFT (  ) – Press this to shift the selected loop to the left. It will move left the same distance as the length of

31. SHIFT RIGHT (  ) – Press this to shift the selected loop to the right. It will move right the same distance as the length

forward the whole time).

PLATTER will scratch the track. When not in Scratch Mode, moving the PLATTER will bend the track's pitch.

(Scratch Mode will be disabled while this button is pressed.)

HOT CUE BUTTONS. When the DELETE CUE button is lit bright red, it is in Delete Cue Mode. You can then press a red HOT CUE BUTTON to delete its assigned Cue Point. (Pressing the DELETE CUE button to enable Delete Cue Mode will let you delete one Cue Point at a time. Holding the DELETE CUE button to enable Delete Cue Mode will let you delete multiple Cue Points.) Pressing and holding this button also allows you to access secondary ("shift") functions of other buttons on NS6.

unlit, you can assign a Cue Point by pressing it at the desired point in your track. Once it is assigned, the HOT CUE BUTTON will light up white. To return to that Cue Point, simply press it.

Tip: If the Deck is paused, holding a lit HOT CUE BUTTON will start playback from that Cue Point. Releasing it will return the track to that Cue Point and pause playback.

Note: Cue Points cannot be overwritten. You must first erase a Cue Point by pressing or holding the DELETE CUE button while pressing the appropriate HOT CUE BUTTON.

looping, it will exit the loop. If the Deck is not looping, the currently selected loop will be enabled (once the Audio Pointer enters the loop region). If no loop is set, nothing will happen.

you are already in a loop when you press it, you can “fine tune” the placement of the “Loop In” point by moving the PLATTER. (Be sure the SCRATCH OFF button is lit so the PLATTER’s motor is not running.) If no track is assigned to the Deck, nothing will happen.

If you are already in a loop when you press it, you can “fine tune” the placement of the “Loop Out” point by moving the PLATTER. (Be sure the SCRATCH OFF button is lit so the PLATTER’s motor is not running.) If no track is assigned to the Deck, nothing will happen.

have selected. (Also, if you pressed LOOP IN but want to cancel the loop before completing it, press SELECT, which will toggle out of it.)

Audio Pointer will jump to the start of the loop and continue. If no loop is set, nothing will happen.

LOOP CONTROL buttons. In Manual Mode, the LOOP CONTROL buttons function as IN, OUT, SELECT, and RELOOP (explained above). In Autoloop Mode, the LOOP CONTROL buttons will set 1-, 2-, 4-, and 8-beat loops, respectively. Each loop will start at the Audio Pointer’s location when the button is pressed.

Note: Due to the way the software analyzes beats per minute (BPM), the length of 1-, 2-, 4-, and 8-beat loops will vary between tracks with different BPM readings.

the loop itself.

of the loop itself.

Hold DELETE CUE / SHIFT and any of these buttons to access their alternate functions:

IN, OUT, SELECT, RELOOP: Triggers Loop Roll in eighth, quarter, half, or one note measurements.

1/2 X, 2 X, SHIFT LEFT, SHIFT RIGHT: Jumps to stored loops 1, 2, 3, or 4 (respectively) and instantly reloops them.

TRACK CONTROLS

32. STRIP SEARCH – The length of this strip represents the length of the entire track. Place your finger on a point along this sensor to jump to that point in the track. (If you want to scroll through a track, we recommend using your computer rather than running your finger along the strip.)

33. CLEAR / SET – When using the software's Beat Grid, press SET to set a Beat Marker where the Audio Pointer is currently located. To delete the closest Beat Marker (i.e., the Beat Marker nearest to the Audio Pointer), press CLEAR (by holding SHIFT and pressing the button). Refer to the Serato ITCH Reference Manual for more information.

34. ADJUST / SLIP – When using the software's Beat Grid, hold SLIP and move the PLATTER to "slip" (i.e., shift or slide) the entire Beat Grid to the left or right. To "warp" or stretch the Beat Grid between two Beat Markers, place the Audio Pointer between them, hold ADJUST (while also holding SHIFT), and move the PLATTER. These two features are helpful when the Beat Grid is slightly misaligned with the track's transients. Refer to the Serato ITCH Reference Manual for more information.

PITCH CONTROLS

35. TAP – Tap this button at the same tempo as the track to help the software detect a more accurate BPM reading.

36. MASTER TEMPO – If you have changed the pitch of the track, you can press the MASTER TEMPO button to return the track’s pitch to its original key. The track’s tempo will remain at the speed designated by the PITCH FADER.

37. PITCH RANGE – Press this to adjust the range of the PITCH FADER to ±8%, ±16%, and ±50%.

38. PITCH FADER – Controls the track’s playback speed. An LED next to the fader will light up when set at 0%.

39. PITCH BEND ( + / – ) – Press or hold down either of these buttons to temporarily adjust the track’s playback speed. When released, the track playback will return to the speed designated by the PITCH FADER.

40. BPM METER – This meter is an aid for matching the tempo of both decks. When the white center LED is lit, the BPMs are matched. Otherwise, the meter will tend towards the faster deck. The further from center, the greater the difference between the two BPMs.

The meter is also an aid while adjusting Loop In or Loop Out points. If you are making fine adjustments to your Loop In or Loop Out points using the PLATTERS, the lit LED will “wrap around” the meter. It will rest on the white center LED whenever the loop’s length has been doubled or halved exactly.

Note: The BPM METER will aid in loop adjustments only if (1) a BPM reading has been entered for that track and (2) the two Decks’ tempos have been synchronized.

41. TAKEOVER LEDs – When you select the other Deck with the DECK SELECT switch, the position of the NS6's PITCH FADER may not match the Pitch setting for that Deck in the software. Slowly move the PITCH FADER in the direction indicated by the TAKEOVER LED arrow until it turns off. At this point, the PITCH FADER matches the Pitch setting in the software and can control it again.

NAVIGATION CONTROLS

42. SCROLL KNOB – Use this knob to scroll through lists of tracks, Crates, etc. in the software. You can also press it to move between the panels shown in the software.

43. FWD / BACK – These buttons move the selector between various panels in the software.

44. CRATES – Press this to move the selector to the Crates Panel in the software.

45. PREPARE – Press this to move the selector to the Prepare Panel in the software.

46. FILES – Press this to move the selector to the Files Panel in the software.

47. LOAD A / LOAD B – Press one of these buttons while a track is selected to assign it to Deck A or Deck B, respectively.

Tip: Pressing the LOAD A or LOAD B button twice quickly will load the opposite Deck’s track to that Deck as well, with its Audio Pointer in the same position. For more information, see “Instant Doubles” under “Playback” in the SOFTWARE SETUP section.

48. LOAD PREPARE – Press this to add a selected track to the list of tracks in the Prepare Panel in the software.

49. VIEW – Press this to toggle through the available software layouts.

EFFECTS CONTROLS

50. FX SELECT – Turn this knob to select an effect to apply to the channel, which will be displayed in the software. You can also press the knob to move automatically to the next effect.

51. FX MIX – Adjusts the amount of the effect, which will be displayed the software. To hear less of the effect (a "dry" mix), move this fader to the left. To hear more of the effect (a "wet" sound), move this fader to the right.

52. FX PARAM – Turn this knob to adjust the parameter of the effect, which will be displayed in the software.

53. FX ON / OFF – Press this button to activate or deactivate the effect. The button's LED will illuminate when the effect is on.

54. FX SEND – Use these buttons to apply Effect A and/or B to the corresponding channel. You can apply Effect A and/or B to the entire Program Mix by using the FX SEND buttons below the MASTER VOLUME knob. (Each effect can be applied to one of the four channels or the Program Mix.)

Hold DELETE CUE / SHIFT and any of these buttons to access their alternate functions:

FWD: Sort current Library/Crate/Panel View by album.

BACK: Sort current Library/Crate/Panel View by track number.

CRATE: Sort current Library/Crate/Panel View by song.

PREPARE: Sort current Library/Crate/Panel View by artist.

FILES: Sort current Library/Crate/Panel View by BPM.

CONTENIDO DE LA CAJA

NS6 CD de software/driver Adaptador de CA Guía de inicio rápido Cable USB Folleto de información sobre la seguridad y la garantía

Visite http://www.numark.com mantenerle actualizado con los nuevos desarrollos de productos y brindarle apoyo técnico de categoría mundial en caso de que tenga algún problema.

y registre su NS6. El registro de su producto asegura que podamos

PARA COMENZAR (SERATO ITCH)

Para comenzar a usar el nuevo NS6 con Serato ITCH:

1. Visite www.serato.com/itch incorporados.

2. Haga doble clic en el archivo de la instalación de ITCH.

3. Siga las instrucciones de la pantalla para comenzar el proceso de instalación. Durante este proceso, se le indicará que conecte el NS6 a la computadora.

Usuarios de Windows: Durante la instalación:

y descargue la versión más reciente de Serato ITCH con efectos

y Si Windows le advierte que no se puede verificar alguno de los certificados de los drivers,

apruébelo de todos modos.

y Si Windows le advierte que la instalación de hardware no fue exitosa o que puede no

funcionar correctamente, ignórelo.

y Si ve algún cuadro de texto que destella brevemente en la pantalla antes de desaparecer,

ignórelo.

Estas advertencias son normales y constituyen simplemente la reacción de Windows a la cancelación de su instalador de hardware propio. (NS6 y Serato ITCH usan sus propios procesos de instalación.)

Si seleccionó la ubicación predeterminada durante el proceso de instalación, puede encontrar el programa en la siguiente ubicación:

 XP: Menú Start  Programs  ITCH (Inicio > Programas > ITCH)  Vista: Menú de Windows  All Programs  Serato  ITCH (Todos los programas >

Serato > ITCH)

4. Abra la versión más reciente de Serato ITCH!

Para más información, consulte el Manual de referencia de Serato ITCH.

IMPORTANTE

• Antes de conectar el NS6 a la computadora, inserte el CD incluido para instalar los drivers más recientes, así como Serato ITCH. (Visite www.serato.com/itch software disponibles.)

• Retire la película azul de los PLATOS antes de usar el NS6.

• Toque los PLATOS para calibrar el circuito sensible al tacto antes de usar NS6.

• Cuando reconecta el NS6 a la computadora, éste recupera las posiciones previas del software (por

ejemplo pitch, parámetros de efectos, etc.). Tenga esto en cuenta antes de reproducir una pista.

para obtener las actualizaciones de

DIAGRAMA DE CONEXIÓN

COMPUTADORA

GIRADISCOS REPRODUCTOR DE CD

MICRÓFONO

ALIMENTACIÓN

CONFIGURACIÓN DE CABLES D'ALIMENTACIÓN/USB

1 2 3

AMPLIFICADOR DE

AUDITORIO

AMPLIFICADOR DE

CABINA

4 5

6 7

VISTA DEL PANEL TRASERO Y FRONTAL

TRASERO:

34 4

1. ENTRADA DE ALIMENTACIÓN – Use el adaptador de alimentación incluido para conectar el NS6 a un tomacorriente alimentado. Mientras está desconectada la alimentación eléctrica, enchufe la fuente de alimentación al NS6 primero, y luego al tomacorriente.

2. INTERRUPTOR DE ENCENDIDO – Enciende y apaga el NS6. Encienda el NS6 después de desconectar todos los dispositivos de entrada y antes de encender los amplificadores. Apague los amplificadores antes de apagar el NS6.

3. USB – Esta conexión USB envía y recibe audio e información de control desde una computadora conectada.

4. SALIDA MAESTRA (XLR) – Esta salida XLR de baja impedancia sirve para conectar a un sistema de megafonía o monitores alimentados. El nivel de esta salida se controla con la perilla MASTER del panel superior.

5. SALIDA MAESTRA (RCA) – Use cables RCA estándar para conectar esta salida maestra a un sistema de altavoces o amplificador. El nivel de esta salida se controla con la perilla MASTER del panel superior.

6. SALIDA PARA CABINA/ZONA (RCA) – Use cables RCA estándar para conectar esta salida a un sistema de monitoreo de cabina. El nivel de esta salida se controla con la perilla BOOTH/ZONE del panel superior.

7. ENTRADAS DE LÍNEA (RCA) – Estas entradas se usan para conectar dispositivos de nivel de línea, tales como reproductores de CD, muestreadores o interfaces de audio.

8. ENTRADA DE MICRÓFONO (1/4") – Conecte un micrófono de 1/4” a esta entrada. Los controles de micrófono se encuentran en el panel superior.

9. ENTRADAS DE LÍNEA | FONOGRÁFICA (RCA) – Conecte sus fuentes de audio a estas entradas. Estas entradas pueden aceptar señales de nivel de línea y fonográfico.

10. INTERRUPTOR DE ENTRADA DE LÍNEA | MICRÓFONO – Coloque este conmutador en la posición apropiada, en función del dispositivo conectado a las entradas Line | Mic. Si usa un micrófono, coloque este conmutador en “Mic”. Si usa un dispositivo de nivel de línea, tal como un reproductor de CD o muestreador, coloque este conmutador en “Line”.

11. INTERRUPTOR DE ENTRADA DE LÍNEA | FONOGRÁFICA – Coloque este conmutador en la posición apropiada, en función del dispositivo conectado a las entradas Line | Phono. Si usa giradiscos de nivel fonográfico, coloque este conmutador en “Phono” para proporcionar la amplificación adicional necesaria para las señales de este nivel. Si usa un dispositivo de nivel de línea, tal como un reproductor de CD o muestreador, coloque este conmutador en “Line”.

12. TERMINAL DE TIERRA – Si usa giradiscos de nivel fonográfico con cable de conexión a tierra, asegúrese de conectar dicho cable a estos terminales. Si se experimenta un zumbido grave, puede significar que sus giradiscos no están conectados a tierra.

Nota: Algunos giradiscos tienen el cable de conexión a tierra incorporado a la conexión RCA y, por lo tanto, no es necesario conectar nada al terminal de tierra.

13. AURICULARES (1/4" o 1/8") – Conecte sus auriculares de 1/4" o 1/8" a esta salida para búsqueda de punto inicial (cue) y monitoreo de la mezcla.

14. VOLUMEN DE AURICULARES – Ajusta el nivel de volumen de la salida para auriculares.

15. SPLIT CUE – Cuando este interruptor está en posición ON, se "divide" el audio de los auriculares de modo que todos los canales enviados a CUE se mezclan a mono y se aplican a la salida del auricular izquierdo y la salida de programa se mezcla a mono y se aplica al canal derecho. Cuando está en posición OFF, el audio de cue y programa se "combinan".

16. COMBINACIÓN DE CUE – Gírelo para mezclar cue y programa en el canal de auriculares. Cuando está en el extremo izquierdo, sólo se oyen los canales aplicados a CUE. Cuando se gira totalmente a la derecha, se oye sólo la mezcla del programa.

17. ASIGNACIÓN DE CROSSFADER – Aplica el audio que se reproduce en el canal correspondiente a cualquiera de los lados del crossfader (L/R), o puentea el crossfader y envía el audio directamente a la mezcla programa (centro, "|").

18. PENDIENTE DE CROSSFADER – Ajusta la pendiente de la curva del crossfader. Gire esta perilla a la izquierda para una fusión suave (mezcla) o a la derecha para un corte abrupto (rayado).

19. REMOTO – Activa o desactiva el “fader-start” del lado correspondiente del crossfader. Cuando el fader-start está activado en un lado, el mover el crossfader hacia ese lado hace que la bandeja comiencar a reproducir.