Numark AVM02 Quick Start Owner’s Manual
Quick Start Owner’s Manual (English)
Manual de inicio rápido del usuario (Español)
Guide d’utilisation simplifié (Français)
Kurzbedienungsanleitung (Deutsch)
Manuale rapido di utilizzazione (Italiano)
BOX CONTENTS
• AVM02
• Owner's Manual
• Power Cable
• S-Video Cable
• 3-Connector RCA Audio / Video Cable
CONTENIDO DE LA CAJA (Español)
• AVM02
• Manual del Usuario
• Cable de alimentación
• Cable de S-Video
• Cable de audio/video RCA con 3
CONTENU DE LA BOÎTE (Français)
• AVM02
• Guide d’utilisation
• Câble d’alimentation
• Câble S-Video
• Câble 3 connecteurs RCA audio/vidéo
INHALT DER VERPACKUNG (Deutsch)
• AVM02
• Anleitung
• Netzkabel
• S-Video Kabel
• 3-fach RCA-Audio- / Videokabel
CONTENUTI DELLA CONFEZIONE (Italiano)
• AVM02
• Manuale utente
• Cavo di alimentazione
• Cavo S-Video
• Cavo a 3 poli RCA Audio / Video
1
Quick Start Owner’s Manual (English)
Quick Connection Diagram
2
Quick Setup Guide
1. Make sure all items listed on the front of this guide are included in the box.
2. READ SAFETY INSTRUCTION BOOKLET BEFORE USING THE PRODUCT
3. Study this setup diagram.
4. Place the mixer in an appropriate position for operation.
5. Make sure all devices are turned off and all faders are at their lowest setting.
6. Connect all input sources as indicated in the diagram.
7. Connect the outputs to the power amplifier(s), monitors and/or projectors.
8. Plug your mixer and other devices into AC power.
9. Switch everything on in the following order:
• Audio input sources (i.e. CD players) and video input sources (i.e. DVD players, cameras, etc.)
• Your mixer
• Finally, any amplifiers, televisions, monitors, projectors, etc.
10. When turning off, always reverse this operation by powering down in the following order:
• Any amplifiers, televisions, monitors, projectors, etc.
• Your mixer.
• Finally, any audio/video input sources.
11. Go to www.numark.com for product registration.
Rear Panel Overview
1. Power: Plug a standard IEC power cable here. Use the switch to turn the unit on and off.
2. Video 1-4 Monitor Outputs: These are pre-mix, pre-effects outputs for monitoring your video
sources. Connect to video monitors if desired.
3. Video Inputs: Composite video and S-video inputs. Connect to your video sources (DVD, VCR,
camera etc.) If your video source has an S-video output, use the S-video connector, otherwise use
the composite RCA connection.
4. Video Mixed Output: Available in composite RCA and S-video configuration, these are the main
video outputs which contain the post-mix, post-effects video signal. Normally this would be
connected to your main projection system or video display.
5. Audio Mixed Output: These are the main audio outputs of the mixer, and contain the post-mix
audio signal. There are two sets of outputs - the BOOTH output for DJ booth audio monitoring, and
the MASTER output which should be connected to the main P.A. system.
6. Channel 4 inputs: There are 2 sets of inputs for channel 4, a set of dedicated line-level inputs and
a set of inputs that are switchable from line-level to phono level. To use a phono level turntable
with the AVM02, make sure you connect it to the PHONO inputs and make sure the switch is set to
the PHONO position. If using a turntable that requires to be grounded, make sure that the ground
wire is connected to the silver ground terminal on top of the input panel.
7. Channel 3 inputs: Channel 3 has 2 sets of line level inputs. These inputs, marked LINE and DVD
correspond with the LINE/DVD switch located above the CH3 fader on the front panel of the mixer.
8. Channel 2 inputs: Channel 2 has 2 sets of line level inputs. These inputs, marked LINE and DVD
correspond with the LINE/DVD switch located above the CH2 fader on the front panel of the mixer.
9. Channel 1 inputs: Channel 1 has a dedicated microphone input as well as a switchable line level /
phono input. Use the switch above the channel 1 fader to choose either Line/Phono or Mic. If using
a turntable that requires to be grounded, make sure that the ground wire is connected to the silver
ground terminal on top of the input panel.
10. Balanced XL R Outputs: Use these balanced XLR outputs to connect the main output of the mixer
to an XLR equipped amplifier or input device.
11. Master Gain Reduction: An additional gain control is provided on the rear panel to limit the
maximum output level of the Master XLR output to prevent amplifier/speaker damage.
3
Top Panel Overview
1. Microphone Channel: Controls for the front panel mic input.
2. Channel Section (CH1, CH2, CH3, CH4): Controls tone, level, and assignment of each of the 4
main mixer channels.
3. Meter/Crossfader Section: Video and audio crossfaders for transitioning from one source to
another.
4. Output Section: Adjustments for the main outputs, booth outputs and headphone outputs.
5. Auto Fade: Turns auto fade mode on and off to allow for smooth transitions from one source to
another.
6. Video A & B Bus Controls: Assigns a video source to the A bus (left side) or B bus (right side) of
the mixer, allowing you to use the effect buttons and special transitions.
7. Key/Wipe Controls: Controls fades, wipes and picture in picture settings.
8. Joystick Control & Color Button: The Joystick is used to control the screen position of the PIP
and video wipes. The color button is used to select the desired color for background effects and
chroma key mode.
Audio Section
Microphone Channel
DJ Mic: Connect your 1/4" or XLR microphone here.
Treble: Adjusts the high frequency sounds of the DJ mic from -10dB to +10dB.
Bass: Adjusts the low frequency tone of the DJ mic from -10dB to +10dB.
Mic Gain: Adjusts the volume of the microphone connected to the DJ MIC input.
When not using the microphone, keep this knob at its lowest setting.
4
Channel Section
Trim: Adjusts the level of the input signal for that channel.
Treble: Adjusts the high frequency of the audio signal from -30dB to +10dB.
Middle: Adjusts the mid frequency of the audio signal from -30dB to +10dB.
Bass: Adjusts the low frequency of the audio signal from -30dB to +10dB.
CF X / OFF / CF Y (Crossfader Assign): Assigns that particular channel to
either the left (X) or right (Y) side of the audio crossfader. If you do not want to
assign that channel to the audio crossfader, set this switch to the OFF position.
Input Select Switch: Use these switches to select which set of rear panel inputs
you want to use for that particular channel.
PFL: Assigns the channel to the cue circuit for previewing in headphones.
Channel Fader: Use the channel fader to adjust the volume of that particular
channel.
Crossfader Section
Output Section
Master Level Meter: Displays the master audio output level.
CF Slope Video: Adjusts how quickly the video fader will fade from one side to
the other.
Fader Link: Allows you to link the audio and video crossfaders together, allowing
you to move one fader to control both the audio and video signals.
CF Slope Audio: Adjusts how quickly the audio fader will fade from one side to
the other.
Video Crossfader: Fades the video signal from the "A" bus to the "B" bus (see #6
on the Top Panel Overview on page 4) and back. If the Auto Fade option is
engaged, this fader adjusts the speed of the auto fade.
Audio Crossfader: Fades the audio signal from one channel to the other. Assign
a channel to either the "X" or "Y" side of the crossfader by using the crossfader
assign switches available on each of the 4 input channels.
Master Output: Adjusts the master output level of the mixer.
Booth Output: Adjusts the output level of the back panel booth outputs.
Mix: Controls the mix of audio you hear through the headphones. Turn the knob
towards CUE to hear more of the cue circuit (channels with the PFL button
engaged). Turn the knob towards MST to hear more of the signal that is going to
the mixer's master outputs.
Auto Fade
A.F. ON: Turns auto fade mode on and off. Auto fade allows you to smoothly
transition from one video source to another. When auto fade mode is active, use
the video crossfader to adjust the speed of the auto fade transition.
START: If Auto Fade mode is active, pressing START will begin the transition from
one source to another.
5
Video Section
Each Bus (A and B) has its own source select and effects section. These are labeled #6 on the Top Panel
Overview.
Video Source Controls
Video 1-4: Assigns a particular rear panel video input to the A or B bus depending
on which set of buttons you're using.
Background: Pressing this button will set that bus source to a solid background
color. To choose the background color, press the COLOR button located below the
joystick.
Video Effects Section
Note: The video effects do not appear on the Monitor Outputs but do appear on the Master Output.
F/X A & F/X B: Enables or disables effects mode for that particular video bus.
You can pre-select multiple desired effects while this button is off, and then turn
the button on to engage all of the effects at once.
Video Effect Buttons:
Strobe: Creates a “stop action” effect. There are three speeds available.
Still: Freezes the image on the selected Bus.
Paint: Merges shades of colors and forms an abstract picture (sometimes
Invert: Creates a negative of the image.
Mosaic: Breaks up the image into patterns of shaded colors to form an
To use the video effects:
1. Select one or more effects to turn on.
2. Strobe, Paint and Mosaic have three separate effect levels. Press the
3. Press the F/X A or F/X B buttons to turn on or turn off all of the effects
4. When an effect is active its button will illuminate.
called “posterization”). There are three levels of intensity
available.
abstract picture. There are three sizes of mosaic squares available.
button repeatedly to cycle through the different effect levels.
for that particular bus.
Mode Buttons
Wipe Button: There are two types of wipes
toggled by pressing this button. The first
provides a hard edge at the wipe boundary,
and the second provides a softer edge at the
wipe boundary. Use different settings in the
Function section to set the type of Wipe.
PIP (Picture in Picture) Button: While in
this mode, the image from Bus B is displayed
over Bus A in a smaller window. Use different
settings in the Function section to adjust the
PIP style. The position of the smaller picture
on the screen can be controlled by the
Joystick.
Key Button: This is used to activate the Luma
Key and Blue Key functions during video
mixing as described in “Function Buttons”
below.
Mix Button: This selects a smooth fade
between the video sources selected in Bus A
and Bus B.
6
Function Buttons
The Function Buttons apply different effects and settings depending on which Mode button you have
selected. To learn quickly, start with one Mode at a time and learn all the different Function selections
that can be used with it. Then, go to the next mode.
Settings are saved while changing from one Mode/Fade Type to another. When the power is shut off, the
unit reverts back to the default factory settings.
Wipe Functions: There are six different Wipe
styles. Each one has four sub-functions to
cycle through by pressing the button multiple
times. While using the center Wipe Function
(lower left corner of the seven Function
controls) the Joystick can be used to position
the object on the screen. The Multi Screen
feature (see below) can also be used with the
Wipe Function.
PIP Functions: There are six different PIP
styles. The top three have a border with the
color selected by the Background Select
button. The bottom three are borderless. The
PIP screen can be positioned by the Joystick.
The Multi Screen feature (see below) can be
used with the PIP Function.
Multi-Screen Functions: The Multi-Screen
Function can only be used in Wipe or PIP
mode. Multi-Screen will divide the effect
screen into 1, 4, or 16 equal and separate
parts depending on how many times the
button is pressed.
Joystick Control & Color Button
Changing Video Settings (NTSC, PAL, SECAM)
In order to change video settings to conform to different formats, these button combinations may be
used:
NTSC Color + F/X B
PAL Color + Still (B-bus)
PAL N Color + Strobe (B-bus)
Secam Color + Mosaic (B-bus)
PAL M Color + Paint (B-bus)
NTSC 4.43 Color + Invert (B-bus)
The Joystick is used to control the screen position of the PIP and center Wipes. You can
create some interesting effects by selecting the same source for both busses, selecting
center Wipe and mixing halfway, and selecting and effect on one Bus. The Joystick will
allow you to move the effect around on the screen.
The color button is used to select the desired color for use with background effects.
Key Functions: While in Key mode, there are
four active Function buttons. The Luma Key
and Blue Key buttons set the mode. The
Source A and Source B buttons select the
desired source for the effect.
• Key A Button: Sets the Primary
Source to Bus A.
• Key B Button: Sets the Primary
Source to Bus B.
• Blue Key Button: This replaces
blue (Pantone 293) areas of the
screen with a secondary image,
at a level controlled by the Video
Crossfader. It is typically used in
news broadcasts for superimposing a weather map behind
the weatherman. Press the Blue
Key button repeatedly to toggle
between the available blue key
modes.
• Luma Key Button: This mode is
similar to the Blue Key except
that it will first replace black and
then progress to replace lighter
shades based on the position of
the Video Crossfader. Press the
Luma Key button repeatedly to
toggle between the two available
luma key modes.
7
Specifications
Audio
Inputs
Line 10Kohm input impedance
Mic 600ohm input impedance unbalanced
Phono 47Kohm input impedance
Outputs
Line
Headphone 0.5W into 47 ohm
Distortion Less than 0.01%
Signal to Noise Ratio (maximum output) JIS-A weighted
Line Better than 90.dB
Mic Better than 88dB
Phono Better than 83dB
Frequency Response
Line 20Hz-20KHz ±0.5dB
Mic 20Hz-15KHz ±0.5dB
Phono ±1dB except for controlled attenuation of –3dB@20Hz to reduce
EQ
Channel EQ
Bass +12/-32dB @60Hz
Mid +12/-32dB @1.2KHz
Treble +10/-20dB @15KHz
DJ Mic EQ
Bass ±10dB @100Hz
Treble ±10dB @15KHz
Video
Composite Video Input (4) 1.0 Vp-p 75Ω NTSC (PAL/SECAM) composite signal
Pin-Jack Y/C Video input (4) Y signal: 1.0 Vp-p 75Ω, Mini Din 4-pin connector
Composite Monitor output (4) 1.0 Vp-p 75Ω NTSC composite signal
Pin-Jack Composite Monitor
output (2):
Pin-Jacks Y/C Video output (2) Y signal: 1.0 Vp-p 75Ω
Signal to Noise Ratio (Video) 48dB (composite), 50dB (Y/C)
Dimensions
LxWxH 482.6 x 228 x 105mm
Weight 5Kgs
80mV rms sensitivity for 0dBm output
1.7mV rms sensitivity for 0dBm output
300mV rms max input
1.0mV rms sensitivity @1KHz for 1.22V output
7V rms max
rumble and feedback
C signal: 0.3 Vp-p 75Ω, Mini Din 4-pin connector
1.0 Vp-p 75Ω NTSC (PAL/SECAM) composite signal
C signal: 0.3 Vp-p 75Ω
8
Manual de inicio rápido del usuario
(
Español)
Diagrama de conexión rápida
9
Guía de instalación rápida
11. Asegúrese que todos los artículos incluidos al inicio de este manual estén incluidos en la caja.
12. LEA EL FOLLETO DE INSTRUCCIONES DE SEGURIDAD ANTES DE UTILIZAR EL PRODUCTO.
13. Estudie este diagrama de instalación.
14. Coloque el mezclador en una posición adecuada para su funcionamiento.
15. Asegúrese que todos los dispositivos estén apagados y que todos los faders estén en el
ajuste más bajo.
16. Conecte todas las fuentes de entrada como se indica en el diagrama.
17. Conecte las salidas al/los amplificador(es) de alimentación, monitores y/o proyectores.
18. Enchufe el mezclador y otros dispositivos a la alimentación de corriente alterna.
19. Encienda todo en el siguiente orden:
• Fuentes de entrada de audio (reproductores de CD) y de video (reproductores de DVD,
cámaras, etc.)
• El mezclador
• Por último, los amplificadores, televisores, monitores, proyectores, etc.
20. Al apagar, realice siempre esta operación en sentido inverso apagando en el orden siguiente:
• Los amplificadores, televisores, monitores, proyectores, etc.
• El mezclador.
• Por último, todas las fuentes de entrada de audio y video.
11. Visite www.numark.com para registrar el producto.
Vista del panel posterior
12. Potencia: Enchufe aquí un cable de alimentación IEC estándar. Use este interruptor para encender
y apagar la unidad.
13. Salidas de mo nitor de video 1-4: Son salidas previas a la mezcla y los efectos para monitorear
las fuentes de video. Conéctelas a los monitores de video si lo desea.
14. Entradas de video: Entradas de video compuesto y S-video. Conéctelas a las fuentes de video
(DVD, VCR, cámara, etc.). Si su fuente de video tiene una salida de S-video, use el conector de Svideo, de lo contrario use la conexión RCA para video compuesto.
15. Salida de video mezclado: Disponibles en la configuración de RCA compuesto y S-video, son las
salidas de video principales que contienen la señal de video posterior a la mezcla y a los efectos.
Normalmente, se conectaría al sistema de proyección o a la pantalla de video principal.
16. Salida de audio mezclado: Son las salidas principales de audio del mezclador y contienen la señal
de audio posterior a la mezcla. Consisten en dos juegos de salida: la salida BOOTH (Cabina) para
monitoreo del audio en la cabina del DJ y la salida MASTER (Maestra) que se debe conectar al
sistema amplificador principal para altavoces.
17. Entradas del canal 4: Son 2 juegos de entradas para el canal 4, un juego de entradas dedicadas
de nivel de línea y un conjunto de entradas que son conmutables de nivel de línea a nivel
fonográfico. Para usar un giradiscos de nivel fonográfico con el AVM02, debe conectarlo a las
entradas PHONO y asegurarse de que el conmutador se coloque en la posición PHONO. Si usa un
giradiscos que requiere conexión a tierra, asegúrese de que el cable de tierra se conecte al terminal
plateado de la parte superior del panel de entradas.
18. Entradas del canal 3: El canal 3 tiene dos juegos de entradas de nivel de línea. Estas entradas,
marcadas LINE y DVD, se corresponden con el conmutador LINE/DVD ubicado arriba del fader del
canal 3 (CH3) del panel frontal del mezclador.
19. Entradas del canal 2: El canal 2 tiene dos juegos de entradas de nivel de línea. Estas entradas,
marcadas LINE y DVD, se corresponden con el conmutador LINE/DVD ubicado arriba del fader del
canal 2 (CH2) del panel frontal del mezclador.
20. Entradas del canal 1: El canal 1 tiene una entrada de micrófono dedicada como también una
entrada de nivel de línea / fonográfico conmutable. Use el conmutador ubicado arriba del fader del
canal 1 para elegir entre Line/Phono (Nivel de línea/fonográfico) o Mic (Micrófono). Si usa un
giradiscos que requiere conexión a tierra, asegúrese de que el cable de tierra se conecte al terminal
plateado de la parte superior del panel de entradas.
21. Salidas XLR balan ceadas: Use estas salidas XLR balanceadas para conectar la salida principal del
mezclador a un amplificador o dispositivo de entrada equipado con XLR.
22. Reducción de la ganancia maestra: Hay un control de ganancia adicional en el panel posterior
para limitar el nivel de salida máxima de la salida del XLR Master para prevenir daños al
amplificador/parlantes.
10
Vista del panel superior
9. Canal de micrófono: Controla la entrada de micrófono del panel frontal.
10. Sección de canales (CH1, CH2, CH3 y CH4): Controla tono, nivel y asignación de cada uno de
las 4 canales principales del mezclador.
11. Sección de medidor/crossfader: Crossfaders de video y audio para realizar la transición de una
fuente a otra.
12. Sección de salida: Ajustes de las salidas principales, de cabina y de auriculares.
13. Auto Fade: Activa y desactiva el modo de fundido automático para realizar transiciones suaves de
una fuente a otra.
14. Controles de bus A y B de video: Asigna una fuente de video al bus A (lado izquierdo) o al bus B
(lado derecho) del mezclador, permitiéndole usar los botones de efecto y las transiciones especiales.
15. Controles de tonalidad/wipe: Controla las fusiones, los wipes y los ajustes de imagen en
imagen.
16. Control de palanca de mando y botón de color: La palanca de mando (joystick) se usa para
controlar la posición en la pantalla de la PIP y los wipes de video. El botón de color se usa para
seleccionar el color deseado para los efectos de fondo y el modo de tonalidad cromática.
11
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