Moog MultiMoog User Manual

Mutefmoog

Multimoog

Muitimoog

Multimoog

OPERATION

MANUAL

by

Tom

Rhea

introduction

The

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for

performers

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second.

has a frequency

therefore between

is

a

OSCILLATOR

Multimoog

and

oscillator

electrical

pitched

relationship

(OSCILLATOR

sound

might

the

GUIDED

exercise;

their

expressed

The

not

perfect,

higher

The

B,

with

sounds.

it

creates:

follow

frequency

in

"Hertz"

symphony

A=440

frequency

a

higher

pitch.

primary

are

two

associated

generates

patterns

The

between

B

are

presented

skim

through

TOUR

"by

the

first

thoroughly.

numbered

becomes

(abbreviated

orchestra

of

440

Hz.

Although

and

what

frequency

SECTION

sources

voltage

MASTER

periodic—regularly

that

the

speaker

following

the

frequency

in

this

case),

greater.

tunes

Hz;

standard

the

we

perceive

is

generally

of

pitched

controlled

A&B

exercise

and

Frequency

Hz),

or

cycles

per

to

an

"A"

that

tuning

correspondence

as

"pitch"

heard

sound

on

the

oscillators,

controls.

repeating—

can

translate

illustrates

of

an

the

pitch

Each

into

the

oscillator

of

the

is

as

A

28

EXERCISE

oo

4J

k

XJ

OOi

wrvo—o

1.

Hold

the

lowest

frequency

heard

2.

Slowly

MASTER

you

increase

pitch

of

not

as a pitch,

rotate

A&B

of

the

1:

OSCILLATOR

touch

key

on

the

keyboard

the

oscillator

the

WIDE

section

the

frequency

sound

becomes

is

but a series

FREQ

clockwise

OBCIUUkTOB

down.

so

low

the

sound

of

clicks.

control

toward

of

the

oscillator,

higher.

of

"O."

FREQUENCY/PITCH

mu«

unuai

»ILT«P

I

RELATIONSHIP

P\

cwraa*

IMCUKl

«au««

Q0

The

is

the

As

the

3.

Return

play

hearing

4.

Select

5.

Tune

control

of a piano

the

up

the

on

WIDE

FREQ

control

keyboard.

sound

8'OCTAVE

Multimoog

the

rear

or

organ

Where

as

a

note

with

position.

using

panel

to

match

(or

another

muowtucowToup

35-

shim

to

"-5."

do

you

definite

the

thepitch

tuning

waaA

"gg.

susua

Slowly

first

start

pitch?

FINE

TUNE

level

source).

6.

Hold

the

lowest

7.

Step

the

OCTAVE

positions

each

control

selector

8.

Return

Notice

WIDE

original

9.

Hold

10.

Move

toward

wise

OSCILLATOR B may

two

indicated

11.

Return

position.

and

rotate

position.

is

operable

is

in

the

OCTAVE

that

the

FREQ

control

tuning.

down a key

the

DOUBLING

the

"+5"

toward

octaves

"-5."

lower

by

panel

the

DOUBLING

key

on

the

keyboard.

selector

the

Notice

only

rightmost

selector

intervening

did

in

the

position;

Note

be

than

graphics.

through

WIDE

FREQ

that

the

WIDE FREQ

when

position.

not

middle

control

that

the

doubled

the

control

the

to

the

8'

movements

interfere

of

the

slowly

then

counterclock

pitch

sounded

either

primary

to

original

control

keyboard.

12.

all

of

its

for

OCTAVE

position.

of

the

with

the

clockwise

by

one

or

pitch,

as

"0"

13.

14.

15.

16.

17.

18.

Rotate

hear

Rotate

to

OSCILLATOR A relative

different

Play

FREQ

oscillators.

Rotate

OSCILLATOR B only.

the

Rotate

widely.

OSCILLATOR B or

Move

(Tunes

Turn

OSCILLATOR

(Tunes

the

MIX

control

both

oscillators.

the

INTERVAL

UNISON.

with

controls

the

DOUBLING

the

OSCILLATOR

MIX

OSCILLATOR A also.)

The

intervallic

the

MASTER

to

confirm

Return

MIX

control

control.

INTERVAL

(Has

no

FINE

TUNE

fully

counterclockwise

A.

to

control

INTERVAL

to

OSCILLATOR

tunings.

A&B OCTAVE

that

OCTAVE

fully

Introduce

control

effect

its

Move

on

doubling.)

control

B.)

FINE

the

of

they

to

8'.

clockwise

on

A=B

position

OSCILLATOR

control

and

control

doubling

OSC!

LLATOR

the

tuning

the

rear

to

TUNE

to

A

tunes

B.

Try

WIDE

both

to

hear

using

A

of

panel.

listen

to

control.

iwcu

mm

TmJS&mg

LLJJ

MM

oscillators on

OSCILLATOR

only

octave

borrowed

lengths,

keyboard

of

tuning octaves.

be

UUQQQPQIPPQPpQpO

The

controls

are

OCTAVE,

the

rear

panel.

A

to

OSCILLATOR

The

OCTAVE

increments

pipe

hence

is

footage reference.

OCTAVE

used

activates

The

WIDE

continuously

When

to

transpose,

that

INTERVAL

independently.

selector

from

organ

"foot.")

the

FREQ

activated,

or

'

QQQPO

affect

WIDE

B.

32

terminology

The

WIDE

controls

over

the

make

the

pitch

FREQ,

and

FINE

controls

the

DOUBLING

moves

to

2/

both

oscillators

(the

sign

indicating

"C"

in

the

midctle

The

rightmost

FREQ

provides

position

control.

a

means

approximately

WIDE

FREQ

control

the

oscillators

sound

(END

of

EXERCISE)

**^iww j V

both

TUNE

pitch

of

relates

in

(')

is

pipe

of

the

of

eight

may

in

W>OI»K / L

one

key

keyboard.

good

analogy.

fingerboard,

the

pitch

practice

tune

WIDE

OCTAVE

overall

The

overall

oscillators,

For

instance,

Fifth,

they

or

down

niTgn

must

while

The

—OUT

osaum

mm

n^rrrn

you

use

of a capo

(CAPO: A movable

especially

of

all

the

to

avoid

using

FREQ

transpositions,

settings

tuning

FINE

fine

regardless

willstay

by

will

of

the

instrument.

TUNE

tuning

control.

of

if

the

oscillators

in

that

the

FINE

TUNE

vcLTsa

contour . uouowtai

wo

ruawoc

nzi

CQ

play

in

another

with

an

acoustic

bar

attached

of a guitar

strings.)

the

FINE

be

affected,

control

their

interval,

to

uniformly

Generally,

TUNE

control

because

and

on

the

rear

That

is,

it

intervallic

are

tuned

but

will

control.

coNreun

rrn

key

on

the

guitar

is

a

to

the

raise

it's

good

to

help

the

other

hence

panel

tunes

the

is

the

both

relationship.

to a Perfect

be

tuned

up

29