Marshall Amplification plc Denbigh Road, Bletchley, Milton Keynes MK1 1DQ Official Marshall website: www.marshallamps.com
CATS-00131 |
Whilst the information contained herein is correct at the time of publication, due to our policy of constant improvement and development, |
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Marshall Amplification plc reserve the right to alter specifications without prior notice. |
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from
Jim Marshall
As we see out the product of one year and welcome in the next, we are proud to introduce our Product Catalogue for 2008.
This last year has been amazing, the launch of the JVM4 Series has been widely accepted as the benchmark for others to follow and it has won a number of awards including ‘Best Amplifier 2007’ by the Music Industries Association, a very prestigious accolade. We would like to take this opportunity to thank all the musicians and music retailers that voted in favour of the JVM.
A great addition to the Signature Series in 2007 saw the introduction of the 2203KK, a beast of an amplifier that is proving extremely popular not only with Kerry King, who has been using it for sometime, but also with many other guitarists looking for that aggressive tone that only the KK can deliver. With these successes in mind, it again demonstrates the dedication, the talent and the commitment of our Research and Development team who continue to design award-winning amplifiers that guitarists of all abilities can enjoy playing.
So it is with a great deal of pride that we are able to share with you our new products for this year’s catalogue. The JVM2 Series has been added to the existing, award-winning JVM4 range, the design engineer having included a selection of channels and produced a two channel version that epitomises the tones and versatility of the JVM4, tones ranging from a sweet clean to a punching high gain and all points in between. Of course, we kept the same features as the JVM4, such as the memory footswitch and the MIDI control, to produce an amplifier worthy of joining this award-winning range.
We also set our Signature Series designer the task of researching two new additions to this very exclusive range, asking him to honour two artists that we have had the great pleasure of being associated with. The first is the 1959RR, based on the very amp that the late, great, Randy Rhoads collected from our factory back in 1980.
We are confident that this will appeal to many guitarists, not just as a great amplifier, but also, for many, it will be like owning a piece of history.
The second new Signature amplifier is in honour of a great friend of ours, Lemmy Kilmister. I first met Lemmy in 1968 and have followed his career from the beginning, before his time with Hawkwind through to the worldwide success of his band Motorhead. He is not just an amazing guitarist and frontman, he is also a good friend, so it is with a great deal of pride that we introduce a Signature bass head this year, the 1992LEM.
I am confident that whatever your ability, whatever your genre, you will be able to find an amplifier in the Marshall Product Catalogue that will give you the tone and the sound you are searching for.
I wish you every success.
Dr Jim Marshall OBE
Picture: Dr Jim Marshall OBE and daughter Victoria (Managing Director)
1962 |
1966 |
1975 |
JTM45 |
Model 1959 |
Master Volume |
The History...
The Jim Marshall Story
With virtually no formal education behind him due to childhood illness, Jim Marshall began work at the age of 13 in 1936. During a succession of jobs with little or no prospects, Jim had started tap dancing and later singing with bands in the evenings. His natural talent for music further shone after he took over on the drums when the band’s original drummer was drafted.
It wasn’t long before Jim found himself with regular work as a drummer. In 1947 he began studying with the highly respected drum teacher Max Abrams and by the early 1950s Jim had turned professional. He became highly sought after as a drummer, led his own band and was a highly successful drum teacher.
Jim’s success continued and by 1960 he had opened the first Marshall shop, initially selling drums. However, due to popular demand he was soon stocking guitars and amplifiers. By listening to the guitarists coming into the shop, Jim realised that they required a sound that wasn’t on the market at that time. With the aid of several engineers in 1962, after months of trials, the first Marshall amp was born and was an instant success. Jim designed and built the matching speaker cabinet and the rest, as they say, is history.
In the Beginning...
There was the JTM45 which was first unveiled in 1962 at Jim Marshall’s music shop in West London. At that time, rock guitar playing as we now know it was very much in its infancy and players were constantly looking for new ways to redefine their tone. It quickly became clear that the JTM45 was the perfect amplifier for the task at hand! While it was capable of providing plenty of ‘clean’ power, the JTM45 also did all kinds of wild things when turned up all the way. This was just what legendary rock ‘n’ roll pioneers like
Pete Townshend were looking for.
By 1965 it was Pete Townshend’s need for greater on-stage volume which inspired Jim to build the first ever 100 Watt Marshall guitar head. The Who’s guitarist also wanted bigger cabinets and, as a single 8x12" cabinet (Pete’s original request!) proved to be totally impractical, Jim came up with the idea of ‘stacking’ two 4x12"s, one on top of the other. And that’s how that irrefutable icon of rock amplification, the ‘Marshall Stack,’ came into being.
The fact that so many legendary guitarists from that all-important era of the late ’60s/early ’70s, chose Marshall as their backline was no accident. These players all had their own distinctive style and each one was complemented perfectly by the dynamics and feel that the Marshall 1959 Super Lead ‘Plexi’ amplifiers offered. This was personified by the late, great, Jimi Hendrix who created sounds through these Marshall amps which had never been heard before and arguably, have never been matched since.
The Next Stage
As rock guitar playing evolved, Marshall continued to successfully create new amplifiers that offered exactly what players were looking for. In 1975, the first Master Volume (MV) amps provided a higher level of distortion than ever before and also did so at a much more controllable volume. This breakthrough was exactly what many guitarists of that era were looking for.
By the time the ’80s rolled along, the MV species had evolved into the JCM800 Series. The unmistakable roar of these amps, which shaped the tone of that decade, is still favoured by many of today’s cutting-edge guitarists such as Kerry King of Slayer and Zakk Wylde. The JCM800 family also featured more flexible models with switchable channels and built-in reverb.
As increased gain became the order of the day, Marshall launched its Jubilee amplifiers in 1987. This no-nonsense, superb sounding
1992 |
1997 |
2000 |
30th Anniversary (6100) |
JCM2000 (DSL100) |
VS2000 (AVT50H) |
1981 |
1987 |
1990 |
JCM800 (2203) |
Jubilee Series (2555) |
JCM900 (4100) |
amp became the firm favourite of Slash of Guns ‘n’ Roses fame and was later re-issued in 1996 as the limited edition Slash Signature amp. As the ’80s gave way to the ’90s, players demanded even greater flexibility and gain levels from their amps. Marshall, of course, responded in a timely fashion with the JCM900 Series, the 30th Anniversary amps, the best-selling Valvestate line and the ‘industry standard’ JMP-1 MIDI pre-amp. These products delivered exactly what players needed and took centre stage for much of that decade.
Right Here, Right Now...
Recognising that today’s guitarist demands a high level of versatility while still craving Marshall’s now legendary, valve-driven tone, we launched the JCM2000 Series in the late ’90s. This strong line of all-valve heads and combos offers both the tone and flexibility that players such as Jeff Beck and Gary Moore demand . . . and countless others too.
We also took hybrid amp technology to new heights with the release of the AVT (Advanced Valvestate Technology) line of amps, which successfully blend our valve expertise with digital effects and cutting-edge solid-state power amp circuitry that emulates the sound and feel of a valve power stage. The result? A flexible and affordable alternative to all-valve amps which opened the Marshall door to the next generation of guitar greats.
Fully understanding that guitar players on a budget, or that are just starting out, deserve the best possible tone and features at an affordable price, we launched our new MG Series. This award-winning range of nine combos and a head redefined what players can expect from inexpensive amplification.
Continuing our policy of listening to the needs of today’s guitar players has led to the creation of the Mode Four. Attitude, striking
looks and above all incredible power set the Mode Four and its matching cabinets apart. Combine this with an arsenal of great tone and features, delivered through state-of-the-art technology and you have a Marshall like no other that has already won awards and a host of converts.
Due to overwhelming public demand, in 2004 we launched the first two models in our brand new Handwired range, the 1974X and 2061X. This was followed by the much-anticipated 1959HW in 2005 and the limited run of JTM45/100 heads made to celebrate the 40th Anniversary of the now iconic Marshall stack. The Handwired range is an ongoing series of meticulously accurate, handwired re-issues of classic Marshalls from yesteryear, including the Super 100JH Jimi Hendrix stack. Reviewers and users alike are unanimous in their acclaim of our point-to-point perfection. 2007 saw the introduction of the award-winning JVM4 range and the 2203KK Signature Series Kerry King head.
New for 2008
2008 is just as exciting with the launch of the JVM2, a two channel amplifier very much in the same vein as the JVM4 and complete with a 4-way programmable footswitch, this range is destined to be as successful as the JVM4.
This year also sees two new additions to our Signature Series with the launch of the 1959RR, in honour of the late, great, Randy Rhoads, a stunning 100 Watt head that delivers a slightly different tone than the standard 1959 – a must for any Randy Rhoads fan. Last, but certainly not least, is the very first Signature bass head, the 1992LEM, in honour of our good and loyal friend Lemmy from Motorhead, a monster of an amplifier that epitomises Lemmy’s iconic style.
The Story Continues...
2006 |
2007 |
2008 |
Vintage Modern |
JVM4 Series |
JVM2 Series |
2 |
3 |
ROLLof HONOUR
Slash
“I’ve said it before, and I’ll say it again: I won’t even consider trying anything else – something that consistent you just don’t f**k with.”
Jeff Beck
“The Marshall sound is the balls. It’s the big daddy and it has that growl that no other amp has.”
KK Downing
(Judas Priest)
“Millions of musicians all around the world use them, they can’t all be wrong can they!”
Angus Young
(AC/DC)
“I’ve experimented with different makes of amp but came to the conclusion that the Marshall 100Watt stack was the best rock amp.”
Zakk Wylde
(BLS, Ozzy Osbourne)
“What does a Marshall sound like? Strength, warmth, commitment, beauty and destruction . . . all wrapped up in a giant f**kin’wrecking ball!”
Matt Bellamy
(Muse)
“We use Marshall because when we jump on them they still work, and they sound good . . . real good!”
Dave Murray
(Iron Maiden)
“What’s my secret weapon?Well, aside from sheer volume (laughs), I’d have to say my Marshalls, because they’re really great for what I do.”
Lemmy
(Motorhead)
“Old Marshalls never die – they just blow your f**king head off!”
Yngwie Malmsteen
“I plugged into a Marshall 25 years ago and from my first crunchy riffs to my latest screaming leads, my Marshalls were always right behind me, lot’s of them!There will always be imitations, but in the end there can only be one, the only one, Marshall!”
Janick Gers
(Iron Maiden)
“They are simply the best, most solid sounding, dependable and toughest touring amps in the world!”
Dave Mustaine
(Megadeth)
“When my tone sounds and feels right, something happens that makes me feel alive.That’s why I use Marshalls.”
Steph Carpenter
(Deftones)
“I’ve been playing guitar for 19 years and have used Marshalls the whole time . . .
there’s no reason for any other amp.”
Paul Weller
“I can make my Marshall go from a screaming loud tone to a beautiful clean, warm, bassy sound with a mere flick of a pick-up switch.”
Eric Johnson
“Even when I experimented with other heads, I still ran them through Marshall 4x12”s. Marshall amps have become an integral part of my tone.”
Mick Box
(Uriah Heep)
“Plug in and enter the world of vintage heaven, just how it should be. It just makes you want to play, and you can’t say any better than that.”
Peter Frampton
“Bought my first 100Watt Marshall stack in the ’60s and I have never found anything that comes close. Marshall is my sound. From The Herd, through Humble Pie to this day. I’m a Marshall lifer!”
Ace Frehley
“Marshall’s the best rock‘n’roll amp in the business. Nobody has topped them since they were first made in ’62.”
Kerry King
(Slayer)
“To me, Jim Marshall is the ultimate rock star because he made all of us better! It’s an incredibly unique honour to have my signature on an amp right next to his.
Plus, it’s just f**kin’cool and flattering that Jim thinks enough of me to roll with my own head.”
Photos: Chad Lee: Slash. Dave Maud: Angus Young. Bob Thacker: Janick Gers, Dave Murray, Lemmy. Mickey Rose: Paul Weller. Denis O’Regan: Peter Frampton. Al Pulford: Zakk Wylde, Steph Carpenter. Gene Kirkland: Dave Mustaine. Chris Gill: Ace Frehley. Mickey Rose: Matt Bellamy. Rob Wyatt: Kerry King.
4 |
Marshall Amplification Product Catalogue |
Marshall Amplification Product Catalogue |
5 |
JVM2 Series Amplifiers
JVM210H Head • JVM205H Head • JVM205C Combo • JVM210C Combo • JVM215C Combo
Joe Hoare
(Orange Goblin)
“Just when I thought I’d never find my ultimate sound, I found the Marshall JVM Series.”
Introducing the JVM2, the latest range of all-valve amplifiers from the award-winning JVM Series. Designed to complement the versatility, tone and power of the JVM410H and JVM410C, these new additions broaden the range without compromising the flexibility and sonic spectrum that has made its bigger brothers a universal success story. From the inception of the JVM Series, its goal has been to provide the modern guitarist with “an amp for all seasons”, delivering crystal clean notes through heavy crunch and on to the brutal gain expected of a Marshall, and all from one amp! When it comes to the two channel versions we find all the qualities and grandiose of the JVM4 focussed and streamlined into one incredible piece of professional kit.
Along with two new 100 Watt amplifiers in the shape of the JVM210H head unit and the JVM210C combo, the series now serves the guitarists who prefer the sound and colour delivered by 50 Watts of power. The JVM205H, JVM205C and the JVM215C bolster the range with a 50 Watt head plus double and single speaker combos respectively. The result is the most comprehensive range of amplifiers in Marshall's illustrious
46 year history.
AMPLIFIER SPECIFICATION
Equipped with the same groundbreaking technology as found in the JVM4 channel, the JVM2 Series comes loaded with an impressive array of features. Contained within the amp is a studio quality Reverb specifically developed for the JVM, two Effects Loops to further enhance your sound and separate presence/resonance controls to shape the tone of your playing. All this, not to mention the dual Master Volume controls, MIDI switching and the unique patent-pending technology found in the JVM2's 4-way footswitch, is where the JVM comes into it’s own. This fully programmable unit not only connects via a standard guitar lead, it also allows single front panel switching or whole amplifier configurations to be stored in its memory. Essentially, this enables the guitarist to either call upon individual features such as Channel/Mode, Reverb and
Effects Loop as and when needed or recall a collection of JVM front panel options at the stomp of the foot. The multi-coloured LED’s housed in the footswitch indicate the status of each channel and mode, a real godsend whether rehearsing in the bedroom or rocking out to the masses on a dimly lit stage.
Every JVM2 is produced at the Marshall factory in England using tried and tested construction techniques coupled with the latest technology. Every amplifier chassis and combo speaker is loaded into strong, durable cabinets made from the finest raw materials and finished to the highest standard. Both the JVM210C and JVM205C combo are fitted with a combination of Celestion Heritage and Vintage speakers to achieve an amazing depth of tone. The JVM215C comes with a 12” Celestion G12B speaker that delivers exactly what the amp, and you, expect from it.
FEATURES |
JVM210H |
JVM205H |
JVM210C |
JVM205C |
JVM215C |
Head |
|
|
No |
No |
No |
Combo |
No |
No |
|
|
|
|
|
|
|
|
|
Output (RMS) |
100 Watt |
50 Watt |
100 Watt |
50 Watt |
50 Watt |
Speakers |
No |
No |
1 x Vintage, 1 x Heritage |
1 x Vintage, 1 x Heritage |
1 x G12B |
Pre-amp Valves |
4 x ECC83 |
4 x ECC83 |
4 x ECC83 |
4 x ECC83 |
4 x ECC83 |
|
|
|
|
|
|
Power Amp Valves |
1 x ECC83, 4 x EL34 |
1 x ECC83, 2 x EL34 |
1 x ECC83, 4 x EL34 |
1 x ECC83, 2 x EL34 |
1 x ECC83, 2 x EL34 |
Footswitch (supplied) |
PEDL-00045 |
PEDL-00045 |
PEDL-00045 |
PEDL-00045 |
PEDL-00045 |
|
|
|
|
|
|
Dimensions (mm) |
750 x 310 x 215 |
750 x 310 x 215 |
690 x 510 x 265 |
690 x 510 x 265 |
605 x 510 x 265 |
Weight (kg) |
22 |
17.5 |
34.5 |
29.5 |
26.5 |
6 Marshall Amplification Product Catalogue
From left to right:
JVM205C Combo
JVM210C Combo
JVM205H Head
1960A Cab
JVM210H Head
1960A Cab
1960B Cab
JVM215C Combo
Modes of Tone
The JVM4 channel amplifiers are synonymous with versatility and flexibility thanks to the three modes assigned to each channel, and the JVM2 range is no exception. Both channels – Clean/Crunch and Overdrive – have green, orange and red modes, each one creating a unique, yet complimentary, tone to the previous. This means that a total of six bespoke sounds can be called upon at any one time from the intuitive footswitch. From a bright, clean and honest tone produced from the Clean/Crunch channel in green mode, through to the thunderous, uncompromising distortion unleashed through the red moded Overdrive channel, the sonic scope of the JVM2 is astounding. This truly is the evolution of guitar amplification.
Marshall Amplification Product Catalogue |
7 |
JVM4 Series Amplifiers
JVM410H Head • JVM410C Combo
Jason Hook
(Alice Cooper)
“The JVM is one kick ass amp! Now I have all my favourite Marshall tones in one box!”
From left to right:
JVM410C Combo
JVM410H Head
1960A Cab
JVM410H Head
1960A Cab
1960B Cab
The all-valve, 4 channel, 100 Watt JVM Series:
•5 x ECC83 and 4 x EL34 valves
•Four totally independent channels
•12 footswitchable modes
•Vast tonal versatility
•Insane amounts of gain
•Two footswitchable Master Volumes
•Studio quality, footswitchable digital reverb with controls for each channel
•Two FX Loops, one footswitchable
•Revolutionary 6-way footswitch with memory
•Built-in switch memory for each of its 12 modes
•28 front panel controls and eight switches, yet, is incredibly intuitive to use
•MIDI controllable
•Built in England
Versatile, Revolutionary, Unrivalled
JVM410H Head & JVM410C 2x12” Combo
The JVM Series 100 Watt, valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800 2203 and “Plexi” Super Lead amplifiers – a timeless foundation for countless classic rock and metal guitar tones for over four decades.
Each of the JVM’s four channels: clean, crunch, OD1 & OD2 has three modes – green, orange and red – providing 12 totally unique, yet complimentary amplifier topologies, making it 12 amps in one. As a result, the Series offers an amazing array of instantly switchable tones – from the cleanest clean to the highest gain ever found in a Marshall and all points in-between.
8
The JVM front panel is simple and uncompromising; dedicated Gain, EQ, Volume and Reverb are present for each of the four channels. Add to this a Master section with dual Master Volumes, Resonance and Presence and you have a clear, concise layout that makes the JVM easy and intuitive to use. With seamless switching, perfect memory, and MIDI, onboard logic not only ensures switching is swift and silent, but also remembers the position of each front panel switch in all 12 modes.
Every JVM is made at our Marshall factory in England using time-tested, traditional methods of craftsmanship and construction, combined with the latest advances in modern manufacturing technology, ensuring world class build quality and roadworthiness. Internally, the JVM circuitry and layout has been kept to a minimum, ensuring the integrity of the guitar tone and an incredibly low noise floor – this, coupled with meticulous valve selection and high tolerance along with quality components adds to the all-important reliability factor that is synonymous with the Marshall legend.
The JVM Series also includes the JVM410C 2x12” combo which boasts two different speaker types – Celestion Vintage and a Celestion Heritage – allowing the combo to deliver spacious, rich tones backed-up with a solid low-end thump.
Ultimate Control & Connectivity
Every JVM is supplied with a 6-way, fully programmable footswitch. This revolutionary, UK patent-pending technology allows single front panel switches or entire set-ups (Channel, Mode, Reverb, FX Loop and Master Volume switch settings) to be simply assigned to any foot switch. The footswitch’s group of multi-coloured LEDs reflect every front panel switch status ensuring, in the heat of a performance, that you know exactly where you are with no need to see the amp. To add to it’s already impressive ‘guitarist friendliness,’ the JVM footswitch connects to the amplifier via a standard guitar lead, making it easy to replace with any length you may need. Additionally, the JVM’s MIDI In and Thru connection means it can easily be integrated in a MIDI switching set-up, allowing you to store and recall 128 complete amplifier set-ups. With its built-in memory and switching options, the JVM’s possibilities are endless.
Marshall Amplification Product Catalogue
AMPLIFIER SPECIFICATION
FEATURES |
JVM410H |
JVM410C |
Head |
|
No |
Combo |
No |
|
Output (RMS) |
100 Watt |
100 Watt |
Speakers |
No |
1 x Vintage, 1 x Heritage |
Pre-Amp Valves |
4 x ECC83 |
4 x ECC83 |
Power Amp Valves |
1 x ECC83, 4 x EL34 |
1 x ECC83, 4 x EL34 |
Footswitch (supplied) |
PEDL-00044 |
PEDL-00044 |
Dimensions (mm) |
750 x 310 x 215 |
690 x 510 x 265 |
Weight (kg) |
22 |
34.5 |
Marshall Amplification Product Catalogue |
9 |
Vintage Modern Amplifiers
2466 Head • 2266 Head • 2266C Combo • 425A/425B Cabs
Paul Mahon
(The Answer)
“The most responsive amp I’ve ever played, when you crank up the gain the clarity remains and when the solo boost (Dynamic boost)
kicks in you better run for cover as this beast really cooks!”
Ray Toro
(My Chemical Romance)
“TheVintage Modern is raw,classic tone. Pure and simple.”
From left to right:
2266C Combo
2466 Head
425A Cab
425B Cab
2266 Head
425A Cab
Launched in 2006, the Vintage Modern Series is a range of UK manufactured all-valve amplifiers that caters for the guitarist who likes to primarily control their sound from playing dynamics and their instruments volume and tone controls. These amplifiers have 100% mid ’60s to early ’70s vintage British blues rock tone with the ability to switch to a hot rod mode to find those ‘modded’ sounds of the harder rock bands of that era. The KT66 Power Amp section and power supply are taken from the Super 100 models made from 1966 to 1968, while the pre-amp has been optimised to provide greater flexibility in setting the sound to complement specific instruments and styles and ultimately achieve your own signature tone. Inherently less aggressive in the treble region than the later EL34 loaded amps, but fatter in the low mid and mid region, the sound is instantly recognisable as classic early Marshall power driven tone!
2466, 2266 & 2266C
The 2466 100 Watt head, 2266 50 Watt head and 2266C 50 Watt 2x12” combo are all-valve single channel amplifiers offering a choice of two ‘dynamic ranges’ selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra pre-amp valve into the signal path, facilitating those classic hard rock tones of the Seventies. Add to this, the ability to optimally interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.
Two ‘frequency selective’ Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility of tonal shaping for individual guitars and styles, while the power amplifier is from some of the earliest 100 Watt Marshall amplifiers to be produced, with KT66 output valves yielding that substantial fat and smooth tone, four on the 2466 and two on the
10
2266 & 2266C. A Mid Boost switch on the front panel fattens the tone even more, while a traditional Marshall tone control circuit enables fine tuning of your sound.
A Master Volume has been included in order to practically manage the output levels at all venues. This is implemented after the ‘phase splitter’ in order to fully exploit maximum pre-amp drive when the master is turned down low. A Reverb level control mixes the on-board ‘plate’ reverb with the direct signal to whatever degree the player chooses. The Reverb can be toggled on and off via the footswitch. A series FX Loop is provided for those players who wish to use outboard effects to further enhance their sound. Loop levels of -10dB and +4dB are catered for via a rear panel switch as well as the option to completely bypass this feature if it’s not required. Additionally, the 2266C combo comes fitted with two Celestion G12C 25 Watt Greenback speakers with the facility to use an extension cabinet if required.
425 Cabinets
The 425A and 425B are the traditional 4x12” Marshall designed cabinets that accompany this range. They have exactly the same dimensions as the 1960A/B, but the speakers used in these mono/stereo switchable 100 Watt 4x12”s and in the 2266C combo are the brand new G12C
25 Watt Celestion Greenbacks. These were specifically developed for the Limited Edition Jimi Hendrix Super100JH stack and are voiced to give that rich and balanced harmonic timbre that complements vintage tone and therefore the Vintage Modern Series perfectly.
CABINET SPECIFICATION
FEATURES |
425A |
425B |
Cabinet Type – Angled |
|
No |
Cabinet Type – Base |
No |
|
Speaker Configuration |
4 x 12" |
4 x 12" |
Speaker Type |
G12C (25 Watt) |
G12C (25 Watt) |
Power (RMS) |
100 Watt |
100 Watt |
Impedance: Mono |
16 Ohms/4 Ohms |
16 Ohms/4 Ohms |
Stereo |
8 Ohms/8 Ohms |
8 Ohms/8 Ohms |
Dimensions (mm) |
770 x 755 x 365 |
770 x 755 x 365 |
|
|
|
Weight (kg) |
36 |
37 |
Marshall Amplification Product Catalogue
AMPLIFIER SPECIFICATION
FEATURES |
2466 |
2266 |
2266C |
Head |
|
|
No |
Combo |
No |
No |
|
Output (RMS) |
100 Watt |
50 Watt |
50 Watt |
|
|
|
|
Speakers |
No |
No |
2 x G12C |
Pre-Amp Valves |
4 x ECC83 |
4 x ECC83 |
4 x ECC83 |
|
|
|
|
Power Amp Valves |
4 x KT66 |
2 x KT66 |
2 x KT66 |
Footswitch (supplied) |
PEDL-00041 |
PEDL-00041 |
PEDL-00041 |
Dimensions (mm) |
750 x 310 x 230 |
750 x 310 x 230 |
690 x 570 x 270 |
Weight (kg) |
22.5 |
18 |
30 |
Marshall Amplification Product Catalogue |
11 |
Handwired Amplifiers
1959HW Head • 2061X Head • 1974X Combo • 1960AHW/BHW Cabs • 2061CX Cab • 1974CX Cab
Gary Moore
“Nothing else is like a Marshall,you don’t just hear the sound,you feel it!”
The timeless tone of vintage handwired, all-valve Marshall amplifiers have made them highly desirable to collectors and sonic connoisseurs alike. Due to overwhelming public demand we are proud to introduce meticulous, handwired re-issues of three of our most sought-after amplifiers as the first products in our new Handwired Series – a Series that celebrates the company’s rich tonal heritage and revisits the handcrafted traditions and skills that first launched the Marshall legend.
1959HW Head & 1960AHW/BHW Cabinets
To the minds and ears of many, the mythical 100 Watt “Plexi” heads of the late ’60s are considered the “Holy Grail” of great rock tone. Our handwired 1959HW transports us back in time to that celebrated era and the result is a breathtaking re-issue that’s authentic in every detail – from those world-famous front panel legends to the oversized, custom-built, “drop through” mains transformer that lies at the very heart of the beast. Good looks and impressive specs aside, the 1959HW’s real beauty lurks in its unique and highly responsive tone.
To complement the 1959HW’s sonic and visual majesty, we offer the 1960AHW (angled) and 1960BHW (straight) 4x12" cabinets that boast Basket Weave fret cloth, metal handles, “100” logos and are loaded with Celestion’s highly-acclaimed G12H-30 (55Hz) re-issue speakers.
2061X Head & 2061CX Cabinet
An authentic, handwired re-issue of the original 20 Watt 2061 head (1968-1973), this compact, twin-channel, all-valve beauty houses
2 x ECC83 valves in its preamp and a pair of cathode-biased EL84s in its power stage. The 2061X features a solid-state, silicon diode rectifier and is a very aggressive and surprisingly modern sounding amplifier, while still possessing that unmistakable and highly desirable, vintage all-valve tone. Just like the original, the 2061X boasts a point-to-point, handwired, tagboard circuit, a mild-steel chassis and Dagnall transformers.
As the perfect sonic and visual partner for the 2061X, we offer the 2061CX – a compact, angled-front 2x12", 60 Watt cabinet loaded with Celestion’s renowned G12H-30 (75Hz) re-issue speakers.
1974X Combo & 1974CX Extension Cabinet
The 1974X is an authentic re-issue of the fabled 18 Watt 1974 combo of the late sixties (1966-1968). Just like the original, it boasts a point-to-point, handwired, tagboard circuit housed in an aluminium chassis, plus a valve-driven tremolo circuit. At the very heart of its simple, but effective, two channel design can be found six valves: three ECC83s in the preamp, an EZ81 rectifier and a pair of cathode-biased EL84s in the power stage. The output and mains transformers are vital components in any amplifier because they influence performance, sound and feel, so we worked extremely closely with our associates at Dagnall in order to duplicate the original, “off-the-shelf” transformers in all areas. Another major contributing factor to the distinctive sound of vintage 1974 combos is the way the original 20 Watt, ceramic magnet, Celestion Greenback T1221 loudspeaker’s tone has softened with age.
In order to recreate the gorgeously smooth tones of a 35-year-old vintage Greenback, Celestion not only revisited the 1967 recipe for the speaker, they also came up with a proprietary way of “aging” the speakers so they sound and feel like the originals made in the late ’60s! The same exact, exclusive “aged” T1221 Greenback speaker is also found in the 1974CX, a 1x12" extension cabinet for the 1974X.
CABINET SPECIFICATION
FEATURES |
1960AHW/BHW |
2061CX |
1974CX |
Cabinet Type – Angled |
(AHW) |
|
No |
Cabinet Type – Base |
(BHW) |
No |
|
Speaker Configuration |
4 x 12" |
2 x 12" |
1 x 12" |
Speaker Type |
G12H-30 (55Hz) |
G12H-30 (75Hz) |
G12M-20 |
Power (RMS) |
120 Watt |
60 Watt |
20 Watt |
Impedance |
16 Ohm |
8 Ohm |
16 Ohm |
Dimensions (mm) |
AHW - 762 x 826 x 362 |
650 x 665 x 305 |
610 x 535 x 230 |
|
BHW - 765 x 820 x 364 |
|
|
|
|
|
|
Weight (kg) |
36.4 |
24 |
14 |
12 |
Marshall Amplification Product Catalogue |
Bernie Marsden
“I was too young the first time,but I sure ’aint missin’it the second time.”
From left to right:
1974X Combo
1959HW Head
1960AHW Cab
1960BHW Cab
2061X Head
2061CX Cab
AMPLIFIER SPECIFICATION
FEATURES |
1959HW |
2061X |
1974X |
Head |
|
|
No |
Combo |
No |
No |
|
Output (RMS) |
100 Watt |
20 Watt |
18 Watt |
Tremolo |
No |
No |
|
Speakers |
No |
No |
1 x G12M-20 Special |
|
|
|
|
Pre-Amp Valves |
3 x ECC83 |
2 x ECC83 |
3 x ECC83 |
Power Amp Valves |
4 x EL34 |
2 x EL84 |
2 x EL84 |
Valve Rectifier |
No |
No |
1 x EZ81 |
Footswitch (supplied) |
N/A |
N/A |
PEDL-10034 |
Dimensions (mm) |
744 x 305 x 210 |
510 x 225 x 210 |
610 x 535 x 230 |
Weight (kg) |
22 |
10 |
19 |
Marshall Amplification Product Catalogue |
13 |
Vintage Re-Issue Amplifiers
1959SLP Head • 1987X Head • 2245 (JTM45) Head
Yngwie Malmsteen
“I love everything about the amp, the tone, the crunch, the singing sustains when coupled with my SignatureYJM DOD Overdrive pedal. I could go on and on.”
From left to right:
1987X Head
1960AX Cab
1960BX Cab
2245 (JTM45) Head
1960TV Cab
1959SLP Head
1960AX Cab
1960BX Cab
Simon Neil
(Biffy Clyro)
“The 1959SLP head is everything you need from an amp. It’s crisp and beefy as f**k.What more could you ask for in a rock band. It’s the most rocking guitar sound I’ve ever had.”
The Vintage Series comprises the 100 Watt 1959SLP head, 50 Watt 1987X head, the 30 Watt JTM45 head, 30 Watt 1962 ‘Bluesbreaker’ combo, the 100 Watt JCM800 2203 head and the JCM900 4100 head.
All are faithful reproductions of the classic originals, which helped shape the sound of the modern electric guitar as we know it. The common characteristic of all these amps is their simplicity of operation and superb natural valve tone.
Due to high demand from users we have taken this opportunity to add a sonically transparent Effects Loop to the 1959SLP, 1987X and JCM800 2203 models. The Loop has been designed to not colour the guitar sound in any way, and a (true) Bypass switch gives you the option of completely removing this circuitry if desired. The only exception is the JCM900 4100 where the Series Effects Loop has always been a pivotal part of this versatile amp’s design. A loop Level switch on all these models ensures compatibility with both rack processors and stomp boxes.
1959SLP Head
THIS IS IT! The amp that defines classic rock – the Marshall 100 Watt Super Lead Plexiglas head of the late ’60s, re-issued in all its glory. To ensure tonal authenticity we searched for an amp from this period that epitomised this model. We gave this amp to our guitar playing R&D experts and they developed a replica that was so exact we couldn’t tell them apart. As previously mentioned, the only modern concession made was to add a tonally transparent Series Effects Loop with a true bypass switching option for the purist.
14
1987X Head
Though the 50 Watt 1987X shares the same front and rear panel features as its big brother, the 1959SLP, it does have its own distinct personality. Sweet, warm, singing sounds are the trademark of this great tone machine. As is the case with the 1959SLP, the 1987X has fittings and hardware as true to the originals as possible, to ensure an authentic Marshall ‘vintage’ look, plus the addition of a Series Effects Loop with Bypass and Level switches.
2245 (JTM45) Head
When Jim Marshall started manufacturing amps back in 1962, the first one out of the workshop was the JTM45. This amp instantly became a hit and launched a whole new generation of amazing guitar players. Since then, connoisseurs of tone have searched high and low for original examples of this beautiful amp. Now the search is over; the re-issued JTM45 is full of glassy clean tone and fluid warm sustain.
By including GZ34 valve rectification, as found in the original, we have ensured a faithful recreation of the JTM45’s signature sound. The GZ34 rectifier valve interacts with the rest of the valves causing subtle harmonics to shift and smoulder beneath every note you play.
AMPLIFIER SPECIFICATION
FEATURES |
1959SLP |
1987X |
2245 |
|
|
|
|
Head |
|
|
|
|
|
|
|
Combo |
No |
No |
No |
Output (RMS) |
100 Watt |
50 Watt |
30 Watt |
3 Band EQ |
|
|
|
Tremolo |
No |
No |
No |
Pre-Amp Valves |
3 x ECC83 |
3 x ECC83 |
3 x ECC83 |
Power Amp Valves |
4 x EL34 |
2 x EL34 |
2 x 5881 |
GZ34 Valve Rectifier |
No |
No |
|
Series FX Loop |
|
|
No |
Footswitch (supplied) |
No |
No |
No |
Dimensions (mm) |
750 x 310 x 215 |
665 x 265 x 205 |
665 x 265 x 205 |
Weight (kg) |
20.5 |
15.3 |
14.6 |
Marshall Amplification Product Catalogue Marshall Amplification Product Catalogue 15
Vintage Re-Issue Amplifiers
JCM800 2203 Head • JCM900 4100 Head • 1962 ‘Bluesbreaker’ Combo • PB100 Power Break
From left to right:
PB100 Power Brake
2203 JCM800 Head
1960A Cab
1960B Cab
1962 ‘Bluesbreaker’
4100 JCM900 Head
Tim Skold 1960A Cab
1960B Cab
“Turn on, tune up, rock out!”
JCM800 2203 Head
The all-valve JCM800 2203 is one of the most highly respected 100 Watt Marshall heads in the company’s long history. Evolving from the legendary 100 Watt ‘Plexi’ head, it was one of our first amplifiers to feature a Master Volume (MV) control.
The very essence of simplicity, the JCM800 2203 is a one channel, all-valve amp with no reverb or built-in effects. Its foolproof interface, distinctive roar and larger-than-life ‘edge’ immediately set the standard by which all other rock amps were judged and it remained the ‘industry benchmark’ throughout the entire decade of its production life.
Now it’s back by popular demand and, as with the 1959SLP and 1987X, we’ve added a Series Effects Loop featuring a true bypass switch that takes the loop completely out of the circuit, thus ensuring the original tone isn’t compromised in any shape or form.
JCM900 4100 Head
Another player’s favourite, the JCM900 4100 all-valve 100 Watt Marshall head is available once again. Known for its great tone and reliability, the JCM900 range has won many fans with its incredible versatility.
Channel A has been voiced for a sparkling clean on lower gain settings, building up to a raunchy crunch when driven hard. Channel B takes off from where Channel A finishes and is perfect for any lead tone – from silky smooth to searing saturation. As well as having separate Gain controls, each channel has its own Master section containing controls for Master Volume and Master Reverb.
A Series Effects Loop with Level switch allows you to use either floor pedals or rack effects. Whatever style of rock you play the 4100 will give you tonal flexibility without compromise.
1962 ‘Bluesbreaker’ Combo
After the huge success of the JTM45 amplifier, a 2x12" combo version was released to satisfy popular demand and the now legendary 1962 combo was born. Once again the use of a GZ34 valve rectifier is responsible for helping to achieve the famed output stage compression and sustain exhibited uniquely by both the JTM45 and 1962.
Though tonally similar to a JTM45, the 1962 combo is loaded with two re-issue ‘Greenback’ 25 Watt speakers to re-create that classic sixties tone. The 1962 ‘Bluesbreaker’ combo also comes with the addition of a footswitchable Tremolo effect.
PB100 Power Brake
The Master Volume control on your valve amp makes it sound good at low volume, but ALL, all-valve amps sound better cranked. This is a scientific fact of life. Plus, what do you do if your amp doesn’t have a Master Volume? The Marshall PB100 Power Brake power attenuator is the answer.
There are other attenuators or load boxes available, but they don’t provide the right type of inductive load that makes your amp think it’s connected to a speaker. At best, these other devices cause your amp to sound thin and feeble. At worst, they can blow your amp’s output transformer – an expensive proposition. The Power Brake power attenuator delivers great sound . . . safely!
AMPLIFIER SPECIFICATION
FEATURES |
2203 |
4100 |
1962 |
|
|
|
|
Head |
|
|
No |
Combo |
No |
No |
|
Output (RMS) |
100 Watt |
100 Watt |
30 Watt |
3 Band EQ |
|
|
|
Tremolo |
No |
No |
|
Speakers |
No |
No |
2 x 12” |
Pre-Amp Valves |
3 x ECC83 |
3 x ECC83 |
3 x ECC83 |
Power Amp Valves |
4 x EL34 |
4 x 5881 |
2 x 5881 |
GZ34 Valve Rectifier |
No |
No |
|
Series FX Loop |
|
|
No |
Footswitch (supplied) |
No |
No |
PEDL-10008 |
Dimensions (mm) |
750 x 315 x 215 |
750 x 310 x 210 |
740 x 610 x 265 |
Weight (kg) |
20.5 |
18.8 |
30.2 |
William J Brown
(The Ordinary Boys)
“Buy one now!”
16 |
Marshall Amplification Product Catalogue |
Marshall Amplification Product Catalogue |
17 |
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