Marantz SR-7001 Service Manual

DIGITAL

RLVIDEO

S-VIDEO

AUX1 INPUT

AUDIO

VOLUME

DOWN

STANDBY

PHONES

READY

INPUTSELECTOR

AVSURROUND RECEIVERSR7001

MultEQ

ENTER

PUREDIRECT THX

7.1CHINPUT

MODE AUTO

MULTI

A/B

T-MODE

MEMORY CLEAR

DISPLAY

EXIT

SPEAKERS

BAND

MIC

PUREDIRECT

SURROUND

SPEAKER

MULTI

DSD

POWERON/STANDBY

LCR

SL S SR

LFE

DIGITAL

SURROUND

V-OFFDISP MULTI AUTO TUNED ST SPKRAB

NIGHT

PEAK ANALOG

DIGITAL

ATT

SLEEP

SURR DIRECT

AUTO

DISC6.1 MTX 6.1 EQ

PCM

AAC

Service

SR7001 /

F N/N1B/N1G/N1S/U1B

Manual

SECTION PAGE

1. TECHNICAL SPECIFICATIONS ........................................................................................... 1

2. TECHNICAL DESCRIPTION ............................................................................................... 4

3. POWER AMPLIFIER ADJUSTMENT .................................................................................. 9

4. SERVICE MODE ................................................................................................................ 10

5. SYSTEM ERROR .............................................................................................................. 12

6. UPDATE FIRMWARE ......................................................................................................... 14

[A] SOFTWARE (fdtv306r00.exe) DOWNLOADS AND INSTALLS PROCEDURE ............. 14

[B] WRITING AND UPDATE SOFTWARE .......................................................................... 39

Mode 1: Update/Download MAIN CPU's software to internal Flash-ROM ..................... 40

Mode 2: Update/Download DSP's software to 4M Flash-ROM ...................................... 45

Mode 3: Update/Download HDMI CPU's software to internal Flash-ROM .................... 50

7. WIRING DIAGRAM ............................................................................................................ 61

8. BLOCK DIAGRAM ............................................................................................................. 63

9. SCHEMATIC DIAGRAM ..................................................................................................... 67

10. PARTS LOCATION ............................................................................................................. 97

11. EXPLODED VIEW AND PARTS LIST .............................................................................. 131

12. IC DATA ............................................................................................................................ 137

13. ELECTRICAL PARTS LIST .............................................................................................. 175

14.

ABOUT REPLACE THE MICROPROCESSOR WITH A NEW ONE ............................. 240

AV Surround Receiver

/F Only

/U Only

TABLE OF CONTENTS

Please use this service manual with referring to the user guide ( D.F.U. ) without fail.

SR7001

Part no. 90M05CW855010

First Issue 2006.08

MARANTZ DESIGN AND SERVICE

USA

MA R ANT Z A MER I CA , I NC

100 CORPORATE DRIVE MAHWAH, NEW JERSEY 07430 USA

EUROPE / TRADING

MA R ANT Z E URO P E B. V .

P. O. BOX 8744, BUILDING SILVERPOINT BEEMDSTRAAT 11, 5653 MA EINDHOVEN THE NETHERLANDS PHONE : +31 - 40 - 2507844 FAX : +31 - 40 - 2507860

AUSTRALIA

Qu al iF i Pty Ltd,

24 LIONEL ROAD, MT. WAVERLEY VIC 3149 AUSTRALIA PHONE : +61 - (0)3 - 9543 - 1522 FAX : +61 - (0)3 - 9543 - 3677

NEW ZEALAND

WILDASH AUDIO SYSTEMS NZ

14 MALVERN ROAD MT ALBERT AUCKLAND NEW ZEALAND PHONE : +64 - 9 - 8451958 FAX : +64 - 9 - 8463554

THAILAND

MR Z S TAN D ARD C O., L T D

746 - 754 MAHACHAI ROAD., WANGBURAPAPIROM, PHRANAKORN, BANGKOK, 10200 THAILAND PHONE : +66 - 2 - 222 9181 FAX : +66 - 2 - 224 6795

TAIWAN

PA I - YUI N G CO . , LTD .

6 TH FL NO, 148 SUNG KIANG ROAD, TAIPEI, 10429, TAIWAN R.O.C. PHONE : +886 - 2 - 25221304 FAX : +886 - 2 - 25630415

MALAYSIA

WO KEE HONG ELE CTRON ICS SDN . B HD.

2ND FLOOR BANGUNAN INFINITE CENTRE LOT 1, JALAN 13/6, 46200 PETALING JAYA SELANGOR DARUL EHSAN, MALAYSIA PHONE : +60 - 3 - 7954 8088 FAX : +60 - 3 - 7954 7088

KOREA

MARAN TZ K OR EA C O., LTD.

ROOM 604, ELECTRO OFFICE, 16-58, HANGGANG-RO 3GA, YONGSAN-KU, SEOUL, 140-013, KOREA PHONE : +82 - 2 - 323 - 2155 FAX : +82 - 2 - 323 - 2154

SINGAPORE

WO K E E HO N G DIS T RIB U TIO N P TE LT D

No.1 JALAN KILANG TIMOR #08-03 PACIFIC TECH CENTRE SINGAPORE 159303 PHONE : +65 6376 0338 FAX : +65 6376 0166

CANADA

MA R ANT Z C ANA D A IN C .

5-505 APPLE CREEK BLVD. MARKHAM, ONTARIO L3R 5B1 CANADA PHONE : 905 - 415 - 9292 FAX : 905 - 475 - 4159

JAPAN

D&M BUILDING, 2-1 NISSHIN-CHO, KAWASAKI-KU, KAWASAKI-SHI, KANAGAWA, 210-8569 JAPAN

D& M H old i ngs I nc.

CHINA

MARAN TZ S HA NGHAI TRADI NG L TD .

ROOM.506 SHANGHAI LIGHT INDUSTRY MANSION 1578 NANJING (WEST) ROAD SHANGHAI CHINA TEL : 021 - 6248 - 1064 FAX : 021 - 6248 - 3565

Using superior design and selected high grade components, Only original

MARANTZ

parts can insure that your

MARANTZ

product will continue to perform to the speciﬁcations for which

company has created the ultimate in stereo sound.

it is famous. Parts for your

MARANTZ

ORDERING PARTS :

equipment are generally available to our National Marantz Subsidiary or Agent.

Parts can be ordered either by mail or by Fax.. In both cases, the correct part number has to be speciﬁed. The following information must be supplied to eliminate delays in processing your order :

1. Complete address

2. Complete part numbers and quantities required

3. Description of parts

4. Model number for which part is required

5. Way of shipment

6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void.

SHOCK, FIRE HAZARD SERVICE TEST :

CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC

cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Front Panel of product and controls and chassis bottom. Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and veriﬁed before it is return to the user/customer. Ref. UL Standard No. 1492.

In case of difﬁculties, do not hesitate to contact the Technical

Department at above mentioned address.

060607MZ

1. TECHNICAL SPECIFICATIONS

DIG

L R

E UPDO

PHONES

AV S

ENTER

MENUPU

O MULTI

T-MO

Y EXIT

C PU

SURROUND

R MULTI

DSD

SL S SR

S LFE

SURROUND

DISP

MULTIAUTO

TUNEDSTS

NIG PEAK

OG ATT

SURR DIRECT AUTODISC 6.1

MTX 6.1

PCM

)

FM TUNER SECTION

Frequency Range ...............................76.0 - 108.0 MHz [ /F ]

Frequency Range ......................87.5 - 108.0 MHz [ /K /N /U ]

Usable Sensitivity ..................................IHF 1.8 µV/16.4 dBf

Signal to Noise Ratio ..........................Mono/Stereo 75/70 dB

Distortion ...........................................Mono/Stereo 0.2/0.3 %

Stereo Separation ...............................................1 kHz 45 dB

Alternate Channel Selectivity ......................± 300 kHz 60 dB

Image Rejection ...............................................98 MHz 70 dB

Tuner Output Level ..................1 kHz, ± 75 kHz Dev 800 mV

AM TUNER SECTION

Frequency Range ............................. 531 - 1602 kHz [ /K /N ]

..............................520 - 1710 kHz [ /F /U ]

Signal to Noise Ratio .................................................... 50 dB

Usable Sensitivity .............................................. Loop 400 µV

Distortion ........................................400Hz, 30 % Mod. 0.5 %

Selectivity ......................................................± 20 kHz 70 dB

HDMI SECTION

Version ...........................................................1.2 [INPUT]

.......................................................1.1 [OUTPUT]

AUDIO SECTION

Power Output (20 Hz - 20 kHz/THD=0.08%)

Front L&R ................................................8 ohms 110 W / Ch

Center ......................................................8 ohms 110 W / Ch

Surround L&R ..........................................8 ohms 110 W / Ch

Surround Back L&R .................................8 ohms 110 W / Ch

Front L&R ................................................6 ohms 140 W / Ch

Center ......................................................6 ohms 140 W / Ch

Surround L&R ..........................................6 ohms 140 W / Ch

Surround Back L&R .................................6 ohms 140 W / Ch

Input Sensitivity/Impedance ......................168 mV/ 47 kohms

Signal to Noise Ratio

(Analog Input / Pure Direct) ................................. 105 dB

Frequency Response

(Analog Input / Pure Direct) ........8 Hz - 100 kHz (± 3 dB)

(Digital Input / 96 kHz PCM) .........8 Hz - 45 kHz (± 3 dB)

VIDEO SECTION

Television Format ..................................................NTSC/PAL

Input Level/Impedance ..................................1 Vp-p/75 ohms

Output Level/Impedance ................................1 Vp-p/75 ohms

Video Frequency Response ..............5 Hz to 8 MHz (- 1 dB)

Video Frequency (Component) .......5 Hz to 80 MHz (- 1 dB)

S/N ................................................................................ 60 dB

DIMENSIONS

17-5/16 ins. (440 mm

URROUND RECEIVER SR8001

NPUT SELECTOR

TANDBY

POWER ON/STANDBY

22 mm

GENERAL

Power Requirement .........................AC 100 V 50/60 Hz [ /F ]

..............................AC 220 V 50 Hz [ /K ]

.........................AC 230 V 50/60 Hz [ /N ]

..............................AC 120 V 60 Hz [ /U ]

Power Consumption ............................................760 W [ /N ]

..............................................6.3 A [ /U ]

354 mm

(396 mm)

3-15/16 ins

Weight .......................................................15.0 kg (33.1 lbs)

ACCESSORIES

Remote Control Unit RC8001SR ..........................................1

AAA-size batteries ............................................................... 2

Microphone ...........................................................................1

FM Antenna ..........................................................................1

AM Loop Antenna .................................................................1

20 mm

READY

RE DIRECT

V-OFF

PKR A B

ANAL

DIGITAL

LEEP

MEMORYCLEAR

PEAKE

7.1CH INPUT

DISPLA

MultE

RE DIRECTTHX

DE AUT

VOLUM

PEAKER

A/B

UX 1 INPUT

ITA

IDE

-VIDE

AUDI

-1/4 ins

6-3/4 ins.

(170 mm

184 mm

Front AUX Jack Cover ..........................................................1

AC cable ...............................................................................1

/16 ins.

14 mm)

The relation between the selected surround mode and the input signal

The surround mode is selected with the surround mode buttons on SR7001/SR8001 or the remote control unit. However, the sound you hear is subject to the relationship between the selected surround mode and input signal. That relationship is as follows;

Surround Mode Input Signal Decoding

AUTO

SOURCE DIRECT PURE DIRECT

EX/ES

DOLBY (PLIIx movie) (PLIIx music) (PLIIx game)

DTS (Neo:6 Cinema) (Neo:6 Music)

CSII Cinema CSII Music CSII Mono

STEREO

Dolby Surr.EX Dolby Digital EX Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (2ch) Dolby Digital 2.0 Dolby D (2ch Surr) Pro Logic IIx movie DTS-ES DTS-ES DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 Multi Ch-PCM Multi Ch-PCM Multi Ch-PCM 96kHz Multi Ch-PCM 96kHz SA-CD (5.1ch) Multi Ch-PCM SA-CD (2ch) PCM (Stereo) PCM (Audio) PCM (Stereo) PCM 96kHz PCM (Stereo 96kHz) HDCD HDCD Analog Stereo

7.1ch input Multi Ch Dolby Surr.EX Dolby Digital EX Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (2ch) Dolby Digital 2.0 Dolby D (2ch Surr) Pro Logic IIx movie DTS-ES DTS-ES DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 Multi Ch-PCM Multi Ch-PCM Multi Ch-PCM 96kHz Multi Ch-PCM 96kHz SA-CD (5.1ch) SA-CD (5.1ch) SA-CD (2ch) SA-CD (2ch) PCM (Audio) PCM (Stereo) PCM 96kHz PCM (Stereo 96kHz) HDCD HDCD Analog Stereo

7.1ch input Multi Ch Dolby Surr.EX Dolby Digital EX Dolby D (5.1ch) Dolby Digital EX DTS-ES DTS-ES DTS (5.1ch) DTS-ES Multi-PCM Multi Ch-PCM + Dolby EX SA-CD (5.1ch) Multi Ch-PCM + Dolby EX Dolby Surr.EX Dolby Digital 5.1 Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (5.1ch) Dolby Digital 5.1 + PLIIx Dolby D (2ch) Pro Logic IIx Dolby D (2ch Surr) Pro Logic IIx Multi Ch-PCM Multi Ch-PCM + PLII x SA-CD (5.1ch) Multi Ch-PCM + PLIIx SA-CD (2ch) Pro Logic IIx PCM (Audio) Pro Logic IIx HDCD Pro Logic IIx Analog Pro Logic IIx DTS-ES DTS 5.1 DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 Dolby D (2ch) Neo:6 Dolby D (2ch Surr) Neo:6 SA-CD (2ch) Neo:6 PCM(Audio) Neo:6 HDCD Neo:6 Analog Neo:6 Dolby D (2ch) CSII Dolby D (2ch Surr) CSII SA-CD (2ch) CSII PCM(Audio) CSII HDCD CSII Analog CSII Dolby Surr.EX Stereo Dolby D (5.1ch) Stereo Dolby D (2ch) Stereo Dolby D (2ch Surr) Stereo DTS-ES Stereo DTS 96/24 Stereo DTS (5.1ch) Stereo Multi Ch-PCM Stereo Multi Ch-PCM 96kHz Stereo SA-CD (5.1ch) Stereo SA-CD (2ch) Stereo PCM (Audio) Stereo PCM 96kHz Stereo HDCD Stereo Analog Stereo

Output Channel Front information display

SLSRSBL

L/R C

OOOOO OOO-O O

---

OOOOO OOOOO OOO-O OOO-O OOO-O OOO-O OOO-O O

---OSA-CD L, R

---OPCM L, R

---OPCM, HDCD L, R

---OANALOG -

OOOOO OOOOO OOO-O O

---

OOOOO OOOOO OOO-O OOO-O OOO-O OOO-O OOO-O O

---OSA-CD L, R

----PCM L, R

- - - - PCM, HDCD L, R

- - - - ANALOG -

OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOO-O OOO-O OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOO-O OOO-O OOO-O OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO O

---

---Odts, ES L, C, R, SL, SR, S, LFE

---Odts 96/24 L, C, R, SL, SR, LFE

---Odts L, C, R, SL, SR, LFE

---OM-PCM L, C, R, SL, SR, LFE

---OSA-CD L, C, R, SL, SR, LFE

---OSA-CD L, R

---OPCM L, R

---OPCM, HDCD L, R

---OANALOG -

SBR

SubW

Signal format indicators Channel status

2 DIGITAL EX 2 DIGITAL

2 DIGITAL 2 DIGITAL 2 SURROUND

dts, ES L, C, R, SL, SR, S, LFE dts 96/24 L, C, R, SL, SR, LFE dts L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE SA-CD L, C, R, SL, SR, LFE

ANALOG -

2 DIGITAL EX 2 DIGITAL

2 DIGITAL 2 DIGITAL 2 SURROUND

dts, ES L, C, R, SL, SR, S, LFE dts 96/24 L, C, R, SL, SR, LFE dts L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE SA-CD L, C, R, SL, SR, LFE

ANALOG -

2 DIGITAL EX 2 DIGITAL

dts, ES L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE SA-CD L, C, R, SL, SR, LFE

2 DIGITAL EX 2 DIGITAL 2 DIGITAL 2 DIGITAL 2 DIGITAL 2 SURROUND

M-PCM L, C, R, SL, SR, LFE SA-CD L, C, R, SL, SR, LFE SA-CD L, R PCM L, R PCM, HDCD L, R ANALOG dts, ES L, C, R, SL, SR, S, LFE dts 96/24 L, C, R, SL, SR, LFE dts L, C, R, SL, SR, LFE

2 DIGITAL 2 DIGITAL 2 SURROUND

SA-CD L, R PCM L, R PCM, HDCD L, R ANALOG -

2 DIGITAL 2 DIGITAL 2 SURROUND

SA-CD L, R PCM L, R PCM, HDCD L, R ANALOG -

2 DIGITAL EX

2 DIGITAL

2 DIGITAL 2 SURROUND

L, C, R, SL, SR, S, LFE L, C, R, SL, SR, LFE L, R L, R, S

L, C, R, SL, SR, S, LFE L, C, R, SL, SR, LFE

L, C, R, SL, SR, S, LFE L, C, R, SL, SR, LFE L, C, R, SL, SR, LFE L, R L, R, S

L, R L, R, S

L, C, R, SL, SR, S, LFE L, C, R, SL, SR, LFE L, R L, R, S

Surround Mode Input Signal Decoding

Dolby Virtual Speaker

Multi Ch. Stereo

Dolby H.P Dolby Surr.EX Dolby H.P

THX (THX Games)

THX Select2 (THX EX) (THX Music) (THX Games)

Dolby Surr.EX Dolby Virtual Speaker Dolby D (5.1ch) Dolby Virtual Speaker Dolby D (2ch) Dolby Virtual Speaker Dolby D (2ch Surr) Dolby Virtual Speaker DTS-ES Dolby Virtual Speaker DTS 96/24 Dolby Virtual Speaker DTS (5.1ch) Dolby Virtual Speaker Multi Ch-PCM Dolby Virtual Speaker SA-CD (5.1ch) Dolby Virtual Speaker SA-CD (2ch) Dolby Virtual Speaker PCM (Audio) Dolby Virtual Speaker HDCD Dolby Virtual Speaker Analog Dolby Virtual Speaker Dolby Surr.EX Dolby Digital EX Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (2ch) Multi Channel Stereo Dolby D (2ch Surr) Multi Channel Stereo DTS-ES DTS-ES DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 Multi Ch-PCM Multi Ch-PCM Multi Ch-PCM 96kHz Multi Ch-PCM 96kHz SA-CD (5.1ch) Multi Ch-PCM SA-CD (2ch) Multi Channel Stereo PCM (Audio) Multi Channel Stereo HDCD Multi Channel Stereo Analog Multi Channel Stereo

Dolby D (5.1ch) Dolby H.P Dolby D (2ch) Dolby H.P Dolby D (2ch Surr) Dolby H.P DTS-ES Dolby H.P DTS 96/24 Dolby H.P DTS (5.1ch) Dolby H.P Multi Ch-PCM Dolby H.P SA-CD (5.1ch) Dolby H.P SA-CD (2ch) Dolby H.P PCM (Audio) Dolby H.P HDCD Dolby H.P Analog Dolby H.P Dolby Surr.EX Dolby Digital + THX Surround EX Dolby D (5.1ch) Dolby Digital 5.1+ THX 5.1 Dolby D (2ch) Pro Logic IIx movie + THX Dolby D (2ch Surr) Pro Logic IIx movie + THX DTS-ES DTS-ES + THX DTS (5.1ch) DTS + THX 5.1 Multi Ch-PCM Multi Ch-PCM + THX5.1 SA-CD (5.1ch) Multi Ch-PCM + THX5.1 SA-CD (2ch) Pro Logic IIx movie + THX PCM (Audio) Pro Logic IIx movie + THX HDCD Pro Logic IIx movie + THX Analog Pro Logic IIx movie + THX Dolby Surr.EX Dolby Digital + THX Surround EX Dolby D (5.1ch) Dolby Digital 5.1+ THX Select2 Cinema Dolby D (2ch) Pro Logic IIx movie + THX Dolby D (2ch Surr) Pro Logic IIx movie + THX DTS-ES DTS-ES + THX DTS (5.1ch) DTS + THX Select2 Cinema Multi Ch-PCM Multi Ch-PCM + THX Select2 Cinema SA-CD (5.1ch) Multi Ch-PCM + THX Select2 Cinema SA-CD (2ch) Pro Logic IIx movie + THX PCM (Audio) Pro Logic IIx movie + THX HDCD Pro Logic IIx movie + THX Analog Pro Logic IIx movie + THX

Output Channel Front information display

SLSRSBL

L/R C

----

- - - - dts, ES L, C, R, SL, SR, S, LFE

- - - - dts 96/24 L, C, R, SL, SR, LFE

- - - - dts L, C, R, SL, SR, LFE

- - - - M-PCM L, C, R, SL, SR, LFE

- - - - SA-CD L, C, R, SL, SR, LFE

----SA-CD L, R

----PCM L, R

- - - - PCM, HDCD L, R

----ANALOG -

OOOOO OOO-O OOOOO OOOOO OOOOO OOO-O OOO-O OOO-O OOO-O OOO-O OOOOO OOOOO OOOOO OOOOO O

----

- - - - dts, ES L, C, R, SL, SR, S, LFE

- - - - dts 96/24 L, C, R, SL, SR, LFE

- - - - dts L, C, R, SL, SR, LFE

- - - - M-PCM L, C, R, SL, SR, LFE

- - - - SA-CD L, C, R, SL, SR, LFE

----SA-CD L, R

----PCM L, R

- - - - PCM, HDCD L, R

----ANALOG -

OOOOO OOO-O OOOOO OOOOO OOOOO OOO-O OOO-O OOO-O OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO

SBR

SubW

Signal format indicators Channel status

2 DIGITAL EX 2 DIGITAL 2 DIGITAL 2 DIGITAL 2 SURROUND

dts, ES L, C, R, SL, SR, S, LFE dts 96/24 L, C, R, SL, SR, LFE dts L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE SA-CD L, C, R, SL, SR, LFE SA-CD L, R PCM L, R PCM, HDCD L, R ANALOG -

2 DIGITAL EX 2 DIGITAL 2 DIGITAL 2 DIGITAL 2 SURROUND

dts, ES L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE SA-CD L, C, R, SL, SR, LFE SA-CD L, R PCM L, R PCM, HDCD L, R ANALOG -

2 DIGITAL EX 2 DIGITAL 2 DIGITAL 2 DIGITAL 2 SURROUND

dts, ES L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, LFE M-PCM L, C, R, SL, SR, LFE SA-CD L, C, R, SL, SR, LFE SA-CD L, R PCM L, R PCM, HDCD L, R ANALOG -

L, C, R, SL, SR, S, LFE L, C, R, SL, SR, LFE L, R L, R, S

Notes:

• Dolby Digital (2 channel L/R): Speakers for signal with Dolby Surround are fully equipped.

• No sound is outputs from the surround speaker, center speaker and subwoofer if the DVD disc has no surround data.

Abbreviations L/R : Front speakers C : Center speaker SL/SR : Surround speakers SBL/SBR : Surround back speakers SubW : Subwoofer

2. TECHNICAL DESCRIPTION

DESCRIPTION

THX® is an exclusive set of standards and technologies established by the world-renowned ﬁ lm production company, Lucasﬁ lm Ltd. THX resulted from George Lucas’ desire to reproduce the movie soundtrack as faithfully as possible both in the movie theater and in the home theater. THX engineers developed patented technologies to accurately translate the sound from a movie theater environment into the home, correcting the tonal and spatial errors that occur. When the THX mode of the SR7001 is on, three distinct THX technologies are automatically added: Re-Equalization-restores the correct tonal balance for watching a movie in a home environment. These sounds are otherwise mixed to be brighter for a large movie theater. Re-EQ compensates for this and prevents the soundtracks from being overly bright and harsh when played in a home theater. Timbre Matching-ﬁ lters the information going to the surround speakers so they more closely match the tonal characteristics of the sound coming from the front speakers. This ensures seamless panning between the front and surround speakers. Adaptive Decorrelation-slightly changes one surround channel’s time and phase relationship with respect to the other surround channel. This expands the listening position and creates with only two surround speakers the same spacious surround experience as in a movie theater with multiple surround speakers. The Marantz SR7001 was required to pass a rigorous series of quality and performance tests, in addition to incorporating the technologies explained above, in order to be THX certiﬁ ed by Lucasﬁ lm Ltd. THX requirements cover every aspect of performance including pre-amplifier and power amplifier performance and operation, and hundreds of other parameters in both the digital and analog domain. Movies which have been encoded in Dolby Digital, DTS, Dolby Pro Logic, stereo and Mono will all beneﬁ t from the THX mode when being viewed. The THX mode should only be activated when watching movies which were originally produced for a movie theater environment.

THX need not be activated for music, movies made especially for TV, or shows such as sports programming, talk shows, etc. This is because they were originally mixed for a small room environment.

THX and Select 2 are trademarks of THX Ltd. THX may be registered in some jurisdictions. Surround EX is a trademark of Dolby Laboratories. Used with permission.

THX Surround EX—Dolby DIgital Surround EX is a joint development of Dolby Laboratories and THX Ltd.

In a movie theater, ﬁ lm soundtracks that have been encoded with Dolby Digital Surround EX technology are able to reproduce an extra channel which has been added during the mixing of the program. This channel, called Surround Back, places sounds behind the listener in addition to the currently available front left, front center, front right, surround right, surround left and subwoofer channels. This additional channel provides the opportunity for more detailed imaging behind the listener and brings more depth, spacious ambience and sound localization than ever before. Movies that were created using the Dolby Digital Surround EX technology, when released into the home consumer market may exhibit wording to that effect on the packaging. A list of movies created using this technology can be found on the Dolby web site at www.dolby.com. A list of available DVD software titles encoded with this technology an be found at www.thx.com. Only receiver and controller products bearing the THX Surround EX logo, when in the THX Surround EX mode, faithfully reproduce this new technology in the home. This product may also engage the THX Surround EX mode during the playback of 5.1 channel material that is not Dolby Digital Surround EX eocnded. In such case, the information delivered to the Surround Back channel will be program dependent and may or may not be very pleasing depending on the particular soundtrack and the tastes of the individual listener.

“SURROUND EX™” is a trademark of Dolby Laboratories. Used under authorization.

THX Select2

Before any home theater component can be THX Select2 certiﬁ ed, it must pass a rigorous series of quality and performance tests. Only then can a product feature the THX Select2 logo, which is your guarantee that the Home Theater products you purchase will give you superb performance for many years to come. THX Select2 requirements deﬁ ne hundreds of parameters, including power ampliﬁ er performance, and pre-ampliﬁ er performance and operation for both digital and analog domains. THX Select2 receivers also feature proprietary THX technologies (e.g., THX Mode) which accurately translate movie soundtracks for home theater playback.

DTS was introduced in 1994 to provide 5.1 channels of discrete digital audio into home theater systems. DTS brings you premium quality discrete multichannel digital sound to both movies and music. DTS is a multichannel sound system designed to create full range digital sound reproduction. The no compromise DTS digital process sets the standard of quality for cinema sound by delivering an exact copy of the studio master recordings to neighborhood and home theaters. Now, every moviegoer can hear the sound exactly as the moviemaker intended. DTS can be enjoyed in the home for either movies or music on of DVD’s, LD’s, and CD’s.

“DTS” and “DTS Digital Surround” are registered trademarks of Digital Theater Systems, Inc.

Neo:6 offers several important improvements as follow,

• Neo:6 provides up to six full-band channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems will derive six and ﬁ ve separate channels, respectively, corresponding to the standard home-theater speaker layouts.

• Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows naturally from the original presentation.

• Neo:6 offers a music mode to expand stereo nonmatrix recordings into the ﬁ ve- or six-channel layout, in a way which does not diminish the subtlety and integrity of the original stereo recording.

DTS-ES Extended Surround is a new multichannel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTSES Extended Surround greatly improves the 360degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as DTSES Discrete 6.1 and DTS-ES Matrix 6.1.

“DTS”, “DTS-ES and “Neo:6” are trademarks of Digital Theater Systems, Inc.

The advantages of discrete multichannel systems over matrix are well known. But even in homes equipped for discrete multichannel, there remains a need for high-quality matrix decoding. This is because of the large library of matrix surround motion pictures available on disc and on VHS tape; and analog television broadcasts. The typical matrix decoder of today derives a center channel and a mono surround channel from twochannel matrix stereo material. It is better than a simple matrix in that it includes steering logic to improve separation, but because of its mono, bandlimited surround it can be disappointing to users accustomed to discrete multichannel.

The stereo CD is a 16-bit medium with sampling at

44.1 kHz. Professional audio has been 20- or 24-

bit for some time, and there is increasing interest in higher sampling rates both for recording and for delivery into the home. Greater bit depths provide extended dynamic range. Higher sampling rates allow wider frequency response and the use of antialias and reconstruction ﬁ lters with more favorable aural characteristics.

DTS 96/24 allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-Video titles.

When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz audio into the home, but only in two channels, and with serious limitations on picture. This capability has had little use. DVD-audio allows 96/24 in six channels, but a new player is needed, and only analog outputs are provided, necessitating the use of the D/A converters and analog electronics provided in the player.

DTS 96/24 offers the following:

1. Sound quality transparent to the original 96/24 master.

2. Full backward compatibility with all existing decoders. (Existing decoders will output a 48 kHz signal)

3. No new player required: DTS 96/24 can be carried on DVD-video, or in the video zone of DVD-audio, accessible to all DVD players.

4. 96/24 5.1-channel sound with full-quality fullmotion video, for music programs and motion picture soundtracks on DVD-video.

“DTS” and “DTS 96/24” are trademarks of Digital Theater Systems, Inc.

Dolby Digital EX creates six full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives three surround channels from the two in the original recording. For best results, Dolby Digital EX should be used with movies soundtracks recorded with Dolby Digital Surround EX.

About Dolby Pro Logic IIx

Dolby Pro Logic II x technology delivers a natural and immersing 7.1-channel listening experience to the home theater environment. A product of Dolby's expertise in surround sound and matrix decoding technologies, Dolby Pro Logic II x is a complete surround sound solution that maximizes the entertainment experience from stereo as well as

5.1-channel encoded sources.

Dolby Pro Logic II x is fully compatible with Dolby Surround Pro Logic technology and can optimally decode the thousands of commercially available Dolby Surround encoded video cassettes and television programs with enhanced depth and spatiality. It can also process any high-quality stereo or Advanced Resolution 5.1-channel music content into a seamless 6.1- or 7.1-channel listening experience.

Dolby Digital identiﬁ es the use of Dolby Digital audio coding for such consumer formats as DVD and DTV. As with ﬁ lm sound, Dolby Digital can provide up to ﬁ ve full-range channels for left, center, and right screen channels, independent left and right surround channels, and a sixth (“.1”) channel for low-frequency effects.

Dolby Surround Pro Logic

is an improved matrix decoding technology that provides better spatiality and directionality on Dolby Surround program material; provides a convincing three-dimensional soundﬁ eld on conventional stereo music recordings; and is ideally suited to bring the surround experience to automotive sound. While conventional surround programming is fully compatible with Dolby Surround Pro Logic

decoders, soundtracks will be able to be encoded speciﬁ cally to take full advantage of Pro Logic

playback, including separate left and right surround channels. (Such material is also compatible with conventional Pro Logic decoders.)

The Dolby Headphone technology provides a surround sound listening experience over headphones. When listening to multichannel content such as DVD movies over headphones, the listening experience is fundamentally different than listening to speakers. Since the headphone speaker drivers are covering the pinna of the ear, the listening experience differs greatly from traditional speaker playback. Dolby utilizes patented headphone perspective curves to solve this problem and provides a non-fatiguing, immersive, home theater listening experience. Dolby Headphone also delivers exceptional 3D audio from stereo material.

Dolby Virtual Speaker is a technologycertified by Dolby Laboratories that creates a virtualized surround sound experience from two speakers using a multichannel Dolby Digital source. Additionally, Dolby Virtual Speaker can simulate the surround sound effect produced by Dolby Pro Logic or Dolby Pro Logic II . Dolby Virtual Speaker retains all the original Multichannel audio information and provides the listener with the sensation of being surrounded by additional speakers.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, “Surround EX”, and the doubleD symbol are trademarks of Dolby Laboratories.

Circle Surround II (CS-II ) is a powerful and versatile multichannel technology. CS-II is designed to enable up to 6.1 multichannel surround sound playback from mono, stereo, CS encoded sources and other matrix encoded sources. In all cases the decoder extends it into 6 channels of surround audio and a LFE/subwoofer signal. The CS-II decoder creates a listening environment that places the listener “inside” music performances and dramatically improves both hi-fi audio conventional surround-encoded video material. CS-II provides composite stereo rear channels to greatly improve separation and image positioning– adding a heightened sense of realism to both audio and A/V productions. CS-II is packed with other useful feature like dialog clarity (SRS Dialog) for movies and cinema-like bass enrichment (TruBass). CS-II can enable the dialog to become clearer and more discernable in movies and it enables the bass frequencies contained in the original programming to more closely achieve low frequencies–overcoming the low frequency limitations of the speakers by full octave.

HDCD® (High Deﬁ nition Compatible Digital ®) is a patented process for delivering on Compact Disc the full richness and details of the original microphone feed. HDCD encoded CDs sound better because they are encoded with 20-bits of real musical information as compared to 16-bits for all other CDs. HDCD overcomes the limitation of the 16-bit CD format by using a sophisticated system to encode the additional four bits onto the CD while remaining completely compatible with the CD format. When listening to HDCD recordings, you hear more dynamic range, a focused 3-D sound stage, and extremely natural vocal and musical timbre. With HDCD, you get the body, depth and emotion of the original performance not a ﬂ at, digital imitation. HDCD system manufactured under license from Microsoft. This product is covered by one or more of the following: In the United States 5,479,168 5,638,074 5,640,161 5,808,574 5,838,274 5,854,600 5,864,311 5,872,531 and in Australia 669,114 with other patents pending.

HDMI, the and High-Deﬁ nition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.

Circle Surround II, Dialog Clarity, TruBass, SRS and

symbol are trademarks of SRS Labs, Inc. Circle Surround II , Dialog Clarity and TruBass technology are incorporated under license from SRS Labs, Inc.

There are several factors that can degrade the sound from even the best loudspeakers in a listening room. One of the most important is the interaction of sound from the loudspeakers with large surfaces such as walls, the ﬂ oor, and the ceiling in the room. Even with careful loudspeaker placement and acoustical treatments, there are signiﬁ cant problems that are caused by room acoustics. These include reﬂ ections from nearby surfaces and standing waves that are created between large parallel surfaces in the room. In a home theater the situation is further complicated because there are several listening locations. The effects of room acoustics on the sound arriving at each person’s ears are very different and the result is a listening experience that is degraded in a different way for every person in the room. It is not uncommon to have variations in two adjacent seats that are as large as 10 dB, particularly in the frequency range below 250 Hz. The solution to this problem is to apply room correction after precisely measuring how each loudspeaker interacts with the room. Because the room causes variations in the frequency response of the loudspeakers that are so large from seat to seat, it is important to measure each loudspeaker at several locations in the listening room. This should be done even if there is only one listener. Measurement at a single location is not representative of the acoustical problems in the room and will in most cases, degrade overall performance. Audyssey MultEQ is the only technology that can achieve room correction for multiple listeners in a large listening area. It does so by combining the data collected at several points in the room from each loudspeaker and then applying correction that minimizes the acoustical effects of the room and is matched to the frequency resolution of human perception (known as psychoacoustics). Furthermore, MultEQ correction is applied both in frequency and time domains and so there are no artifacts (such as smearing of sound or modal ringing)that are sometimes associated with traditional methods of room equalization. In addition to correcting frequency response problems over a wide listening area, Audyssey MultEQ provides a completely automated sound system setup process. It identiﬁ es how many loudspeakers are connected to the ampliﬁ ers and whether they are fullrange, satellites, or subwoofers. If there is a least one subwoofer connected, Audyssey MultEQ determines the optimum crossover frequency between each satellite and the subwoofer(s). It automatically checks the polarity of each loudspeaker and alerts the user if there are any that may be wired out-

of-phase relative to the others. It measures the distance to each loudspeaker from the main listening position and adjusts the delays so that sound from each loudspeaker arrives at the same time. Finally, Audyssey MuitEQ determines the playback level of each loudspeaker and adjusts the volume trims so that all levels are equal.

XM Satellite Radio Ready

The XM name and related logos are registered trademarks of XM Satellite Radio Inc.

3. POWER AMPLIFIER ADJUSTMENT

Idling Current Alignment

1. Each of the measurement points are provided with the two test points. Set a digital Voltage meter to DC voltage input, connect the meter to the test points at both contact points.

2. After the setup above, turn on the main switch.

3. Adjust variable resistors (VR41 - VR71) according to the digital voltmeter readings. The target setting value is the following table for each channel.

Settings: Master Volume — Minimum Speaker out — No Load Top lid — OPEN

Channel Alignment Point Measurement Point Front L VR41 CN41 Center VR61 CN61 Front R VR51 CN51 Surround L VR42 CN42 Surround R VR52 CN52 Surround Back L VR62 CN62 Surround Back R VR71 CN71

アイドリング電流調整

1. 電源を ON する前にそれぞれの "+"端子と "-" 端子間にデ

ジタルボルトメーターを接続します。デジタルボルトメーターを

DC 電圧入力にセットします。

2. 上記のセットアップの後に、本機の電源を ON します。

3. デジタルボルトメーターの電圧値を監視しながら可変抵抗

器

(VR41 〜 VR71) を調節します。

各チャンネルの目標値は下記の表を参照下さい。

セッティング

スピーカー接続  無しトップカバー –– 無し

: マスター・ボリューム  最小

Time Table of Idling Current Rise

Ambient temperature

After T urning ON

10 min. 2.4 mV ± 0.3 mV 20 min. 2.4 mV ± 0.3 mV 30 min. 2.4 mV ± 0.3 mV

20 to 30 degrees centigrade

Measurement V oltage

4. SERVICE MODE

MAIN CPU Version, DSP Version, HDMI CPU Version and Segment Check Mode

1. Connect the mains cord into the unit.

2. Press the POWER ON/STANDBY button for turn on the unit.

3. Press the PURE DIRECT, 7.1CH INPUT and MultEQ buttons simultaneously more then 3 seconds.

4. The FL display shows "SERVICE MODE" for 2 seconds then shows the model name.

SERV ICE MODE

SR7001

5. Press the ENTER button, the software version of the MAIN CPU (IC17) is displayed in the format below.

V060707 3N

Year

Month Date

Release No. Destination

MAIN CPU Version, DSP Version, HDMI CPU Version and Segment Check Mode

本機に電源コードを接続します。

2. POWER ON/STANDBYボタンを押し、本機の電源を入れ

ます。

3. PURE DIRECT, 7.1CH INPUT, MultEQの3つのボタンを

同時に

3秒以上押します。

4. FLに"SERVICE MODE"と2秒表示し、次にモデル名を表

示します。

SERVI CE MODE

SR7001

5. ENTERボタンを押すと、MAINマイコン(IC17)のバージョ

ンが表示されます。

V060707 3N

Month DateYear

リリース No. 仕向け

6. Press the ENTER button again, the serial Number of the unit is displayed.

MZ 294967295

7. Press the ENTER button, the software version of the TI DSP (IC34) is displayed in the format below.

TI V038606121

Month DateYear

Release No.

8. Press the ENTER button, the software version of the HDMI CPU (IC90) is displayed in the format below.

HDMI Ve r . h18

9. Press the ENTER button again, the left half, right half and center of the label area in the FLD light on and off each other.

10. Press the ENTER button again, the segments of the character area in the FLD flick in checker pattern.

11. Press the ENTER button again, all the FL segments turns off.

12. Press the ENTER button again to quit this mode.

6. 更にENTERボタンを押すと、シリアルナンバーが表示さ

れます。

MZ 294967295

7. 更にENTERボタンを押すと、TI DSP (IC34)のバージョン

が表示されます。

TI V038606121

Month DateYear

リリース No.

8. 更にENTERボタンを押すと、HDMI CPUのバージョンが

表示されます。

HDMI Ve r . h18

9. 更にENTERボタンを押すと、FLのラベル部分の左半分と

右半分および中心部が交互に点灯と消灯を繰り返します。

10. 更にENTERボタンを押すと、FLのキャラクタセグメント

部がチェッカーフラグのように点灯と消灯を繰り返します。

11. 更にENTERボタンを押すと、FLは全消灯します。

12. 更にENTERボタンを押すと、サービスモードを終了しま

す。

Product Reset

To reset the back up memory of the unit into the default status, follow the procedure below.

Should the operation or display seem to be abnormal,

reset the unit with the following procedure.

To turn on the SR7001/SR8001, press and hold the

MULTI and SPEAKERS A/B buttons simultaneously for 3 seconds or more.

Remember that the procedure will reset the settings

of the function selector, Surround mode, delay time, TUNER PRESET etc., to their initial settings.

Personal notes:

5. SYSTEM ERROR

1. Trouble in EEP-ROM (DSP PWB / IC15) Interface

CHECK E2P I F

• If the communication error that ACK did not return by communication with EEP-ROM (DSP PWB / IC15) occurred 2 seconds and more.

CHECKPOINT

1. Turn the power on. Are the IIC Clock Line (IC17/130pin

- IC15 / 6pin) normal?

2. Are the IIC Data Line (IC17/131pin - IC15 / 5pin)

normal?

3. Is +3.3V voltage supplied to 8pin of IC15?

4. When no problem to the above 1-3, replace IC15.

2. Trouble in +5V Supply

CHECK POW5

1. EEP-ROM (DSP PWB / IC15) Interface異常検出表示

• EEP-ROM (DSP PWB / IC15)との通信でACKが帰ってこ

ない状態（通信エラー）が約２秒以上生じた時に表示されます。

回路上の確認箇所

①

. Power ON時にIIC Clock Line (IC17/130pin - IC15 /

6pin)

が正常なのを確認する。

②

. Power ON時にIIC Data Line (IC17/131pin - IC15 /

5pin)

が正常なのを確認する。

③

. IC15 / 8pinにVCC (+3.3V)が供給されていることを確

認する。

④

. 上記の①−③に不具合が生じていない場合はIC15の不

良が考えられます。

2. +5V Supply異常検出表示

• If +5V inputted into 68pin of IC17 is troubled and the following the fault of 1 - 4.

CHECKPOINT

1. Tur n the power on. Is +5V voltage supplied to CN30/

6pin and CN30/7pin of DSP PWB.

2. Is the signal of IC17 H? 29pin (Power Amp Fail)= H.

(When 2 second or more "L" state is continuing to 29pin, Abnormalities have occurred in the POWER AMP circuit.)

3. Is the signal of IC17 H? 66pin (Power Line Fail)= H.

(When the 2 second and more "L" state is continuing to 66pin, Abnormalities have occurred to +-15V power supply or the power supply for Power Amp.)

4. Is the signal of IC17 H? 77pin (Power Down)= H.

(When 2 second and more "L" state is continuing to 77pin, Abnormalities have occurred in IC74 and around IC77 circuit of STANDBY PWB.)

3. Trouble in Protection

• 電源ON時に68pinに入力される+5Vの検出が出来なかった

場合に表示されます。も同様の表示を行います。

又、下記の②〜④の不具合発生時に

回路上の確認箇所

①

. 電源ON時にCN30 (DSP PWB) 6,7pinに+5Vが供給さ

れていることを確認する。

②

. 電源ON時にマイコンの29pin (Power Amp Fail) が

"H"

になっていることを確認する。（29pinが電源ONし

てから２秒以上

AMP

回路に異常が発生している）

③

. 電源ON時にマイコンの66pin(Power Line F ail)が "H"に

なっていることを確認する。（ら

2秒以上"L"状態が継続している場合は+/-15V電源又

は、

Power Amp用の電源に異常が発生している）

④

. 電源ON時にマイコンの77pin (Power Down)が "H"に

なっていることを確認する。（も

"L"状態が継続している場合はSTANDBY PWB上の

"L"状態が継続している場合はPOWER

66pinが電源ONしてか

77pinが電源ONして

IC74及び周辺回路に異常が発生している）

3. PROTECTION検出表示

PROTECT

• When unusual states, such as overload of Power Amp and DC output, are detected.

The unusual detection method is the following.

1. When "L" of 100 msec and more is detected by 29pin

(Power Amp Fail) of IC17, the unit will be in standby mode and STANDBY LED will blink.

• Power Ampの過負荷、DC出力等の異常状態が検出された

際に表示されます。また、異常検出は以下の様に行われます。

①

. マイコンの29pin (Power Amp Fail)に100msec以上

の

"L"検出がされた場合はSETをSTANDBY状態にし

て

Front Panel上のSTANDBY LEDを点滅状態にしま

す

29pin(_P_AMP_FAIL)

43pin (_STANDBY)

100 msec and more

2. When "L" of less than 100msec is detected by 29pin (Power Amp Fail) of IC17, Speaker Relay becomes OFF and MUTE becomes ON state, and the state is held for 8 seconds. At this time, "PROTECT" is displayed. When similar abnormal detection was considered to be it for these 8 seconds, the unit will be in standby mode and STANDBY LED will blink. When it was not detected abnormally for 8 seconds, the unit returns to normal use state.

29pin(_P_AMP_FAIL)

Less than 100 msec

Speaker Relay

Mute

8Sec

"PROTECT" is displayed

29pin(_P_AMP_FAIL)

Speaker Relay

②. マイコンの29pin (Power Amp F ail)に100msec未満の

"L"

検出がされた場合はSpeaker RelayをOFF, MUTEを

ON状態にして８秒間その状態を保持する。この間、 FL Displayに "PROTECT"の表示を行う。この８秒間

に同様の異常検出がされた場合は態にして

Front Panel上のSTANDBY LEDを点滅状態

にします。８秒間、異常検出されなかった時は

SETをSTANDBY状

SETを

通常使用状態に戻します。

Mute

43pin (_STANDBY)

CHECKPOINT

1. Check AMP PWB.

2. When AMP does not have a problem, it is confirmed whether there is not abnormality by disconnection of pattern of 29pin (Power Amp Fail) and the detect circuit.

4. Trouble in Other

(The contents of detection are not indicated to FL.)

• When the abnormalities of ±15V power supply and the ±power supply for Power Amp are detected, the unit will be in standby mode. The detection is performed by 66pin (P LINE FAIL).

66pin (_P_LINE_FAIL)

43pin (_STANDBY)

回路上の確認箇所

①

. Power Ampに不具合が生じている場合は修理を行

う。

②

. Power Ampに不具合が無い場合は、29pin (Power Amp

Fail)

のパターンの断線及び検出回路に異常が無いか確

認する。

. その他の異常検出

４

（FLにCaution表示はしません）

• ±15V電源及び、Power Amp用の±電源の異常を検出

した場合、

(_P_LINE_FAIL)

SETをSTANDBYにします。検出は66pin

で行われます。

CHECKPOINT

1. Check Power supply circuit.

2. When Power supply circuit does not have a problem,

it is confirmed whether there is not abnormality by disconnection of pattern of 66pin (Power Line Fail) and the detect circuit.

回路上の確認箇所

①

. 上記の電源回路に不具合が生じている場合は修理を行

う。

②

. 電源回路に不具合が無い場合は、66pin (Power Line

Faill)

確認する。

のパターンの断線及び検出回路に異常が無いか

6. UPDATE FIRMWARE

[A] SOFTWARE (fdtv306r00.exe) DOWNLOADS

AND INSTALLS PROCEDURE

[A-1] DOWNLOADS OF THE SOFTWARE

(Flash Development Toolkit: the rest is FDT)

Download the software for update of the HDMI CPU.

1. Launch the browser.

2. Type the "http://www.renesas.com/" into an address. And click the Go or press the Enter on keyboard of PC.

NOTE : This site is managed by RENESAS. The following

explanation may differ from the actual composition. When different, please proceed along with the site composition of RENESAS.

3. Click the GLOBAL SITE.

6. UPDATE FIRMWARE

[A] SOFTWARE (fdtv306r00.exe) DOWNLOADS AND

INSTALLS PROCEDURE

[A-1] DOWNLOADS OF THE SOFTWARE

(Flash Development Toolkit:

HDMI

マイコンの書き込みのためのソフトウェア(FDT)をダウ

ンロードします。

1. ブラウザ(インターネットエクスプローラーなど)を立ち上

げます。

ブラウザのアドレスに"http://www.renesas.com/"を入力し、

注意：このサイトは

3. GLOBAL SITEをクリックします。

移動、またはキーボードのEnterを押します。

RENESASが管理しているため、以下の説

明が実際のサイト構成と異なっている場合があります。その場合は実際のてください。

RENESASのサイト構成に沿って進め

以下 FDT)

4. A login ID is necessary to download the FDT. If you have Login ID, please advance to step 15. If you do not have Login ID, Click the MY RENESAS.

4. FDTのダウンロードにはLogin IDが必要になります。既にLogin IDを持っている方は手順の15へ進んでくださ

い。

ます。

5. Click the If you are a new user click here to register now.

5. If you are a new user click here to register nowをク

リックします。

6. Choose Non Secure or Secure in Security Level at your network environment. Choose English or another one in Region and Language.

6. PCのネットワーク環境によりChoose Security Levelか

ら

Non Secure、またはSecureを選んでください。

Choose Region and Languageから日本語をクリックしま

す。

7. Input the each item. NOTE : The items displayed by a language and region are

different.

7. 各項目を記入します。

注意：下記説明は英語ですが、日本語を選んだ場合日本語で表

示されます。

8. If you have inputted the necessary items, check the I Agree, and click the Submit.

8. 必須項目を入力したならば、同意しますにチェックを入

れ、送信をクリックします。

9. The input is needless in this page. Scroll down the page.

9. このページは入力しなくても結構です。

ページをスクロールダウンします。

10. Click the Submit.

10. 送信をクリックします。

11. Immediately, an E-mail arrives from the RENESAS. Click the link in the E-mail to go to the registration site, and input the Login ID and Password. And Click the Submit.

11. 直ちに、RENESASからE-mailが届きます。 E-mail内に有る登録サイトへのリンクをクリックします。 Login IDとPasswordを入力しSubmitをクリックします。

12. Registration is finished.

13. Open the RENESAS top page from registration page.

12.

登録が完了します。

13. 登録ページに有るリンクからRENESASのトップページに

移動します。