7. Do not block any ventilation openings.Install in accordance
with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers,
stoves, or other apparatus (including amplifiers) that produce heat.
9. Only use attachments/accessories specified by the manufacturer.
10. Use only with a cart, stand, tripod, bracket, or table
specified by the manufacturer, or sold with the apparatus.
When a cart is used, use caution when moving the cart/
apparatus combination to avoid injury from tip-over.
11. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
12. Exposure to extremely high noise levels may cause permanent hearing loss.
Individuals vary considerably in susceptibility to noise-induced hearing loss,
but nearly everyone will lose some hearing if exposed to suciently intense noise
for a period of time. The U.S. Government’s Occupational Safety and Health
Administration (OSHA) has specified the permissible noise level exposures
shown in the following chart.
According to OSHA, any exposure in excess of these permissible limits could result
in some hearing loss. To ensure against potentially dangerous exposure to high sound
pressure levels, it is recommended that all persons exposed to equipment capable
of producing high sound pressure levels use hearing protectors while the equipment
is in operation. Ear plugs or protectors in the ear canals or over the ears must
be worn when operating the equipment in order to prevent permanent hearing
loss if exposure is in excess of the limits set forth here:
DRM Professional Passive Loudspeaker Series
Duration, per
day in hours
890Duo in small club
692
495Subway Train
397
200Very loud classical music
.502
05Matt screaming at Troy about deadlines
0.5 0
0.25 or less 5Loudest parts at a rock concert
Sound Level dBA,
Slow Response
Typical Example
PORTABLE CART
WARNING
WARNING — To reduce the risk of fire or electric shock, do not
expose this apparatus to rain or moisture.
Laite on liitettävä suojakoskettimilla varustettuun pistorasiaan.
Apparatet må tilkoples jordet stikkontakt.
Apparaten skall anslutas till jordat uttag.
Correct disposal of this product: This symbol indicates that this product should not be disposed of with your household waste, according to the WEEE directive (202/9/EU)
and your national law. This product should be handed over to an authorized collection site for recycling waste electrical and electronic equipment (EEE). Improper handling of this type of waste
could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation
in the correct disposal of this product will contribute to the eective usage of natural resources. For more information about where you can drop o your waste equipment for recycling, please
contact your local city oce, waste authority, or your household waste disposal service.
2
DRM Professional Passive Loudspeaker Series
ContentsFeatures
Owner’s Manual
Important Safety Instructions ........................................... 2
Contents / Features ............................................................ 3
Introduction / Getting Started ........................................... 4
DRM Series Professional Passive Loudspeakers deliver
high-performance, crystal-clear sound with the rugged
construction and reliability that professional production
and install customers demand.
Custom transducers housed in coated touring-grade plywood
cabinets are designed for consistent performance in the most
demanding applications.
Equipped with M10 flypoints, dual angle pole mounts,
and available line array configurations; the DRM Series
is perfect for clubs, houses of worship, rental systems
and more.
Combine with MX Series Amplifiers* and the SP260
Loudspeaker Processor for a complete Mackie
professional system.
*MX Series Amplifiers not available in the US, Canada,
China, Japan and other 00 – 20V countries.
How to Use This Manual:
Afer this introduction, a getting started guide will help
you get things set up fast. The hookup diagrams show some
DRM Professional Passive Loudspeaker Series
typical DRM-P loudspeaker setups, including some that
involve the DRM8S-P subwoofer.
The following steps will help you set up the loudspeakers
quickly.
. Make all initial connections with the power switches
OFF on all equipment. Make sure the master volume, level
and gain controls are all the way down.
2. Connect the outputs from the mixing console (or other
signal source) to the inputs on the rear panel of the power
amplifier.
3. If not using a subwoofer, connect the speaker output(s)
from the power amplifier to the input on the rear panel
of the loudspeaker(s).
4. If using a subwoofer, connect the speaker output(s)
from the power amplifier to the input on the rear panel
of the subwoofer(s), then connect the thru outputs
from the subwoofer to the inputs of the loudspeakers.
5. Turn the mixer (or other signal source) on.
6. Turn the power amplifier on. Turn up its volume
or gain control(s) as recommended by the manufacturer.
7. Start the signal source and raise the mixer’s main
L/R fader up to a comfortably loud listening level.
This icon marks information that is critically
important or unique! For your own good, read and
remember them...it is a good idea to pay special
attention to these areas in the Owner’s Manual
marked with the “VERY IMPORTANT” hand icon.
There’s an illustration of a microscope,
so, of course, you’re going to get more
detailed information when you see this little
guy. There are explanations of features
and practical tips listed here.
It’s a good idea to pay attention to text displayed
next to a note icon, as this icon draws attention
to certain features and functions relating to the
usage of the DRM-P Series.
Please write the serial numbers here for future reference
(i.e., insurance claims, tech support, return authorization,
make dad proud, etc.)
Purchased at:
Date of purchase:
Things to Remember:
• Never listen to loud music for prolonged periods. Please see
the Safety Instructions on page 2 for information on hearing
protection.
• As a general guide, the mixer (or other signal source)
should be turned on first, followed by the amplifier.
As such, the amplifier should also be turned o first,
followed by the mixer. This will reduce the possibility
of any turn-on or turn-o thumps and other noises
generated by any upstream equipment from coming
out of the speakers.
• Save the shipping boxes and packing materials! You may
need them someday. Besides, the cats will love playing
in them and jumping out at you unexpectedly. Remember
to pretend like you are surprised!
• Save your sales receipt in a safe place.
4
DRM Professional Passive Loudspeaker Series
Hookup Diagrams
Owner’s Manual
To next DRM
loudspeaker
Main
Outs
input
INPUTTHRUINPUTTHRUINPUTTHRUINPUTTHRU
48V
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
CH1
INPUT THRU
SENSITIVITY MODE
0.775V 1.4V
BRIDGE/PARALLEL/STEREO
230-240VAC
50-60 Hz 500W
INPUT THRU
CH2
To next DRM
loudspeaker
input
One convenient feature of the Mackie DRM passive speakers is the ability to connect multiple speakers together easily,
as shown in the illustration above.
DRM passive speakers may be daisy-chained via the speakON connector labeled “THRU”. Simply plug the signal source
(i.e., mixer output) into the amplifier’s input jack(s), patch the amplifier’s speakON output jack(s) to the DRM passive
speaker’s input jack, the thru jack to the next speaker’s input jack, and so on, daisy-chaining multiple DRM passive
speakers.
Daisy-Chaining Multiple DRM Passive Speakers
Owner’s Manual
5
Hookup Diagrams continued...
INPUT THRUINPUT THRU
230-240VAC
50-60 Hz 500W
0.775V 1.4V
INPUT THRU
SENSITIVITY MODE
INPUT THRU
CH1
BRIDGE/PARALLEL/STEREO
CH2
48V
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
DRM Professional Passive Loudspeaker Series
Here is an example of an easy setup that may be utilized in a number of configurations. For example, a singer-songwriter
could utilize this setup at a cafe (with one DRM22-P or DRM25-P on a tripod for the audience and another on the stage
floor as a wedge) or as a small club system with both loudspeakers on tripods.
A ProFX2v2 mixer is connected directly to the XLR input jacks of an MX3500 amplifier. The speakON output jacks
of the amplifier are then connected to the speakON inputs of each DRM passive loudspeaker.
Various Systems
6
DRM Professional Passive Loudspeaker Series
Hookup Diagrams continued...
INPUT THRU
230-240VAC
50-60 Hz 500W
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
INPUT THRU
230-240VAC
50-60 Hz 500W
Owner’s Manual
CH1
INPUT THRU
SENSITIVITY MODE
0.775V 1.4V
BRIDGE/PARALLEL/STEREO
INPUT THRU
CH2
48V
CH1
INPUT THRU
SENSITIVITY MODE
0.775V 1.4V
BRIDGE/PARALLEL/STEREO
INPUT THRU
CH2
INPUT THRU
INPUT THRU
If you desire a little more boom, add a DRM8S-P (or two) subwoofers to the mix!
A ProFX2v2 mixer is connected directly to the XLR input jacks of an MX3500 amplifier. The speakON output jacks
of this amplifier are then connected to the speakON inputs of each DRM8S-P passive subwoofer. The thru jacks
of this amplifier are connected to the input jacks of an additional MX3500 amplifier. The speakON outputs from
this amplifier are connected to the inputs of each DRM passive loudspeaker, be it the DRM22-P, DRM25-P, DRM35-P
or DRM2A-P.
Various Systems
Owner’s Manual
7
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