NEW POWER BOARD
PHON
1 - 2
FRONT PANEL ALL LETTERS SILK SCREENED
TREBLE CONTROL
LOW FREQUENCIES SELECTOR OFF/150/300/600Hz
HIGH FREQUENCIES SELECTOR OFF/6K/3K/1.5KHz
COMPUTERIZE FM FRONTENI
FM PRE-SET BUTTON
LUX has long been a highly respected manufacturer of professional transformers. Dating back to 1925. LUX is famous among manufacturers for its power transformers and its amplifiers, and for the utmost in cool-running reliability. To many manufacturers LUX means reliability. FM PRE-SETTER:
Varactor tuning circuits permit manual tuning across the entire FM band as well as 3 preset controls, each of which can be set permanently on a favorite station. Thus, when using the manual FM tuning control, the operator can return to any one of three stations by simply pressing a button. All three preset controls are capable of tuning the entire FM band independently with separate external controls.
The tone control equalization switches are more than a bass and treble control. With a LUX 900 or LUX 990 the audiophile can contour sound to suit the acoustics of the room by the use of two special 4-position switches: A bass switch that modifies the room acoustics at frequencies of 150 Hz, Hz and 600 Hz; and a trable switch to equalize frequencies of 150 Hz, Hz and 600 Hz; and a trable switch to equalize frequencies of 1.5 KHz, Hz and 6 KHz. The 4th position (off) cancels all circuitry to provide
can be used separately for both channels. Irchiv Vresporse, flexibility required for variation in equaliasting engineers, the individual ear
LUXMAN newly improved Power Board gives you 140W(100W for 900) into 8 ohms, both channels driven at rated distortion of 0.1% from 20 Hz to 20,000 Hz. STYLING/APPEARANCE:
The appearance and ease of use of LUX products are the results of careful analysis of the receivers final use and human needs.: All controls are laid out logically. Smooth and durable machined-aluminum knobs are used for volume, tuning and tone controls. AM and FM bands "black out" when the receiver is in any other mode. Separate and independent illuminated scales are used for both AM and FM.
Front panel lettering is firmly silk screened, and will not rub off with handling. The front panel gives the appearance, then, of the highly sophisticated instrument that in fact it is
Mechanical Anodized aluminum knobs dual Slope selector switch knob with Two position toggle switches with anodized metal handles Pre-set push-buttons black with Size: 18.5" length x 6" high at 13.7" deep (453 x 147 x 336mm) Electrical Inputs: aux., AM, FM, phono high, phono low, tape in, tape out Secondary switches: tape monitor, Filter switches: noise, rumble, loudness speaker remote, phones Slope selector switches: treble: off, 1.5, 3.0, 6.0 KHz bass: off, 150, 300, 600 Hz Pre-sets: for FM: 1 manual On-off switch
Light indicators phono high, phono low, aux. Light indication separately: AM, FM Light indicator: stereo Light indicator: pre-set manual, 1, 2, 3 (on FM only) Indicator light power on-off Field strength and center tune meter back lit. AM dial: light on AM only FM dial: light on FM only Pointer illuminated on AM and FM Pre-set dial: back lit on FM only.
Extruded front panel with endbells AM/FM illumination Anodized aluminum knobs dual Slope selector switch knob with Two position toggle switches with anodized metal handle. Pre-set push-buttons black with gold insert Size: 18.5" length x 6" high at 13.7" deep. (453 x 147 x 336mm) Electrical Inputs: aux., tape 3-3/4, tape 7-1/2 AM, FM, phone high, phone low; tape in, tape out with front dub bing jacks. Secondary switches: tape monitor mode stereo mono. Filter switches: noise, rumble, loudness Speaker switches: speaker main. speaker remote, phones Slope selector switches: Treble: off, 1.5, 3.0, 6.0 KHz, Bass: off, 150, 300, 600 Hz. Pre-sets: for FM: 1 manual 3 pre-sets On-off switch: light indicator
Light indicated functions: tape 3-3/4, 7-1/2, phono high, phono low, aux. Light indication separately: AM, FM Light indicator: stereo Light indicator: mono Light indicator: pre-set manual, 1, 2, 3 (on FM only). Indicator light: power on-off. Field strength meter: back lit. AM dial: light on AM only. FM dial: light on FM only. Pointer: illuminated on AM and FM. Pre-set dial: back lit on FM only.
|
Inputs
Phono high Phono low AM FM FM Auxiliary Tape in (front & rear) |
Sensitivity
2.0 MV 10 MV 2.0 μV 1.5 μV 3.0 μV 85 MV 85 MV |
Impedance
50 K 50 K 100 K 50 K |
Over Load
130 MV 650 MV 5 V |
Hum, Noise
60 dB 60 dB 6 dB S/N 30 dB 60 dB 75 dB 75 dB |
Tuning range
IHF sensitivity Image ratio IF. rejection Capture ratio Selectivity SN ratio Frequency response |
87.5 to 108.5 MHz
2.2 μV 40 dB 50 dB 1 dB 50 dB 60 dB 30 Hz to 15 KHz |
|---|---|---|---|---|---|---|
|
Outputs
Single channel Single channel Both channels Both channels Single channel Single channel |
Watts RMS
60 50 120 100 10 1 |
Impedance
4 OHM 8 OHM 4 OHM 8 OHM 4 & 8 OHM 4 & 8 OHM |
Harm. Distortion%
0.1 0.2 0.1 0.1 0.1 0.1 0.1 |
Im. Distortion%
0.2 0.3 0.2 0.2 0.2 0.2 0.2 |
FM stereo separation
Carrier leak Distortion 100% mod. FM antenna impedance |
36 dB (400 Hz)
-40 dB mono 0.2% stereo 0.5% 300Ω/75Ω |
|
Performance
Power bandwidth Frequency response Square wave response Damping factor Damping factor |
Hz
15 10 50 4 OHM 8 OHM |
KHz
30 40 |
THD% ± 1dB
0.5 5% tilt 35 min. 50 min. |
Remarks |
Tuning range
IHF sensitivity Image ratio IF. rejection SN ratio Frequency response |
525 to 1605 KHz
18 μV 60 dB 60 dB 50 dB 50 dB 50 Hz to 4 KHz |
|
Hum and Noise
Residual Crosstalk aux. Crosstalk phone |
Volume Control
"O" max. max. |
Frequency
1 KHz 1 KHz |
-dB max.
-90 -70 -65 |
-dB min.
-80 -65 -60 |
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|
Filters
High cut Low cut Loudness Treble Treble Treble Bass Bass |
Frequency
5 KHz 100 Hz 50 Hz 10 KHz 10 KHz 10 KHz 10 KHz 100 Hz 100 Hz 100 Hz |
Boost + dB
5 7 12 10 5 5 9 13 bei |
Cut – dB
3 14 10 6 5 9 13 Her |
Control Setting
max. max. 10 o'clock 10 o'clock slope 1.5 KHz slope 3.0 KHz slope 3.0 KHz slope 6.0 KHz slope 600 Hz slope 600 Hz |
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|
Inputs Selector
Tape 3-3/4 Tape 7-1/2 Phono high Phono low AM FM FM Auxiliary Tape in (front & rear) |
Sensitivity
1.8 MV 2.0 MV 2.0 MV 10 MV 2.0 µV 1.5 µV 3.0 µV 100 MV 100 MV |
100 K
50 K 50 K 50 K 50 K 50 K 50 K |
Over Load
730 MV 130 MV 130 MV 650 MV 5 V |
Ham Noise
-55 dB -60 dB -60 dB -6 dB S/N -30 dB -60 dB -75 dB |
Christian range
Christian range IF, rejection Capture ratio Selectivity SN ratio Frequency response FM stereo separation Carrier leak |
87.5 to 108.5 MHz
2 μV 60 dB 70 dB 1 dB 50 dB 60 dB 30 Hz to 15 KHz 36 dB 40 dB |
|
Outputs
Single channel Single channel Both channels Both channels Single channel Single channel |
Watts RMS.
100 75 160 140 10 1 |
Impedance
4 OHM 8 OHM 4 OHM 8 OHM 4 & 8 OHM 4 & 8 OHM |
Harm. Distortion%
0.1 0.2 0.1 0.1 0.1 0.1 |
Im. Distortion%
0.2 0.3 0.2 0.2 0.2 0.2 |
Distortion 100% mod.
FM antenna impedance |
mono 0.2%
stereo 0.5% 300Ω/75Ω |
|
Performance.
Power bandwidth Frequency response Square wave response Damping factor Damping factor |
Hz
15 10 50 4 OHM 8 OHM |
KHz
30 40 |
THD% ± 1dB
0.5 5% tilt 35 min. 50 min. |
Remarks |
Tuning range
IHF sensitivity Image ratio IF. rejection SN ratio Frequency response |
525 to 1605 KHz
18 µV 60 dB 60 dB 50 dB 50 Hz to 4 KHz |
|
Hum and Noise
Residual Crosstalk aux. Crosstalk phone |
Volume Control
"O" max. max. |
Frequency
1 KHz 1 KHz |
dB max.
90 70 65 |
-dB min.
-80 -65 -60 |
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|
Filters
High cut Low cut Loudness Loudness Treble Treble Treble Bass Bass Bass Bass |
Frequency
6 KHz 100 Hz 50 Hz 10 KHz 10 KHz 10 KHz 10 KHz 100 Hz 100 Hz 100 Hz |
Boost +dB
5 7 13 10 5 5 9 13 |
Cut -dB
3 3 14 10 5 5 9 13 |
Control Setting
max. max. 10 o'clock slope 1.5 KHz slope 3.0 KHz slope 6.0 KHz slope 150 Hz slope 300 Hz slope 600 Hz |
mplifier must be of a very high level r. th ifier design a p er so n probl tements of power. ver the scie ucts the n iled liste ng test w re that LUX amplifiers sound best apart To LUX, sound is not only a science but an art. Listen to the ultimate difference at your nearest audio shop






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