WAJRNING—When using electric products, basic precautions
should always be followed, including ihe following.
1. Read all the instructions before using the product
2. Do not use this product near water — for example, near a bath
tub, washbowl, kitchen sink, in a wet basement, or near a swim
ming pool, or the like.
3. This product should be used only with a cart or .stand that is
recommended by the manufacturer.
4. This product either alone or in combination with an amplifier
and headphones or speakers, may be capable of producing
sound levels that could cause permanent hearing loss. Do not
operate for a long period of time at high volume level or at a
level that is uncomfortable. If you experience any hearing loss
or ringing in the ears, you should consult an audiologist.
5. The product should be located so that its location or position
does not interfere with its proper ventilation.
6. The product should be located away from heat sources such
as radiators, heat registers, or other products that produce heat.
7. The product should be connected to a power supply only of
the type described in the operating instructioas or as marked
on the product,
8. This product may be equipped with a polarized line plug {one
blade wider than the other). This is a safety feature. If you are
unable to insert the plug into the outlet, contact an electrician
to replace your obsolete outlet. Do not defeat the safety pur
pose of the plug.
9. The power-supply cord of the product should be unplugged;
from the outlet when left unused for a long period of time.
10. Care should be taken so that objects do not fall and liquids are
not spilled onto the enclosure through openings,
11. The product should be serviced by qualified service person
nel when:
A. The power-supply cord or the plug has been damaged; or
B. Objects have fallen, or liquid has been spilled into the prod
uct; or
C. The product has been exposed to rain; or
D. The product does not appear to operate normally or ex
hibits a marked change in performance; or
E. The product has been dropped, or the enclosure damaged.
12. Do not attempt to service the product beyond that described
in the user-maintenance instructions. All other servicing should
be referred to qualified service personnel,
SAVE THESE INSTRUCTIONS
1 CAUTION
A
A
\ A Vi S : RISQUE OE CHOC ÉLECTRÍQUE-HE PAS OUVHÍH |
WARNING:
TO REDUCe THE RISK OF RRE OR ELECrmtC SHOCK DO MOT
EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to alert
the user to the presence of uninsulated "danger
ous voltage" within the product's enclosure that
may be of sufficient magnitude to constitute a risk
of electric shock.
The exclamation point within an equilateral tri
angle is intended to alert the user to the presence
of important operating and maintenance (servic
ing) instructions in the literature accoiripanying
the product.
1 RISK OF ELECTRIC SHOCK I / |\
OONOTOPFN / * \
CAITTION
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF
PLUG TO WIDE SLOT, FULLY INSERT.
MENTION - POUR ÉVITER LES CHOCS É1ECTRIQUES
INTRODUIRE LA LAME LA PLUS LARGE DE LA HCHE DANS
LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER
JUSQU'AU FOND.
THE FCC REGULATiON WARNING
'This equipment has been tested ^d found to comply with the
limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable
protection against harmful interference in a residential instal
lation. This equipment generates, uses, and can radiate radio
frequency energy and, if not installed and used in accordance
with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that inter
ference will not occur in a particular installation. If this equip
ment does cause harmful interference to radio or television
reception, which can be determined by turning tlie equipment
off and on, the user is encouraged to try to correct the interfer
ence by one or more of the following measures;
Reorient or relocate die receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from
that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for
help.
Unauthorized changes or modification to this system can void
the user's authority to operate this equipment.
CE mark for European Harmonized Standards
CE mark which is attached to our company's products of AC
mains operated apparatus until December 31,1996 means it
conforms to EMC Directive (89/336/EEC) and CE mark Di
rective (93/68/EEC).
And, CE mark which is attached after January 1,1997 means it
conforms to EMC Directive (89/336/EEC), CE mark Directive
(93/68/EEC) and Low Voltage Directive (73/23/EEC).
Also, CE mark which is attached to our company's products
of Battery operated apparatus means it conforms to EMC Di
rective (89/336/EEC) and CE mark Directive (93/68/EEC).
IMPORTANT NOTICE FOR THE UNITED
KINGDOM
As the colours of the wores in the mains lead of this apparatus
may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
• the wire which is coloured blue must be comiected to the
terrrdnai which is marked with the letter N or coloured black.
• the wire which is coloured brown must be connected to the
terminal which is marked with the letter L or coloured red.
• Do not connect the wire to earth terminal of a three-pin plug.
Before You Begin
Location
To prevent damage to the instrument electronics, do not use
or store it for extended periods where it may be exposed to:
■ direct sunlight ■ extreme temperature or humidity
■ sand or dust ■ excessive vibration
Power Supply
9 Only connect the instrument to electrical outlets match
ing Üie specifications on the name plate at the rear of ttie unit.
Note: If necessary, add the appropriate step-up or stepdown transformer. Connecting to the wrong polarity or
voltage can irreparably damage the instrument
9 To help prevent noise and poor sound quality, avoid con
necting the instrument to the same electrical circuit as mo
tors or large appliances.
9
For the same reasons, never overload the electrical circuit
with too many extension cords.
9
Always start with the volume at a low level and gradu
ally increase it-especially when the instrument is con
nected to external equipment.
Interference
To minimize the risk of radio-frequency interference:
9
Keep the instrument away from fluorescent light fixtures
and other sources of radio-frequency noise that may dis
rupt operation of the instrument’s main microprocessor.
9
Never use the instrument in the immediate vicinity of a
radio, television set, or similar equipment, as the equip
ment may pick up radio-frequency noise from the micro
processor.
9
If operation becomes erratic or unpredictable or the in
strument fails to respond, reset the micro-processor by
turning off the instrument, waiting a few seconds and
then turning it on again.
Rear Connections
Only use jacks and connectors matching the corresponding
connectors available at the rear of the instrument.
Handling
9
Never apply excessive force to keys, switches, terminals
and other components.
9
Avoid dropping the instrument.
Treatment of the Stand
If you use the stand for long periods of time, the screws may
become loose. For safety, retighten the screws if you notice
significant shaking during use or if you move the stand to
another place (see "Assembling the stand").
Cleaning
9
Wipe the exterior of the instrument with a clean, dry cloth
to remove dust and dirt,
9
Never use harsh cleanser, organic solvents, or flammable
polishes.
Foreign Objects
9
Do not place vases or beverage containers on the instru
ment. Liquid spills may cause fire or electrical shock, as
well as cause permanent damage to the instrument.
9
Care should be taken so that metal objects such as pins
and coins do not fall into the enclosure through openings
between keys.
if any of the above has occurred, turn off the power, un
plug the power cord from the outlet and contact your
dealer or a KORG service center.
Warranty
Have your warranty card validated at the place of purchase
and keep it in a safe place until the warranty period expires.
Manual
This manual is your guide to using the instrument properly
and effectively. Keep it in a safe place.
Features
Six voices
The piano’s "AP Synthesis System" produces six realistic voices:
concert piano, electric piano, harpsichord, vibes, organ, and
strings.
Digital effects
Set the reverberation effects to simulate a large concert hall. Add
modulation effects to obtain a wider sound.
Voice combinations
Use the LAYER mode to play two different voices at the same
time.
Pedal effects
Damper, sostenuto, and soft pedals work in the same was as the
corresponding pedals on an acoustic piano.
Only C-350: The damper pedal on the C-350 includes a reso
nance feature that simulates the resonance effect of an acoustic
damper pedal
Built-in metronome
Use the metronome to set both meter and tempo. Metronome
volume is adjustable, and you can select a bell sound for the
accented beat.
Recorder
Use the piano's built-in recorder to record and play back your
performances.
Touch control
The piano offers three levels of keyboard response. Select the
level by pressing the appropriate TOUCH key combination.
Premodem temperaments
in addition to the modem Equal temperament (tuning), your
piano also offers the premodem Kimberger and Werckmeister
temperaments. Select either of these temperaments to accurately
reproduce the sound of a premodem keyboard instrument.
Transposition and tuning
Use the transposition function to transpose any key into any
other. Use the tuning function to make fine adjustments in pitch.
MIDI
Your piano comes equipped with the industry-standard "Musi
cal instmment Digital Interface." You can use MIDI to connect
your piano to computers and other electronic instruments. Your
piano can drive and be driven by external devices. The piano’s
"MIDI Muitivoice function" allows external input to drive up to
four of the piano’s voices at the same time.
The Backup Battery
Your piano’s backup battery enables the memory to retain re
corder data and various settings even while the piano's power is
off. If the [TRANSPOSE/FUNCTION] lamp begins blinking
when you switch on the piano, it is time to change the battery.
For instructions, refer to your nearest service center or dealer.
To switch the lamp off, press the [TRANSPOSE/FUNCTION]
switch.
Introduction
1. Layout
C-350
I I ! I M 3 1 I M
MASTER VOLUME
O [POWER] switch
Use this switch to turn the piano’s power on or off.(page 8 )
o [MASTER VOLUME] slider
Move the slider right or left to adjust the volume,(page 8 )
e [BRILLIANCE] switch
Set the "brilliance" of the instrument’s sound.(page 10)
o [REVERB] switch
Adds reverb.(page 11 )
0 [CHORUS] switch
Adds a chorus effect.(page 11 )
o [TRANSPOSE/FUNCTION] switch
This is a multipurpose switch: use it to transpose the
key (page 14), to implement MIDI settings (page 19), or
to make various other settings.(page 34)
^ ^ ^ ^ ^
?
BRrLLlANCE REVERB CHORUS l3iANSPOSE TOUCH
aaEH frniin
PIANOE.KW
il "
“ LICKT — STANDJ
- DEPTH ]
- MEUOW—NC^
o [TOUCH] switch
Press this switch to select the keyboad response.(page 13)
o [VOICE SELECTOR] switches
Press one of these switches to select the voice.(page 10)
Use LAYER mode to play two voices at once.(page 10)
@ [TEMPO] control slider
Move this slider to set the tempo for the metronome or
for recorder play back,(page 12)
® [METRONOME] switch
Press this switch to turn the metronome on or off.(page 12)
O [RECORDER] switches
Use these switches to control recording and playback,
(page 16)
Use this switch to turn the piano's power on or off.(page 8)
Q [MASTER VOLUME] slider
Move the slider right or left to adjust the volume,(page 8)
e [TRANSPOSE/FUNCTION] switch
This is a multipurpose switch: use it to transpose the
key (page 14), to implement MIDI settings (page 19), or
to make various other settings.(page 34)
t M M I M I M
?
voiws
I.S
TRANSK>St TOUCH
nn
? ?
FUNCTION ^
--------------—
----------------------------
PIAMO
imT
------
UCHT—STWiWi
0 [TEMPO] control slider
Move this slider to set the tempo for the metronome or:
for recorder play back.(page 12)
0 [METRONOME] switch
Press this switch to turn the metronome on or off.(page 11)
o [RECORDER] switches
Use these switches to control recording and
playback.(page 16)
ite.
O [TOUCH] switch
Press this switch to select the keyboad response.(page 13)
0 [VOICE SELECTOR] switches
Press one of these switches to select the voice.(page 10)
Use LAYER mode to play two voices at once.(page 10)
0 [DEMO] switch
Press this switch to plays the built-in demo songs.(page 9)
® HEADPHONE jacks [on the underside of the piano)
<D MIDl'channel selection keys
Use these keys to set MIDI channels.
1. Layout
VlííS OeCAN STRINGS
“TTl((
.......
ET-nn—tr-T
0 Tuning Area
Music Stand
(ft Pedals
i
? ?
AO J 1 , 1 120 ( 1 [ J 200 METÍONOMESTART/STOP RECORD [ DEMO
llt^=LiJ=3li |( “ li
TEMfO
T , ?
II" iiii “ il im
See page 18 f<
-.■.#^..-Vi!v-. ,Lv. iw.' ..'. .■ .
.
.............
^ Ul^lS on t^T p3H6l> "
:, L's
''¿ffi
.*■ ^I'Í ■-.V .'...',.ví^’h-
Xl^‘-ix
i)t
'’.■iiiiitfu '/-y.-X
.'■*■i-íí.ci'iiiv.í/w■■■{6^ =
7
Introduction
2. Preparing to play
O Plug in the power cable
Plug the power cable into an AC outlet.
Be sure to use an AC outlet of the correct voltagt
for your instrument.
AC Local Voltage
@ Open the key cover (C-350 only)
Lightly lift the center of the edge, and gently
slide the cover away from you.
To close the key cover, lightly grasp the center
of the edge, and slide it toward you.
When opening or dosing the key cover, be careful
Note:
not to pinch your fingers.
Applying excessive force, or opening and dosing the
Note:
cover roughly may cause malfunction.
Note: Always check that there is nothing on top of the
cover before opening it. Any coins, paper, or other
small objects left on the cover may slide into the unit
when the cover is opened.
O Adjust the volume
Raise the [MASTER VOLUME] slider to ap
proximately the middle position.
Moving the slider toward the right will increase the
volume. Moving it toward the left will decrease the
volume. With a setting of "0" there will be no sound.
Adjust an appropriate volume while actually play
ing the instrument.
The [MASTER VOLUME] slider controls the volume
that is output from the built-in speakers, the head
phone jack, and the rear panel OUTPUT jacks.
When using headphones
Insert the headphone's plug into the jack.
You can connect up to two sets of stereo head
phones. Headphone connection automatically cuts
off the internal speakers, so you can play at any
volume without disturbing others.
0 Turn on the power
Press the [POWER] switch to turn on the power.
When the power is turned on, the POWER indica
tor located on the left front will light. (C-350 only)
To turn the power off, press the [POWER] switch
once again.
When the power is off, the POWER indicator located
on the left front will be off. (C-350 only)
When using the Music Stond
To prop up the music stand, pull out the flaps
and fit them into the base, forming a triangle.
8
3. Listening to the demo songs
Ì
Ëë
Wë:-
3. Listening to the demo songs
The piano includes 12 built-in demo songs: six in
bank A and six in bank B. Listening to these demos
will give you a good idea of the expressive possibili
ties offered by this instrument.
1 Set the piano into DEMO mode.
Press the [DEMO] switch.
DEMO
The piano enters DEMO mode and bank A is se
lected. The [VOICE SELECTOR] lamps come on se
quentially, then all come on at once, and then the
lamp pattern repeats.
If you wish to play a demo from bank A, proceed to
Step 3. If you wish to change to bank B, go on to
Step 2.
Change to bank B.
Press the [DEMO] switch again to switch to
bankB.
PIANOe, PIANOKARPSIVtBES
.u.
][
][
~0(
STRiNGS
1—ll~r
PIANOE, PIANOHARPSIVIBES
CDf
j
' u
][
1 “
Press one ot the selectors to
choose a demo.
ORGAN STRINGS
111 " 111 ‘ II
When the piano reaches the end of the demo, it au
tomatically advances to the next demo in the same
bank. Playback then proceeds endlessly, cycling
from one demo to the next.
Starting by [START/STOP] switch.
To start endless playback of all 12 demos,
beginning from the first demo of track A,
press the [START/STOP] switch.
SHTART/STOP RECORD
While demo playback is in progress, you can switch
to a different demo (within the currently active
bank) by pressing the corresponding [VOICE SE
LECTOR]. If you press the [STRINGS] switch while
the piano is playing the first demo in bank A, the
piano immediately switches to the sixth demo in
bank A. Once you have pressed the selector, play
back proceeds endlessly within the same bank only.
The [VOICE SELECTOR] lamp pattern changes: all
the lamps are now blinking. You can now proceed
to step 3 to select a demo from bank B.
you can exit from DEMO mode by pressing the
[DEMO] switch once again.
Note: You cannot use the voice selectors to change voices
while DEMO mode is selected. The metronome func
tion and tempo-adjustment feature are also disabled.
3 Select a demo.
■ Selecting by [VOICE SELECTOR].
To start playback of a specific demo, press the
corresponding [VOICE SELECTOR]. (The
table below shows the demo assignments for
each bank.)
VOICE
1
PIANO
2
E.PIANO
3
HARPSIJ.S.Bach/ltalian Concert BWV971
4
VIBES
5
ORGANF.Mendelssohn/Wedding March
6
STRING
F.Chopin/Scherzo No.2 Bb-minor Op.31
KORG Originai/The Harp of Wind
N.RIMSKY-Korsakov/The Flight of The Bumble Bee
J.S.Bach/Air on the G siring
A BANK
4 Stopping the playback.
You can stop playback by pressing the
[START/STOP] switch, or by pressing the
[VOICE SELECTOR] corresponding to the
currently playing song. The bank display
returns to its previous state.
Exiting from DEMO mode.
To exit the mode while demo playback is in
progress, press the [DEMO] switch once.
To exit the mode while demo playback is
slopped, press the [DEMO] switch either once
(if bank B is currently selected) or twice (if
bank A is currently selected).
B BANK
L.v.Beethoven/For Elise
F.Mendelssohn/Springs Song Op.62-6
F.Chopin/Valse No.6 Db-major Op,64-1
W.A.Mozart/Sonate K.331
F.Burgmulier/“La chevaleresque" Op.100-25
A.EIImenreich/Spinng Song
Playing
1. Select the voice
Press a [VOICE SELECTOR] to choose the voice.
PfANO E.PIANO HARPSi VISES ORGAN STRINGS
ogaaaaE
PIANOBright acoustic grand piano.
E.PIANO
HARPSITraditional harpsichord.
VIBESJazz vibraphone.
ORGANPipe organ sound.
STRINGS
By using LAYER mode, you can set the piano to play
two voices at once. In LAYER mode, the piano plays
both voices over the entire range of the keyboard.
Synthesized electric piano.
String section.
Sounds processed with INFINITY
oo
¡NRNiTY
2. Selecting Voice Modes
Adjusting the relative volume
Since the LAYER mode both use two voices, you may
wish to adjust the relative loudness of the voice:
Q Switch to the LAYER mode, if not already there.
Hoid down the [VOICE SELECTOR] corre
sponding to the voice that you wish to make
softer.
B
Make the other voice louder by pressing the cor
responding [VOICE SELECTOR] as often as nec
essary to achieve the desired balance.
Example: When Selecting PIANO and STRINGS.
PIANO
E.RIANOHARPSIVIBES
'J''
“^1
](
'^While repeatedly pressing this Hold down this switch to make
switch to make this voice louder, this voice softer.
Note: Any changes that you make affect only the current
voice. The new volume balance settings remain in
effect through all subsequent voice changes until
you change them. Even after turning the unit off,
the volume balance settings in memory,
31:
ORGAN
”0
3. Add various effects (C-350 only)
The piano offers two voice modes: SINGLE and
LAYER.
SINGLE This, the normal performance mode, uses one
sound over the entire range of the keyboard.
LAYER This mode simultaneously uses two voices over
the entire range of the keyboard.
Note: The LED indicators in the switches light to indicate
which voice or voices are currently in use.
SINGLE
Press a [VOICE SELECTOR] and every note
across the range of the keyboard will sound the
selected voice (for example, PIANO).
B
LAYER
Hold down one [VOICE SELECTOR] and press
another and every note over the range of the key
board will sound both selected voices (for ex
ample, PIANO and STRINGS).
Since the LAYER mode uses two voices , a maxi
mum of 16 notes (or 10, if the PIANO voice is se
lected), instead of the normal 32, can be played at a
given time.
PIANO
.....
D"
E.PIANO
joil:
HARPSI VIBES
^ illi “■■■
I
ORGAN
di:
—IT
Setting the Brilliance
To set the brilliance, hold down the [BRIL
LIANCE] switch and press [PIANO], [E. PI
ANO], or [HARPSI] switch.
BRItUANCE
■ MEllOW — NORMAL
PIANO
E.PIANO
HARPSI
You can check the current setting simply by hold
ing down the [BRILLIANCE] switch. The lamp cor
responding to the current setting (the lamp on the
[PIANO], [E. PIANO] or [HARPSi] switch) lights up
while the switch is held down.
MELLOW
NORMAL
BRIGHT
E,PIANO HARPSI
------
BRIGHT
To Cancel the LAYER mode, simply select a differ
ent voice.
10
4. Using Pedals
Adding a Reverb Effect
The reverb effect produces the echoing acoustics char
acteristic of a large room or concert hall. The C-350
offers you three different reverb depths.
To set the reverb effect for the selected voice,
hold down the [REVERB] switch and press [PI
ANO], [E. PIANO], or [HARFSI] switch.
REVERB
E, PI A NO HARPS I
dCIDlI
■DEPTH 2----DEPTHS
DEPTH1produces light reverb.
DEPTH2
DEPTHS
You can check the current setting by holding down
the [REVERB] switch. The lamp corresponding to
the current reverb setting {the lamp on the [PIANO],
[E. PIANO] or [HARPSI] switch) lights up while the
switch is held down.
To turn reverb off, press the [REVERB] switch so
that the lamp on the switch goes off.
Adding a Chorus Effect
The chorus effect adds thickness and undulation to
the sound.
To set the chorus effect for the selected voice,
hold down the [CHORUS] switch and press [PI
ANO], [E. PIANO], or [HARPSI] switch.
CHORUS
DEPTH1
DEPTH2 produces a moderate chorus effect.
DEPTHS
You can check the current setting by holding down
the [CHORUS] switch. The selector lamp corre
sponding to the current chorus setting (the lamp on
the [PIANO], [E. PIANO] or [HARPSI] switch) lights
up while the switch is held down.
To turn the chorus effect off, press the [CHORUS]
switch so that the lamp on the switch goes off.
Note: You can set BRILLIANCE, REVERB, and CHORUS
effects separately for each voice. The .piano memo
rizes the settings, and automatically restores them
each time you select the voice.
Note: The piano retains all of these settings (the brilliance
setting, the reverb and chorus ON/OFF settings, and
the reverb and chorus depth settings) for each voice
even while power is off.
produces moderate reverb.
produces deep reverb.
PIANO E.PtANO HARPS!
a(
DEPTH 1
---
T
DEPTH 2
-----
DEPTHS
produces a light chorus effect.
produces a deep chorus effect.
4. Using Pedals
The left pedal on the C-150 can function as either a
soft pedal or a sostenuto pedal.
DAMPER
This pedal simulates the effect of a damper pedal on
an acoustic piano. When the pedal is depressed on an
acoustic piano, small felts, called dampers, are lifted
from the strings. This allows all strings to vibrate,
whether the key for those strings has been struck or
not. When the pedal is released, strings vibrating
without keys depressed are damped.
(C-350 only)
If the Surround parameter is set to "Off", pressing the
damper pedal produces an effect that simulates the
sound of an acoustic piano's resonating strings, when
the PIANO voice is selected.
SOFT
This pedal simulates the effect of a soft pedal on an
acoustic piano. When the pedal is depressed on an
acoustic piano, the sound produced is softer, as the
hammers strike one fewer string per key,
SOSTENUTO
This pedal simulates the effect of a sostenuto pedal
on an acoustic piano. When this pedal is depressed
on an acoustic piano, dampers for keys depressed
when the pedal is depressed are suspended above the
strings until the pedal is released. This allows certain
strings to vibrate freely while other strings are struck
and damped by depressing and releasing keys.
Ì1
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