kodak stereo-pt2 User Guide

nOte:
l)o ttol in(ltllc lrca tlrc natcllel the ticu;
Ituniltg ltour Sec illurti(tiott.
tottiotl
linder
tlrcn
suhject.
ot'
The
stcrco vicrv
t\\'eer)
the trlo thirt vorr tppcat
car scc vorr subject as it rvill
in thc pictrlc.
il'he bubble lelc.l
,rtr ,
tsnt.rc,l
levcl
\,rl)i., 1.
)n,rr
in
hodzontirllv.
ffncler
lcnscs. Tt
is locatecl bc-
is
suides
vou in lining
\\ lren lhe 1'rrl'l'1" ir
llr.
nnrch, llre c.rrrrclr is
so
Because the vierv finder on the Koclok lv
bctrvecn thc two lcnscs,
qou
rnlqt
rnirking
irr
Camcra
Steleo
for
sec
irdjustmeDts.
is locatccl clirect-
get
yoi,
irll clistlnces rvithout
For
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}rrrcl helcl
'
rrr
ror,,l tion one firrgL.t­lc'rse.
Ltxrk
ir-ame
rcl cssiuv ilclillstnients
\l,,.lr.f tance, cerlter then
squecze
'fhis
action
jer
k
the canera.
The illrrstrrtion of holclinq ,xl
rou
c.inenr
lisc a Koclak ,rl
so e other'filn
ar clrl is
I
slapshots-
,rtil,l)
r,
itlr
Lo'lr Lrnrl..
near'
tlilongh
vour'slrbiect.
.l\,,1
thc lruLble
shotrlcl
tlle crrrler-ir.
prefcr-, as Jorrg
steady nncl
set at
tlre
rrc
l, rrs
operring.
thc exposure
be
shorvs
levcl.
Flexiclomp,
srpport
"8."
holrl
the carrr-
exposrue rc-
tlre vjcrv
After
tlre nec-
made for-
rr
in
the notch;
smooth.
one
LIse nny
ls you
kecp
a
rvhed
Po.i-
lincicr.
thc
,l ,li.-
Iclease.
Do
not
metlod
rneth-
the
tripocl.
thc
27
I
I
Ttipod. socket.
tlte camera is empt\,
\Yhen­mou be necet\drll
sDtuckel,Ioutcd
torald the hinsecl back
eftt.
before the shitter can be
slop
munu(llu
set
inride the cum
,
to rotute Ihe
_it
to a
The dunl shutter is itutomatically cocked when Tlis makes prevents occidental douLle exposurc."
For tl-rosc rare times $'hen to recock the shutter without iclvalrc­ing set. This you without filn.
thc arrow the
'tSome
Io adD(lncc lhe forc
lrrctcnt
l)ittg
film,
the
feature
$'ish to demonstlrte the camera
tr{ove the manuil set lever torvard
as far as
shutter; then
people
taking the
accitlentalhJ
the
erpasure
advan(e the
you
picture
taking ersier and
you can use
is also
it $'ill go to cock
allorv
ma11
ltrefcr
t)icturc
_trip-
reLease.
be-
film iust
heJpful
it to return.
to
fiim.
writ
vou
the m:rmrtl
rvheD
llolrl
www.orphancameras.com
the
*,rr
lirc.ction
Lilt thc
r
incl knob
I
the lr1r(J\'.
:, rur : lr.ri
n ,
Opcn
.rvind
:
: fihn.
Scncl
.lfesl
iiflr(
:
currela lrith
cl lou. Pless
of the arr.orv
crink fionr
ancl r-crr
hLurcl
os'av horn
it tlrrns \\'hilc reNincling.
.r
rl st"t,lrrrr.jr,t rvl,,
the calrclt
knob, and
tlre exposecl
pr-o(c'ssing
tion
slreet.
thc letitrcl
alcl holcl
thc'slot
ind in
See
thc illustration.
the rr'ind
luck, pull
lemove
loll
strtion.
thc lcrrses
lever.in tLe
iL there.
in thc rc-
the clil.ecti(nr
I.,ccp
knol)
'fhc
rr i
tlrc
n
hl ,
orrt
tlie mrgezine
of fiLn to
Sc'e the {iirn
t)re
tlre
29
to
so
d
L
flsh pictures
You can sl.rco tures in clnylight. with
oldcl ol the be used Thlead flirsholcler bottorr of venient left sir'le fron-r the :nrl ltt:rch the cotcil. tor
toke
c.rmi rr .rs e.rily
thc lcsults.
Eithcr the
clockq'ise
Koclak
with
the screw srpplied
into the tripocl the camcrt.
lttrch tlie
to of thc camera.
{laslr
to lock
ale taking
You rvill
Kodrk Standnrd
yolu'
post
NIake certdn
that thc corcl fasholclel clocs hort of eithcr lens, The cor'cl can
i
with your
nrr
l.rkc
t.s
)
be amazed
Fhsh-
BC Flnsholilcr
with the
sockct
position.
rvhen you
fllsh
camera
in the
con
tut.rlr
pictures
ster-eo
It is uslrallv
flasholclel to thc
Rcmove the
l)y turning }i
Turn the connec_
it in
fi'om the
not ftll in
be rvound oncc
li,-
ctn
cap
oround the flasholcler before
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tachecl to the l{rsh
'l'he
StLrnclalcl lilrsholcler
\!ith t$o
.lnrperes), ol the Koclak tsC Fleshpnck.
Loosen the
Fllsholcler ancl remove
rrsing t\vo
\\itb
size
"C"
the central contacti
it is at
post.
cur be
insert
uscd
When
then
"C"
lt:rtteries (testjng
scret, otr the Stancllr'cl
the back.
bxltelies
up.
(SlVl
clas
F
and SF)
lantps
reach tlu:
lieht
intetbita at
1/200
5
second.
of th-e
ftiltntittg
r
r/s0
125
class
rcaclr tlrc &cond. Llsa shlt1er speecl
tatting ol:
(No.
lvl
intcnsilu
5, No. 25 and No.
pcak
at about 1/50
of
Deak
about
Use ana
shutter
of light
8)
B
l1t5
€lectronic
u,;e JCnr
flash-Type
at all slntter
gsr
|
rrso
125
X
speeds
lrrroo lrzoo I
Batteries the can
Before 0lder,
base
point
are not supplied
Standard 0r
purchased
be
put
you
that the bottom of the
be sure
and bright. lf the contact
clean
is
is tarnished,
the BC
your
from
the lamp
rub it
Flasholder.
on a
face.
Turn and until it is held in by
push
pushing
the lamp
the lamp place.
Release the lamp
ejector.
cauti0n:
Since lamps may shatter the use of the Kodak other
transparent
is
recommended.
in
an explosive
in
the socket
32
2-Way Flashguard or
over the reflector
shield
not flash the lamps
Do
atmosphere
if
shuiter
the
with either
They dealer. in
flash-
the
lamp
rough sur-
into
the socket
when flashed,
or insert them
is
open.
follor,ving tables provide
The sarv exDosur€ chiome^Film
F
Class (No.
5, No.
subiect
the camela
from
Tvpe
(SN{
or Sf)
25,
should
information
or No. 8)
be
shorvn
the neces-
for Koda­A when lamps
used
and
Iamps'
the number
in the
with
Class N{
The
feet
of
tables'
,:: F
www.orphancameras.com
''l
: :.
il
,:
(SlVl
or
SF) Iamps
(No.
5 or No. 25) lamps
(No,
8) Iamps
Shutter speed
tl25 1150
u2s
LENS OPENING
tl
11 8 5.6
J.Jl6
distance in feet
161410
t42320l0
4v,
13
14
The tables are comDuted
rcflector is used, set tlv
A
exposure tuble
flaslt
F ield Cnsc.
E.\t.n.ion
pot,l...lo.r
of
I
ate inLlrrded
fla'loldp^
\pp.ridl
uith lhe
liFl'tins
flasholders,
Lumaclad Reflecto$.
lor
lens opening ane hall stoyi largcr.
is also
are
niihed, inside the
lut
at'ailable
cflprts.
eic.
for
Directiont
"hots
lf a satin
Kodtft
lntcp
ol
lor
Sterco
erouts
th
frnish
ir
us
4
The lirnitecl \\rhen both
.rill ir,lFri,,rr.
sul)jects.
camer-it or olher sDeed sclle r'clease ter l,ill remtin ertu,"'r|c
tlr. reqrrircd ex1'rosuie,
Ihc shuttel
)r,rr
make a
Io
ol a
6rrn support.
to make the
to bright
,.,rr
l,itlrt s((
tbe ctrlteltr
KoclLrk Flexiclamp,
to
Icl..r.c i. I'el,l
let
rvill close.
tlking stereo pictules
fun of
liilht conditions.
alcl subject
.rP..rrIer.[^r
l"r'tl
r".rlc
ncs. in{l
long exposule, ploce
"B."
exposru e. Thi shut-
open
rrrrorrrrt uf
the exposue
!!o
Inirrr)
tripotl,
ltovc the shutter
Press the erposule
us long irs ihe
,1,'\'r.
fnr
iirne
rclease.
is not
iuc
r,llrel
thc
Alll.r
(hP
www.orphancameras.com
The
Kodak XIetaI Release TBI mak( long The into shutter
nuo.5,
Cable
cable-releuse
the
opENrNc
release,
or tl.te
Release
exposures
is Ihreaded
below
Cable
Kotlak
No.
eusiet.
the
2
/9\
(\4
&tl
L+.
The shows their constructea both
The-Kodaslide to use. accurate
dental
when
and ouicklv varyi;g
'i'he"
operate
'
lrt=-J
modern
best
appecrlnce
Kodaslide
your
ofl
A
viewing.
stereo
possible udvantage.
compact,
and
and
Stereo movable focusing
movement
diitances
vier'vers
from either
teries. for either
within
Adjustment
made
between
can
All
the
36
Stereo
transparencies
it
pleases
viewjng
slide
and prevents of the
accommodate
to
be
line power
the
tvDe
iririt.
comlort.
Viewer
holder permits
adjustment
is-
the
converted
ivorking
contained
are
Viewer
to
Sturdily
in
is easy
acci-
easily
tor
eyes.
to
or bat-
Parts
Kodaslade
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Stereo . .
. '.
l.attcry
I .rtrlple
:th
.n
be
:.
pe viewer
\,iewer
tvpe
lenseS
Accessory
changed
T
Accessot'y
uge
cord.6-watt.
I
viewer
Converterx
to line
Cormerter
80-tolt
Kodaslade
Sle;eo .
100-volt
.
cementccl
doublet
.
brightness external
.
can
consists
lamp
\'aewei
line-voltage
lenscs
rheostat
be used
of line
trntl
rheostut.
ll
achronatic
control
withour
with
batteries
oolt_
vierver
The
Kodak
made
of
protects
your
mits it
to be
ment's
notice.
screw
in
the
fits
into
the
the camera.
To
attach
camera,
remove
screw
at
the bottom
Install
the
place
in its
furnished
with
Stereo
Field
grain
top
camera
and
ready
at a
The
bottom
of
tripod
socket
a flasholder
the knurled
of
the case.
flasholder
with
the
the flasholder.
Case,
cowhide,
per-
mo.
knurled
the case
of
to the
bracket
screw
on stereo
tips
Althottglt, there
We taking e nt f r om takin lnstead, go od colorphoto
for burden
go out and take
TOU makes rlou
'plttf oieu
picture,s
'
So thd
merclll
38
stereo photogaphLJ
Dery
are
do noi stereo pi,ctures
both types.
a good stereo picture.
gct
easy.
is
finder
fe@
LDant
g tus o dim
about the
iust
lJot"trself
are the best
rlou scc. slereo pltologra-
ulrul
Find
and shoot-that's
uill like.
aou
ollouing pages
f
as suggestions
rules,
set
Uou
is
en sion pictur
graplry
It is not
'**ith
alot
stereos.
itLdga
u'ltctt
. . .
is old,
to tlink
greatly
sante
applg
ryou
differ-
rules
uallu
e q
necessary
rules,
of
ul"tat
of
Because
in tlte
Iike
to get
hou
are intencled
tlnt
e s.
fo-r
to
lust
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whal nrakes Your stereo camera and
efiect
upon binocular
Simply
see with two eyes.
To see what we ment. directly in line in front of
front
close
your Ieft. your hand.
on the left is on the right is eyes iue correctly focused
only one rmage.
This, you shape and to
(depth).
speaking, binocular
Hold
your
it. Line up
and
back are
right
your
hand.
Open
Notice that
hand.
Open both
You see both
then, is binocular
see
partially
slereo
vision.
mean, try
right
hand, fingers
with
vour
vour
;i;ibte with both
eye. You
right
your
now
you
sides
seen by the left
seen by the right
around
bring out
denend for
viewer
is what
vision
this simple experi-
nose
hand
see only the lront
see only
eyes and look
at
on
vision. With
objects
the
upstretched.
and about a foot
so that both the
eves. Nor,v
eye and
once.
eye; what
your
close
the back
What
eye,
When
hand,
-
to give
third dimension
their
your
at
your
you yo., see
both
you
two
eyes
them
you
o[
of
see
see
And
spaced
lenses
it
eves, #ith th"
The viewed, makes reality.
twhere
Hold the comerq stereo set sood it"uiv.
you
lf
*1i,"
at Correcl culiar correctlv use thJ exiosure'selector. sunlight, mete; il
40
two
fakes
lens
left
resulting
app;ar
stei6o
lo
pictures or
results
Squeeze
taking
aie
a tripoabr
use
exposure.
stereo,
to
exposed
fo^r
know
you
the same
about
pictures
two
to
pictures
began
steody.
if
the
The
time exposures,
at the
one with
and
pictures, when
fiave depth.
appear
Whether
ordinary
you
don't
exposure
piclures
some
Correct
best picture
picture'
how to
For
use it
the camera
what
that's
does. distance
same
right
the
That's-
much
so
you
pictures,
with the
exPosure
hold
release
other
outdoor
ln the
etc.,
correctly.
the
camera
firm suPport'
is
absence
use
two
With
as
One
time'
lens.
iorrectly
wi.at
taking
are
can
you
camera
gently'
is
-not
always
pictures,
a light
the
like
t
set
pe-
a
of
ffi
rE')P
w
When
_
the the distance
Shorp pictures. whole you eyes_move you This tlansparencies then. throughout
pi('tules should
Bec'ause
on stereo cameras, (depth
of sharp. This near a-nd_ far loss proDlem.
taking
camera
scene at once.
look
at
Iook.
so thiLt
is
similar to the
it follorvs
ot field)
all
8
gbjects
of
shalpnesi.
flash
settings
of
the main
In
real life,
only a
they focus
each par'[
through
thal
the rvhole
be in
of
the
short focal
is
very
from
means
subjects
pictures
very
carelully
subiect.
Instead
small
area;t
on each
wav
a
most
distance
sharp focus.
the
range
great.
5li
leet
that
you can
in
your
So
you
indoors,
according
don't
scan it;
a time.
object
siene look
In
iange
o[
the ]enses
-of sharp focus
a lens
include
look
As
at which
is sharp.
at ster.6o
general.
in
6pening
witt
vou
you
of the
vou
viewe..
important"obiects
length
At ro infinity
pictures without
sed focusing
make
to
at a
that is
your
st'ereo
UE
both
is
no
4I
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suggesled
Since you to canitalize lmpo?tonce close
recognize
A ball
But away. The it appears.
Aball
This for
And that
subjects subiects
In settin[, give point
-
If include
^o
ale taking
to
you.
them by
is a ball.
look
might be
is because
our eyes
take on tend
general,
subjects
tie beit
begin
you
want to shoot foreground
techniques
3-D
pictures,
on 3-D eflecls,
of neorby
Notice
at those objects
farther
to
is
to show
obiects. Look
their shapes.
their geometric
away the
a disc; the
objects
those
see partially
fhe camera performs.
how
to
when
stereo
natulal shape;
their
out.
flatten
the lenses
witlrin the
eflect. Subjicts
lesser stereo
distant scenes, be sure to
objects, such
will witn t
you
at the objects
You can easily
features.
that are
object, the
nroon
are too
around them.
are at GROUPS
range of sharp
farthcr
appears flat.
far away
Nearby
far-arvay
beyond that
eflects.
as nearby
flatter'
focus
trees,
ol
people, to
Your lolegrorrnd
Tlre
part. ground
h.orvever',
the
Dolou Do You will'have
^
lor rvish lrom the bulbs. People.
people. try rvls
ture uibums the l'amily.
trrnces lrom natural range
right
improves your
that
risht
selection.
plefer your
like
you
yourselt.
to
avoid
the
blckground;
gmss.
the wastebasket
the
piec.e
lf
you are
to avoid
pretty
populiLr
ure
Place
the
poses. R^emember
of
sharp focus
give
seleciion
opinions
to lead
judge
to
We
leel,
unwanted
oI
paper on the
laking
the
in
filled
your
camera.
the
efiect
pluys
a
mighty
oi obleits'in
picture.
will
The
vary as
si'rots framed?
into
the
important
many-oI
horvever,
objects
lhings
like
i,lrh
pictur.r
old-
military
the
old
with
days
stifl, ior.rnul
people at
Tuke
them have
you
on
stereo
cameras.
of
distance.
imnor.tarit
th'e
chant.es
to
which
these
that
vou will
thaf
cigrrrettes
the
isecl
rug.
Z[ " group
Iine"un. and
nosei of
diflercnt
in
infor.mal.
a
very
for.c-
ar.e.
is
subl'ectp
things
detract
in
flash-
of
'ihis
our
rric,-
dis_
great
+o
..'_l
www.orphancameras.com
unless
ui th"
hold the
the subject
Hold
t"-6
Level
comerq. it sidewavs vie\ver
Do not
era. of framing
advantages
Sometimes stereo successfully
All obielts ral relatibnship Iook tography.
upbn-depth,
3lD
dentir and"can
tleiight
th:rn
in stereo
to eacliother.
wonderful
so
is because
This
perspective,
or
phoiogtaphy,
be viewed
oliginal scene.
as the
A'hn,,." interioi.
might
a striking ordinary
You
with stereo.
way,
picture,
have
alio
For example,
44
the camera
ale
vou
angle as ybu
cimera
better.
slereo
of
pictures
oidinary
pictures. . . .
piltirres
fall
often
scenes
scene
tfie
rvith
decorated
Prove
but quite
fleedom
some
a
level.
Drepared
bn its side
can
show
to
hold the
made
be
their
hold
in
natu-
cam-
hope
mole
not tilt
Do
Scenic vie\,vs
flat in ordinary pho-
usually
for their
retains
depend
charm.
some
o[ its
almost the same
furnished in
and
disappointing
exciting
in
in an
stereo.
in composition
appears to
that
Pole
the
that
ln
grow
out raphy rvill Color. no merge rvith o[
finished
Lighting. that
sions, This ano
people successfully. high variations stereo,
pictures thd
01'
is
o[ lesi
appear
Then.
worry
the
same
Dicture.
Again.
detrdct
ol'ten
can
easily
Drtck-Ilgllted
Subjects
slanding
ljghted
of lighting
Stereo
lighting
a
person's
where
too.
that
Ihe
coloi
lrom bring
Iigtrted
Long
pointi o[ interesr
wa/you
head
consequence
it
belongs.
tre
you
your subject's
sky background.
wi]l r:emain
you get what
leid
color
out
striking
you
shots.
only
neal
a rvindow.
exposur.es
are
is not
like'them
pictures
to
on
interesting
specialized.
in
ordinary
in
stereo.'T'he
usjng
blond
distinct
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45
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lsorne to
Remember
Specks on
pbsed picture. io .".bu" assemble
carefully. take-uo'drum of the^fir'st
near sources
or hot sun time.
soon opened, 6specially
40
additional
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keep
to
either
Use
dust
lenses.
the
loading
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Loaded caireras
the Failure
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of
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as
oossible
Never
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heat runs.
Films should
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camera
sPoil
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or
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be exposed
aftei
Kodak
Do
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dilections
cause
film should
or
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car
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loaded
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package
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lenses
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and plocessed
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K335 are returned
wish
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herlf-inch tag. The mounted turned are
intended for hand
Trrtnsparencies
ture
camera film, turned stereo mounting accompanies is sent to the
Stereo image is the one taken and the right lens. When Kodak Stereo matically marked on the top of the left image is automaticallv marked ficat]on prrency.
film
the
corner
from
to
you
in strips,
marks on thL
unmounted, unless
laboratory.
must
pairs
image is the one
you
Camera,
on Kodachrome
mounted in
returned in
from
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viewing.
made
orr the regular minirt-
Kodrichrome
be mounted
by the left
make an
the left image
with
one identificition
transparency.
top of the
edge of the mailing
Transparencies re-
exposure
Film
stereo nnils. If
form,
slrip
Kodak Company
K135, are re-
the
so that the left
taken by
rvith two
cut a
payment
film
when it
camera lens,
right
the
with the
is auto-
mark
The right
identi-
right trrrns-
for
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viewing
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the viewer,
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PRINTED IN
Fl.ttr.l--Fllm
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Lomps fo
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4 feet to
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