Kodak Cine Special II Operating Instructions

This

manual

Kodak

arranged

have
cording

You

understand
loading, unloading, setting
basic

camera

BLrT
signed
the basic

correct way

raphy-for

for

many

You

in

knowing all you

T.

M.

REG.

U.

S.

PAT.

OFF.

is

your

guide

for

Special

II

,Camera

the detail,

to

full advantage. We

as

far

to its relative importance.

can

use

your

camera

the

sections on

the

the

operation.

the Cine-Kodak Special

for

versatility. After

camera

to

operation,

use

your

animation,

other

special applications.

have

a fine, precision camera.

can

camera

for

fades

about

you

read

it.

using

the

as possible, ac-

successfully

if

film chambers,

film meters,

II

Camera is de-

are

familiar with

on.

There

for effect photog-

and

dissolves,

Take

Cine-

you

and

is a

and

pride

contents

Film

Chambers

Loading

Setting
Unloading
Basic

Th
The

the

Camera

Winding

e lOO-foot film chamber

200-foot film chamber

Film

Meters

Operation

the camera motor

Setting

the speed dial

Focusing the lens

Setting

the

lens opening

Depth

of

field

Using the finders

Mak

ing the exposure

Tripod

Picture
Effect

Controls

Photography

Animation by single-frame exposures

Use

of

the

single-frame

shaft

Using the crank attached to the

To

To

run

Ii

ow to

make

Other uses

single-frame

hand

crank the camera

down the camera motor

fades

of

and

the variable shutter

shaft

dissolves

Using the frame counter

Mult

ipl

e exposures

with

mask

without masks

Titl

es for films
Duplicates

Films

for

the

Camera
Magnetic

film
Care

of

Camera
Picture

sound

the

Cine-Kodak

making

Cine-Kodak

track

aids

for

Special

Special

16mm

II

2

5
8

12
12

14
14
15
15

16
16

18
18
19

22
22

23
23

24

25
26

27

28
28

31

32

34

II

35
36

37

40

how

to

use

the

Cine-Kodak

FILM

Any

16mm, single

can

be

used. Detailed

16mm

films is given on

Special

or

inform

page

double

35.

perforated

ation

I.

Camera

about

Kodak

film

THE

FILM

CHAMBERS

Th

e Cine-Kod

film c

hamber
feature
terchangeable. W
c
scene.
another
200-foot film cham bers

hange

is

that

rolls

You

without

ak

Special

as

standard

film c

ith

of

film

can

also

loss of footage.

II

Camera

equipment.

hambers

this

with

change

for

feature you

little loss of action

from

are

also available.

has

a 100-foot

An

important

this

camera are in-

can

quickly

in

one type of film

Interchangeable

the

to

2

to

remove

the

film chamber

Do

not

remove

run

down all the way. See

motor,

page

Push

the

1

APERTURE

prevents exposing
aperture
attempt
ture

and

to remove

cover

butt

14.

the

locks

on

at

film

COVER

the

the

the

OPEN.

chamber

the

section on winding

BUTTON

frame

of film positioned

camera

film

chamber

when

the

camera

to CLOSED.

in

mechanism. Do

with

the

is

the

This

the

not

aper·

2 Raise

3

Swing
chamber

the

the

from

CHAMBER

film c

hamber

the

RELEASE

until

down to disengage

mechanism

half

it

snaps

of

the

out

.

the

camera.

film

3

to

r~place

tha film chamber

1

Hold

the

film

chamber

anism

half of

the

in

camera

the

in

left

the

hand

right

and

hand.

the

'mech-

2 Match

tration

the

below.

3 Swing the film

must

be

of

the

camera.

4

Push

in

5 Move

note:
always
plings.

the

when

you attach an

run the camera for a

DRIVE

COUPLINGS,

chamber

engaged with

and

down

on

aperture

cover

empty

as shown in

up as

far

as

it

will go.

the

LUG

on

the

mechanism

the

chamber

button

film chamber to the camera,

moment

release.

to

OPEN.

to engage the drive cou-

the

illus-

It

part

4

LOADING

the

100-foot film chamber

The 100-foot film chamber is supplied with a 100-foot
and

a 50-foot Cine-Kodak Film Spool. Save these

spools

and

the

camera

tice threading.

note:

If

the

turns before threading

1

2

3

motor is run down,

Turn

the DOOR

and

push

Push

the BOSS of the tension lever toward the

SPROCKET

spool

from

Push

in

clamp.

4 Unroll

about

in

the spool of film over the

PLY

SPINDLE.

nism

part,

use them for

. A

short

the

LOCK

it

toward

until

tak

strip of film is provided to prac-

film chamber.

one-half

OPEN;

it

locks; then remove the take-up

the take-up spindle.

the

CLAMP

RELEASE

one foot of film

(If

the film

unroll

about

two feet of film.)

e-up spools when you

turn

the motor crank a few

turn

counterclockwise

load

then swing open the door.

and

open the sprocket

and

fit the square hole

square

chamber

base on the sup-

is off the mecha-

5 Refer to the illustration. The white line represents

the

path the film mZlst follow.

6

Engage
and
clamp

7 Follow

PRESSURE

S Pass

pressure on
free

if the film

STUD

all the way

tions

s

note: The pr essure plate must be seated entire
film channel
tion.

9 Observe

the exposure button for
the film is
draw the film
rectly
and

the

film

perforat

place

the

film between

until

it

snaps closed.

the

white line between the guides

PLATE.

th

e film

in

front

of the

Pull

back

the pressure

it

to

make

of the

film channel.

chamb

er is detached.)

Slide

the

film into the film c

and

the

front

of the

in the channel, so

ure

are engag

plate.

and

ed by

the

prop erly engaged

the

film in the film channel

corr

ectly

through

threaded, th

e film will be

will pile up without going

ions with

the

the

GUIDES;

sprocket teeth,

then

push

and

pressure

plat

certain

(See the

e;

plate as follows:

then

exert

that

the

note under

hannel

and

additional

PULLDOWN

between the

camera. The film must

that

the

film perfora-

pulldown. Release the pres-

ly

within

with

the

PIN

. See illustra·

and

an

instant; then release it.

thr

eaded, the pulldown will

the film channel.

driv

through

If

it

is

en by the sprocket

the film chan-

the

the

step 9

be

the

press

If

incor

nel.

When the film is
the loose e
until an

nd

additional

properly threaded

of film

and

foot of film is

hold

in

, take hold of

the exposure

run

off the supply

button

spool.

note: 1/ the film chamber is not attached to the mechanism

ca

part of the

follows:

Rotate the
channel;
into the channel.
that the pulldown draws the film through the channel. It

may be necessary to move the film in the channel slightly
til the pulldown engages the per/orations . The sprock et must
tum easily and the pulldown

channel.

mera, insert the film into the film channel

SPROCKET

th

en open the pressure plate

until the

Tum

the sprocket clockwise a few turns

pulldown

must

is clear

and

draw the film through the

slide the film

0/

as

the film

so

un-

is

-

6

10

Open

the
the
Fit

guide

the

film

sprocket

line

perforations

and

clamp.

between

over

Thread

the

sprocket

the

the

and

sprocket

film

the

teeth, which

already engage the film coming from the supply
spool.

Close

the

11

snaps

into

Attach

TAKE·UP

the

core,

slack

and

The

film

the

spool

place.

the

SPOOL;

in

to

must

will fit

end

the

make

be

sprocket

of
then

direction

over

the

film

wind

certain

attached

the

clamp

to

the

of the

that

so

square

and

make

the

slot

film a few

arrow,

it

is

attached

that

the

base

sure

in an'
turns

to

take

square

on

the

along

clamp.

that

it

empty

around

up

the

securely.

hole in

spindle

.

v V double check

these

points

Press

the

exposure

the

following
attached
clockwise a few

1. The spools must be seated all the

2. The sprocket clamp

to

the

spindles.

release

conditions

camera

turns)

:

must

for a moment

(if

the

film

mechanism,

be closed.

chamber

turn

way

and

the

observe

is

not

sprocket

down on the

3.

The

film

must

by

the

threading guide line.

4. The film loops

move evenly along the

must

be maintained.

path

designated

caulion:

taking satisfactory pictures,
gage the film perforations. This is because the

force comes from the sprocket.

pulldown

It

is possible to run film

engages

Close

door

lock

in

the

direction

the

tension

will

ride

rear

FOOTAGE LEVER

supply

nole:

Never force the door.

object

may

be obstructing it. Forcing

spring at

the

200-foot film chamber

the

The

accessory 200-foot film

the

mechanism

ner

as

on

the

it

13) as

to

load

chamber

film
foot spool. Save
spools
film is

the

the

film

toward

lever will

against

spool.

hinges

and cause

the

100-foot film

mechanism

described

the

200-foot

is supplied with a 200-foot

when

you

provided

through

when

the

Always

film perforations.

chamber

CLOSE

of the

and

and

arrow.

turning

When

automatically

the

film

on

the

will

ride

If

it does

not

light

leak

chamber

half

of

the

camera

chamber

half

(page

for

the

100-foot

film

chamber-The

the

spools

and

load

the

camera. A short

to

practice

threading.

the camera without

pulldown

make

lock

it

it

you

certain

by

'one-half

close

does not en-'

main

driving

that

pushing

the

close so

take-up spool.

against

the

the film

close easily, a foreign

door can cause

.

is removed from

in

the

same man-

(page

3);

replace

4)

and

unload

chamber.

200-foot

and

use

them

for

take-up

strip

the

the

turn

door

that

The

on

the

it

(page

a 100-

it

to

of

nole:

If

turns before threading the film chamber.

the motor is run down,

1

Turn

the

DOOR

the

door.

2

Hold

the

FILM

the

spool

from

3

Press

in

the

two

SPROCKET

LOCK

METER

the

two

CLAMPS.

turn

the

counterclockwise

ARM

to

the

SUPPLY

CLAMP

SPINDLE.

RELEASES

motor crank a few

and

remove

right

and

remov

and

open

the

e

8

4 Unroll

in
spindle.

part,
Refer

5

the

6

Thread

about

the

spool of film over

(If

unroll

to

path

the

the
sprocket clamp.
the

sprocket

7 Follow

guide

the

and

loop is formed.

a foot of film

the

film

about

two

the

illustration.

film

must

film between

Engage

teeth;

threading

PRESSURE

and

fit

the

square

chamber

and

is off

one-half feet of film.)

The

white line represents

follow.

the

SPROCKET

the

film

then

close

the

clamp.

guide line between

PLATE,

so

that

the

square

base on

the

the

mechanism

and

the

perforations

the

the

proper

hole

supply

upper

with

upper

film

8

Pass

the

film in

front

Pu

ll

back

the pressure

pressure

is free

9

if the film
the film
of the
channel

on

it

of

the

chamber

channel

camera.

so

that

to

make

film

channel

and

The

the film pe

the pulldown. Release the

of

the

pressure

plate;

certain

. (See

plate as follows:

then

exert

that

the

note
is detached.) Slide
between the STUD

film

must

be all the way in the
rforations
pressure

plate.

the

the

and

are

engaged

additional

PULLDqWN

under

step

film into

the

front

by

note: The pressure plate
film channel
tion.

9 Observe

note:
part of the camera, insert the film into
follows:

Rotat
channel;
the channel.
so

that the

may

be necessary to move the film in the channel slightly until

pulldown

th e
turn

easily

channel.

10

and

properly engaged

the

th

e exposu

the film

draw
rectly

spool

channe

When
the loose
until
off

If

the film chamber is not attached to the mechanism

e the

Follow
plate

re

is

the film

thread

and

will pile

l.

the

end

about

an ad

the

supply spool.

SPROCKET

then

open the pressure plate

Turn

pulldown

engages the perforations. The sprocket

and

the

the

thr

and the lower
tween the sprocket
Engage

the film

then close the clamp to

must

be seated entirely with

with

the

PIN.

See

film in the film

button

for

an

correctly

threaded,

through the film channel.

ed, the film will

up

without

film is

properly

of film

and

hold

ditional foot

until the

the sprocket counterclockwise a few times

draws the film through the channel.

pulldown

eading

pulldown

must

guide line between

guide;

and

the lower sprocket clamp.

perforations

hold

channel

instant;

then

release it.

the

pulldown will

If

unwind

and

draw

from

going

through

threaded,

in

the

exposure

a half of film is

the

film channel as

is clear

and

slide the film into

the

film through

take

the

then

thread

the

with the sprocket te

the

film

in

position.

in

illustra-

and

press

it

is incor-

the suppl

the

film

hold

button

run

of

the film

must

pressure

film be-

eth;

the

If

y

of

It

the

10

11 Locate

marked

the

with

TENSION

the

LEVER

size of the spool used.

to

the

left of

the

stud

12

Attach the

TAKE-UP

the core,
slack
The

the

end

of

the

SPOOL;

and

film

th

in

the

direction

to

make certain

must be

en wind the film a few

attached

spool will fit over the

film

of

that

square

so

--

in

the

the

arrow,

it

is

that

base

---

slot

in

turns

to

attached

the

square

on

-

--

an

take

securely.

the

spindle.

-

----_._-

empty

around

up the

hole

in

- -

v V double check

Press the exposure

th

attached

counterclockwise a few

1.

2.

3.

4. The film loops

caution:
takin

g satisfactory pictur es,

gage the film perforations. This is because the main driving

co

force
pulldown claw engages

clockwise to lock it.

these

points

release

e following

Th

e spools

spindles.

Th

e sprocket clamps

Th

e film

by

It

is possible to

mes from the sprocket.

Replace

conditions

to

the

camera

mnst

be seated all the way down on the

must

move evenly along the path designated

tlJ,e threading guide line.

must

run

the

film per/orations.

the

film

chamber

for a moment

(if

the film

mechanism,

turn

s) :

must

be closed.

be maintained.

film through

when

the pulldo

Always

make ce

door;

and

chamber

turn

the

the camera

wn

does not e

rtain that the

turn

the

observe

is

not

sprocket

wit

hout

handle

11

n-

I

SETTING

THE

FILM

There
exposing film.

The

of

the

200-foot

exposed

The

carrying

posed

camera
or

when

motor.

thumb.

After
meter
until

Additional
film to allow
mits

you
the film
for

actual

To

chamber

hamber, proc

c
of

unexposed
meter.
p

end

ing

ber.

The

film.

METERS

are

two film meters to

CHAMBER

100-foot film

chamb

film

CAMERA

handl

film

is

the

Set

loadin

at

95

the

met

to

and

reset the

Subtract

upon the size of

Set

the

FILM

er.

remaining

FILM

e.

It

in the camera.

load

ed, when a film

film c

hamber

the

film

g the film

for

all film spools.

er shows '0.

footage

for

handling

run

off

still have

pictur

e taking.

camera

is replaced w

eed as follows:

film registered on the

this figure

answ

er

camera

METER

chamber

It

shows

in

METER

shows the

meter

chamb

has

the

leading

the

is

the
film

watch

when you

is located on the

and

on

the

side

of

the

number

the

chamber.

is located

number

It

must

chambe

is removed to

by

rotating

er

of feet of

under

of feet of ex-

be set each

r is

run

it

set

the

camera

Run

off

the

time the

repla

down

with your

leader

been supplied on all rolls

and

50,

film

ith

processing.

and

trailing edg

100, or

meter

another

Note

the

This

200

feet of film

when one film

partiall
numb

y used

er of feet

chamber

from

the

roll of film

numb

meter

50, 100,

er

of

at

this

or

200, de-

in

the cham-

feet of exposed

numb

er.

are

I

back

the

un-

the

ced,

the

film

of

per

es of

film

-

UNLOADING

12

Th

e usable le
camera
c

hamber

Run

EMPTY.

leaves

in

bright

door

, pull down the tension lever,

spool

from the

film

door, run

the

camera

The

the

film

sunlig

ngth

meter

end

of

channe

ht

tak

of film

shows

off

until

the

l.

or

strong

e-up spindle.

has

been exposed when

O.

Be

for

e opening the film

the

trail

er as follows:

the

chamber

film

can

usually be hea

Never open the

artific

ial

and

the

film meter shows

rd

as it

chamber

light. Open

door

the

remove the full

L

Have the film processed

as soon as possible after
it is exposed. See the

I

rections
yonr film.

that

accompany

di-

BASIC

CAMERA

OPERATION

winding

setting

the

camera

Make

MOTOR

the

camera
gages
mo

tor

motor

sure

the

CRANK down

so that

the

square

in

the

direction of

EXPOSURE

from

the

square

end

of

the

when the warning bell sounds.

can

be

exposed with this

If

the

stop,

about

mately

The
nearly
after the bell

the

speed dial

Turn

the

the

mark

and

64

be

obtained

numb

two

camera

38
warning

run

frames

is

three

turns

feet of film

bell also

down.

About

rings

SPEED

DIAL

for

anyone

per

by setting

ers

.

wound

after

can

3 feet

.

until

of the five speeds

second).

the

BUTTON

its

winding
the

winding.

slowly

be

sounds

the

ind

is

position

hole on

SHAFT.

arrow
About

and

the

bell sounds, approxi-

exposed.

when

of

film

index

mark

Intermediate

ex

mark

out. Bring the

on

the

top

of

the

handle

. Stop winding

35 feet of film

care/Idly to

the

can

be

is opposite

(8,16,24,32,

speeds

between any

Wind

motor

exposed

en-

the

the

is

can

For

normal

index

mark

Sound

pictures

ond.

If

sound

mark

opposite

Any

camera
produce
picture.
tion
in

slower-than-normal

Conversely,

speed

the

projected

Do

not

operate the camera

exceeding 32.

screen

opposite

are

is

to

be

24

for

speed

will

produce

picture.

action

in

silent pictures, set

16.
projected
added

normal

faster

any

at

to

the

screen

than

action

speed

faster-than-normal

without

24

frames

film, set

action.

projection

in

the

slower

than

film at speeds

the

per

sec·

the

index

speed will

projected

projec-

action

focusing

setting

j

the

lens

Turn

the
representing
site

the

You

described

When

measure

forward

the

lens opening

Turn

the

opening

The
sources.
instruction

FOCUSING

index

can

use

in

you
from
edge

LENS

is

opposite

lens

opening

The

sheet

RING

the

camera-to-subject

mark.

the

reflex

The

Reflex Finder,

focus

by

actual

the

subject

of

the

film

OPENING

the

index

can

latest

exposure

packed

with

on

the

finder

to

measurement,

to

the

chamber.

RING

until

mark.

be

determined

data

every

lens

until

distance

determine

page

17.

film

plane

the

from

will

be

found

roll

of

the

figure

is

oppo-

focus,

as

always

</>

on

the

selected lens

several

on

the

Cine-Kodak

15

film.

The
Movie
mation.

Kodak

Dial

See

Cine
contain
your

Kodak

Photo

guide

and

the

Kodaguide

on-the-spot movie-making infor-

dealer.

depth

using

of

field

In

addition

tar

lenses
field is
marker

be
greater

ing

farthest
In

thing

the

from

in

sharp

the

To

read

ring

and

distances opposite

the

illustration,

from

distances less

depth-of-field table

Lens

manual

the

finders

The

Eye-Level Finder consists

and

the

REAR

SPRING

STUD as shown

When

it

to swing the finder

page

on
frame

17. Make

is over

to

the

distance scale, all

have

a

DEPTH-OF-FIELD

distance

the

focus.

depth

the

the

measured

nearest

The

to

the

smaller

of field.

depth-of. field scale, set

focusing ring.

the

page

15

(10

6 feet to 30 feet will

than

3 feet,

you

found

in

packed with

FINDER.

is

not

being used,

the

side locating stud.

Attach

to

sure

in

the

the

the

that

Kodak

Cine Ek-

SCALE.

from

farthest

the

lens opening,

Read

I-number

feet

be

in

may

prefer

the

Kodak

the

point

the

the

index

at

f /

sharp

Depth

film·

plane

that

lens open-

nearest

marks.

5.6),

every-

focus.

to use

Cine

Ektar

of

will

the

and

For

the

camera.

of

the

FRONT

the

front
illustration
it

is usually convenient

finder

.

FINDER

to

the

side position as shown

the

hole

in

the

finder

16

~J

note:

When

the rear finder is used

Regular

hinged lens.

Sports finders

sight through the
rear finder.

Other

move the small
the

scale.

hole

which
the

front finders

Use the

Use the RED parallax correction scale.

sports

finders

in

the rear finder. Use the

The

rear

compensates

finder
distance.
slide

at

infinity

Always use

subject

It

The

down

ing.
picture.
main

before

distance

The

Reflex

shows

the

reflex finder

To

use

until

Center

Turn

subject

taking

The

reflex

exposure

BLACK

(marked

small

hinged

finder

and

lens. Set

For

distances

the

Finder is

actual

the

finder

it

locks.

your

the

is

pictures.

finder

button

with

the:

with

lenses,

parallax correction scale.

in red) for

rectangular opening at the top

and

regular

lens out

sight through the small

25mm

and

40mm

front

finders

without

of

position

BLACK

and

sight through

parallax correction

has a parallax-correcting

for

sighting

the

greater

differences between

slide

at

camera-to-subject

than

20

(00).

REFLEX

is closer

can

eye

in

is pressed. Never

FINDER

than

used

image

also

push

the

Open

over
focusing
sharp

focus. Reset the lens opening

will close

when

2 feet.

for

precision

formed

be

the
the

used

REFLEX

lens
finder

ring

by

for

on

automatically

the

the

focusing.

FINDER

to

its

and

the

try

to use the re-

camera

largest

compose

lens

lenses,

of

lenses,

feet, set

camera-to-

framing.

PLUNGER

open-

until

when

the

slide

the

lens.

the

the

the

17

fle

x finder while the camera is running,

hold

it

open

when

starting

the

camera motor.

and

do

not

making

caution:
tendency to lock
pressure on it.

tripod

the

exposure

See

that

the

camera

focusing

OPEN

LEVER is

and
the des

and

ring,

Make

certain

.

For

normal

at

OPEN.

Push

the

exposure

up

for

the

ired

scene,

down. To unlock the

is wound. Set the speed dial, the

and

the lens opening ring.

that

the

operation, see

button

leng

th

of time necess

or

lock

lease it.

When

the

exposure

in

running position unless

button

Satisfactory results for sports
can

be obtained

by

hand-holding the camera. How­ever, when convenient, a
used. Always use a

tripod
tures with telephoto lenses.
screw will fit into the
th

e camera.

tripod

aperture

cover button is
that

the

all the way in. Hold

ary

for exposing

it

in

position

button

is

pushed

by

push

it

up;

in, it will have a

you

exert upward

pushing

or field type operation

sturdy

when

you

Any

tripod

are

standard

should be

taking pic-

socket on the bottom of

at

SHUTTER

it

in

in

then

reo

tripod

I

r
I

I

PI

CTU

RE

CO N

TROLS

Kodak cine len ses

A wide variety of lenses

Cine-Kodak Special

No

adapter
camera. You will find two slots
side the
the lens to the slot which
focusing
position.
index

marks

sure

th

knurled collar.

f

is necessary

KNURLED

and

lens openi

If

the

lens is not

will be

e lens is properly seated; then tighten the

are

available for use with

II

Camera. See page 40.

for

attaching

on

the lens

COLLAR.

Match

the

locating

brings

the

index marks for

ng

to a convenient

in

the

taking

on

the bottom of the lens. Make

the

lenses to the

mount in-

pin

on

reading

position, the

the

Except for the
era, a clip-on
every new lens.
length of the lens with which
tions

for

attaching the finder

turret

The

lens

turret

is

made

to

accommodate

either one of which

without optical interference

change the lens position,
rection indicated by the
is

in

taking

position when

the

camera

--------------

directly below the reflex finder.

front

finder supplied with the cam-

front

finder must be purchased for

Each

finder is engraved with the focal

it

is to be used . Direc-

are

on page 16.

on

the Cine-Kodak Special

any

two

Kodak

can

be

in

the

taking

from

the other lens. To

rotate

the

turret

arrow

on

the

turret. A lens

it

is

on

the chamber side of

,

--------

II

Camera

cine lenses,

position

in

the di-

19

the

masks

The

set of six masks

for

effect

masks

is given

packed

photography.

on

page

with

Detailed

28.

your

camera

information

is used

about

variable

shutter

The
tel'
film
fades
ing

hand crank

The
winding
or
era

single-frame exposures

crank release

The
crank
the
release
release

ther

ei

the

eight

-frame

The
reversing
exposure
the

lever

SHUTTER

when

it

without

and

dissolves;

objects;

HAND

CRANK is used

the

reverse.

to

make

It

is

used

CRANK

to

the

crank

from

and

to

shaft.

shaft

EIGHT-FRAME

the

work.

film

channel

LEVER

is used

is necessary

exposing

and

(5)

film

through

The

film

can

exposures,

on

the

RELEASE

eight-

or

the

eight-frame

pull

the

crank

the

lower

SHAFT

film.

It

The

film moves

with

for

(1)

closing the

to

reverse

it;

(2)

(4,)

sharpening

out-of-focus

on

the

the

camera,

be

cranked

if

desired.

single-frame

and

exact

is used

single-frame shaft.

from

position

is

used

is used extensively

each

turn

or

exposure

images

background.

eight

-frame shaft

through

shaft

wind·backs.

for

holding

shaft,

push

the

shaft.

to

lock

for

eight

frames

of

the

either

advance

control;

of

forward

the

for

making

the

To

remove

up

on

Return

the

crank

advancing

for

multiple-

through

shaft.

shut

the

(3)

mov-

for

cam-

hand

the
the

on

or

·

20

the

single-frame

The

SINGLE-FRAME

frame
frame

shaft.

the

single-frame release

Th

e

SINGLE-FRAME

frame

shaft

or

prolonged

through

exposures.

the

SHAFT

exposures.

film

channel

RELEASE

To

use,

is

used

is used
pull

for

making

The

film moves one

with

each

for

making

out

by

the

single-

turn

single-

grooved

of

the

the

frame counter

edge

of

the

button.
the release
use,

The
used
single·frame, and
work.

lever

push

the release lever

FRAME

together

The

counter

COUNTER

to

One

is

pressed

make

double·

is

frame

downward.

back

and

the

accurate

and

numbered

is

exposed

When

into

the

camera.

camera

film

runs

and

multiple-exposure

from

0 to 40.

each

time

not

meter

rewinds

in

are

in

audible

shutter

If

the
lever
the

camera. There

ter

is left closed,
dible
the

hand

The

for

ward

shutter

warning

exposure

at

CLOSED, a buzzing noise will be heard.

shutt

crank

same

or

closed.

er

warning

attached
warning
backward

button

need

the

film

is

is

be

no

can

will

again

to

the

heard

through

pressed

loss

of

be

wound

sound)

eight-frame

when

the

with the

film;

Lack

the

film is

camera

if

by

shutt

the

(the

means

shaft

wound

with

er

Stop

shut-

au·

of

.

the

EFFECT

PHOTOGRAPHY

•

•

•

•

•

•

•

•

•

•

, T

•

TH

THE

THE

THE

THE

THE

THE

THE

THE

THE

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ST

STO

STOR

STORY

STORY

0

STORY

MET

STORY

OF

META

animation

1

•

•

•

2
3

•

•

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by single-frame exposures

Animation has a wide

in

used
trace the
in titles,

tur

posur
For

Although the ex
the
the single
This
is
for

ample, f

release is u
Pull
Make

frame

frame,

frame,

upon
film
on the screen.

second s on

16

frames

time-lapse

era
full bloom,
formations
seconds'
vals
tervals between exposures will
subj ect

use

single.

22

television

path

of

in

the

assembly

ed

products,

Anim

ation

es

as

exposure co

camera

admits

continuously

thi

s exposure, close

/8

out the single-frame release.

the

release.

To

give movement to the

move the s

move

The number

(1)

and

frames

(5

Your

tin g a

which

matter.

of

the

frame exposur

etc.

is accomplished

follows:

ntrol

is

operating

frame

twice as

operated

to

f / 11. Best results will

sed

only when the

exposure by

the

of frames to

th

e speed

(2)

the

For

the

screen,

per

second,

x

16).

Cine-Kodak Special

photography-a method

period

rapid

for

an

proj

ection. Expose

will

produce the

single-frame

variety

com

mer

travel

, set the speed-

posur

e is

is exposed

much

the

ubject

subject

of time.

again, and

at which

leng

th

example:

and your

you

movement

entire

es

can

cials,

across a map,

or

disassembly

about

at

16

at

lig

ht

at

speed 16 .

lens one

motor

pressing

subject,

slig

be

you

of

time the action is

If

will have

II

The

of

day,

can

one

desired

shaft-A

be

connected to

of

applications.

in

travelogues

in

of

man

with

single-

frame

dial

ind

ex

1/35

second when

frames

about

as

htl

exposed will

intend

th

e ac
projection

is also excellent

growth

street

frame at

per

1/ 17 second.

when the

To

compensate

opening;

be

obtained

is fully

down

the

expose a single

y, expose

so on.

to

project the

tion

is

to

expose

of

greatly

of a flower

traffic,

be

shown

time

effects. The in-

vary

according

motor

for

the

wound.

in

It

to

graphs,

ufac-

ex-

to

16.

second,

camera

for

ex-

if

the

single-

anoth

er

depend

to last

to

last 5

speed is

80

for

accel-

to

cloud

a few
inter-

to

making

singl

e-

is

1

•

•

THE

STORY

OF

METAL

•

•

frame

shaft.

Write

to

the

Eastman
Rochester 4, New
ers'

names.

using

the

crank

-P

lace

the

push

down

the

shaft.

To

sure

button

the

arrow

F;

posure

arrow
arrow

warning:

crank in a reverse direction, stop winding.
tor as described on page 24. The strong mechanical lever­age that is obtained
frame

shaft

niSin of your camera.

is useful
winding

number
s

moving
being
luust

nole:

Each exposure

there will be a variation in density from frame to frame.

is up,

down,

button

R.

Turning the

R also

If

the warning bell sounds while you are turning

can cause serious damage to

The

hand

for
the

of

ures

of

long

The

shutter

the

exposed.

be

at

OPEN.

When

the

the

came

the

shutter

York

for

attached

hand

crank on

on

the

cran

k release

move

the

film

in

and

turn

the

to

wind

the

film

in

and

turn

crank

winds

the

camera

when

l~'inding

crank

attached

multiple-exposure

film

forward

turns.

It

is also useful

duration

lever

film

must

dot

must

through

When

be

on

the

ra

shutter

.

the

exposing film

of

the same duration, otherwise

end

is open.

to

the

in

always

is closed; when

Kodak

details

and

the

single-frameshaft

single-frame

to

lock

forward,

crank in

in

in

in

lock

the

reverse, lock

the

dir

ection of the

the

direction

motor.

Run

reverse

with

the

stopping

to

the single-frame

work

which

or

in

reverse a definite

for

making

be

at

CLOSED when

camera

unless
the

of

the

single-frame

Compan

manufactur-

shaft

and

the

crank

on

the

expo-

direction

the

ex-

of

the

down the mo-

the

the single-

nucha-

shaft

requires

expo-

the

film is

shutter

lever

shaft

the

dot

of

y,

is

to

hand-crank

the

camera

One

of

the

most

wind the film

as

effects

lap
frames, etc.
hand

crank.

came

ra

either

reverse-To

reverse

without

frequent

through

dissolves,

There

The

in

hand-

the

are,

in

hand

crank

reverse

cran

k film

exposing

uses

for

camera

double

addition,

winds

or

forward.

through

film,

the

hand

crank

in

reverse

exposures, split

other

uses

film

through

the

camera

proceed

as

is

to

for

such

for

the
the

follows:

23

in

Move

the

shutt

crank

to

the
pressing
lar

and
crank
zer will

the
channe
hand

warning

motor

forward-For

of

era

when

per

camera

the eight·

down the

crank

ture·taking

the

crank

at

motor

crank

down

opening

hold

(or

in

the

sound

required

l, release

cran

k to

Winding

bell sounds, stop

as

described below.

film

(the

after

the

the

camera

second.

Before

When

When

the same

starting

motor

frame

crank

the

will

you

camera

and

governor

at

excessive speed.

er

lever to CLOSED

eight.

frame

the

crank

in

the

handle

lock

in)

the

direction of the

when

the

amount

the

in

reverse winds the

run

motor

exposure

turn.

position.

hear

motor

follow it while

rat

of

the

exposure

picture·

scenes

that

of

the

motor),

has

run

is set

at

an

extended exposure, wind

to

the

stop.
shaft. Lock
release.

Lock

the

the

warning

is

nearly

e of speed when

will resist

and

attach the

shaft. Lock

release.

over

exposure

REVERSE

shutter

film is

taking

winding

require

down. Do

speeds exceeding

Attach

it

button

exposure

run

it

turns.

any

it

Place

the

shaft;

button.

arrow.

lever is closed .

wound

button

to

and

position.

camera

and

more

hand

crank
not

the

the

shaft

is pressed,

button

bell, whi

down,

grasp

Continue

the

motor

attempt

to

the

the

then

through

return

motor.

run

than

hand

hand

by

in

ch

stops.

to

hand

shaft

by

rectangu·

push

Turn

the

The

buz·

When

the
the

If

the

down

the

38

feet

the

cam·

crank

24

frames

the

crank

pressing

the

hand

the

pic·

indicates
the

hand

turning

The

turn

the

in

'1

to

24

to

run down

the

camera motor

Winding
frame
tor.
be
run

warning

quired,

ber;

PLUNGER.

the

camera

shaft

or

For

multiple exposures, split frames, etc.,

necessary to wind the film

of

the

motor

Always stop reverse

bell.

proceed

then

push

Lock the exposure

in

the

eight·

(about

If

additional winding
as follows: Remove

in

reverse

35

winding

the

with

frame

shaft

back

feet).

exposure

button

either

more

when

in

button

in

the

winds

than

you
reverse is

the

film

until

single.

the

it

may

one full

hear

cham·

and

the

mo·

the

reo

the

mo·

tor

stops.

When

the

motor

is completely

release

the

exposure

ber;

then

continue

ner

you

can

wind

how

to

make

If

fades and dissolves

A fade-out is a

until

as a

properly

scene.

speed

lever

to

it

black-out

with

the

may

scene
starts
scene is
out

of one scene

the

next

The
determines
shutter
regulated

button

and

winding

back

gradual

is completely

and

in

the

entire

darkening

blacked

gradually

exposed. A dissolve is

with

the

simultaneous

which

the

shutter

length

match

be

the

of

the

opened

tempo

and

attach

reverse.

roll

fade

closed

of

the

run

the

film cham-

In

this

of film.

of

the

end

out. A fade-in

lightens

the

until

fading-

fading-in of

lever is
or

operated

dissolve.

uniformly

subject

down,

man-

of a

the

The

or

being

filmed.

not

make

fades

or

lever,

the

making

before

the

exposure

the

action

upper

(or

shutter

at

the

OPEN.

dissolves

lever will

taking

end

stop

Do
operating
the
notches.

the
to
ning
point
past
motor
Allow
the

to

fade

exposure
the
for

fj.

camera

Practice

cam

era

fade

out-Lock

position.

for

CLOSED

will

about

fade-out.

in-S

shutter
the

fade-in.

the

shutter

so

that

empty

When

the

fade-out, slowly

to

the

automatically

64

frames

et

the

button, and

lever

toward

at

bear

toward

fades

and

actual

button

in

a scene reaches

move

of

the

and

4 seconds

lever

at

same

time,

Allow

speed

64.

When

the

front

of

not

catch

in

the

dissolves with

scenes.

in

the

run-

the

the

shutter

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for

made

place a piece of fin e­er)

card

lens.

points

from

from

usual

of

the

the

and

tra

that

or

tripod

filming, us e

of scenes

In

the

screen wiping

scene

or

flat on

the

mountedsubj

to a block,

completely

With the

on the

the

camera)

area. The

one side of

manner.

the

scene,

for

single

graph

paper

block

so on

versed, close the

number

of

lain

types

Camera

or

may

be

by

arti

or

other

on a

the

that

this type

title.

table

ecL

the
the

about

aid

of

graph

that

block

the

When

make

·frame
one

another

until

the

frames

-

33

duplicates

by

means

of

the

single-frame

tate

removal

With
relation
before the
edge is
was

when

scene

the

scene is entirely cleared. Be

in

the
speed
consumed
least sixty

the

to

at

by

one

same

of

the

of

the

camera

the

graph

camera,

exactly

the

wipe was

square

direction

wipe

in

blocking

squares

camera

returned

place

the

, expose a

for

depends

should

effect.

All Cine-Kodak film
white.

Kodachrome

color

or

black

and

can
film

white.

paper,

the

same

started.

both

upon

off

or

be

be

shaft.

from

the

to

the

and

a new scene

block

place

as

frame,

sure

phases

the

unblocking

used

duplicated

can

be

This

may

necessi-

table_

same

positioJ,l

or

so

that

the

trailing

the

leading

Uncover

to

number

and

move

of

the

the

the

so

the

wipe.

of

scene.

on

for a smooth

in

black

duplicated

in

title

edge

new

until

block

The

frames

At

wipe

and

in

full

t

, II

SERIAL

NUMBERS -________________________

Your Cine-Kodak Special
numbers-one
film chamber. Record these
safe place­tion in case your camera is lost or stolen. Too, most in­surance companies require serial numbers on equip-

ment
Camera

Film Chamber ­Owner's

they

policies.

Mechanism-beneath

Name

34

_

II

Camera has two serial

on the camera mechanism and one on the

numbers

will be a means

next

to the drive coupling.

Plate- bottom

the chamber release lever.

- keep

them

of

positive identifica-

of

turret mounting block_

in a

F I L M S

FOR

THE

CINE-KODAK

SPECIAL

Cine-Kodak Reversal Films

Four 16mm
in

50·, 100·,

with

out addition
ing laboratories.
cated

dup

licated in full color.

Kodachrome

or

col

Koda

t

ographic
used.
daylight with the
Type

Cine-Kodak

general black·
used with

grained.

fine

Cine-Kodak

and-whit
jects

under

tionallight.
indoor·lighted
events.

Cine·Kodak rev

and

in

black

when exposed

chrome

flood lamps

The film

A Co

lor

natural

e film ideally

normal

It

II

CAMERA

All 16mm

either single
per/orated can be used.

ersa

l films

films

are

available

or

200-foot rolls. Scientific processing,

al charge, is done

All Cine-Kodak film

and whit

Film

e.

Daylight

Kodachrome

under dayli

Film

Type

A is color-

and

requires

can

also be used

Kodak Daylight Filt

Films (see page

Super-X

and

Super-XX

Film

·white

picture

or

artificial illumin

Film

suited

indoor

illuminati

is used

for

sporting

events,

and

by

Kodak pro

can

films

Type

r

epr

oduces in full

ght

condi.tions.

ba

lanced

no

filter when so

for

taking

pictures

er

for

42)

.

is

the

first choice for

making

.

ation

is a ve

ry

fast black·

for

photographing

on wit

events on dull days,

night-lighted

be dupli.

for

It

.

It

hout

double

cess·

can

be

pho·

in

Kodak

can be

is very

sub·

addi·

outdoor

'.

Cine-Kodak C-P Reversal Films

(Plus-X,

Super-X, and Super-XX)

These films
processing

are

intend

films

All

exte

rior

vision

scope reco

ods,

co

ntra

are

by the

ed

for

or

to have

are high

and

.speed

interior

photography

rding.

the

y yie

ld

st

and

graininess

sold

at a price

Eastman

those who desire to process their

them

processed elsewhere.

panchromatic

work.

for

When

proc

a positive

characteristics.

Cine-Kodak Negative Films

The

purchase

cessing

informa

price does

tion is

pack

which does

Kod

ak

not

Company.

films sui

They

are

used

either

stud

io

work

essed

by

reversal

image having

not

include processing; pro·

ed

with the films.

both

include

They

own

table for

for

tele·

or

kine-

meth

good

35

·

Panchromatic

negative film
negatives
ground

t

erior

proj

photography

is a very fine

intended

from

which

ection.

It

.

for

prints

is also

use

are

suitab

Super-XX is a high-speed negative film of

graininess.

where

obtained

be used

emulsion

Tri-X

its emulsion speed is

times as fast as Super-XX,

poor

It

is

photographs

und

er

for

production

speed

is

an extremel

lighting

condit

particularly

of

poor

arises.

y high-speed negative film. Since

approximatel

ions.

suited

important

lighting conditions.

work wherever

it

can

magnetic sound track for 16mm film

Kodak

coating
or
16mm

either sound
of

widths. Single-p
track

tra
film,
of the optical track, unless you specify
width
able

fi

Kodak

dealer when he

for

Sonotrack

service-is

double-perforated

Cine-

Kodak

Sonotrack

th

e film

Kodak

will

ck area.

th

with

lm.

Sono

processing

See

Coating
or

silent speed.

that

faces

Sonotrack

erforated

be

Sonotrack

When

e~

it

will be

of the

opt

ical

edge-coating

tra

ck Coating

dealer.

This

returns your

.

your

dea ler for compl ete

Coating-a magnetic

now

available

Kodachrome

film.

can

be

applied

It

the

projection

Coating is available

16mm

coated

an

optical

Sonotrack

track

must

coa

be coated .

for

double-pe

be

ting

can be

sound

ord

16m

grain,

medium-speed

in

making

to be

le

to newsreel work,

news events must

y two

be used

for

proc

or

black-and-white

to film

is

placed

lamp

film

having

the

full width of

track

coated

ered

ordered

m Cin e-

information

original

made

for b,ack-

for

genera

medi

It

can

the

need

and

one-half

under

sound

essed,

taken

on

the sid

.

in

no sound

is on

half the

that

the

It

is also avail-

rforat

ed

through your

by y

Kodak

.

l ex-

um

be

also

for

very

track

sing

le-

at

three

the
the

width

full

16mm

our

film

e

.'

36

CAR

E

OF

THE

CINE-KODAK

SPECIAL

II

CAMERA

to

to

clean

clean

Proper
to satisfactory
pressure

front
be free
should
and

care

of

the

performance.

plate

must

and

rear

outside surfaces

of

finger

marks

be cleaned whenever necessary.

inside

working

regularly.

the

lens

It

is impossible to

trast

unless

the

lens is kept clean.

To

clean

the

lens, carefully

grit

with

wadded

fine camel's -

hair
faces gently with a
lens cleaning
Always wipe

or

spots,
drop

of

the

film chamber

Remove

ARM

to the

With

tion

of

a

match

dipped

move

any

plate

and

ing

agent.)

Remove

tangular

paper

with a circular

other

scum deposits

Kodak

Lens

the

PRESSURE

right

the ball

dirt

on

the

covered with a clean cloth

in

Stoddard's

accumulation

FILM

GUIDE. (Do

any

dust

aperture.

Be extremely

surfaces over which

the

tracks

with a metallic tool.

Since

the

film rides on

the

aperture

and

two
these surfaces
threaded

near

for

plate

the

are

use.

Cine-Kodak Special

The

be

kept

clean

of

and

dirt,

and

parts

of

the

camera

obtain

sharp

pictures

brush

Kodak

brush.

Lens

Cleaning

If

necessary, wipe

wad

of

one

or

or

a clean, soft, lint· free cloth.

motion.

can

Cleaner on the cloth.

PLATE

by

pushing

and

of

the
polished

or

careful

(four

bottom

clean

lifting out

thumb,

Solvent,

on

lint

th

e film travels. Never scrape

at

the

rub

tracks

or

the

tracks

not

use alcohol as a clean ·

on

the

not

to

scratch

the

six

the

corners

of

the

plate) ,

before

II

is essential

film

at

the

the

lens used

channel

all times,

reflex finder

The

and

the

must

outside

must be oiled

of

good

con-

off

any

dust

or

Paper

or

a

the

sur-

several sheets

Fingerprints,

be

removed

the

of

oil

with

PRESSURE

a

plate.

off

any

accumula-

of

the

plate.

With

that

has been

its equivalent, re-

of

the

aperture

edges of

circular

the

surfaces on

of

the

aperture,

make

the

rec-

polished

sure

that

each roll of film is

37

To

replace

the

edge

the

pressure

,

to

clean

the

reflex finder

When
surface
reflex finder, slide
hold

the

finder

To

reach
turret.
finder lens

to

oil

the

camera

A bottle
applicator
II

Camera.

speed

and

be

seriously

Oil

the

100-foot rolls) is

months

six
period.

To

oil
trol

plate

the

pressure

over

the

pin

plate

the

reflex finder is

must

be

kept clean.

camera

with a rubber

To

reach

of

Kodak
is

cold

camera

the

facing

upside down,

the

mirror,

the

toward

Special

furnished

Never use

weather

impaired.

after

run

if less

than

camera,

up_

plate, fit

on

the

aperture

seats

properly.

used

If

dust

the

magnifier

pinch

bulb

remove

top

of

the

ground

the

right

side of

Lubricating

with

the

any

other

operation

Use

very

about

5,000

through

5,000 feet is used

place

it

on

Apply

the

the

small slot

plate. Be

for

focusing,
collects
lens

and

or

the

lens

Cine-

lubricant,
of

little oil.

the

its side with
oil with

inside

to

the

blow

similar

from

glass, slide

the

camera.

Oil with a

Kodak

the

camera

feet of film (fifty

camera

during

the

sure

the

right,

into

device.

the

lens

wire

Special

or

high

or

every

the

con-

wire at-

on

top

the

the

the

will

this

38

tached
the

to

the

cork.

illustration

sides

of

the

shafts.
normal
times
faces.

lustrated.
take-up spindles
Do
intermittently
ticularly
the
Follow

200-foot film

half

indicated

operate
cess oil

(16)

to

allow

Wipe

Oil

the

not

lift

at

film will

this

Remove

of

the

the

and

speed.

off

inside

Remove

the

those

same

chambers.

the

camera

in

the

camera

replace

Just

touch

so

that a drop

After

Start

the

oil to

the

excess oil.

of

the

film

the

screws

and

place a

spindles off

as

before.

points

cause

spots

procedure

film

chamber

face

up

illustration.

intermittently.

the

film

the

of oil

oiling,

and

stop

spread

near

over

chamber

from

drop

the

studs.

Wipe

off

the

film

in

the

for

both

and

on a support.

Press

chamber.

points

indicated

runs

down

run

the

camera

the

camera

the

at

the

of

oil
Run

the

excess oil,

track,

developed image.

the

lay

the

the
Wipe

several

bearing

the

points

supply

on

the

studs.

the

camera

as oil on

100-foot

mechanism

Oil

the

points

plunger,

off

the

sur·

and

par-

and

and

in

the

at

il-

ex-

39

PICTURE-MAKING

film

chambers

who feel that, in order
the best results, lenses
film chambers should be in­dividually fitted
ing

frame
ally necessary for
most
ice is available for those who
wish

further in/ormation, write
Apparatus Service Depart­ment, Eastman Kod
pany,

critical

to

have

Roch

There are some

with

lin

es_

Thi

s is usu-

only

work

. This se

it

done. For

ester 4,

ak

New York.

to

give
and

match

the

Com-

AIDS

lenses

Th

ere a

re

seven Kodak Cine
the finest lenses ever made
cameras_

The

lon

ger

focal-leng

fect; they will also magnify objects close by, give

concentrated field cove

eliminate undesired backgrounds_

The

ISmm

lenses cover a wider-than-normal field

and

are

called wide-angle lenses.

lems of filmin g

in cramp

up space is limited .

The

your

deal

25mm

sidered

Kodak

er

f/J.4

best

Cine

Ektar

about more

or

f/J.9

for

general work. These lenses can

used as fixed-focus lenses (except

ups) when set

smaller.

fe

et to infinity will be

at

IS feet

With

these settings, all objects

21.5 ° x 16.2°. Focusing Range: 12 inches to infinity.
A screw-type filter holder ,

Series

VI No. 27, screws directly to the lens .

15mm

fl2.5

Kodak

This lens includ

the

standard

ject.

It

focuses to the r

Cine

es

an

lens at the same distanc e from th e sub-

six inches. Angle of
Range: 6 inches to infinity. Adap t
28 Sc rew-in. Seri

es

Attachments.

40mm

f

/1.6

Kodak

twice the image size of

13.7°

-

rv-

x 10.3°. Focusing Range: 2 feet to infini ty.

Adapter Ring

Combi

nati

63mm

Size: No. 27 Screw-in. Series VI

on Lens Attachments.

f/2

.0

Kodak

times the image size of the 25mm lens. Angle of View:

to

40

Ektar

lenses availabl

for

16mm

th

lenses give a telephoto

rag

e,

improv

e perspective,

They

ed

quarters

lenses

are

as follows: (See

information.)

Kodak

Cine

Ektar

for

and

lens openings of f

in sharp

focus. Angle of View:

Kodak

Ektar

Wide-Angle

area

over 2

Y2

tim

emar

kably sh

View: 34.0° x

25.

er

VI

Kodak

Cine

th

e 25mm lens. Angle of View:

Cine

Combination Lens

Ektar

Lens-Gives

Ektar

Lens-Gives

e-

motion-picture

ef-

and

solve the prob-

where backing

Lens-Con-

be

extreme close-

/5

.6

or

from

about

Adapter Ring

Lens-

es

as great as

ort

distance of

r . Focusing

Ring Size: No.

about

Kodak

2Y2

8

.

8.7 ° x 6.5 0 .
adapter
Lens

Attachments.

102mm

times

5.4° x
adapter
Lens

Attachments.

152mm

the

image

3.6° x
Adapter
Lens

Attachments.

Kodak

an

optical accessory
length of
approximately
is accomplished with all
ing

the

Covers a field

All

the

menized.

ring

f/2.7

the

image

4.1°.
ring

f 1

4.0

size

2.7°.
Ring

Ektar

the

fast speed

glass-air

Focusing

needed. Series

Kodak Cine Ektar

size of

the

Focusing

needed. Series

Kodak

Cine

of

the

Focusing

needed. Series

fl1.4

Converter

which

Kodak

15mm.

and

about

surfaces

Cine

image

600/0

Range:

25mm

Range:

Ektar

25mm

Range:

reduces

Ektar

The

reduction

the

larger
of

2 feet

to

infinity. No

VI

Kodak

3 feet

VI

Kodak

lens. Angle of View:

6 feet

VI

25mm

advantages

quality

the

Combination

Lens-Gives

lens.

Angle

of

View:

to

infinity. No

Combination

Lens-Gives 6 times

to

infinity. No

Kodak

Combination

to

15mm-Is

the

effective focal

Lens

25mm f /1.4
in

focal length

of

maintain-

of

the

fl1.4 lens.

than a 25mm

converter

are

4

to

lens.

Lu-

Kodak

combination

Kodak
for
attachments
such
a filter
manuals

Combination

use

on

as a filter,

and a Portra

Cine-Kodak filters

Filters

to

obtain

sky

and

moonlight

tain

contrast

wise use of a filter will often

between excellent

Correction

grays

in

them. Oftentimes

lens

all

Kodak

permits

packed

are

used

correct

between

the

relative

attachments

Lens

Cine lenses.

their

or

as a

combination

Lens. Details

with

your

in

black

tone

rendering,

effects, to

areas

photography

filters

aid

brightnesses

blue

reproduces

Attachments

The

use

either

as

of

are

lenses.

-and-white
to

reduce

haze,

differing

make

and a mere

in

reproducing

that

too

are

available

design of these

a single unit,

units,

such

as

included

create

in

the

light

in

the

photography

special

and

to ob-

color.

The

difference

record_

colors as

the eye sees

without

41

a

filter

and

there

Filters

also

scenes.

The

following filters

and·

white

supplied as

. . .

In

senes

sIzes.

Additional

film.

Kodachrome filters

The

Kodak Skylight Filter is

chrome
for
pictures
scenes
scenes,

The
Type

chrome
flood
only.
flood illumination.

The

Films is

exposed

filter
chrome

Film

pictures

made

(mountain

and

Kodak Photoflood Filter for Kodak Daylight

Color Films is needed

is to
lamp
Type

Kodak Daylight Filter for Kodak Type A Color

needed

outdoors

are

the

Film

is no

contrast

cut

bluish

photography:

Kodak

Combination

information

Daylight

in

open

shade

on overcast

or

aerial

photographs.

be

exposed
illumination.
A film should

if

Kodachrome

in

same as those

Daylight

between sky

atmospheric

are

recommended

CK·3, G, A,

on filters comes

for

Type

.

It

under

or

marine

if

regular

views),

indoors
This

is

be

used

Film

daylight.

Exposures

recommended

Type

.

and

clouds.

haze

on

distant

I

for

black·

and

Xl.

All

Lens Attachments

with

your

use

with

Koda

is especially

useful

a clear blue sky,

hazy

days,

distant

sunlit snow

daylight

with

for

emergency use

for

Type

Koda·

photographic

photographic

A is to be

with this

for

Koda

are

·

I

I

\

·

42

carrying cases

Sturdily
Carrying
is supplied
There
Kodak

and

built

Case

for

is ample

Combination

an

extra

and

smart

for

the Cine-

100-and

room

Lens Attachments, rolls

film chamber.

reflex finder image magnifier

A device which magnifies
makes

it

possible to use

appearing,

Kodak

the

Special

200-foot film chambers.

in

the

cases

for

several lenses,

the

reflex finder image

the

reflex finder

Cine-

II

from

Kodak

Camera

of

film,

and

the

..

back

of

the

camera. Images

app

ear

to the eye
maintained.
filming
The magnifier
commo
Ima

ge Magnifier

fac

tor

chamber.

Th

e Optical
Camera corrects
ha

s a

indi

cate

lenses.

fere

nt foca

ti

cal

ch

ambers

An

that requires

date individual

y.

It

c

annot

Finder

grad

uat

ed

the

field covered

It

is

particularly

l lengths

Finder

at

must

the

right

especially

extensive use of

also

has

must

be

for

for

parallax

magnifying

are

be

fitted to th e

factory

are

seen as they actually

side

up

with

lefts

and

rights

valuabl

e accessory

the

an

adjustabl

vision .

be

fitted to the

used with the 200-foot film

the

by

useful when lenses of dif·

often

.

e eyepiece to ac -

The

Cine-

Kodak

down to two feet and

lens which ca n be set to

any

of

the

interchanged.

came

for

reflex finder.

Reflex

camera

Special

Kodak

The Op-

ra

and all film

Finder

at

any

the

Cine

II

Cine-Kodak lens spacer rings

Th

ese simple

means

for

p

erm

it

to be used

make po ssib le
in

ch

in width

fil

exten

ming

with

and

effective accessories provide the

ding

the

very

small movie subjects. Designed

standard

the

coverage of fields as small as

.

camer

a's

close-up

or

accessory lenses,

rang

e to

the

y

lj

~

43

Cine-Kodak sports finders

These open-frame finders
mal size
The sports finder can be used with the 100-foot film
chamber

and

only.

make

it

Kodascope projectors

The Kodascope projectors answer all your needs for
so

und

or

silent motion pictures. The projectors come
equipped with powerful 750-watt lamps amply
for average projection. A 1000-watt lamp can be

used

for larg
with a 2-inch
Ektanon Lens. The following
non Lens
inch

//2.0,

The

Kodascope

on ac
2000 feet of film.
sp

ee

ds. An accessory microphone plugged into the
amplifier e
and

to use the

e audiences.

1/

1.6

es

are

also available: a I ljz-inch // 2.0, a

and

a 4-inch

Pageant

or

dc, 105 to 125 volts

It

operates

nabl

es

you to

Pageant

provide

especially easy to follow action.

The

Lumenized

//2.5.

Sound

narrate your

as a public

an

image of nor-

proj

ectors

Kodak

Kodak

Projection

Projector operates

and

has

a capacity of

at

both

sound

silent movies

addr

ess system.

bright

are

fitted

Projection

Ekta-

3-

and

silent

44

I

1

The

Kodascope

the

best

both

ac

reverse

in

or

and

Royal Projector is designed

silent movie

dc,

105

to

125

has

a speed

wind.

The

Kodascope

60-cycle ac only,
ion

on

a screen

light

on

its
remote ,control
verse

operation.

applications

Analyst

can

project

and

also

own built-in screen.

switch of immediate

It

is ideally

as

sports

analysis,

The Eastman 16mm Pro-

jector,

heavy-duty
tor.
ment

ous

supplied
ed
torium
installed.

available
watt
ampere

Model

16mm

It

is a

precision

designed

professional

The

projector

in

form

to

the

particular

in

which

The

either

tungsten

arc

illumination.

25

is a

projec-

instru

for

continu-

operation.

can

best suit-

audi-

it

is to be

Model 25 is

with 1000-

or

with 46-

to

give

projection.

volts,

control

both

knob

It

operates

forward

for

rapid

and

Projector, illustrated above,

movies

on

suited

in

a table

It

also operates

for

motion

normal

top

in

natural

forward

such special

study, etc.

fash-

by

or

-

be

on

in

re-

a

re-

EASTMAN

12-54-CH-C

KODAK

COMPANY,

ROCHESTER

PRINTED

IN

THE

UNITED

STATES

4,

OF

N.

AMERICA

Y.

· \