Kawai MP11 User Manual

Introduction

Main Operation

EDIT Menu

STORE Button & SETUPs

Owner’s Manual v1.06

Recorder

USB Menu

SYSTEM Menu

Appendix

Thank you for purchasing this Kawai MP11 stage piano.

This owner’s manual contains important information regarding the instrument’s usage and operation.

Please read all chapters carefully, keeping this manual handy for future reference.



About this Owner’s Manual

Before attempting to play this instrument, please read the Introduction chapter from page 10 of this owner’s manual. This chapter provides a brief explanation of each section of the MP11’s control panel, an overview of its various jacks and connectors, and details how the components of the instrument’s sound are structured.

The Main Operation chapter (page 20) provides an overview of the instrument’s most commonly used functions, beginning with turning sections on and o, adjusting their volume, and selecting sounds. Later on, this chapter introduces basic sound adjustment using the four control knobs, before examining how EFX, reverb, amp simulation, and EQ can all be applied to dramatically change the character of the selected sound. The chapter closes with an explanation of the instrument’s MIDI OUT section.

The EDIT Menu chapter (page 38) lists all available PIANO, E.PIANO, SUB, and MIDI OUT section parameters by category for convenient reference. The STORE Button & SETUP Menus chapter (page 59) outlines storing customised sounds, capturing the entire panel conguration as a SETUP, then recalling dierent SETUPs from the MP11’s internal memory.

The Recorder chapter (page 63) provides instructions on how to record and play back pieces stored both in the instrument’s internal memory, and also MP3/WAV audio les saved to USB memory devices. This chapter also explains the MP11’s metronome/drum pattern functions. Additional USB functions are covered in greater detail in the USB Menu chapter (page 92), while the SYSTEM Menu chapter (page 98) explains the MP11’s System Settings and various reset functions.

Finally, the Appendix section (page 110) includes USB-MIDI driver information, software update instructions and listings of the instrument’s internal sounds and drum rhythms, eects, MIDI reference information, and full specication details.

Important Safety Instructions

denotes that care should be taken. The example instructs the user to take care not to allow ngers to be trapped.

denotes a prohibited operation. The example instructs that disassembly of the product is prohibited.

denotes an operation that should be carried out. The example instructs the user to remove the power cord plug from the AC outlet.

Examples of Picture Symbols

Read all the instructions before using the product.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE

- NE PAS OUVRIR.

TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lighting ash with arrowhead symbol, within an equilateral triangle, is intended to aler t the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sucient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

SAVE THESE INSTRUCTIONS

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with dry cloth.

7) Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.

8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat.

9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prongs are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.

10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11) Only use attachments/accessories specied by the manufacturer.

12) Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13) Unplug this apparatus during lightning storms or when unused for long periods of time.

14) Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING

Indicates a potential hazard that could result in death or serious injury if the product is handled incorrectly.

Do not insert or disconnect the power cord plug with wet hands.

Doing so may cause electric shock.

GROUNDING INSTRUCTIONS This product must be grounded. If it should malfunction or breakdown, grounding provides a path of least resistance for electric current to reduce the risk of electric shock. This product is equipped with a cord having an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate outlet that is properly installed and grounded in accordance with all local codes and ordinances.

DANGER - Improper connection of the equipment-grounding conductor can result in a risk of electric shock. Check with a qualied electrician or serviceman if you are in doubt as to whether the product is properly grounded. Do not modify the plug provided with the product - if it will not t the outlet, have a proper outlet installed by a qualied electrician.

When using electrical products, the following basic precautions should always be followed:

The product should be connected to an AC outlet of the specied voltage.

� If you are going to use an AC power cord, make sure that its has the correct plug shape and conforms to the specied power voltage. � Failure to do so may result in re.

120V 240V230V

The product is not completely disconnected from the power supply even when the power switch is turned o. If the product will not be used for a long time, unplug the AC power cord from the AC outlet.

� Failure to do so may cause re in case of lightning. � Failure to do so may over-heat the product, resulting in re.

When disconnecting the AC power cord's plug, always hold the plug and pull it to remove it.

� Pulling the AC power cord itself may damage the cord, causing a re, electric shock or short-circuit.

When using the headphones, do not listen for long periods of time at high volume levels.

Doing so may result in hearing problems.

It is good practice to place the instrument near the AC outlet and the power cord plug in a position so that it can readily be disconnected in an emergency because electricity is always charging while the plug is in the AC outlet even in a power switch o condition.

Do not disassemble, repair or modify the product.

Doing so may result in product breakdown, electric shock or short-circuit.

Ensure that this product is connected to a socket with a protective earth connection.

Entry of water, needles or hair pins may result in breakdown or short-circuit. The product shall not be exposed to dripping or splashing. No objects lled with liquids, such as vases, shall be placed on the product.

Take care not to allow any foreign matter to enter the product.

When using electrical products, the following basic precautions should always be followed:

WARNING

The product should be connected to an AC outlet of the specied voltage.

Do not insert or disconnect the power cord plug with wet hands.

Take care not to allow any foreign matter to enter the product.

When using the headphones, do not listen for long periods of time at high volume levels.

Do not disassemble, repair or modify the product.

Indicates a potential hazard that could result in death or serious injury if the product is handled incorrectly.

120V 240V230V

� If you are going to use an AC power cord, make sure that its has the correct plug shape and conforms to the specied power voltage. � Failure to do so may result in re.

Doing so may cause electric shock.

Doing so may result in hearing problems.

Doing so may result in product breakdown, electric shock or short-circuit.

When disconnecting the AC power cord's plug, always hold the plug and pull it to remove it.

� Pulling the AC power cord itself may damage the cord, causing a re, electric shock or short-circuit.

� Failure to do so may cause re in case of lightning. � Failure to do so may over-heat the product, resulting in re.

Ensure that this product is connected to a socket with a protective earth connection.

� Doing so may cause the product to become deformed or fall over, resulting in breakdown or injury.

Do not stand on the product or exert excessive force.

� Doing so may result in discoloration or deformation of the product.

� When cleaning the product, put a soft cloth in lukewarm water, squeeze it well, then wipe the product.

Do not wipe the product with benzene or thinner.

Failure to do so may damage them, resulting in re, electric shock or short-circuit.

When connecting the AC power cord and other cords, take care not to get them tangled.

� Doing so may cause the product to generate noise.

� If the product generates noise, move the product suciently away from the electrical appliance or connect it to another AC outlet.

Do not place the product near electrical appliances such as TVs and radios.

Please lift up the product when moving it. Please note that the product is heavy and must be carried by more than two persons. Dropping the product may result in breakdown.

Do not drag the product on the oor. Take care not to drop the product.

Doing so may cause the illumination to fall over, resulting in re.

Do not place naked ame, such as lighted candles on the product.

CAUTION

Indicates a potential hazard that could result in injury or damage to the product or other property if the product is handled incorrectly.

Using the product in such areas may result in product breakdown. Use the product only in moderate climates (not in tropical climates).

Do not use the product in the following areas. � Areas, such as those near windows, where the product is

exposed to direct sunlight

� Extremely hot areas, such as near a heater � Extremely cold areas, such as outside � Extremely humid areas � Areas where a large amount of sand or dust is present � Areas where the product is exposed to excessive

vibrations

Failure to do so may cause breakdown of this product and other devices.

Before connecting cords, make sure that the power to this product and other devices is turned OFF.

OFF

The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a minimum distance of 5cm around the product for sucient ventilation.

Failure to do so may over-heat the product, resulting in re.

Ensure that the ventilation is not impeded by covering the ventilation openings with items, such as newspaper, table-cloths, curtains, etc.

The product should be serviced by qualied service personnel when:

• The power supply cord or the plug has been damaged.

• Objects have fallen, or liquid has been spilled into the product.

• The product has been exposed to rain.

• The product does not appear to operate normally or exhibits a marked change in performance.

• The product has been dropped, or the enclosure damaged.

Notes on Repair

Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact the shop from which the product was purchased.

Instruction for AC power cord (U.K.)

WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:

• GREEN-AND-YELLOW: EARTH

• BLUE: NEUTRAL

• BROWN: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows.

• The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

• The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

• The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

An information on Disposal for users

If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it separately by taking it to an appropriate collection point. You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative eects on the environment and human health which could otherwise arise due to inappropriate waste handling. For further details, please contact your local authority. (European Union only)

FCC Information (U.S.A)

CAUTION: Changes or modications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

This applies only to products distributed by Kawai America Corporation.

Declaration of Conformity

Products: Model Number: Responsible Party Name: Address: Telephone:

Electronic Piano MP11 Kawai America Corporation 2055 East University Drive, Rancho Dominguez, CA 90220 310-631-1771

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference

that may cause undesired operation.

Table of Contents

Important Safety Instructions . . . . . . . . . . . . . . . . . . . 4

Table of Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Introduction

Welcome to the MP11 . . . . . . . . . . . . . . . . . . . . . . . . . . 10

1. Feature Highlights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

2. Owner's Manual Conventions . . . . . . . . . . . . . . . . . . 11

Part Names & Functions . . . . . . . . . . . . . . . . . . . . . . . . 12

1. Front Panel: Knobs, Faders & Buttons . . . . . . . . . . . 12

2. Front Panel: Jacks & Connectors . . . . . . . . . . . . . . . . 16

3. Rear Panel: Jacks & Connectors . . . . . . . . . . . . . . . . . 16

Connecting to Other Devices . . . . . . . . . . . . . . . . . . 18

Understanding the MP11 . . . . . . . . . . . . . . . . . . . . . . . 19

EDIT Menu

Overview of the EDIT Menu (PIANO, E.PIAN O, SUB) . . .38

EDIT Menu Parameters (PIANO, E. PIANO, SUB) . . . . . . . .40

1. Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

2.1. EFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

2.2 Amp Simulator (E.PIANO) . . . . . . . . . . . . . . . . . . . . . . . . 41

3. Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

4. Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

5. Key Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

6. Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

7. Knob Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

8. Virtual Technician (PIANO) . . . . . . . . . . . . . . . . . . . . . . . . 50

Virtual Technician (E.PIANO, SUB ) . . . . . . . . . . . . . . . . . . . 51

Main Operation

Overview of Internal Sections . . . . . . . . . . . . . . . . . .20

1. Section Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

2. LCD Display & Control Knobs . . . . . . . . . . . . . . . . . . . 21

3. Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

4. EFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

5. Amp Simulator (E.PIANO) . . . . . . . . . . . . . . . . . . . . . . . . . . 24

6. Key Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Internal Sections & Feature Parameters . . . . . . . 28

1. PIANO section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

2. E.PIANO section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

3. SUB section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Overview of the EDIT Menu (MID I OUT) . . . . . . . . . . . .52

EDIT Menu Parameters (MIDI OUT) . . . . . . . . . . . . . . . . 54

1. Channel/Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

2. SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

3. Transmit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

4. MMC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

5. Key Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

6. Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

7. Knob Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

STORE Button & SETUPs

Overview of the STORE Button . . . . . . . . . . . . . . . . . 59

1. Storing a SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Global Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

1. EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

2. Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

MIDI OUT Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

2. Storing a SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

3. Storing POWERON settings . . . . . . . . . . . . . . . . . . . . . 61

SETUP memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Recorder

SYSTEM Menu

Overview of the Recorder . . . . . . . . . . . . . . . . . . . . . .63

Song Recorder (Internal memor y) . . . . . . . . . . . . . . . . . . . .64

1. Recording a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

2. Playing back a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

3. Saving a song as an SMF le . . . . . . . . . . . . . . . . . . . . 68

4. Loading an SMF le into memory . . . . . . . . . . . . . . 69

5. Erasing a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

6. Song Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

7. Panel Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

8. MIDI to Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Audio Record/Playback (USB memory) . . . . . . . . . . . . . . 74

1. Recording an audio le . . . . . . . . . . . . . . . . . . . . . . . . . 74

2. Playing an audio le . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

3. Overdubbing an audio le . . . . . . . . . . . . . . . . . . . . . . 80

4. Converting a recorder song to an audio le . . . . 83

Overview of the SYSTEM Menu . . . . . . . . . . . . . . . .98

SYSTEM Menu parameters & functions . . . . . . . .99

1. Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

2. Pedal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100

Expression pedal calibration . . . . . . . . . . . . . . . . . . 101

3. MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

4. Oset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

5. User Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103

Creating a User Touch Curve. . . . . . . . . . . . . . . . . . .104

Creating a User Temperament . . . . . . . . . . . . . . . . . 105

Creating a User Key Volume . . . . . . . . . . . . . . . . . . . 106

Creating a User Stretch Tuning . . . . . . . . . . . . . . . . 107

6. Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Panel Lock ( ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109

Appendix

Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

1. Click mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

2. Rhythm mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

3. Recording with the metronome . . . . . . . . . . . . . . . . 90

USB Menu

Overview of the USB Menu . . . . . . . . . . . . . . . . . . . . . 92

USB Menu functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

1. Load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

2. Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

3. Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

4. Rename . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

5. Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

USB MIDI (USB to Host Connector) . . . . . . . . . . . . . . . . . . . . 110

Software Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Sound List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Rhythm Pattern List . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

EFX Categories, Types, & Parameters . . . . . . . . . 114

Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

MIDI Implementation . . . . . . . . . . . . . . . . . . . . . . . . . 120

1. Recognised Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

2. Transmitted Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

3. Exclusive Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

4. SOUND/SETUP Program/Bank . . . . . . . . . . . . . . . . . 133

5. Control Change Number (CC#) Table . . . . . . . . . . 134

6. MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . 135

User Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .136

Welcome to the MP11

Feature Highlights

The best keyboard action available in a stage piano

The MP11 utilises Kawai’s latest Grand Feel wooden-key keyboard action, which draws upon 85 years of acoustic piano craftsmanship

to provide an exceptionally realistic playing experience.

As with a grand piano, all eighty-eight black and white keys are crafted from long pieces of wood, pivoting on a central balance

pin in a smooth, seesaw-like motion. The Grand Feel keys are longer than any other digital piano keyboard action, with the pivot

point distance extended to match that of a Kawai grand piano. When the front of a key is pressed down, the rear rises, throwing a

Introduction

hammer which plays the note. These hammers are graded in size and weight, replicating the heavier bass and lighter treble notes

of an acoustic grand piano, while additional counter-weights embedded within the lower keys help to lighten their touch during

pianissimo passages. The Grand Feel keyboard action even reproduces the subtle let-o sensation felt when playing the keys of a

grand piano very softly, satisfying the expectations of even the most discerning pianists.

Finally, the Grand Feel keyboard action features Kawai’s Ivory Touch key surfaces as standard. This nely textured material gently

absorbs moisture to assist playing control, and possesses a natural, matte nish that is smooth, but not slippery.

PIANO section: The ultimate pianos for Concert, Pop, and Jazz

The MP11 captures the beautiful sound of Kawai’s highly acclaimed hand-built concert grand piano, with all 88 keys of this

exceptional instrument meticulously recorded, analysed and faithfully reproduced using proprietary Harmonic Imaging™ XL

technology. This unique process accurately recreates the broad dynamic range of the original grand piano, aording pianists an

extraordinary level of expressiveness ranging from the softest pianissimo to the strongest, boldest fortissimo.

With separate categories for Concert, Pop, and Jazz playing, the MP11 oers the nest selection of high quality acoustic piano

sounds ever compiled for a Kawai instrument, with a separate category devoted entirely to upright and mono pianos.

Moreover, Kawai’s unique Virtual Technician feature allows various characteristics of the selected acoustic piano sound to be

shaped at the touch of a button or the turn of a knob, with parameters to adjust voicing and regulation, string and damper

resonances, and subtle hammer, damper, and key release noises.

E.PIANO section: Vintage EPs, twin eects, and amp simulation

The MP11 features a selection of incredible vintage electric piano sounds, each with their own distinctive characteristics. Enjoy

their natural, organic sound, or pass the signal through a wide variety of classic eects stomp boxes, before plugging into one of

the ve classic amp and speaker cabinets – complete with realistic microphone character and position modelling.

SUB section: High quality strings, pads, basses and more

The MP11’s SUB section features high quality strings, pads, basses, and other useful sounds that are ideal for creating splits and

custom zones, layering with acoustic or electric pianos, or for playing individually, at the front of the mix. Additional Bell, Air, and

Voice layers bring greater depth to the sound, with exible ADSR parameters and resonance/cut-o controls all adjustable directly

from the panel’s assignable control knobs.

MIDI OUT section: Four zone master keyboard controller

The MP11 features a new, improved MIDI OUT section with four independent zones for controlling external devices, or integrating

into the studio as a master keyboard. Use the assignable panel knobs to send CC# to connected hardware, or the recorder transport

buttons to control a DAW without touching a mouse or leaving the piano. The MP11 even includes LINE IN jacks and a dedicated

panel fader to adjust the level of connected devices, such as that old expander module or semi-weighted synth that you just can’t

live without, or a laptop running software instruments.

Intuitive operation, large LCD, real-time assignable control knobs

The MP11’s control panel is clearly arranged and easy to use, with related functions grouped together and placed where you’d

expect to nd them. A large LCD display and four assignable control knobs, allow several parameters to be adjusted directly in

real-time, without getting lost in menus – concentrate on playing, rather than trying to remember which button does what.

208 Setup memories: enough for the busiest stage musician

The MP11 allows every single customised sound, knob position, fader level, and adjustable parameter to be stored in memory as a

SETUP, and recalled at the touch of a button. With over 200 SETUP memories, the MP11 is ideal for busy stage musicians who like

to plan several shows ahead, before going out on the road.

USB to Device functionality, with MP3/WAV/SMF le recording and playback

The MP11 is equipped with USB connectors that not only allow the instrument to be connected to a computer for MIDI use,

but also to load and save data to USB memory devices directly. This ‘USB to Device’ feature allows customised sounds, SETUP

memories, and recorder songs stored in internal memory to be saved to USB for posterity.

USB memory devices can also be used to play back MP3 or WAV audio or SMF MIDI les, allowing performing musicians to

play along with professional backing tracks, or simply learn the chords or melody for a new piece. It is even possible to save

performances directly as MP3, WAV, or SMF les for emailing to band members, casual listening away from the keyboard, or further

editing using an audio workstation.

Owner’s Manual Conventions

This owner’s manual utilises a number of illustrative conventions in order to explain the MP11’s various functions.

The examples below provide an overview of the button LED indicator states and press types, and the appearance of

dierence kinds of explanation text.

Button LED indicator states



LED indicator OFF:

Sound/Function is not selected.

LED indicator ON:

Sound/Function is selected.

LED indicator ashing:

Sound/Function is selected in a temporary state.

Introduction

Button press types



Normal press:

Select a sound or function, or turn a function ON/OFF.

Text appearance



Normal instruction and explanation text is written in regular type at 9 pt. size.

Captions explaining the LCD display or button functions, are written in bold type at 8.5 pt. size.

hold

Press and hold:

Show a function’s parameters.

* Notes about functions are marked with an

asterisk and written in 7.5 pt. size.

Example operations are written in italic type at 8 pt. size, and enclosed within a grey box.

hold

Press and hold, then press X:

Set split points, create zone ranges, set transpose key, etc.

Reminders, hints, and additional explanations are written in italic type at 9 pt. size.

Part Names & Functions

Introduction

Front Panel: Knobs, Faders & Buttons

Control Wheels

PITCH BEND wheel

This control wheel smoothly bends the pitch up or down from its current value.

MODULATION wheel

This control wheel controls the modulation (vibrato) depth. Moving the wheel forward increases the vibrato depth. The LED indicator will turn ON when this wheel is in use.

* Alternative functions can be assigned to the MODULATION wheel in the

Controllers page of the EDIT menu (page 47).

Volume Faders

PIANO Section

VOLUME fader

This fader controls the master volume level of the MP11’s NORMAL OUTPUT and HEADPHONE jacks.

* The fader does not aect the level of the FIXED OUTPUT jacks.

LINE IN fader

This fader controls the LINE IN volume level.

ON/OFF button

This button turns the PIANO section ON or OFF.

KEY RANGE button

This button selects the key range of the PIANO section.

UPPER/ZONE/LOWER LEDs

These LEDs indicate the key range to which the PIANO section is assigned.

EFX/REVERB buttons

These buttons turn the eects and reverb ON or OFF.

* Press and hold either button to show the respec tive settings pages of the

EDIT menu in the LCD display.

VOLUME fader

This fader controls the volume level of the PIANO section.

CONCERT/POP/JAZZ/UPRIGHT-MONO buttons

These buttons select the category of the piano sound.

1/2/3 buttons

These buttons select the piano sound from each category.

E.PIANO Section

Introduction

ON/OFF button

This button turns the E.PIANO section ON or OFF.

KEY RANGE button

This button selects the key range of the E.PIANO section.

UPPER/ZONE/LOWER LEDs

These LEDs indicate the key range to which the E.PIANO section is assigned.

VOLUME fader

This fader controls the volume level of the E.PIANO section.

TINE/REED/MODERN/E.GRAND-CLAVI buttons

These buttons select the category of the e.piano sound.

1/2/3 buttons

These buttons select the e.piano sound from each category.

EFX1/EFX2/AMP/REVERB buttons

These buttons turn the primary/secondary eects, amp simulator, and reverb ON or OFF.

* Press and hold either button to show the respec tive settings pages of the

EDIT menu in the LCD display.

SUB Section

EFX/REVERB buttons

These buttons turn the eects and reverb ON or OFF.

* Press and hold either button to show the respec tive settings pages of the

EDIT menu in the LCD display.

ON/OFF button

This button turns the SUB section ON or OFF.

KEY RANGE button

This button selects the key range of the SUB section.

UPPER/ZONE/LOWER LEDs

These LEDs indicate the key range to which the SUB section is assigned.

VOLUME fader

This fader controls the volume level of the SUB section.

STRINGS/PAD/HARPSI-MALLET/BASS buttons

These buttons select the category of the sub sound.

1/2/3/4 buttons

These buttons select the sub sound from each category.

Part Names & Functions

DISPLAY Section

Introduction

LCD Display

The LCD display provides a visual indication of the selected section and sound, parameter values, and the status of other functions when active.

A/B/C/D control knobs

These knobs adjust displayed parameter values in real-time.

* EDIT menu parameters can be freely assigned to each of the four knobs in

the Knob Assign page of the EDIT menu (page 43).

F1/F2/F3/F4 buttons

These buttons select the three internal sound sections (PIANO, E.PIANO, SUB) to be displayed and controlled. In other modes (e.g. Recorder) these buttons also select additional functions.

INT/MIDI button

This button toggles between showing the internal sound sections (PIANO, E.PIANO, SUB), and the four MIDI OUT zones in the LCD display.

EDIT Section

– / NO + / YES buttons

These buttons decrease or increase the value of the selected parameter, and also cancel or conrm operations that require user interaction (e.g. Erasing data).

GLOBAL Section

LOCK ( ) button

This button locks the MP11’s control panel, thus preventing any accidental button pushes during a performance.

STORE button

This button stores edited SOUNDS, or full panel settings to the SETUP and POWERON memories.

EXIT button

This button exits the current mode or page.

EDIT button

This button enters the EDIT menu. When the EDIT menu is displayed, this button also enters the selected parameter category page.

CURSOR buttons

These buttons move the selection cursor and scroll through the various pages of the EDIT menu.

EQ button

This button turns the global EQ ON or OFF. Press and hold the button to show the EQ settings screen in the LCD display.

TRANSPOSE button

This button turns the TRANSPOSE function ON or OFF. Press and hold the button to show the transpose settings popup in the LCD display.

LOCAL OFF

This button disables the internal connection between the MP11’s keyboard and tone generators.

MIDI OUT Section

SETUP Section

RECORDER Section

ZONE 1/ZONE 2/ZONE 3/ZONE 4 buttons

These buttons turn the four MIDI zones ON or OFF.

* Press and hold a button to show the respective MIDI zone’s settings.

Introduction

ON/OFF button

This button turns the SETUP section ON or OFF.

BANK buttons

These buttons select the SETUP bank from A to Z.

MEMORY buttons

These buttons select the SETUP memory from 1 to 8.

ON/OFF button

This button turns the RECORDER section ON or OFF.

SETTING Section

METRONOME button

This button activates the METRONOME or RHYTHM patterns.

(RESET) button

This button resets the MP11’s song recorder, rewinding songs and MP3/WAV les to the beginning.

(RECORD) and (PLAY/STOP) buttons

These buttons record and playback/stop songs stored in the MP11’s internal memory, or MP3/WAV les saved to a USB memory device.

(LOOP) button

This button activates the MP11’s A-B Loop function, allowing passages of a recorder song or MP3/WAV le to be played back repeatedly.

(REW) and (FWD) buttons

These buttons are used to move the playing position of the current recorder song or MP3/WAV backward or forward.

PANIC button

This button returns the MP11 to the Power On state, and also sends All Note O and Reset All Controller messages via MIDI.

SYSTEM button

This button enters the SYSTEM menu, allowing many aspects of the MP11’s functionality to be adjusted.

USB button

This button enters the USB menu, allowing data to be loaded and saved from/to a connected USB memory device.

Part Names & Functions

Front Panel: Jacks & Connectors

Introduction

Rear Panel: Jacks & Connectors

HEADPHONE jack

The headphone jack is located at the left end of the key block and used to connect a pair of headphones equipped with a standard 1/4” phone jack.

USB TO DEVICE port

The USB to Device port is located at the right end of the key slip and used to connect a FAT or FAT32 formatted USB memory device to load and save data.

POWER Section

MIDI Section

* The instrument’s USB MIDI port and MIDI IN/OUT jacks can be connected

and used simultaneously. To adjust MIDI routing, please refer to the MIDI

parameters in the SYSTEM menu, explained on page 102.

AC IN

Connect the power cable included with the MP11 to this receptacle.

POWER SWITCH

This switch turns the MP11 ON and OFF.

* The MP11 features a power saving mode that can turn o the instrument

automatically after a specied period of inactivity. For more information,

please refer to page 99.

MIDI THRU/OUT/IN jacks

These jacks are used to connect the MP11 to external MIDI devices, and also to a computer with a MIDI interface as an alternative to the ‘USB to Host’ port.

USB TO HOST port

This port is used to connect the MP11 to a computer using a USB cable. When connected, the instrument can be used as a standard MIDI device, allowing it to send a receive MIDI data. Connect a ‘B’ type USB connector to the instrument, and an ‘A’ type USB connector to the computer.

* When connecting the MP11 to a computer using the ‘USB to Host’ port,

additional driver software may be required. For more information, please

refer to page 110.

FOOT CONTROLLER Section

EXP jack

This jack is used to connect an expression pedal.

* For information about calibrating the expression pedal to ensure correct

operation with the MP11, please refer to page 101.

SOFT jack

This jack is used to connect the soft pedal of the included F-30 triple pedal unit to the MP11. A separate momentary foot switch pedal can also be connected using this jack.

DAMPER/SOSTENUTO (F-30) jack

This jack is used to connect the damper and sostenuto pedals of the included F-30 triple pedal unit to the MP11.

Introduction

Left pedal:

Soft

Centre pedal:

Sostenuto

FIXED OUTPUT Section

OUTPUT Section

Right pedal:

Damper

By default, with the included F-30 triple pedal unit connected, the right pedal acts as a damper pedal, the centre pedal acts as a sostenuto pedal, and the left pedal functions as a soft pedal.

* Functions can be freely assigned to each foot controller in the Controllers

page of the EDIT menu. For more information, please refer to page 57.

FIXED OUTPUT jacks

These jacks are used to connect the MP11 to a musical instrument amplier, PA system, or recording console using XLR terminals. The VOLUME fader does NOT aect these outputs.

GND LIFT switch

This switch is used to shut the ground loop that can occur when connecting the MP11 using XLR terminals.

* This switch can typically be left in the OFF position.

OUTPUT jacks

These jacks are used to connect the MP11 to a musical instrument amplier, PA system, or recording console using standard 1/4” phone jacks. To output a mono signal, connect the cable to the L/MONO jack.

INPUT Section

INPUT jacks

These jacks are used to connect a pair of stereo outputs from other electronic instruments or audio equipment to the MP11. The input level can be easily adjusted using the LINE IN fader. When connecting a mono audio source, connect the cable to the L/MONO jack only.

* When using the Audio Recorder function, the INPUT audio will also be

recorded to the WAV/MP3 le. For more information, please refer to page

54.

Connecting to Other Devices

Connect an expression pedal.

Introduction

Control external MIDI devices, or connect to a computer with a MIDI interface.

Connect to mixing desks, professional speakers, and other PA equipment, etc.

Connect the stereo output from tablets, portable audio devices or other electronic instruments.

USB type ‘A’

USB type ‘B’

Connect to a computer to exchange MIDI data and use DAW software.

Connect the included F-30 triple pedal unit.

XLR pinout:

GND HOT COLD

Connect to ampliers, speakers, etc.

Understanding the MP11



Preparation before use

The MP11 does not feature built-in speakers. Therefore, in order to listen to the MP11, it will rst be necessary to connect a mixer, keyboard amplier, or headphones to the instrument.

Once connected to an audio output device, press the POWER SWITCH located on the right of the rear panel to turn on the MP11. It is recommended to turn on the MP11 before the audio output device in order to avoid the unpleasant switching noise that can sometimes occur.



MP11 section structure: explanation

The MP11 features 3 internal sound sections: PIANO, E.PIANO, and SUB. Each section features a dedicated VOLUME fader and can be turned ON or OFF freely.

The PIANO, E.PIANO, and SUB sections share largely the same operation, with 4 category buttons and multiple sounds assigned to each category. The PIANO and SUB sound sections each feature one EFX module, while the E.PIANO section oers two separate EFX modules and an additional AMP simulator. All sounds can be adjusted using the various parameters in the EDIT menu, with additional ‘Feature Parameters’ that are specic to each of the three sound sections.

The MP11’s external (MIDI) functionality is divided into four independently controlled zones. As with the internal sound sections, various EDIT menu parameters are available to dene transmit/receive channels, MMC features, keyboard ranges, and knob assignments etc.

REVERB settings are common for all internal sections, however the DEPTH can be controlled independently for each section. The MP11’s EQ is also common for all internal sections, however parameters in the EDIT menu allow the tonal character for each section’s sound to be adjusted independently.

Modications to each sound can be stored as individual SOUND presets, while the entire conguration of the MP11 itself can be stored in one of the 208 SETUP memories.

As noted previously, the master VOLUME fader does not aect the FIXED OUTPUT jacks, but does aect the (normal) OUTPUT jacks. This allows audio engineers to control the level of the instrument at the mixing desk, while still allowing performers to adjust the volume of their monitor speakers freely.

Introduction



MP11 section structure: block diagram

The diagram below illustrates the section structure of the MP11.

PIANO Brilliance Virtual Tech.

LINE IN

ZONE1

ZONE2

ZONE3

ZONE4

PIANO Fader

E.PIANO Fade r

SUB Fader

LINE IN Fader

ZONE1 Volume

ZONE2 Volume

ZONE3 Volume

ZONE4 Volume

Noise Gate

EFX1E.PIANO Amp

Input Leve l

EFX

EFX2

EFXSUB

PIANO Reve rb Depth

E.PIANO R everb Depth

SUB Rever b Depth

Reverb

gate

Master Fade r

Normal Out

Fixed Out

MIDI Out

USB-MIDI Out

Overview of Internal Sections

Section Basics

As noted previously, the MP11’s PIANO, E.PIANO, and SUB sections all share largely the same operation. This page

will explain the fundamentals of turning sections ON and OFF, selecting sounds, and adjusting the section volume.



Turning a section ON or OFF

Press the ON/OFF button to turn each section ON or OFF.

The LED indicator for the ON/OFF button will turn ON or OFF to indicate the current status of the section.

If a section is turned OFF (but still shown in the LCD display), a symbol will be added to the left of the sound name.

Section is

Main Operation

turned OFF

LED indicator ON:

Section is turned ON



Selecting sounds

First, turn the PIANO section ON and all other sections OFF.

Press the one of the sound category buttons, then press one of the sound variation buttons.

The LED indicators for the selected sound category and variation buttons will turn on, and the variation list will pop-up briey in the LCD display.

Variation list

Experiment with selecting dierent categories and variations, playing the keyboard each time to hear the unique tonal characteristics of every sound.

Selected sound

Example: To select the Jazz Grand 2 sound, press the JAZZ category button, then the 2nd variation button.



Adjusting the section volume

Use the VOLUME fader below each section’s ON/OFF button to adjust the volume of the section.

The volume of the section will increase or decrease independently of the other sound sections.

* When playing with just a single section (e.g. PIANO), it is recommended to

set the VOLUME fader to the maximum position.

To adjust the volume of all sound sections simultaneously, use the MASTER VOLUME fader (page 12).

Increase

volume

Decrease

volume

LCD Display & Control Knobs

In regular Play Mode the LCD display provides a visual indication of the selected section and sound, and the values

of the four real-time control knobs (A, B, C, and D).

The function of each knob can be assigned to control any parameter in the EDIT menu, allowing frequently used

functions to be accessed from a single screen. Furthermore, two groups of knob parameters (2 x 4) can be dened

for each of the PIANO, E.PIANO, SUB sections and MIDI zones, providing extensive real-time control.

Selected sound

Control knobs:

Adjust value of assigned

parameter or setting.

Function buttons:

Select section/MIDI zone,

various other operations.



Selecting sections, primary/secondary knob groups

Press the function buttons located below the LCD display to select the desired internal section.

The section icon will become highlighted, and the name of the selected sound and primary group of knob parameters will be shown in the LCD display.

Press the same function button to cycle between the primary and secondary group of knob parameters in the LCD display.



Toggling between internal sections and MIDI zones

Selected section/knob group

INT/MIDI button:

Toggle between displaying internal sections & MIDI zones.

Main Operation

Press the INT/MIDI button to toggle between showing the internal sections and MIDI zone volumes in the LCD display.

* For more information about MIDI zones, please refer to page 36.



Adjusting parameters

Turn the four control knobs (A, B, C, D) located on either side of the LCD display to adjust the displayed knob group parameters.

* EDIT menu parameters can be freely assigned to each of the four knobs in

the Knob Assign page of the EDIT menu (page 48).

Parameters can also be adjusted by using the CURSOR buttons to move the selection cursor, and +/YES or –/NO buttons to increase or decrease the value of the selected parameter.

Overview of Internal Sections

Reverb

Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert

hall. The MP11 features 6 high quality types of reverb.

Each sound section features independent REVERB ON/OFF and REVERB DEPTH controls, however the REVERB TYPE

(and associated settings) is common to all sections.

Reverb types



Reverb type Description

Room Simulates the ambiance of a small rehearsal room.

Lounge Simulates the ambience of a piano lounge.

Small Hall Simulates the ambiance of a small hall.

Concert Hall Simulates the ambiance of a concert hall or theater.

Live Hall Simulates the ambiance of a live hall or stage.

Main Operation

Cathedral Simulates the ambiance of a large cathedral.



Turning reverb ON or OFF

Press the desired sound section’s REVERB button to turn the reverb for that section ON or OFF.

The LED indicator for the sound section’s REVERB button will turn ON or OFF to indicate the current status of the reverb.



Changing the reverb type and additional parameters

Press and hold the section’s REVERB button.

The REVERB page of the EDIT menu will be shown in the LCD display.

Common

parameters:

See page 38

Turn the four control knobs (A, B, C, D) to change the reverb type and adjust additional reverb parameters.

Type

LED indicator ON:

Reverb is turned ON

hold

PreDelay

Press and hold the REVERB button again to exit.

Reverb parameters



Knob Parameter Description Value range

A Type Changes the type of environment. (see table above)

B PreDelay Adjusts the delay time before the reverberation is applied. 0 ~ 200 ms

C Time Adjusts the decay length/speed of the reverberation. 300 ms ~ 10.0 s (depending on type)

D Depth Adjusts the depth of the environment (amount of reverberation). 0 ~ 127

Time

Depth

EFX

In addition to reverb, various other eects can be applied to the selected sound, altering the tonal character and feeling

of the instrument. The MP11 features 129 high quality EFX types, with an eect assigned to each sound by default.

The PIANO and SUB sound sections oer one eect module each, while the E.PIANO section features two separate

eects modules that can be connected in series. For ecient selection, EFX types are sorted by category.

EFX categories



EFX category Types EFX category Types EFX category Types EFX category Types

1 Chorus 8 7 Delay/Rev 8 13 Groove 4 19 Enhancer+ 8

2 Flanger 5 8 PitchShift 3 14 Misc. 2 20 P.Shift+ 6

3 Phaser 6 9 Compressor 2 15 Chorus+ 6 21 Comp+ 8

4 Wah 6 10 OverDrive 3 16 Phaser+ 6 22 OverDrive+ 8

5 Tremolo 6 11 EQ/Filter 5 17 Wah+ 6 23 Parallel 6

6 AutoPan 4 12 Rotary 5 18 EQ+ 8 TOTAL 129

* The ‘+’ eects consist of the base eect plus an additional combination eect, while still using only one eec t module.

* For more information about available eect categories, types, and parameters, please refer to page 114.

Main Operation



Turning eects ON or OFF

Press the desired sound section’s EFX button to turn the eects for that section ON or OFF.

The LED indicator for the sound section’s EFX button will turn ON or OFF to indicate the current status of the eects.

* The E.PIANO section’s EFX1 and EFX2 modules are turned ON and OFF in

exactly the same way.



Changing the eect category, type and additional parameters

Press and hold the section’s EFX button.

The rst EFX page of the EDIT menu will be shown in the LCD display.

Page 1/2

 arrow:

arrow:



LED indicator ON:

Eects are turned ON

hold

Turn the control knobs (A, B, C, D) to change the eect category, type, and adjust additional eect parameters.

* The number of adjustable EFX parameters will vary depending on type.

* Press the F1, F2, and F3 buttons (corresponding to the selec ted section)

and F4 button to scroll through the dierent EFX pages.

Press and hold the EFX button again to jump to the rst EFX page of the EDIT menu, and once again to EXIT.