Gemini UMX-3 User Manual

OPERA TIONS MANUAL
Bedienungsanleltung Manual de funcionamiento Manual de fonctionnement Manual del utente
PROFESSIONAL VCA MIXER
Professionneller Professionneller
Professionneller
Professionneller Professionneller Mezclador VCAMezclador VCA
Mezclador VCA
Mezclador VCAMezclador VCA Mélangeur VCAMélangeur VCA
Mélangeur VCA
Mélangeur VCAMélangeur VCA Miscelatore VCA per il professionaleMiscelatore VCA per il professionale
Miscelatore VCA per il professionale
Miscelatore VCA per il professionaleMiscelatore VCA per il professionale
para el profesional
pour le professionnel
pour le professionnel pour le professionnel
VCA MischpultVCA Mischpult
VCA Mischpult
VCA MischpultVCA Mischpult
Multi Language Instructions
English............................................................................Page 4
Deutsch..........................................................................Page 6
Español...........................................................................Page 8
Francais..........................................................................Page 10
Italiano.............................................................................Page 12
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13
3
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A/B Amplitude (dB)A/B Amplitude (dB)
A/B Amplitude (dB)A/B Amplitude (dB)
A/B Amplitude (dB)
A/B-Signalstärke (dB)A/B-Signalstärke (dB)
A/B-Signalstärke (dB)A/B-Signalstärke (dB)
A/B-Signalstärke (dB)
Amplitud A/B (dB)Amplitud A/B (dB)
Amplitud A/B (dB)Amplitud A/B (dB)
Amplitud A/B (dB)
Amplitude A/B (dB)Amplitude A/B (dB)
Amplitude A/B (dB)Amplitude A/B (dB)
Amplitude A/B (dB)
Estensione A/B (dB)Estensione A/B (dB)
Estensione A/B (dB)Estensione A/B (dB)
Estensione A/B (dB)
Crossfader AdjustmentCrossfader Adjustment
Crossfader Adjustment
Crossfader AdjustmentCrossfader Adjustment
Crossfader-RegelwegCrossfader-Regelweg
Crossfader-Regelweg
Crossfader-RegelwegCrossfader-Regelweg Ajuste del CrossfaderAjuste del Crossfader
Ajuste del Crossfader
Ajuste del CrossfaderAjuste del Crossfader
Réglage du CrossfaderRéglage du Crossfader
Réglage du Crossfader
Réglage du CrossfaderRéglage du Crossfader
Regolazione CrossfaderRegolazione Crossfader
Regolazione Crossfader
Regolazione CrossfaderRegolazione Crossfader
Gradual TaperGradual Taper
Gradual Taper
Gradual TaperGradual Taper Weicher ÜbergangWeicher Übergang
Weicher Übergang
Weicher ÜbergangWeicher Übergang Disminución progresivaDisminución progresiva
Disminución progresiva
Disminución progresivaDisminución progresiva Diminution progressiveDiminution progressive
Diminution progressive
Diminution progressiveDiminution progressive Riduzione progressivaRiduzione progressiva
Riduzione progressiva
Riduzione progressivaRiduzione progressiva
Channel Slide CurveChannel Slide Curve
Channel Slide Curve
Channel Slide CurveChannel Slide Curve
KanalfaderkurveKanalfaderkurve
Kanalfaderkurve
KanalfaderkurveKanalfaderkurve
Curva de los mandos corredizos de canalCurva de los mandos corredizos de canal
Curva de los mandos corredizos de canal
Curva de los mandos corredizos de canalCurva de los mandos corredizos de canal
Courbe des curseurs de canalCourbe des curseurs de canal
Courbe des curseurs de canal
Courbe des curseurs de canalCourbe des curseurs de canal
Curva cursori canaleCurva cursori canale
Curva cursori canale
Curva cursori canaleCurva cursori canale
Page 4
A/B Amplitude (dB)A/B Amplitude (dB)
A/B Amplitude (dB)A/B Amplitude (dB)
A/B Amplitude (dB)
A/B-Signalstärke (dB)A/B-Signalstärke (dB)
A/B-Signalstärke (dB)A/B-Signalstärke (dB)
A/B-Signalstärke (dB)
Amplitud A/B (dB)Amplitud A/B (dB)
Amplitud A/B (dB)Amplitud A/B (dB)
Amplitud A/B (dB)
Amplitude A/B (dB)Amplitude A/B (dB)
Amplitude A/B (dB)Amplitude A/B (dB)
Amplitude A/B (dB)
Estensione A/B (dB)Estensione A/B (dB)
Estensione A/B (dB)Estensione A/B (dB)
Estensione A/B (dB)
Travel (%)Travel (%)
Travel (%)
Travel (%)Travel (%) Faderweg (%)Faderweg (%)
Faderweg (%)
Faderweg (%)Faderweg (%) Recorrido (%)Recorrido (%)
Recorrido (%)
Recorrido (%)Recorrido (%) Parcours (%)Parcours (%)
Parcours (%)
Parcours (%)Parcours (%) Corso (%)Corso (%)
Corso (%)
Corso (%)Corso (%)
Travel (%)Travel (%)
Travel (%)
Travel (%)Travel (%) Faderweg (%)Faderweg (%)
Faderweg (%)
Faderweg (%)Faderweg (%) Recorrido (%)Recorrido (%)
Recorrido (%)
Recorrido (%)Recorrido (%) Parcours (%)Parcours (%)
Parcours (%)
Parcours (%)Parcours (%) Corso (%)Corso (%)
Corso (%)
Corso (%)Corso (%)
Radical TaperRadical Taper
Radical Taper
Radical TaperRadical Taper Harter ÜbergangHarter Übergang
Harter Übergang
Harter ÜbergangHarter Übergang Disminución radicalDisminución radical
Disminución radical
Disminución radicalDisminución radical Diminution radicaleDiminution radicale
Diminution radicale
Diminution radicaleDiminution radicale Riduzione radicaleRiduzione radicale
Riduzione radicale
Riduzione radicaleRiduzione radicale
Attenuation (dB)Attenuation (dB)
Attenuation (dB)Attenuation (dB)
Attenuation (dB)
Dämpfung (dB)Dämpfung (dB)
Dämpfung (dB)Dämpfung (dB)
Dämpfung (dB)
Atenuacion (dB)Atenuacion (dB)
Atenuacion (dB)Atenuacion (dB)
Atenuacion (dB)
Atténuation (dB)Atténuation (dB)
Atténuation (dB)Atténuation (dB)
Atténuation (dB)
Attenuazione (dB)Attenuazione (dB)
Attenuazione (dB)Attenuazione (dB)
Attenuazione (dB)
Travel (%)Travel (%)
Travel (%)
Travel (%)Travel (%) Faderweg (%)Faderweg (%)
Faderweg (%)
Faderweg (%)Faderweg (%) Recorrido (%)Recorrido (%)
Recorrido (%)
Recorrido (%)Recorrido (%) Parcours (%)Parcours (%)
Parcours (%)
Parcours (%)Parcours (%) Corso (%)Corso (%)
Corso (%)
Corso (%)Corso (%)
IntroductionIntroduction
Introduction
IntroductionIntroduction
ConnectionsConnections
Connections
ConnectionsConnections
Congratulations on purchasing the Gemini UMX-3 VCA mixer. This state of the art mixer is backed by a three year warranty, excluding crossfader and channel slides. Prior to use, we suggest that you carefully read all the instructions.
With VCA technology, audio is processed in a voltage-controlled amplifier (VCA) removing it from the crossfader and channel slides giving them extended life and reducing travel noise. The crossfader and channel slides regulate the DC voltage that controls the VCA circuit. Additional advantages of VCA technology include the ability to provide precise curve adjustments for the crossfader and channel slides without sacrificing audio quality. For additional information, refer to the diagrams on Page 3 for crossfader adjustment and channel slide curve.
FeaturesFeatures
Features
FeaturesFeatures
•2 Stereo Channels
•3 Phono/Line Convertible, 1 Line, and 1 Mic Input
• Adjustable Input Assign Switches
• Channel Slide Curve Control
• Crossfader with Curve Control
• State of the Art Cue Section with Split
• Crossfader Reverse (Hamster) Switch
• Balanced and Unbalanced Master Outputs
• Zone and Record outputs
• Dual mode display
1. Make sure that the
POWER LED (32)POWER LED (32)
POWER LED (32) will be off. This unit comes supplied with a 18 volt
POWER LED (32)POWER LED (32)
AC adaptor. Plug the adaptor into the rear panel the adaptor into a proper power source.
2. The UMX-3 is supplied with 4 sets of output jacks. The
MASTER OUTPUT (4)MASTER OUTPUT (4)
MASTER OUTPUT (4) jacks are used to connect to your main
MASTER OUTPUT (4)MASTER OUTPUT (4)
amplifier using standard cables with 1/4” connectors. We recommend using the balanced amp outputs if the cables to your amp are 10 feet or
BALANCED MASTER OUTPUTSBALANCED MASTER OUTPUTS
more.
BALANCED MASTER OUTPUTS have three separate
BALANCED MASTER OUTPUTSBALANCED MASTER OUTPUTS
conductors, two of which are signal (positive and negative) and one shield (ground). The balanced line uses a tip-ring-sleeve connection. Tip = hot or positive (+), ring = cold or negative (-), and sleeve = shield/ground. The used to connect to your main amplifier. The can be used to connect the mixer to the record input of your recorder enabling you to record your mix. The you to hook up an additional amplifier.
MIC (3)MIC (3)
3. The
MIC (3) input (found on the rear panel)
MIC (3)MIC (3)
(found on the front panel) accepts a 1/4" connector and balanced and unbalanced microphones.
4. On the rear panel are 3 stereo
5. Headphones can be plugged into the front panel mounted
LINE (8) LINE (8)
stereo
LINE (8) input. The
LINE (8) LINE (8)
set the enables you to set the
SWITCHSWITCH
SWITCH
SWITCHSWITCH
phono inputs will accept only turntables with a magnetic cartridge.
GROUND SCREWS (2)GROUND SCREWS (2)
GROUND SCREWS (2) for you to ground your turntables are located
GROUND SCREWS (2)GROUND SCREWS (2)
on the rear panel. The stereo line inputs will accept any line level input such as a CD player, a cassette player, etc.
(36)(36)
(36) jack.
(36)(36)
(9) (9)
(9) input to Phono or Line. The
(9) (9)
(14) (14)
(14) enables you to set the
(14) (14)
POWER (1)POWER (1)
POWER (1) switch is in the off position. The
POWER (1)POWER (1)
power jack. Then plug
BALANCED BALANCED
BALANCED
BALANCED BALANCED
MASTER OUTPUT (5) MASTER OUTPUT (5)
MASTER OUTPUT (5) jacks are unbalanced and
MASTER OUTPUT (5) MASTER OUTPUT (5)
PHONO/LINE (9, 12, 13) PHONO/LINE (9, 12, 13)
PHONO/LINE (9, 12, 13) inputs and 1
PHONO/LINE (9, 12, 13) PHONO/LINE (9, 12, 13)
PHONO/LINEPHONO/LINE
PHONO/LINE
PHONO/LINEPHONO/LINE
(12) (12)
(12) input to Phono or Line. The
(12) (12)
(13) (13)
(13) input to Phono or Line. The
(13) (13)
REC OUTPUT (7) REC OUTPUT (7)
REC OUTPUT (7) jacks
REC OUTPUT (7) REC OUTPUT (7)
ZONE OUTPUT (6) ZONE OUTPUT (6)
ZONE OUTPUT (6) jacks allow
ZONE OUTPUT (6) ZONE OUTPUT (6)
OR OR
MIC (35)MIC (35)
OR the
MIC (35) input
OR OR
MIC (35)MIC (35)
SWITCHSWITCH
(10) (10)
SWITCH
(10) enables you to
SWITCHSWITCH
(10) (10)
PHONO/LINEPHONO/LINE
PHONO/LINE
PHONO/LINEPHONO/LINE
SWITCHSWITCH
SWITCH
SWITCHSWITCH
PHONO/LINEPHONO/LINE
PHONO/LINE
PHONO/LINEPHONO/LINE
PHONESPHONES
PHONES
PHONESPHONES
(11) (11)
(11)
(11) (11)
CautionsCautions
Cautions
CautionsCautions
1. All operating instructions should be read before using this equipment.
2. To reduce the risk of electrical shock, do not open the unit. There are NO USER REPLACEABLE PARTS INSIDE. Please refer servicing to a qualified service technician.
In the U.S.A., if you have any problems with this unit, callIn the U.S.A., if you have any problems with this unit, call
In the U.S.A., if you have any problems with this unit, call
In the U.S.A., if you have any problems with this unit, callIn the U.S.A., if you have any problems with this unit, call 1-732-969-9000 for customer service. Do not return equipment1-732-969-9000 for customer service. Do not return equipment
1-732-969-9000 for customer service. Do not return equipment
1-732-969-9000 for customer service. Do not return equipment1-732-969-9000 for customer service. Do not return equipment
1-732-738-9003
to your dealer.to your dealer.
to your dealer.
to your dealer.to your dealer.
3. Do not expose this unit to direct sunlight or to a heat source such as a radiator or stove.
4. This unit should be cleaned only with a damp cloth. Avoid solvents or other cleaning detergents.
5. When moving this equipment, it should be placed in its original carton and packaging. This will reduce the risk of damage during transit.
6. DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
7. DO NOT USE ANY SPRAY CLEANER OR LUBRICANT ON ANY CONTROLS OR SWITCHES.
Height AdjustmentHeight Adjustment
Height Adjustment
Height AdjustmentHeight Adjustment
When using a UMX mixer with professional turntables, such as the Gemini PT Series, you can make the mixer level with the turntable by removing the mixer’s feet.
1. Place a small screw driver under the foot’s center anchor.
2. Gently pry the center anchor up and the foot will come off.
To replace the foot:
1. Place the foot on the mixer without the center anchor.
2. Replace the center anchor and push down on it to anchor the foot to the mixer.
OperationOperation
Operation
OperationOperation
1. POWER ON: Once you have made all the equipment connections to your mixer, press the
POWER LED (32)POWER LED (32)
the
POWER LED (32) will light.
POWER LED (32)POWER LED (32)
2. CHANNEL 1: The the gain of the channel. Switch #
PHONO 1 (13) PHONO 1 (13)
PHONO 1 (13) or the
PHONO 1 (13) PHONO 1 (13) SLIDE SLIDE
(29)(29)
SLIDE
(29) controls the input level of this channel.
SLIDE SLIDE
(29)(29)
3. CHANNEL 2: The the gain of the channel. Switch #
PHONO 3 (9) PHONO 3 (9)
PHONO 3 (9) or the
PHONO 3 (9) PHONO 3 (9)
controls the input level of this channel.
4. INPUT ASSIGN SWITCHES: You can adjust the position of the
ASSIGN (24, 26)ASSIGN (24, 26)
ASSIGN (24, 26) switches to move left to right, up and down
ASSIGN (24, 26)ASSIGN (24, 26)
45 degree angle. Make these adjustments with the power OFF.
1) Remove the channel slide, crossfader knobs and the 4 screws from
the sides of the lower face plate. Then remove the lower faceplate.
2) Remove the 2 screws in the corners of the assign switch plate.
Rotate the switch plate to the desired position, replace the screws and tighten down.
3) To position the switch at a 45 degree angle, you need to reposition
the switch on the assign switch plate. First, remove the 2 screws in the corners of the assign switch plate. Then, lift the switch plate up and remove the 2 smaller screws next to the switch. Rotate the switch plate to the right until the 45 degree holes align with the switch holes, replace the screws and tighten down. Replace the switch plate and tighten down.
Page 5
POWER (1) POWER (1)
POWER (1) switch. The power will turn on and
POWER (1) POWER (1)
GAIN (21)GAIN (21)
GAIN (21) control allows you to individually adjust
GAIN (21)GAIN (21)
LINE 2/PHONO 2 (12) LINE 2/PHONO 2 (12)
LINE 2/PHONO 2 (12) input. The
LINE 2/PHONO 2 (12) LINE 2/PHONO 2 (12)
GAIN (23)GAIN (23)
GAIN (23) control allows you to individually adjust
GAIN (23)GAIN (23)
LINE 4 (8)LINE 4 (8)
LINE 4 (8) input. The
LINE 4 (8)LINE 4 (8)
(24)(24)
(24) allows you to select the
(24)(24)
(26)(26)
(26) allows you to select the
(26)(26)
CHANNEL CHANNEL
CHANNEL
CHANNEL CHANNEL
CHANNEL CHANNEL
CHANNEL
CHANNEL CHANNEL
SLIDESLIDE
SLIDE
SLIDESLIDE
LINE 1/LINE 1/
LINE 1/
LINE 1/LINE 1/
LINE 3/LINE 3/
LINE 3/
LINE 3/LINE 3/
(30)(30)
(30)
(30)(30)
INPUTINPUT
INPUT
INPUTINPUT
OROR
OR at a
OROR
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