It Works the Way You Do
With the DS-505A/DS-515A in your hands,
what you see is what you get. Fujifilm’s
original condenser optics system directs
almost all the light to the CCD, so 98% of
the scene in the real-image viewfinder is
recorded—a vast improvement over the
limited shooting area of the other SLRtype digital cameras. Simply use the lens
of your choice, and compose just as you
do with a 35 mm SLR.
Pushing the Limits
The DS-505A and DS-515A raise the
effective ISO to an ultrahigh 3200. The
key is the condenser optics system which
delivers more light to the CCD—and that
means greater sensitivity. With this extra
performance, you’re ready for shooting in
dim light, or you can switch to a faster
shutter speed for action photography.
Cause for Confidence
Your photographs can’t be any better
than your lens. That’s why the DS-505A
and DS-515A are compatible with many
of the acclaimed F-mount Nikkor lenses
from Nikon. Not only can you count on
professional quality, but composing is
natural since the condenser optics system creates a field of view matched to
the focal length.
Unequaled Speed, Uncommon Results
When every moment counts, you can
depend on your Fujix digital SLR to come
through for you. The DS-515A uses an
innovative recording system to deliver an
incredible three frames per second in a
series of seven shots, while the DS-505A
records continuously at one frame per
second. To ensure that you always have
the power you need, add the optional
rechargeable batter y for up to 1,000
shots from a single charge.
Can a digital camera make you forget it’s digital?
Naturally.
Expert Handling
The DS-505A/DS-515A viewfinder
shows virtually the entire shooting area.
Effective ISO 3200 adds up to better results than you
might have thought possible in action photography
with a digital camera.
The other SLR-type digital cameras
have a much more limited shooting
area.
How did we raise digital quality to a new level?
Every which way.
Uncompromised Quality
At the heart of any digital camera is its CCD
image sensor—and that is why the highperfor mance DS-505A and DS-515A are earning
the respect of demanding professionals.
DS-505A/DS-515A
Other digital camera
Integration and Innovation
Image quality depends on the number of pixels in a digital camera’s CCD, but more pixels lead to problems with data handling—
except with the DS-505A/DS-515A. To overcome this difficulty, Fujifilm selected a 1.3
million-pixel CCD. The CCD is a 2/3-inch type
with a Vacancy Transfer (VT) array—resolution that’s very close to the line density of
high-definition TV. Equally impor tant, the pixels are square, so there’s no conversion
when you input your images to a PC. We’ve
also developed High Data-Compression
Technologies that speed up data handling
without affecting image quality.
Pure Performance
The DS-505A and DS-515A have an RGB
color filter with an S/N ratio far superior to
that of a complementary color filter. Even
the intense reds of a flower are rendered
with incredible accuracy, while the gray
tones of a suit remain unaffected.
Right from the Start
The optical system’s low-pass filter can
save you the headaches that come with
color noise—the metallic look of red, yellow and blue specks glittering in the high-
lights. Even after the time-consuming
task of curing these defects with computer processing, the results usually
aren’t completely satisfactory. But
with our low-pass filter, you won’t be
bothered, because it prevents these
problems during shooting.
Consistency Is by Design
Since a CCD has a narrower exposure latitude than 35 mm film, adjusting the exposure was often a problem until Fujifilm
found the solution. Our pioneering condenser optics system has its own aperture, so it can control the exposure electronically with absolute precision. That way
you can concentrate on taking great pictures without worr ying about exposure
adjustments, even when you change from
one F-mount lens to another.
The Ideal Balance
The Auto White Balance mode is so precise that you’ll capture the subtleties of
just about any subject, whether you’re
shooting portraits or products. From sunlight and city canyons to twilight and studio
shots, just select the appropriate setting,
and the balance will be optimized automatically. There’s also a six-step Manual mode
when you want complete creative control.
And if you’re working in changing natural
light or artificial light, you can adjust the
color temperature from 3000K to 8000K.
Condenser Optics System
Can digital images bring people closer?
By all means.
The Digital Dimension
Simply connect the DS-505A/DS-515A to a TV or a portable
LCD monitor, and you can check an image immediately, even
before it’s recorded. (The monitor is not included, and the
image on the monitor is synthesized.)
Smaller Files, Faster Transmission
The DS-505A and DS-515A use Fujifilm’s
own High Data-Compression Technologies
to record images in the JPEG format. Not
only do they follow an international standard, but the file size is held to only
160 KB—without sacrificing quality. And,
of course, smaller files mean less time
spent transmitting data.
Only the Best Is Good Enough
After inputting your images from the camera to your PC, just connect a full-color
printer from Fujifilm for the ultrahigh quality
you want in your digital photography.
Our Pictrography 3000 and 4000
employ an unprecedented silver-halide
photographic process to create up to
16.7 million colors in 256 gradations
for each CMY. And the NC-500 ThermoAutochrome (TA) printer delivers photorealistic results with a pioneering process
based on paper that colors itself.
Easy, Quick Reviewing
Studio work requires one preview after
another, and news photographers know
there’s not a minute to spare when they’re
up against a deadline. Those are two good
reasons to use the unique analog video
output terminal for checking images before
and after shooting. It’s the easy way to
eliminate the need for time-consuming
data transfer and display on a PC.
The Storage Medium for Today
The DS-505A and DS-515A use an ATAcompliant PC card for storage. Available in
5 MB and 15 MB versions, our HG Series
cards combine high capacity with data
recording as fast as one frame per second.
Simplified Data Handling, Too
Fujifilm’s dedicated SD-D5 Photoshop™
plug-in simplifies working with numerous
files and large quantities of data. You can
display a number of images simultaneously
in the Index format and then choose only
the ones you want, just as you do with a
contact print. You can also show the shooting date, exposure conditions and other
information to decide if you want to save it.
System Configuration
FUJIX IMAGE MEMORY
CARD HG-15
Since images are saved in Fujifilm’s
EXIF format—which conforms to
the JPEG and TIFF-YC standards—
there won’t be any problems with
compatibility.