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1212M PCIe
User Manual
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User Manual
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E-MU 1212M PCIe User Manual

Owner’s ManualOwner’s Manual
E-MU PCIe Digital Audio Systems 1
E-MU 1616
m
/ 1212m PCIe
Digital Audio System
Owner’s Manual
© 2009 E-MU Systems
All Rights Reserved
Software Version: 2.20
E-MU World Headquarters
E-MU Systems
1500 Green Hills Road
Scotts Valley, CA 95066
USA
Europe
Creative Labs
Ballycoolin Business Park
Blanchardstown
Dublin 15
IRELAND
2 Creative Professional
E-MU Japan
Creative Media K K
Kanda Eight Bldg., 3F
4-6-7 Soto-Kanda
Chiyoda-ku, Tokyo 101-0021
JAPAN
Table of Contents
1- Introduction ................................................................. 9
Welcome! ............................................................................................................... 9
Both Systems Include: ....................................................................................... 11
E-MU 1212m System ......................................................................................... 11
E-MU 1616m System ......................................................................................... 11
Sync Daughter Card ..........................................................................................11
PatchMIx DSP .................................................................................................... 12
Notes, Tips and Warnings .............................................................................. 12
2 - Installation ................................................................ 13
Setting Up the Digital Audio System......................................................................13
Notes for Installation ..................................................................................... 13
System Requirements .....................................................................................13
Safety First! .................................................................................................... 14
Connector Types ............................................................................................... 14
Installing the E-MU 1010 PCIe Card.......................................................................15
1212m Owners - Install the 0202 Daughter Card..................................................16
Connecting the MicroDock ...................................................................................16
WARNING: E-MU 0202 & MicroDock ..............................................................17
Software Installation ............................................................................................. 18
Installing the E-MU 1010 PatchMix Software and Drivers ................................18
Windows XP, Windows XP x64, Windows Vista, Windows Vista x64 ..............18
Uninstalling all Audio Drivers and Applications ............................................... 18
Note About Windows Logo Testing ............................................................... 18
3 - PCIe Card & Interfaces ................................................ 19
The E-MU 1010 PCIe Card.....................................................................................19
Important ...................................................................................................... 19
Connections ..................................................................................................... 19
EDI Connector ............................................................................................... 19
S/PDIF Digital Audio Input & Output .............................................................. 19
ADAT Optical Digital Input & Output .............................................................. 19
The 0202 Daughter Card...................................................................................... 20
Connections ..................................................................................................... 20
Analog Inputs and Outputs ........................................................................... 20
MIDI In/Out ................................................................................................... 20
E-MU PCIe Digital Audio Systems 3
The MicroDock .....................................................................................................21
Front Panel Connections ...................................................................................22
Preamp Section ............................................................................................. 22
S/PDIF Digital Audio Input & Output .............................................................. 22
ADAT Optical Digital Input & Output .............................................................. 23
Headphone Output & Volume Control .......................................................... 23
Rear Panel Connections .................................................................................... 25
Line Level Analog Inputs ................................................................................ 25
Phono Inputs & Ground Lug .......................................................................... 25
Line Level Analog Outputs ............................................................................. 25
Computer Speaker Analog Outputs ................................................................26
MIDI 1 & 2 In/Outs ........................................................................................ 26
EDI Connector (Card) .................................................................................... 26
1212m System Connections..................................................................................28
Output Connections ......................................................................................... 28
4 - The PatchMix DSP Mixer ............................................. 29
PatchMix DSP ....................................................................................................... 29
Overview of the Mixer .......................................................................................... 29
Mixer Window .................................................................................................. 30
Mixer Block Diagram .........................................................................................30
Pre Fader or Post Fader .................................................................................30
E-MU Icon in the Windows Taskbar.......................................................................31
The Toolbar .......................................................................................................... 31
The Session .......................................................................................................... 32
New Session ..................................................................................................... 32
Open Session ....................................................................................................33
Save Session ..................................................................................................... 33
Session Settings ................................................................................................ 33
System Settings .............................................................................................. 33
Using External Clock ...................................................................................... 34
I/O Settings ................................................................................................... 34
Input Mixer Strips..................................................................................................36
Input Type ..................................................................................................... 36
Mixer Strip Creation .............................................................................................. 37
Multichannel WAVE Files ................................................................................... 38
Windows Media Player/DVD/Surround Sound Playback ................................. 38
Insert Section ....................................................................................................39
Working with Inserts ...................................................................................... 39
The Insert Menu ............................................................................................ 40
ASIO Direct Monitor Send/Return ...................................................................41
Meter Inserts ................................................................................................. 42
To Set the Input Levels of a Strip ........................................................................43
Making the Best Possible Recording ............................................................... 43
Trim Pot Insert ............................................................................................... 44
Test Tone/Signal Generator Insert .................................................................. 45
Managing Your Inserts ...................................................................................... 46
Aux Section ....................................................................................................... 47
Sidechain Diagram ........................................................................................ 47
Pre or Post Fader Aux Sends ..........................................................................48
Level, Pan, Solo & Mute Controls ....................................................................... 49
Main Section......................................................................................................... 50
TV Screen & Selectors ........................................................................................51
Effect ............................................................................................................ 51
4 Creative Professional
Input ............................................................................................................. 52
Output .......................................................................................................... 52
Auxiliary Effects & Returns .................................................................................53
Sidechain Diagram ........................................................................................ 53
Sync/Sample Rate Indicators ..............................................................................53
Output Section ................................................................................................. 54
Main Inserts ...................................................................................................54
Main Output Fader ........................................................................................54
Output Level Meters ...................................................................................... 54
Monitor Output Level .................................................................................... 54
Monitor Balance Control ................................................................................ 54
Monitor Output Mute .................................................................................... 54
5 - Effects ....................................................................... 55
Overview.............................................................................................................. 55
The Effects Palette................................................................................................. 55
FX Insert Chains ................................................................................................56
The Order of Effects ..........................................................................................57
Creating, Renaming & Deleting Categories or Presets ..................................... 57
Importing and Exporting Core FX Presets and FX Insert Chains ....................... 58
FX Edit Screen ......................................................................................................59
User Preset Section ............................................................................................ 60
Core Effects and Effects Presets .........................................................................61
List of Core Effects ................................................................................................62
DSP Resource Usage ......................................................................................... 62
Core Effects Descriptions....................................................................................... 63
1-Band Para EQ ................................................................................................ 63
1-Band Shelf EQ ................................................................................................ 63
3-Band EQ ........................................................................................................ 64
4-Band EQ ........................................................................................................ 65
Auto-Wah ......................................................................................................... 66
Chorus .............................................................................................................. 67
Compressor ...................................................................................................... 68
Basic Controls ................................................................................................ 68
Distortion .......................................................................................................... 70
Flanger ............................................................................................................. 71
Freq Shifter ....................................................................................................... 72
Leveling Amp ....................................................................................................73
Lite Reverb ........................................................................................................ 74
Mono Delays - 100, 250, 500, 750, 1500, 3000 ................................................ 75
Phase Shifter ..................................................................................................... 76
Rotary ............................................................................................................... 76
Speaker Simulator ............................................................................................. 77
Stereo Delays - 100, 250, 500, 750, 1500 ......................................................... 78
Vocal Morpher .................................................................................................. 80
Gate ................................................................................................................. 81
Applications ................................................................................................... 81
Parameters .................................................................................................... 82
Threshold ...................................................................................................... 82
Release Time ................................................................................................. 82
Max Gain Reduction ...................................................................................... 82
Lookahead .................................................................................................... 82
Level Meter ................................................................................................... 83
Gain Reduction Meter ....................................................................................83
E-MU PCIe Digital Audio Systems 5
Reshaper .......................................................................................................... 84
Applications ................................................................................................... 84
Multimode EQ ..................................................................................................87
Applications ................................................................................................... 87
Parameters .................................................................................................... 88
Lowpass ........................................................................................................ 88
Highpass ....................................................................................................... 88
Highpass -> Lowpass ..................................................................................... 89
Highpass || Lowpass ......................................................................................89
Band Pass ...................................................................................................... 90
Band Cut .......................................................................................................90
RFX Compressor ................................................................................................ 91
Signal Flow ...................................................................................................91
Parameters .................................................................................................... 92
Threshold ...................................................................................................... 92
Gain Reduction Meter ....................................................................................92
Ratio ............................................................................................................. 92
Attack ............................................................................................................ 92
Release .......................................................................................................... 92
Gain .............................................................................................................. 93
Advanced Parameters ....................................................................................93
Soft Knee ....................................................................................................... 93
Gate .............................................................................................................. 95
Comp Lookahead/Delay ................................................................................ 95
Auto-Release .................................................................................................. 96
Max Compression ..........................................................................................97
Neg Compression .......................................................................................... 97
Input Mode ................................................................................................... 98
Example Settings ........................................................................................... 99
Multimode EQ Settings ................................................................................ 101
Compressor Settings ....................................................................................101
E-MU PowerFX.................................................................................................... 102
Automating E-MU PowerFX .............................................................................104
E-MU PowerFX Resource Availability ................................................................ 104
Rendering Audio with E-MU PowerFX ................................................................. 106
General Tips for Rendering using PowerFX .................................................. 106
Tips for using Freeze Mode on Cubase LE ....................................................106
Using E-MU PowerFX with WaveLab and SoundForge .....................................106
E-MU VST E-Wire.................................................................................................107
E-Delay Compensator ......................................................................................108
E-Delay Compensator Use ............................................................................ 109
E-Delay Units Parameter .............................................................................. 110
Grouping Tracks ..........................................................................................110
6 - Appendix ................................................................. 111
Using High Sample Rates ....................................................................................111
Overview ........................................................................................................ 111
WDM Recording and Playback Behavior .......................................................... 113
Getting in Sync................................................................................................... 114
Useful Information.............................................................................................. 115
Cables - balanced or unbalanced? ...................................................................115
Balanced Cables .......................................................................................... 115
Unbalanced Cables ......................................................................................115
Adapter Cables ............................................................................................... 116
6 Creative Professional
1/8” Mini-phone to 1/4” Adapters ................................................................116
Cinch (RCA) to 1/4” Adapters .......................................................................116
Digital Cables .................................................................................................. 116
AES/EBU to S/PDIF Cable Adapter ...................................................................116
Grounding ...................................................................................................... 117
Phantom Power .............................................................................................. 117
Appearance Settings in Windows .................................................................... 117
Technical Specifications....................................................................................... 118
Internet References............................................................................................. 124
Forums ........................................................................................................ 124
Index ............................................................................ 127
E-MU PCIe Digital Audio Systems 7
8 Creative Professional

1- Introduction

Welcome!

Thank you for purchasing the E-MU 1616m PCIe or 1212m PCIe Digital Audio System. Your computer is about to be transformed into a powerful audio processing workstation. We’ve designed your E-MU digital audio system to be logical, intuitive and above all, to provide you with pristine sound quality. These systems offer unprece dented quality and value by providing studio-class, 24-bit/192kHz multi-channel recording and playback to any PCIe card bus equipped PC.
1- Introduction
Welcome!
-
1616m PCIe System Components
E-MU 1616m PCIe
• E-MU 1010 PCIe Card
• MicroDock
• EDI (E-MU Digital Interface Cable)
• +48VDC AC Adapter
• MIDI Breakout Cable
• Digital Audio System Software/Driver Installation CD-ROM
• Production Tools Software Bundle CD-ROM
• Quick Start Guide
(8) Channel ADAT Digital Optical Input (8) Channel ADAT Digital Optical Output (2) Channel S/PDIF Digital Input (2) Channel S/PDIF Digital Output (2) MIDI Inputs & Outputs (allows 32 MIDI channels) (4) 24-bit Balanced Line Inputs (6) 24-bit Balanced Line Outputs (2) Microphone/Line Preamp Inputs (with +48V phantom power) (2) Turntable Preamp Inputs (with RIAA equalized preamplifier) (1) Stereo Headphone Output (with volume control) (3) Stereo Computer Speaker Outputs (with 1/8” jacks to connect powered speakers)
m
Inputs & Outputs
E-MU PCIe Digital Audio Systems 9
1- Introduction Welcome!
1212m PCIe System Components
E-MU 1212
m
• E-MU 1010 PCIe Card
• E-MU 0202 I/O Daughter Card
• 0202 I/O Card Cable
• (2) MIDI Adapter Cables
• Digital Audio System Software/Driver Installation CD-ROM
• Production Tools Software Bundle CD-ROM
• Quick Start Guide
Inputs & Outputs
(8) Channel ADAT Digital Optical Input (8) Channel ADAT Digital Optical Output (2) Channel S/PDIF Digital Input (2) Channel S/PDIF Digital Output (1) MIDI Input & Output (allows 16 MIDI channels) (2) 24-bit Balanced Line Inputs (2) 24-bit Balanced Line Outputs
10 Creative Professional

Both Systems Include:

The E-MU 1010 PCIe Card is the heart of all three systems. Its powerful hardware DSP processor allows you to use over 16 simultaneous hardware-based effects, which place minimal load on your computer’s CPU. The E-MU 1010 PCIe Card also provides eight­channels of ADAT® optical digital input and output, as well as a S/PDIF stereo digital input and output.
The PatchMix DSP mixer application is included in all the systems. PatchMix DSP delivers unmatched flexibility in routing your audio between physical inputs and outputs, virtual (ASIO/WAVE) inputs and outputs and internal hardware effects and buses—no external mixer needed. You can add digital effects, EQs, meters, level controls and ASIO/WAVE sends anywhere you like in the signal chain.
Because the effects and mixing are hardware-based, they don’t add latency when you record. You can even record a dry signal while monitoring yourself with effects! (See
“The Order of Effects” on page 57.) Mixer setups can be saved and instantly recalled for
specific purposes such as recording, mixdown, jamming, special effect setups, playing games, watching DVDs, or general computer use.

E-MU 1212m System

The E-MU 1212m includes the 0202 Daughter Card, which provides 2 line level, balanced analog inputs, 2 line level, balanced analog outputs, plus MIDI input and output. This is no-compromise audio interface, using ultra-high performance 24-bit/192kHz A/D - D/A converters to deliver an unbelievable 120dB dynamic range.
1- Introduction
Welcome!

E-MU 1616m System

The E-MU 1616m system includes the MicroDockm, a no compromise, mastering-grade system in a half rack-space, audio interface. The MicroDock adds the following input and output capabilities to the system: two mic/line inputs with custom low-noise preamps, 4 balanced line level analog inputs, an RIAA stereo turntable preamp, 6 balanced line level outputs, an assignable headphone output, two sets of MIDI I/O ports, an additional S/PDIF optical output, and four stereo mini phone jacks for easy connection to powered speaker systems. The 1616M system utilizes ultra-high perfor mance 24-bit/192kHz A/D - D/A converters with automatic DC blocking to deliver an incredible 120dB of dynamic range.
-

Sync Daughter Card

The legacy Sync Daughter Card is NOT compatible with the 1010 PCIe card. The Sync Daughter Card was an option for the original 1010 PCI card and provided Word Clock, SMPTE and MIDI Time Code output.
S/PDIF and ADAT on
the 1010 PCIe card are NOT ACTIVE when the MicroDock is connected.
E-MU PCIe Digital Audio Systems 11
1- Introduction Welcome!

PatchMIx DSP

PatchMix DSP offers unmatched flexibility in routing your audio between physical inputs/outputs, virtual (ASIO/WAVE) inputs/outputs, internal hardware effects and buses. No external mixer is needed. You can add digital effects, EQs, meters, level controls and ASIO/WAVE sends anywhere you like in the signal chain.
Because the effects and mixing are hardware-based, you can record using effects with near zero-latency. You can even record a dry signal while monitoring yourself with effects! ( instantly recalled for specific purposes such as recording, mixdown, jamming, special effect setups, playing games, watching DVDs, or general computer use.
You’ll want to keep up with the latest software and options for your E-MU digital audio system. You can find all of this, plus other helpful information, at the E-MU Website:
http://www.emu.com.
Notes, Tips and Warnings
Items of special interest are presented in this document as notes, tips and warnings.
See “The Order of Effects” on page 57.) Mixer setups can be saved and
Notes provide additional information related to the topic being discussed. Often, notes describe the interaction between the topic and some other aspect of the system.
Tips describe applications for the topic under discussion.
Warnings are especially important, since they help you avoid activities that can cause damage to your files, your computer or yourself.
12 Creative Professional

Setting Up the Digital Audio System

2 - Installation

Setting Up the Digital Audio System
There are six basic steps to installing your E-MU system:
1. Remove any other sound cards you have in your computer. (Once you are sure that
the E-MU card works properly, your old sound card can be reinstalled if desired.)
2. Install the E-MU 1010 PCIe x1 card in your computer. Go there.
3. Install the 0202 Daughter Card (if applicable). Go there.
4. Connect the MicroDock (if applicable).
5. Install the PatchMix DSP software onto your computer.
6. Connect audio, MIDI and synchronization cables between the E-MU system and
your other gear.
7. After Software Installation, click on the E-MU icon in the Windows SysTray to
open PatchMix DSP, then click the ? in the upper right corner to open the complete
operation manual.

Notes for Installation

2 - Installation
• IF AT ANY TIME DURING THIS INSTALLATION YOU SEE NO RESPONSE: Use the Alt-Tab feature to select other applications. One of them may be the Microsoft Digital Signature warning. It is possible for this warning to appear behind the installation screen.
• Make sure you have the latest Windows Service Packs from Microsoft® (Windows® XP - SP 2 or higher, Vista® - SP 1 or higher).
• Disable onboard sound and uninstall all other sound cards. (If you wish to try using multiple sound cards in your system, do so after you have confirmed that your E-MU Digital Audio System is operating normally.)
• InstallShield “IKernel Application Error” on Windows XP: When installing this software on Windows XP, you may be confronted with a “kernel error” at the very end of installation. This is an issue with the InstallShield program, which is what we use to install software on your computer. Please do not be alarmed by this, as the error is innocuous.
• To read more about this error, and obtain instructions on how to avoid getting the message, please visit this website: http://support.installshield.com/kb/view.asp?articleid=q108020
• Multiple Digital Audio System sound cards are not supported.

System Requirements

• Intel® or AMD® processor operating at 1GHz or faster
• Intel, AMD or 100% compatible motherboard and chipset
• Windows XP SP2 or higher, Windows Vista SP1 or higher
• 512 MB RAM
• 500 MB free hard disk space for full installation
• Available PCIe 1.1 compliant slot (1 PCIe and 1 backplane slot required for 1212)
• XVGA Video (1024 x 768)
• CD-ROM drive required for software installation
• Headphones, amplified speakers, or audio sound system
E-MU PCIe Digital Audio Systems 13
2 - Installation Setting Up the Digital Audio System
Please read the following sections as they apply to your system as you install the E-MU 1010 PCIe, paying special attention to the various warnings they include.
Prior to installing the hardware, take a few moments to write down the 18-digit serial number, which is located on the back of the box and on the 1010 PCIe Card. This number can help EMU Customer Service troubleshoot any problems you may encounter—by writing the number down now, you’ll avoid having to open your computer to find it later on.

Safety First!

• To avoid possible permanent damage to your hardware, make sure that all connec-
tions are made with the host computer’s power off. Unplug the computer’s power cable to make sure that the computer is not in sleep mode.
• Take care to avoid static damage to any components of your system. Internal computer surfaces, the E-MU 1010 PCIe board and the interfaces are susceptible to electrostatic discharge, commonly known as “static.” Electrostatic discharge can damage or destroy electronic devices. Here are some procedures you can follow when handling electronic devices in order to minimize the possibility of causing electrostatic damage:
• Avoid any unnecessary movement, such as scuffing your feet when handling electronic devices, since most movement can generate additional charges of static electricity.
As you install
hardware components, observe the following general precautions to avoid damage to your equipment and yourself.
• Minimize the handling of the PCIe card. Keep it in its static-free package until needed. Transport or store the board only in its protective package.
• When handling a PCIe card, avoid touching its connector pins. Try to handle the board by its edges only.
• Before installing a PCIe card into your computer, you should be grounded. Use a ground strap to discharge any static electric charge built up on your body. The ground strap attaches to your wrist and any unpainted metal surface within your computer. If you don’t have a ground strap, you can ground yourself by touching the metal case of another piece of grounded equipment.

Connector Types

These connector types are used to connect the E-MU 1010 hardware components. They will be referred to by the name shown in the first column of the following chart:
Name Description Connects
Card/External CAT5 Connector 1010 PCIe card and MicroDock
S/PDIF In RCA Connector S/PDIF digital audio devices
S/PDIF Out RCA Connector S/PDIF digital audio devices
ADAT Optical In TOSLINK Optical Connector ADAT digital audio devices (or S/PDIF)
ADAT Optical Out TOSLINK Optical Connector ADAT digital audio devices (or S/PDIF)
ý Warning: Please verify that all cables are connected only to the proper components before powering up your system.
14 Creative Professional

Installing the E-MU 1010 PCIe Card

Installing the E-MU 1010 PCIe Card
This installation is very simple but if you are not familiar with the installation of computer peripherals and add-in boards, please contact your authorized E-MU Systems dealer or an approved computer service center to arrange for the installation.
IMPORTANT: Remove any other audio cards and uninstall the audio card or motherboard audio software from your PC before installing this card. Once the Digital Audio System has been successfully installed and is working properly, you MAY be able to install another audio card if you so desire.
To install the 1010 PCIe card into your computer
1. Make sure that the power switch on your computer is off.
IMPORTANT: Unplug the power cord from the wall outlet!
2. Touch a metal plate on your computer to ground yourself and to discharge any
static electricity.
3. Follow the computer manufacturer’s recommended procedure for opening the
case.
4. Remove the metal bracket from one PCIe x1 slot. (PCIe x1 slots are the smallest of the
PCie slots.) If you have the E-MU 1212M system, you’ll need to remove the bracket
from two slots. Put the screw(s) aside for use later. See figure 1 below.
Figure 1 Figure 2
2 - Installation
Note: Some computer cases don’t use screws to secure PCIe cards. In this case, follow the instructions that came with your computer.
PCIe x16
PCIe x1
(may not be present
PCI Slots
on your computer)
5. Align the E-MU 1010 PCIe card with the slot and press gently but firmly down into
PCIe x1
(may not be present
PCI Slots
on your computer)
PCIe x1
PCIe x16
the slot as shown in figure 2.
6. Do not force the E-MU 1010 PCIe card into the slot. Make sure that the gold finger
connector of the card is aligned with the PCIe x1bus connector on the mother­board before you insert the card into the PCIe slot. If it doesn’t fit properly, gently remove it and try again.
7. Secure the card into the slot using one of the screws you placed aside earlier.
E-MU PCIe Digital Audio Systems 15
2 - Installation 1212m Owners - Install the 0202 Daughter Card

1212m Owners - Install the 0202 Daughter Card

1. Unwrap the 0202 Daughter Card and get
ready to install it.
2. Connect the provided ribbon cable
Figure 3
between the E-MU 1010 PCIe card and the 0202 Daughter card as shown in figure 3. The cable is keyed so it cannot be incor­rectly inserted. Seat the connectors firmly in the sockets and arrange the cable neatly.
3. Align the 0202 Daughter Card with the
back panel slot and press gently but firmly down into the slot as shown in figure 2 on the preceding page.
4. Do not force the 0202 Daughter Card into
the slot. The bottom of the card does not fit into the PCIe slot. The rear panel mounting holds it in place.
5. Secure the card into the slot using one of
PCI Slots
PCIe x1
PCIe x1
the screws you placed aside earlier.
6. After all components have been installed
and securely fastened, close the computer
0202 Daughter
Card
case.
Connect the supplied network-type cable from the 10 BaseT jack on the E-MU
7.
1010 PCIe card labeled “EDI” to the matching connector labeled “EDI” on the MicroDock. The cable supplied with the MicroDock is specially shielded to prevent unwanted RF emissions.
8. Plug the power cord back into the wall outlet and turn on your computer.

Connecting the MicroDock

1. Connect the supplied EDI cable between the 1010 PCIe Card and the MicroDock.
2. Connect the supplied +48 volt DC adapter to the +48VDC jack on the rear of the
MicroDock. See the diagram below.
3. Connect your audio inputs and outputs to the MicroDock as shown on page 25.
4. Turn the MicroDock on by turning the Headphone Volume control.
+48V DC Adapter
VDC
48 +
-
CAUTION: Do not
connect the supplied CAT5 cable to the Ethernet or network connector on your computer. Doing so may result in permanent damage to either your computer, the E-MU 1010 or both.
Note: The 1616m MicroDocks cannot be used with older 1010 PCI cards identified by the 1394 FireWire port.
EDI
1010 PCIe Card
16 Creative Professional
The Headphone Volume Control is the Power Switch.
ý Warning: The MicroDock has been designed to use readily available and
inexpensive standard computer system cables. This makes it easy for you to find replacement cables if your original cable becomes damaged or lost. However, because these standard cables types are used for other purposes, you must use caution to avoid connecting the cables incorrectly. DO NOT connect the supplied EDI cable to the Ethernet or network connector on your computer. Doing so may result in permanent damage to either your computer, the E-MU 1010 PCIe card, or the MicroDock.

WARNING: E-MU 0202 & MicroDock

If you have both the E-MU 0202 I/O card and the MicroDock, DO NOT connect both to the E-MU 1010 PCIe card. They cannot be used together.
2 - Installation
Connecting the MicroDock
E-MU PCIe Digital Audio Systems 17
2 - Installation Software Installation

Software Installation

Installing the E-MU 1010 PatchMix Software and Drivers

The first time you restart your PC after installing the E-MU 1010 PCIe card, you will need to install the PatchMix DSP software and E-MU 1010 PCIe card drivers.

Windows XP, Windows XP x64, Windows Vista, Windows Vista x64

The software is not compatible with other versions of Windows.
After you have installed your Digital Audio System, turn on your computer.
1.
Windows automatically detects the Digital Audio System and searches for device drivers.
2. When prompted for the audio drivers, click the Cancel button.
3. Insert the E-MU software Installation CD into your CD-ROM drive. If Windows
AutoPlay mode is enabled for your CD-ROM drive, the CD starts running automat­ically. If not, from your Windows desktop, click Start->Run and type d:\setup.exe (replace d:\ with the drive letter of your CD-ROM drive). You can also open the CD and double-click Setup.exe.
4. The installation splash screen appears. Follow the instructions on the screen to
complete the installation.
5. Choose “Continue Anyway” when you encounter the “Windows Logo Testing”
warning screen. See the note below for more information.
6. When prompted, restart your computer.
Serial Number - During the registration process, you will be asked to enter your 18-digit serial number. The serial number is located on the back of the box and on the 1010 PCIe Card.

Uninstalling all Audio Drivers and Applications

At times you may need to uninstall or reinstall some or all of the audio card's applica­tions and device drivers to correct problems, change configurations, or upgrade outdated drivers or applications. Before you begin, close all audio card applications. Applications still running during the uninstallation will not be removed.
1. Click Start -> Settings -> Control Panel.
2. Double-click the Add/Remove Programs icon.
3. Click the Install/Uninstall tab (or Change or Remove Programs button).
4. Select the E-MU driver/application entries and then click the Add/Remove (or
Change/Remove) button.
5. In the InstallShield Wizard dialog box, select the Remove option.
6. Click the Yes button. Restart your computer when prompted.
7. You may now re-install existing or updated E-MU 1010 PCIe card device drivers or
applications.

Note About Windows Logo Testing

When you install the 1616M PCIe drivers, you will see a dialog box informing you either that the driver has not been certified by Windows Hardware Quality Labs (WHQL), or that the driver is signed by Creative Labs, Inc, and you will be asked if you would like to continue with the installation.
The 1616m PCIe audio drivers are not certified by WHQL because the product does not support some of the features that the Microsoft Windows Logo Program requires, most notably Universal Audio Architecture (UAA) and Digital Rights Management (DRM).
Despite this, the 1616M PCIe audio drivers have been rigorously tested using the same test procedures that a WHQL qualified driver requires, and it passes in all of the other important categories, including those that measure the relative stability of the driver. So, it is perfectly safe to install these drivers on your computer.
18 Creative Professional

3 - PCIe Card & Interfaces

The E-MU 1010 PCIe Card

The E-MU 1010 PCIe card is the heart of the system and contains E-MU’s powerful E-DSP chip. The powerful hardware DSP on this card leaves more power free on your CPU for additional software plug-ins and other tasks.

Important

When the MicroDock is connected to the 1010 PCIe card, the digital I/O on the PCIe card is disabled. Use the digital I/O on the MicroDock.

Connections

EDI Connector
Connects to the MicroDock using the supplied EDI cable. This cable provides a a two-way data link
(',
Connects to
MicroDock
via EDI Cable
S/PDIF In/Out
between the E-MU 1010 and the MicroDock as well as supplying power to the MicroDock.
S/PDIF Digital Audio Input & Output
RCA phono jacks are standard connectors used for S/PDIF (Sony/Philips Digital InterFace) connections. Each jack carries two channels of digital audio. The E-MU 1010 receives digital audio data with word lengths of up to 24-bits. Data is always transmitted at 24-bits.
3 - PCIe Card & Interfaces
The E-MU 1010 PCIe Card
S/PDIF digital I/O can be used for the reception and/ or transmission of digital data from external digital devices such as a DAT external analog-to-digital
ADAT
or S/PDIF
Optical
In/Out
converter or an external signal processor equipped with digital inputs and outputs.
The S/PDIF out can be configured in either Profes­sional or Consumer mode in the Session Settings menu. The 1010 PCIe card can also send and receive AES/EBU digital audio through the use of a cable adapter. See “AES/EBU to S/PDIF Cable Adapter” details.
The S/PDIF input and outputs are usable at the
44.1kHz, 48kHz 88.2kHz and 96kHz sample rates, but are disabled for 176.4kHz and 192kHz. The word clock contained in the input data stream can be used as a word clock source. See “System Settings”
for
.
ADAT Optical Digital Input & Output
The ADAT optical connectors transmit and receive 8 channels of 24-bit audio using the ADAT type 1 & 2 formats. The word clock contained in the input data stream can be used as a word clock source. See “System Settings” advantages such as immunity to electrical interference and ground loops. Make sure to use high quality glass fiber light pipes for connections longer than 1.5 meters.
. Optical connections have certain
S/PDIF and ADAT on
the 1010 PCIe card are NOT ACTIVE when the MicroDock is connected.
Important: When
using any type of digital I/O such as S/PDIF or ADAT, you MUST sample sync the two devices or clicks and pops in the audio will result.
E-MU PCIe Digital Audio Systems 19
3 - PCIe Card & Interfaces The 0202 Daughter Card
At the 96kHz or 192kHz sample rates, the industry standard S/MUX interleaving scheme is used for ADAT input and output. S/MUX uses additional ADAT channels to achieve the required bandwidth. See the chart below
or go here for additional infor-
mation.
Sample Rate Number of Audio Channels
44kHz/48kHz 8 channels of 24-bit audio
88.2kHz/96kHz 4 channels of 24-bit audio, using S/MUX standard
176.4kHz/192kHz 2 channels of 24-bit audio, using S/MUX standard

The 0202 Daughter Card

The 0202 Daughter card is the companion card for E-MU 1010 systems which don’t include the MicroDock. The 0202 Daughter card provides one pair of 24-bit balanced analog inputs and one pair of 24-bit balanced analog outputs, plus MIDI in and out.

Connections

Analog Inputs and Outputs
The 0202 Daughter Card provides two balanced, analog inputs and two balanced, line level analog outputs. The inputs can be connected to any line level
Left / Right
Line Inputs
stereo signal from keyboards, CD-players, cassette decks, etc. The analog inputs are assigned to a mixer strip in the mixer application.
The outputs can feed any line level input such as a
Left / Right
Line Outputs
mixing board, the auxiliary input on your stereo or a set of powered speakers. The line outputs are NOT designed to drive headphones directly. Connect the line outputs to a stereo receiver or mixer with a headphone jack to obtain the proper current drive.
MIDI
In/Out
Either TRS (tip-ring-sleeve) balanced or TS unbal­anced cables can be used. Balanced cables provide better noise immunity and +6dB higher signal level. The output line level can be set to accommodate the consumer -10dBV standard, or the pro audio +4 dBu standard in the I/O screen of the Session Settings dialog box. See “I/O Settings”
.
MIDI In/Out
The MIDI input and output port can be assigned in your specific MIDI application. Connect the MIDI adapter cable that came with your 0202 Daughter card to the mini­DIN connectors on the card. The adapter cables convert the mini-DIN to standard DIN connectors used on most keyboards and synthesizers. Connect MIDI Out to the MIDI In port of your synthesizer and MIDI Out of your synth to MIDI In of the 0202 Daughter Card.
20 Creative Professional

The MicroDock

The MicroDock connects to the E-MU 1010 PCIe card via the EDI cable.
The MicroDock provides (4) balanced analog inputs, (2) microphone preamp inputs, (6) balanced line-level analog outputs, (3) stereo 1/8” outputs for connecting powered computer speakers, (2) MIDI inputs, (2) MIDI outputs, a stereo headphone output, and a RIAA equalized turntable preamp section which is “normalled” into line input 2L and 2R, 8 channels of ADAT digital input/output, and stereo S/PDIF digital input/ output.
Out
Line
A
In
Mic
Clip
SL
-15
Line -
0
Mic -
1L
1R
1L
1R
B
-3
-6
-12
-20
+50
+65
2L
2L 2R
Line
Mic
Clip
-3
-6
SL
-12
-20
-15
0
Phono
2R
2L
3L
48V
+50 +65
2R
Gnd
3R
S/PDIF
Out
In
O
MIDI Cable
48
VDC
+
-
Out
2
1
3
EDI
3 - PCIe Card & Interfaces
The MicroDock
The MicroDock is completely “hot pluggable”— It’s OK to plug or unplug the MicroDock while the computer is turned on.
It’s a good idea to mute MicroDock inputs 2 in the PatchMix DSP mixer when nothing is plugged in, since the turntable preamp has a very high gain (60dB) and could contribute extra noise to your mix/monitor bus.
The inputs are configured as follows:
(2) mono microphone/line inputs (2 inputs)
(2) stereo pairs of line level inputs (4 inputs)
(1) stereo pair of S/PDIF/AES digital inputs (2 inputs)
(4) stereo pairs of ADAT channels on the ADAT optical input (8 inputs)
(1) RIAA equalized turntable preamp input allows you to connect a turntable
without using an expensive external preamp. Note: These inputs are automati cally disconnected when plugs are inserted into inputs 2L & 2R.
(2) MIDI input ports using the supplied breakout cable
The outputs are configured as:
(3) Stereo pairs of line level outputs
(1) Stereo pair driving a stereo headphone jack (Share the same routing as Line
Outs 1L/1R)
(1) Stereo pair of S/PDIF/AES digital outputs
(4) Stereo pairs of ADAT channels on the ADAT optical output
-
(3) Stereo 1/8” computer speaker outputs. These outputs carry the same signals as
the 3 stereo line level outputs and are provided as a convenience for connecting computer or powered speaker systems.
(2) MIDI output ports using the supplied breakout cable
E-MU PCIe Digital Audio Systems 21
3 - PCIe Card & Interfaces The MicroDock

Front Panel Connections

Preamp Section
The front panel mono Mic/Line inputs A & B can be used as balanced microphone inputs, hi-Z guitar pickup inputs, or line level inputs. The Neutrik combination jack accepts microphones using a standard XLR connector or line level/hi-Z inputs (such as an electric guitar) using a standard 1/4 inch TRS/TS connector.
Each preamp has a level control which sets the preamp gain from 0dB to +65dB for the XLR input and from -15dB to +50dB for the Hi-Z line input. The line markings around the knobs are calibrated in 10dB increments. The heavy hash marks on the gain controls indicate unity analog gain to the converter inputs (~5dBV input = 0dBFS output).
Phantom Power
Caution: Some microphones (notably ribbon types) cannot tolerate phantom power and may be damaged. Check the specifications and requirements of your microphone before using phantom power.
A phantom power switch enables +48 volt phantom power supplied to both micro­phones. A red LED illuminates to indicate phantom power is enabled. The audio mutes for a second when phantom power is turned on. After turning phantom power off, wait two full minutes before recording to allow the DC bias to drain.
See “Phantom Power”
for additional information.
Each microphone input has its own input level meters and clipping indicators. The LED meters indicate signal presence. Adjust the input gain so that the yellow LEDs are illuminated. The red Clip LED indicates that the gain is set too high and the signal is clipping the input. These LEDs monitor the signal directly at the analog-to-digital converters and before any processing by the rest of the system. When setting the levels for signals being sent into the MicroDock, the red clip indicator should never flash.
S/PDIF Digital Audio Input & Output
RCA phono jacks are standard connectors used for coaxial S/PDIF (Sony/Philips Digital InterFace) connections. Each jack carries two channels of digital audio. The MicroDock sends or receives digital audio data at 44.1k, 48k, 88.2k, 96k, 176.4k or 192k sample rates. Data is always transmitted at 24-bits, but lower word widths can be read. The word clock contained in the input data stream can be used as a word clock source.
S/PDIF digital I/O can be used for the reception and/ or transmission of digital data from external digital devices such as a DAT, external analog-to-digital converter or an external signal processor equipped with digital inputs and outputs.
The S/PDIF out can be configured in either Professional or Consumer mode in the Session Settings menu. The MicroDock can also send and receive AES/EBU digital audio through the use of a cable adapter. See “Cables - balanced or unbalanced?” details.
See “System Settings”.
for
22 Creative Professional
ADAT Optical Digital Input & Output
The ADAT optical connectors transmit and receive 8 channels of 24-bit audio using the ADAT type 1 & 2 formats. The word clock contained in the input data stream can be used as a word clock source. advantages such as immunity to electrical interference and ground loops. Make sure to use high quality glass fiber light pipes for connections longer than 1.5 meters.
At the 88.2k, 96k, 176.4k or 192k sample rates, the industry standard S/MUX inter­leaving scheme is used for ADAT input and output. S/MUX uses additional ADAT channels to gain additional bandwidth on the existing interface. See the chart below or
here for additional information.
go
Sample Rate Number of Audio Channels
44kHz/48kHz 8 channels of 24-bit audio
88kHz or 96kHz 4 channels of 24-bit audio, using S/MUX standard interleaving
176kHz or 192kHz 2 channels of 24-bit audio, using S/MUX standard interleaving
The ADAT inputs and outputs can be configured in the System Settings (page 33) to send and receive S./PDIF optical data at 44.1k, 48k, 88.2k, or 96k sample rates.
S/PDIF Optical is not supported at 176.4k or 196k.
See “System Settings”. Optical connections have certain
3 - PCIe Card & Interfaces
The MicroDock
Important: When
using any type of digital I/O such as S/PDIF or ADAT, you MUST sample sync the two devices or clicks and pops in the audio will result.
Headphone Output & Volume Control
The headphone output drives standard stereo headphones and the adjacent volume control sets the listening level. The headphone amplifier can drive headphones with impedance as low as 24 ohms. The headphone output uses a high-current version of the high-quality output amplifiers used on the other channels. For this reason it has a very clean signal that can be used as another stereo output if you need it.
Note: PatchMix DSP does not support AC3 passthrough at this time.
E-MU PCIe Digital Audio Systems 23
3 - PCIe Card & Interfaces The MicroDock
Front Panel Analog Connections
Use the 3-pin XLR jack
for Low Impedance
microphones.
Mic
Line
Line -
Mic -
Mic
Clip
-3
-6
SL
-12
-20
-15
0
A
Use the center
Phone Jack for
High Impedance
Instrument
instruments such
as electric guitar
or bass.
Digital Connections
ADAT
(Optical)
In
Out
Line
B
+50 +65
Mic
Clip
-3
-6
SL
-12
-20
-15
0
48V
+50 +65
In
S/PDIF
Out
O
On/Off
& Phone Volume
Stereo
Headphones
External A/D - D/A Converter
Out
Optical
1 2 3 4 5 6 7 8
In
(8 more analog inputs & outputs)
DAT or CD
Digital Audio Device with S/PDIF
Out
In
MIDI Keyboard
REAL TIME CONTROLLERS
ASSIGNABLE KEYS
SEQUENCER
Audio Outs
PRESET
SAMPLE
LEVEL
EXIT
ENTER
PAGE
PRESET SELECT
RETURN
EMULATOR
0.987654321
S/PDIF
(Coax)
In
MIDI 1
In
Out
Coaxial
MIDI Out
MIDI In
Out
INC/YES
DEC/NO
ENTER
ESCAPE
Audio Outs
TRIGGERS
ABC
DEF
123
JKL
MNO
GHI
456
TUV
WXY
PRS
789
QZ
0
MIDI
MIDI Sound Module
In
MIDI 2
Out
MIDI In
I
VOLUME
24 Creative Professional
TRANSPOSE DIGITAL PROCESSINGSAMPLE MANAGEMENT
O
MULTIMODE
MASTER/GLOBAL
PRESET MANAGEMENT DYNAMIC PROCESINGPRESET DEFINITION
SAMPLE
PRESET
DRIVE SELECT LOAD SAVE AUDITION TRIGGER MODE

Rear Panel Connections

3 - PCIe Card & Interfaces
The MicroDock
4 Balanced Line Level Inputs
(configured as 2 stereo pairs)
1L
1R
In
Out
1L
1R
(configured as 3 stereo pairs)
2L
2L 2R
Turntable Inputs
(tied to line input 2)
2R
2L
3L
Phono
Turntable
Ground
2R
Gnd
1
3R
Alternate Outputs6 Balanced Line Level Outputs
(same as outputs 1-3)
MIDI Cable
Out
2
MIDI Port
Connector
3
48 Volt DC
Power Input
48
VDC
+
EDI
Connect to
E-MU 1010 PCI
-
e
Card
Line Level Analog Inputs
4 balanced 24-bit, line-level, analog inputs are provided (1L-1R, 2L-2R). These can be used to input any line level signal from keyboards, CD-players, cassette decks, etc. The analog inputs are assigned to mixer strips in the mixer application. The line level inputs can be set to accommodate the consumer -10dBV standard, or the pro audio +4 dBu standard in the I/O screen of the Session Settings dialog box. See “I/O Settings”. The maximum input level is 18dBV (=20.2dBu).
Either TRS balanced or TS unbalanced cables can be used. The line-level inputs are all servo-balanced, enabling them to convert unbalanced signals to balanced signals internally to reduce noise. See page 115 cables and connectors.
for additional information about unbalanced
Phono Inputs & Ground Lug
The RCA Phono inputs feed an RIAA equalized preamp designed for moving magnet type phono cartridges with 60 dB of gain. Connect the ground lead from your turntable to the ground lug to prevent hum.
The phono inputs SHARE line level inputs 2L and 2R. Inserting a plug into Line Input 2 disconnects the turntable preamp from that channel. Do NOT leave your turntable connected when using inputs 2L and 2R, since this can cause a ground loop.
Important: Do NOT plug in line level signals to the turntable inputs. The turntable inputs are designed to accept the extremely low-level signal from a phonograph cartridge. Use RCA to 1/4” adapters to connect line level signals to the line level analog inputs.
Line Level Analog Outputs
Six balanced 24-bit, line-level, analog outputs are provided (1-3). Output pair 1 is designated as the Monitor Output and is fed by the monitor bus of the PatchMix DSP mixer application. We suggest that you plug your speakers in here. Special anti-pop circuitry mutes the analog outputs when power is turned on or off.
Like the analog line inputs, either TRS balanced or TS unbalanced cables can be used. Balanced cables provide better noise immunity and +6dB higher signal level. The output line level can be set to accommodate the consumer -10dBV standard, or the pro audio +4 dBu standard in the I/O screen of the Session Settings dialog box. See “I/O
Settings”.
The maximum input and output line levels are matched when the input and output settings are set to the same mode (pro or consumer) in the I/O preferences screen.
Important!
It’s a good idea to MUTE the Dock In strip 2L/2R in the PatchMix DSP mixer if nothing is plugged in to these jacks. The turntable preamp has a very high gain (60dB) and can add extra noise to your mix/ monitor bus.
Balanced Cables:
You should ONLY use balanced (TRS) cables if BOTH pieces of equipment use balanced connections. Connecting balanced cables between balanced outputs and unbalanced inputs can actually increase noise and introduce hum.
E-MU PCIe Digital Audio Systems 25
3 - PCIe Card & Interfaces The MicroDock
Computer Speaker Analog Outputs
These stereo mini-phone (3.5mm) jacks duplicate line level outputs 1-3 with a lower output level to accommodate consumer speakers. These line level outputs are designed to interface easily with powered speakers.
Computer Speaker Output Duplicates Line Level Output
1 L/R Tip = 1L Ring = 1R
2 L/R Tip = 2L Ring = 2R
3 L/R Tip = 3L Ring = 3R
MIDI 1 & 2 In/Outs
MIDI input and output ports allow you to interface any type of MIDI equipment such as keyboards, effect units, drum or guitar controllers (anything with MIDI). The MIDI drivers were installed when you installed your PatchMix DSP software and the MIDI ports will appear in your system control panel under “Sounds and Audio Devices.”
There are two completely independent sets of MIDI input and output ports on the MicroDock, which can be assigned in your specific MIDI applications.
Connect the MIDI breakout cable to the D-connector on the MicroDock. Connect MIDI Out to the MIDI In port of your synthesizer and MIDI Out of your synth to MIDI In of the MicroDock MIDI cable.
EDI Connector (Card)
Connects the MicroDock to the E-MU 1010 PCIe card using a CAT5-type computer cable. The cable supplied with the MicroDock is specially shielded to prevent unwanted RF emissions.
Basic Connections
Audio
from
Synthesizer
In
Out
Audio
to
Monitors
MIDI Synthesizer
1L
1R
1L
1R
Mixer
Speakers
**
2R
2L
2L 2R
&
MIDI In
Out
MIDI 1
MIDI Out
Phono
2L
2R
Gnd
3R
3L
MIDI Cable
Out
2
1
In
3
Connect Desktop
Speakers to
1/8" jacks
e
r
e
o
t
S
Turntable
48
VDC
+
-
AC Adapter
EDI
1010 PCIe
Card
Powered Desktop Speakers
* NOTE: Line Inputs 2L/2R and Phono 2L/2R cannot be used at the same time.
26 Creative Professional
5.1 Surround Speaker Connections
3 - PCIe Card & Interfaces
The MicroDock
Center
Left
Front
Phono
2L
2R
1L
In
Out
1L
2L
1R
1R
2L 2R
2R
Gnd
3R
3L
MIDI Cable
Out
2
1
3
Left
Rear
Front Rear Ctr/Sub
Sub-Woofer
(with built-in power amps)
The 1/8” stereo jacks make it easy to connect to powered surround sound speakers. Only three stereo cables are necessary with many speaker systems (see above). The 1/8” jacks duplicate the 1/4” outputs. The 1/8” jacks and the 1/4” jacks can be used simulta­neously.
48
VDC
+
-
EDI
Right Front
Right
Rear
You can connect the 1/8” stereo jacks to your surround speakers and connect the 1/4” outputs to your other gear for music creation. (Yes, they can both be connected at the same time.) When you want to monitor in surround, simply open the 5.1 Session and turn on your surround speakers.
The chart below shows how to connect the outputs for 5.1 surround sound playback.
Multichannel WAVE to Surround Sound Speaker Channels
(using the factory 5.1 DVD Playback Session)
WAVE Strip Surround Channels 1/4” Outputs 1/8” Outputs
E-DSP WAVE 1/2 Front Left/Front Right 1L = FL 1R = FR 1 (Tip = FL Ring = FR)
E-DSP WAVE 3/4 Center/Subwoofer 3L = C 3R = Sub 3 (Tip = C Ring = Sub)
E-DSP WAVE 5/6 Rear Left/Rear Right 2L = RL 2R = RR 2 (Tip = RL Ring = RR)
E-DSP WAVE 7/8 Side Left/Side Right N/A N/A
Choose one of the DVD 5.1 Sessions, then set up your DVD application to use multi­channel WAV for audio.
E-MU PCIe Digital Audio Systems 27
3 - PCIe Card & Interfaces 1212m System Connections

1212m System Connections

The 1212M System uses line level inputs and outputs. Microphones and unpowered instruments require a preamp since they generate signals much lower than line level. The diagram below shows how to connect to a mixer. If you don’t own a mixer, you can connect powered speakers directly to the L/R Outputs and use PatchMix as your mixer.
121 2M Analog Connections
Microphone
(must be pre-amped)
L/R
Input
L/R
Output
Use either Balanced
or Unbalanced cables
Main
Outs
Input Strips
Mixer
(with pre-amp)
Electronic Keyboard
REAL TIME CONTROLLERS
ASSIGNABLE KEYS
PRESET
SAMPLE
SEQUENCER
EMULATOR
LEVEL
EXIT
ENTER
PAGE
PRESET SELECT
RETURN
0.987654321
Electric Instrument
Instr. Preamp
(must be pre-amped)

Output Connections

This diagram shows the various types of cable adapters needed to connect to various types of equipment. The diagram is applicable to either the 1616M or1212M.
121 2M Analog Output Connections
To Mixer
Inputs
1/4" male to 1/4" male
L
(balanced or unbalanced)
R
Mixer &
Powered Speakers
or...
Aux Inputs
Mono 1/4" male to
male Cinch (RCA) adapter
Integrated
Amp & Speakers
or...
Powered
Desktop
Speakers
Stereo
Mono 1/4" male to
Stereo 1/8" female adapter
28 Creative Professional

4 - The PatchMix DSP Mixer

PatchMix DSP

The PatchMix DSP Mixer is a virtual console which performs all of the functions of a typical hardware mixer and a multi-point patch bay. With PatchMix, you may not even need a hardware mixer. PatchMix DSP performs many audio operations such as ASIO/ WAVE routing, volume control, stereo panning, equalization, effect processing, effect send/return routing, main mix and monitor control and allows you to store and recall these “Sessions” at will.
To Invoke the PatchMix DSP Mixer
1. Left-click once on the E-MU icon on the Windows System Tray. The PatchMix
DSP mixer window appears.

Overview of the Mixer

Add New
Strip
Physical Input Strips
ASIO Input Strip
Tool ba r
4 - The PatchMix DSP Mixer
PatchMix DSP
Click on the buttons and knobs in the mixer screen below to jump to the description of the control.
Display
Select
Buttons
Delete
Strip
Channel
Insert
Section
Pan
Controls
Aux
Sends
Volume
Fader
Solo/Mute
Buttons
“TV”
Screen
Aux
Effects
Section
Sync/
Sample
Rate
Indicators
Monitor
User
Definable
Scribble Strip
E-MU PCIe Digital Audio Systems 29
Controls Windows Source Audio
(Direct Sound, Windows Media, etc.)
WAVE Strip
Main
Inserts
Current
Session
Name
Main Mix
Output Volume
& Meters
Volume/Balance
/Mute Controls
4 - The PatchMix DSP Mixer Overview of the Mixer

Mixer Window

The Mixer consists of four main sections.
Application Toolbar Lets you manage sessions and show/hide the various views.
Main Section Controls all the main levels, aux buses, and their inserts. This section also has a “TV”
which shows parameters for the currently selected effect and the input/output patching. It also shows the session’s current sample rate and whether it’s set to internal or external clock.
Mixer Strips This section is located to the left of the Main Section and shows all the currently
instantiated mixer strips. Mixer strips can represent Physical analog/digital inputs, or Host inputs such as ASIO or Direct Sound. Mixer strips can be added or deleted as necessary. This section can be resized by dragging the left edge of the frame.
Effects Palette This popup window is invoked by pressing the FX button in the toolbar. Iconic
representations of all effects presets are shown here, organized by category. From this window, you can drag and drop effect presets into the insert slots available on the mixer strips and main section aux buses and main inserts.
A simplified diagram of the mixer is shown below.
IMPORTANT: Study this diagram to understand how the PatchMix DSP Mixer works.
Input
Post-Fader Strip
Insert
Section
Panning
Input
Pre-Fader Strip
Insert
Section

Mixer Block Diagram

Fader
MUTE
Aux 1
Aux Bus 1
Aux 1
Send
Amount
Aux
Effects
Insert
Return
Amount
Section
Aux 2
Aux Bus 2
Aux 2
Send
Amount
Insert
Return
Amount
Section
Fader
MUTE
Main Bus
Effects
Insert
Main Bus
Section
Main
Level
Meter
Monitor
Out
MUTE
Monitor Level
Main
Out
Output 1L/1R
& Headphones
Pre Fader or Post Fader
When creating a new Mixer Strip, you have the option for the Aux Sends to be placed Post Fader (both Aux Sends come after the channel fader) or Pre Fader (both Aux Sends come before the channel fader). The Pre-fader option allows you to use either Aux Send as another mix bus, which is unaffected by the channel fader.
More Information.
30 Creative Professional
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