Tested To Comply
With FCC Standards
FOR OFFICE USE
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) This device may not cause harmful interference and
(2) this device must accept any interference received,
including interference that may cause undesired
operation.
This Class B digital apparatus meets all requirements of
the Canadian Interference-Causing Equipment Regulations.
Cet appareil numerique de la classe B respecte toutes
les exigences du Reglement sur le materiel brouilleur du
Canada.
For Technical Support, email: support@davesmithinstruments.com
Thanks for purchasing your Mopho synthesizer! Listen to the sounds, twiddle
some knobs, have some fun!
Please Register!
Please go to www.davesmithinstruments.com and register your synth. If you
purchased directly from us, there is no need to register—we already have your
contact information.
Powering Up
So, plug in the power supply, connect (in stereo!!) to your mixer/sound system,
and start playing!
You can use the P
USH IT switch to trigger sounds without a keyboard. If you’re
using a MIDI keyboard, try applying keyboard pressure (aftertouch) and the
mod wheel. Many sounds are fairly simple at first, then come alive when you
use the controllers. With other sounds, you may need to hold the notes a while to
let the sound unfold. Playing in different ways has a big effect on the programs.
Selecting and Editing Programs and Global Settings
You can use the increment and decrement (+ and -) switches to step through the
programs. Hold them down briefly to increment or decrement the bank. There
are 3 banks of 128 programs.
If you want to edit a program, just turn any knob. The new value will be
displayed in the bottom line of the LCD (the top line displays the programmed
value for handy reference).
After turning knobs, just hit P
ROGRAM MODE so the LCD goes back to the
program/bank screen, allowing you to change programs again.
Press and hold the P
ROGRAM MODE switch briefly to display the Global menu
and change higher level parameters such as MIDI channel number,
Transpose/Detune, and so on. The P
ROGRAM knob changes the displayed page
and increment and decrement change the values. These settings are remembered
when the synth is turned off.
Summary
You should be up and running now; for more operation information, read on. Or,
just look up specific parameters for detailed notes. Pages 26 through 28 contain
a handy reference for mod destinations and sources. At some point you should
1
read through the manual to discover all the little features that you might not
notice at first.
Don’t forget you get a free editor for Mac OS or Windows with your purchase.
Download it from www.soundtower.com/mopho.
I should mention that this manual does not include explanations of basic analog
synthesizer functions. It assumes you already know what an oscillator is, how a
low-pass filter affects the sound, what an ADSR envelope looks like, and so on.
Fortunately, these days it is quite easy to find such resources on the Internet. If
you want to learn the lingo and the basics, just try a search in Google (or the
search engine of your choice), something like “analog synthesizer tutorial.”
You’ll find plenty of good reading material.
Have fun!
Dave Smith
Special thanks to:
Jeff Koepper, Andrew McGowan, Dave Polich, and Stefan Trippler. Thanks also
to the authors of the Prophet ’08 programs, many of which are used in Mopho.
2
Getting Connected
Mopho has several inputs and outputs on its back panel.
Power Input — Connect the power supply included with your Mopho. The
power supply comes with different AC adaptor prongs that enable it to work
almost anywhere in the world. If for whatever reason you need to use a different
supply, it must match the specifications printed on the front panel.
Note: The power supply label says “Evolver” on it; we use the same
supply for the mono Evolvers, the Prophets, and Tetra.
MIDI In — To receive MIDI data from another device, connect this to the other
device's MIDI Out.
MIDI Out — To send MIDI data to another device, connect this to the other
device's MIDI In. This output can also be configured as a MIDI Thru using the
MIDI Out Select parameter in the Global menu.
Audio In — Mopho can be used as a signal processor. Audio is routed through
the filter and envelopes and, when the signal level is high enough, a gate is
generated. Audio can also be used to advance the sequencer when Seq Trigger is
set to Audio In.
Note: Though Mopho can process external audio, it does not have a pitch
detector, so the oscillators do not track the pitch of the source audio.
Audio Out — Mopho’s unbalanced, stereo outputs.
Phones — A 1/4 inch stereo headphone jack.
3
4
Front Panel Controls
Input Gain — Used to adjust the gain of AUDIO IN. For more about using
Mopho to process external audio, see page 11. For low-level sources (like
guitars), I
be turned down. Turning it down does not turn it off, it just decreases the gain.
External Input Volume (see Mixer Parameters on page 17) controls the amount
of signal that gets mixed into the filter and must be turned up for any audio—
external or feedback—to be heard.
NPUT GAIN should be turned up. For line-level sources, it will usually
Note: The factory programs use a naming convention where “FB”
indicates a program is designed to take advantage of the feedback
capability. When nothing is plugged into the Audio In jack, the left
Audio Output is normalled to the input. This provides a feedback path
that will create some unique, wild sounds. I
NPUT GAIN is not a
programmable control, so its position will have an effect on those
programs. For most FB sounds, the
INPUT GAIN should be set to
minimum, and will get out of control (often nicely!) when turned up.
Program — Use PROGRAM to change and scroll through the programs. Also
used to select parameters in Global mode.
Program Mode — Mopho has three modes of operation: program, edit, and
global. When in program mode, the display shows the name, number, and bank
of the current program. Editing any of the parameters puts Mopho into edit
5
mode and displays the last parameter edited and its stored and edited values. See
Program Parameters starting on page 15 for more information.
Global mode is accessed by briefly holding down the P
The Global menu is displayed. Use P
ROGRAM to change global parameters and
ROGRAM MODE button.
the increment and decrement (+ and -) buttons to change the settings. See Global Parameters on page 13 for more information.
To return to program mode from edit or global mode, simply press P
ROGRAM
MODE.
Write — Use WRITE to save an edited program to any of Mopho’s 384 memory
locations. To execute the write operation, press the increment (+) button. To
cancel a write, press W
RITE, decrement (-), or PROGRAM MODE. WRITE is also
used to execute certain operations in the Global menu.
Note: You can store a program in a different location. After hitting the
RITE button, you can change the destination using the PROGRAM knob,
W
and you can change banks by holding the increment (+) and decrement
(-) buttons. Be careful changing the banks! If you hit the increment
button quickly, it saves the program wherever you are at that point. If you
want to change banks, just be sure to hold the button for a couple
seconds.
Volume — Controls the volume of the left and right audio outputs and the
headphone output.
Increment/Decrement — The increment and decrement (+ and -) controls are
used to step through programs in program mode, to change values in the Global
menu, and to confirm or cancel various operations. In edit mode they
increase/decrease the parameter value. They are also used to select Mopho’s
three program banks. Hold increment briefly to switch to the next highest bank;
hold decrement to switch to the next lowest bank.
Assignable Parameters 1-4 — Any of Mopho’s program parameters can be
edited from the front panel using the A
SSIGNABLE PARAMETERS controls and the
assignments for the controls are saved per program, to best suit that program. In
other words, the assignments for the controls can be completely different from
one program to another.
Assign Parameters — When the ASSIGN PARAMETERS LED is lit, turn any of
SSIGNABLE PARAMETERS controls to select from the list of program
the A
parameters. Press A
SSIGNABLE PARAMETERS controls to edit the selected parameters. For a
A
SSIGN PARAMETERS again (turn the LED off) to use the
description of the parameters, see Program Parameters beginning on page 15.
For a list of the parameters, see page 29.
6
Pitch — Controls the base frequency of the two oscillators. The relative interval
between the two oscillators is maintained, even when the extremes are reached.
Cutoff — Controls the filter cutoff.
Resonance — Controls filter resonance.
Note: The filter will only self oscillate when in 4-pole mode. See Lowpass Filter Parameters on page 17 for more information.
Attack — Simultaneously adjusts the attack portion of all envelope generators:
filter, amplifier, and Envelope 3.
Decay/Release — Simultaneously adjusts the decay and release portions of all
envelope generators: filter, amplifier, and Envelope 3.
Push It! — The PUSH IT button is a manual trigger to play Mopho. It can trigger
a specific note (at a specific velocity) or a gated sequence, latch notes or
sequences on and off, and manually step through a sequence. For more
information, see Program Parameters, beginning on page 15.
7
Basic Operation
In designing Mopho, the goal was to make a great sounding analog mono synth
that was also affordable. Toward that end, we wanted to give players enough
control over parameters to make it useful for performance, so we came up with a
combination of “hard-wired” commonly used controls and user-assignable
controls. Any of Mopho’s parameters can be edited in real time from the front
panel controls. But we also recognize that may not be the quickest or easiest
way to program sounds from scratch. A free editor is available for Mac OS and
Windows that gives you access to all of Mopho’s program parameters
simultaneously. Download it here: www.soundtower.com/mopho. Also, an
advanced version of the editor with more features can be purchased from our
Web site.
Note: Most of the Prophet ’08’s controls map directly to Mopho’s
controls, so if you have a Prophet ’08, you can use it as a MIDI control
surface for Mopho.
When Mopho first powers up, it is in Program mode. The top line of the LCD
shows the Program (1…128) and Bank (1…3) number of the currently selected
program, and the bottom line shows the 16-character name of the program. The
ROGRAM knob changes the program. The program can also be changed by
P
pressing the increment (+) or decrement (-) switches, respectively. To increment
to the next bank, hold the increment switch briefly; to decrement to the previous
bank, hold the decrement switch.
To edit a program, simply turn any knob. The A
SSIGNABLE PARAMETERS knobs
have been preset to useful parameters for the factory programs. To change a
knob’s assignment, press A
SSIGNABLE PARAMETERS knobs now will scroll through the list of available
the A
parameters. Choose one or more parameters to edit and then press A
SSIGN PARAMETERS to light the LED. Turning any of
SSIGN
PARAMETERS again to exit the assignment mode (ASSIGN PARAMETERS LED
should now be off). See Program Parameters on page 15 for a detailed list of all
parameters and their functions. After editing parameters, press the P
ROGRAM
MODE switch to exit edit mode and return to program mode.
Feedback
As you can see from the illustration on the following page, the left Audio Output
is normalled to the Audio In. (This connection is broken when a plug is inserted
in the Audio In.) Turning up the external input volume (ExtIn Vol parameter)
will cause varying amounts of the audio output to be mixed back in pre-filter.
For most purposes, small amounts of feedback are most useful and the resulting
effect is similar to an overdrive distortion. Higher levels of feedback can get
very squirrelly and rude (which may be exactly the effect you’re looking for).
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